ContentsOrganization of the Aaron Copland Collection Container List Writings and Oral Presentations, 1925-1988 Professional Papers, 1917-1990 |
Aaron Copland CollectionProcessed by the Music Division of the Library of Congress2005
Biographical Sketch
Return to the Table of Contents Scope and Content NoteThe Aaron Copland Collection consists of published and unpublished musical scores by Aaron Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer, performer, teacher, writer, conductor and administrator for various organizations -- from about 1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the year of his death. The collection has been organized into thirteen major categories -- Music, Writings & Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks, Biography, Awards, Art, Photographs, Victor Kraft Material and Books. The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. Holograph manuscripts of Martha Graham's ballet Appalachian Spring, the popular pieces El Salón México and Fanfare for the Common Man (which was used later in his Third Symphony), represent just a fraction of available riches in this collection. At the end are three Published Compilations of Music by Copland -- two adaptations by Clare Grundman, A Copland Portrait and Sounding Success, and the third work, Piano Album, which is a collection of Copland solo piano pieces. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. Among these pieces are sketches for The Ballad of Ozzie Powell, which served for Music for Radio, music composed for a unfulfilled musical, Tragic Ground, and sketches for a string quartet, composed between 1965-1968. At the beginning of the series see the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system. The Juvenilia: Works by Copland represent his early compositions and arrangements. Created between 1911 and 1926, the manuscripts encompass Copland's adolescent years studying with Rubin Goldmark in New York City through his student years and under the tutelage of Nadia Boulanger at Fontainebleau and Paris. Besides original holograph scores and sketches, these early works include compositional and piano exercises and scores and sketches of transcriptions and arrangements of other composers' works. The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. Most contain holograph annotations either in Copland's hand, especially his conducting scores, or signed by the composer or donor. These scores and the other published works from his collection, which became part of the Performing Arts Library at the New York Public Library, illustrate a broad, composite spectrum of composers in the Western Hemisphere. The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland. The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, What Europe Means to the Aspiring Composer, after his return from three years of musical study in France. The numerous cross references reflect Copland's penchant to borrow from himself and indicate the relationship of articles as they were discovered during processing. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. In most cases, the evolution of the final printed words for Copland's published books can be traced, though difficult at times because of his revisions, from the handwritten manuscript to the final typescript, beginning with the 1939 first edition of What to Listen for in Music and ending with The New Music, the 1968 revision of Our New Music (1941). Also, the correspondence and notes exist for a sixth book, the first volume of the projected two volume autobiography. Copland's earliest lectures began at the New School for Social Research with Aesthetics of Modern Music (1927) and ended with What to Listen for in Music. The complexity of Copland's borrowing from one medium to the other is demonstrated by the lecture, Music of the 20s, given in 1940, which probably became a source for the 1952 Harvard lectures of the same name which in term was incorporated in the published book, Music and Imagination, and finally became the source for the 1965 television special, Music in the 20s. Some of the earlier lectures also became the source for a 1947 series of lectures, Panorama of American Composers, which Copland delivered in Brazil. Two numbering systems by Copland were discovered on some lectures. See the Index for the Lectures and Speeches with AC Numbers for more information. Copland quickly embraced the new mediums of radio and television. His radio talks apparently began in the United States in 1936 for the CBS "Modern Music" series and continued until the 1976 statements for the BBC at the time of Benjamin Britten's death. He also frequently spoke on radio stations while on tour in various foreign countries. In the United States, he presented a series of fifty-two programs on WNCN, Aaron Copland Comments from 1968-1971. Fifteen years of television appearances began in 1965 with a program, Copland on Copland on the British Broadcasting Company, and, in the United States, with the production of Music in the 20s. Other appearances included the Bill Moyer's Journal Aaron Copland and the 1980 birthday tribute, A Copland Celebration! The Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. The ballet scripts contain an intriguing scenario, Memorial Day, Dances for Democracy in Crisis, which identifies the collaborators -- conceived by Lincoln Kirstein, Lew Christensen as the general stage director, music by Copland, choreography by Lew Christensen, Erick Hawkins, Eugene Loring, and the costumes by Jared French. Evidently, the ballet never developed beyond this scenario which includes forty-eight watercolor drawings. The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips. The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, The Red Pony and Something Wild. The date spans represent the actual span of year dates noted in the journal. Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order. The Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom. The General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail. The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra. The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras. The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included. Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942. All, but the Australian tour scrapbook, have been preserved on microfilm because of their fragile condition (Microfilm 93/20002 Mus); the original of these three volumes will not be served to the public. The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries. The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, Honoris Causa, from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal. The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger. The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, Copland, 1900-1943 (Volume I) and Copland Since 1943 (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found. A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series. The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as Life Magazine, Harper's Bazaar, Junior Bazaar, and the French art journal L'Oeil, among others. The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series. The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris. Wilda Heiss and Lloyd Pinchback, April 1995 Wilda Heiss and Lloyd Pinchback, Music Specialists, Revised 2000 Processed by: Virginia Chang, Carol Lynn Flanigan, Wilda Heiss, Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback, Loras Schissel and Deanna Whitsitt. Formatted by: Stefan Patejak (1995) and Michael A. Ferrando (1995, 2000) Acknowledgment: A special thank you to Daniel Mathers for his invaluable assistance during the editing of the Music Manuscripts and Printed Editions by Aaron Copland. Return to the Table of Contents Selected Search TermsPeople
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Return to the Table of Contents Organization of the Aaron Copland CollectionThe Aaron Copland Collection is organized in thirteen series:
Return to the Table of Contents Container ListMusic, 1841-1988The Music series is divided into two subseries: Music by Aaron Copland and Music by Others. The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. The Juvenilia: Works by Copland represent his early compositions and arrangements. The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system. Arrangment is by subseries. Music by Aaron Copland, 1911-1985Music Manuscripts and Printed Editions by Aaron Copland, Published Compilations of Works by Copland, and Music Composed by Copland Assigned ARCO Number (1920-1985 and undated). Includes manuscripts, copies of manuscripts (ozalids, photocopies and photostats) and printed scores of Copland's original compositions, adaptations and transcriptions, compilations of Copland's works, and adaptations and transcriptions by other composers. Juvenilia: Works by Copland (1911-1926 and undated). Divided into Juvenilia Arranged Chronologically, Juvenilia Arranged Alphabetically by Title, and Copland Transcriptions or Arrangements of Works by Others. Included manuscripts and student music notebooks. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system. Arranged numerically by Copland's numbering system, then by decimal numbers for manuscripts and copies of manuscripts and by alphabetic suffix for published editions (except works not numbered arranged alphabetically by title). Music Manuscripts and Printed Editions, 1920-19851) Humoristic scherzo : the cat and the mouse [piano work]1Scherzo humoristique : le chat et la souris. Ms. Piano solo; 4 p.; 34.5 cm.1.1Humoristic scherzo : the cat and the mouse. Ms. Piano solo (incomplete); 3 p.; 34.5 cm.1.2Scherzo humoristique : le chat et la souris = The cat and the mouse.Paris: Durand & Cie., . [1921] Publisher's proof. Piano solo; 5 leaves.1aScherzo humoristique : le chat et la souris = The cat and the mouse / pour piano 2 mains.Paris: Durand & Cie., . 1948 Piano solo; 5 p.1bThe cat and the mouse.New York: Boosey & Hawkes, . 1950 Piano solo; 7 p.2) An old poem = Vieux poeme [song]2An old poem (melodie chinoise). Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.2.1An old poem (melodie chinoise). Ms. Score for voice and piano; 3 p.; 34.5 cm.2.2Old poem. Ms. Vocal score; 2 p.; 17.5 x 27 cm.2.3An old poem : song for soprano with piano accompaniment. Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.2.4Old poem.Paris: Éditions Maurice Senart, . [1923] Publisher's proof. Score for high voice and piano; 3 leaves2aOld poem.Paris: Éditions Maurice Senart, . [1923] Score for high voice and piano; 3 p. (2 copies).2bOld poem.Paris: Éditions Salabert, . [1923] Score for high voice and piano; 3 p.2cOld poem.New York: Boosey & Hawkes, . 1985 Score for high voice and piano; 4 p.3-A) Pastorale [song]3-APastorale. Ms. Score for soprano and piano; 3 p.; 34 cm.3-A.1Pastorale. Ms. (photostat). Score for soprano and piano; 2 p.; 28 cm.3-A.2Pastorale. Ms. Score for voice and piano (incomplete); 1 leaf; 34.5 cm.3-AaPastorale.New York: Boosey & Hawkes, . 1979 Score for high voice and piano; 2 p.3-B) Alone [song]3-BAlone. Ms. Score for voice and piano; 3 p.; 35 cm.3-B.1Alone. Ms. Score for voice and orchestra; 10 p.; 35.5 cm.3-B.2Alone : melodie pour chant et piano. Ms. Score for voice and piano; 3 p.; 35 cm.3-B.3Alone : song for voice, piano, and viola. Ms. Score for voice, viola, and piano; 4 p.; 34.5 cm.4) Four motets ; 4 motets = Quatre motets [chorus]4Four motets : for mixed chorus, a cappella. Ms. Score for mixed chorus (SATB); 12 p.; 36.5 cm.4.1Four motets. Ms. Score for mixed chorus; [13] p. (unnumbered); 35 cm.4.2"4 motets". Ms. Score for mixed chorus (SATB); [12] p.; 35 cm.4.3"4 motets". Ms. Score for mixed chorus (SATB); 12 p.; 35 cm.4.4"4 motets". Ms. Score for mixed chorus (SATB); 11 p.; 30.5 cm.4.5Four motets. Ms. Score for mixed chorus (SATB); 12 p.; 36 cm.4.6"Quatre motets" / pour un chorus mixte a cappella. Ms. Score for mixed chorus (SATB); 11 p.; 34 cm.4.7"4 motets". Mss. Soprano vocal parts; Nos. I-IV; 33-35.5 cm.4.8"4 motets". Mss. Alto vocal parts; Nos. I-IV; 33-35.5 cm.4.9"4 motets". Mss. Tenor vocal parts; Nos. I-IV; 30.5-33 cm.4.10"4 motets". Mss. Bass vocal parts; Nos. I-IV; 33-36 cm.4.11"4 motets". Mss. Instrumental parts; for Nos. I-III; 31.5-35 cm.4 misc"4 motets". Mss. (photocopies). Pages from corrected manuscript proofs; 14 leaves; various sizes.4a, No. I"Help us, O Lord".[New York]: Boosey & Hawkes, . [1979] Score for mixed chorus (SATB), a cappella; 7 p. (2 copies).4a, No. II"Thou O Jehovah, abideth forever".[New York]: Boosey & Hawkes, . [1979] Score for mixed voice (SATB), a cappella; 8 p.4b, No. II"Gud ar min raddning" = "Thou, O Jehovah abideth forever".Stockholm: AB Carl Ghermans Musikforlag, . [1987] Choral score (SATB); 8 p.4a, No. III"Have mercy on us, O my Lord".[New York]: Boosey & Hawkes, . [1979] Score for mixed voices (SATB), a cappella; 8 p.4a, No. IV"Sing ye praises to our king".[New York]: Boosey & Hawkes, . [1979] Score for mixed voices (SATB), a cappella; 10 p.5) Passacaglia [piano work]5Passacaglia. Ms. Piano solo; 8 p.; 35 cm.5.1Passacaglia. Ms. Piano solo; 4 p. (ms.), 4 p. (photocopy); 35 cm.5.2Passacaglia : pour piano seul. Ms. Piano solo (score & sketches); 8 p.; 35 cm.5.3Passacaglia. Ms. Organ solo; 10 p.; 33.5 cm.5.4Passacaglia : a Mlle. Nadia Boulanger. Ms. Organ solo; 10 p.; 34 cm.5.5Passacaglia (orchestral). Ms. Full score; 11 p.; 40 cm.5aPassacaglia : pour piano.Paris: Éditions Maurice Senart, . [1922] Piano solo; 7 p.5bPassacaglia : pour piano.Paris: Éditions Salabert, . 1959 Piano solo; 8 p. (2 copies).5cPassacaglia : for piano.New York: Boosey & Hawkes, . 1987 Piano solo; 7 p.5dPassacaglia.New York: Éditions Salabert, n.d. Piano solo; 8 p.6) As it fell upon a day [song]6As it fell upon a day : song for soprano / with accompaniment of flute & clarinet. Ms. Score for voice, flute and clarinet; 10 p.; 36 cm.6.1[As it fell upon a day] : melodie pour chant / avec accompaniment de flute et clarinette. Ms. Score for voice, flute and clarinet; [8] p. (pp. 3-10); 35.5 cm.6.2As it fell upon a day : melodie pour soprano / avec accompaniment de flute et clarinette. Ms. Score for voice, flute and clarinet; 3 leaves; 35 cm.6.3As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. Ms. Score for voice, flute and clarinet; 7 p.; 34 cm.6.4As it fell upon a day. Mss. Parts for flute and clarinet.6aAs it fell upon a day : song for soprano / with accompaniment of flute and clarinet.San Francisco: New Music Society of California, . 1929 Score for voice with accompaniment of flute and clarinet; 14 p. (2 copies).7) Symphony for organ and orchestra7Symphony for organ and orchestra. Ms. Full score; 85 p.; 40-45.5 cm.7.1Symphony for organ and orchestra. Ms. Orchestral sketches; 55 p. (12, 20, 23 p.); 34.5 cm.7.2Symphony for organ and orchestra. Ms. Orchestral sketches; 46 p.; 34.5-36.5 cm.7.3Symphony for organ and orchestra. Ms. Organ part; 54 p.; 34.5 cm.7.4Symphony for organ and orchestra. Ms. (ozalid). Organ part; 27 p.; 36 cm.7.5Symphony for organ and orchestra. Ms. (ozalid). Full score; 85 p.; 40.5 cm.7.6Symphony for organ and orchestra. Ms. (ozalid). Full score; 83 p.; 43.5 cm. (spiral bound).7aSymphony for organ and orchestra.London: Boosey & Hawkes, . [1963] Full score; 56 p. (3 copies, Copy 3 bound).7bSymphony for organ and orchestra.London: Boosey & Hawkes, . 1963 Full score (miniature); 56 p.8) Grohg [ballet]8Grohg : ballet in one act (revised 1932). Ms. Full score; 191 p.; 40 cm. (bound).8.1Grohg : ballet in one act (1925). Ms. Full score sketches; 46 leaves (79, [2] p.); 34-35 cm.8.2Grohg : ballet in one act. Ms. Additional piano sketches; various paginations; 35 cm.8.3Grohg : ballet in one act. Ms. Piano solo; 43 p.; 34.5 cm.8.4Grohg : ballet in one act. Ms. (photocopy). Piano solo; [12] p.; 38.5 x 25 cm. (bound).8.5"Petites valses" (origin of ballet Grohg). Ms. Piano sketch; 4 p.; 35 cm.8.6"Trois dances du ballet Grohg" / en un acte. Ms. Score for two pianos (draft); 68 p.; 36 cm.8.7"Three dances from Grohg" : ballet in one act. Ms. Score for two pianos; pages unnumbered; 35 cm.8 miscGrohg (Cortege macabre) : ballet in one act. Mss. Miscellaneous pages from full scores, two piano arrangements, ballet synopsis, etc.; 40.5 cm.8-A) Cortege macabre: from ballet Grohg8-ACortege macabre. Ms. Full score sketch; 47 p.; 35 cm.8-A.1Cortege macabre : from Grohg / ballet in one act. Ms. Full score; 58 p.; 41 cm.8-A.2Cortege macabre. Ms. (photocopy). Full score; 58 p.; 40 cm.8-A.3Cortege macabre. Ms. Score for two pianos (draft); 18 p.; 36 cm.8-A.4Cortege macabre : from Grohg -- ballet in one act. Ms. Full score (incomplete); 7 p.; 40 cm.8-A.5Cortege macabre. Ms. (ozalid). 1st violin part; 6 p.; 34 cm.8-A.6Cortege macabre (from an unnamed ballet in one act) : for orchestra / arranged for two pianos by Aaron Copland. Ms. Score for two pianos; 41 p.; 35 cm.8-B) Dance of the adolescent: from ballet Grohg8-BDance of the adolescent : from Grohg. Ms. Two piano transcription; 13 p.; 33.5 cm.8-B.1Dance of the adolescent : from Grohg. Ms. Two piano transcription; 21 leaves; 30.5 cm.8-B.2Dance of the adolescent : from dance symphony. Ms. (ozalid). Two piano transcription; 21 p.; 30.5 cm.8-BaDance of the adolescent.London: Boosey & Hawkes, . [1968] Score for two pianos; 24 p. (2 parts in one folder).9) Two choruses for women's voices : 9-A) "The house on the hill" ; 9-B "An immorality"9-A"House on the hill" : for women's voices. Ms. Score (sketch) for women's voices (SSAA); 10 p.; 41 cm.9-Aa"The house on the hill" : four-part chorus for women's voices / a cappella ; from "Children of the night" by Edward Arlington Robinson.Boston: E. C. Schirmer Music Co., . [1926] Score for women's voices (SSAA); 11 p. (2 copies).9-Ab"House on the hill" : four-part chorus for mixed voices a cappella; from "Children of the Night" by Edward Arlington Robinson.Boston: E. C. Schirmer Music Company, . [1954] Score for mixed voices (SSAA); 11 p.9-Ac"The house on the hill" : for SSAA chorus / a cappella.[New York]: Boosey & Hawkes, . 1990 Choral score ( SSAA); 9 p. (3 copies).9-B) "An immorality": from Two choruses for women's voices9-B"An immorality" : chorus for women's voices & piano acc. Ms. Score for women's voices (SSA) and piano; 6 p.; 40 cm.9-Ba"An immorality" : from "Lustra" by Ezra Pound.Boston: E. C. Schirmer Music Co., . [1926] Three-part chorus for women's voices (SSA); 15 p. (2 copies).9-Bb"An immorality" : three-part chorus for women's voices / with soprano solo.Boston: E. C. Schirmer Music Company, . [1954] Score for chorus (SSA) and piano; 15 p.9-Bc"An immorality" : for soprano solo, SSA chorus and piano.New York: Boosey & Hawkes, . 1990 Score for chorus and piano; 12 p. (6 copies).10) Music for the theatre [suite]10Music for the theatre : suite in 5 parts for chamber orchestra. Ms. Full score (for 18 piece orchestra); 126 p.; 34.5 cm.10.1Music for the theatre : suite in 5 parts for chamber orchestra. Ms. Orchestral sketches; 32 p.; 34.5 cm.10.2Music for the theatre : suite in 5 parts for chamber orchestra. Ms. Score for piano -- 4 hands; 42 p.; 34.5 cm.10.3Music for the theatre : suite in five parts for small orchestra. Ms. Full score; 122 p.; 34 cm. (bound).10aMusic for the theatre : suite in five parts for small orchestra.Austria: Cos Cob Press, Inc., . [1932] Full score; 71 p. (4 copies, Copy 2 bound).10bMusic for the theatre : suite in five parts for small orchestra.New York: Cos Cob Press, Inc., . [1932] Full score (miniature); 71 p.10cMusic for the theatre : suite in five parts for small orchestra.New York: Boosey & Hawkes, . [1956] Full score; 71 p. (2 copies).11) A dance symphony [orchestra]11A dance symphony. Ms. Full score; 100 p.; 39.5 cm.11.1A dance symphony. Ms. (photostat). Full score (incomplete); 99 p.; 38.5 cm.11.2A dance symphony. Ms. Score for piano, four hands; 48 p.; 36 cm.11.3A dance symphony. Ms. Full score; 53 leaves (several numbers skipped or pages missing); 41 cm.11 miscDance symphony. Mss. Miscellaneous pages from full score; various sizes.11aDance symphony : for large orchestra.Austria: Cos Cob Press, Inc., . [1931] Full score; 87 p. (2 copies).11bDance symphony : for large orchestra.New York: Cos Cob Press, Inc., . [1931] Full score (miniature); 87 p.11-A) Dance of the adolescent: from Dance symphony11-AaDance of the adolescent : from Dance Symphony.[London]: Boosey & Hawkes, . [1968] Score for two pianos; 24 p. (2 parts in one folder).12) Concerto for piano and orchestra12Concerto for piano and orchestra. Ms. Full score sketch; 55 p.; 40 cm.12.1Concerto (in one movement--two parts) for piano and orchestra. Ms. Short score for piano and orchestra; 33 p.; 34.5 cm.12aConcerto for piano and orchestra.Austria: Cos Cob Press, Inc., . [1929] Full score; 67 p. (3 copies, Copy 3 bound).12bConcerto for piano and orchestra.New York: Cos Cob Press, Inc., . [1929] Full score (miniature); 67 p.12cConcerto for piano and orchestra.New York: Boosey & Hawkes, . [1929] Full score (miniature); 67 p.12dConcerto for piano and orchestra.New York: Boosey & Hawkes, . [1956] Full score; 67 p.12-A) Concerto for piano and orchestra [two pianos]12-AConcerto for piano and orchestra. Ms. Score for 2 pianos (four hands) and orchestra; 45 p.; 35.5 cm.12-A.1Concerto (in one movement - two parts) for piano and orchestra. Ms. (ozalid). Score for two pianos; 31 p.; 32.5 cm.12-AaConcerto (in one movement -- two parts) for piano and orchestra.New York: Cos Cob Press, Inc., . [1929] Score for two pianos, four-hand arrangement; 30 p. (2 copies).12-AbConcerto (in one movement -- two parts) for piano and orchestra.New York: Cos Cob Press, Inc., . [1929] Score for two pianos, four- hand arrangement; 30 p. (2 copies).12-AcConcerto (in one movement -- two parts) for piano and orchestra.New York: Boosey & Hawkes, . [1956] Score for two-piano, four- hand arrangement; 30 p. (2 copies in one volume).13) Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; "Ukelele serenade"13Two pieces for violin and piano : A) "Nocturne"; B) "Serenade" (original title). Ms. Score for violin and piano; 17 p.; 35.5 cm.13.1Two pieces for violin and piano : A) "Nocturne"; B) "Serenade". Ms. Sketch (score) for violin and piano; 12 p.; 34.5 cm.13.2Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". Ms. Score for violin and piano; 18 p.; 36 cm.13.3Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". Ms. (negative photostat). Score for violin and piano; 18 p.; 35.5 cm.13.4A) "Nocturne" ; B) "Ukelele serenade". Ms. Violin part; 4 p.; 35 cm.13.5A) "Nocturne" ; B) "Serenade". Ms. Violin part; 6 p.; 35 cm.13 misc[A) "Nocturne" ; B) "Ukelele serenade"]. Mss. Miscellaneous pages from Nocturne and Ukelele Serenade; 2 leaves.13-A) "Nocturne": from Two pieces for violin and piano13-A"Nocturne". Ms. (photostat). Violin part; 2 leaves; 33 cm.13-Aa"Nocturne".Mainz, Germany: B. Schott's Sohne, . [1928] Score for violin and piano, and violin part; 4 + 1 p.13-Ab"Nocturne".Mainz, Germany: B. Schott's Sohne, . [1928?] Score for violin and piano, and violin part: 4 + 1 p.13-Ac"Nocturne".London: Boosey & Hawkes, . [1968] Score for violin and piano, and violin part; 4 + 1 p.13-Ad"Nocturne".London: Boosey & Hawkes, . [1978] Piano score and clarinet part; 5 p. (pp. 15-19) + 2 p. (pp. 10-11).13-B) "Serenade" ; "Ukelele serenade": from Two pieces for violin and piano13-B"Ukelele serenade". Ms. (ozalid). Score for violin and piano; 12 leaves (pp. 7-18); 34 cm.13-B.1"Serenade". Ms. (ozalid and negative photostat). Violin part; 8 leaves; 32.5 cm. (2 copies).13-Ba"Ukelele serenade".Mainz, Germany: B. Schott's Sohne, . [1928] Score violin and piano score, and violin part; 10 + 3 p.13-Bb"Ukelele serenade".Mainz, Germany: B. Schott's Sohne, . [1928?] Score for violin and piano, and violin part: 10 + 3 p.13-Bc"Ukelele serenade".London: Boosey & Hawkes, . [1968] Score for violin and piano, and violin part; 8 + 3 p.14) Sentimental melody ; Five sentimental melodies [piano and chamber work]14Sentimental melody : for piano solo. Ms. Piano score; 3 p.; 35 cm.14.1Five sentimental melodies for piano and violin. Ms. Sketches for piano and violin score; 3 p.; 34.5 cm.14.2Sentimental melody. Ms. Piano solo; 1 leaf; 34.5 cm.14aSentimental melody (slow dance).London: Schott & Co., Ltd., . [ca. 1930] Piano solo; 2 p. (pp. 10-11).15) Song ; Poet's song ; "In spite of everything which breathes and moves" [song]15Song (E. E. Cummings). Ms. Score for voice and piano; 4 p.; 34 cm.15.1Song (E. E. Cummings). Ms. Sketch for voice and piano score; 1 leaf; 35 cm.15.2"In spite of everything which breathes and moves" song for voice and piano. Ms. Score for voice and piano; 2 p.; 23 x 30.5 cm.15aSong (E. E. Cummings).New York: Cos Cob Press, Inc., . [1935] Score for voice and piano; 3 p. (pp. 20-22).15bPoet's song / words by E. E. Cummings.[London]: Boosey & Hawkes, . [1962] Score for high voice and piano; 4 p.15cSong (E. E. Cummings).New York: Boosey & Hawkes, . [1964] Score for voice and piano; 3 p. (pp. 19-21).16) Two pieces for string orchestra (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]16Two pieces for string orchestra : I) "Lento molto" ; II) "Rondino" (incomplete; one page of "Rondino" only). Ms. Score for string orchestra; [9] p.; 42 cm.16aTwo pieces for string orchestra.New York: Arrow Music Press, Inc., . [1940] Score for string orchestra; 13 p. (3 copies).16-A) Two pieces for string quartet (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]16-ATwo pieces for string quartet : A) Lento molto; B) Rondino. Ms. Score for string quartet; 14 p.; 36 cm.16-AaTwo pieces for string quartet.New York: Arrow Music Press, Inc., . [1948] Score for string quartet (miniature); 13 p.16-B) "I) Lento molto" (slow movement for string quartet): from Two pieces for string quartet16-BI) "Lento molto". Ms. Score for string quartet; 6 p.; 34.5 cm.16-B.1"Slow movement for string quartet". Ms. Sketches for string quartet; 7 + 4 p.; 45 cm.16-C) "II) Rondino": from Two pieces for string quartet16-CII) "Rondino" sur le nom du Gabriel Fauré / pour quatuor a cordes : from Two pieces for string quartet. Ms. Score for string quartet; 8 p.; 36 cm.16-C.1II) "Rondino sur le nom du Fauré". Ms. Score for string quartet; 10 p.; 35 cm.16-C.2"Rondino". Mss. String parts; 35 cm.16-C.3"Hommage á Fauré" : A) Prelude / No. IX from "Preludeo pour piano, Op. 103", by Gabriel Fauré; arranged for string quartet by A.C. Mss. Full score (for string quartet), and Violin I and Violin II parts; 3 + 1 + 1 p.; 33-34.5 cm.17) Vocalize (Improvisation) [voice & piano]17Improvisation (Vocalise pour voix et piano). Ms. Score for voice and piano; 5 p.; 34.5 cm.17.1Vocalize (Improvisation). Ms. Score for voice and piano; 1 leaf; 40 cm.17.2Vocalize. Ms. Sketch for voice and piano; 2 leaves; 32-35 cm.17aVocalise (Vocalize).[New York]: Boosey & Hawkes, . [1957] Score for high voice and piano; 6 p. (2 copies).17-A) Vocalize [flute & piano]17-AVocalize : for flute solo with piano accompaniment. Ms. Flute part; 2 p.; 34 cm.Ms. Flute part edited by Doriot Anthony Dwyer.17-A.1Vocalize : for flute and piano. Ms. (ozalid). Score for flute and piano; 5 p.; 35 cm. (bound).17-A.2Vocalize : for flute and piano.[New York]: Boosey & Hawkes, . [1957] Score for flute (high voice) and piano; 6 p.17-AaVocalise for flute and piano.London: Boosey & Hawkes, . [1974] Score for flute and piano with flute part; 4 + 2 p.17-B) Vocalise [oboe & piano]17-BaVocalise.London: Boosey & Hawkes, . [1978] Score for oboe and piano with oboe part; 2 p. (pp. 2-3) + 4 p. (pp. 2-5).18) First symphony18First symphony : for large orchestra. Ms. Full score; 95 p.; 45 cm.18.1First symphony. Ms. Full score (early draft); 49 p.; 45 cm.18aFirst symphony : for large orchestra.Austria: Cos Cob Press, . [1931] Full score; 80 p. (4 copies, Copy 4 bound).18bFirst symphony : for large orchestra.New York: Cos Cob Press, . [1931] Full score (miniature); 80 p.18-A) "Prelude": from First symphony [chamber orchestra]18-A"Prelude" : from First symphony. Ms. (ozalid). Full score; 14 p.; 35 cm. (bound).18-A.1"Prelude" : from First symphony. Mss. Instrumental parts (incomplete); 9 leaves; 33 cm.18-A.2"Prelude" : [from First symphony]. Ms. (photocopy). Short score sketch (incomplete); [5] leaves; 36.5 cm.18-A.3"Prelude" : for trio (violin, cello, piano) / arranged from 1st movement of Symphony for Organ and Orchestra by the composer. Ms. (photocopy). Full score; 7 p.; 35 cm.18-Aa"Prelude" : from First symphony.London: Boosey & Hawkes, . [1968] Full score for chamber orchestra; 12 p. (2 copies).18-Aaa"Prelude" : from First symphony.London: Boosey & Hawkes, . [1968] Parts for chamber orchestra; 31 cm. (2 sets).19) Symphonic ode [orchestra]19Symphonic ode : for large orchestra. Ms. Full score (draft); 44 + 6 p.; 45 cm.19.1Symphonic ode. Ms. Condensed score; 33 p.; 45 cm.19.2Symphonic ode. Ms. Full score; 35 p. (incomplete); 45 cm.19.3Symphonic ode. Ms. Condensed score sketches; [56] p.; 35-45 cm.19.4Symphonic ode. Ms. Condensed score sketches (2nd version); 50 p.; 34-40 cm.19.5Symphonic ode. Ms. Full score; 86 p.; 45 cm. (bound).19.6Symphonic ode. Ms. (photocopy). Full score; 86 leaves (pages missing); 38.5 cm.19.7Symphonic ode. Ms. (negative photostat). Full score; 86 leaves; 35 cm.19.8Symphonic ode. Mss. Orchestral parts; 33.5 cm.20) Vitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work]20Vitebsk (Study on a Jewish melody). Ms. (photocopy). Score for violin, cello, and piano; 22 p.; 38.5 cm.20.1Vitebsk (Study on a Jewish melody). Ms. Rough sketch and draft score for piano, violin, and cello; 26, 20 p.; 40 cm.20aVitebsk : study on a Jewish theme.New York: Cos Cob Press, Inc., . [1934] Score for violin, cello, and piano; 18 p.20bVitebsk.New York: Cos Cob Press, Inc., . [1934] Score for piano, violin, and violoncello -- parts for violin and violoncello laid in; 18 + 5 + 5 p. (3 copies).21) Piano variations [piano work]21Piano variations. Ms. Piano solo; 17 p.; 34.5 cm.21.1Piano variations. Ms. (photocopy). Piano solo; 17 leaves; 37 cm.21.2Piano variations. Ms. (photostat). Piano solo; 17 leaves; 34 cm.21.3Piano variations. Ms. Rough sketch and piano sketch; 63 p.; various sizes.21aPiano variations.Austria: Cos Cob Press, Inc., . [1932] Piano solo; 16 p.22) Miracle at Verdun [incidental music]22Miracle at Verdun. Ms. Orchestral sketches; 27 p.; 33.5-40 cm.23) Elegies [chamber work]23Elegies : for violin and viola. Ms. Score for violin and viola; 8 p.; 24 x 33 cm.23.1"Elegy." Ms. Sketch for violin and viola score; 6 p.; 38 cm.24) Short symphony (Second symphony) [orchestra]24Short symphony. Ms. Full score; 74 p.; 42 cm.24.1Short symphony. Ms. Full score; 66 p.; 42 cm. (bound).24.2Short symphony : partita. Ms. Rough sketches; 100 p.; 38-40 cm.24.3Short symphony. Ms. Piano sketch; 43 p.; 38 cm.24.4Short symphony. Ms. Rough orchestral score; 98 p.; 40-44.5 cm.24.5Short symphony. Ms. Short score (piano sketch); 32 p.; 33-34.5 cm.24.6Short symphony. Ms. Full score; 91 leaves; 38 cm.24.7Short symphony (No. 2). Ms. Full score; 91 p.; 38 cm. (spiral bound).24aShort symphony (No. 2).London: Boosey & Hawkes, . [1955] Full score; 67 p.24bShort symphony (No. 2).London: Boosey & Hawkes, . [1955] Full score (miniature); 67 p.25) Statements for orchestra25Statements for orchestra. Ms. Full score (rough draft); 50 p.; 38-45 cm.25.1Statements for orchestra. Ms. Short score (piano sketch); 25 p.; 34.5 cm.25.2From Statements for orchestra. Ms. Full score of parts II, IV, and VI; [11] p.; 38 cm.25.3Statements. Ms. Full score; 50 p.; 42 cm.25.4[Statements]. Ms. (photostat). Full score (reduced from actual size); 50 leaves; 28 cm.25 miscStatements for orchestra. Mss. Miscellaneous pages from scores; unnumbered; various sizes.25aStatements.New York: Boosey & Hawkes, . [1947] Full score; 49 p. (bound).25bStatements.London: Boosey & Hawkes, . [1947] Full score (miniature); 49 p.25cStatements.London: Boosey & Hawkes, . [1947] Full score; 49 p.26) Hear ye! Hear ye! [ballet]26Hear ye! Hear ye! : ballet in one act. Ms. Conductor score, in 2 volumes; 228 p.; 41 cm.26.1Hear ye! Hear ye! : ballet in one act. Ms. (photocopy). Full score; [113] p.; 25 x 38.5 cm. (bound).26.2Hear ye! Hear ye! Ms. Sketches (rough piano version); various paginations; 34 cm.26.3Hear ye! Hear ye! : ballet in one act / small orchestra score / arranged from the original score for large orchestra (1935). Ms. Full score; various paginations; 45 cm.26.4Hear ye! Hear ye! : "Girls dance" (as seen by the Negro waiter). Ms. (photocopy). Short piano score; 11 leaves; 35 cm.26.5Hear ye! Hear ye! : "Dove dance". Ms. (photocopy). Short piano score; 4 leaves; 35 cm.26.6Hear ye! Hear ye! : three cabaret numbers from the ballet. Ms. Full score (unfinished); [16] p.; 46 cm.26.7Hear ye! Hear ye! Ms. (photocopy). Score for two pianos; 77 leaves; 35.5 cm.26.8Hear ye! Hear ye! Ms. Orchestral parts.26.9Hear ye! Hear ye! Mss. Orchestral parts.27) What do we plant? [chorus]27What do we plant? : two-part chorus for junior high school. Ms. Score for soprano and alto voices, and piano; 6 p.; 33.5-35.5 cm.27.1What do we plant? Ms. Score for soprano and alto voices, and piano; 8 p.; 34 cm.27.2What do we plant? Ms. Sketch for soprano and alto voices and piano (incomplete); 2 p.; 27 x 35 cm.27aWhat do we plant? : two-part SA / words by Henry Abbey (8942-1911) / music by Aaron Copland.New York: Boosey Hawkes Belwin, Inc., . [1941] Piano-vocal score; 8 p. (2 copies).27bWhat do we plant? : two-part SA[New York]: Boosey & Hawkes, Inc., . [19--?] Piano-vocal score; 8 p.28) El salón México [orchestra]28El salón México. Ms. Full score; 56 p.; 46 cm.28.1El salón México. Ms. Full score (draft); 58 p.; 38 cm.28.2El salón México. Ms. Two folders of rough sketches in one clamshell box; 26 + 28 p.; various sizes.28.3El salón México. Ms. Rough orchestral score; 4 p.; 42 cm.28.4"Beyond the Rio Grand". Ms. Full score (incomplete); [4] p.; 45.5 cm.28aEl salón México : popular type dance hall in Mexico City.London: Hawkes & Son, . [1939] Full score; 44 p. (2 copies, Copy 1 bound).28bEl salón México : popular type dance hall in Mexico City.London: Boosey & Hawkes, . [1939] Full score; 44 p.28-A) El salón México [piano solo]28-AEl salón México : Mexican Dance Hall. Ms. Sketch for piano solo; 21 p.; 33.5 cm.28-A.1[El salón México]. Ms. (negative photostat). Piano solo; 28 p.; 29 cm.28-A.2El salón México. Ms. (photocopy). Piano solo; 17 leaves; 34.5 cm.28-AaEl salón México.New York: Boosey & Hawkes, . [1941] Piano solo; 15 p.28-B) El salón México [two pianos]28-BEl salón México : arranged for two pianos by Leonard Bernstein. Ms. Score for two pianos; 30 p.; 31.5 cm.28-BaEl salón México : for two pianos.[New York]: Boosey & Hawkes, . [1943] Score for two pianos; 30 p. (2 parts in one folder).28-C) "Fantacia Mejicana" (Mexican fantasy): from El salón México28-C"Fantacia Mejicana" (Mexican fantasy) / adapted for piano and orchestra by Johnny Green from "El salón México". Ms. (photocopy). Full score; 44 leaves; 47.5 cm. (spiral bound).28-C.1"Fantacia Mejicana" (Mexican fantasy) / for piano and orchestra adapted by Johnny Green from "El salón México". Ms. (ozalid). Piano-conductor score; 17 p.; 33.5 cm.28-C.2"Fantacia Mejicana" : for solo piano. Ms. (ozalid). Piano solo; 12 p.; 33 cm. (2 copies).28-Ca"Fantasia Mexicana" / adapted and orchestrated by Johnny Green for the M-G-M picture FIESTA.London: Boosey & Hawkes, . [1952] Piano-conductor score; 4 p.28-Cb"Fantasia Mexicana" (Mexican fantasy) / da "El salón México" di Aaron Copland; adattamento di Johnny Green per il film M.G.M 'LA MATADORA'.Milano: Edizioni Suvini Zerboni, . [1952] Piano reduction; 5 p.28-D) El salón México [concert band]28-DEl salón México. Ms. (photocopy) Full score; [59] p. (30 leaves); 35.5 cm.28-DaEl salón México.[New York]: Boosey & Hawkes, . [1972] Full score; 56 p. (2 copies).29) Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works]29Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". Ms. Piano solo; 5 p. (on 2 leaves); 34 cm.29.1Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". Ms. Sketches for piano solo; 6 p. (on 2 leaves); 35.5 + 27 x 35 cm.29aA) "Sunday afternoon music" ; B) "The young pioneers".New York: Carl Fischer, . [1963] Piano solo; 2 p. (pp. 34-35) + 3 p. (pp. 39-41).29-A) "Sunday afternoon music": from Two children's pieces [piano solo]29-Aa"Sunday afternoon music".New York: Carl Fischer, . [1936] Piano solo; 2 p.29-Ab"Sunday afternoon music".New York: Carl Fischer, . [1936] Piano solo; 2 p.29-B) "The young pioneers": from Two children's pieces [piano solo]29-Ba"The young pioneers".New York: Carl Fischer, . [1936] Piano solo; 3 p.29-Bb"The young pioneers".New York: Carl Fischer, . [1936] Piano solo; 3 p.29-Bc"The young pioneers".New York: Carl Fischer, . [1936] Piano solo; 3 p.30) The second hurricane [play/opera]30[The second hurricane]. Ms. Full score; 282 p.; 34-38 cm.30.1The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. Ms. Piano-vocal score; [129] p.; 38 cm.30.2"No. 1 - Choral overture". Ms. Choral score with orchestral indications; 12 leaves; 37 cm.30.3[The second hurricane] : excerpts from the opera. Ms. (ozalid). Piano-vocal score (incomplete); various paginations; 38.5-40.5 cm.30.4[The second hurricane]. Ms. Sketches; 133 p.; various sizes.30 misc[The second hurricane]. Mss. Miscellaneous pages from the opera; unpaged; various sizes.30aThe second hurricane : a play opera in two acts / libretto by Edwin Denby.Boston: C. C. Birchard & Co., . [1939] Full score; 216 p.30-A"2d hurricane" : [Gyp's song]. Ms. Solo vocal part; 1 leaf; 17.5 x 20 cm.30-AaThe second hurricane : a play-opera for high school performance / libretto by Edwin Denby.Boston: C. C. Birchard & Co., . [1938] Vocal score with piano accompaniment; X, 112 p.30-AbThe second hurricane : a play opera for high school performance / libretto by Edwin Denby.New York: Boosey & Hawkes, . [1957] Vocal score with piano accompaniment; [8], 112 p.30-Ba"That's the idea of freedom" / words by Edwin Denby.Boston: C. C. Birchard & Co., . [ca. 1938] Vocal score (SATB) with piano accompaniment; 8 p. (3 copies).31) Music for radio (Prairie journal) ; Saga of the prairie [orchestra]31Music for radio : commissioned by the Columbia Broadcasting System. Ms. Full score; 84 leaves; 38 cm.31.1[Music for radio : commissioned by the Columbia Broadcasting System]. Ms. (ozalid). Full score; 84 p.; 38.5 cm.31.2Music for radio. Ms. Piano sketch; 24 p.; 33.5 cm.31.3Music for radio. Ms. Full score (rough draft); 13, 44 p.; 33.5-38 cm.31.4Music for radio. Ms. Open score, original pencil sketches; 28 p.; 34 cm.31aMusic for radio (Saga of the prairie).London: Hawkes & Son, . [1940] Full score; 52 p. (2 copies, Copy 1 bound; Copy 2 spiral bound).31b"Prairie journal".London: Boosey & Hawkes, . [1967] Full score; 59 p. (3 copies).32) Sextet [chamber work]32Sextet : for string quartet, clarinet and piano. Ms. Score for string quartet, clarinet and piano; 59 p.; 34 cm.32.1Sextet : for string quartet, piano and clarinet. Ms. (photostat). Score for string quartet, piano and clarinet; 9 p.; 35 cm.32.2Sextet. Ms. Score for string quartet, clarinet and piano (incomplete); 10 p.; 33.5 cm.32aSextet : for string quartet, clarinet and piano.New York: Boosey & Hawkes, . [1948] Piano score; 45 p.32aaSextet : for string quartet, clarinet and piano.New York: Boosey & Hawkes, . [1948] Orchestral parts (2 sets).32bSextet : for string quartet, clarinet and piano.London: Boosey & Hawkes, . [1948] Full score (miniature); 45 p.33) Billy the kid [ballet]33Billy the kid. Ms. Full score; 169 leaves; 44 cm.33.1Billy the kid : complete ballet. Ms. (ozalid). Full score; 169 p.; 43.5 cm. (spiral bound).33.2Billy the kid. Ms. Piano sketches; 64 p.; 34-36 cm.33-A) Billy the kid : ballet suite [orchestra]33-AaBilly the kid : ballet suite.New York: Boosey & Hawkes, . [1941] Full score; 94 p. (bound).33-AbBilly the kid : ballet suite.London: Hawkes & Son, . [1941] Full score; 94 p. (2 copies).33-AcBilly the kid : ballet suite.London: Boosey & Hawkes, . [1941] Full score (miniature); 94 p. (2 copies).33-B) Billy the kid [two pianos]33-BBilly the kid. Ms. Score for two pianos; 63 leaves; 38 cm.33-B.1Billy the kid. Ms. (ozalid). Score for two pianos; 63 p.; 38.5 cm.33-BaBilly the kid : excerpts from the ballet.New York: Boosey & Hawkes, . [1946] Score for two pianos -- four hands; 34 p. (2 parts in one folder).33-C) Billy the kid [piano solo]33-CaBilly the kid : excerpts from the ballet.New York: Boosey & Hawkes, . [1944] Piano solo; 20 p.33-D) "Waltz": from Billy the kid [band]33-Da"Waltz" : Billy the kid.New York: Boosey & Hawkes, . [1944] Conductor score and parts.33-E) "Celebration": from Billy the kid [band]33-Ea"Celebration" : from Billy the kid.New York: Boosey & Hawkes, . [1945] Conductor score and parts.33-F) Billy the kid [small orchestra]33-FBilly the kid : small orchestra version. Ms. Score for small orchestra; 124 leaves (pages missing); 43 cm.33-Fa"Prairie night" and "Celebration dance" : from Billy the kid.New York: Boosey & Hawkes, . [1946] Full score; 24 p.33-Faa"Prairie night" and "Celebration dance" : from Billy the kid.New York: Boosey & Hawkes, . [1946] Orchestral parts.33-G) Billy the kid [violin & piano]33-G"Waltz" and "Celebration" : from Billy the kid. Ms. Score for violin and piano, and violin part; 5 + 13 p.; 35.5 cm.33-G.1"Waltz" and "Celebration" : from Billy the kid. Ms. (ozalid). Score for violin and piano; 13 p.; 35.5 cm.33-Ga"Waltz" and "Celebration" : from Billy the kid.S.l.: Boosey & Hawkes, . [1950] Score for violin and piano, and violin part; 10 + 4.33-H) Billy the kid [cello & piano]33-H"Waltz" and "Celebration" : from Billy the kid. Ms. Cello part; 5 leaves; 35.5 cm.33-H.1"Waltz" and "Celebration" : from Billy the kid. Ms. (ozalid). Cello part; 5 p.; 36 cm.33-Ha"Waltz" and "Celebration" : from Billy the kid.London: Boosey & Hawkes, . [1952] Piano score and cello part; 11 + 5 p.33-J) Billy the kid [orchestra]33-JaWaltz from Billy the kid : [arranged] for youth orchestra (1956).New York: Boosey & Hawkes, . [1957] Full score, condensed score and parts.34) An outdoor overture [orchestra]34An outdoor overture : for school performance. Ms. Piano sketch; 26 p.; 37 cm.34.1"Signature for the high-low concerts". Ms. (photocopy). Full score; 6 p.; 34 cm.34aAn outdoor overture.London: Hawkes & Son, . [1940] Full score; 44 p. (bound).34bAn outdoor overture.London: Boosey & Hawkes, . [1940] Full score (miniature); 44 p.34cAn outdoor overture.New York: Boosey & Hawkes, n.d. Full score; 44 p.34-A) An outdoor overture [band]34-AAn outdoor overture. Ms. Band score; 52 p.; 42 cm.34-A.1An outdoor overture : arranged for band by the composer. Ms. Band score (incomplete); 20 p.; 42 cm.34-AaAn outdoor overture.New York: Boosey & Hawkes, . [1948] Full score; 35 p.35) Lark [chorus]35Lark. Ms. Score for mixed voices (SATB); 8 leaves; 38 cm.35.1Lark. Ms. Sketch for mixed voices (SATB); 17 p.; 34 cm.35aLark : four-part chorus / for mixed voices (divisi) / with baritone solo (a cappella).[Boston]: E. C. Schirmer Music Co., . [1941] Score for mixed voices (SATB); (2 copies).36) The quiet city [incidental music]36The quiet city : for clarinet, saxophone, trumpet, and piano. Ms. Full score; 29 p.; 34.5 cm.36.1The quiet city : for clarinet, saxophone, trumpet, and piano. Ms. (photocopy). Full score; 29 leaves; 36 cm.36.2The quiet city. Ms. Rough piano sketch; 20 p.; 34.5 cm.36.3Quiet city. Mss. Instrumental parts; 32 cm.37) Five kings [incidental music]37Five kings. Ms. Condensed score sketch; 41 p.; 33.5 cm.37.1Five kings. Ms. (photocopy). Condensed score sketch; 41 leaves; 36 cm.38) The city [incidental music]38The city : music for the documentary film. Ms. Full score; 166 p.; 34.5 cm.38.1The city : film music. Ms. Piano-conductor score; 34 leaves; 30-43 cm.38.2The city : film music. Ms. (ozalid). Piano-conductor score; [34] leaves 41 cm. (bound).38.3The city : film music. Ms. Rough piano sketches; 42 + 1 p.; 34.5 cm.38.4The city. Mss. Instrumental parts.39) From sorcery to science [incidental music]39From sorcery to science : excerpt from the puppet show. Ms. Full score; 16 leaves; 38.5-45 cm.39.1"The medicine chest" : from Sorcery to science / a puppet play. Ms. Orchestral sketches; unnumbered; 34.5 cm.39.2From sorcery to science : puppet show. Mss. Instrumental parts.40) Of mice and men [incidental music]40Of mice and men. Ms. Open score; 72 leaves; 48.5 x 30 cm.40.1Of mice and men. Ms. Pencil sketches; 26 + 4 leaves; 48.5 x 30 cm.40.2Of mice and men. Ms. (mimeograph). Conductor score; various paginations; 31.5 cm.40.3Of mice and men. Ms. (mimeograph). Conductor score; various paginations; 31.5 cm. (bound).40.4"Threshing machine sequence". Ms. Rough sketches; 6 p.; 32 cm.40.5Of mice and men. Ms. Full score, divided into section (cues); various paginations; various sizes.40 miscOf mice and men. Mss. Miscellaneous pages from the film production: including music cue sheets (in typescript), timing indications, and penciled notes.41) Our town [incidental music]41Our town : complete film music. Ms. Full score; various paginations; 47 cm.41.1Our town. Ms. Full score; various paginations; 47 cm.41.2Our town. Ms. (mimeograph). Conductor score; various paginations; 32 cm. (3 copies, Copy 1 bound).41.3Our town. Ms. Orchestral sketches: unnumbered; various sizes.41.4Our town : music from the film score. Copy of manuscript in the hand of Julia Smith. Orchestral sketch; 5 leaves; 36.5 cm.1-20/41.5Our town. Mss. Orchestral parts and conductor scores; various paginations; 32 cm.41 miscOur town. Mss. Miscellaneous pages from the film score; 3 p.; 28-32 cm.41aOur town : music from the film score.New York: Boosey & Hawkes, . [1945] Full score; 30 p.41bOur town : music from the film score.London: Boosey & Hawkes, . [1967] Full score; 24 p. (2 copies).41-A"Story of our town" (from the film Our Town). Ms. Score for violin and piano; 3 p.; 35.5 cm.41-BIII) "The resting place on the hill". Ms. Piano solo; 2 p. (pp. 6-7); 34.5 cm.41-BaOur town : three piano excerpts from the film score.New York: Boosey & Hawkes, . [1945] Piano solo; 10 p.41-BbOur town : three piano excerpts from the film score.New York: Boosey & Hawkes, . [1945] Piano solo; 10 p.41-Ca"Story of our town" / in Two portraits for two guitars.S.l.: s.n., . 1984 Score for two guitars, and parts; 15 + 7 + 7 p. (spiral bound).42) John Henry [orchestra]42John Henry. Ms. Full score; 22 p.; 45.5 cm. (bound).42.1John Henry. Ms. (photostat). Full score; 22 p.; 45 cm.42.2John Henry. Ms. Orchestral sketch; [6] leaves; 30.5 cm.42.3John Henry. Copy of manuscript in the hand of Julia Smith. Orchestral sketch; [4] leaves; 36 cm.42-A) John Henry [orchestra] (revised)42-AJohn Henry. Ms. Full score; 20 p.; 34 cm.42-A.1John Henry. Ms. Orchestral sketch; 6 p.; 31.5 cm.42-AaJohn Henry : based on the folk-tune.London: Boosey & Hawkes, . [1953] Full score; 16 p.42-AbJohn Henry.[New York]: Boosey & Hawkes, . [1953] Full score (miniature); 16 p.42-B) John Henry [youth orchestra]42-BaJohn Henry : a railroad ballad for orchestra.London: Boosey & Hawkes, . 1982 Full score; 16 p. (2 copies).42-BaaJohn Henry : a railroad ballad for orchestra.London: Boosey & Hawkes, . 1982 Orchestral parts (2 sets).43) Quiet city [chamber work]43Quiet city : for solo trumpet and string orchestra. Ms. Score for solo trumpet and string orchestra; 18 leaves; 37.5 cm.43.1Quiet city : for solo trumpet and string orchestra. Ms. Trumpet part; 3 leaves; 33.5 cm.43.2Quiet city : for trumpet solo and string orchestra. Ms. Pencil sketch; 22 p.; 31.5 cm.43.3The quiet city : for solo trumpet and string orchestra. Ms. Preliminary sketches; 22 p.; various sizes.43) Quiet city [arrangements]43.4Quiet cityNew York: Boosey & Hawkes, . 1988 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.43.5Quiet city : arranged for wind ensemble / accompaniment by Donald Hunsberger - 3/88.New York: Boosey & Hawkes, . 1988 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.43.6Quiet city : for strings, trumpet and English horn (or oboe). Copy of manuscript in the hand of Julia Smith. Condensed score and solo part; 8 leaves; 36.5 cm.43aQuiet city : for strings, trumpet, and English horn (or oboe).New York: Boosey & Hawkes, . [1941] Score for strings, trumpet, and English horn (or oboe); 15 p. (2 copies, Copy 2 bound).43aaQuiet city.London: Boosey & Hawkes, . [1941] Orchestral parts.43bQuiet city : for strings, trumpet and English horn (or oboe).London: Boosey & Hawkes, . [1941] Full score (miniature); 15 p. (2 copies).44) Piano sonata [piano work]44Piano sonata. Ms. Piano solo; 32 leaves; 34.5 cm.44.1Piano sonata. Ms. (ozalid). Piano solo; 32 p.; 35 cm.44.2Piano sonata. Ms. Sketch for piano solo; 128 p.; various sizes.44.3Piano sonata.London: Hawkes & Son, . [1942] Publisher's proof. Piano solo; 28 leaves44aPiano sonata.New York: Boosey & Hawkes, . [1958] Piano solo; 27 p.44-A) Piano sonata (for band)44-APiano sonata (arranged for band). Ms. (ozalid). Full score (1st movement only); 39 p.; 46.5 cm.45) Episode : improvisation for organ [organ solo]45Episode. Ms. Organ solo; 7 p.; 32 cm.45.1[Episode]. Ms. Organ solo; 6 p. 30.5 cm.45.2Episode : Improvisation for organ. Ms. Sketch for organ solo; 3 p.; 30.5 cm.45aEpisode.New York: H.W. Gray Co., . [1941] Organ solo; 4 p.46) Lincoln portrait [speaker & orchestra]46Lincoln portrait : for speaker and orchestra. Ms. (ozalid). Full score with text; 72 p.; 39 cm. (spiral bound).46.1Lincoln portrait : for speaker and orchestra. Ms. (ozalid). Full score with text; 72 p.; 40 cm. (spiral bound).46.2Lincoln portrait. Ms. (ozalid). Full score (in part); pp. 22-37; 38.5 cm. (2 copies).46.3[Lincoln portrait]. Ms. Piano sketch with text (incomplete); 18 leaves; various sizes.46.4A Lincoln portrait : for speaker and orchestra. Ms. (ozalid). Piano sketch with text; 20 p.; 38 cm.46aLincoln portrait : for speaker and orchestra.New York: Boosey & Hawkes, . [1943] Full score with text; 44 p. (bound).46bLincoln portrait : for speaker and orchestra.New York: Boosey & Hawkes, . [1943] Full score (miniature) with text; 44 p.; 18.5 cm.46cLincoln portrait : for speaker and orchestra.New York: Boosey & Hawkes, . [1943?] Full score with text; 44 p.; 30.5 cm.46dLincoln portrait : for narrator and orchestra.[New York]: Boosey & Hawkes, . [1967?] Full score with text; 44 p.46naLincoln portrait.New York: Boosey & Hawkes, . [1943] Score for narrator; 12 p. (4 copies).46-A) Lincoln portrait [speaker & band]46-AaLincoln portrait.New York: Boosey & Hawkes, . [1951] Band score (full to symphonic); 40 p. (4 copies).46-AaaLincoln portrait.New York: Boosey & Hawkes, . [1951] Parts for band (full to symphonic).46-AbLincoln portrait.New York: Boosey & Hawkes, . [1951] Conductor score for band; 16 p.46-AcLincoln portrait.New York: Boosey & Hawkes, . [1951] Conductor score for band (miniature); 16 p.46-CLincoln portrait[New York]: [Boosey & Hawkes], . [1943] Score for narrator; 2 + 9 p. (pp. 4-12).47) Rodeo [ballet]47Rodeo. Ms. Full score; 106 leaves (1-85 and 118-139); 38 cm.47.1Rodeo. Ms. Rough sketches; 74 p.; 31.5 cm.47.2Rodeo. Ms. Early sketches; 32 p.; 32.5 cm.47.3Rodeo. Ms. Orchestral insert; 27 leaves; 38 cm.47.4Rodeo. Mss. String parts insert; various paginations; various sizes.47.5Rodeo. Mss. String parts insert; various paginations; 32 cm.47.6Rodeo. Mss. String parts insert; various paginations; 32 cm.47.7"Saturday night waltz" (Mvt. III). Ms. Bassoon II part; 1 leaf; 31.5 cm.47a"Four dance episodes".New York: Boosey & Hawkes, . [1946] Full score; 96 p. (2 copies, Copy 1 bound).47b"Four dance episodes".London: Boosey & Hawkes, . [1946] Full score (miniature); 96 p.47c, No. I"Buckaroo holiday".New York: Boosey & Hawkes, . 1960 Full score; 52 p.47c, No. II"Corral nocturne".New York: Boosey & Hawkes, . 1960 Full score; 10 p.47c, No. III"Saturday night dance".New York: Boosey & Hawkes, . 1960 Full score; 12 p.47c, No. IV"Hoe-down".New York: Boosey & Hawkes, . 1960 Full score; 30 p.47-A) Rodeo [piano solo]47-ARodeo : ballet in one act. Ms. Piano solo; [45] leaves; various sizes.47-A.1Rodeo : complete ballet. Ms. (ozalid). Piano sketch; 37 p.; 34 cm.47-A.2[Rodeo : complete ballet.] Mss. Fragments from piano solo arrangement; 6 leaves; various sizes.47-AaRodeo : four dance episodes / arranged for piano solo by the composer.London: Boosey & Hawkes, . [1962] Piano solo; 36 p.47-B) Rodeo [string quartet]47-B"Hoe-down" / arranged for string quartet. Ms. (ozalid). Score for string quartet; 9 p.; 36 cm. (soft bound).47-C) Rodeo [string orchestra]47-Ca"Hoe-down" / arranged for string orchestra by the composer.[New York]: Boosey & Hawkes, . [1945] Score for string orchestra; 19 p.47-Caa"Hoe-down" / arranged for string orchestra.[New York]: Boosey & Hawkes, . [1945] String and piano parts.47-D) Rodeo [violin & piano]47-D"Hoe-down" / arranged for violin and piano by the composer. Ms. Score for violin and piano; 8 leaves; 38 cm.47-Da"Hoe-down" / arranged for violin and piano by the composer - 1945.[New York]: Boosey & Hawkes, . [1946] Score for violin and piano, and violin part; 8 + 4 p.47-E) Rodeo [two pianos]47-Ea"Hoe-down" and "Saturday night waltz" / arranged for two pianos, four hands.[New York]: Boosey & Hawkes, . [1950] Score for two pianos, four hands; 16 p. (2 parts in one folder).48) Las agachadas [chorus]48Las agachadas. Ms. Score for mixed chorus (SSAATTB); 12 leaves; 37.5 cm.48.1Las agachadas. Ms. Rough sketch; 8 p.; 32 cm.48aLas agachadas.S.l.: s.n., n.d. Score for mixed chorus (SSAATTB); 14 p. (2 copies).48bLas agachadas : the shake-down song / a cappella.[New York]: Boosey & Hawkes, . [1942] Score for solo group and eight-part mixed chorus; 24 p. (3 copies).48cLas agachadas : the shake-down song / a cappella.[New York]: Boosey & Hawkes, . [194-?] Score for solo group and eight-part mixed chorus; 24 p.49) Music for movies [orchestra]49Music for movies. Ms. (ozalid). Full score; 102 p.; 39.5 cm.49.1Music for movies. Ms. (ozalid). Full score (incomplete); 31 leaves; 36.5 cm.49.2"The city". Ms. Short sketch; [5] p.; 31.5 cm.49.3"Sunday traffic". Ms. (photocopy). Conductor (short) score; 6 p.; 33 cm.49aMusic for movies.London: Boosey & Hawkes, . [1970] Full score; 97 p. (2 copies).50) Danzón Cubano [two pianos]50Danzón Cubano. Ms. Score for two pianos -- four hands; 23 lvs; 35 cm.50.1Danzón Cubano. Ms. Original piano sketches; 42 p.; 31.5 cm.50aDanzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers.Lynbrook, N.Y.: Boosey & Hawkes, . [1943] Score for two pianos -- four hands; 20 p. (2 parts in one folder).50bDanzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers.New York: Boosey & Hawkes, . [1943] Score for two pianos -- four hands; 20 p. (2 parts in one folder).50cDanzón Cubano : composed especially for the twentieth anniversary of the League of Composers / for two pianos, four hands.London: Hawkes & Son, . [1943] Score for two pianos, four hands; 20 p. (2 folders - 2 scores in each folder).50-A) Danzón Cubano [orchestra]50-ADanzón Cubano. Ms. Full score; 56 leaves; 38.5 cm.50-A.1Danzón Cubano. Ms. (ozalid). Full score; 56 p.; 40 cm. (spiral bound).50-A.2Danzón Cubano. Ms. Orchestral parts; 34.5 cm.50-AaDanzón Cubano.New York: Boosey & Hawkes, . [1947] Full score; 45 p. (bound).50-AbDanzón Cubano.London: Boosey & Hawkes, . [1964] Full score; 45 p.50-B) Danzón Cubano [piano solo]50-BaDanzón Cubano [piano solo] (1949).[New York]: Boosey & Hawkes, . [1949] Piano solo; 19 p.51) Fanfare for the common man [brass & percussion]51Fanfare for the common man. Ms. Score for brass and percussion ensemble; 5 leaves; 38 cm.51.1Fanfare for the common man. Ms. (photocopy). Full score; [4] leaves; 36 cm.51.2Fanfare for the common man.[New York]: Boosey & Hawkes, . [1956] Publisher's proof. Score for brass and percussion ensemble; 3 leaves51.3Fanfare for the common man.New York: Boosey & Hawkes, . [1956] Publisher's proofs. Brass and percussion ensemble parts; various paginations.51.4Fanfare for the common man.New York: Boosey & Hawkes, . [1971] Publisher's proof. Score for brass and percussion ensemble; 4 leaves.51.5Fanfare for the common man.New York: Boosey & Hawkes, . [1971] Publisher's proof. Score for brass and percussion ensemble; 4 leaves.51.6Fanfare for the common man. Ms. Original pencil sketches; 4 p.; 32 cm.51.7Fanfare for the common man. Ms. (photocopy). Original sketches in pencil; 4 leaves; 32 cm.51.8Fanfare for the common man. Ms. Piano sketch; 4 p.; 34 cm.51aFanfare for the common man.London: Boosey & Hawkes, . [1944] Score for brass and percussion ensemble; 3 p.51bFanfare for the common man : in Ten Fanfares by Ten Composers / for brass and percussion.New York: Boosey & hawkes, . [1944] Score for brass and percussion ensemble; 3 p. (pp. 1-3) (2 copies).51cFanfare for the common man : from Ten Fanfares.New York: Boosey & Hawkes, . [1956] Score for brass and percussion ensemble; 3 p.51ccFanfare for the common man : from Ten Fanfares.New York: Boosey & Hawkes, . [1956] Brass and percussion ensemble parts; various paginations.51-A) Fanfare for the common man [guitar]51-AFanfare for the common man : transcribed for guitar by Dave Bogart (1942). Ms. (photocopy). Guitar solo; 2 p.; 31.5 cm.51-A.1Fanfare for the common man : guitar solo / transcribed by Michael Hendrix. Ms. (ozalid). Guitar solo: 3 p.; 33 cm.51-B) Fanfare for the common man [trumpet ensemble]51-BFanfare for the common man : arranged for trumpet ensemble by Ronald Small (1988). Ms. (photocopy). Score for trumpet ensemble; 1 + 8 p.; 31.5 cm.52) Sonata for violin and piano [chamber work]52Sonata for violin and piano. Ms. Score for violin and piano; 37 leaves (page 5-B inserted); 34.5 cm.52.1Sonata for violin and piano. Ms. Violin part; 13 leaves; 30.5-34.5 cm.52.2Sonata for violin and piano. Ms. (ozalid). Piano score, in part; 16 p. (pp. 21-36); 36 cm.52.3Sonata for violin and piano. Ms. (ozalid). Violin part; 13 p.; 31-36 cm.52.4Sonata for violin and piano. Ms. Complete violin and piano sketches; 85 p.; 32 cm.52.5Sonata for violin and piano.[New York]: Boosey & Hawkes, . [1944] Publisher's proof. Violin part; 13 leaves.52aSonata for violin and piano.New York: Boosey & Hawkes, . [1944] Score for violin and piano (violin part not included); 33 p.52bSonata for violin and piano.New York: Boosey & Hawkes, . [1944] Score for violin and piano, and violin part; 33 + 13 p.52-A) Sonata for violin and piano [clarinet & piano]52-A[Sonata for violin and piano] : transcribed for clarinet and piano by Timothy Paradise (1980). Ms. Score for clarinet and piano; 46 leaves; 30.5 cm.53) The north star [incidental music]53The north star. Ms. Full score divided by sequence titles, in 19 folders; various paginations; various sizes.53.1The north star. Ms. Original sketches; various paginations; 31.5 - 34 cm.53.2The north star. Mss. Drafts of conductor scores; various paginations; 31.5 - 34 cm.53.3The north star. Mss. Conductor's scores; various paginations; various sizes.53.4"Song of the fatherland". Ms. (ozalid). Piano-vocal score; 3 + 1 p.; 32 cm.53.5"From the Baltic to the Pacific (loading song)" / based on traditional Russian folk tunes - composer unknown. Ms. (ozalid). Score for mixed voices (SATB); 2 p.; 32 cm. (2 copies).53 mixerThe north star. Mss. A mixer of annotated scores used in the Samuel Goldwyn production; various paginations; various sizes.53 miscThe north star. Miscellaneous choral scores of Russian folk songs.53-A) "Younger generation" [song]: from The north star53-A"Younger generation" (song version). Ms. Draft of piano-vocal score; [8] p.; 31.5 cm.53-A.1"Younger generation". Ms. (ozalid). Piano-vocal score; 5 p.; 33 cm.53-Aa"Younger generation" / from Samuel Goldwyn's production.New York: Boosey & Hawkes, . [1944] Score for choral arrangement (SATB), with piano accompaniment; 10 p.; 26.5 cm.53-Ab"Younger generation".New York: Boosey & Hawkes, . [1964] Piano-vocal score (SA); 8 p.53-Ac"Younger generation".New York: Boosey & Hawkes, . [1964?] Choral score (SAB); 11 p.53-B) "Song of the guerrillas" [chorus]: from The north star53-B"Song of the guerrillas". Ms. (ozalid). Conductor's choral score (TBB), with orchestral accompaniment; 7 p.; 33 cm. (2 copies).53-Ba"Song of the guerrillas".New York: Chappell & Co., . [1943] Piano-vocal score; 5 p.; 30.25 cm. (2 copies).53-Bb"Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment.New York: Boosey & Hawkes, . [1944] Score for men's voices (TTBB) with piano accompaniment; 12 p.53-Bc"Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment.New York: Boosey & Hawkes, . [1944] Score for men's voices (TTBB) with piano accompaniment; 12 p.53-C) "No village like mine" [song]: from The north star53-C"No village like mine" / based on a traditional Russian tune - composer unknown. Ms. Draft of piano-vocal score; 8 + 1 p.; 31.5 cm.53-Ca"No village like mine".New York: Chappell & Co., . [1943] Piano-vocal score; 5 p.; 30 cm. (2 copies).54) Letter from home [orchestra]54Letter from home. Ms. (pos. photostat). Full score; 38 leaves; 44.5 cm.54.1Letter from home. Ms. (neg. photostat). Full score; 38 leaves; 44.5 cm.54.2Letter from home. Ms. Original pencil sketches; various paginations; 32 cm.54.3Letter from home : piano reduction of the [original] score. Ms. (ozalid). Piano score; 8 p.; 39 cm.54.4Letter from home. Ms. (photocopy). Piano score; 6 leaves; 43.5 cm.55-A) Letter from home [symphony orchestra]54-ALetter from home. Ms. Full score; 39 leaves; 40.5 cm.54-A.1Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 41.5 cm.54-A.2Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 42.5 cm. (spiral bound).54-A.3Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.54-A.4Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.54-A.5Letter from home. Mss. Orchestral parts; various paginations; 32 cm.54-A.6Letter from home. Mss. (ozalids). Orchestral parts (SET B); various paginations (Viola 7 folder empty); 35 cm.54-A.7Letter from home. Mss. (ozalids). Orchestral parts (SET A); various paginations; 35.5 cm.54-B) Letter from home [reduced orchestra]54-BLetter from home. Ms. Full score (revised for reduced orchestra); [2] + 26 leaves; 38 cm.54-B.1Letter from home. Ms. (ozalid). Full score (revised for reduced orchestra); [2] + 26 p.; 38.5 cm. (spiral bound).54-B.2Letter from home : piano reduction of the score. Ms. Piano score; 7 leaves; 38.5 cm.54-B.3Letter from home : piano reduction of the score. Ms. (ozalid). Piano score; 8 p.; 38.5 cm.54-BaLetter from home.London: Boosey & Hawkes, . [1964] Score and parts; 22 p. score + 24 parts (4 copies, Copy 3 and 4, score only; Copy 3 bound).55) Appalachian spring : ballet for Martha [ballet]55Appalachian spring. Ms. Full score; 101 leaves; 37.5 cm. (bound).55.1Appalachian spring. Ms. (ozalid). Full score; 101 leaves; 38 cm. (bound).55.2Appalachian spring : original version for 13 instruments. Ms. (ozalid). Full score; 101 p.; 38 cm. (spiral bound).55.3Appalachian spring (ballet for Martha) : 13 instrument version / as danced by Martha Graham's Company. Ms. (ozalid). Full score; 101 p.; 37 cm. (bound).55.4Appalachian spring. Ms. (photocopy). Full score; 101 leaves; 37 cm.55.5Appalachian spring. Ms. Rough sketches (2 folders); various paginations; various sizes.55.6Appalachian spring. Ms. (photocopy). Rough sketches; 25 leaves; various sizes.55 miscAppalachian spring. Mss. (photocopies). Miscellaneous pages from the ballet score; [27] leaves; various sizes.55-A) Appalachian spring [suite]55-AAppalachian spring. Ms. (ozalid). Full score; 131 p; 35 cm. (spiral bound).55-A.1Appalachian spring. Ms. Full score (insert); 32 leaves; 38 cm.55-A.2Appalachian spring. Ms. (ozalid). Full score (insert); 32 leaves; 38 cm.55-AaAppalachian spring : Ballet for Martha.New York: Boosey & Hawkes, . [1945] Full score; 82 p.55-AbAppalachian spring : Ballet for Martha.London: Boosey & Hawkes, . [1945] Full score; 82 p.55-AcAppalachian spring : Ballet for Martha.New York: Boosey & Hawkes, . [1945] Full score (miniature); 82 p.55-AdAppalachian spring : Ballet for Martha.New York: Boosey & Hawkes, . [1958] Full score (miniature); 82 p.55-AeAppalachian spring : Ballet for Martha.New York: Boosey & Hawkes, . [1968] Full Score; 82 p. Duration: Approx. 20 min.55-AfAppalachian spring.Peking, China: People's Music, . 1982 Full score (miniature); 82 p.55-B) Appalachian spring [piano work]55-BAppalachian spring. Ms. Piano reduction; 50 leaves (in mylar); 38 cm.55-B.1Appalachian spring. Ms. (ozalid). Piano reduction; 50 p.; 38 cm.55-B.2Appalachian spring : excerpts from the ballet. Ms. (ozalid). Piano reduction (incomplete); [27] leaves; 38 cm.55-B.3Appalachian spring. Ms. (photocopy). Piano reduction (incomplete); 48 leaves; 41 cm.55-C) Appalachian spring : version for 13 instruments [suite]55-CAppalachian spring. Ms. (ozalid). Full score for 13 instruments; 22 p.; 38.5 cm.55-CaAppalachian spring (ballet for Martha) : version for 13 instruments.London: Boosey & Hawkes, . [1972] Full score; 66 p. (2 copies).55-CbAppalachian spring (ballet for Martha) : version for 13 instruments.London: Boosey & Hawkes, . [1972] Full score (miniature); 66 p. (2 copies).55-D) Appalachian spring [two pianos]55-DaAppalachian spring : ballet for Martha / arranged for two pianos four hands by Melissa Postnikoff.S.l.: s.n., . [1984] Score for two pianos; 49 p. (spiral bound).56) Jubilee variation [orchestra]56Jubilee variation. Ms. (photocopy). Full score; 14 leaves; 34 cm.56.1Jubilee variation. Ms. Orchestral sketch; [8] p.; 32 cm.57) Cummington story [incidental music]57Cummington story. Ms. Full score; various paginations (129 leaves); 34.5 cm.57.1Cummington story. Ms. Piano reduction (draft); [51] p.; 32 cm.57.2Cummington story. Ms. Rough sketches; [13] p.;32 cm.58) Third symphony [orchestra]58Third symphony. Ms. Full score; 255 + 3 leaves; 38 cm.58.1Third symphony. Ms. (ozalid). Full score; 255 p.; 38 cm. (bound in 2 volumes).58.2Third symphony. Ms. (ozalid). Full score; 253 p.; 38 cm. (3 volumes, spiral bound).58.3Third symphony. Ms. (ozalid). Full score; 255 p.; 38 cm. (2 volumes, spiral bound).58.4[Third symphony]. Ms. (ozalid). Full score (insert); 3 p. + 3 leaves; 38 cm.58.5Third symphony. Mss. Orchestral sketches; various paginations; various sizes.58.6Third symphony. Mss. Sketches; [7] p.; various sizes.58 miscThird symphony. Mss. Miscellaneous pages from full score; 7 leaves; 30.5-38.5 cm.58aThird symphony.[New York]: Boosey & Hawkes, . [1947] Full score, with original ending (miniature); 155 p.58bThird symphony.London: Boosey & Hawkes, . [1947] Full score, with revised ending; 153 p. (bound).58cThird symphony (revised 1966). London: Boosey & Hawkes, [1966]Full score; 153 p.58-A) Third symphony [piano sketch]58-AThird symphony. Ms. Piano sketch; 71 leaves; 34 cm.58-A.1Third symphony. Ms. (ozalid). Piano sketch; [76] p. + 7 leaves; 36 cm.58-A.2[Third symphony]. Ms. (ozalid). Piano sketch; [71] p.; 36 cm.58-A miscThird symphony. Mss. Miscellaneous pages from open score; 4 leaves; 34 cm.59) In the beginning [chorus]59In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. Ms. Score for mixed chorus; 46 leaves; 34.5 cm.59.1In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.59.2In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.59.3In the beginning : mixed chorus / a cappella / with mezzo-soprano solo. Ms. Vocal score; 51 p.; various sizes.59aIn the beginning : for mixed chorus / a cappella / with mezzo-soprano solo.[New York]: Boosey & Hawkes, . [1947] Score for mixed chorus; 56 p.59bIn the beginning : for mixed chorus / a cappella / with mezzo-soprano solo.[New York]: Boosey & Hawkes, n.d. Score for mixed chorus; 56 p. (2 copies).60) Four piano blues : piano blues [piano work]60Four piano blues. Ms. Piano solo; 13 leaves; 34.5 cm.60.1Four piano blues. Ms. (ozalid). Piano solo; 13 p.; 34.5 cm.60.2"Blues 1". Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.60.3"Blues 1". Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.60.4Four piano blues. Ms. Sketch for piano solo; 19 p.; various sizes.60aFour piano blues.[New York]: Boosey & Hawkes, . [1957] Piano solo; 15 p.60b"Three piano blues".[New York]: Boosey & Hawkes, . [1949] Piano solo; 15 p.60cFour piano blues.[New York]: Boosey & Hawkes, . [1957] Publisher's proof. Piano solo; 6 p.60-A) Four piano blues [chamber orchestra]60-AFour piano blues. Ms. Score for chamber orchestra (incomplete draft); 37 p.; 36 cm.60-A miscFour piano blues. Mss. (photocopy). Miscellaneous pages from score for chamber orchestra; 4 leaves.61) The heiress [incidental music]61The heiress. Ms. Condensed score; 207 leaves; 36.5 cm. (bound).61.1The heiress. Ms. (photostat). Conductor score; various paginations; 30.5 cm. (bound).61.2The heiress. Ms. (photostat). Conductor score; various paginations; 30 cm. (in two folders).61.3The heiress. Ms. Sketches; 3 leaves; 34.5 cm.61-A) The heiress [suite]61-AThe heiress : suite / reconstructed by Arnold Freed (1990). Ms. (photocopy). Full score; 51 p.; 38 cm. (spiral bound).62) Concerto for clarinet [chamber work]62Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. Ms. Full score; 91 leaves; various sizes.62.1Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. Ms. (ozalid). Full score; 91 p.; 38 cm. (spiral bound).62.2Concerto for clarinet. Ms. Sketches; 59 leaves; various sizes.62aConcerto for clarinet : and string orchestra / with harp and piano.London: Boosey & Hawkes, . [1952] Full score; 42 p.62bConcerto for clarinet : and string orchestra / with harp and piano.London: Boosey & Hawkes, . [1952] Full score (miniature); 42 p. (2 copies).62-A) Concerto for clarinet [clarinet & piano]62-AConcerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano by the composer. Ms. Score for clarinet and piano, and clarinet part; 37 + 13 + 3 leaves; 34.5 cm.62-A.1Concerto for clarinet : and string orchestra / with harp and piano ; arranged for clarinet and piano by the composer. Ms. (ozalid). Score for clarinet and piano, and clarinet part; 36 + 13 p.; 34.5 cm.62-A.2Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano. Ms. (ozalid). Score for clarinet and piano; 36 p.; 34.5 cm.62-AaConcerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano.[New York]: Boosey & Hawkes, . [1950] Score for clarinet and piano, and clarinet part; 27 + 11 p.62-AbConcerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano.[New York]: Boosey & Hawkes, . [1970] Score for clarinet and piano, and 2 clarinet parts; 27 + 11 p.63) The red pony [incidental music]63The red pony. Ms. Full score (in 11 folders); various paginations; various sizes.63.1The red pony : original manuscript. Ms. Open score; 171 p.; 33 cm.63.2The red pony. Ms. (ozalid). Conductor score; various paginations; 31.5 cm. (bound).63.3The red pony. Mss. (ozalid). Conductor scores; various paginations; 30.5 cm. (2 sets).63.4The red pony. Mss. (ozalids). Conductor scores (extra copies); various paginations; 30.5 cm.63.5The red pony. Ms. Sketches; 4 leaves; 34.5 cm.63-A) The red pony [suite]63-AThe red pony. Ms. Full score; 161 leaves; 34.5 cm.63-A.1The red pony. Ms. (ozalid). Full score; 161 p.; 39 cm. (spiral bound).63-A.2The red pony. Ms. Full score; 85 leaves; 50 cm.63-A.3The red pony : children's suite. Ms. (photocopy). Full score; 71 leaves; 35.5 cm.63-AaThe red pony : film suite for orchestra.New York: Boosey & Hawkes, . [1951] Full score; 119 p. (3 copies).63-AbThe red pony : film suite for orchestra.London: Boosey & Hawkes, . [1954] Full score (miniature); 119 p.63-AcThe red pony : film suite for orchestra.London: Boosey & Hawkes, . [1964] Full score; 119 p.63-CaThe red pony : film suite for band.New York: Boosey & Hawkes, . [1969] Full score; 88 p. (2 copies).64) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]64[Preamble (for a solemn occasion)]. Ms. Full score; 22 leaves; 38.5 cm.64.1Preamble : for a solemn occasion / for orchestra with speaking voice. Ms. (ozalid). Full score; 22 p.; 38.5 cm. (spiral bound).64.2Preamble / for orchestra and speaking voice. Ms. Piano reduction; 6 leaves; 34.5 cm.64.3Preamble (for a solemn occasion). Ms. Sketches; 20 p.; various sizes.64.4"Preamble to the United Nations". Mss. String parts; 34 cm.64.5"Preamble (for the United Nations)" / for orchestra and speaking voice. Copy of manuscript in the hand of Julia Smith. Full score; [21] leaves; 36 cm.64aPreamble : for a solemn occasion.London: Boosey & Hawkes, . [1953] Full score; 15 p. (2 copies).64-A) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [organ]64-APreamble (for a solemn occasion). Ms. Score for organ; 7 leaves; 33.5 cm.64-AaPreamble (for a solemn occasion) / for pipe or Hammond organ.New York: Boosey & Hawkes, . [1955] Organ score; 6 p.64-B) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [symphonic band]64-BPreamble : for a solemn occasion / arranged for symphonic band by the composer. Ms. Full score; 15 leaves; 50 cm.64-BaPreamble : for a solemn occasion.New York: Boosey & Hawkes, . [1974] Full score; 16 p. (3 copies).65) Old American songs, first set : arranged by Aaron Copland65Old American songs, first set : arranged by Aaron Copland. Ms. Piano-vocal score; 21 leaves; 35.5 cm.65.1Old American songs, first set : adapted by Aaron Copland. Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm.65.2Old American songs, first set : for voice and orchestra / adapted by Aaron Copland. Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. (spiral bound).65.3Old American songs, first set : arranged by Aaron Copland. Ms. Piano-vocal sketch (incomplete); 22 p.; 32 cm.65.4No. 4, "Simple gifts" : No. 5, "I bought me a cat" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1950; this arr. 1984).S.l.: Boosey & Hawkes, . [1984] Publisher's proofs (photocopies). Score for voice and guitar; 3 p. (pp. 33-35) + 6 p. (pp. 24-29).65aOld American songs (newly arranged) : first set / by Aaron Copland.New York: Boosey & Hawkes, . [1950] Piano-vocal score; 24 p.65dOld American songs : first and second sets / adapted and arranged by Aaron Copland (1950-52) [selections].London: Boosey & Hawkes, . [1962] Full orchestral score (miniature); 81 p. Ser. title: Hawkes Pocket Scores, No. 830.65eTwelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections].London: Boosey & Hawkes, . [1984] Score for voice and guitar; 41 p. (2 copies).65-A) No. 1, "The boatman's dance": from Old American songs, first set65-A"The boatman's dance" [treble instrument & piano]. Ms. Score for violin and piano; [4] p. (pp. 4-7); 30 cm.65-Aa"The boatman's dance" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (TTBB) with piano accompaniment; 8 p.65-Ab"The boatman's dance" / adapted by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (SATB) with piano accompaniment; 8 p.65-Ac"The boatman's dance" / arranged by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus].London: Boosey & Hawkes, . [1952] Choral score (SATB) with piano accompaniment; 8 p.65-B) No. 2, "The dodger": from Old American songs, first set65-BaOld American songs : No. 2, "The dodger" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (TTBB) with piano accompaniment; 8 p.65-C) No. 3, "Long time ago": from Old American songs, first set65-Ca"Long time ago" / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (SATB) with piano accompaniment; 7 p.65-Cb"Long time ago" / arranged by Aaron Copland [song].New York: Boosey & Hawkes, . [1958] Piano-vocal score; 4 p.65-Cc"Long time ago" / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus].London: Boosey & Hawkes, . [1960] Choral score (SSA) with piano accompaniment; 7 p.65-D) No. 4, "Simple gifts" (Shaker song): from Old American songs, first set65-Da"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (SA or TB) with piano accompaniment; 4 p.65-Db"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (SA or TB) with piano accompaniment; 4 p.65-Dc"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus].London: Boosey & Hawkes, . [1952] Choral score (SA or TB) with piano accompaniment; 4 p.65-Dd"Simple gifts" (Shaker song) / arranged by Aaron Copland [song].New York: Boosey & Hawkes, . [1958] Piano-vocal score; 3 p.65-E) No. 5, "I bought me a cat" (children's song): from Old American songs, first set65-EaNo. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for tenor and soprano solo and mixed chorus by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (SATB) with piano accompaniment; 14 p.65-EbNo. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for three part men's chorus and solos by Irving Fine [chorus].New York: Boosey & Hawkes, . [1952] Choral score (TBB) with piano accompaniment; 16 p.65-EcNo. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland [song].New York: Boosey & Hawkes, . [1958] Piano-vocal score; 8 p.65-EdNo. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus].London: Boosey & Hawkes, . [1959] Choral score (SSA); 10 p.66) Twelve poems of Emily Dickinson [songs]66Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. Piano-vocal score; 51 leaves; 34.5 cm.66.1Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 51 p.; 35 cm. (spiral bound).66.2Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. (ozalid). Piano-vocal scores; 51 p.; 36.5 cm.66.3Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. Piano-vocal sketches; 144 p.; various sizes.66.4No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 3 leaves; 35.5 cm.66.5No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 3 p.; 36 cm.66.6No. 4, "The world feels dusty" / set to music by Aaron Copland. Ms. Piano-vocal score; 2 leaves; 34 cm.66.7No. 4, "The world feels dusty" / set to music by Aaron Copland. Ms. Piano-vocal score; 2 p.; 38 cm.66.8No. 7, "Sleep is supposed to be" / set to music by Aaron Copland. Ms. Piano-vocal score; 4 p.; 31.5 cm.66.9No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland. Ms. Piano-vocal score; 3 leaves; 35.5 cm.66.10No. 10, ["I've heard an organ talk sometimes"]. Ms. Organ score; 4 p.; 34.5 cm.66.11No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; [2] p. (pp. 38-39); 35 cm.66.12[No. 10, "I've heard an organ talk sometimes"]. Ms. Score (sketch) for violin and organ (or piano); 16 p.; 34.5 cm.66.13No. 11, "Going to heaven!" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; [7] p. (pp. 40-46); 35.5 cm.66.14No. 12, "The chariot" / set to music by Aaron Copland. Ms. Piano-vocal score; 3 p.; 38 cm.66.15"(Nine) poems of Emily Dickinson : set to music by A.C." Ms. Sketches, 145 p.; 32 cm.66 miscTwelve poems of Emily Dickinson. Miscellaneous typescripts and holograph sketch notes relating to the work; 7 leaves66aTwelve poems of Emily Dickinson : set to music by Aaron Copland.London: Boosey & Hawkes, . [1951] Piano-vocal score; 45 p.66b[No. 5], "Heart, we will forget him" / set to music by Aaron Copland.London: Boosey & Hawkes, . [1952] Piano-vocal score; 3 p.66b[No. 6], "Dear March, come in!" / set to music by Aaron Copland.London: Boosey & Hawkes, . [1952] Piano-vocal score; 7 p.66b[No. 10], "I've heard an organ talk sometimes" / set to music by Aaron Copland.London: Boosey & Hawkes, . [1952] Piano-vocal score; 3 p.66b[No. 11], "Going to heaven!" / set to music by Aaron Copland.London: Boosey & Hawkes, . [1952] Piano-vocal score; 7 p.66cTwelve poems of Emily Dickinson : set to music by Aaron Copland.New York: Boosey & Hawkes, . [1960] Piano-vocal score; 45 p.66-A) Twelve poems of Emily Dickinson [voice & orchestra]66-ATwelve poems of Emily Dickinson : set to music by Aaron Copland [voice & orchestra] (1950; orchestrated 1965). Ms. Full score (incomplete); 16 leaves; 38.5 cm.67) Quartet for piano and strings [chamber work]67Quartet for piano and strings. Ms. Score for piano and strings; 43 leaves; 34 cm.67.1Quartet for piano and strings. Ms. (ozalid). Score for piano and strings, and string parts (violin, viola, violoncello); 43 + 10 + 10 + 10 p; 35 cm. (4 bound volumes).67.2Quartet for piano and strings. Ms. Piano sketches (rough sketches and first draft); various paginations; various sizes.67.3Quartet for piano and strings. Copy of manuscript in the hand of Julia Smith. Score for piano and strings; 26 leaves; 36 cm.67 miscQuartet for piano and strings. Ms. Miscellaneous pages from piano score; 4 leaves; 34.5 cm.67aQuartet for piano and strings.London: Boosey & Hawkes, . [1952] Score for piano and strings; 6 p. (2 copies, Copy 1 bound and includes string parts).67bQuartet for piano and strings.New York: Boosey & Hawkes, . [1957] Score for piano and strings; 36 p.67cQuartet for piano and strings.London: Boosey & Hawkes, . [1961] Score for piano and strings (miniature); 36 p.68) Old American songs, second set : newly adapted by Aaron Copland68Old American songs, second set : newly adapted by Aaron Copland. Ms. Piano-vocal score; 27 leaves; 34.5 cm.68.1Old American songs, second set : adapted for voice and orchestra by Aaron Copland. Ms. (ozalid). Full score; 74 p.; 38.5 cm.68.2Old American songs, second set : adapted by Aaron Copland [voice & orchestra]. Ms. (ozalid). Full score; 74 p.; 38.5 cm. (spiral bound).68.3Old American songs, second set : adapted by Aaron Copland [songs]. Ms. Piano-vocal sketches; various paginations; various sizes.68.4No. 4, "At the river" : No. 5 "Ching-a-ring chaw" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1952; this arr. 1984).S.l.: Boosey & Hawkes, . [1984] Publisher's proofs (photocopies). Score for voice and guitar; [3] p. (pp. 30-32) + [6] p. (pp. 36-41).68 miscOld American songs : Second Set / adapted by Aaron Copland. Miscellaneous items related to Old American songs; includes published piano-vocal score for the original version of "Ching-a-ring chaw".68aOld American songs, second set : adapted by Aaron Copland.London: Boosey & Hawkes, . [1954] Piano-vocal score; 28 p.68bOld American songs, second set : adapted by Aaron Copland.New York: Boosey & Hawkes, . [1965] Piano-vocal score; 32 p.68cOld American songs : first and second sets / adapted by Aaron Copland [voice & orchestra].London: Boosey & Hawkes, . [1962] Full score; 81 p. (3 copies).68dTwelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections].London: Boosey & Hawkes, . [1984] Score for voice and guitar; 41 p. (2 copies; one copy filed with First Set (ARCO 65); the other copy filed with Second Set (ARCO 68).68-A) No. 1, "The little horses": from Old American songs, second set68-Aa"The little horses" / adapted by Aaron Copland [song].New York: Boosey & Hawkes, . [1962] Piano-vocal score; 4 p.68-Ab"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus].New York: Boosey & Hawkes, . [1965] Choral score (SA) with piano accompaniment; 7 p. (2 copies).68-Ac"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus].New York: Boosey & Hawkes, . [1965] Choral score (SSA) with piano accompaniment; 8 p.68-Ad"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus].New York: Boosey & Hawkes, . [1965] Choral score (TTBB) with piano accompaniment; 8 p.68-B) No. 2, "Zion's walls": from Old American songs, second set68-Ba"Zion's walls" / adapted by Aaron Copland / choral arrangement by Glenn Koponen.New York: Boosey & Hawkes, . [1982] Choral score (SATB) with piano accompaniment; 11 p. (3 copies).68-D) No. 4, "At the river": from Old American songs, second set68-Da"At the river" / adapted by Aaron Copland [song].New York: Boosey & Hawkes, . [1962] Piano-vocal score; 4 p.68-Db"At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White.New York: Boosey & Hawkes, . [1964] Choral score (SA) with piano accompaniment; 6 p.68-Dc"At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White.New York: Boosey & Hawkes, . [1964] Choral score (SSA) with piano accompaniment; 8 p. (3 copies).68-DdNo. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White.New York: Boosey & Hawkes, . [1964] Choral score (SATB) with piano accompaniment; 8 p.68-DeNo. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White.New York: Boosey & Hawkes, . [1965] Choral score (TTBB) with piano accompaniment; 8 p.68-E) No. 5, "Ching-a-ring chaw": from Old American songs, second set68-EaNo. 5, "Ching-a-ring chaw" / arranged by Aaron Copland [song].London: Boosey & Hawkes, . [1954] Score for unison voices with piano accompaniment; 7 p.68-EbNo. 5, "Ching-a-ring chaw" / adapted by Aaron Copland / arranged for chorus by Irving Fine.London: Boosey & Hawkes, . [1955] Choral score (SATB) with piano accompaniment; 15 p.68-EcNo. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine.London: Boosey & Hawkes, . [1955] Choral score (SSAA) with piano accompaniment; 10 p.68-EdNo. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine.New York: Boosey & Hawkes, . [1955] Choral score (SATB) with piano accompaniment; 15 p.68-EeNo. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine.New York: Boosey & Hawkes, . [1955] Choral score (SSAA) with piano accompaniment; 10 p. (2 copies).68-EfNo. 5, "Ching-a-ring chaw" / adapted and arranged by Aaron Copland.New York: Boosey & Hawkes, . [1965] Choral score (TTBB) with piano accompaniment; 10 p.69) The tender land [opera]69The tender land. Ms. Full score; 428 leaves; 38.5 cm. (3 folders).69.1The tender land. Ms. (ozalid). Full score; 428 p.; 38.5 cm. (3 bound volumes).69.2The tender land. Ms. Full score; 17 leaves (pp. 310-326); 38 cm.69.3The tender land. Ms. (ozalid). Full score; 16 p. (pp. 311-326); 38.5 cm.69.4The tender land. Ms. (ozalid). Full score insert; pp. 75 A through 75 T; 38.5 cm.69.5The tender land. Ms. Orchestral sketches; 180 p. + 6 p.; various sizes.69.6The tender land. Ms. Rough sketches; various paginations; various sizes. Note: Holograph in pencil.69.7"The promise of living" / excerpt from the opera score [song]. Ms. Full score; 20 p. (pp. 141-160); 38 cm. (spiral bound).69.8"Stomp your foot" / excerpt from the opera score [song]. Ms. Full score; 31 p. (pp. 192-222); 38 cm. (bound).69 misc-A & misc-BThe tender land. Miscellaneous leaves from orchestral score.69-A) The tender land [piano-vocal]69-AThe tender land : opera in three acts / libretto by Horace Everett [pseud. Horace Everett] ; music by Aaron Copland. Ms. Piano-vocal score; 177 leaves + 5 leaf insert (pp. 133-137); 38 cm.69-A.1The tender land : opera in two acts / libretto by Horace Everett [pseud. Erik Johns] ; music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 127 p.; 38.5 cm. (in 2 spiral bound volumes).69-A.2The tender land : Act III. Ms. (ozalid). Piano-vocal score; 44 p. (pp. 128-170); 38.5 cm.69-A.3The tender land. Ms. (ozalid). Piano-vocal insert for Act III; 12 leaves (pp. 133-144); 39.5 cm.69-A.4The tender land. Ms. (ozalid). Piano-vocal insert for Act III; 10 p. (Z1-Z10); 38.5 cm. (2 copies).69-A miscThe tender land. Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano-vocal scores.69-AaThe tender land : opera in three acts / libretto by Horace Everett [pseud. of Erik Johns] ; vocal score by the composer.New York: Boosey & Hawkes, . [1956] Piano-vocal score; 203 p. (2 copies).69-B) "Stomp your foot" [song]: from The tender land69-Ba"Stomp your foot" / arranged for mixed voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland.New York: Boosey & Hawkes, . [1954] Score for mixed voices (SATB) with piano duet; 19 p. (4 copies).69-Bb"Stomp your foot" / arranged for male voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland (1954) [song].New York: Boosey & Hawkes, . [1954] Score for male voices (TTBB) with piano duet; 19 p. (2 copies).69-C) "The promise of living": from The tender land69-CaThe tender land : "The promise of living" / quintet arranged for mixed chorus with piano duet accompaniment [song].New York: Boosey & Hawkes, . [1954] Score for mixed chorus (SATBB) with piano duet accompaniment; 19 p. (3 copies).69-D) "Laurie's song" [song]: from The tender land69-D"Laurie's song" [song].New York: Boosey & Hawkes, . [1956] Publisher's proofs First and second proofs, 2 page holograph fragment of piano-vocal score, and pages 25-30 of published edition of The tender land vocal score; 7 + 6 + 2 + 6 p. (2 copies; page 7 of second proof not included).69-Da"Laurie's song" / text by Horace Everett [pseud. of Erik Johns].New York: Boosey & Hawkes, . [1958] Piano-vocal score; 7 p.70) Dirge in woods [song]70Dirge in woods : words by George Meredith. Ms. Piano-vocal score; 5 leaves; 35.5 cm.70.1Dirge in woods : words by George Meredith. Ms. (ozalid). Piano-vocal score; 5 p.; 36 cm.70.2Dirge in woods : words by G. Meredith. Ms. Piano-vocal rough pencil sketch; 9 p.; 32 cm.70.3Dirge in woods. Ms. Pages from piano-vocal score; 3 leaves; 35.5 cm.70.4Dirge in woods.New York: Boosey & Hawkes, . [1957] Publisher's proof. Piano-vocal score; 5 leaves70aDirge in woods : words by George Meredith.New York: Boosey & Hawkes, . [1957] Piano-vocal score; 5 p.71) Canticle of freedom [chorus & orchestra]71Canticle of freedom. Ms. Score for chorus (SATB) and orchestra; 77 leaves; 38.5 cm.71.1Canticle of freedom. Ms. (ozalid). Score for chorus (SATB) and orchestra; 77 p.; 39.5 cm. (spiral bound).71.2Canticle of freedom. Ms. (ozalid). Full score (incomplete); 32 p.; 38.5 cm.71.3Canticle of freedom. Ms. Condensed score; original pencil sketch (32 + 2 p.) accompanied by rough sketches in pencil (various paginations); 34.5 cm.71.4"Let us now praise famous men". Ms. Sketches for choral work (unfinished); various paginations; various sizes.71.5Canticle of freedom. Ms. (positive photostat). Condensed score for mixed chorus and orchestra (miniature); 11 leaves; 28 cm.71-A) Canticle of freedom [chorus & piano]71-AaCanticle of freedom : text by John Barbour.New York: Boosey & Hawkes, . [1955] Score for mixed chorus (SATB) and piano; 16 p.71-AbCanticle of freedom : text by John Barbour.New York: Boosey & Hawkes, . [1955] Score for mixed chorus (SATB) and piano; 16 p. (2 copies).71-B) Canticle of freedom [chorus & orchestra]71-BCanticle of freedom : for mixed chorus and orchestra / text by John Barbour. Ms. Full score (revised version); 22 leaves; 38.5 cm.71-B.1Canticle of freedom : for mixed chorus and orchestra / text by John Barbour. Ms. (ozalid). Full score (revised version); 20 p.; 38 cm.71-B miscCanticle of freedom. Mss. Miscellaneous original (1955) pages from revised (1965) version; 16 p.; various sizes.71-BaCanticle of freedom.New York: Boosey & Hawkes, . [1968] Full score; 52 p. (3 copies, Copy 2 bound).72) Symphonic ode [orchestra]72Symphonic ode. Ms. Full score; 81 leaves; 44.5 cm.72.1Symphonic ode. Ms. (ozalid). Full score; 81 p.; 44.5 cm. (bound).72.2Symphonic ode. Ms. (ozalid). Full score; 81 p.; 44.5 cm.72.3Symphonic ode. Ms. Orchestral sketches; 4 leaves (5 p.); various sizes.72aSymphonic ode.London: Boosey & Hawkes, . [1957] Full score; 69 p. (4 copies, Copy 1 (bound).72bSymphonic ode.New York: Boosey & Hawkes, . [1957] Full score (miniature); 69 p.73) "Variations on a Shaker melody": from Appalachian spring [band]73aVariations on a Shaker melody : from Appalachian spring.New York: Boosey & Hawkes, . [1960] Full score and conductor score; 18 p. (2 copies).73aaVariations on a Shaker melody : from Appalachian spring.New York: Boosey & Hawkes, . [1960] Band parts.74) Piano fantasy [piano work]74Piano fantasy. Ms. Piano solo; 56 leaves; 35.5 cm.74.1Piano fantasy. Ms. (ozalid). Piano solo; 56 p.; 34.5 cm. (spiral bound).74.2Piano fantasy. Ms. Piano solo; (draft); 75 p.; various sizes.74.3Piano fantasy. Ms. Rough piano sketches; 133 p.; various sizes.74.4Piano fantasy.New York: Boosey & Hawkes, . [1957] Publisher's proof. Piano solo; 45 leaves.74 miscPiano fantasy. Ms. Miscellaneous leaves from the piano score; 16 leaves; various sizes.74aPiano fantasy.New York: Boosey & Hawkes, . [1957] Piano solo; 45 p. (2 copies, Copy 1 bound).75) The world of Nick Adams [incidental music]75The world of Nick Adams. Ms. (ozalid). Full score; 85 p.; 41 cm.75.1The world of Nick Adams. Ms. (photocopy). Full score; 83 leaves; 43.5 cm.75.2The world of Nick Adams. Ms. Original pencil sketches (piano version); 51 p.; 39-43.5 cm.75 miscThe world of Nick Adams.76) Orchestral variations: from Piano variations [arranged]76Orchestral variations : based on Piano variations (of 1930). Ms. Full score; 73 leaves; 38 cm.76.1Orchestral variations : based on Piano variations (of 1930). Ms. (ozalid). Full score; 73 p.; 39 cm.76.2Orchestral variations : based on Piano variations. Ms. (ozalid). Full score; 73 p.; 38 cm. (spiral bound).76.3Orchestral variations : based on Piano variations. Ms. (ozalid). Full score; 73 p.; 43.5 cm.76aOrchestral variations.London: Boosey & Hawkes, . [1960] Full score; 62 p. (3 copies, Copy 1 bound).76bOrchestral variations.London: Boosey & Hawkes, . [1960] Full score (miniature); 62 p.77) The tender land [suite]77The tender land : orchestral suite from the opera. Ms. Full score; 100 leaves; 38 cm.77.1The tender land : orchestral suite from the opera. Ms. (black line print). Full score; 100 leaves (30 + 70 p.); 43 cm.77.2The tender land : orchestral suite from the opera. Ms. Full score (incomplete); 17 leaves; 38.5 cm.77 miscThe tender land : orchestral suite from the opera. Miscellaneous performance notes for orchestral suite; 5 leaves77aThe tender land : orchestral suite from the opera.London: Boosey & Hawkes, . [1960] Full score; 92 p. (3 copies, Copy 1 bound).77bThe tender land : suite from opera.London: Boosey & Hawkes, . [1960] Full score (miniature); 92 p.77-A) The tender land : orchestral suite from the opera [orchestra & mixed chorus]77-AaThe tender land : orchestral suite from the opera.London: Boosey & Hawkes, . [1960]78) Three Latin-American sketches [small orchestra]78Three Latin-American sketches : for small orchestra. Ms. Full score; 73 leaves (28, 45 p.); 38.5 cm.78.1Three Latin-American sketches : for small orchestra. Ms. (ozalid). Full score; 28, 45 p.; 38.5 cm.78.2No. 1, "Estribillo" / for small orchestra. Ms. (ozalid). Full score; 28 p.; 38.5 cm.78.3No. 2, "Paisaje Mexicano" ; No. 3, "Danza de Jalisco" / for small orchestra. Ms. (ozalid). Full score; 45 p.; 38.5 cm. (spiral bound).78.4No. 3, "Danza de Jalisco". Ms. (ozalid). Full score; [32] p.; 39 cm. (spiral bound).78.5Three Latin-American sketches. Ms. Rough sketches; various paginations; various sizes.78aThree Latin-American sketches.London: Boosey & Hawkes, . [1975] Full score; 61 p. (3 copies).78bThree Latin-American sketches.New York: Boosey & Hawkes, . [1976] Full score (miniature); 61 p.78-A) No. 3, "Danza de Jalisco" [piano solo]: from Three Latin-American sketches78-ANo. 3, "Danza de Jalisco" (1st version). Ms. Piano solo; 6 leaves, 35.5 cm.78-A.1No. 3, "Danza de Jalisco". Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.78-A.2No. 3, "Danza de Jalisco". Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.78-B) No. 3, "Danza de Jalisco": from Three Latin-American sketches [two pianos]78-BNo. 3, "Danza de Jalisco" / for two pianos. Ms. Score for two pianos; 17 leaves; 38 cm.78-B.1No. 3, "Danza de Jalisco" / for two pianos. Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.78-B.2No. 3, "Danza de Jalisco" / for two pianos. Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.78-B.3No. 3, "Danza de Jalisco" / for two pianos. Ms. Sketches for two pianos; 8 p.; 43.5 cm.78-BaNo. 3, "Danza de Jalisco" / for two pianos.London: Boosey & Hawkes, . [1968] Score for two pianos; 20 p. (2 parts in one folder).79) Dance panels [ballet]79Dance panels : in seven sections. Ms. Full score; 142 leaves; 38 cm.79.1Dance panels. Ms. (ozalid). Full score; 142 p.; 38 cm.79.2Ballet for J.R. Ms. (black line print). Full score (incomplete); 132 lvs; various sizes.79.3Ballet for J.R. Ms. Orchestral sketches; unpaged; various sizes.79 misc[Dance panels]. Mss. (holographs and ozalids). Miscellaneous pages from orchestral scores; various paginations; various sizes.79aDance panels : ballet in seven sections.London: Boosey & Hawkes, . [1965] Full score; 83 p. (3 copies; Copy 2 bound).79bDance panels : ballet in seven sections.London: Boosey & Hawkes, . [1965] Full score (miniature); 83 p.79-A) Dance panels [piano solo]79-ADance panels : ballet. Ms. (ozalid). Piano reduction; 46 p.; 36 cm. (spiral bound).79-A.1[Dance panels] : ballet. Ms. (ozalid). Piano reduction; 46 p.; 36 cm.79-A misc[Dance panels]. Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano scores; various paginations; various sizes.79-AaDance panels : ballet in seven sections (1959; revised 1962).London: Boosey & Hawkes, . [1965] Piano reduction; 83 p.80) Nonet [string orchestra]80Nonet : for solo strings. Ms. (ozalid). Score for string orchestra; 36 leaves; 6 cm.80.1Nonet : for solo strings. Ms. (ozalid). Score for string orchestra; 36 p.; 46 cm. (spiral bound).80.2Nonet : for solo strings. Ms. (ozalid). Score for string orchestra; 36 leaves; 46 cm.80.3Nonet (in one movement) : for solo strings. Ms. Score for string orchestra (incomplete, draft); [20] p. (pp. 1-11, AA-II); 38 cm.80.4Nonet. Ms. Rough sketches; various paginations; various sizes.80.5Nonet : for solo string (in one movement). Ms. Piano reduction; 21 p.; various sizes.80.6Nonet.London: Boosey & Hawkes, . [1962] Publisher's proof. Full score for string orchestra; 34 p.80 misc[Nonet : for solo strings]. Mss. Discarded pages from score for string orchestra; 9 leaves; 46 cm.80aNonet for strings.London: Boosey & Hawkes, . [1962] Full score; 24 p. (2 copies, Copy 1 bound).80aaNonet for strings.London: Boosey & Hawkes, . [1962] String parts.80bNonet for strings.London: Boosey & Hawkes, . [1962] Full score (miniature); 34 p.81) Something wild [incidental music]81Something wild. Ms. Full score divided by cue numbers; various paginations; 47.5 cm.81.1Something wild. Ms. Conductor score; 88 p.; 31.5 cm.81.2Something wild. Ms. (ozalid). Conductor score; 81 p.; 33.5 cm.81.3Something wild. Ms. (ozalid). Conductor score; various paginations; 33.5 cm. (bound).81.4Cue 4, "The subway". Ms. (ozalid). Conductor score; 7 p.; 32 cm. (2 copies).81.5Something wild. Ms. Original pencil score (draft, short version); 82 p.; 38.5 cm.81.6Something wild. Mss. Orchestral parts divided by cue numbers.81.7Something wild. Ms. Sketches; [2] leaves; 32 cm.81 miscSomething wild. Mss. Miscellaneous items relating to the film production: includes typescript of Something Wild - The City with annotations in pencil (128 leaves); shooting cues in typescript with annotations in pencil and ink which describe, in short phrases, film sequences, gives measurements of frames (in feet), and durations ([22] leaves, pp. 3-4 missing); typed letter form Sylvia Goldstein (of Boosey & Hawkes) to Mr. Copland dated May 23, 1962; and handwritten notes in ink and pencil.82) Down a country lane [piano solo]82Down a country lane. Ms. (photocopy). Piano solo; 2 p.; 37 cm.82.1Down a country lane. Ms. Piano solo; 2 p.; 31 cm.82.2Down a country lane. Ms. Sketches; [10] p.; various sizes.82.3Down a country lane.New York: Boosey & Hawkes, . [1962] Publisher's proof. Piano solo; 2 leaves; 26.5 x 28 cm.82aDown a country lane.New York: Boosey & Hawkes, . [1962] Piano solo; 2 p. (2 copies).82-A) Down a country lane [school orchestra]82-ADown a country lane. Ms. Full score; 12 leaves; 46 cm.82-AaDown a country lane.London: Boosey & Hawkes, . [1965] Full score; 8 p. (3 copies).82-AaaDown a country lane.London: Boosey & Hawkes, . [1965] Orchestral parts (2 sets).83) Connotations [orchestra]83Connotations : for orchestra. Ms. Full score; 93 leaves; 48 cm.83.1Connotations : for orchestra. Ms. (ozalid). Full score; 93 p.; 48 cm. (spiral bound).83.2[Connotations for orchestra]. Ms. Various pages from full score original, now withdrawn; 15 leaves; 48 cm.83.3[Connotations for orchestra]. Ms. Pages from full score, used in final version; 27 leaves; 48 cm.83.4Connotations : for orchestra. Ms. Rough sketches; 41 p.; various sizes.83.5Connotations : for orchestra. Ms. Open score sketch; 27 p.; various sizes.83.6[Connotations for orchestra]. Ms. Tone row used in Connotations; 5 p.; 43.5 cm.83.7Connotations : for orchestra. Ms. Condensed score (incomplete); [11] leaves; 38.5 cm.83.8Connotations : for orchestra. Ms. (black line print). Condensed score (incomplete); [11] leaves; 38 cm.83.9Connotations : for orchestra. Ms. (black line print). Condensed score (incomplete); [11] p.; 35.5 cm.83 misc[Connotations for orchestra]. Mss. (reproductions). Miscellaneous pages from full score (27 leaves) and photocopy of copyist's manuscript of an arrangement for piano solo (incomplete); 16 leaves..83aConnotations : for orchestra.London: Boosey & Hawkes, . [1963] Full score; 82 p. (2 copies, Copy 1 bound).83bConnotations : for orchestra.London: Boosey & Hawkes, . [1963] Full score (miniature); 82 p.84) Music for a great city [orchestral suite]84Music for a great city. Ms. (ozalid). Full score; 114 p.; 48 cm. (spiral bound).84.1[No. I, "The skyline"]. Ms. (black line print). Full score; 51 leaves; 48 cm.84.2[No. II, "Night thoughts"]. Ms. (ozalid). Full score; [20] p. (pp. 52-71); 38 cm. (spiral bound).84.3No. III, "Subway jam". Ms. Condensed score sketch; 8 p.; 34.5 cm.84.4"III Movement". Ms. (ozalid). Full score; [13] p. (pp. 72-84); 36.5 cm.84.5[No. IV, "Toward the bridge"]. Ms. (ozalid). Full score; [30] p. (pp. 85-114); 48 cm. (spiral bound).84.6Music for a great city : concert suite from "Something wild". Ms. Rough sketches; [30] p.; various sizes.84aMusic for a great city.London: Boosey & Hawkes, . [1965] Full score; 100 p. (2 copies).84bMusic for a great city.London: Boosey & Hawkes, . [1965] Full score (miniature); 100 p.85) Emblems [band]85Emblems : for symphonic band. Ms. Full score; 66 leaves; 50 cm.85.1Emblems : for symphonic band. Ms. (ozalid). Full score; 65 p.; 51 cm. (spiral bound).85.2Emblems : for symphonic band. Ms. (ozalid). Full score (incomplete); 24 leaves; 51 cm.85.3Emblems : for symphonic band. Ms. Condensed score; 24 leaves; 38 cm.85.4Emblems : for symphonic band. Ms. (ozalid). Condensed score; 24 p.; various sizes.85.5Emblems : for band. Ms. Condensed score (draft); 42 p.; 34 cm.85.6Emblems : for band. Ms. Rough sketches; 43 p.; various sizes.85aEmblems. New York: Boosey & Hawkes, [1965]Full score and conductor score (2 volumes); 58 + 30 p. (2 copies).85aaEmblems.New York: Boosey & Hawkes, . [1965] Band parts.86) Signature : CBS Playhouse [incidental music]86Signature : CBS Playhouse. Ms. Full score; [11] leaves; 38 cm.86.1Signature : CBS Playhouse. Ms. (ozalid). Full score; 8 p.; 37.5 cm.86.2Signature : CBS Playhouse. Ms. (ozalid). Full score; 8 p.; 38.5 cm.86.3Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm.86.4Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm.86.5Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm.86.6Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm.86.7Signature : CBS Playhouse. Ms. Sketches; [12] p.; various sizes.86.8Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); 7 p.; 38.5 cm.86.9Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); [6] p.; 38.5 cm.86.10Signature : CBS Playhouse. Ms. (black line print). Full score (incomplete); [2] p.; 38.5 cm.86.11Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); [2] p.; 38.5 cm.86.12[Signature : CBS Playhouse]. Ms. (black line print). Full score (incomplete); [1] p. (page V); 38.5 cm.86.13Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); [1] p. (page V); 38.5 cm.86.14[Signature : CBS Playhouse]. Ms. (ozalid). Full score (incomplete); [1] p. (page VI); 38.5 cm.87) In evening air [piano work]87In evening air. Ms. Piano solo; 3 p.; 34.5 cm.87.1In evening air. Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.87.2In evening air. Ms. Piano solo (draft); 4 p.; 38.5 cm.87.3In evening air. Ms. Piano solo; (rough draft); 3 p.; 38.5 cm.87.4In evening air. Ms. (ozalid). Piano solo; 3 p.; 35 cm.87aIn evening air.London: Boosey & Hawkes, . [1974] Piano solo; 3 p.88) Eight poems of Emily Dickinson [voice & chamber orchestra]88Eight poems of Emily Dickinson. Ms. (ozalid). Full score; 109 p.; 38.5 cm. (spiral bound).88aEight poems of Emily Dickinson.New York: Boosey & Hawkes, . [1981] Full score (miniature); 101 p.89) "Variations on a Shaker melody": from Appalachian spring [school orchestra]89a"Variations on a Shaker melody" : from Appalachian spring.London: Boosey & Hawkes, . [1967] Full score; 16 p. (3 copies).89aa"Variations on a Shaker melody" : from Appalachian spring.London: Boosey & Hawkes, . [1967] Orchestral parts.89-A) "Variations on a Shaker melody": from Appalachian spring [two pianos]89-AVariations on a Shaker melody : from Appalachian spring.New York: Boosey & Hawkes, . [1984] Publisher's proof. Score for two pianos; 12 p.89-Aa"Variations on a Shaker melody" : from Appalachian spring/ arranged for piano four hands by Bennett Lerner.New York: Boosey & Hawkes, . [1985] Score for two pianos; 12 p.90) Inscape [orchestra]90Inscape : for orchestra. Ms. (black line print). Full score; 48 p.; 50 cm. (spiral bound).90.1Inscape : for orchestra. Ms. (black line print). Full score; 48 leaves; 50 cm.90.2Inscape : for orchestra. Ms. Condensed score; 16 leaves; 38.5 cm.90.3Inscape : for orchestra. Ms. (ozalid). Condensed score; 16 p.; 38.5 cm.90.4Inscape : for orchestra. Ms. (ozalid). Condensed score (incomplete); 16 p.; 38.5 cm.90.5Inscape : for orchestra. Ms. (ozalid). Condensed score (incomplete); 5 p.; 38.5 cm.90.6Inscape : for orchestra. Ms. Rough sketches; unnumbered; various sizes.90.7Inscape : for orchestra. Ms. Condensed score (draft); various paginations; 34.5 cm.90 miscInscape : for orchestra. Mss. Miscellaneous handwritten and typescript notes regarding corrections in Inscape score; 5 leaves; various sizes.90aInscape.London: Boosey & Hawkes, . [1968] Full score; 47 p. (3 copies, Copy 2 bound).91) Inaugural fanfare [wind ensemble]91Inaugural fanfare : for woodwinds, brass, and percussion. Ms. (ozalid). Full score; 18 p.; 41 cm.91.1Inaugural fanfare. Ms. (ozalid). Full score: 18 p.; 38 cm. (spiral bound).91.2Inaugural fanfare. Ms. Rough sketch in pencil and condensed score draft; various paginations; various sizes.91aInaugural fanfare : wind ensemble.New York: Boosey & Hawkes, . [1976] Full score; 19 p. (2 copies).91aaInaugural fanfare : wind ensemble.New York: Boosey & Hawkes, . [1976] Wind ensemble parts (2 sets).92) Happy anniversary [orchestra]92Happy anniversary : a well-known tune arranged for symphony orchestra. Ms. Full score; 7 leaves; 47.5 cm.92.1Happy anniversary. Ms. Sketches; [6] p.; various sizes.92.2"For Eugene Ormandy's 70th birthday" (ca. 1969). Piano solo; 1 leaf; 30.5 cm.92aHappy anniversary : a well-known tune arranged for symphony orchestra.London: Boosey & Hawkes, . [1971] Full score; 5 p. (2 copies).93) Ceremonial fanfare [brass ensemble]93Ceremonial fanfare : for brass ensemble. Ms. (ozalid). Full score; 8 p. 37.5 cm.93.1Ceremonial fanfare : for brass ensemble. Ms. (ozalid). Full score; 8 p.; 37.5 cm.93.2Ceremonial fanfare. Ms. Condensed score (draft); 7 p.; 34.5 cm.93.3Ceremonial fanfare. Ms. Sketches; [12] p.; various sizes.93aCeremonial fanfare : for brass ensemble.London: Boosey & Hawkes, . [1974] Full score; 6 p. (3 copies).93aaCeremonial fanfare : for brass ensemble.London: Boosey & Hawkes, . [1974] Ensemble parts.94) Duo for flute and piano [chamber work]94Duo for flute and piano. Ms. Score for flute and piano; 24 leaves; 38 cm.94.1Duo for flute and piano. Ms. Flute part; 10 leaves; 38 cm.94.2Duo for flute and piano. Ms. (ozalid). Flute part (incomplete); [4] p. (pp. 7-10); 38.5 cm.94.3Duo for flute and piano. Ms. Score for flute and piano (draft); 27 p.; various sizes.94.4Duo for flute and piano. Ms. Rough sketches; unnumbered; various sizes.94.5Duo for flute and piano. Ms. Score for flute and piano (incomplete); 4 leaves; 38 cm.94 miscDuo for flute and piano. Mss. Miscellaneous pages from scores (2 leaves), and handwritten correction notes (3 leaves).94aDuo for flute and piano.London: Boosey & Hawkes, . [1971] Score for flute and piano; 21 p.94b"Poem" : from Duo for flute and piano.London: Boosey & Hawkes, . [1971] Piano score and flute part; 5 p. (pp. 2-6) + 2 p. (pp. 2-3).94-A) "Poem": from Duo for flute and piano [flute solo]94-AaNo. II, "Poem" : from Duo for flute and piano [solo flute] (1971).London: Boosey & Hawkes, . [1971] Flute solo; [2] p. (pp. 2-3).94-B) "Duo for violin and piano" [chamber work]94-BDuo for violin and piano. Ms. Violin part; 7 leaves; 38 cm.94-B.1Duo for violin and piano. Ms. (photocopy). Violin part; 7 leaves; various sizes.94-B.2Duo for violin and piano. Ms. (photocopy). Violin part; 7 leaves; various sizes.95) Threnody I : Igor Stravinsky, in memoriam [flute & string trio]95Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio. Ms. Full score; 3 p.; 37 cm.95.1Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio. Ms. Sketches; [10] p.; various sizes.95aThrenodies I and II : for flute/alto flute and string trio (1971-73).London: Boosey & Hawkes, . [1977] Full score and parts.96) Night thoughts : homage to Ives [piano work]96Night thoughts : homage to Ives. Ms. Piano solo; 8 leaves; 34.5 cm.96.1Night thoughts : homage to Ives. Ms. (ozalid). Piano solo; 8 p.; 34.5 cm. (spiral bound).96.2Night thoughts : homage to Ives. Ms. Piano solo (draft); 8 p.; 35.5 cm.96.3Night thoughts : Homage to Ives. Ms. Rough sketches; various paginations; various sizes.96aNight thoughts : homage to Ives.London: Boosey & Hawkes, . [1973] Piano solo; 6 p.97) Threnody II : in memoriam, Beatrice Cunningham [chamber work]97Threnody II : in memoriam, Beatrice Cunningham. Ms. (ozalid). Full score (for flute in G and string trio); 6 p.; 38.5 cm.97.1Threnody II : in memoriam, Beatrice Cunningham / for flute in G and string trio. Ms. Full score (draft); 6 p.; 34.5 cm.97.2Threnody II : in memoriam, Beatrice Cunningham. Ms. Sketch; 3 p.; 34.5 cm.98) Midsummer nocturne [piano work]98Midsummer nocturne : piano solo. Ms. Piano solo; 2 p.; 34.5 cm.98.1Midsummer nocturne : piano solo. Ms. (photocopy). Piano solo; 2 leaves; 35 cm. (3 copies).98.2Midsummer nocturne.London: Boosey & Hawkes, . [1977] Publisher's proof (photocopy). Piano solo; 2 p.99) Mid-day thoughts [piano solo]99Mid-day thoughts : for piano. Ms. Piano solo; 3 p.; 30 cm.99.1Mid-day thoughts : for piano. Ms. (photocopy). Piano solo; 3 p.; 29 cm.99aMidday thoughts.New York: Boosey & Hawkes, . [1984] Piano solo; 3 p. (2 copies).100) Proclamation for piano [piano work]100Proclamation for piano. Ms. (photocopy). Piano solo: 3 p.; 28 cm.100aProclamation for piano.New York: Boosey & Hawkes, . [1984] Piano solo; 3 p.100-A) Proclamation for orchestra: from Proclamation for piano [arranged]100-AaProclamation for orchestra : orchestrated by Phillip Ramey (1984; orchestrated 1985).[New York]: Boosey & Hawkes, . [1985] Full score; 10 p. (2 copies).100-A miscProclamation for orchestra. Mss. Miscellaneous pages of holograph sketches from scores and parts in ink and pencil; photocopies.Published Compilations of Works by Copland, 1982-1986A Copland portrait : adapted by Clare Grundman (1985).New York: Boosey & Hawkes, . [1986] Full score; 47 p. (2 copies).Album (1982).New York: Boosey & Hawkes, . [1982] Piano solos; 31 p.Sounding success : a Copland tribute / adapted by Clare Grundman (1985).New York: Boosey & Hawkes, . [1986] Full score; 24 p. (2 copies).Music Composed by Copland Not Assigned ARCO Numbers, 1911-1985"Ballade ?"See also: "Two ballads for violin and piano" BOX: xxx Ms. Condensed score draft for violin and orchestra; [1] p.; 38 cm."Ballade for vl. & orch."See also: "Two ballads for violin and piano" BOX: xxx Ms. Condensed score; 6 p. 38 cm.[Ballade].See also: "Two ballads for violin and piano" BOX: xxx Ms. Condensed score; [7] p., pages of music marked A-F; 43.5 cm."Two ballads for violin and piano" (1957). Piano score and violin part; 8 + 4 leaves; 28 cm."Ballade of Ozzie Powell" : words on poem of Langston Hughes (1936-37). Choral score and sketches; 3 + 2 p.; 33.5 cm."Corrigenda" : Copland-Shackelford organ variations (1973). Organ solo; [13] p. 28 cm."Internationale" (1942). Piano sketch; [3] p.; 31.5 cm."Into the streets May first" (ca. 1934). Piano-vocal score and sketches; [4] p.; 34 cm.[Miscellaneous holograph and copyist's manuscript pages in ink and pencil and photocopies of unidentified fragment from sketches, scores, and parts remaining in the collection file.]"Motet : Psalm 28-6" (n.d.). Vocal score (SATB); [4] p.; 35 cm."Movement" : for string quartet (1921-24).New York: Boosey & Hawkes, . [1988] Score for string quartet; 13 p. (2 copies)."Music Library Association 1931-1971" (1971). Melody principal and schedule of MLA seminar sessions; 2 leaves + [4] p. program."String quartet" (1965-68). Sketches for string quartet; [24] p.; 34.5 cm."Tragic ground" : a musical play / text by Lynn Riggs (1945). Sketches, piano-vocal scores and libretto typescripts; unnumbered; various sizes."Two ballads for violin and piano" (1957). Ms. (photocopy). Piano score; 6 p.; 43 cm.Juvenilia, 1911-1926Juvenilia (arranged chronologically), 1911-1926Juvenilia (1911-1921).Juvenilia: Schirmer manuscript music books (1917-1921).Juvenilia A: Capriccio, for violin and piano (1916?). Score for violin and piano; 1 leaf; 30.5 cm.Juvenilia B: Moment musicale - a tone poem, piano solo (1917). Piano solo; 3 lvs; 34 cm.Juvenilia C: Melancholy, a song à la Debussy (1917). Piano-vocal score (2 versions); 2 lvs.; 34 cm.Juvenilia D: Spurned love (1917). Piano-vocal score; [5] p. (pp. 21-25); 21 x 25 cm.Juvenilia E: After Antwerp (1915). Piano-vocal score; [3] p. (pp. 18-20); 21 x 25 cm.Juvenilia F: Waltz caprice (1918). Sketch for piano solo; 2 lvs; 34 cm.Juvenilia G: Waltz caprice (1918). Piano solo; [6] p.; 34 cm.Juvenilia H1: Danse characteristique, for piano duet (1917-18). Score for piano duet; 4 p.; 34.5 cm.Juvenilia H2: Danse characteristique for orchestra (1919). Full score; 4 p.; 34.5 cm.Juvenilia I: A summer vacation (1918). Piano-vocal score; [5] p. (pp. 13-17); 21 x 25 cm.Juvenilia J: My heart is in the east (1918). Piano-vocal score; [4] p. (pp. 29-32); 21 x 25 cm.Juvenilia K: Night, song with piano accompaniment (1918). Piano-vocal score; 3 p.; 34 cm.Juvenilia L: Poème for cello with piano accompaniment (1918). Piano score and cello part; [4] + [1] p.; 34 cm.Juvenilia M1: Lament, for cello and piano (1918-19). Piano score and cello part; 3 + 1 p.; 34 cm.Juvenilia M2: Lament, for violin and piano (1918-19). Score for violin and piano; 2 p.; 20 x 23 cm.Juvenilia N: Three sonnets for piano (1920). Piano solo; [6] p.; 34 cm.Juvenilia O: Simone, song for soprano and piano (1919). Piano-vocal score; [3] p.; 34 cm.Juvenilia P: Prelude for violin and piano (1919). Piano score and violin part; [4] + [1] p.; 34 cm.Juvenilia Q: Music I heard, song for soprano with piano accompaniment (1920). Piano-vocal score; 2 p.; 34 cm.Juvenilia R: Sonata for piano (1920-21). Piano solo; 26 p. 34.5 cm.Juvenilia S: Prelude (Second) for violin and piano (1921). Piano score and violin part; [3] + [1] p.; 34.5 cm.Juvenilia T: Moods for piano solo (1920-21). Piano solo; 6 p.; 34.5 cm.Juvenilia U: Fragment for trio for violin, cello and piano (n.d.). Piano score (unfinished), and violin and cello parts; 5 + 1 + 1 p.; 34.5 cm.Juvenilia V: String quartet (1921?). String parts (unfinished); [15] p.; 35.5 cm.Juvenilia V: String quartet (ca. 1921). Full score (rough sketch, unfinished); [25] p.; 35.5 cm.Juvenilia (arranged alphabetically by title), 1911-1926Choral 24 (1921). Piano solo; 1 leaf; 20.5 x 23.5 cm.Double canon etc., etc. (n.d.) This item contains several unrelated items, including "Double Canon on Broad Theme" for piano solo, a sketch for a piano-vocal work, and a part for trombone; [25] p.; 35 cm.Fugue (n.d.). Score for four unidentified instruments; [4] p.; 35 cm.Jazzy song (1924?). Piano and vocalize score; [4] p.; 35 cm.Longchamps : ballet in one act (n.d.). Piano sketches; 6 lvs.; 35 cm.Material for introduction and dance (n.d.). Piano sketches; [16] p.; various sizes.Motet (n.d.). Score for four voices; 4 p.; 35 cm.Piece for bassoon and piano (n.d.). Piano score and bassoon part; [8] + [4] p.; 35 cm.Piece for clarinette and piano (n.d.). Piano score and clarinet part; [4] + [3] p.; 35.5 cm.Piece for flute and piano (n.d.). Piano score and flute part; [3] + [2] p.; 34 cm.[Piece for flute, clarinet and voice] (n.d.). Piano score; [3] p.; 34.5 cm.Piece for horn and piano (n.d.). Horn part; [2] p.; 34.5 cm.Piece for oboe and piano (n.d.). Piano score and oboe part; [4] + [2] p.; 34.5 cm.Piece for trombone and piano (n.d.). Piano score and trombone part; [4] + [1] p.; 35 cm.Piece for trumpet and piano (n.d.). Piano score and trumpet part; [4] + [1] p.; 35 cm.Renaissance : practice song set to French words (1921). Piano-vocal score; [3] p.; 34.5 cm.Schumanniana : for cello and piano (1919). Cello part; [2] p.; 31.5 cm.Sea-fairies : tone poem for piano after Tennyson's poem of the same name (n.d.). Fragment of piano score; 1 leaf; 12.5 x 27.5 cm.Une chanson : practice song set to French words (1921). Piano-vocal score; [3] p.; 34.5 cm.Copland Transcriptions or Arrangements of Works by Others, 1841-1988Beethoven, Ludwig vanQuartet, op. 131 : for piano - 2 hands / transcribed for piano solo by A. Copland (n.d.). Piano solo; [1] p.; 34 cm.Brahms, Johannes[Intermezzo in E major, op. 116, no. 6] : piano solo / copied by A. Copland (1919). Piano solo; 2 p.; 34 cm.Second symphony - D major : arranged for violin, cello and piano by Aaron Copland (n.d.). Full score; 8 p.; 34.5 cm.Chopin, FrederichEtude, op. 10, no. 9 : transcribed for cello and piano by Aaron Copland (1919). Cello part; 1 leaf; 32 cm.Etude, op. 25, no. 7 : transcribed for cello and piano by Aaron Copland (1919). Piano score and cello part; [3] + [2] p.; 35 cm.Two preludes - op. 28, nos. 4 and 6 : transcribed for cello and piano by Aaron Copland (1919). Piano score and cello part; [2] + [1] p.; 34.5 cm.Järnefelt, ArmasBerceuse. Melody principal; [1] p.Madetoja, LeeviLittle melody. Melody principal; [1] p.Mendelssohn, FelixLa chasse (Rondo capriccioso) : transcribed for orchestra by Aaron Copland (n.d.). Full score (sketch); [14] p.; 34.5 cm.Ruggles, Carl (Charles Sprague)Portals : originally for string orchestra (1926) / piano reduction by A. Copland [ca. 1926]. Piano solo; 7 p.; 32 cm.Sibelius, JeanRomance. Melody principal; [1] p.Stcherbatcheff, NicolasFirst snow : transcribed for cello and piano by Aaron Copland (1919). Piano score and cello part; [3] + [1] p.; 34.5 cm.Takemitsu, ToruThe Dorian horizon . Condensed score (sketch); [16] lvs.; 34 cm.Tchaikovsky, Piotr Ilyich5me symphonie : transcribed for piano - two hands by A. Copland (n.d.). Piano solo; [3] p.; 34 cm.[Various composers]Practice orchestrations . The folder contains untitled orchestrations in several formats, instrumental parts, practice exercises, and instrumental range charts; various paginations; 34.5 cm.Music by Others, 1912-1988Music Manuscripts and Facsimiles by Others (1912-1988) includes some manuscripts, copies of manuscripts, copies of manuscripts (i.e. photocopies and photostats) of scores and some parts. Printed Music by Others (1841-1986) includes printed scores of original compositions and transcriptions. Arranged alphabetically by composer, compiler, or editor, then by title. Music Manuscripts and Facsimiles by Others, 1912-1988Abell, JeffPiano fantasy, op. 1 (1970), 15 p.Adler, SamuelThy song expands my spirit : a tribute to "Aaron Copland" on his birthday : piano solo (1980), 8 p.Albright, WilliamFive chromatic dances (1976), 38 p.Allanbrook, DouglasThird quartet (1958-59), 25 p.Ames, WilliamDeclamation for orchestra and soprano (1972), 84 p.Amiran-Pogatsov, EmanuelNahamu ami (1950), 30 p..Ardévol, JoséSeis piezas : for piano (n.d.), 12 p.Sonata a tres : para dos flautas y viola (n.d.), 16 + 3 + 3 + 3 p.Suite cubano no. 1 : para orquesta (1947), 68 p.Suite cubano no. 2 : para orquesta (n.d.), 38 p.Tres peguenos preludios : para piano (1945), 5 p.Ashworth, WilliamThree dances : for piano solo (n.d.), [6] p.Avshalomov, JacobThe taking of Tung Kuan : orchestral score (1953), 47 p.Ayala, DanielMensaje telegráfico : para piano solo (1931), [3] p.Babcock, DavidPiano sonata : in one movement (1973), 10 p.Quintet [woodwinds] (1972), 23 p.String quartet (1973), 26 p.Suite for piano (1973), 9 p. [includes correspondence referring to both "Suite for piano" and "String quartet"].Ballou, Esther W.Capriccio : for violin and piano (1963), 13 + 4 p.Barber, SamuelHappy birthday to Mary (1951), 1 leaf.Barnes, EdwardThe ballad of Bill Doolin (1980), 53 p.In the garden (1978), 70 p.Variations for brass quintet (1980), 43 p.Bartók, BélaMedea : ballet (1953/54), 1 leaf (incomplete reverse image photostat). Transcribed by Herbert SandbergBeale, JamesSeventh piano sonata, op. 20 (1956), 20 p.Sonata for violin & piano (1956), 36 p.Becker, John J.Concerto arabesque : for piano & orchestra (n.d.), 41 p.Beethoven, Ludwig vanKlaviersonate in C-Moll, op. 111 (1922 reproduction of autograph), 40 p.Ben-Yohanan, AsherFantasia : piano solo (1956), 12 p.Festive overture (1957), 37 p.Berenholtz, Jim.Orchestrated excerpts from "Winter" : an epic song of nativeAmericans (1975), 42 p.Berger, ArthurThree pieces for string quartet (1945), 17 p.Three poems from "Words for music, perhaps" (Yeats) : voice & piano (1945), 9 p.Berio, LucianoOpus number zoo : children's play for wind quintet (1951; rev. 1970), 12 p.Bermachea, Moises O.Philippine airs no. 1 (Filipino composition) : piano solo (n.d.), 13 p.Bernstein, LeonardAaron's canon (for AC's 70th birthday) : piano solo (ca. 1970), 11 p.Beversdorf, S. Thomas, Jr.Portrait of Carlos Chávez (1947), 38 p.Birtwistle, HarrisonMonody for Corpus Christi : for flute, violin, and horn (1959), 18 p.Bizet, GeorgesFarandole : from L'arlésienne (n.d.), 21 p.Blake, DavidThree choruses (1964) : for SATB to poems by R. Frost (ca. 1964), 18 p.Blitzstein, MarcAfter all white horses are in bed : for voice & piano (1929), 6 p.Mister Youse : for voice & piano (1929), [4] p. (pp. 7-10).Song : for voice & piano (1929), [2] p. (pp. 11-12).You are like the snow : for voice & piano (1929), 7 p.You are like the snow : for voice & piano (1929), 7 p. (different version).Blondel, Jorge UrrutiaOpa-Opa : coro a cuatro voces mixtas "a capella" (1958), 4 p.Boone, CharlesChinese texts (1970), 6 p.The edge of the land (1970), 13 p.Oblique formation : for flute and piano (1965), [10] p.Starfish (1966), 27 p.Vermilion : for solo oboe (1970), 4 p.Bornstein, CharlesAaron Copland gewidmet : for piano solo (1977), 1 p.Piano piece for Aaron Copland : piano solo (1968), 1 p.Bourque, RichardFive Robert Frost poems, op. 9 : voice & piano (n.d.), 7 p.Bowles, PaulLa despedida : piano solo (1982), 1 leaf.Five songs : voice & piano (n.d.), 7 p.Brozen, MichaelThe ways of water : cycle for voice and piano (1965), 19 p.Buenaventura, OscarConcerto para dos pianos (n.d.), 16 p.Butterworth, NeilLetter to the world song cycle : for voice & piano (n.d.), 15 p. [includes correspondence from Mr. Butterworth to AC].Cabezón, [?]Two religious songs : for mixed chorus, SATB (n.d.), [6] p.Carter, ElliotHoliday overture (ca. 1960), 68 p.Holiday overture (ca. 1960), 68 p. [same version, fewer annotations].Sonata for cello and piano (1948), 41 + 14 p.String quartet (1951), 101 p.Cascarino, RomeoFugue : piano solo (n.d.), 1 leaf.Minuet : piano solo (n.d.), 2 p.Rag-time : piano solo (1940), 4 p.Sarabande : piano solo (n.d.), 2 p.She walks in beauty : voice & piano (n.d.), 4 p.Castro, José Maria10 improvisaciones breves : versión orquestal (1957), 78 p.Conciertio para piano y orquesta (1955 revision), 97 p.Cuarteto en sol : para cuerdas (1947), 14 + 7 + 7 + 7 + 6 p.Cuarteto no. 3 (1956), 45 + 9 + 9 + 9 + 8 p.[Preludio & toccata] (1952), 34 p.Sonata : para 2 violoncellos (1938), 30 p.Castro, Sergio deMisterios : para orquesta (1947), 12 p.Catunda, EuniceSalmo 82 (1947), 7 p.Sonatina : para piano (1946), 11 p.Cazden, NormanSonatina : piano solo (1935), 8 p.Chávez, CarlosSoli (1933), 12 p.Soli (1933), 12 p.Childs, BarneySonata for solo viola (1955/56), 14 p.Ciry, MichelTrio, op. 20 : pour hautbois, basson et piano (1946), 36 + 11 + 22 p.Citkowitz, IsraelAh's de man : for mixed chorus (SATB), 2 p.Five songs : from "Chamber music" by James Joyce (1929), [45] p.Cogan, RobertComposition for string trio (1956), 8 p.Sounds, and variations : for piano (1959-61), 16 p.Crane, RobertVoluntary for trombone and two pianos (n.d.), 27 p.Dahl, IngolfCarmen canonicum for November 14, 1960. For chorus (SATTB) (1960), 1 leaf.Trio for piano, violin and cello (1962), 56 p.Dallapiccola, LuigiAria : in tre strofe 1944-47), 4 p.Daus, AvrahamA group of "Zabres" in a trip (1957), 38 p.A trip of Israeli Youth Group (1951), 38 p.Suite for string orchestra (1952), 31 p.Suite of songs by Rachel (1947), 15 p.A trip of Israeli Youth Group (1951), 38 p.Davidovsky, MarioSerie sinfonica (1959), 44 p.Davies, Peter MaxwellFantasia : on an In nomine of J. Taverner (1962), 22 p.Leopardi fragments : for orchestra (1961), 30 p.O magnum mysterium (1960), 14 p.Debussy, ClaudeGolliwogg's cake walk (n.d.), 17 p. (includes 14 page typescript).Del Tredici, DavidFantasy pieces : for piano (1960), 26 p.I hear an army : from "Chamber music" (1964), 51 p.The last gospel : for amplified soprano solo, amplified solo group, chorus (SATB) and orchestra (1967), 47 p.The lobster - quadrille. For chorus (SATB) & orchestra (n.d.), 113 p.Night conjure - verse I : a cycle of songs ... (1965), 113 p.Night conjure - verse II : a cycle of songs ... (1965), 142 p.Pop - Pourri. For chorus (SATB) & orchestra (1968), 79 p.Songs from James Joyce (1958), 42 p.Des Marais, PaulCapriccio : for two pianos, percussion and celesta (1962), 62 p.Diamond, DavidAndante : voice & piano (n.d.), 1 leaf.A buoyant music : overture no. 2 : for orchestra (1970), 60 p.Chatterton : voice & piano (1946), [7] p.Christmas tree : voice & piano (1970), 5 p.The fall : a cycle of nine songs : for voice and piano (1970/71), 40 p.For Aaron's birthday : 2 pianos (1988), 3 p.Ma Tovu : for chorus (SATB) & organ (n.d.), 5 p.Mizmor L'David : sacred service for the sabbath eve (1951), 125 p.Music for chamber orchestra (1969), 87 p.Six preludes : for piano (1935), 13 p.Symphony no. 8 (1960), 108 p.This world is not my home : voice & piano (1946), 2 p.We two : a song cycle for voice and piano (1964), 39 p.Diemente, EdwardCelebration : for wind ensemble (1969), 47 p.Dinterstein, NormanContrasto. For orchestra (1968), 37 p.Poema ultrasonico : for mixed chorus a cappella (1974), 32 p.Pound : a cycle for soprano and piano (1969), 27 p.Refrains. For orchestra (1970/71), 146 p.Dolin, SamuelMarchbankantata : a chamber cantata for baritone chorus (SATB), piano and synth A or Putney (with anplifier and two speakers and keyboard) (1971), 19 p.Druckman, JacobConcerto for violin and small orchestra (1956), 106 p.Incenters : for trumpet, horn, trombone and orchestra (n.d.), 43 p.Laude : piece with medieval text (1952), 16 p.Laude : piece with medieval text / piano reduction by Paul Aron (1952), 13 p.Dukelsky, VladimirTempo [?] (n.d.), 4 p.Edel, YtzhakSonatine for oboe and piano (1951), 22 + 5 p. (includes oboe part and correspondence).Engel, A. LehmanIntroduction and allegretto, op. 13 : for woodwinds, brass and timpani (1933), 22 p.Epstein, Alvin LDuo for violin & piano (1958), 22 + 11 p.Farrand, NoelString trio : for violin, viola and violincello (n.d.), 35 p.Fauberman, HaroldQuartet : for flute, oboe, viola, and cello (1956), 47 p.Feldman, MortonOut of "Last pieces" : orchestra graph (1961), 12 p. (includes notes).Ferrari, LucSuite pour piano (1952), 15 p.Feuchwanger, PeterVariations on an eastern folk tune, book I & II : for piano (1957), 25, 26 p.Fine, IrvingMusic for piano (1947), 20 p.Serious song : for string orchestra (1955), 14 p.Fine, VivianFour polyphonic piano pieces (n.d.), 20 p.Fitelberg, JerzyConcertino da camera : for violin and piano (1950/51), 30 + 15 p.Fitzer, JackNoel 1949 (1949), 1 leaf.Flanagan, WilliamTime's long ago : a cycle of songs to "Poeme 87" (Herman Melville) (1951), 19 p.Foresythe, ReginaldStudy in steel : for piano (n.d.), 7 p.Foss, LukasFolk song : for orchestra (1975/76), 35 p.Quartet : for 2 violins, viola and cello (n.d.), 35 p.Franchetti, ArnoldThe blind Geronimo and his brother : a musical tale for children (1978), 18 p.Concertino : for flute, alto flute, piccolo, cello and percussion (1965), 21 p.Concerto in DO for orchestra (1961/62), 59 p.Dialoghi : to Marvin Salzberg (1960), 24 p.In memory of John Fitzgerald Kennedy. For orchestra (1964), 65 p. (includes 3 page typescript).Largo : piano reduction (n.d.), 20 p.Largo for strings (1956), 8 p.Prelude and fugue : a concert opera ... : for voices, piano and orchestra (1959), 114 p.Sinfonia in LA (1967), 83 p.3rd wind quintet (1963), 15 p.Three ricercori : for winds, percussion, piano & strings (1958), 61 p.Whate'er the theme the maiden sang ... : for soprano and orchestra (1962), 49 p.Franco, JohanIntermezzo I : for piano (1936), 2 p.Gianneo, LuisSonatina : para flauta y piano (1937), 17 p.Ginastera, AlbertoIer cuarteto de cuerdas : score and parts for strings (n.d.), 30 + 12 + 12 + 8 + 8 p.Variaciones concertantes : para orquestra de camara (1953), 69 p.Giuffre, JimmyClarinet quintet no. I (1963), 58 p.Gottlieb, JackSonata for piano (1960), 38 p.Graves, RobertHenry and Mary : song for soprano and tenor (n.d.), 1 leaf.Gross, RobertString quartet no. 4 (n.d.), 39 p.Haieff, AlexeiAllegro : for piano (n.d.), 1 leaf.Saints' wheel : variations on a circle of fifths (1960), 6 p.Harris, Roy[Piano reduction of unknown symphonic work] (1929), 31 p.Piano sonata (n.d.), 19 p.Theme from clarinet concerto (n.d.), 2 p.Third symphony : in one movement (1939), 104 p.Hatzidakis, ManosMatinades and dances for piano (1947), 6 p.Heilner, IrwinPoem : words by Emily Dickinson (1928), 2 p.Horne, HenriRhapsodie nocturne : for piano (n.d.), 36 p.Ichiyanagi, TossiToccata : for piano (n.d.) 14 p.Imbrie, AndrewConcerto : for violin and orchestra (1954), 139 p.Ives, Charles E.Decoration day : for orchestra (1912), 29 p.General Booths' entrance into heaven : for voice & piano (1914), 7 p.Jones, CharlesThree pieces for piano (1943), 10 p.Karg-Elert, SiegfridCorale (n.d.), 1 leaf.Katz, DavidSonata for two pianos (1980), 38 p. (includes correspondence).Kennedy, John BrodbinInscription : symphonic movement for orchestra (1955), 18 p.Lyric ode : for string orchestra (1959), 13 p.Piano sonata : in one movement (1954), 15 p.Songs of innocence : for voice and piano (1960), 21 p.Kinarthy, RanderFaustus : piano solo (1972), 9 lvs.Kohn, KarlBefore night : for four part chorus of mixed voices (SATB) and piano (n.d.), 12 p.Capriccios : for harp, violoncello, flute, clarinet, and piano (1962), 26 p.Divertimento : for flute, oboe, clarinet, and bassoon (1959), 24 p.Encounters : for flute, piccolo and piano (1966), 3 p.Interludes : for orchestra (1964), 41 p.Leisure and other songs : cantata for baritone and chamber ensemble (1965), 36 p.Romanza : for baritone & piano (1965), 5 p.Sonata da camera : for alto flute, clarinet and piano (1965), 15 p.Three pieces : for flute and piano (1958), 10 p.Two short pieces : for clarinet and piano (1959), 8 p.Two songs : for soprano and piano (1964), 5 p.When to her lute : for voice and piano (1963), 5 p.Kolar, HenryAphorisms for string orchestra (1963), 8 p.Music for brasses (1968, 9 p.Kolb, BarbaraAppello (1976), 15 p.Looking for Claudio (1975), 19 p. (includes notes).Songs before an adieu : for soprano, flute/alto flute, guitar (1977-79), 23 p.Koprowski, Piotr P.Concerto grosso for string ochestra (1971), 17 lvs.Korte, KarlSymphony no. 3 (1969), 151 p.Krieger, EdinaMovimento misto : para pequena orquesta (1947), 48 p.Music da camera : para flauta, trumpete, violino e percussao (1948), 8 p.Pecalenta : para flauta, violino, viola e celo (1946), 6 p.Sonatina : para flauta e piano (1947), 14 p.Kubik, GailDivertimento II. For small orchestra (1958), 43 p.Service of intercession for the war : a war-time litany : for men's chorus, brass and percussion (1943), 35 p.Laeser, BrianPiece for two pianos (1973), 2 p.Variations : on a theme by Aaron Copland (1973), 1 p.Lambro, PhillipMiraflores : for string orchestra (1956), 3 p.Lanza, AlcidesModulos (1965-III) : para guitarra (1966), 12 p.Plectros II (1966-I) : para piano an electronic sounds (1965), 2 p.Layton, BillyAn American portrait : symphonic overture : for orchestra (1953), 52 p.Five studies for violin and piano (1952), 32 p.In my craft or sullen art : for mixed chorus and brass sextet 1956, 5 p.O make me a mask : for mixed chorus and brass sextet (1954), 20 p.Septet : for violin, clarinet...and percussion (1958), 47 p.String quartet : in two movements (1956), 56 p.Twenty-four years : for mixed chorus and brass sextet (1955), 15 p.Le Baron, AnneConcerto for active frogs (1975), 12 p.Lee, NoëlCommentaries on a theme from A. Copland : for trumpet, clarinet and piano (1966), 19 p.Double concert : for piano, violin, and orchestra (1964), 76 p.Double concert : for piano, violin, and orchestra (reduction) (1964), 47 p.Errances : for concert band (1972), 36 p.Fantasy for orchestra : in four movements (1953; rev. 1955), 76 p.Four etudes : for piano (second set) (1967), 24 p.Four rhapsodies : for chorus, mezzo-soprano, and orchestra (1952; rev. 1953), 79 p.Four rhapsodies : reduction for 2 pianos (1952), 40 p.Paraboles : oratorio en six mouvements (1954), 66 p.Profile : for orchestra (1959), 12 p.Quatre chants sur Baudelaire : pour voix et piano (1971), 26 p.Seis canciones Amarillas : cycle of songs set to poems ... for lyric soprano and piano (1959), 20 p. (2 copies).The song of songs : cycle of songs for dramatic soprano and piano ... (1949), 21 p.Variations : for orchestra (1959/60), 58 p. (2 copies).Lewis, KenDance variations : for chamber wind ensemble (1975), 40 p.Lewis, PeterImages (In memoriam James Agee) : for reader & orchestra (1967), 34 p.Sweets for piano : for M.S. (1965), 19 p.Lilburn, DouglasDuo : for 2 violins (1954), 18 p.Elegy : songs set to poems (1947), [16] lvs.Lombardo, Robert12 contemporary piano pieces for children (1962), 12 p.A war ballad : for narrator and cello (1966), 4 p.Cinque piccoli pezzi : per violino e pianoforte (1965), 6 p.Climbing for tree frogs : four love songs for soprano and harpsichord (1969), 12 p.Dialogue of lovers : for soprano, baritone and chamber ensemble (1966), 58 p.Fantasy for piano (1960), 10 p.For my daughter, Rosalia : a madrigal for 24 voices SATB (1968), 13 p.Fourplay : for violin, percussion, bassoon & harpsichord (1970), 26 p.Frosted window : variations on white : for soprano, bassoon, viola, percussion (1975), 7 p.In memoriam, Michele Lombardo, 1888-1967 : for bassoon, violin, viola, violoncello (1967), 5 p.Largo : for string quartet (1969), 9 p.Music for spring : three short pieces for horn and piano (1961), 12 + 3 p.Orchestral aphorisms (1960), 26 p.Orchestral fantasy (1962), 45 p. (includes concert program).Program notes : for flute, bass clarinet, vibraphone, soprano and contrabass (1969), 15 p.Second string quartet (1974), 23 p.Three cinquains : for alto voice and chamber ensemble (1966), 6 p.Three haiku for band (1961), 36 p.Three madrigals : for three part women's chorus (1960), 9 p.Three poems : for flute, oboe and mixed chorus (1961), 19 p.Threnody : for strings (1964), 10 p.Trio for brass (1959), 7 p.Lynch, DavidHymn to pan (n.d.), 52 lvs. (includes text).Martin, FrankDer Cornet - No. 9 der Brief (1942/43), 4 p.Marty, Jean-Pierre3 etudes : pour piano (1955), 13 p.Marzialy, Marcelle deQuatuor. For strings (1943), 21 p.[Unidentified orchestral score] (1945), pp. 7-35.Mattila, EdwardThirteen ways of looking at a blackbird : for reciter, chorus and chamber ensemble (1971), 22 p.Michalsky, D[onal]Birthday greetings - 1973 : from composition class of D. Michalsky of California State University, Fullerton, Cal. 92634 ( 1973), [25] p.Milhaud, DariusTrois chansons de Ronsard : voice & piano (1943), 8 p.Miller, CarlApril : for soprano & piano (1942), 2 p.Miller, Edward6 canons : for alto recorder, harpsichord, and viola da gamba (1964), 6 lvs.Anti-heroic amalgam : for orchestra (1969), 49 p.Burlesque : 4 pianos (1965), 22 p.Conquest : voice & piano (n.d.), 1 leaf.Oh! the grand old Duke of York (n.d.), 1 leaf (found with compositions by Miller under the name Mother Goose).On the death of friends in childhood : voice & piano (n.d.), 2 lvs.Orchestral changes (1966), 33 p.Orchestral fantasies (1968), 54 p.Reflections : at the Bronx zoo. For orchestra (1965), 34 p.The seven last days : for chorus, percussion, tape and silent film (1970), 11 p. [includes 1970 concert program, 5 p.]Sinfonietta : for string orchestra (1966), 14 p.A study for winds & strings (1959), 24 p.Three pieces for band (1964), 24 p.Untitled poem : voice & piano (n.d.), 1 leaf.The young god : a vaudeville : for voice & small jazz ensemble (1968), 64 p.Miller, JeanBeguine no. 1 (1944), 2 p.Beguine no. 2 (1946), 2 p.Canción Afrocubana : voice & piano (1945), 3 p.Conga (1945), 3 p.Danzón : piano solo (1943), 1 leaf.Tropic serenade (Afrocubana) : voice & piano (1946), 2 p.Mills, CharlesCrazy Horse symphony (1957), 76 p.Moevs, R[obert]Cantata sacra (1952), 22 p.Moss, [Lawrence] LarryFar down the steel-gray water stretches : voice (baritone) & piano (n.d.), 3 lvs.March : for piano (n.d.), 5 lvs.String quartet (1957), 42 p.Nabokoff, NicolasSerenata estiva : string quartet (1937), 14 p.Nigg, SergeTrois melodies, op. 9 : voice & piano (n.d.), 8 p.Oberheide, KenFull fathom down rhapsody (n.d.), 4 lvs.O'Brien, EugeneDédales : for soprano and chamber orchestra (1975), 83 p.O'Connell, GlenComments for piano 1965 (1965), 15 p. (2 copies).Music for string quartet 1967 (1967), 32 p.Onderdonk, HenrySonata for two pianos (1965), 47 lvs.Onofrey, Rev. Robert E.Labyrinth, op, 46 : for clarinet alone (1973), [7] p.Orgad, Ben-ZionBiblical cantata : "The story of the spies" (1951), 58 p.Out of the dust : quintet for mezzo-soprano (soprano), flute, bassoon, viola & violoncello (1955), [45] p.Paddack, ChristopherAlborada 1964 : for piano (1964), 3 p.Palester, RomanStudy 58 : full score (n.d.), 35 p.Variations pour orchestre : partition d'orchestre (n.d.), 73 p.Parris, RobertSonata : for violin and harpsichord (piano) (1956), 29 p.Paxton, GlennBallet : in nine sections (n.d.), 100 p.Peck, RussellMy capricorn : for orchestra (1968), 57 p.Peterson, WayneChansons innocentes : II hist whist. For mixed chorus (SATB) & piano (1964), 11 p.Metamorphoses for wind quintet (1966), 22 p.Peixe, Guerra2me divertissement : pour orchestre á cordes (1947), 31 p.Duo para flauta e violino (1947), 15 p.Música : para piano (1945), 9 p.Peça p'ra dois minutos : para piano (1947), 4 p.Sinfonia no. 1 (1945/46), 46 p.Perrin, Hal and FleuretteIntroduction to harmonizing, embellishing, and improvising : for piano (n.d.), various paginations [includes correspondence].Pfautsch, LloydDancetudes : for piano (n.d.), [7] p.Pinkham, DanielDuo for violin and violoncello (n.d.), [8] p.Pompeu, MarioPureza : for piano (n.d.), [3] p. [includes drawing of AC by A. Rodriguez].The Brazil-United States anthem : for piano (1947), [3] p. + 2 leaves of text.Porter, QuincySuite for viola alone (1930), 5 p.Powell, MelQuintet : for two violins, viola, cello and piano (n.d.), 49 p.Prokofiev, SergeQuintet : for oboe, clarinet, violin, viola and bass (n.d.), [14] p.Putsché, ThomasHexachord fantasies : nineteen pieces for piano (1967), 45 p.Six preludes for piano (1961), 16 p.Three bugs : for orchestra (1965), 30 p.Ramey, PhillipAutumn pastorale : for piano (1980), 3 p.Commentaries : for flute and piano (1968), 8 p.Diversions : for piano (1965/66), 11 p.Pen sketches : five pieces for the young pianist (1967), 7 p.Phantasm : for flute and violin (or two violins) (1984), 27 p.Threnody : for the Victims of Israeli Agression : for piano (1974), 2 lvs.Toccata giocosa : for piano (1966), 3 p.Two short pieces : for piano (1967), 4 p.Ranieri, SalvadorA tus ojos : voce e piano (n.d.), 4 p.Danza arcaica : para piano (n.d.), 5 p.Dos corales : para piano (n.d.), 2 p.Niña y muñeca : para piano (n.d.), 2 p.Ninna-Nanna 1964 : per una voce e pianoforte (1964), 3 p. [includes correspondence].Tres invenciones para piano (n.d.), 6 p.Reid, ClementSons of the desert : for piano four hands (1976), 24 p.Revueltes, Silvestre2o cuarteto (Magueyes) = Quartet no. 2 : for 2 violins, viola and cello (1931), 13 + 5 + 5 + 5 + 5 p.Cuarteto : for 2 violins, viola and cello (1930), 13 p.Música de féria : parts for 2 violins, viola and cello (1932), 5 + 5 + 5 + 5 p.Robinson, EarlSong of the free men : for 2 voices and piano (n.d.), 8 lvs.Rorem, NedA burnt ship : voice & piano (1945), 2 p.Psalm 100 (A psalm of praise) : voice & piano (1945), 3 p.Psalm 120 (A song of degrees) : voice & piano (1945), 2 p.Rouse, ChristopherThe phoenix : flute/piccolo, percussion and piano (1973), 9 p. (2 copies).Third stratum of empyrean (1979), 44 p.Roy, Klaus G.St. Francis' "Canticle of the sun", op. 17 : for chorus of 4 mixed voices (SATB) a cappella and solo viola (1950), 26 p. [includes additional literature].There is a garden in her face, op. 10 : four-part chorus of mixed voices (SATB) a cappella (1940), 4 p.Sadovnikoff, Mary B.Carol : lead sheet (1964), 2 p.Christ, the fleur-de-lis : lead sheet (1964), 1 p.Dover beach (Matthew Arnold) : set to music by Mary B. Sadovnikoff : for mixed chorus, brass quartet, violoncello and piano (1965), 32 p.Five songs on Chinese texts : for medium voice & piano (1950-53), 21 p.Love song : voice & piano (n.d.) [14] lvs.Salzberg, MarvinString quartet I (1958), 31 p.Theme, four short variations & fantasy (1959), 5 p.Samuel, GerhardCold when the drum sounds for dawn. For orchestra (1975), 24 p.Santorsola, GuidoAspirar : para canto y piano (1930), 3 p.Canção triste : para piano (1934), 6 p.Dos invenciones : para piano (1938), 6 p.Passos perdidos na sombra : para canto y piano (1939/40), 3 p. (2 copies).Sapp, AllenFirst viola sonata 1948 : for viola and piano (1948), 23 p.Four hand sonata 1944 (1944), 29 p.The little lost boy (1953), 58 p.Second violin sonata 1948 : for violin and piano (1948), 30 p.Sonatina for piano 1945 (1945), 10 p.Suite for piano 1949 (1949), 12 p.Schlein, IrvingPreludes : for piano (n.d.), 15 p.Schuman, WilliamChoral fanfare : for women's voices (1941), 1 leaf.New England triptych : three pieces for orchestra (1957), 70 p.Schumann, R.Träumerei. For orchestra (n.d.), 8 p.Schwartz, LawrenceTheme & variations, op. 13 : in G major : for orchestra (n.d.), 7 lvs.Scott, KevinFanfare G.A.F. : an American overture : for symphony orchestra (1984), 51 p.Sebastiani, PiaPreludio no. 2 : para piano (1946), 6 p.Sessions, Roger H.Choral prelude. For organ (1924/25), 2 p. (3 copies).Choral prelude no. 2. For organ (1926/27), 3 p.Largo : from symphony in E minor (#1) . Condensed score (1928), 9 p.Sonata. For organ (1928-30), 48 p. [includes 3 single page inserts].Shackleford, Rudy9 aphorisms : for organ (1972), 20 lvs.I sat down under his shadow. For mixed chorus (SATB) (1972), 3 p.Im Nebel / Im Spiegel. For strings & piano (keyboard) (1971), 12 lvs.String 4-tet no. 1. (1972), 26 lvs.Shanet, HowardPerpetual praise. For 2 voices (1960), 2 p. (tribute to Copland's 60th birthday).Shapero, HaroldTwo psalms : for mixed voices a cappella (1952), 13 p.Variations in C minor : for piano (1947), 17 p.Shifrin, SeymourLament for Oedipus : for women's voices, string quartet, and piano (1957), 82 p.The odes of Shang : for percussion, small mixed chorus & piano (1962), 41 p.Siegmeister, ElieFour songs (Robert Frost). For voice & piano (n.d.), 14 p.Silva, Jesus BermudezSonata Abril 12 : piano (1965), 13 p.Sims, EzraCelebration of dead ladies. For voice & chamber ensemble (1976), 77 p.Smit, LeoAcademic graffiti . For voice & chamber ensemble (1962/63), 14 p. (2 copies).Canzone: L'addio : per tenore e pianoforte (1951), 4 p.Capriccio : for string orchestra (1958-74), 45 p.Carol. For soprano, alto & tenor (1944), 2 p.Channel firing : for baritone & piano (1970), 12 p.Four kookaburra marches : for orchestra (1972), 36 p.In a dark time : for high voice & piano (1959), 9 p.Suite of piano pieces (1944), 28 p.A transient view : 5 choruses for unaccompanied voices (1967), 13 p.Smith, LelandAdvice to young ladies : set for women's chorus with clarinet, violin, and violoncello (or with piano) (1963), 14 p.Three Spanish songs : for voice & guitar (1959), 10 p.Smith, RussellAvowal (Geständnis). For voice & piano (1974), 2 p.Duo : for flute or oboe and bassoon or cello (1948), 3 p.Magnificat : for soprano solo, chorus & orchestra (1969), 177 p.Palatine songs : for high voice, vibaphone, cymbal, clarinet horn and cello (n.d.), 39 p.River of darkness. For voice & piano (1973), 15 p.Symphony : for alto [voice] & orchestra (1976/77), 72 p. [includes 1 page note "TO THE PERFORMERS" and 3 leaf music insert].[Three Preludes]. For piano (1973), 13 + 3 + 6 p.Three songs : for high voice with piano accompaniment (1974), 14 p.Trio : for violin, violincello & piano (1974), 55 lvs.Variations in D : for cello & piano (1947), 12 p.Smith-Masters, Anthony B.Piano concerto no. 2. Full score (1983), 47 p.Snavely, Chester PKlee. For mixed chorus (SATB) (n.d.), 1 leaf.Spelman, Timothy MatherHomesick Yankee in North Africa : rhapsody for orchestra (1945), 32 p.Starer, RobertBallade : for violin & orchestra (1955), 59 p.Steger, WernerSerenade : für streichorchester (1961), 12 p.Stevens, HalseyShe's somewhere in the sunlight strong. For voice & piano (1942), 1 leaf.Striko, AnthonyLast puppet : a one set opera : for mixed chorus (SATB) and piano (1956-59), 148 p.Svane, RandyFantasy : for violin & piano (1973), 15 p.Psalm 63. For voice & piano (1974), 5 lvs.Psalm 98. For voice & piano (1974), 6 lvs.Sydeman, William J.Homage to L'histoire du soldat. For small orchestra (1962), 44 p.Takemitsu, ToruEucalypts (1970), 20 p.Talma, LouiseAll the days of my life : cantata for voice & chamber ensemble (1963), 45 p.Thompson, T.Dance portraits. Piano solo (1963-65), 10 p.Piece in slow motion : psalm for trumpet, piano, bass, cello, percussion (1965), 16 p.Thomson, VirgilFive pieces from the Song of Solomon : for solo voice and percussion (n.d.), [11] p.Pastorale (Portrait of Aaron Copland). For chamber ensemble (n.d.), 11 p.Ten easy pieces and a coda. Piano solo (1926), 6 p.Violin sonata I : violin & piano (1930), 21 p.Violin sonata I : violin part (1930), 9 p.Thorne, FrancisRhapsodic variations for piano and orchestra (1965), 60 p.Symphonic variations on a Duke Ellington theme (1959), 46 p.Tosar, H. A."Aves errantes" de Rabindranath Tagore (Stray birds) : triptico para voz masculina y 11 instrumentistas (n.d.), 81 p.Tsamitt, CárlosFriso araucano : para sopraná y baritonò y orquesta (1963), unpaged.[Unidentified composer][Preludes I, II & III]. Piano solo (1970), 15 lvs.[No title]. Full score for chorus and orchestra (1971), incomplete.Urquhart, R. CraigMix : for orchestra (1975/76), [22] p.String quartet in five movements (n.d.), 8 p.Van Wyk, CarlOp my Ou Ramkietjie. For voice & piano (n.d.), 6 p.Wandellied (n.d.), 7 lvs.[Various composers]Variations on happy birthday in tribute to Eugene Ormandy (1970), 30p.Vazzana, AnthonyBirthday greeting to Copland. For chamber ensemble (ca. 1974), 5 lvs.Vianna, FructuofoSabiá : canção. For voice & piano (1938), 4 p.Villa-Lobos, HeitorBachianas brasileiras - no. 9 : para orquestra de vozes (1945), 18 p.Waters, EmoryThree short pieces for orchestra (1976), 52 lvs.Webster, DanielDo you remember? For voice & piano (n.d.), 6 lvs.Wessel, MarkString-quartette (n.d.), 29 p. (includes parts)Wilding-White, R[aymond]Paraphernalia : a regalia of madrigalia from Chou and the South : for voice, winds, violin & piano (1960), 55 lvs.Wilson, RichardAugust 22 : for chorus of voices, percussion and piano (ca. 1974), 28 p.Ballad of Longwood Glen : for tenor & harp (1975), 30 p.In Schrafft's : a setting of W. H. Auden's poem : for mixed chorus, clarinet, harpsichord and mirimba (1979), 18 p.Music for solo flute (1972), 11 p.Serenade : variations on a simple march : for clarinet, viola and string bass (1978), 30 p.Sour flowers : eight piano pieces (1979), 22 p.Witkin, BeatriceParameters for eight instruments (1964), 18 p.Woodard, JamesGit along little dogie : for violin, voice & piano (1960), 15 p.Yannatos, JamesSymphony no. 1 : full score (1958), 118 p.Three songs : voice & string quartet (1959), 8 p.Zupko, RamonFixations : piano, violin, cello & tape (1974), 30 p.Printed Music by Others, 1841-1986Albeniz, IsaacIberia, 1er cahier.Madrid: Union Musical Espanola, . [1906]Iberia, 4e cahier.Madrid: Union Musical Espanola, . [1907]Astaburuaga, René AmengualCaricia.Santiago: Facultad de Bellas Artes de la Universidad de Chile, . [1935]Bach, Johann SebastianAn introduction to Bach.Cincinnati: Willis Music Co., . [1946]"Bleib' bei uns, denn es will Abend werden" : Cantate.Leipzig: Breitkopf & Härtel, n.d.Brandenburg concerto no.3 -G major .New York: Broude Bros., n.d.Choralgesange, band II.Leipzig: Edition Peters, n.d.Clavecin bien tempere, volume I.Paris: Durand & Cie., . [1915]Concerto in A minor : for violin.New York: G. Schirmer, Inc., . [1920]Concerto in E major : for violin and piano.New York: G. Schirmer, Inc., . [1919]English suites, vol 1.New York: G. Schirmer, Inc., . [1896]French suites.New York: G. Schirmer, Inc., . [1896]Fuga no. 8 do 1ovolume do clavecin bem temperado : arranjado para côro mixto a 4 vozes desiguaces por H. Villa-Lobos.Rio de Janeiro: Casa Arthur Napoleão, n.d.Kantate Nr. 12 : "Weinen, Klagen, Sorgen, Zagen".Leipzig: Breitkopf & Härtel, . [1890]Kantaten Nr. 20. "O Ewigke, du Donnerwort!"Leipzig: Breitkopf & Härtel, . [1890]Kantaten Nr. 182. "Himmelskönig sei willkommen."Leipzig: Breitkopf & Härtel, . [1895]Konzert C Moll : für Violine und Oboe oder für zwei Violinen mit Klavierbegleitung.Leipzig: Edition Peters, n.d.Kunst der Fuge.Leipzig: C. F. Peters, n.d.Magnificat : Klavier-Auszug.Leipzig: C. F. Peters, n.d.Orgel-Toccata C Dur : transcr. for piano solo by F. Busoni.Leipzig: Breitkopf & Härtel, . [1900]Orgelchoral-Vorspiele, Heft I : transcr. for piano solo by F. Busoni.Leipzig: Breitkopf & Härtel, . [1898]Orgelwerke, Band 3.Leipzig: Steingräber-Verlag, n.d.Präludium, Fuge, Allegro, Es Dur : transcr. for piano solo by F. Busoni.Leipzig: Breitkopf & Härtel, . [1915]Präludium und Fuge D Dur : for piano solo.Leipzig: Breitkopf & Härtel, . [1902][Sonatas : for unaccompanied violin].Berlin: Ed. Bote & G. Bock, . [1908]Wohltemperiertes Klavier, Band II.Leipzig: C. F. Peters, n.d.Bacon, ErnstTributaries.Berkeley: Musical Offering, . [1978]Coal scuttle blues : for two pianos.New York: Associated Music Publishers, . [1944]Barber, SamuelAdagio for strings : arranged for organ....New York: G. Schirmer, Inc., . [1939]Capricorn concerto : score for flute, oboe, trumpet and strings.New York: G. Schirmer, Inc., . [1945]Essay for orchestra : for orchestra.New York: G. Schirmer, Inc., . [1941]Medea's meditation and dance of vengeance : op. 23A, for orchestra.New York: G. Schirmer, Inc., . [1944]Die Natali : choral preludes for Christmas, op. 37.New York: G. Schirmer Inc., . [1961]Piano concerto : op. 38, full score.New York: G. Schirmer Inc., . [1962]Overture to "The school for scandal" : for orchestra.New York: G. Schirmer, Inc., . [1941]Barth, Hans (compiler)Piano music of today.Vienna: Universal Edition, . [ca. 1936]Bartók, BélaDivertimento for string orchestra.London: Boosey & Hawkes, . [1940]Etudes, op. 18.Vienna: Universal Edition, . [1920]Fünf Lieder, op. 16. : Gesang und Klavier.Vienna: Universal Editions, . [1923]Improvisations : pour piano.Wien: Universal Editions, . [1922]Piano-concerto no. 3.London: Boosey & Hawkes, . [1947]Sonate : piano solo.Vienna: Universal Editions, . [1927]Suite, op. 14 : piano solo.Vienna: Universal Editions, . [1918]Beethoven, Ludwig vanKonzert G-Dur für Klavier und Orchester, op 58.Leipzig: Breitkopf & Härtel, n.d.Piano concerto no. 1 : in C major, op. 15.New York: Edwin F. Kalmus, n.d.Quartette, op. 18 [Band I] : partitur.Leipzig: C. F. Peters, n.d.Quartette, op. 59 und op. 74 [Band II] : partitur.Leipzig: C. F. Peters, n.d.Quartette, op. 95, op. 127, op. 130 [Band III] : partitur.Leipzig: C. F. Peters, n.d.Quartette, op. 131, op. 132, op. 133, op. 135 [Band IV] : partitur.Leipzig: C. F. Peters, n.d.Sonate per pianoforte, volume II.Milano: G. Ricordi & Co., . [1919]Sonate per pianoforte, volume III.Milano: G. Ricordi & Co., . [1919]Symphonien no. 6-9 : piano solo.Leipzig: C. F. Peters, n.d.Ben-Haim, PaulSonatina, op. 38 : piano.Tel-Aviv: Israeli Music Publications, . [1950]Berger, ArthurDuo for oboe and clarinet.New York: C. F. Peters, . [1955]Ideas of order : full score.New York: C. F. Peters, . [1956]Three poems of Yeats from "Words for music, perhaps".New York: New Music Edition, . [1950]Berio, LucianoAllelujah II : per cinque gruppi di strumenti.Milano: Edizioni Suvino Zerboni, . [1960]Berlioz, HectorAbsence : [from] "Les nuits d'été", op. 7, no. IV.Paris: Costallat & Cie., n.d.Auf dem Friedhofe.Leipzig: Breitkopf & Härtel, . [1841]Die Gefangene (Erste Fassung).Leipzig: Breitkopf & Härtel, n.d.Roman carnival overture, op. 9.New York: Associated Music Publishers, n.d.Symphonie descriptive [Royal hunt and storm from "The trojans"].[France]: s.n., n.d.Villanelle : [from] "Les nuits d'été", op. 7, no. I.Paris: Costallat & Cie., n.d.Bernstein, LeonardOverture to "Candide" : [for] orchestra.New York: G. Schirmer, Inc., . [1957]Kaddish (Symphony no. 3) : vocal score.New York: Amberson Enterprises, Inc., . [1965]Trouble in Tahiti : piano-vocal score.New York: G. Schirmer, Inc., . [1953]Seven anniversaries : for piano.New York: M. Witmark & Sons, . [1944]Binet, JeanSix mélodies : pour chant et piano.Paris: Éditions Maurice Senart, n.d.Blitzstein, MarcThis is the garden : a cantata of New York for mixed chorus and orchestra .New York: Chappell & Co., . [1957]Bloch, ErnestL'abri = The shelter : [from] Poèmes d'automne.New York: G. Schirmer, Inc., . [1918]La vagabonde = The vagabond : [from] Poèmes d'automne.New York: G. Schirmer, Inc., . [1918]Psaume 22.New York: G. Schirmer, Inc., . [1919]Psaume 114.New York: G. Schirmer, Inc., . [1919]Psaume 137.New York: G. Schirmer, Inc., . [1919]Schelomo : violoncello & piano.Vienna: Universal Edition, . [1918]Sonate pour violon et piano.New York: G. Schirmer, Inc., . [1922]Blondel, Jorge UrrutiaMusica folklorica ritual de La Tirana. Partitura.Santiago: Escuela y Conjuntos Nacionales, . [1962]Tres coros infantiles de caracter Chileno.Santiago: Revista de Arte, Universidad de Chile, . [1939]Boulez, Pierre2ème sonate : pour piano.Paris: Heugel et Cie., . [1950]Troisième sonate pour piano - formant 2 - trope.London: Universal Edition, . [1961]Brahms, JohannesClavierstücke, op. 119.Berlin: N. Simrock, . [1893]Selected piano compositions.Boston: Oliver Ditson Company, . [1910]Six pieces for pianoforte, op. 118.Los Angeles: R. W. Heffelfinger, n.d.Variationen über ein Thema von Josef Haydn, Op 56a : für Orchester.Leipzig: Breitkoff & Härtel, n.d.Variations on a theme by Paganini, op. 35.London: Augener Ltd., n.d.Britten, BenjaminAn American overture (1941) : for orchestra.London: Faber Music Ltd., . [1985]Billy Budd : an opera in four acts : vocal score.London: Boosey & Hawkes, . [1951]The burning fiery furnace, op. 77.London: Faber Music Ltd., . [1966]Our hunting fathers, op. 8 : symphonic cycle for soprano solo & orchestra.London: Winthrop Rogers Editions, . [1936]The poet's echo, op. 76 : high voice and piano.London: Faber Music Ltd., . [1967]Quartet no. 1 : score.London: Boosey and Hawkes, . [1942]Sinfonia da requiem, op. 20.London: Hawkes & Son, . [1942]Symphony, op. 68 : for cello and orchestra.London: Boosey & Hawkes, . [1963]Symphony, op. 68 : for cello and orchestra : reduction for cello and piano.London: Boosey & Hawkes, . [1963]The young person's guide to the orchestra, op. 34.London: Hawkes & Son, . [1947]Bruch, MaxViolin concerto in G minor, op. 26 : orchestra score.New York: Edwin F. Kalmus, n.d.Bush, AlanRelinquishment : for piano.London: Oxford University Press, . [1929]Busoni, FerruccioHarlekins Reigen : Rondo Arlecchinesco.Leipzig: Breitkopf & Härtel, . [1917]Indianisches Tagebuch, Erstes Buch.Leipzig: Breitkopf & Härtel, . [1916]Buxtehude, DietrichOeuvres pour orgue : passacaille, chacones, préludes et fugues, toccatas, canzonette.Paris: Éditions Maurice Senart, . [1923]Carlos, WalterPompous circumstances : on a theme by Sir Edward Elgar for moog synthesizer.New York: Tempi Music Inc., . [1975]Carpenter, John AldenSea drift : symphonic poem.New York: G. Schirmer, Inc., . [1936]Carter, ElliottConcerto for orchestra.New York: Associated Music Publishers, . [1972]A symphony of three orchestras.New York: Associated Music Publishers, . [1978]Variations for orchestra : full score .New York: Associated Music Publishers, Inc., . [1957]Caturla, Alejandro G.Dos poemas Afro-Cubanos : voz e piano.Paris: Éditions Maurice Senart, . [1930]Cazden, Norman6 preludes and fugues for piano, op. 106.Bangor: Andrews Music House, . [1974]Chabrier, EmmanuelDix pièces pittoresques : pour piano.Paris: Enoch & Cie., n.d.Chagrin, FrancisSymphony.London: Novello & Co., . [1967]Chávez, CarlosConcerto for violin and orchestra : violin & piano version.New York: Mills Music, Inc., . [1964]Concerto for violin and orchestra : violin & orchestra version.New York: Mills Music, Inc., . [1964]Initium : for orchestra.Melville: Belwin-Mills Publishing Corp., . [1975]Sinfonia India : for large orchestra (1935/36), 80 p.Sinfonia no. 5 : for string orchestra.Los Angeles: Affiliated Musicians, Inc., . [1954]Soli no. 2 : for wind quintet.New York: Mills Music, Inc., . [1963]Chopin, FredericBallades and impromptus, vol. 31 : [from] Chopin's complete works for the piano.New York: G. Schirmer, Inc., . [1894]Etudes, vol. 33 : [from] Chopin's complete works for the piano, book eight.New York: G. Schirmer, Inc., . [1916]Mazurkas, vol. 28 : [from] Chopin's complete works for the piano, book two.New York: G. Schirmer, Inc., . [1915]Scherzi and fantasy, vol. 32 : [from] Chopin's complete works for the piano, book seven.New York: G. Schirmer, Inc., . [1915]Sonatas, vol. 35 : [from] Chopin's complete works for the piano, book eleven.New York: G. Schirmer, Inc., . [1895]Waltzes, vol. 27 : [from] Chopin's complete works for the piano, book I.New York: G. Schirmer, Inc., . [1915]Colgrass, MichaelAs quiet as : for orchestra.New York: MCA Music, . [1969]The earth's a baked apple : piano-vocal score.New York: MCA Music, . [1970]New people : for mezzo-soprano, viola, and piano.New York: MCA Music, . [1970]Converse, Frderick S.American sketches : symphonic suite for orchestra.New York: Edwin F. Kalmus, . [1937]Cordero, RoqueSonatina ritmica : para piano.Washington, D.C.: Pan American Union, . [1954]Corelli, ArcangeloSonata in D, vol. 8 : for violin and piano.New York: G. Schirmer, Inc., . [1908]Cósme, LuisMãi d'agua canta : para violino e piano.Rio: Irmãos Vitale & C., n.d.Oração á Teiniaguá.Rio: [Irmãos Vitale & C.], n.d.Salamanca do Jaráu.Porto Alegre: Luiz Cósme, . [1945]Tres Manchas : para piano.[Rio]: [Irmãos Vitale & C.], n.d.Dallapiccola, LuigiCanti di liberazione : per coro misto e grande orchestra.Milano: Edizioni Suvini Zerboni, . [1955]Job : una sacra rappresentazione : riduzione per canto e pianoforte.Milano: Edizioni Suvini Zerboni, . [1952]Damon, S. Foster (compiler)Series of old American songs.Providence: Brown University Library, . 1936Danenberg, V. (compiler)Latviešu kora dziesma.Riga: Latvijas Valsts Izdevnieciba, . [1955]Daus, AbrahamSongs of Rahel : for low voice, flute, and viola.New York: Leeds Music Publications, . [1952]Davies, Peter MaxwellString quartet.London: Schott & Co. Ltd., . [1962]Debussy, ClaudeBerceuse héroïque : piano à 2 mains.Paris: A. Durand & Fils, . [1915]Pelléas et Mélisande : partition pour chant et piano.Paris: Fromont, . [1902]Preludes, 1er livre : pour piano.Paris: A. Durand & Fils, . [1910]Preludes, 2me livre : pour piano.Paris: A. Durand & Fils, . [1913]Twelve songs : for high voice.Boston: Oliver Ditson Company, . [1913]Del Tredici, DavidFour songs : on poems of James Joyce : for voice and piano.New York: Boosey & Hawkes, . [1974]I hear an army : for soprano and string quartet.London: Boosey & Hawkes, . [1974]Pop-pourri : for soprano, rock group, chorus, and orchestra.London: Boosey & Hawkes, . [1974]Scherzo : for piano, four hands.New York: Boosey & Hawkes, . [1975]Soliloquy : for piano.New York: Boosey & Hawkes, . [1975]Syzygy : for soprano, horn and chamber orchestra.London: Boosey & Hawkes, . [1974]Trio : for violin, viola and violoncello.Boston: Ione Press, . [1974]Demets, Paris E. (editor)Album des 6 : pour piano.Paris: E. Demets, . [1920]Diamond, DavidA myriologue : for piano.New York: Southern Music Publishing Co. Inc., . [1971]Alone at the piano : pieces for beginners.New York: Southern Music Publishers Co. Inc., . [1968]Chorale.New York: Southern Music Publishing Co. Inc., . [1951]Concertino : for piano and small orchestra.New York: Southern Music Publishing Co. Inc., . [1969]Concerto : for piano and orchestra.New York: Southern Music Publishing Co. Inc., . [1966]Concerto : for small orchestra : full score.New York: Southern Music Publishing Co. Inc., . [1970]Don't cry : song for high voice and piano.New York: G. Schirmer, Inc., . [1983]The fall : a cycle of nine songs for voice and piano.New York: Columbia University Press, . [1983]Homage to Paul Klee : voice & piano.Bryn Mawr, PA: Elkan-Vogel, Inc., . [1973]Music for Shakespeare's Romeo and Juliet (1947).London: Boosey & Hawkes, . [1948]Music, when soft voices die.New York: Associated Music Publishers, Inc., . [1944]Quintet : for flute, string trio and piano.New York: Southern Music Publishing Co. Inc., . [1942]Rounds : for string orchestra.Philadelphia: Elkan-Vogel Co. Inc., . [1946]Sonata no. 2 : for violin and piano.New York: G. Schirmer, Inc., . [1982]String quartet no. 2 : for 2 violins, viola and cello.New York: Southern Music Publishing Co. Inc., . [1958]String quartet no. 5 : for 2 violins, viola and cello.New York: Southern Music Publishing Co. Inc., . [1967]String quartet no. 7 : for 2 violins, viola and cello.New York: Southern Music Publishing Co. Inc., . [1968]Symphony no. 1 : full score.New York: Southern Music Publishing Co. Inc., . [1969]Symphony no. 4 : full score.New York: Southern Music Publishing Co. Inc., . [1949]Symphony no. 5 : full score.New York: Southern Music Publishing Co. Inc., . [1968]Timon of Athens : for orchestra.New York: Leeds Music Corporation, . [1950]The tomb of Melville : for piano.New York: Leeds Music Corporation, . [1950]Two anthems : for mixed chorus (SATB).New York: Southern Music Publishing Co. Inc., . [1969]Warning.Bryn Mawr, PA: Elkan-Vogel, Inc., . [1973]Diercks, JohnAlleluia : SSAA a cappella.New York: Dow Music Publishers, . [1958]How long, O Lord : SATB, organ.New York: Dow Music Publishers, Inc., . [1960]Two psalms.New York: Dow Publishers, Inc., . [1960]Doolittle, EliakimExhortation.Philadelphia: Elkan-Vogel, Inc., . [1954]Dukas, PaulAriane et Barbe-bleue : partition pour piano seul.Paris: A. Durand & Fils, . [1906]The sorcerer's apprentice.New York: Edwin F. Kalmus, n.d.Duran, Gustav (editor/compiler)14 traditional Spanish songs from Texas.Washington, DC: Music Division, Pan American Union, . [1942]Dvŏrák, AntonConcerto in A minor, op. 53 : for violin and piano.New York: International, n.d.Egk, WernerDer Revisor : komische Oper in fünf Akten.Klavierauszug. [Berlin]: B. Schott's Söhne, . [1957]Einem, GottfriedDanton's Tod : einer Oper in zwei Teilen ... .Klavierauszug mit Text. Wien: Universal-Edition, . [1947]Éloy, Jean-ClaudeEquivalences : pour 18 instrumentistes.Paris: Heugel & Cie, . [1965]Etude III : partition d'orchestre.Paris: Heugel & Cie, . [1965]Fauré, Gabriel2e quintette, op. 115 : partition et parties.Paris: A. Durand & Fils, . [1921]2me sonate pour violon & piano, op. 108.Paris: A. Durand & Fils, . [1917]6me nocturne : pour piano, op. 63.Paris: J. Hamelle, . [1918]12me barcarolle : pour piano, op. 106.Paris: A. Durand & Fils, . [1916]13e barcarolle : pour piano, op. 116.Paris: A. Durand & Fils, . [1921]13e nocturne : pour piano, op. 119.Paris: A. Durand & Fils, . [1922]Pelléas et Mélisande, op. 80.Paris: J. Hamelle, n.d.Préludes, op. 103 : pour piano.Paris: Heugel & Cie, . [1910]Trio : pour piano, violon et violoncello.Paris: A. Durand & Fils, . [1923]Fennimore, JosephBits and pieces : piano suite.New York: Edward B. Marks Corporation, . [1970]Fine, IrvingSerious song for orchestra : full score.New York: Broude Brothers, . [1959]Franck, CésarPrélude, fugue et variation, op. 18 : pour piano à 2 mains.Paris: A. Durand & Fils, . [1910]Freed, ArnoldAcquainted with the night : for medium voice and piano.New York: Boosey & Hawkes, Inc., . [1965]Freer, Eleanor EverestBird song.Chicago: Music Library of Chicago, . [1936]Galan, NatalioIntermedio variado : para dos pianos.La Habana: José Marti, . [1960]Gershwin, GeorgeConcerto in F : for piano and orchestra.New York: New World Music, . [1927]Gesualdo, Don CarloIllumina nos : vocal score.London: Boosey & Hawkes, . [1957]Ghedini, Giorgio FedericoConcerto dell'albatro (da "Moby Dick" di Hermann Melville) : partitura.Milano: Edizioni Suvini Zerboni, . [1949]Gluck, Christoph Willibald vonIphigenia in Aulis : overture.New York: Associated Music Publishers, n.d.Orpheus : Klavierauszug.Leipzig: C. F. Peters, n.d.Goldmark, RubinFrom the old mission : from "Prairie idylls" : a suite of four pieces for the piano.New York: G. Schirmer, . [1915]The meadow lark : from "Prairie idylls" : a suite of four pieces for the piano.New York: G. Schirmer, . [1915]Goloubew, EugenePoème : pour violon et piano.Moscow: Staatsmusikverlag, . [1935]Gounod, CharlesRomeo and Juliet.New York: G. Schirmer, Inc., . [1897]Grenet, Emilio (editor)Música popular Cubana : 80 composiciones revisadas y corregidas.La Habana: Southern Music Publishing Co., . [1939]Grieg, EdvardHolberg suite, op. 40.Copenhagen: Wilhelm Hansen, . [1951]Sonata for pianoforte, op. 7.New York: G. Schirmer, . [1906]Guarnieri, CamargoToada triste : for piano solo.S.l.: s.n., n.d.Haubenstock-Ramati, RomanCredentials.Vienna: Universal Edition, . [1963]Petite musique de nuit : mobile pour orchestre.Vienna: Universal Edition, . [1959]Symphonies de timbres.Vienna: Universal Edition, . [1958]Händel, Georg FriedrichConcerto grosso, op. 6, no. 4 (A minor).New York: Broude Bros., n.d.Hart, Jane (compiler)Singing bee! : a collection of favorite children's songs.New York: Lothrop, Lee & Shepard Books, , . [1982]Haydn, JosephAndante con variazioni in Fm.New York: G. Schirmer, . [1899]Koncerto C Dur: pro violoncello a orchestr : partitur.Prague: Statni hudebni vydavatelstvi, . [1962]Sonatas, vol. I (nos. 1-10).New York: G. Schirmer, . [1894]Symphony no. 88 in G major : orchestra score.New York: Edwin F. Kalmus, n.d.SymphonieNr. 95.New York: Edwin F. Kalmus, n.d.Symphonie Nr. 102, B Dur.Leipzig: Breitkopf & Härtel, n.d.Helfer, WalterAppassionata : for violin and piano.Vienna: Universal-Edition, . [1932]Henze, Hans WernerBeing beauteous : Kantate auf das gleichnamige Gedicht aus "Les illuminations" (1872/73) von Arthur Rimbaud für Koloatur-sopran, Harfe und vier Violoncelli.Mainz: Edition Schott, . [1963]Hindemith, PaulDas Marienleben : für Sopran und Klavier.London: Schott & Co. Ltd., . [1948]Das Marienleben, op. 27 : für Sopran und Klavier.Mainz: B. Schott's Söhne, . [1924]Reihe kleiner Stücke, op. 37 : Klavier.Mainz: B. Schott's Söhne, . [1927]Honegger, ArthurConcertino pour piano et orchestre : réduction pour 2 pianos.Paris: Éditions Maurice Senart, . [1925]Pacific 231 : réduction pour piano 4 mains.Paris: Éditions Maurice Senart, . [1924]Le roi David : partition pour chant et piano.Lausanne: Fœtisch Frères, . [1924]Sept pièces brèves : pour piano.Paris: Éditions de La Sirène, . [1920]Husa, KarelSonatina : piano 2ms.Prague: Fr. A. Urbánek A. Synové, . [1947]Instituto de Investigaciónes MusicalesAntología del folklore musical Chileno.Santiago: Instituto de Investigaciónes Musicales, Universidad de Chile, , . 1963Ivanov, JānisSimfoniia no. 7 : full score.Moscow: Gosudarstvennoe Voennoe Izdatel'stvo, . [1955]Ives, Charles50 songs : piano-vocal score.S.l.: s.n., . [1922]The unanswered question : for chamber orchestra.New York: Southern Music Publishing Co., Inc., . [1953]Kliuzner, BorisSymphony.Leningrad: Soviet Composer, . [1959]Konjović, PetarKoštana.Belgrade: Državni Izdavački Zavod Jugoslavije, . [1946]Korngold, Erich WolfangThe fairy tale recites and epilogue, op. 3, no. 7.New York: G. Schirmer, . [1911]Křenek, ErnstFünf Klavierstücke, op. 39.Vienna: Universal-Edition, . [1926]Piano sonata no. 4.Long Island City: Bomart Music Publications, . [1950]Violinkonzert, op. 29 : violino e piano.Vienna: Universal-Edition, . [1925]Kurtz, EugeneConversations : pour 12 instrumentistes : partition d'orchestre.Paris: Société des Éditions Jobert, . [1966]Le marcheur solitaire : monologue pour orchestre.Paris: Société des Éditions Jobert, . [1965]Motivations : pour piano.Paris: Société des Éditions Jobert, . [1964]Symphonie pour orchestre à cordes : full score.Paris: Éditions Jean Jobert, . [1962]Three songs from Medea : partition chant et piano.Paris: Société des Éditions Jobert, . [1961]Lee, Dai-KeongIntroduction and allegro : for string orchestra.New York: Sprague-Coleman, Inc., . [1942]Lee, NoëlConcergences : pour flûte et clavecin.Paris: Gérard Billaudot, . [1974]Levinson, GeraldTrio for clarinet, violoncello, and piano.Bryn Mawr, PA: Merion Music, Inc., . [1985]Liszt, FranzEtude in D-flat major (Un sospiro).New York: G. Schirmer, n.d.Hark, the lark : transcription from the song by F. Schubert.New York: Century Music Publishing Co., . [1908]Rhapsodie hongroise no. 6 : "Au Comte Antoine D'Appony".New York: G. Schirmer, . [1902]Rhapsodie hongroise no. 11 : "Au Baron Fery Orczy" : pour piano.Berlin: Schlesinger'sche, n.d.Lloyd, CarolinePaisajes : suite para piano.Bogota: Hernan Diaz, . [1972]Lopatnikoff, NikolaiFantasia concertante, op. 42 : for violin and piano.New York: MCA Music, . [1967]Intervals, op. 37 : 7 studies for piano.New York: Leeds Music Corporation, . [1957]Symphony no. 3 : full score.New York: Leeds Music Corporation, . [1951]Lutoslawski, WitoldMuzyka żalobna : na orkiestre smyczkowa = Musique funèbre : pour orchestre à cordes.Warsaw: Polskie Wydawnictwo Muzyczne, . [1958]Mahler, GustavAdagietto from Fifth symphony.Detroit: Luck's Music Library, n.d.Das Lied von der Erde : eine Symphonie ... : Klavierauszug mit Text.Vienna: Universal-Edition, . [1911]Kindertotenlieder : songs on the death of infants : für eine Singstimme mit Klavier oder Orchester.Leipzig: C. F. Kahnt, . [1905]Symphony no. 4 in G major.New York: Edwin F. Kalmus, n.d.Marquiset, ArmandIz Guete.Paris: Simon, n.d.Medley, Bill and Pat Medley (arrangers)Standard literature, volume 3.Winona: Hal Leonard Publishing Corporation, . 1983Menasce, Jacques deOutrenuit : Cinq mélodies sur des textes de Georges Cattaui.Paris: Durand & Cie, . [1953]Sonatina no. 2 : piano solo.New York: Mercury Music Corp., . [1945]Sonate pour alto and piano : en un mouvement.Paris: Durand & Cie, . [1956]Mendelssohn, FelixLieder ohne Wörte : für Pianoforte solo.Leipzig: C. F. Peters, n.d.Trio, op. 49 : for piano, violin, violoncello.London: Augener Ltd., n.d.Mexico. Secretaría de Educación Pública. (compilation)10 cantos para escuelas primarias y secundarias.Mexico: Ediciónes de la Sria, . 1944Meyerbeer, GiacomoDie Afrikanerin : Oper in 3 Akten : Klavierauszug.Berlin: Ed. Bote & G. Bock, n.d.Mihály, AndrásMonodia (per orchestra) : partitura.Budapest: Editio Musica Budapest, . [1972]Milford, RobinMiniature string quartet in G, op. 35.London: Oxford University Press, . [1938]Milhaud, DariusLes choéphores : partition d'orchestre.Paris: Heugel Editeur, . [1916]La création du monde : ballet de blaise Cendrars : pour piano à 4 mains.Paris: Max Eschig & Cie, . [1923]Douzième quatuor à cordes : score.Paris: Éditions Salabert, . [1948]Octuor à cordes : score.Paris: Heugel Editeur, . [1949]Saudades do Brazil : suite de danses : pour piano.Paris: E. Demets, . [1922]Mjaskovsky, NicolaiBizarreries : six esquisses, op. 25.Berlin: Édition Russe de Musique, . [1923]Moncayo, José PabloHuapango : partitura de orquesta.Mexico City: Ediciones Mexicanas de Música, . [1950]Monteverdi, ClaudioIl combattimento di Tancredi e Clorinda : per canto e pianoforte.Milano: Societa Anonima Notari, . [1919]Mortet, Luis CluzeauMar de Luna : canto y piano.Montevideo: Editorial Cooperativa Interamericana de Compositores, . [1941]Mozart, Wolfgang AmadeusKlavier-Konzert Nr. 23, A Dur, K.V. 488.Wiesbaden: Breitkopf & Härtel, n.d.Konzert B-Dur : für Klavier und Orchester, KV 595.Leipzig: Breitkopf & Härtel, n.d.Piano concerto no. 17 in G major, K. 453.New York: Edwin F. Kalmus, n.d.Piano concerto no. 20 in D minor, K. 466.New York: Associated Music Publishers, n.d.Sonaten : für Pianoforte 2 Händig.Wien: Universal-Edition, n.d.Symphonie Nr. 40 G Moll, K.V. 550.Wiesbaden: Breitkopf & Härtel, n.d.Violin concerto no. 4 in D major, K. 218.New York: Edwin F. Kalmus, n.d.Mussorgsky, ModesteChants et danses de la mort.St. Petersburg: W. Bessel & Co., . [1911]Tableaux d'une exposition : pour piano.London: Augener Ltd., . [1914]Nabokoff, NicolasContrastes et développements : pour piano.Berlin: Édition Russe de Musique, n.d.Nystedt, KnutSpenningens land : symfonisk fantasi, op 19.Drammen: Harald Lyche & Co's Musikforlag, . [1949]Troens triumf : suite for blandet kor a cappella.Oslo: Musikk-Huset A/S, . [1954]Orgad, Ben-ZionBallade for violin (unaccompanied).New York: Mercury Music Corp., . [1950]Ornstein, LeoDanse sauvage (Wild man's dance), op. 13, no. 2.London: Schott & Co., . [1915]Pál, KadosaSerenade, op. 65 : für Kammerorchester.Budapest: Editio Musica, Budapest, . [1970]Palestrina, Giovanni daStabat mater : prose à 2 chœurs.Paris: Chanteurs de St. Gervais, . [1911]Peixe, Guerra3 canções.São Paulo: Ricordi Brasileira, . [1955]Penderecki, KrzysztofOfiarom Hiroszimy TREN = To the Victims of Hiroshima THRENODY : pour 52 instruments a cordes.Warsaw: P. W. P. Przedstawicielstwo, . [1961]Polymorphia : für 48 Streichinstrumente.Germany: Hermann Moeck, . [1963]Philipp, Isidor (editor)Anthology of French piano music : volume I, early composers.Boston: Oliver Ditson Company, . [1906]Pisk, PaulVier Klavierstücke, op. 3 : piano solo.Vienna: Universal-Edition, . [1922]Popov, GavriilSeptet, op. 2.Moscow: Muzsektor Gosizdata Universal'noe Izdat., . [1929]Prokofiev, SergeiContes de la vieille grand'mère, op. 31 : pour piano.Leipzig: Breitkopf & Härtel, . [1922]Le pas d'acier : réduction pour piano à 2 mains....Berlin: Édition Russe de Musique, . [1928][Visions fugitive, op. 22].[Germany]: A. & G., n.d.Purcell, HenryThree, four and five part fantasias for strings.London: J. Curwen & Sons Ltd., . [1927]Rachmaninoff, SergeiPiano concerto no. 1, op. 1 : orchestral score.New York: Edwin F. Kalmus, n.d.Ramey, PhillipArabesque : for solo flute.New York: G. Schirmer, . [1986]Canzona : for piano.New York: G. Schirmer, . [1985]Epigrams : piano solo.London: Boosey & Hawkes, . [1968]Leningrad rag : for piano.New York: Piedmont Music Company, Inc., . [1974]Memorial : piano solo.New York: Henmar Press Inc., . [1981]Ravel, MauriceDaphnis et Chloé : partition pour le piano réduite....Paris: A. Durand & Fils, . [1910]Sonatine : pour le piano.Paris: A. Durand & Fils, . [1905]Le tombeau de Couperin : 6 pieces pour piano.Paris: A. Durand & Fils, . [1918]Trio pour piano, violon et violoncelle.Paris: A. Durand & Fils, . [1915]Ristić, MilanII. Simfonija : partitura.Belgrade: Edicija Udruženja Kompozitora, . [1959]Roldán, AmadeoMotivos de son III mulata : transcripción para canto y piano.La Habana: Musicalia, . [1932]Roussel, AlbertSuite en fa : pour orchestre.Paris: A. Durand & Cie, . [1927]Ruggles, CarlPortals : for string orchestra.New York: American Music Edition, . [1930]Salazar, AdolfoCuatro letrillas : para cors a cappella.Mexico City: Ediciones Mexicanas de Música, . [1948]Salmanov, V.Dvenadtsat' : piano-vocal score.Leningrad: Soviet Composer, . [1958]Symphony.Moscow: Soviet Composer, . [1959]Santa Cruz, Domingo5 poemas trágicos : para piano solo.Santiago: s.n., . [1929]Cantos de Soledad.Santiago: Revista de Arte, Universidad de Chile, . [1936]Quartet no. 1.New York: Peer International Corporation, . [1956]Santorsola, GuidoAgonia : canto y piano.Montevideo: Editorial Cooperativa Interamericana de Compositores, . [1942]Imágenes musicales : para piano y canto.Montevideo: A. Monteverde y Cia, . [1936]Satie, ErikGymnopedies : orchestrated by Claude Debussy.New York: Edwin F. Kalmus, n.d.Sauguet, HenriLes forains : ballet : réduction pour piano.Paris: Rouart, Lerolle & Cie, . [1946]La rencontre : Œdipe et la Sphinx.Paris: Heugel et Cie., . [1949]Scarlatti, Domenico25 Sonaten.Leipzig: C. F. Peters, . [1909]Klavierwerke, Band I : piano solo.Vienna: Universal-Edition, n.d.Opere complete per clavicembalo, volume 6.o : Suites 251 a 300.Milano: G. Ricordi & C., n.d.Schäffer, BogusławCollage + form : for eight jazzmen and orchestra.Warsaw: P. W. P. Przedstawicielstwo, . [1965]Schmitt, FlorentSonate libre en deux parties enchainées : (Ad modum clementis aquae) : pour violon et piano.Paris: A. Durand & Fils, . [1920]Schoenberg, ArnoldDrei Klavier-Stücke, op. 11.Vienna: Universal-Edition, . [1910]Fünf Klavierstücke = Five piano pieces, op. 23.Copenhagen: Wilhelm Hansen, . [1923]Fünf Orchesterstücke, op. 16.Leipzig: C. F. Peters, . [1912]Sechs kleine Klavierstücke, op. 19.Vienna: Universal-Edition, . [1913]Suite fur Klavier, op. 25.Vienna: Universal-Edition, . [1925]Schubert, FranzCompositions for the pianoforte.New York: G. Schirmer, . [1897]Danses pour piano.Braunschweig: Henry Litolff, n.d.Symphony no. 5 in B-flat major.New York: Associated Music Publishers, Inc., n.d.Schuman, WilliamNew England triptych : three pieces for orchestra after William Billings.Bryn Mawr, PA: Merion Music, Inc., . [1957]Schumann, RobertAlbum no. 1 : piano solo.Boston: B. F. Wood Music Co., . [1908]Cello concerto in A minor, op. 129.New York: Edwin F. Kalmus, n.d.Davidbündler, op. 6 : Klavierwerke.Leipzig: Breitkopf & Härtel, n.d.Fantasiestücke, op. 12 : for the pianoforte.New York: G. Schirmer, . [1893]Faschingsschwank, op. 26 : for the pianoforte.New York: G. Schirmer, . [1897]Konzert A Moll, op. 54 : Klavier zu 2 Händen.Leipzig: C. F. Peters, n.d.Phantasie, op. 17 : for the pianoforte.New York: G. Schirmer, . [1914]Piano concerto - A minor, op. 54.New York: Broude Bros., n.d.Scenes from childhood, op. 15 : for the pianoforte.New York: G. Schirmer, . [1893]Schumann-album, vol. 1 : songs with pianoforte accompaniment.Vienna: Universal-Edition, n.d.Sonata for piano in G minor, op. 22.New York: G. Schirmer, . [1902]Variations on the name "ABEGG", op. 1 and Papillons, op. 2.New York: G. Schirmer, . [1914]Scott, CyrilSphinx, op. 63 : for the pianoforte.London: Elkin & Co. Ltd., . [1908]Scriabin, AlexanderFünfte Sonate für Klavier, op. 53.Berlin: Édition Russe de Musique, n.d.Poème no. 1, op. 32 (from Deux poèmes pour piano ).Leipzig: M. P. Belaïeff, . [1904]Quatre préludes pour piano, op. 48.Leipzig: M. P. Belaïeff, . [1906]Satanische Dichtung für Pianoforte, op. 36.Leipzig: M. P. Belaïeff, . [1904]Siebente Sonate für Klavier, op. 64.Berlin: Édition Russe de Musique, . [1909]Sonate (fa mineur) pour piano, op. 6.Leipzig: M. P. Belaïeff, . [1895]Sonate no. 3, en fa dièse mineur pour piano, op. 23.Leipzig: M. P. Belaïeff, . [1898]Sonate no. 10 pour piano, op. 70.Moscow: P. Jurgenson, n.d.Trois études pour piano, op. 65, no. II.Moscow: P. Jurgenson, n.d.Zwei Klavierstücke = Deux morceau pour piano, op 59.Berlin: Édition Russe de Musique, n.d.Seelig, Carl (compiler)Grotesken-Album.Vienna: Universal-Edition, . [1922]Seiber, MátyásUlysses : cantata for tenor solo, chorus, and orchestra : vocal score.London: Schott & Co., . [1948]Sessions, RogerOrchestral suite from The black maskers : for orchestra.New York: Cos Cob Press, . [1932]Quartet no. 2.New York: Edward Marks Music Corporation, . [1954]Sgambati, GiovanniToccata, op. 18, no. 4.New York: G. Schirmer, . [1915]Sahnow, Will (compiler)Sing as we grow.London: Workers' Music Association, . 1946Sibelius, JeanFrom the land of thousand lakes : ten sketches for the pianoforte.Boston: Boston Music Co., . [1911]Smetana, FriedrichThe bartered bride overture : orchestral score.New York: Hawkes & Son, . [1937]Smit, LeoA transient view : five choral settings for mixed voices.New York: Carl Fischer, . [1976]Stravinsky, IgorApollon musagète : réduction pour piano à 2 mains par l'auteur.Berlin: Édition Russe de Musique, . [1928]Agon : ballet for twelve dancers : piano score.London: Boosey & Hawkes, . [1957]Le baiser de la fée.Berlin: Édition Russe de Musique, . [1928]Capriccio pour piano et orchestre : réduction pour 2 pianos....Berlin: Édition Russe de Musique, n.d.Concerto en ré pour violon et orchestre : partition violon & piano.Mainz: B. Schott's Söhne, . [1931]Concerto per due pianoforti soli.Mainz: B. Schott's Söhne, . [1936]Grande suite de histoire du soldat : arrangement pour piano....London: J. & W. Chester, . [1922]J. S. Bach Choral-Variationen über das Weihnachtslied "Vom Himmel hoch da komm'ich her" : for mixed chorus and orchestra : full score.London: Boosey & Hawkes, . [1956]Mavre : opera bouffe en 1 acte : réduction pour chant et piano.London: Édition Russe de Musique, . [1947]Ode : elegiacal chant in three parts.New York: Associated Music Publishers, . [1946]Pulcinella suite : for orchestra.London: Boosey & Hawkes, . [1924]Œdipus Rex : opéra oratorio en deux actes : réduction pour chant et piano.Berlin: Édition Russe de Musique, . [1927]Ragtime : pour onze instruments : transcription pour piano....Paris: Éditions de La Sirène, . [1919]Suite de Pulcinella pour petit orchestre : partition d'orchestre (revised 1949 version).London: Boosey & Hawkes, . [1949]Symphonie en ut pour orchestre : partitur.London: Schott & Co., Ltd., . [1948]Sullivan, Arthur, SirThe Mikado : or, the town of Titipu : vocal score.New York: Wm. A. Pond & Co., . [1885?]Szeligowski, TadeuszPieśni zielone = Chansons vertes.Warsaw: Towazystwo Wydawnicze Muzyki Polskiej, . [1931]Szőllősy, AndrásMusica per orchestra : partitura.Budapest: Editio Musica, Budapest, . [1973]Szymanowski, KarolIIIme sonate, op. 36 : piano solo.Vienna: Universal-Edition, . [1919]Des Hafis Liebeslieder, op. 24.Vienna: Universal-Edition, . [1913]Masques : trois morceaux de piano, op. 34.Vienna: Universal-Edition, . [1919]Métopes, op. 29 : piano solo.Vienna: Universal-Edition, . [1922]Mythes : trois poèmes, op. 30 : [for] violon et piano.Vienna: Universal-Edition, . [1921]Pieśni muezzina szalonego = Le muézin passionné = Lieder des verliebten Muezzins, op. 42.Vienna: Universal-Edition, . [1922]Vier Gesänge = Cztery pieśni, op. 41.Vienna: Universal-Edition, . [1920]Takemitsu, ToruMasque pour deux flûtes.Tokyo: Ongaku No Tomo Sha, . [1960]Tanifuji, HidekoPiano album, band 1.Tokyo: Ongaku No Tomo Ed. Co., . [1954]Tansman, AlexandreConcerto pour piano : avec accompagnement d'orchestre / réduction pour 2 pianos.Paris: Max Eschig & Cie., . [1926]Troisième sonatine pour piano.Paris: Éditions Max Eschig, . [1933]Tartini, GiuseppeSonata in G minor : for violin and piano.New York: Carl Fischer, . [1919]Tcherepnin, AlexanderDivertimento : op. 90 : full score.London: Boosey & Hawkes, . [1966]Symphonic prayer : full score.Bonn: Édition M. P. Belaieff, . [1960]Symphony no. 4 : op. 91 : full score.London: Boosey & Hawkes, . [1959]Teen-agers at the Shaker Village Work Camp (compilers)Songs of the Shakers.Pittsfield, MA: Shaker Village Work Camp, . [ca. 1956]Thorne, FrancisEight introspections : for piano.New York: Edward B. Marks Music Corporation, . [1965]Tippett, MichaelConcerto for double string orchestra.London: Schott & Co., Ltd., . [1946]Toor, Frances (editor)Cancionero Mexicano : para piano o guitarra.Mexico: Frances Toor, . [1931]Tschaikowsky, PeterConcerto no. 1 in B-flat minor, op 23.New York: G. Schirmer, . [1905]Romeo and Juliet : orchestra score.New York: Edwin F. Kalmus, n.d.Symphonie Nr. 5 [in] E minor, op. 64 : partitur.Wiesbaden: Breitkopf & Härtel, n.d.Tsukatani, AkihirôSuite for strings and percussions.Tokyo: Ongaku No Tomo Sha, . [1962]Turchi, GuidoInvettiva (dai "Carmina Burana").Vienna: Universal-Edition, . [1949][Unknown]Russkie narodnye pesni : sbornik vtoroi.Moscow: Gosudarstvennoe Voennoe Izdatel'stvo SSR, . [1936]Vitali, TommasoCiaccona (in G minor) for violin and piano.New York: Carl Fischer, . [1921]Vivaldi, AntonioConcerto [in] la mineur : violon et piano.Mayence/Leipzig: B. Schott's Söhne, . [1912]Vlasov, V. and V. FereThe spring in Ala-Too : fragments from the ballet.Moscow: State Music Publishers, . [1958]Wade, J. (editor)Christy's minstrels': 145 new songs and choruses in vocal score.London: C. Sheard, n.d.Wagner, RichardLohengrin : a romantic opera in three acts.New York: G. Schirmer, n.d.The mastersingers of Nuremberg : complete vocal score.Mainz: B. Schott's Söhne, . [1903]The mastersingers of Nuremberg : complete vocal score.New York: G. Schirmer, . [1904]Parsifal : vocal score with piano accompaniment....Cincinnati: The John Church Company, . [1904]Das Rheingold : piano selection.New York: G. Schirmer, . [1904]Siegfried Idyll.New York: Associated Music Publishers, n.d.Tristan and Isolda : drama in three acts.New York: G. Schirmer, . [1906]Wagner-Liszt album : for pianoforte.New York: G. Schirmer, . [1896]Walker, William (compiler)The southern harmony, and musical companion : containing a choice collection of....Philadelphia: E. W. Miller, . [ca. 1854]Walton, WilliamPortsmouth point : an overture : full score.London: Oxford University Press, . [1928]Weber, Carl Maria vonConcertino für Klarinette und Orchester, op. 26.Wiesbaden: Breitkopf & Härtel, n.d.Der Freischüz : romantische Oper in drei Aufzügen.Wolfenbüttel: L. Holle, n.d.Webern, Anton11. Kantate, op. 31 : Klavierauszug mit Singstimmen.Vienna: Universal, . [1951]Drei Gesänge, op. 23 : Gesang und Klavier.[Austria]: Universal Edition, . [1936]Quartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 22 : partitur.Vienna: Universal Edition, . [1932]Variationen für Klavier, op. 27.Vienna: Universal Edition, . [1937]Vier Stücke, op. 7 : Geige und Klavier.Vienna: Universal Edition, . [1922]Weill, KurtAufstieg und Fall der Stadt Mahagonny : Klavierauszug.Vienna: Universal Edition, . [1929]Weisgall, HugoSix characters in search of an author : opera in three acts.Bryn Mawr, PA: Merion Music, Inc., . [1957]The stronger : opera in one act.Bryn Mawr, PA: Merion Music, Inc., . [1957]The tenor : opera in one act.Bryn Mawr, PA: Merion Music, Inc., . [1957]White, John and George Shackley (arrangers)The lonesome cowboy : songs of the plains and hills.New York: Geo. T. Worth & Co., . [1930]Wilson, Domingo Santa CruzViñetas : cuatro piezas para piano solo.S. Diego, Chile: Casa Amarillo, . [1932]Wilson, RichardEclogue : for piano.New York: Boosey & Hawkes, . [1980]Wolfe, StanleySymphony no. 3 : full score.New York: Boosey & Hawkes, . [1964]Wolpe, StefanDance : in form of a chaconne.New York: Arrow Music Press, Inc., . [1941]Passacaglia : for piano solo.New York: New Music Edition, . [1947]Sonata for violin and piano.New York: McGinnis and Marx, . [1955]Workers' Music Association (compiler)Pocket song book.London: Workers' Music Association, . 1948Sing and learn: a song book for children with tonic & staff notation.London: Workers' Music Association, . 1940Yashirō, AkioSymphonie pour grand orchestre.Tokyo: Ongaku No Tomo Sha, . [1959]Writings and Oral Presentations, 1925-1988The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland and is divided into to main subseries: Writings by Aaron Copland and Writings by Others. The subseries, Writings by Aaron Copland is divided into 5 subseries: Articles, Books, Lectures & Speeches, Radio and Television. The subseries, Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information. Arranged by suberies. Writings by Aaron Copland, 1925-1988The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, "What Europe Means to the Aspiring Composer", after his return from three years of musical study in France. This series is divided into Articles, Books, Lectures & Speeches, Radio and Television. Includes unpublished manuscripts, notes and outlines; letters, typescripts, galley and page proofs; published articles clippings, reviews and promotional material. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information. Arranged by author, title or chronologically. ArticlesA.C. (A composer) looks at LP, n.d.A.C.: Foreword to Modern Music reprints of articles about Igor Strav[insky], n.d.Aaron Copland. Arthur Berger [Book review]See: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland BOX: xxx113Aaron Copland: A visit to Israel, 1969Aaron Copland remembers NadiaSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxAaron Copland talks about American music to-day, 195846AAaron Copland writes from South America, 1947About Billy the Kid, n.d.23Active market in new music records, 193664AAlways in my thoughts, 195399AAmerica's cultural explosion - its scope and challengeSee: Writings by Others, About AC, Interviews: The Playboy Panel. America's cultural explosion - its scope and challenge BOX: xxxL'america ha la sua música, 1951America's young men of promise, 192622The American composer gets a break, 193542The American composer today, n.d.American composers on records, 1959American culture I: Music, 1956See also: Writings by AC, Articles: Report on American music, 1956 BOX: xxxAmerican music since 1930, 194559The American musical scene, 195064Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955See also: Writings by AC, Articles: Modern music: 'Fresh and different' BOX: xxx50The art of Darius Milhaud, 1948See also: Writings by AC, Articles: Sobre la música en el cine BOX: xxxAs a musician: Women's University Glee Club, n.d.ASCAP and the symphonic composer, 196498ASCAP and the symphonic composer, 196473At the thought of Mozart, 19568Baden-Baden, 1927The battle of jazz and the classics, n.d.45Benjamin Britten: The Rape of Lucretia, an opera in two acts [Music review], 1947Carlos Chávez - Mexican composer, 1928Charles Ives, 1964118Claire Reis (1889-1978), 1978See also: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxxClaire Raphael Reis, n.d.18The composer and his critic, 1932The composer and the audience, n.d.The composer as conductor, n.d.91The composer as critic, 1961See also: Writings by AC, Lectures & Speeches: The composer as critic BOX: xxxComposer from Brooklyn: An autobiographical sketch, 194119The composer in America, 1923-1933, 1933The composer in the United States, n.d.The composer speaks out! Meet the composer!, n.d.92A composer's praise, 196248Composer's report on music in South America, 1947See also: Writings by AC, Articles: South American journey BOX: xxxSee also: Writings by AC, Lectures & Speeches: [La música de las americas] BOX: xxx86Composers and composing, 196032The composers get wise, 194083Composers in Russia, 1960116Composers in the university, 1970The composers of South America, 194137The composers of South America, 1942Composers without a haloSee: Writings by AC, Articles: Komponisten ohne Glorienschen BOX: xxxComposers' letters, 1963Composing for Something wild, 196175El compositor en los Estados Unidos, 195916Contemporaries at Oxford, 1931Contemporary music -- Is it peculiar?, n.d.104The contemporary scene, 1966Copland on Carter, 1978117Copland salutes Boulanger, 1977Cousin Michael, 196465Creativity in America, 195261Current chronicle: United States, New York, 1951The danger of writing concert music, n.d.4Defends the music of Mahler [Letter to the editor], 192576The dilemma of our symphony orchestra, 1956See also: Writings by AC, Lectures & Speeches: The dilemma of our symphony orchestra BOX: xxx24Discoveries of a music critic, by Paul Rosenfeld [Book review], 1936[Dmitri Shostakovich - 60th birthday], 196667The essence remained. The life and music of Béla Bartók . Halsey Stevens [Book review], 1953See also: Writings by AC, Articles: The life and music of Béla Bartók BOX: xxxEuropean festivals and premiers: A glance backward, 1960Famous pupil recalls famous teacherSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx40Faure [sic] festival at Harvard, 194569Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 195436Five post-romantics, 1941For composers news record, n.d.For the record! [Letter to editor?], n.d.Foreword to Gardner Reed's book, Thesaurus of orchestral devices, n.d.Foreword to new collection of 'The Gift to be Simple', May 1970Four Weeks in the Soviet Union - 1960See: Writings by AC, Articles: Composers in Russia BOX: xxxFranz Liszt, n.d.From a composer's journal, n.d.13From a composer's notebook, 1929From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts [Letter to editor], 194239From the '20's to the '40's and beyond, 1943Gabriel Fauré, a neglected master, n.d.64The gifted listener, 1952Her best pupils are famousSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxHow we listen, n.d.In appreciation.... [Leonard Bernstein], 1978100In memory of Marc Blitzstein (1905-1964), 196463An indictment of the fourth B, 1952Intro[duction] to Claire Reis' book, Composers, conductors and critics, 1974106Irving Fine (1914-1962), 1962116Is the university too much with us?, 197029Is there a revolution in the arts?, 1940Jak słuchać muzyki współczesnej (Listening to contemporary music)(in Polish), n.d.7Jazz structure and influence, 1927Komponisten ohne Glorienschen (Composers without a halo), 1947Latin Americans in music, 194258Leon Kirchner: Duo for violin and piano [Music review], 1950[Letter from composer], 1954[Letter to editor] From the mail pouch: The composer's ob[?]See: Writings by AC, Articles: From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts BOX: xxx[Letter to editor], New York Times, 27 April 1972[Letter to editor], New York Times, n.d.[Letter to the editor] Defends the music of MahlerSee: Writings by AC, Articles: Defends the music of Mahler BOX: xxx[Letter to editor re: Olin Downes], n.d.[Letter to music editor], New York Times, 4 Oct. 195456A[Letters to the editor], New York Times Magazine, 14 Jan. 1950[Letters to the editor], New York Times Magazine, 4 Sept. 1966The life and music of Béla Bartók . Halsey Stevens [Book review], 1953List of recorded works on contemporary American composersSee: Writings by AC, Articles: American composers on records BOX: xxxListening to contemporary musicSee: Writings by AC, Articles: Jak słuchać muzyki współczesnej BOX: xxxThe live composer, 1939Looking back with Aaron CoplandSee: Writings by AC, Books, Copland: 1900 through 1942, Miscellany: Article BOX: xxx12The lyricism of Milhaud, 192989Making music in the star-spangled manner, 1960See also: Writings by AC, Lectures & Speeches: Search for an "American" music BOX: xxxMan's right to knowledgeSee: Writings by AC, Articles: Music and the human spirit BOX: xxxMarc Blitzstein rememberedSee: Writings by AC, Articles: In memory of Marc Blitzstein BOX: xxx[Mellers, Wilfred Howard], 1965Memorial to Paul RosenfeldSee: Writings by AC, Articles: Benjamin Britten: The Rape of Lucretia, an opera in two acts BOX: xxx27Mexican composer, n.d.Miklós Rósza and Bernard Herrmann, n.d.Milhaud: First Symphony ; In Memoriam ; Protée [Record review], n.d.Mlle. Boulanger, 80 this month, has taught greatest composersSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxMlle. Boulanger and her bakerySee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx71(72)Modern music: 'Fresh and different', 195515Modern orchestration surveyed, 193056A modernist defends modern music, 1949102Music: My way of life, 196470,_070AMusic and the human spirit, 1954See also: Writings by AC, Articles: La música como aspecto del espiritu humano BOX: xxxMusic and the movies, 1949See also: Writings by AC, Articles: Tip to movie goers: Take off those ear-muffs BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxxMusic as an aspect of the human spiritSee: Writings by AC, Articles: Music and the human spirit BOX: xxxSee: Writings by AC, Articles: La música como aspecto del espiritu humano BOX: xxx40Music for the theatre, n.d.Music in America: Past, present, and future, n.d.Music in Cuba, 1941Music in the air, n.d.The music of Israel [Book review], n.d.66Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review], 195310Music since 1920, 1928Tr70La música como aspecto del espiritu humano, n.d.See also: Writings by AC, Articles: Music and the human spirit BOX: xxx36ALa música en el extranjero, 1941La música moderna è nata in reazione a Wagner, 1951Tr53La música per film: nuovo mezzo di espressione musicale, n.d.Musical world honors teacher Nadia BoulangerSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxMusikalisches Schaffen in Amerika, 1965See also: Writings by AC, Articles: Creativity in America BOX: xxxNadia Boulanger, master teacher: She fans musical sparkSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx84Nadia Boulanger: An affectionate portrait, 1960Nadia Boulanger: Mother of modern music, 1981Nadia Boulanger at 80 still foremost music teacherSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx44Neglected works: A symposium, 1946Tr49Eine neue amerikanische Komponistengeneration, 1948See also: Writings by AC, Articles: The new 'school' of American composers BOX: xxxSee also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos New music in the U.S.A. BOX: xxxSee also: Writings by AC, Articles: The composer in America, 1923-1933 BOX: xxx49The new 'school' of American composers, 1948See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration BOX: xxxSee also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos BOX: xxxA note on Irving Fine, 1962See also: Writings by AC, Articles: Irving Fine (1914-1962) BOX: xxx14A note on Nadia Boulanger, 192821AA note on young composers, 193542Notes on a cowboy ballet, n.d.Notes without music, by Darius Milhaud [Book review], 1953See also: Writings by AC, Articles: Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review] BOX: xxxTr49Nueva generatión de compositores norteaméricanos, 1947See also: Writings by AC, Articles: The new 'school' of American composers BOX: xxxSee also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration BOX: xxxOn being a composer, n.d.41On the notation of music, 1944On the occasion of the 70th birthday of Serge Prokofieff, 196120One hundred and fourteen songs, 1934103An open letter about the BBC, 196587Oper für Amerika, 1960Opera for America], 195925Our younger generation - ten years later, 1936Outline of history (Nef), n.d.Paris octogenarian is a musical marvelSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxThe personality of Stravinsky, 1949[Phonograph recordings], n.d.Piano fantasy, 1957Piano fantasy - the commission, n.d.114Piano music of Noël Lee, n.d.Pioneer listenerSee: Writings by AC, Articles: Discoveries of a music critic, by Paul Rosenfeld [Book review] BOX: xxxPlaying safe at Zurich, 192681AThe pleasures of music, 1959See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Contemporary trends in music today BOX: xxx81BThe pleasures of music, 1959See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxxPortrait of a symphony, n.d.94A quarter-century reflection, 1963Questions on music, n.d.Quiet citySee: Writings by AC, Articles: Composers in Russia BOX: xxxRalph Hawkes: In memorium, 195075Report on American music, 195674Rubin Goldmark: A tribute, 1956Salute to the arts and artists of Latin America, 1967123A salute to the Schwann, n.d.21Scherchen on conducting and Ewen on composers [Book review], 1935Schoenberg and his school, by René Leibowitz [Book review], n.d.26Scores and records, 1936Scores and records, Jan.-Feb. 1937Scores and records, May-June 1937Scores and records, 193830Second thoughts on Hollywood, 194040Serge Koussevitzky and the American composer, 1944She has taught the greatest...See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxShe taught many of the world's best musiciansSee: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxShoptalk: On the notation of musicSee: Writings by AC, Articles: On the notation of music BOX: xxxTr50Sobre la música en el cine, n.d.See also: Writings by AC, Articles: The art of Darius Milhaud BOX: xxxSome notes on my "Music for the Theatre", 1941See also: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxxSee also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft BOX: xxxSee also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] BOX: xxxSouth American journey, 1947See also: Writings by AC, Articles: Composer's report on music in South America BOX: xxxSee also: Writings by AC, Lectures & Speeches: [La música de las americas] BOX: xxxSpecial fondness for B. B. [Benjamin Britten], n.d.51Stefan Wolpe: Two songs for alto and piano [Music review], 1948The story behind El salón méxico, 1948See: Subject File, Compositions, El salón méxico, Programs 1938-1942 BOX: xxx17Stravinsky and Hindemith premieres, 19329Stravinsky's "Oedipus Rex", 1928Talk on N. B. [Nadia Boulanger], n.d.62ATanglewood: 1952, [1952]The teacher: Nadia Boulanger, 196028Thomson's musical state [Book review], 193953Tip to moviegoers: Take off those ear-muffs?, 1949See also: Writings by AC, Articles: Music and the movies BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx110A tribute to Nadia Boulanger, 1967The tutor of eminent composers, Mlle. Boulanger going strong at 79See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx113A visit to Israel, 196993A visit to Snape, 1963[A visiting composer], 195882'A vital and varied music', n.d.2What Europe means to the aspiring composer, 192552What is Jewish music?: The music of Israel [Book review], 1949112When private and public worlds meet, 1968Where are we? What's been happening to so-called serious music in the sixties, n.d.William Schuman: String quartet no. 4 [Music review], 1951Workers sing!, 193454The world of a-tonality: Schoenberg and his school [Book review], 194925AThe world of the phonograph, 1937The youngest generation of American composers, n.d.Zoltán Kodály, n.d.[Zoltán Kodály - 80th birthday], 1962Miscellany: Notes for articles, n.d.BooksCopland: 1900 through 1942 (1984), 1970-1985, n.d.Copland on music (1960), 1959-1962, n.d.Music and imagination (1952), 1952-1974, n.d.The new music (1968), 1962-1969, n.d.Our new music (1941), 1941-1948, n.d.What to listen for in music (1939), 1937-1954, n.d.What to listen for in music (1957), 1956-1966, n.d.What to listen for in music, (1988, re-issue) 1988Lectures & Speeches1-LGAddress, graduating class, Toronto Conservatory of Music, 1950Address, graduating exercises, Brooklyn College, 1975Address, graduating exercises, Juilliard School of Music, 1981The aesthetic climate of today (English and Spanish), 1963See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music BOX: xxxAesthetics of modern music, 1927See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955 BOX: xxxSee also: Writings by AC, Lectures & Speeches: Masterpieces of modern music, Lecture I: America in music BOX: xxxAn American composer: Charles Ives, n.d.The American composer todaySee: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxxSee: Writings by AC, Lectures & Speeches: Composing in America (then and now) BOX: xxxThe American Composers Alliance, 197719-LGAmerican contemporaries: Younger generation, 1957American music, ca. 1936American musicSee: Writings by AC, Lectures & Speeches: "Modern" American music - Part II BOX: xxxAmerican music - a survey, n.d.American music and the American scene, 1940, 195011-LVAmerican scene in music, 1949Americans, 1940Das amerikanische Musikleben, 1954, 1964L'amerique et sa musique, 1949The annual American Music Festival, n.d.Appalachian spring, n.d.Appreciation of modern music, 192715-LGThe artist and society, 1959Arts in the universitySee: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university) BOX: xxx22-LVBerlioz - from the composer's standpoint, 1954Bernstein, LeonardSee: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] BOX: xxxBoulez, 197712-LVCentral European composers, 1950Claire Reis, 1978See also: Writings by AC, Articles: Claire Reis (1889-1978) BOX: xxx26-LVComparative trends of recent European & American music, 1956, 196110The composer and his audience, 195691-AThe composer as critic, 1961See also: Writings by AC, Articles: The composer as critic BOX: xxx33-LVThe composer as critic, n.d.Composer attitudes of the twenties, n.d.10-LGThe composer in the modern world, 195725-LVComposer looks at music in America, 1954Composer today, n.d.The composer's viewpointSee: Writings by AC, Lectures & Speeches: The meaning of music BOX: xxxComposers and conductors conference, 1942?Composers on criticism, n.d.18-LGComposing in America (then and now), 1962, 1964See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx13-LGCompositional phases [on my three piano works], 1959, 196132-LVCompositional techniques in the 20th cent[ury], 1961[Contemporary composers in the United States], n.d.Contemporary music, 1960See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxxContemporary music: Living composers, 1938See also: Writings by AC, Lectures & Speeches: Music in contemporary life BOX: xxxSee also: Writings by AC, Lectures & Speeches: Survey of contemporary music BOX: xxxContemporary music: Music in the American scene, 194816-LVContemporary music and its controversies, 1944[Contemporary music in the U. S.]: The musical panorama in the 70's, n.d.Contemporary music in the United States, 1951, 1964The contemporary music in the United States, n.d.Cont[emporary] music seminarSee: Writings by AC, Lectures & Speeches: Seminar in contemporary music BOX: xxxContemporary trends in music abroad, 1954Contemporary trends in music today, 1962See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxxSee also: Writings by AC, Articles: The pleasures of music BOX: xxx9-LVContrapuntal writing in cont[emporary] music in relation to Bach, 195023A-LGConvocation, 1967, 1969Copland at USD, 197528-LGCopland-Sessions Concerts 1928-31, 1971Cowell, HenrySee: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxxLa création du mondeSee: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxx29-LG,_35-LVCreativity and the composer, 1972, 1973Creativity and the creative artistSee: Writings by AC, Lectures & Speeches: Creativity and the composer BOX: xxxCreativity in AmericaSee: Writings by AC, Articles: Creativity in America BOX: xxx6-LGCreativity in America today, 1953, 1956, 1965, 1968Cultural conference, n.d.21-LVCurrent trends in cont[emporary] music, 1954, 1960, 1961See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx2-LVDarius Milhaud, 194814-LGThe dilemma of our symphony orchestra, 1956See also: Writings by AC, Articles: The dilemma of our symphony orchestra BOX: xxxDinner for W[illia]m Schuman, 19675-LVDmitri Shostakovitch and the new simplicity, n.d.Effect of the cold war on the artist in the United States, [1949?]Emergence of the Amer[ican] composer 1940-1955, 1956La emergéncia de la música norteamericana, 1961, 1962, 196317-LVFauré, n.d.[50th anniversary Pulitzer Prize dinner], 1966Film music, 1940See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxxFilm music: Civitas Club, 194035?Film talk, 1971For Alvin Johnson, n.d.25-LGFor 8-13 year olds, 1969Forms of modern music, [193?]Four lectures on contemporary musicSee: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx[Gold medal for music], 1956History of American music, 19477-LVInfluence of jazz and "Everyday Music", n.d.See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music BOX: xxxInfluence of jazz on modern music, n.d.Intelligent music-listening, 1937The interpreterSee: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint BOX: xxxIntroducing Shostakovitch at dinner, 194917-LGIntro[duction] of N[adia] Boulanger as teacher, 19589-LGIntroduction to my music, 1952See also: Writings by AC, Lectures & Speeches: On my music BOX: xxx20Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958See also: Writings by AC, Lectures & Speeches: Composing in America (then and now) BOX: xxxSee also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxx7-LVIntro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d.See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music" BOX: xxx[Introductory remarks for film "Brute Force"], n.d.Is America musically mature?, 194116-LGJapan's composers, 196015-LVJazz and folk influences, 194410-LVJewish composers in the western world, 1951L. B. [Leonard Bernstein], n.d.See also: Writings by AC, Lectures & Speeches: Talk on Leonard Bernstein BOX: xxx31-LVLatin American music, 1947-1963Das Lied von der ErdeSee: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury] BOX: xxxLondon speech, 1965See also: Writings by AC, Lectures & Speeches: Talk for the BBC BOX: xxxLotus Club, 19786-LVMahler - XX cent[ury], n.d.Masterpieces of modern music, 1928-1929See also: Writings by AC, Lectures & Speeches: Aesthetics of modern music BOX: xxx24-LGThe meaning of music, n.d.MENC meeting, n.d.Messiaen, OlivierSee: Writings by AC, Lectures & Speeches: Music: Pro & Con II - Olivier Messiaen BOX: xxxMexican music [III]See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxxMilhaud, DariusSee: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxx"Modern" American music - Part II, 1950, 1953Modern Americans: Sessions; Cowell, n.d.See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions BOX: xxxModern Japanese musicSee: Writings by AC, Lectures & Speeches: Japan's composers BOX: xxx18-LVModern piano music, 1938Modern piano repertoire and its interpretation, n.d.Movie music, n.d.22-LGMusic - A composer's view (of music), 1967, 19713-LVMusic: Pro & Con I - Sessions, 1950See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx4-LVMusic: Pro & Con II - Olivier Messiaen, 1950Music and imaginationSee: Writings by AC, Books:Music and imagination BOX: xxxMusic and the other arts in contemporary America, 19552-LGMusic for a modern world, 194911-LGMusic in contemporary life, 1957Music in the American scene I: New Phases: Cross-section, 1944See also: Writings by AC, Lectures & Speeches: Jazz and folk influences BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music of the Americas BOX: xxxSee also: Writings by AC, Lectures & Speeches: Music in the films BOX: xxxSee also: Writings by AC, Lectures & Speeches: The problem of style-Shostokovitch vs. Schoenberg BOX: xxx8-LVMusic in the films, n.d.Music in the movies, n.d.See also: Writings by AC, Lectures & Speeches: Film music BOX: xxxSee also: Writings by AC, Lectures & Speeches: Film music: Civitas Club BOX: xxxSee also: Writings by AC, Lectures & Speeches: Film talk BOX: xxxSee also: Writings by AC, Lectures & Speeches: Writing for films BOX: xxxSee also: Writings by AC, Articles: Music and the movies BOX: xxxMusic in the theatre, n.d.Music of Argentina [IV]See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxxMusic of the Americas, 1958See also: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx[13?]Music of today, 1935-1936Music of today, 1936Music of the 20s, 1942, 1963Music of the 20s, 1942Music of the 20s, 196019-LVMusic of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxxMusica americana: Part I; La nuova generazione di compositori americani: Part II, 1951La música contemporanea negli Stati UnitiSee: Writings by AC, Lectures & Speeches: The contemporary music in the United States, n.d. BOX: xxx[La música de las americas], n.d.See also: Writings by AC, Articles: Composer's report on music in South America BOX: xxxSee also: Writings by AC, Articles: South American journey BOX: xxxLa música en las peliculas, n.d.La música norte americana y la escena norte americanaSee: Writings by AC, Lectures & Speeches: Panorama of American composers BOX: xxxLa musique contemporaine aux États UnisSee: Writings by AC, Lectures & Speeches: The contemporary music in the United States BOX: xxxN[adia] B[oulanger] as teacherSee: Writings by AC, Lectures & Speeches: Intro[duction] of N[adia] Boulanger as teacher BOX: xxxNationalism in Amer[ican] music, n.d.29-LVNationalist trends in contemporary music, 1961New music from Latin AmericaSee: Writings by AC, Lectures & Speeches: Latin American music BOX: xxxNew music in the Americas, n.d.New music seminar [II], Brazilian musicSee: Writings by AC, Lectures & Speeches: Latin American music BOX: xxxNew phases: Cross-section, 1944See: Writings by AC, Lectures & Speeches: Music in the American scene I BOX: xxx34-LVNew trends in cont[emporary] music, 1964See also: Writings by AC, Lectures & Speeches: The aesthetic climate of today BOX: xxx34New trends in contemporary music, 1965North and South American composersSee: Writings by AC, Lectures & Speeches: Latin American music BOX: xxxNotes on G. W. Chadwick, n.d.Notes onTender landSee: Writings by AC, Lectures & Speeches: The operatic problem BOX: xxxLa nueva generación de compositoresSee: Writings by AC, Lectures & Speeches: Panorama of American composers BOX: xxxLa nuova generazione di compositori americaniSee: Writings by AC, Lectures & Speeches: Musica americana: Part I BOX: xxx28-LVOedipus Rex, 1957On American music, [?], 197821-LGOn conducting Amer[ican] music; The interpreter from the composer's viewpoint, 19645-LGOn my music, 1946, n.d.Opera symposium, 19538-LGThe operatic problem, 1954, n.d.Panorama of American composers (in English and Spanish), 1947Los placéres de la músicaSee: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxxThe pleasures of music, 1959See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today BOX: xxxSee also: Writings by AC, Articles: The pleasures of music BOX: xxx7-LGPreoccupations of young composers, 1955Presentation of gold medal for music to Elliott Carter, 1971Presentation of gold medal for music to Virgil Thomson, 1966Presentation of MacDowell Medal to Robert Frost, 196213-LVThe problem of style -- Schoenberg vs. Shostakovitch, 194427-LVRecent Amer[ican] music: Comparison with Europe, 195630-LVRecent European (piano) music, 1959Reis, ClaireSee: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxxSee: Writings by AC, Articles: Claire Reis BOX: xxxSee: Writings by AC, Articles: Claire Raphael Reis BOX: xxxRemarks in Japan conference, 19673-LGRole of the creative artist in education, 19494-LGThe role of culture in the U. S., 1947Role of university in the arts (Arts in the university), n.d.Rubin Goldmark: A tributeSee: Writings by AC, Articles: Rubin Goldmark: A tribute BOX: xxxSchools and the arts, n.d.Schuman, WilliamSee: Writings by AC, Lectures & Speeches: William Schuman BOX: xxxSearch for an "American" music, 1960See also: Writings by AC, Articles: Making music in the star-spangled manner BOX: xxx1Seminar in contemporary music, 1957Serge Koussevitsky [sic] - the 100th anniversary, 1974[Serious music], 1972Sessions, RogerSee: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions BOX: xxxSee: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxxThe sonata - '39-41, n.d.Des souris et des hommes, 1958Speech on recent 'Trends' at Pulitzer Prize dinner, 1966Speech to Academía Brasileira de Música, 1947Stadium concert, Aug. 16, 1939Stadium concert - Intermission talk, 1939, July 5Stockhausen lecture, 1963See also: Writings by AC, Radio, United States: WBAI: Stockhausen'sMomente BOX: xxx1-LVStravinsky, 1937[Style contrasts], 1941Survey of contemporary music, 1934Survey of contemporary music, 194014-LVSurvey of contemporary music, n.d.See also: Writings by AC, Lectures & Speeches: Music in contemporary life BOX: xxxSurvey of contemporary music, n.d.Symphonic masterpieces, 1938-1939Talk - Music magazine, n.d.26-LG[Talk at New York University], 1970Talk for the BBC, 1945See also: Writings by AC, Lectures & Speeches: London speech BOX: xxxTalk on Leonard Bernstein, 1968See also: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] BOX: xxxTalk to university and college concert managers, 1967[Tanglewood], 1958[Tanglewood - A musical place], n.d.Technical steps in sound recording, n.d.Tender landtalk (and the operatic problem)See: Writings by AC, Lectures & Speeches: The operatic problem BOX: xxxThirties in North America: America enters the arena of musical nations, n.d.12-LGTo band leaders [at convention], 1958To concentrate on 3 countries - Brazil, Argentina, MexicoSee: Writings by AC, Lectures & Speeches: Latin American music BOX: xxxAn uncertain glimpse into the musical future, 197220-LVUnderstanding contemporary music, 1950, 1957Unidentified: MiscellanyVariation form in contemporary music, 195524-LVVariation forms - Classical forms in cont[emporary] music, 1952What to listen for in music, Series I, n.d.What to listen for in music, Series II, n.d.27-LGWilliam Schuman, 197120-LGWords and music, 1962Writers and music, n.d.Writing for films, n.d.See also: Writings by AC, Lectures & Speeches: Film music BOX: xxxThe younger generation of American composers, n.d.Youngest generation of American composers, 1961RadioArgentinaRadio Argentina, n.d.Radio del Estado, 1947Radio El Mundo, 1947See also: Writings by AC, Radio, Uruguay: Radio El Espectador BOX: xxxRadio Libertad, 1947Radio Splendid, 1947 Nov. 6Radio Splendid: La semana musical, 1947 Nov. 12AustraliaThe uncomplicated air of Aaron Copland, 1975See: Writings by Others, About AC, Interviews: Plush, Vincent.The uncomplicated air of Aaron Copland BOX: xxxBrazilMarc Blitzstein: The airborne symphony, n.d.Hora do Brazil, Nov. 1941Radio Clube de PernambucoSee: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxxRadio EspectadorSee: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxxRadio Gazeta, n.d.Radio Ministerio de Educação, 6 Oct. [?]Radio Ministerio de Educação, 13 Oct. [?]Radio Ministerio de Educação: Coletanea musical, 1947 Sept. 6Radio Ministerio de Educação: Copland interview, 1947 Sept. 14Radio Nacional: Comments by Copland, 1947 Sept. 12Radio Nacional: Questionaire, 1947 Sept. 12Radio Nacional: Samuel Barber, n.d.Radio Nacional: Virgil Thomson, n.d.Radio Roquete Pinto, 1947 Sept. 9Radio Sociedade da BahiaSee: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxxCanadaCBC: The American musical scene, 1950See also: Writings by AC, Radio, Great Britain: BBC: The American musical scene BOX: xxxChileRadio La Americana: La audición "Nuevo mundo", 1941CubaRadio Ministerio de Educación, n.d.Radio Nacional, 16 Sept. [?]FranceAnswers to Bernard Govoty, 1955Dupriez, Christian. La musique contemporaine aux États-Unis, 1946La voix de l'amerique: L'amerique depuis 1939, 1946GermanyNorddeutscher Rundfunk: Program, 1961Great BritainBBC: The American musical scene, 1949See also: Writings by AC, Radio, Canada: CBC: The American musical scene BOX: xxxBBC: Music to remember, 1962BBC: Statement on Benjamin Britten, 1976Benjamin Britten Obituary, 1976ItalyRadio Rome, 1949SwitzerlandRadio Lausanne, n.d.United StatesABC: Music of today, Talk by Aaron Copland, n.d.[American composers series], n.d.American School of the Air: Music and the friendly arts, 1939CBS: Columbia's Green Room, Copland and Graham, n.d.CBS: Man's right to knowledgeSee: Writings by AC, Articles: Music and the human spirit BOX: xxxCBS: Modern masters series - Aaron Copland, pianist-composer, 1936CBS: Music for a great city, 1966CBS intermission, 1939Interview with [Edwin] Seaver, 1942Modern music and audience, (1939?)WABC: Howard Barlow series, 1940WBAI: Stockhausen's Momente, 1962-1963See also: Writings by AC, Lectures & Speeches: Stockhausen lecture BOX: xxxWGBH: Our American music, Series IV, 1959-1960WNCN: Aaron Copland comments, 1968-1971See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] BOX: xxxSee also: Writings by AC, Articles: Some notes on my "Music for the theatre" BOX: xxxWNCN: Aaron Copland comments, 1968-1971WNYC: Questions, 1949WQXR: Interview with Edwin Seaver, 1939WQXR: Memorial to Paul Rosenfeld, 1946WQXR: [Music for the theatre], 1942See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, Series I-III, Program 2, Typescript BOX: xxxWQXR: [New trends in music], 1939WQXR: RCA Victor Record Showcase, Interview with Aaron Copland, n.d.WQXR: Russian war relief program, 1942WQXR: Testimonial dinner to Dr. Koussevitzky, 1944UruguayRadio Ariel, Montevideo, 1947: Interview with Maestro Aaron Copland, 1947Radio El Espectador, 1947See also: Writings by AC, Radio, Argentina: Radio El Mundo BOX: xxxVenezuelaVenezuelaSee: Writings by AC, Radio, Cuba: Radio Ministerio de Educación BOX: xxxMiscellany[Appalachian spring], n.d.[Paul Bowles; Roy Harris; Aaron Copland], n.d.TelevisionCanadaCBC: The music of man: Program five "The power of invention", 1977-1978Great BritainBBC: Copland on Copland, 1965BBC: Miscellany: Clippings, 1964-1980United StatesCBS: New York Philharmonic Young People's Concerts #1: "Music for the movie", 1969Correspondence, miscellaneous, 1957-1981WGBH: Aaron Copland: Music in the 20s, 1965WNBC: Speaking freely, 1969WNET: The American composer, Program #1: Aaron Copland, n.d.WNET: Bill Moyer's journal "Aaron Copland", 1976WNET: Music in America: Copland conducts Copland, 1975WNEV: Copland profile, 1984-1985WQED: A Copland celebration!, 1980WQED: A Copland celebration!, 1980Writings by Others, 1925-1988Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. This series is divided into About Aaron Copland, Articles, Booklets, Interviews, Libretti, Poetry and Scripts. Includes manuscripts, typescripts, unpublished and published printed material and microfilm. Arranged alphabetically by author in each category, then by title. Arranged by author, title or chronologically. About Aaron CoplandArticlesBy TitleAaron Copland, 1961[Aaron Copland](in Persian), 1961Aaron Copland, n.d.Aaron Copland, n.d.Aaron Copland: His flavor is personal, American, 1966-1977Aaron Copland at 50, 1950Aaron Copland on jazz, n.d.Aaron Copland 75th anniversary: Dean of American composers, 1976About Aaron Copland, n.d.All' U. S. I. S. Aaron Copland, 1951America gradually learns importance of artists, Copland notes, 1967Amerikanische Komponisten: Aaron Copland, 1947The arts at Northwestern, 1958An award for CoplandSee: Writings by AC, Articles: Composers in Russia BOX: xxxBernstein tells of first time with Copland, n.d.Boys High School Alumni Association: West coast chapter, 1980, 1983Composers-in-residence, 1975Concert, reception honor Aaron Copland on his birthday, 1981Conferenza all'USIA: Parole e musica di Aaron Copland, 1951Copland at 70, 1970-1971Copland comes to town, 1977Copland views movies as strong challenge to modern composers, 1948Copland's "Hear Ye, Hear Ye!" and an Ibert balletSee: Writings by AC, Articles: Scherchen on conducting and Ewen on composers BOX: xxxCopland's soundtrack, 1961Dance Magazine awards 1979: Erick Hawkins; Aaron Copland; Jorge Donn, 1979Una entrevista con Copland, 1932Exchange of persons: Aaron Copland completes tour, 1948Fontainebleau Alumni Bulletin: Music alumni news, Aaron Copland, comp '21, 1952-1954, 1961For Aaron Copland at 80, 1980For the people, 1939Great guys in their day, n.d.Great men of music, n.d.Jazz as folk-music, 1925The music man: Harmony in a new found land, 1959New York state award 1975: New York Council on the Arts, 1975The premiere of a noted composer's piece for youngsters: "Down a country lane", 1962Un "Retrato Musical" de Martí?..., 1953The rise of the American composer, n.d.S. A. musicians getting to consider New York as hub of music world, n.d.The second hurricane, n.d.The simple gift of genius: The music of Aaron Copland on record, 1981The spectacular 80s, 1983-1984Thank you, Aaron Copland, 1965U. S. composers in a bright era, n.d.A visit to Peekskill, n.d.Young boro musician wins fellowship honor, 1925By AuthorA. H. M.Affelder, PaulAntheil, GeorgeAsbell, BernardAvery, StanleyBauer, MarionBeals, KathieBehrend, JeanneBerger, Arthur V.Bernstein, LeonardBlitzstein, MarcBoelzner, GordonBohm, Jerome D.Bonvicini, RenzoBoulanger, NadiaBoys, HenryBurke, KennethCai, Dorothy Liang-YuCanby, Edward TatnallCarter, ElliottChase, Mary CoyleChávez, CarlosChristophe, JeanCitkowitz, IsraelClement, ThomClurman, HaroldCogan, AliceColapinto, FrankCole, HugoCommanday, RobertConly, John M.Cooper, MartinCraft, RobertDeutsch, DidierDiamond, DavidDiana, MartaDickinson, PeterDommett, KennethDorfman, RogerDownes, OlinDrago, Erensto C.Dyer, RichardEdmunds, John and Boelzner, GordonEvans, PeterEyer, Ronald F.Fields, SidneyFierz, GeroldFigueiredo, GuilhermeFine, IrvingFinkelstein, SidneyFlanagan, WilliamFord, ChristopherFreed, RichardFrymire, JackFuller, DonaldG. A. T.Garrido, PabloGarvie, PeterGelles, GeorgeGill, DominicGoldberg, AlbertGoldberg, IsaacGoldman, Richard FrankoGoléa, AntoineGoodwin, NoelGuernsey, Otis L., Jr.Hadjinikos, GeorgeHall, Roger L.Hamilton, DavidHanson, HowardHeinsheimer, H. W.Henahan, DonalHenderson, RobertHershowitz, AlanHeylbut, RoseHightower, MarvinHohenlohe, ManfredHolloway, RobinJohnson, HarriettKay, NormanKeener, AndrewKeens, WilliamKerman, JosephKirkpatrick, John, Jr.Klein, HowardKolodin, IrvingKoussevitzky, OlgaKriegsman, Alan M.Kubly, HerbertKyle, Marguerite KellyLederman, MinnaLerner, BennettLien, ConnieMcLellan, JosephMalloch, WilliamMasselos, WilliamMatthews, DavidMattos, EdwardMellers, WilfredMilhaud, DariusMoor, PaulMorrill, CharlesMorton, LawrenceNelson, BorisNichols, LewisNorthcott, BayanO'Brien, FrancesOja, Carol J.Oppens, KurtOrga, Ateş (editor)Orrego-Salas, JuanP. C. H.Paddack, John ChristopherPasles, ChrisPayne, IfanPerlis, VivianPerlis, Vivian and Aaron CoplandPettis, AshleyPlaistow, StephenPortela, Francisco V.Pottersman, EdnaR. A. S.Ramey, PhillipRedlich, H. F.Reed, PhilipReti, RudolphRoddy, JosephRosenfeld, PaulRoy, Klaus GeorgeSalzman, EricSargeant, WinthropSasportes, José EstevãoSchonberg, Harold C.Schuman, WilliamSecunda, SholomSessions, RogerShapiro, AaronShostakovitch, DmitriSlonimsky, NicolasSmit, LeoSmith, Cecil MichenerSoria, Dorle J.Stahmer, KlausStell, LorenStemmer, KonradStoddard, HopeStrode, RosamundTākui, HyūeruTaubman, HowardTemianka, HenriThomson, VirgilTircuit, HeuwellTrench, KellyTryon, Winthrop P.ViceWalsh, MichaelWard, RobertWarfield, WilliamWaterfall, BethWaters, Edward N.Watson, MarciaWidener, William HarryWimbush, RogerWinner, PercyYoung, DouglasZanetti, EmiliaBooksBerger, ArthurAaron Copland [Book reviews], 1953-1954See also: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland, by Arthur Berger [Book review] BOX: xxxSmith, JuliaAaron Copland: His work and contribution to American music [Book reviews], 1956See also: Writings by Others, About AC, Articles: Taubman, Howard. Scored for Americans: "Aaron Copland: His work and contribution to American music" BOX: xxxSee also: Writings by Others, About AC, Dissertations: Smith, Julia Frances. Aaron Copland: His work and contribution to American music [Microfilm] BOX: xxxDissertationsBayliss et al.Freshman research project - Aaron Copland, n.d.Butterworth, NeilThe music of Aaron Copland, n.d.Cochran, Alfred WilliamsStyle, structure, and tonal organization in the early film scores of Aaron Copland, 1966Conte, David JosephAaron Copland's "Piano Quartet" - An analysis, 1982Didriksen, HelenStrange company: Aaron Copland, Emily Dickinson, and America at mid-century, 1988Eckstein, HerbertOrigin, nature and purpose of Aaron Copland's "Third Symphony", 1976Ehlers, JeremyA compositional study of works by Aaron Copland, 1979Hilliard, Quincy CharlesA theoretical analysis of the symphonies of Aaron Copland, 1984Horner, Mary Katherine HallThe ballet suites of Aaron Copland, 1964Kimball, CraigOn Copland: His music, 1962Kozinn, AllanAaron Copland: An American composer and crusading personality, 1974-1975Landau, Anne L.The contribution of Jewish composers to the music of the modern world, 1946Smith, Julia FrancesAaron Copland: His work and contribution to American music [Microfilm], 1952Spicknall, Joan SingerThe piano music of Aaron Copland: A performance-tape and study of his original works for piano solo, 1974InterviewsBy TitleA. Copland koncertował w polsce (A. Copland had concerts in Poland), 1966Aaron Copland, 1964Aaron Copland, 1975Aaron Copland in conversation with music in America, n.d.Anketa: Aaron Copland, 1966Classical or modern? Aaron Copland questions a common musical distinction, 1960Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff', 1976Composer Copeland [sic] keeps moving towards 76 in '76, 1976See: Writings by Others, About AC, Interviews:Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff' BOX: xxxCopland and his music..., 1974A leading composer looks at American music today, 1976Listening to Aaron Copland, 1972Noted American composer discusses his career, [1973?]By AuthorA. H.Amaral, CisAnthony, MichaelBanner, RandyBedell, ThomasBessom, Malcolm E.Bestor, Arthur E.Black, CobeyBookspan, MartinBredeman, DanBuchwald, ArtBurton, HumphreyChase, Jeffrey K.Clopton, WillardClose, Roy M.Cohen, BruceCole, HugoCone, Edward T.Cox, AinsleeDower, CatherineDreiblatt, MarthaDufallo, RichardEby, StarrEdwards, SydneyElias, Albert J.Elley, DerekFernández, Mauro EspinozaFieldFreedman, GuyGereben, JanosGilbert, DouglasGlackin, William C.Gräter, ManfredGreen, Paul S.Hagler, SusanHall, Roger L.Havsky, VladimirHeinsheimer, HansHertelendy, PaulHolbert, AllanHolland, A. K.Hoover, BarbaraHume, PaulHurwitz, RobertIshiiJ. D. G.Jones, NinaKeener, AndrewKenyon, NicholasKriegsman, Alan M.Larry, SheldonLee, LauraLeishman, KatieLockspeiser, EdwardLooney, DouglasMcLaughlin, LillianMcLellan, JosephMarkle, DavidMason, ColinMason, EricMayer, WilliamMillais, GeoffroyMorris, MichaelNewton, JimNorton, MildredOja, CarolOverton, James L.Perlis, VivianPhi Mu Alpha Sinfonia: National delegate representative assemblyThe Playboy PanelPlush, VincentR. B.Ramey, PhillipRosenwald, Peter J.Ryan, Barbara HaddadSaucier, PierreScherer, RonSchulman, MichaelSeaman, Gerald R.Seaman, JulianSinger, Samuel L.Sitts, RichardSmit, LeoSmith, MonicaStearns, DaveThurston, ChuckVadeboncoeur, Joan E.Van Sant, RickWatters, SusanWilson, CarolynWimbush, RogerArticlesBy Title[Koussevitzky: Tanglewood], 1948By AuthorChávez, CarlosCanto y melodía el dodecafonismo en México, 1954Clurman, Harold S.The future of jazz, 1926Cohen, Ethel S.Credo of a composer: Ben-Zion Orgad, n.d.Gilbert, L. WolfeSour grapes of wrath, n.d.Giordano, L.Actitudes para oír música, 1933Glock, WilliamNadia Boulanger, 1946Henahan, DonalAnd now, Virgil's odyssey, 1971Hoover, Suzanne R.Nadia Boulanger, 1977Johnson, H. EarleThe need for research in the history of American music, n.d.Kennan, George F.Seek the finer flavor, n.d.Koussevitzky, SergeConcerning interpretation . Translated by Nina Bechtereff, 1929Krenek, ErnstThe composer and the interpreter, 1944Kroll, JackThe stage is a world, 1974Lederman, MinnaBrief encounters, n.d.Liepmann, KlausMusic and engineers, 1950Maisel, EdwardCharles T. Griffes: The life of an American composer, 1984McCorkle, Donald M.The Moravian contribution to American music, 1956Mitsukuri, ShukichiJapanese scales and theri [sic] harmonic treatment, 1959Noakes, DavidNadia Boulanger: A life dedicated to the art of teaching, 1971Perlis, VivianBoulanger -- 20th-century music was born in her classroomSee: Writings by AC, Articles: Copland salutes Boulanger BOX: xxxPirrotta, NinoThe Eda Kuhn Loeb Music Library, 1958Read, GardnerTanglewood: Investment in musical futures, 1941Rosenfeld, Paul[Stravinsky], n.d.Shaw, Theodore L.The hypocrisies of criticism, 1952Simon, HenryLeonard Bernstein: Molto furioso, n.d.Slonimsky, NicolasSouth American composers, 1940Souster, TimOrganized delirium - Robert Henderson writes about the life and work of Pierre Boulez, 1969Taubman, HowardTanglewood tales, or youth makes music, 1948Terse, PaulCharles Ives (1874-1954): Ein biographischer Überblick, 1987Thomson, VirgilAmerica's musical maturity: A twentieth-century story, 1961Weisgall, Hugo D.Jewish music in America, 1954Whiteside, ThomasThe blockbuster complex-III: Onward and upward with the arts, n.d.Wilson, EdmundPaul Rosenfeld: Three phases, n.d.BookletsBy TitleCharles Edward Ives, 1942By AuthorBoulanger, NadiaGail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano, 1963Christliebb, DonRemembrance of Lawrence Morton, n.d.Goldberg, IsaacJazz music: What it is and how to understand it, 1927Naur, RobertLeonard Bernstein (in Dutch and English), n.d.Nielsen, TageDanish music after Carl Nielsen, n.d.Steuermann, EdwardGail Kubik: Sonata for piano - Celebrations and Epilogue for piano, 1959See: Writings by Others, Booklets: Boulanger, Nadia:Gail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano BOX: xxxMiscellaneousMiscellanyMiscellanyInterviewsBernstein, LeonardNational Press Club, 1959Rogers, MichaelThe Rolling Stone interview: Paul Bowles, 1974LibrettiArita, Nadine and Robert CourtneyHoe-Down! A musical tribute, 1985Davies, Peter MaxwellTaverner, n.d.Denby, EdwinLibretto for a play opera, n.d.Miltie is a hackie, n.d.Lombardo, KathleenSavonarola, n.d.PoetryGarcía-Lorca, FedericoWalking asleep, n.d.Sannier-Salabert, BernardFinal, 1951-1955ScriptsScripts: Ballet, Opera, and PlayDenby, EdwinSecond hurricaneSee: Subject File, Compositions:Second hurricane BOX: xxxEverett, HoraceTender landSee: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 69 misc-B BOX: xxxGraham, MarthaAppalachian springSee: Correspondence, Personal: Graham, Martha BOX: xxxKirstein, LincolnMemorial day, n.d.Page, RuthHear ye! Hear ye!See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 26.3 BOX: xxxRiggs, LynnTragic groundSee: Music Manuscripts and Printed Editions by Aaron Copland: Music Composed by Copland Not Assigned ARCO Number, Box 117A/1-6Robbins, JeromeBye bye Jackie, 1944Shaw, IrwinQuiet citySee: Subject File, Compositions:Quiet city(Play typescript) BOX: xxxScripts: Film and TelevisionClark, Dennis LyntonThe hanging of Ella Watson, n.d.Goetz, Ruth and Augustus GoetzThe heiressSee: Subject File, Compositions:The heiress(Film typescript) BOX: xxxHellman, LillianNorth starSee: Subject File, Compositions:North star(Film typescript) BOX: xxxHotchner, A. E.The world of Nick AdamsSee: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 75 misc BOX: xxxSteinbeck, JohnThe red ponySee: Subject File, Compositions:The red pony(Film typescript) BOX: xxxSee: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 63 BOX: xxx[Unidentified]Ballad of Billy the kidSee: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 33-F BOX: xxxWilder, ThorntonOur townSee: Subject File, Compositions:Our town(Film typescript) BOX: xxxDiaries, 1910-1985The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips. The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, "The Red Pony" and "Something Wild". The date spans represent the actual span of year dates noted in the journal. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order. Arranged by subseries. Datebooks, 1935-1985The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips. Includes pocket and desk daily appointment books; arranged chronologically by year, then by type. 1935, Pocket1936, Pocket1937, Pocket1938, Pocket1939, Desk1940, Desk1941, Desk1942, Desk1943, Desk1944, Desk1945, Desk1946, Desk1947, Desk1948, Desk1949, Desk1950, Desk1951, Desk1952, Desk1953, Desk1955, Desk & Pocket1956, Desk & Pocket1957, Desk1957, Pocket1958, Desk1958, Oberlin College1959, Desk1959, Oberlin College1960, Desk1960, Pocket1960, Oberlin College1961, Desk1961, Pocket1962, Desk1962, Oberlin College1963, Desk1963, Oberlin College1964, Desk1964, Oberlin College1965, Desk1965, Oberlin College1966, Desk1966, Oberlin College1967, Desk1967, Oberlin College1968, Desk1968, Oberlin College1969, Desk1969, Oberlin College1970, Desk1970, Oberlin College1971, Desk1971, Oberlin College1972, Desk1972, Pocket1973, Pocket1973, Desk1974, Desk1974, 1975, Pocket1975, Desk1976, Desk1976, 1977, Pocket1977, Desk1978, Desk1978, 1979, Pocket1979, Desk1980, Desk1980, 1981, Pocket1981, Desk1982, Desk1982, Pocket1983, Desk1984, Desk1985, DeskJournals, 1910-1973The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, "The Red Pony" and "Something Wild". The date spans represent the actual span of year dates noted in the journal. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order. Includes notebooks of varied types; arranged chronologically by year dates noted in journals. 1910-1972Notes for an autobiography-A[photocopy]1913-1962Notes for an autobiography-B[photocopy]1921-1923My trip abroad: List of performances attended in Paris; Notes on Fauré[photocopy]1921-19533South American journal; McCarthy hearings (1953); Chronological list of travels[photocopy]1921-1979Publications; Honors; Trips; Journals; Articles; Articles about; Compositions; Organizations; Lectures; TV; Radio; Recordings[photocopy]1927-1959[Diary][photocopy]1931-1967Conducting activities; Orchestral and chamber music programs[photocopy]19411South American diary, Aug-Dec 1941[photocopy]1941-19732Genealogy charts; List of publ[ished] works; Degrees; Financial data[photocopy]1943-1960List of original compositions; Disposition of original manuscripts[photocopy]1946-1965Financial data[photocopy]1947-1976Works conducted by AC[photocopy]1948Red pony journal[photocopy]19494European diary (including London trip)[photocopy]1949-19675European notes; Quotes; Dinners at Stravinsky's home; Notes[photocopy]1954-19575[?]Journal of visits to Venezuela[photocopy]1954-196512Recordings; List of AC articles; Lecture engagements[photocopy]1959-1969Financial data[photocopy]1960-19616European journal; Notes on making a movie score (Something wild); White House dinner[photocopy]1962-19637Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data[photocopy]1963N[ew] Y[ork] Phil[harmonic]; [Charles Ives] [not in Copland's hand][photocopy]1963-19648Latin-American diary; European tour[photocopy]19659European tour; Financial data[photocopy]196610Japan 'diary'[photocopy]1967-197111Europe; Israel; Financial data[photocopy]1973[Europe]; Financial data[photocopy]Correspondence, 1911-1991The Correspondence series is divided into 2 subseries: Personal Correspondence and General Correspondence. The subseries, Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom. The subseries, General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail. Arranged by subseries. Personal Correspondence, 1911-1991The subseries, Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Includes letters, telegrams and notes to and from Copland. Arranged alphabetically by name, then chronologically. Correspondents with fewer then five items, filed alphabetically, then chronologically, within a Miscellaneous folder which precedes each letter of the alphabet. "A" miscellaneousAbravanel, Maurice, 1986Adler, Clarence, 1925-1954, 1957-1968Adler, Peter, 1950-1969Adler, Samuel, 1950-1970Adomian, Lan, 1971-1972Albee, Edward, 1958-1967Allanbrook, Douglas, 1953-1967Allers, Franz, 1942-1943Anderson, James T., 1983Antheil, George, 1928-1948Ardevol, J., 1941-1956Arnell, Anthony, 1950-1972Art, Engelhardt, 1988-1989Auden, W. H. (Wystan Hugh), n.d.Austin, William, 1972-1989Avshalomov, Jacob, 1953-1969"B" miscellaneousBabbitt, Milton, 1954Babcock, David, 1972-1975Bacon, Ernst, 1970-1979Balada, Leonardo, 1967-1972Bales, Richard, 1950-1981Balso, Hugo, 1942-1966Barber, Samuel, 1944-1975Bauer, Marion, 1951-1955Bavicchi, John, 1956-1961Bazelon, Irwin, 1948-1949Bean, Betty Randolf, 1958-1981Becker, John, 1969Beeler, Walter, 1949-1950Beeson, Jack, 1968-1979Ben-Yohanan, Asher, 1951-1957Bennett, Robert Russell, 1974Berger, Arthur, 1941-1982Bergsma, William, 1948-1969Berio, Luciano, 1952-1970Bernier, Peggy, 1938-1971Bernstein, Elmer, 1981Bernstein, Leonard, 1936-1952, 1955-1988, n.d.Biggs, E. Power, 1953-1967Bing, Sir Rudolf, 1979Bliss, Sir Arthur, 1964Blitzstein, Marc, 1929-1963, n.d.Bloch, Suzanne, n.d.Bloomfield, Theodore, 1948-1954Bonaventura, Mario di, 1962-1981Boone, Charles, 1967-1972Boorstin, Daniel J., 1956Bornstein, Charles Zachary, 1968-1980Boulanger, Nadia, 1920-1929, 1931-1979Boult, Sir Adrian, 1949Bowles, Jane, n.d.Bowles, Paul, 1931-1943, 1971-1986See also: Victor Kraft Materials, Correspondence BOX: xxxBrant, Henry, 1930-1986Bray, Byron, 1954-1976Brennan, Pat, 1972-1983Britten, Benjamin, 1938-1974Brozen, Michael, 1953-1968Bucci, Mark, 1949-1956Burke, William, 1970-1977Butterworth, Neil, 1975-1986See also: Music, Music Manuscripts and Facsimiles by Others, Butterworth, Neil BOX: xxxByrns, Harold, 1948-1953"C" miscellaneousCage, John, 1963-1975Cantelli, Guido, 1956Carpenter, John Alden, 1939-1947Carasas, Enrique, 1972-1974Carter, Elliott, 1945-1988Carter, Helen, n.d. [Mrs. Elliott]Casadesus, Mrs. Robert, 1974Cascorino, Romeo, 1940-1966Cazden, Norman, 1942-1974Chanler, Theodore, 1929-1944Cherry, Michael, 1972-1981Chávez, Anita, 1979-1988Chávez, Carlos, 1928-1970, 1972-1974Childs, Robert Barney, 1954-1971Churchill, Mary, 1929-1932Citkowitz, Israel, 1926-1934, 1942-1967Clurman, Harold, 1932-1980Coe, Kenton, 1959-1973Cogan, Robert, 1963Colombo, Theodore, 1931-1967Cone, Edward T., 1956-1969Conroy, William, 1980-1981Coolidge, Elizabeth Sprague, 1946-1952Copland Family, 1911-1990Cordero, Roque, 1957-1987Corman, Robert, 1949-1953, n.d.Cornell, Robert M., 1953-1979Corwin, Norman, 1949Cowell, Henry, 1934-1962Curtin, Phyllis, 1977Custer, Arthur, 1961-1973"D" miscellaneousDahl, Ingolf, 1934-1970Dallapiccola, Luigi, 1951-1960Davidovsky, Mario, 1950-1974Davies, Peter Maxwell, 1957-1964Dello Joio, Norman, 1952-1969Del Tredici, David, 1964-1986DeMenasce, Jacques, 1947-1955DeMille, Agnes, 1942-1985See also: Professional Papers, Business Organizations, de Mille, Agnes. BOX: xxxDenby, Edwin, 1929-1962Des Marais, Paul, 1948-1975Diamond, David, 1935-1988Diemente, Edward P., 1967-1969Dieudonne, AnnetteSee: Boulanger, Nadia BOX: xxxDinerstein, Norman, 1963-1974Dorati, Antal, 1946-1986Downes, Olin, 1946-1955Dreiblatt, Marty, 1967-1985Druckman, Jacob, 1953-1978Duffallo, Richard, 1967-1988"E" miscellaneousEngel, Lehman, 1938-1972Epstein, Alvin, 1954-1969Espinosa, Guillermo, 1947-1954"F" miscellaneousFicher, Jacobo, 1943-1967Fine, Irving, 1944-1952Fine, Verna, 1944-1988Fitelberg, Jerzy, 1932-1950Fizdale, Robert, 1946-1963Flanagan, William, 1948-1968Foldes, Andor, 1948-1984Foss, Lucas, 1943-1959, 1962-1980Franchetti, Arnold, 1958-1984Freed, Arnold, 1969-1971Furman, James, 1968"G" miscellaneousGaburo, Kenneth, 1956-1976Galindo, Blas, 1942-1975George, Earl, 1969-1975Ginastera, Alberto E., 1941-1979Giuffre, Jimmy, 1965-1969Glanville-Hicks, Peggy, 1948-1954Golde, Morris, 1953-1975Goldman, Edwin Franko, 1942Goldman, Richard Franko, 1941-1983Goldmark, Rubin, 1919-1922Goodman, Benny, 1963Goosens, Eugene, 1942-1944Gottlieb, Jack, 1954-1975Gould, Morton, 1965-1980Graham, Martha, 1941-1985Green, Johnny, 1946-1972Guarnieri, Camargo, 1941-1950"H" miscellaneousHaieff, Alexei, 1944-1967Hammerstein, Oscar, 1949 IIHansel, Katherine, 1954-1956Hanson, Howard, 1928-1980Hardisty, Donald, 1971-1977Harpin, Mathias P., 1963Harris, Roy, 1925-1989Hawkins, Erick, 1942-1950Heidelberg, Jack, 1942-1972Heilner, Irwin, 1933-1970Hellman, Lillian, 1943-1966Helps, Robert, 1954-1980Henderson, Jack, 1950-1969Hennagin, Michael, 1965-1974Hennessy, Richard, 1976-1983Hill, Edward B., 1949-1957Hindemith, Paul, 1940-1941Hoffman, Allen, 1971-1973Honegger, Arthur, 1947Huffman, Robert, 1970Hughes, Robert, 1958-1973Husa, Karel, 1956-1979"I" miscellaneousIbert, Jacques, 1950Imbrie, Andrew W., 1956-1967Ives, Charles E., 1932-1955"J" miscellaneousJacobi, Frederick, 1933-1950Jacobs, Paul, 1979James, Philip, 1952-1974Javits, Jacob, 1964-1974Johns, Erik, 1947-1978See also: Professional Papers, Business Organizations, Johns, Erik BOX: xxxJohnstone, Winifred, 1947-1971Jones, Charles, 1945-1949"K" miscellaneousKabalevsky, Dimitri, 1955Kahn, Erminie, 1938-1949Kahn, Sue Ann, 1979-1980Kapell, William, 1946-1986Kaufman, Louis, 1947-1981Kay, Ulysses, 1940-1950Kelly, Jack Perry, 1973-1977Kennedy, Edward, 1966-1986Kennedy, John Brodbin, 1968-1984Kenworthy-Browne, John A., 1959-1979Kerr, Harrison, 1943-1953Khachaturian, Aram, 1968-1973Khrennikov, Tikhon, 1956-1982Kirchner, Leon, 1949-1975Kirkpatrick, John, 1942-1974Kirstein, Lincoln, 1938-1976Kohn, Karl, 1953-1967Kolb, Barbara, 1972-1987See also: Music, Manuscripts and Facsimiles by Others, Kolb, Barbara BOX: xxxKorn, Barbara, 1957-1962Korte, Karl, 1957-1972Kostelanetz, André, 1941-1983Koussevitzky, Serge, 1925-1949Kozar, John, 1976-1980Kraft, Rheba, 1972-1982Kraut, Harry, 1972-1980Kubik, Gail, 1941-1988Kubly, Herbert, n.d.Kurka, Robert, 1948-1954"L" miscellaneousLakner, Yehoshua, 1951-1956LaMontaine, John, 1952-1953Landowska, Wanda, 1945Lange, Francisco, 1942-1949Lanza, Alcides, 1965-1969Layton, Billy Jim, 1961-1969Lederman, Minna, 1959-1983Lee, Dai-Keong, 1942-1969Lee, Noel, 1956-1986Leinsdorf, Erich, 1962-1965Lescaze, Mary, 1930-1975Lescaze, William, 1942-1957Lessard, John, 1940-1967Lewis, Peter, 1961-1967Lisenbee, Kenneth, 1974-1975List, Eugene, 1974-1975Lombardo, Robert, 1955-1983Lopatnikoff, Nikolai, 1946-1971Luening, Otto, 1943-1949"Ma-Mes" miscellaneous"Mey-Mz" miscellaneousMacDowell, Mrs. Edward, 1943-1953Manziarly, Marelle de, 1941-1988Marlowe, Sylvia, n.d.Martirano, Salvatore, 1955-1961Masselos, William, 1951-1971Mata, Eduardo, 1971-1983Mayer, William, 1967-1973McPhee, Colin, 1934-1959Mafano, Paul, 1963-1964Mellers, Wilford, 1943-1975Mennin, Peter, 1958-1978Menuhin, Yehudi, 1959-1981Mester, Jorge, 1954-1970Middleton, Jean, 1942Mignone, Francisco, 1941-1946Milhaud, Darius, 1930-1975Milhaud, Madelin, 1947-1987Miller, Arthur, 1956-1972Miller, Ed, 1957-1970Miller, Robert, 1974-1978Mills, Charles, 1950-1958Miranda, Eduardo, 1948Montgomery, Jim, 1963-1974Moore, Douglas, 1948-1963Moor, Paul, 1943-1985Moreno, Salvadore, 1942-1957Morillo, Roberto Garcia, 1942-1944Moross, Jerome, 1942-1944Morton, Lawrence, 1940-1980Mundy, Sophronus, n.d.Musgrave, Thea, 1958-1973"N" miscellaneousNabokov, Nicolas, 1945-1963Nordoff, Paul, 1953-1970Nystedt, Knut, 1948-1952"O" miscellaneousO'Brien, Eugene, 1972-1978Odets, Clifford, 1939-1962Okuma, Akirer, 1962-1966Orbón, Julián, 1957-1971Ormandy, Eugene, 1941-1980Orrego-Salas, Juan, 1946-1981"P" miscellaneousPalmer, Robert, 1938-1957Page, RuthSee: Professional Papers, Business Organizations BOX: xxxParadise, Timothy, 1978-1981Parris, Robert, 1949-1957Paz, Juan Carlos, 1941Pears, Peter, 1975-1981Pepe, Carmine, 1975-1976Perlis, Vivian, 1970-1991Perry, Julia, 1952-1954Persichetti, Vincent, 1942-1987Peyer, Gervase de, 1981-1982Piston, Walter, 1933-1974Plotts, Donald, 1964-1974Posner, David, 1965-1974Poulenc, Francis, 1950Prokofieff, Serge, 1930-1933Pyle, William, 1968-1978"Ra-Rid" miscellaneous"Rie-Rz" miscellaneousRamey, Phillip, 1967-1968, 1970-1985Reis, Arthur, 1978Reis, Claire, 1942-1946, 1948-1949, 1952-1968, 1970-1979Reti, Rudolph, 1948-1951Richie, Donald, 1962-1969Riegger, Wallingford, 1956-1957Robbins, Jerome, 1956-1986Rochberg, George, 1951-1968Rogers, Bernard, 1944-1956Rorem, Ned, 1944-1984Rouse, Christopher, 1962-1981 IIIRuggles, Carl, 1931-1965"Sa-Sma" miscellaneous"Smi-Sz" miscellaneousSamuel, Gary, 1948-1966Sanjuán, Petro, 1946-1952Santa Cruz, Domingo, 1941-1965Santoro, Claudio, 1942-1969Sapp, Allen D., 1942-1953Schaffer, Aaron, 1916-1921Schippers, Thomas, 1954-1974Schoenberg, Arnold, 1949-1950Schuller, Gunther, 1965-1977Schuman, William, 1938-1986Sessions, Roger, 1926-1935, 1953-1973Shanet, Howard, 1949-1966Shapiro, Harold, 1940-1970Shawe-Taylor, Desmond, 1954-1973Shostakovitch, Dmitri, 1958-1969Sidlin, Murry, 1974-1987Siegmeister, Elie, 1932-1988Sims, Ezra, 1961-1981Slonimsky, Nicholas, 1927Smit, Leo, 1944-1983Smith, Carleton Sprague, 1940-1951Smith, Julia, 1948-1958Smith, Russell, 1949-1977Steigerwalt, Gary, 1977-1979Steinbeck, John, 1964-1972Steinberg, William, 1946-1969Stern, Isaac, 1960-1977Stevens, Halsey, 1948-1955Stevenson, Adlai, 1962-1965Stokowski, Leopold, 1930-1969Stravinsky, Igor, 1950-1967Strickland, William, 1943-1954Swanson, Howard, 1948-1967Sykes, Gerald, 1925-1932, 1934-1980Sykes, James, 1943-1981Szell, George, 1947-1968"T" miscellaneousTakemitsu, Toru, 1966-1967Talma, Louise, 1960-1980Tcherepnin, Alexander, 1964-1986Temianka, Henri, 1965-1986Thomas, John P., 1967-1978Thomas, Michael Tilson, 1969-1970Thompson, Timothy, 1970Thompson, Randall, 1950-1960Thomson, Virgil, 1931-1988Thorne, Francis, 1966-1978Tippett, Michael, 1944-1970Toback, John, 1963-1967Toch, Ernst, 1942-1962Tower, Joan, 1988Trimble, Lester, 1952-1977Turpin, Jim, 1946"U-V" miscellaneous[Unidentified]Vainio, Lempi, 1967Van Vechten, Carl, 1944-1945Vauaerteuryck, Mueille, 1967-1973Vega, Aurelio de la, 1958-1959Villa-Lobos, Heitor, 1947-1966"W" miscellaneousWalker, David, 1953-1976Ward, Robert, 1944-1987Weisgall, Hugo, 1950-1977Wiener, Alma, 1930-1953Wilder, Thorton, 1948-1970Wilson, Richard, 1969-1983Wolpe, Stefan, 1948-1980Wooldridge, David, 1970-1973Wyner, Yehudi, 1947-1978"X-Y-Z" miscellaneousXenakis, Iannis, 1963-1969Zupko, Ramon, 1957-1975General Correspondence, 1935-1991The subseries, General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail. Includes letters, telegrams and greeting cards. Arranged alphabetically by correspondent's name, except greeting cards, then chronologically. Aa - American IsraelAmerican Jewish - AzBa - BenzBer - BozBra - BzCa - CatenCatholic - ColumbusCombith - CzDa - DzEa - EzFa - FzGa - GzGreeting CardsGreeting CardsGreeting CardsHa - HecHel - HzIa - IzJa - JzKa - KzLa - LzMa - MehMel - MzNa - NeNew - NzOa - OzPa - PhilhPi - QzRa - RzSa - ServSha - SpeySt - SzTa - TzUa -UzVa - VzWa - WesteWf - WzXa - ZzProfessional Papers, 1917-1990The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra. The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras. Arranged by subseries. Business Organizations, 1922-1990Aaron Copland Young Composers Competition, 1984, 1989Alfred A. Knopf, Inc., 1964-1966Alphonse-Leduc, 1928, 1957American Academy in Rome, 1986-1987American Academy of Arts & LettersCorrespondence1940-19591960-19711972197319741975-1981NotesProgramsSpeechesAmerican Academy of Arts and Sciences, 1968American Committee for Democracy and Intellectual Freedom, 1940-1950American Composers AllianceBulletinControversy with American Society of Composers, Authors, and Publishers (ASCAP)Copyright Act of 1940Correspondence19391940194119421943, Jan.-Jun.1943, Jul.-Dec.194419451949-1951Membership ListsMinutes of MeetingsMiscellaneousAmerican Council on Education, 1962, 1964American Federation of Musicians, 1978American Friends of the Aldeburgh Festival, 1974-1979American International Music Fund, Inc.Correspondence1952-19561957-19601961-19661967-19711972-1978American Music CenterCorrespondence1940-19511952-1988American Music Publishers, Inc., 1965-1966American Music Rental Library, 1940American Musicological Society, 1978-1979American Piano Company, 1927American Society of Composers, Authors, and Publishers (ASCAP)Awards Panel, 1960-1975Board of Directors, 1974BrochuresBulletinCommittee Reports, 1973-1974Contracts, 1946-1975Correspondence1940-19491950-19591960-19671968-1987Desk Book, 1974Financial Statements, 1961-1981LecturesLegal PapersMiscellaneousRoyalty Statements1948-19601961-19701971-19801981-19861987-1989American-Soviet Music SocietyAgendasBy-LawsCorrespondence, 1946-1947Notes for SpeechesPress ReleasesProgramsAmerican Symphony Orchestra League, Inc., 1955-1957, n.d.Arrow Music Press Inc.American Music Center, Inc.BackgroundBank BooksBank Statements1938-194019411947-19491950-19511952-19531954-19551959, 1972CatalogsChecks4/4/40-5/28/4012/2/40-5/26/415/27/41-12/7/434/16/47-4/1/494/49-5/505/50-4/514/51-4/535/53-5/545/54-5/594/55, 11/72Check Stubs5/48-4/514/51-12/554/551/56-3/61Contracts, 1930-1956CorrespondenceA-L, 1938-1972American Music Center, Inc.1942-19501952-1958Arrow Music Press1938-19421943-19491950-1972, n.d.Associated Music Publishers & Co., 1941-1960Barrios, Hilliard, Sain, & Co., 1949-1957Boosey & Hawkes, Inc., 1944-1962Broadcast Music, Inc., 1947-1957Cone, Herbert A., 1954-1955Engel, Lehman, 1940-1957Harold Flammer, Inc., 1938-1940Ives, Harmony T., 1950-1956M-W, 1938-1972Weissberger, L. Arnold, 1948-1952Weissberger & Frosch, 1953-1957"Cos Cob Press and the American Composer" by Carol OjaDeposit Receipts1939-19411948-19501952-1962Financial StatementsAmerican Music CenterArrow Music Press, Inc.MiscellaneousList of ComposersMiscellaneousNotesProduction ExpendituresRoyalty StatementsA-BBoosey & HawkesBroadcast Music, Inc.CD-GH-KL-PRadioR-ST-WTax RecordsArts Club of Chicago, 1930Asociación Interamericana de Música (A.I.M), 1955-1957, n.d.Associated Musicians of Greater New York, 1966BMG MusicSee: Radio Corporation of America BOX: xxxBallet Russe de Monte Carlo, 1942-1949Ballet Theatre (Ballet Caravan)Contracts, 1938-1964Correspondence, 1938-1969MiscellaneousBasil Douglas, Ltd.Correspondence1961-19691970-19731974-1980Belock Recording Co.See: Everest Records BOX: xxxBelwin Mills Publishing Corp., 1940-1987Berkshire Music CenterSee: Tanglewood BOX: xxxBerkshire Music FestivalSee: Tanglewood BOX: xxxBernays & EisnerSee: Friedman, Abraham BOX: xxxSee: Koussevitzky Music Foundation, Inc. BOX: xxxBlack, Mrs. Charles W., 1951Boosey & Hawkes, Inc.BiographyBulletinsCatalogsClippings, 1964-1971Contracts1938-19491950-19591960-19691970-1980CorrespondenceA-B, 1946-1988Copland, Aaron1938193919401941 [Jan.-May]1941 [June-Dec.]1942 [Jan.-Aug.]1942 [Sept.-Dec.]1943 [Jan.-Mar.]1943 [Apr.-Dec.]1944 [Jan.-June]1944 [July-Dec.]19451946 [Jan.-June]1946 [July-Dec.]1947 [Jan.-July]1947 [Aug.-Dec.]1948 [Jan.-July]1948 [Aug.-Dec.]1949 [Jan.-July]1949 [Aug.-Dec.]19501951 [Jan.-Mar.]1951 [May-Dec.]1952 [Jan.-July]1952 [Aug.-Dec.]195319541955 [Jan.-June]1955 [July-Dec.]1956195719581959196019611962 [Jan.-Aug.]1962 [Sept.-Dec.]1963 [Jan.-June]1963 [July-Dec.]1964 [Jan.-Apr.]1964 [May-Sept.]1964 [Oct.-Dec.]1965 [Jan.-July]1965 [Aug.-Dec.]1966 [Jan.-July]1966 [Aug.-Dec.]1967 [Jan.-July]1967 [Aug.-Dec.]1968 [Jan.-July]1968 [Sept.-Dec.]196919701971 [Jan.-June]1971 [Sept.-Dec.]1972 [Jan.-Aug.]1972 [Sept.-Dec.]1973 [Jan.-July]1973 [Aug.-Dec.]19741975 [Jan.-May]1975 [June-Dec.]1976197719781979 [Jan.-Mar.]1979 [Apr.-Dec.]1980198119821983 [Jan.-July]1983 [Aug.-Dec.]198419851986 [Jan.-Aug.]1986 [Sept.-Dec.]1987 [Jan.-Aug.]1987 [Sept.-Dec.]1988 [Jan.-May]1988 [July-Dec.]1989-1990UndatedC-L, 1936-1976M-R, 1957-1984S-Z, 1929-1974InvitationsListsMaterials for WorksPerformancesScores to be SentWorks in LibrariesMemosMiscellaneousNewslettersBonn, 1969-1981Budapest, 1969London, 1968-1990New York, 1944-1986Paris, 1960-1964Notes, 1951-1977Performance Surveys of OrchestrasPress ReleasesProgram NotesPromotional MaterialReceiptsRoyalty Statements1939-19441945-19471948-19491950-19511952-19531954-19561957-19591960-19621963-19641965-19661967-196819691970-19711972-19731974197519761977197819791980-198119821983-19841985-19861988Score CorrectionsAppalachian Spring - Dance SymphonyEmblems Orchestral Score - Orchestral VariationsPiano Concerto - Third Symphony, untitledBoston Musica Viva, 1979, 1988Boston Symphony OrchestraCorrespondence1940-19521953-19691970-1981, n.d.ProgramsSee also: Tanglewood BOX: xxxBoston University, College of Music, 1952Bozell & Jacobs, Inc., 1981Brandeis University, 1955-1980British Broadcasting Co. (BBC), 1958-1986Britten Estate, 1980-1981CBSSee: Columbia Broadcasting Systems (CBS) BOX: xxxC. C. Birchard and CompanyContract, 1937Correspondence, 1937-1939, n.d.C-C Clubs, Inc.See: Concert Hall Society, Inc. BOX: xxxCarl Fischer, Inc., 1935-1987Century Association, The, 1967-1985Chappell and Co., Inc., 1943Charles Ives Society, Inc.Correspondence, 1966-1984EssaysIves ReviewMiscellaneous, 1939-1981Charles Scribner's Sons, 1966Chelsea House Publishers, 1967Civic Films, Inc., 1939-1950Columbia Artists ManagementCorrespondence1948-19721973-19771978-19791980-1984MiscellaneousColumbia Broadcasting System (CBS), 1936-1976Columbia Broadcasting System (CBS) / Columbia RecordsContracts, 1935-1986Correspondence1946-19691970-1987MiscellaneousRoyalty Statements, 1935-1988Columbia Gramophone Company, Ltd., 1936Columbia Pictures Publication, 1962-1969See: Belwin Mills Publishing Corp. BOX: xxxColumbia University, 1962-1969Commonwealth Fund, 1956-1964, n.d.Composers' Forum, 1940-1966Composers Recordings, Inc., n.d.Concert Hall Society, Inc. 1947-1960Concerts Management (London) Ltd., 1958Copland School of Music, Queens College, 1981-1985Copland-Sessions Concerts of Contemporary MusicArticle, "A Chronicle of Copland-Sessions..." by Carol OjaClippings, 1928-1931Correspondence, 1928-1988ProgramsSessions, RogerCos Cob PressSee: Arrow Music Press BOX: xxxCrescent Productions, Inc., 1943Cuban-American Music GroupCorrespondence, 1944-1946MiscellaneousPublicationsCurtis Publishing Company, 1959Czech Music Foundation, 1965-1968Decca Record Company, Ltd., 1948-1959de Mille, Agnes, [Tragic Ground], 1945, n.d.See also: Correspondence, Personal BOX: xxxDepartment of StateSee: United States Government BOX: xxxDoubleday & Co., Inc.Contracts, 1959, n.d.Correspondence, 1940-1979Royalty Statements, 1961-1988Durand & Cie., 1950E. C. Schirmer Music Co.Correspondence, 1940-1965Royalty Statements, 1932-1976E. P. Dutton & Company, n.d.Éditions Maurice Senart, 1922Éditions Salabert, Inc., 1942-1976Edward MacDowell Association, Inc.Announcements, 1953Annual Reports, 1957-1958ApplicationsArticles, 1962-1981BackgroundAlphi Chi Omega; Care and Feeding of ArtistsA history of the MacDowell ColonyStory of the MacDowell ColonyBulletinNews, 1957-1966Personal Notes of Artists, 1963Certificate of Incorporation and By Laws, 1959-1960Charts: Artists in Residence, 1948-1968Clippings1950-19651966-1976CorrespondenceA-B, 1962-1969C-D, 1952-1974E-G, 1962-1970H-I, 1963-1975Hale, Kay & Grant and Meyerson, 1961-1965J-K, 1954-1967Keene Publishing Corporation, 1961-1968Kendall, George1959-19661967-1970L-M, 1952-1968MacDowell, Mrs. Edward1933-19561950-19571960-19621963-19641965-19661967-1969UndatedMacDowell Colony1959-19611962 [Jan.-Aug.]1962 [Sept.-Dec.]1963 [Jan.-May.]1963 [June-Dec.]1964 [Jan.-July]1964 [Aug.-Dec.]1965 [Jan.-Aug.]1965 [Sept.-Dec.]196619671968 [Jan.-May]1968 [June]-19691970-19711972-19741975-19761977-19791980-1990UndatedN-Q, 1956-1968Ruder & Finn, 1963-1968R-S, 1961-1968Security First National Bank, 1964T-Z, 1959-1970Financial RecordsIncome & Expenses, 1960-1966Income & Expense Projections, 1962-1967Miscellaneous, 1962-1967Security Holdings, 1958-1966Financial ReportsFund Raising Survey, 1961Investment, 1966-1968Financial Statements, 1962-1966InvitationsListsMapsMeetings, 1956-1968Memos, 1962-1980Newsletter: Colony, 1979NotesPeterboroughPrograms, 1963-1981Promotional MaterialReply CardsReports, 1952, 1980-1981Speeches, 1961-1971Edwin A. Fleisher Music Collection, 1940-1951Everest RecordsContracts, 1958-1960Royalty Statements, 1959-1978Everett, HoraceSee: Johns, Erik BOX: xxxFestival of Contemporary MusicSee: Yaddo (Festival of Contemporary Music) BOX: xxxFisk University Library, 1945Fontainebleau School of Music, Summer Session, 1982Ford Foundation, 1959-1979Friedman, Abraham (Bernays & Eisner)Correspondence1953-1964196519661967-19681970-1971Fromm Foundation (Paul Fromm)Correspondence1959-19671968-1983G. Schirmer, Inc., 1965-1985General Learning Corporation, 1971-1977George Enescu Society of the United States, 1986Group Theatre, 1939, [Quiet City]H. W. Gray Co., Inc.See: Belwin Mills Publishing Corp. BOX: xxxHarvard UniversityCorrespondence, 1951-1952, 1965PamphletsHarvard University PressContracts, 1952, 1964Correspondence, 1953-1981Royalty Statements, 1953-1988Hewlett-Woodmere Public Schools, 1975Independent Citizens' Committee of the Arts, Sciences and Professions, Inc., 1946Institute of Contemporary Arts, 1959Inter-American Foundation for the Arts, 1965Inter-American Music CenterSee: Pan American Union BOX: xxxInternational Society for Contemporary Music (ISCM)Committees, 1955-1958, n.d.Correspondence, 1948-1966, n.d.Minutes, 1955-1958International Television Trading Corp., 1986John F. Kennedy Center for the Performing Arts, 1978-1982John Simon Guggenheim Memorial FoundationAnnual Reports, 1971-1978Correspondence, 1925-1973Johns, Erik, 1986Juilliard School, 1975-1984Kiesgen et Giovanna, Bureau International de Concerts, 1929Koussevitzky Music Foundation, Inc.Agenda1950-19691971-1981, n.d.ArticlesCatalogs of Commissioned Works1951-19521958, 1967Certificate of Incorporation and By-LawsClippings, 1968-1979Contracts, 1949-1951CorrespondenceA-B, 1949-1978Bernays & Eisner, 1956-1969C, 1957-1983E-G, 1953-1973H-K, 1957-1979Koussevitzky Music Foundation, Inc.1942-19461947-19491950-19521953-19591960-19611962-19681970-197619771978-197919801981-1982, n.d.Koussevitzky Recordings Society, 1987-1989Koussevitzky, Olga1938-19651966-19691970-19741975-1977, n.d.Library of Congress, 1950-1979L-R, 1956-1975S-Z, 1944-1973University of Rochester, 1945-1962Financial Statements, 1944-1978InvitationsLists of Commissions1946-19641966-1973Lists of Suggested Composers1955-19691970-1978UndatedMemos, 1960-1979Minutes, 1944-1970MiscellaneousNotice of Meetings, 1951-1974Press ReleasesProgramsProposalsWill, Olga Koussevitzky, 1970League of Composers, Inc.Administrative Records, 1934-1941Correspondence1943-19461947194819491950-19521953-1954, n.d.Dinner in honor of Serge KoussevitzkyInternational Society for Contemporary Music (ISCM), 1953-1970MiscellaneousLeonard Bernstein Foundation, Inc., 1958-1988Library of CongressCorrespondence1933-19421943-19461947-19491950-19511952-19561957-19651966-19711972-19761977-19801981-19851986-1987, n.d.Inventory of CompositionsManuscripts Disposition RecordsMiscellaneousLili Boulanger Memorial Fund, Inc., 1949-1980Lincoln Center for the Performing Arts, Inc.Conferences, 1956Correspondence1956-19701971-1986MiscellaneousLoew's Incorporated, 1946Marc Blitzstein Memorial Foundation, Inc., 1964Masada, Youth Zionist Organization of America, 1937M.C.A. Artists Ltd. (affiliate of Music Corporation of America)Contracts, 1939-1954Correspondence1939-19401941-19441945-194619471948-19491950-1966, n.d.MiscellaneousMcGraw-Hill Book Company, Inc.Contracts, 1937-1988Correspondence1937-19491950-1988Royalty Statements1938-19581959-1989Mercury Theatre, 1938-1941Metro-Goldwyn-Mayer Pictures, 1946Modern MusicContracts, 1965-1966Correspondence196519661967-19681970-19711972-19731974-1976, n.d.Lederman, Minna "Mink" (Mrs. Mell Daniel)From Aaron Copland, 1944-1973, n.d.To Aaron CoplandMiscellaneousMusic Corporation of AmericaSee: M.C.A. Artists, Ltd. BOX: xxxMusic Educators National Conference, 1942Music Project for Television, 1981National Association for American Composers and Conductors, 1964National Association of Educational Broadcasters Radio Network, n.d.National Broadcasting Company, Inc., 1956-1974National Council of American-Soviet Friendship, Inc.Correspondence1943-1950MiscellaneousNational Council of the Arts, Sciences, and Professions, 1949National Educational Broadcasting Corporation, 1962-1970National Endowment on the ArtsCorrespondence, 1967-1968, n.d.MiscellaneousNational Foundation on the Arts and Humanities, 1966-1967National Institute of Arts and LettersCorrespondence1941-19591960-19691970-1976MiscellaneousNational Music Council, Inc.BulletinsCorrespondence, 1939-1942MiscellaneousNew Music Editions, A Quarterly Publishing Modern Compositions, 1928, 1941New School for Social Research, 1928-1975New York PhilharmonicContracts, 1972-1980Correspondence1964-19691970-1988MiscellaneousNew York Public Library, 1979New York State Council on the Arts, 1971-1974New York World's Fair, 1939Norris, FrankSee: Black, Mrs. Charles W. BOX: xxxOjai Festival, 1956, 1986Ossabaw Island Project, 1961-1969Paderewski Fund for the Encouragement of American Composers, 1952Page, Ruth, [Hear Ye! Hear Ye!], 1934Pan American Union (Inter-American Music Center), 1942-1967Paramount Pictures Corporation, 1966Paterson Management Limited, 1965People's Songs, Inc., 1947Phonographic Performance Limited, 1982, 1989PolyTel Film Ltd., 1980Prentice-Hall Media, Inc. / Schloat ProductionsCorrespondence, 1969, 1971Royalty Statements, 1971-1982Principal Artists Productions, 1940Prometheus Enterprises, Inc., [Something Wild], 1961Pulitzer Prize Advisory Board, 1966-1972Radio Corporation of America (RCA Records)Correspondence, 1948-1953NotesRoyalty Statements1960-19741975-1989Republic Productions, Inc., 1948Riggs, LynnSee: de Mille, Agnes BOX: xxxRockefeller FoundationAnnual Reports, 1968, 1970-1971Correspondence, 1963-1982MiscellaneousSt. Martin's Press, Inc., 1982-1987Schloat ProductionsSee: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxxSchott's Sons, 1927, 1930-1988Sessions, RogerSee: Copland-Sessions Concerts of Contemporary Music BOX: xxxSilver Burdett Company, 1963-1980Smith, OliverSee: de Mille, Agnes BOX: xxxSongwriters' Protective AssociationContracts, 1956-1958Correspondence, 1955-1958MiscellaneousSpringate Corporation, 1974-1986Summy-Birchard Company, 1938-1979See also: C. C. Birchard and Company BOX: xxxTanglewood (Berkshire Music Center, Berkshire Music Festival)Artist InformationBrochuresClippingsComposition DepartmentApplicants, 1940-1964Completed Applications, 1958Classroom Teaching MaterialsComposer CataloguesDepartmental MemosFormal AnalysisNotes, 1961Contracts, 1970-1980CorrespondenceA, 1953-1963B, 1952-1960Berkshire Music Center1941-19421952-19591961-1988, n.d.Boston Symphony Orchestra1939-19571958-19621963-1980, n.d.C, 1952-1980D-F, 1952-1980Fromm, Paul, 1956-1971G-Z, 1952-1988Departmental AnnouncementsFaculty and Staff ListsFaculty Board NotesFestival Calendar of EventsForumsFromm Concerts and PlayersFromm Music FoundationHappeningsMemosMiscellaneousNotesOpening Exercises [remarks by Copland]Press ReleasesPrograms, 1947-1960PromotionalReportsScholarshipsStudent Lists, 1940-1963Symposium ProgramsTanglewood Talks, 1940-1942Television Productions of America, Inc., 1965Thea Dispeker Artists' RepresentativeCorrespondence19631964196519661967196819691970197119721973197419751976-1977, 19791980-1983, n.d.MiscellaneousTheatre Guild, 1931Thorne Music Fund, Inc., 1967-1968United States GovernmentCommittee for Inter-American RelationsCorrespondence1940-19431944-19491950-1970Universal-Edition, 1932Universidad de ChileCorrespondence, 1943-1944MiscellaneousUniversity of Oklahoma, 1958-1959University of Rochester, 1969-1979Vanguard Recording Society, Inc., (West Projects, Inc.), 1960-1983Walter W. Naumberg Foundation, Inc.Correspondence1946-19491950-195119521956-19581960-19611962-19651966-1977MiscellaneousWarren Schloat ProductionsSee: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxxWatts, SchuylerSee: de Mille, Agnes BOX: xxxWest Projects, Inc.See: Vanguard Recording Society, Inc. BOX: xxxWGBH Educational Television, 1965Whittlesey HouseSee: McGraw-Hill Book Company, Inc. BOX: xxxWilliam Morris Agency, 1955WNCN Radio, 1968-1970WNDT Educational Broadcasting Corporation, 1967-1968Workers' Music Association Ltd., 1944-1954World Law Fund, n.d.World Peace Conference, 1949W. W. Norton & Company, 1957-1981Yaddo (Festival of Contemporary Music)ClippingsConferencesCorrespondence, 1932-1987NotesProgramsEngagements, 1917-19831917 Feb. 28, John Wanamaker, New York1918 Jun. 21, Boy's High School1927 Jan. 28 to 1927 Jan. 29, Boston Symphony1927 Feb. 3, Boston Symphony (BSO in New York)1928 Dec. 17, New School for Social Research1929 Jan. 27, Cleveland Museum of Art1929 Apr. 25, League of Composers / Metropolitan Opera House[c.1933] Mar. 16, Pierre Degeyter Club1934 Apr. 8, League of Composers1934 May 11, Pierre Degeyter Club [lecturer]1935 Dec. 7, Town Hall1936 Dec. 9, Hotel Delano / League of American Writers [lecturer]1937 Feb. 3 to 1937 Apr. 7, New School1938 Feb. 23, High-Low Concerts / Hotel St. Regis1938 May 27, Westminster Choir School [unclear whether AC participated]1938 Nov. 30, Bronxville Women's Club1939 Feb. 18, Brooklyn Museum1939 Apr. 19, Bowdoin College1940 Jan. 11, Brooklyn Institute of Arts and Sciences1940 Jan. 12, Pro Musica, Inc.1940 Dec. 5, High School of Music and Art Steigman, Benjamin M. (4,0)1940 Dec. 12, South Orange-Maplewood Adult School [lecturer]1941 Jan. 6, Allentown Musical Club1941 Aug. 19 to 1941 Dec. 13, Latin America1942 Feb. 18, Octave Club [lecturer]1942 Nov. 30, Town Hall1943 Feb. 17, Town Hall Music Forum1943 Mar. 28, University of Redlands [lecturer]1944 Apr. 11, University of Chicago [lecturer]1944 May 3 to 1944 May 31, Harvard University [year is estimated]1944 Oct. 30, Library of Congress [Appalachian Spring premiere]1945 Feb. 22, WNYC, American Music Festival1947 Aug. 14 to 1947 Nov. 28, Latin America1948 Apr. 5, League of Composers1948 Sept. 22, Ballet Russe de Monte Carlo / Metropolitan Opera House1948 Nov. 4 to 1948 Nov. 16, University of California, Los Angeles [lecturer]1948 Dec. 19, Modern Institute of Art1949 Feb. 24, Composers' Forums [moderator]1949 May 14, England / United Kingdom1949 Oct. 17, Wellesley College [conference participant]1950 Apr. 12, Julius Hartt Musical Foundation1950 Apr. 20, Women's City Club of New York1950 May 18 to 1950 May 21 Columbia University / Festival of Contemporary Music1950 Oct. 7, Griffith Music Foundation1950 Oct. 26, Agnes Scott College1950 Nov. 9, Toronto Conservatory1950 Nov. 30, New England Conservatory1951 Feb. 15 to 1951 Mar. 31, Europe: Italy1951 Apr. 13, Israel1951 Jun. 2, Italy1951 Nov. 13 to 1952 May 15, Harvard University / Norton Lectures1952 Apr. 29, Dartmouth College1952 May 16, Queens College1952 May 28, Academy of Arts and Letters1952 Nov. 2, New Friends of Music1953 Apr. 27, George Peabody College1953 Aug. 31, Mexico1954 Mar. 20, International Society for Contemporary Music1954 Apr. 30, Europe: Switzerland / London1954 May 12, Boston University College of Music[1954 Nov. 28?] Latin America: Venezuela1955 Jan. 18, Baltimore Museum of Art1955 Feb. 17, Oberlin College1955 Mar. 8, Town Hall[1955 Apr. 18 to 1955 Nov. 30?] Europe [2 trips]1956 Jan. 11, National Symphony1956 Jan. 12, Institute of Contemporary Arts / Corcoran Gallery[1956 Jan. 14?] Mills College1956 Jan 15, Stanford University1956 Jan. 16, University of California, Berkeley1956 Jan. 17, San Francisco Museum of Art1956 Jan. 21, Vancouver Symphony1956 Mar. 15, City College of New York1956 Mar. 27, Institute of Contemporary Arts, Corcoran Gallery1956 Jul. 21, Chicago Symphony / Ravinia Festival Association1956 Dec. 6, Harvard Law School1957 Jan. 30, New School1957 Feb. 2, Institute of Contemporary Arts / Corcoran Gallery1957 Feb. 3, University of Pennsylvania, Philadelphia1957 Mar. 28, Latin America / Festivales de Musica Latinoamericana de Caracas1957 Apr. 24, Cornell University1957 Apr. 28, Ford Hall Forum1957 May 24 to 1957 May 26, Ojai Festival1957 Jun. 8, Brandeis University1957 Oct. 10 to 1958 Jan. 16, University of Buffalo1958 Jan. 30, New York Philharmonic1958 Feb. 1, New York Philharmonic / Young People's Concerts [contract]1958 Feb. 13, Illinois Wesleyan University1958 Feb. 16, Washington University1958 Feb. 21, Northwestern University1958 Mar. 1, International Society for Contemporary Music / Fromm Music Foundation1958 Mar. 2, University of Iowa, Cedar Rapids1958 Mar. 6, University of Chicago1958 Mar. 9, University of Wisconsin, Milwaukee1958 Mar. 6, Canadian Music Association (Ontario)1958 Apr. 13, Chamber Music Society of Baltimore1958 Apr. 19, University of Louisville1958 May 23 to 1958 May 25, Ojai Festival1958 Jun. 9, Oberlin College1958 Aug. 20, Europe: Dartington Hall Festival / Copenhagen / Stuttgart1958 Dec. 15, Little Orchestra Society [clippings only]1959 Jan. 2, St. Louis Symphony1959 Jan. 13, Brandeis University Club / Hunter Playhouse [program only]1959 Jan. 24, Academy of Music [clippings only]1959 Jan. 29, Composers' Forums [clippings only]1959 Apr. 10, Boston Symphony1959 Apr. 19, Syracuse University [clippings only]1959 May 4, Temple University [clippings only]1959 Jun. 14, Boston Symphony [clippings only]1959 Jun. 22, WQED & WQEX-Pittsburgh[1959 Jun. 23 to 1959 Jul. 12?] Festival of Two Worlds; Spoleto [clippings only]1959 Jul. 26, Boston Symphony / Tanglewood, Berkshire Festival1959 Sept. 1, Princeton University1959 Sept. 7 to 1959 Sept. 12, Edinburgh Festival [clippings only]1959 Oct. 9 to 1959 Oct. 10, Carnegie Institute of Technology1959 Nov. 19 to 1959 Nov. 21, Boston Symphony1959 Dec. 20, Columbia Symphony Orchestra / Town Hall [pianist with Barber, Sessions, Foss and conductor for Les noces]1960 Jan. 1 to Jan. 5, Boston Symphony1960 Jan. 11, Dallas Symphony1960 Jan 11, North Texas State College1960 Feb. 5, National Orchestral Association1960 Mar. 14, Soviet Union1960 Apr. 11 to 1960 Apr. 24, London: London Symphony / BBC1960 Apr. 26, Goucher College1960 Apr. 29 to 1960 Jun. 17, Far East / Boston Symphony1960 Jun. 22, Europe1960 Aug. 13, Boston Symphony [contract only]1960 Aug. 15 to 1960 Aug. 24, Aspen Music Festival1960 Sept. 2, Symphony of the Air1960 Nov. 7 to 1960 Nov. 13, New York Philharmonic / Young People's Concerts1961 Jan 10, New Orleans Symphony1961 Jan. 26 to 1961 Feb. 2, Composers' Showcase / Museum of Modern Art1961 Feb. 13, New York Philharmonic1961 Feb. 23, University of Massachusetts, Amherst1961 Mar. 2, Dumbarton Oaks1961 Mar. 11 to 1961 Mar. 12, Tri-City Symphony1961 Mar. 24, University of Arizona, Tucson1961 Mar. 26, Temple Beth Israel Forum1961 Apr. 19, Peabody Institute1961 Apr. 20, University of Delaware1961 Apr. 23, WJR-Detroit / Detroit Adventure1961 Apr. 25, Inter American Festival / Centro Interamericano de Musica1961 Apr. 27, Brandeis University1961 Apr. 28, Wayne State University1961 May 6, Ann Arbor May Festival / Philadelphia Orchestra1961 May 7, Contemporary Concerts Inc., Chicago1961 May 11 to 1961 Jun. 12, Europe: United Kingdom / Yugoslavia / Spain1961 Jun. 28, Boston Symphony / Tanglewood, Berkshire Festival [contract only]1962 Jan. 15, Seattle Symphony [contract only]1962 Jan. 21, Vancouver Symphony1962 Feb. 1 to 1962 Feb. 7, Japan1962 Feb. 8 to 1962 Mar. 1, England / United Kingdom1962 Jun. 15, CBC1962 Jul. 7 to 1962 Jul. 11, Chicago Symphony / Ravinia Festival Association1962 Jul. 15 to 1962 Aug. 6, Latin America1962 Sept. 23, New York Philharmonic1962 Oct. 3 to 1962 Oct. 5, Educational Broadcasting1962 Oct. 10, Mount Holyoke College1962 Nov. 9, United States Information Agency1963 Feb. 13, Wellesley College1963 Feb. 2, Naumberg Memorial Lecture / Rutgers University1963 Mar. 14, University of Hartford / Hartt College of Music1963 Mar. 27, Festival of Contemporary Music / University of Michigan,1963 Mar. 30, San Antonio Symphony1963 Apr. 5 to 1963 May 11, Europe: London / Germany / Italy1963 Jun. 29 to 1963 Jul. 28, Tanglewood, Berkshire Festival1963 Sept. 9 to 1963 Oct. 20, Latin America1963 Nov. 18 to 1963 Dec. 17, Europe: Germany1964 Jan. 9, New York Philharmonic1964 Feb. 3, University of Cincinnati1964 Feb. 6, Syracuse University1964 Feb. 8, New York Philharmonic / Young People's Concerts1964 Mar. 4 to 1964 Mar. 8, Portland Junior Symphony1964 Apr. 20, Goucher College1964 May 4 to 1964 May 5, University of Rhode Island1964 May 7, New York Philharmonic1964 May 14 to 1964 Jun. 19, Europe: England / Paris / Amsterdam1964 Jun. 11, Centre Culturel Americain1964 Jul. 16, Stadium Concerts, Inc.1964 Jul. 23, Chicago Symphony / Ravinia Festival1964 Aug. 3 to 1964 Aug. 16, Tanglewood / Berkshire Festival1964 Oct. 25, Sarah Lawrence College1964 Oct. 31, Library of Congress1964 Nov. 13, Educational Broadcasting1964 Dec. 3, Rochester Philharmonic1964 Dec. 5, Chicago Symphony1964 Dec. 14, Chatham College1964 Dec. 18, Pittsburgh Symphony1965 Mar. 3, Vassar College1965 Mar. 10, New England Conservatory1965 Apr. 9, Boston Symphony1965 Apr. 19, Voice of America1965 Apr. 25, Inter-American System1965 May 5 to 1965 May 7, Newton Public Schools1965 May 17to 1965 May 23, Kalamazoo College1965 Jul. 6, Chicago Symphony / Ravinia Festival1965 Jul. 28, New York Philharmonic1965 Aug. 8 to 1965 Aug. 22, Tanglewood / Berkshire Festival1965 Aug. 24 to 1965 Aug. 28, New York Philharmonic [contract only]1965 Aug. 31, Southern California Symphony / Hollywood Bowl1965 Sept. 28, Yale University1965 Sept. 30 to 1965 Nov. 14, Europe: United Kingdom / Italy / Poland1965 Nov. 26, Cleveland Orchestra1966 Jan. 24, University of Utah, Salt Lake City [honorary doctorate given]1966 Jan. 25, Utah Symphony1966 Feb. 21, California State College / California Chamber Symphony1966 Feb. 23, Stanford University1966 Mar. 2, Musica Viva Series / San Francisco Symphony1966 Mar. 8, Baltimore Symphony Orchestra / Salisbury State College1966 Mar. 10, Johns Hopkins University1966 Mar. 24, CBC1966 Mar. 25, Indiana State College / Indiana University of Pennsylvania1966 Mar. 28 to 1966 Apr. 1, Inter-American Music Festival1966 Apr. 4, International House[1966 Apr. 20?] Instituto Nacional de Cultura y Bellas Astes / Music Festival of Caracas1966 Apr. 21, Philadelphia Art Alliance1966 Apr. 21, Swarthmore College1966 Jul. 15, New York Philharmonic1966 Aug. 18, Daytona Beach Festivals / London Symphony Orchestra1966 Sept. 16, Japan: Nippon Columbia Musical Enterprise / Yomiuri-Nippon Symphony [2 more concerts also Sept. 21 and Sept. 27]1966 Oct. 13 to 1966 Oct. 14, Library of Congress[1966 Dec. 2?] Westchester Symphony Orchestra [date is approximate]1967 Jan. 6, Minnesota Orchestra1967 Jan. 20, St. Paul's School1967 Jan. 28 to 1967 Feb. 4, Musica Viva Series / San Francisco Symphony1967 Feb. 21, National Symphony1967 Feb. 23, Woman's National Democratic Club1967 Mar. 12, Concert Artists Guild1967 Mar. 28, Juilliard School1967 Apr. 4, State University of New York, Buffalo1967 Apr. 6, Jacksonville University1967 Apr. 8, University of Miami1967 Apr. 20, St. Mark's School1967 May 4, University of Chicago1967 May 6, Interlochen Arts Academy, National Music Camp1967 May 9, Oberlin College1967 May 20, University of Chicago1967 Jul. 9, Goldman Band / Guggenheim Memorial Concerts1967 Aug. 8, Dartmouth College1967 Aug. 22, Southern California Symphony / Hollywood Bowl1967 Sept. 16 to 1967 Oct. 23, Europe: London / Vienna / Italy1968 Jan. 23, Fulton County Schools1968 Jan. 25, Atlanta Symphony1968 Feb. 17, Richmond Professional Institute / Richmond Symphony1968 Mar. 21, National Arts Club1968 Mar. 24, State University of New York (SUNY), Downstate Medical Center1968 Apr. 3, Montclair State College1968 Apr. 21 to 1968 Apr. 28, Buffalo Philharmonic1968 May 14, Latin America1968 May 16, Collegiate School1968 May 16, Rockefeller University1968 May 24, Fellowship of Reconciliation1968 Jun. 10 to 1968 Jun. 15, Musica Viva Series / San Francisco Symphony1968 Jun. 25, New York Philharmonic1968 Jul. 23, Chicago Symphony / Ravinia Festival1968 Jul. 24, Civic Orchestra of Chicago1968 Aug. 17, Cleveland Orchestra1968 Aug. 23, Boston Symphony1968 Oct. 20 to 1968 Oct. 31, London1968 Dec. 11, Congregation B'nai Jeshurun1968 Dec. 19 to 1969 Jan. 6, Israel1969 Jan. 22, Hartford Symphony1969 Feb. 4, Composers' Showcase1969 Feb. 11, National Symphony1969 Feb. 19, Civitas Club of Brooklyn1969 Feb. 27, University of Houston1969 Mar. 3, Houston Symphony1969 Mar. 5, Drake University1969 Mar. 15 to 1969 Mar. 22, Hudson Valley Philharmonic1969 Mar. 30, Sang Prize1969 Apr. 7, Jewish Community Center of Baltimore1969 Apr. 9 to 1969 Apr. 10, Baltimore Symphony Orchestra1969 Apr. 16, Hofstra University1969 Apr. 23, State University of New York (SUNY), Stony Brook1969 May 1, Syracuse University1969 May 16, Pittsburgh Symphony1969 Jun. 1, Peabody Institute1969 Jun. 19, Garden State Arts Center / New York Philharmonic1969 Jun. 28, Temple University / Zagreb Philharmonic1969 Jul. 23 to 1969 Jul. 25, Stratford Festival1969 Sept. 20, Louisville Orchestra / 'Downtown Salutes the Arts'1969 Sept. 25, Detroit Symphony1969 Oct. 29, New York Philharmonic / Young People's Concerts1969 Nov. 7 to 1969 Nov. 25, Europe: Baden-Baden / Budapest / Bucharest / London [Budapest was just a visit]1970 Jan. 30, Yale University1970 Feb. 21, Charlotte Symphony1970 Feb. 22, Plymouth Congregational Church1970 Feb. 26, KSTP-Minneapolis1970 Feb. 26, Minnesota Orchestra1970 Mar. 15, Chamber Music Society of Baltimore1970 Mar. 20, Toledo Orchestra1970 Mar. 31, Ohio State University1970 Apr. 1, Columbus Symphony / Ohio State University [lecture at OSU]1970 Apr. 7, University of Chicago1970 Apr. 9, Chicago Symphony1970 Apr. 23, St. Louis Symphony1970 Apr. 26, Cornell College1970 May 20, Rochester Philharmonic1970 Jul. 9 to 1970 Jul. 12, Interlochen Arts Academy1970 Jul. 10, Phi Mu Alpha Sinfonia Fraternity1970 Jul. 24 to 1970 Jul. 28, Tanglewood / Berkshire Festival1970 Aug. 1, Cleveland Symphony / Blossom Festival1970 Aug. 9, WCLV-Cleveland [video on Copland's works]1970 Aug. 13, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl1970 Aug. 14, Los Angeles County Museum of Art1970 Sept. 28 to 1970 Oct. 8, Germany1970 Oct. 29, New York Philharmonic1970 Nov. 11, London Symphony Orchestra1970 Nov. 18, New York University1970 Nov. 19 to 1970 Nov. 25, Juilliard School / Albert Schweitzer Chair in the Humanities1971 Jan. 16, Huntington High School1971 Jan. 26, DePauw University1971 Jan. 28, University of Wisconsin, Milwaukee1971 Jan. 30, Milwaukee Symphony1971 Feb. 9, Hunter College1971 Mar. 11, North Carolina School of the Arts1971 Mar. 17, University of Hartford / Hartt College of Music1971 Apr. 17, Empire Sinfonietta / WPIX-New York [studio test]1971 Jun. 17, New York Philharmonic1971 Jun. 26 to 1971 Jul. 12, Europe: France / United Kingdom1971 Jul. 28, University of Toronto1971 Aug. 9, Harvard University1971 Oct. 17, Evansville Philharmonic1971 Oct. 31, Cornell University1971 Nov. 13, Kansas State University, Manhattan1971 Nov. 16, Ottawa University1971 Dec. 16, Empire Sinfonietta1972 Feb. 15, West Virginia University1972 Mar. 1, Jacksonville University1972 Mar. 2, University of Florida, Gainesville1972 Mar. 13 to 1972 Mar. 19, Mexico1972 Mar. 22, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl1972 Apr. 3, University of Texas, Austin / Walter Prescott Webb Symposium1972 Apr. 20, University of Nebraska, Lincoln1972 Apr. 30, Queens College [concert cancelled]1972 May 31 to 1972 Jun. 2, London: New Philharmonic / BBC1972 Jul. 1, Grant Park Concerts1972 Jul. 3, Civic Orchestra of Chicago1972 Jul. 29, St. Louis Symphony / Mississippi River Festival1972 Aug. 8, WJR-Detroit1972 Aug. 10, Detroit Symphony / Meadow Brook1972 Aug. 23, University of Hartford / Hartt College of Music1972 Sept. 25, Denver Symphony1972 Sept. 27, University of Colorado, Boulder1972 Nov. 3, Johns Hopkins University / Milton S. Eisenhower Symposium1972 Nov. 11, Austin Symphony Orchestra / University of Texas, Austin1972 Nov. 19, Indiana University1972 Nov. 30, University of British Columbia1972 Dec. 1, Vancouver Symphony1973 Feb. 11, United States Air Force Band1973 Feb. 14, Skidmore College1973 Feb. 26, Indiana Central College1973 Mar. 3, St. Paul Chamber Orchestra1973 Mar. 16, CHCH-TV-Hamilton / Hamilton Philharmonic / McMaster University1973 Apr. 1, University of Arizona, Tucson1973 Apr. 4, Staten Island Community College1973 Apr. 29, University of Kansas, Lawrence / Symposium of Contemporary American Music1973 May 3, Music Educators National Conference (MENC): Southern Division1973 Jun. 1, New York Philharmonic1973 Jun. 23, Grant Park Concerts1973 Jun. 25, Civic Orchestra of Chicago1973 Aug, 18, St. Louis Symphony / Mississippi River Festival1973 Sept. 22 to 1973 Oct. 29, Europe: Budapest / Ankara, Istanbul / Prague / Madrid1973 Dec. 3, Columbia University1974 Jan 16., University of Cincinnati1974 Jan. 18, Cincinnati Symphony1974 Feb. 5, National Symphony1974 Feb. 7, United States Information Agency1974 Feb. 7, Woman's National Democratic Club1974 Feb. 20, Columbia University1974 Mar. 1, Indianapolis Symphony1974 Mar. 23, Buffalo Philharmonic1974 Mar. 26, State Univerisity of New York (SUNY), Buffalo1974 Mar. 30, Brooklyn Philharmonia1974 May 2, Rochester Philharmonic1974 May 13, Phoenix Symphony1974 May 19, Educational and Cultural Fund of the Electrical Industry1974 Jul. 21, Boston Symphony / Tanglewood / Berkshire Festival1974 Aug. 9 to 1974 Aug. 25, United Kingdom: International Festival of Youth / University of Keele1974 Oct. 10, National Symphony1974 Nov. 4, Cleveland Orchestra / "Copland Week"1974 Nov. 21, University of San Diego1974 Nov. 24, California Chamber Symphony1974 Nov. 29, Honolulu Symphony1975 Feb. 19 to 1975 Mar. 3, San Salvador1975 Mar. 13, Western Connecticut State College1975 Mar. 16, Syracuse University1975 Mar. 21, Syracuse Symphony1975 Apr. 5, John F. Kennedy Center for the Performing Arts1975 Apr. 14, University of Delaware1975 Apr. 15, Princeton University1975 May 1, Dallas Symphony1975 May 2, Dallas Baptist College1975 May 5, California State University, Northridge1975 May 7, California State University, Sacramento1975 May 10, California Chamber Symphony1975 May 10, University of Southern California1975 May 14, Muncie Symphony Orchestra / Ball State University[1975 May 20?] Brooklyn College [date is approximate]1975 Jul. 4, Minnesota Orchestra1975 Jul. 5, University of Minnesota / High School Musician's Project1975 Jul. 12 to 1975 Jul. 22, Aspen Music Festival1975 Jul. 26, National Symphony1975 Aug. 19, Boston Symphony / Tanglewood / Berkshire Festival1975 Aug. 31 to 1975 Oct. 4, Europe: Copenhagen / Paris / United Kingdom1975 Nov 1. to 1975 Nov. 7, Oregon Symphony / "Mr. Copland Comes West" [several local colleges involved]1975 Nov. 18, Harrisburg Symphony1975 Nov. 19, Shippensburg State College[1975 Dec. 1?] Minnesota Orchestra1975 Dec. 7, American Symphony1975 Dec. 15, Walter W. Naumberg Foundation1975 Dec. 16, Mark Hellinger Theatre / Martha Graham Dance Company1976 Jan. 1, Toronto Symphony1976 Jan 16, Los Angeles Master Chorale1976 Jan. 23, San Jose Symphony / San Jose State University1976 Feb. 24, National Symphony1976 Feb. 27, North Carolina Symphony1976 Mar. 3, Stockholm / Konsertforeningen1976 Mar. 15, University of Utah, Salt Lake City1976 Mar. 18, Utah Symphony1976 Mar. 25, Harvard Club1976 Mar. 26, Haverford College1976 Mar. 30, Kansas City Philharmonic1976 Apr. 1, Ottawa University1976 Apr. 9, Cincinnati Symphony1976 Apr. 11, Miami University1976 Apr. 22, Rochester Philharmonic1976 Apr. 25, Kent State University1976 Apr. 30, Ann Arbor May Festival1976 May 6, Buffalo Philharmonic1976 May 21, Ojai Festival1976 May 27, Winnipeg Festival / CBC1976 Jul. 3, Minnesota Orchestra1976 Jul. 14, Tidewater Music Festival1976 Jul. 25, National Symphony / Wolf Trap Farm Park1976 Aug. 5, Philadelphia Orchestra / Saratoga Festival1976 Aug. 6 to 1976 Aug. 21, Banff Festival of the Arts1976 Aug. 24, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl1976 Oct. 18 to 1976 Nov. 10, Europe: Leeds Festival / University of Keele / CBS Records / University of East Anglia / Goteburg / Brussels1976 Nov. 29, Tulane University [honorary doctorate also given]1976 Nov. 30, New Orleans Symphony1976 Dec. 4, University of Bridgeport / Carlson Festival of Arts1977 Jan. 18, National Symphony / Inauguration Day1977 Jan. 24, Yale University1977 Feb. 11, Union College / American Composers' Forum1977 Mar. 3, Occidental College1977 Mar. 24, MacPhail Center for the Arts1977 Mar. 26, Minneapolis Public Library [program 'Bookends']1977 Mar. 26, St. Paul Chamber Orchestra1977 Mar. 27, University of Wisconsin, River Falls1977 Mar. 29, California State University, Fullerton1977 Apr. 1, University of Redlands1977 Apr. 6, University of Oklahoma, Norman1977 Apr. 26, Nebraska Wesleyan University1977 May 1, Denver Symphony1977 Jun. 1, State University of New York (SUNY), Buffalo1977 Jun. 6, New York Philharmonic / Financial World Magazine1977 Jun. 1, National Symphony1977 Jun. 21, Temple University / Pittsburgh Symphony1977 Jul. 23, Santa Fe Chamber Music Festival1977 Aug. 12, Philadelphia Orchestra / Saratoga Festival1977 Aug. 20, Rochester Philharmonic1977 Sept. 29, Library of Congress1977 Oct. 15, Yale University1977 Nov. 1, Fromm Music Foundation / Harvard University1977 Nov. 14, National Symphony1977 Nov. 15, Johns Hopkins University / Lester Levy Lecture1977 Dec. 14, Florida Philharmonic1978 Jan. 9, Houston Symphony1978 Jan. 12, Van Cliburn Foundation1978 Jan. 14, University of Tulsa1978 Feb. 21, Baltimore Symphony Orchestra1978 Feb. 23, Johns Hopkins Medical Institution1978 Mar. 4 to 1978 Mar. 21, Australia1978 Mar. 24, St. Paul Chamber Orchestra1978 Mar. 26, National Symphony1978 Mar. 31, American University1978 Apr. 16, United States Military Academy, West Point1978 Apr. 29, Crane School of Music / State University College, Potsdam1978 May 10, Oakland University / "Aaron Copland Week"1978 May 16, Toronto Symphony1978 May 21, Plymouth Congregational Church1978 Jun. 3, Michigan Opera Theatre / Central Michigan University1978 Jun. 13, National Symphony / Wolf Trap Farm Park1978 Jul. 8, St. Louis Symphony1978 Aug. 25, National Symphony1978 Aug. 27, Cabrillo Music Festival1978 Sept. 17, Norfolk Symphony1978 Oct. 20, Oakland Ballet1978 Oct. 22, University of California, Riverside1978 Oct. 24, California Institute of the Arts1978 Oct. 30, Los Angeles County Museum of Art1978 Nov. 7, Indiana State University [honorary degree]1978 Nov. 10, Memphis State University1978 Nov. 14, Tennessee Technological University1978 Nov. 21, National Symphony1978 Dec. 6, Sarah Lawrence College1979 Jan. 27, San Antonio Symphony1979 Jan 28, Chamber Arts Ensemble [audience member, music by AC]1979 Feb. 17, St. Paul Chamber Orchestra [first concert date of tour]1979 Mar. 15, San Diego Symphony1979 Mar. 19, Dance Magazine1979 Apr. 9, University of Missouri, Columbia1979 Apr. 19, Vermont Symphony1979 Apr. 26, Rochester Philharmonic1979 May 4, University of Denver1979 May 15, Nyack Public Schools1979 May 18, Florida State University, Tallahassee1979 May 28, National Symphony1979 Jun. 4, Festival Casals1979 Jul. 13, Lincoln Center Institute1979 Aug. 4, National Symphony / Wolf Trap Farm Park1979 Aug. 10, Toronto Symphony1979 Aug. 15, Philadelphia Orchestra / Saratoga Festival1979 Oct. 15, University of Arizona, Tucson [part of 1979 Tour with Minnesota Orchestra]1979 Nov. 12, University of Delaware1979 Nov. 14, Michigan State University1979 Nov. 14, Third Street Music School Settlement1979 Nov. 27, Kansas State University, Manhattan1979 Dec. 1 to 1979 Dec. 2, John F. Kennedy Center for the Performing Arts1979 Dec. 6, Third Street Music School Settlement1980 Jan 3, Brooklyn Philharmonia1980 Feb. 5, National Orchestral Association1980 Feb. 29, University of Pennsylvania, Philadelphia1980 Apr. 12, Primetime Saturday / NBC News1980 Apr. 13, Buffalo Philharmonic1980 May 9, Indianapolis Symphony1980 May 11, Indianapolis Arts Chorale1980 May 26, National Symphony1980 Jun. 1, Brown University [honorary degree awarded]1980 Jun. 18, New York Philharmonic1980 Jun. 28, National Symphony1980 Jul. 5, Tanglewood, Berkshire Festival1980 Sept. 22, Detroit Symphony1980 Oct. 11, New York Philharmonic1980 Nov. 8, American Symphony1980 Nov. 14, National Symphony1980 Nov. 19, Harvard University1980 Nov. 22, Symphony Space / Wall-to-Wall Copland and Americana1980 Nov. 29 to 1980 Dec. 12, Europe: London Symphony / Brussels / Paris1981 Jan. 9, Chamber Consortium1981 Mar. 20, Albany Institute1981 May 17, University of Nevada, Las Vegas1981 May 20, All-City High School Orchestra1981 May 29, Juilliard School1981 Jun. 27, National Symphony1981 Jul. 5, Dallas Symphony1981 Sept. 9, John F. Kennedy Center for the Performing Arts1981 Sept. 30 to 1981 Oct. 2, Composers' Showcase1982 Mar. 6, San Diego Symphony1982 Mar. 6, San Diego Chamber Orchestra1982 Apr. 28, Kansas State University, Manhattan [honorary degree]1982 May 23 and 1982 Jul. 24, State University of New York, New Paltz [honorary degree]1982 May 30, National Symphony1982 Jun. 12, Chamber Consortium1982 Jun. 16, New York Philharmonic1982 Jul. 4, Chicago Symphony / Ravinia Festival1982 Jul. 15, Santa Fe Chamber Music Festival1982 Aug. 24, National Symphony1982 Dec. 7, New Haven Symphony1983 Mar. 4, Composers' Showcase / Whitney Museum of American Art1983 Jun. 1, Milwaukee Symphony1983 Jul. 16, State University of New York, Purchase1983 Nov. 20, [program does not state place / sponsor]Subject File, 1923-1990The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included. The Subject File series is divided into Brochures, Bulletins, Catalogues, Clippings, Compositions, Newsletters, Notes, Opera Ideas, Programs, Promotional Materials, Recording, Tribute and Multiple Composition, United States Congress, and White House. Includes correspondence, clippings, programs, promotional material and other printed matter. Arranged alphabetically by subject; then Brochures, Bulletins, Catalogues, Compositions, Opera Ideas, Recording, Tribute and Multiple Composition, and United States Congress arranged alphabetically by title or subject; and Clippings, Newsletters, Notes, Programs and Promotional Materials arranged chronologically. BrochuresCopyright LawsJudson O'Neill Beall Steinway Inc., 1968-69New York World's Fair, 1964-65Opera Survey, 1954BulletinsAlumni Honor RollAmerican Music FestivalEditions SalabertInter-American Music BulletinMusicanadaMiscellaneousMiscellaneousMiscellaneousCataloguesAmerican Academy in RomeArt Exhibit, 1953-1958Art Exhibit, 1960Art Exhibit, 1960-1967Art Exhibit, 1968-1974Art Exhibit, 1975Art Exhibit, 1987Aaron CoplandOther ComposersSchoolsClippings, 1920-19901920s1930s1940s1950-19551956-19591960-19611962-19651966-19671968-1969197019711972-197419751976 Jan.-July1976 Aug.-Dec.197719781979, 197[?]198019811982 Jan.-May1982 June-Dec.198319841984 Mar. 2419851986 Jan.-Apr.1986 May-Dec.198719881989198[?]1990UndatedCommissionsCommission correspondence (requests not accepted), schedulesCompositionsAloneCorrespondence, 1984-1986Appalachian spring, BalletClippings, 1944-1960Clippings, 1963-1976Clippings, 1977-1984Clippings, n.d.Programs, 1944-1986Promotional, 1940-1973, n.d.Appalachian spring, Orchestra suiteClippings, 1945Clippings, 1946-1948Clippings, 1952-1959Clippings, 1960-1968Clippings, 1970-1974Clippings, 1975-1979Clippings, 1980-1983Clippings, n.d.Programs, 1944-1945Programs, 1945-1946Programs, 1947-1953Programs, 1954-1961Programs, 1961-1966Programs, 1967-1974Programs, 1975-1979Programs, 1980-1984Promotional,1953-1985, n.d.Appalachian spring, Orchestra suite for 13 InstrumentsClippings, 1947-1980Programs, 1964-1978Programs, 1979-1983Promotional, 1975-1983, n.d.Miscellaneous, 1945-1977As it fell upon a dayClippings, Programs, Promotional, Miscellaneous, 1923-1984Billy the kid, BalletClippings, 1939-1941Clippings, 1942-1950Clippings, 1960-1982Clippings, n.d.Programs, 1941Promotional, 1938-1947Promotional, 1950-1982Promotional, n.d.Miscellaneous, 1939-1988Billy the kid, OrchestraClippings, 1940-1947Clippings, 1951-1959Clippings, 1961-1969Clippings, 1970-1983Clippings, n.d.Miscellaneous, n.d.Programs, 1940-1942Programs, 1943-1948Programs, 1950-1955Programs, 1956-1968Programs, 1969-1970Programs, 1970-1974Programs, 1975-1978Programs, 1979Programs, 1979-1982Programs, n.d.Promotional, 1955-1984, n.d.Canticle of freedom for chorus and orchestraClippings, Commision correspondence, Miscellaneous, 1954-1979Programs, 1955-1977The cat and the mouseClippings, Programs, 1930-1980CBS playhouse signatureClippings, 1966-1967Ceremonial fanfareClippings, Commision correspondence, 1969-1970Programs, 1979-1986Choral musicPromotional, 1975-1982The city, FilmClippings, Programs, 1939-1941Concerto for clarinetClippings, 1950-1959Clippings, 1960-1969Clippings, 1970-1981Clippings, n.d.Commission correspondence, 1946Programs, 1950-1963Programs, 1964-1973Programs, 1973-1977Programs, 1978-1980Promotional, 1950-1963Promotional, 1964-1970Promotional, 1975-1978Promotional, 1979-1984Miscellaneous, 1963, 1965, 1971Connotations for orchestraClippings, 1962Clippings, 1963Clippings, 1964-1973Clippings, 1974-1981Clippings, n.d.Commission correspondence 1959-1960, n.d.Correspondence, 1962, n.d.Programs, 1962Programs, 1962-1968Programs, 1973-1977Promotional, 1962-1963Cortege macabreClippings, Miscellaneous, 1925-1975Programs, 1925-1971Dance panelsClippings, 1963-1980Programs, 1963Programs, Promotional, 1965-1978Miscellaneous, 1961-1979, n.d.Dance sypmhonyClippings, 1928-1972Clippings, 1973-1981, n.d.Programs, 1931-1970Programs, 1971-1983Promotional, Miscellaneous, 1937-1975Danza de JaliscoClippings, Programs, 1968-1970Danzon Cubano, Two pianosClippings, Miscellaneous, 1942-1969, n.d.Programs, Promotional, 1942-1960Danzon Cubano, Orchestra suiteClippings, 1946-1978, n.d.Programs, 1946-1983Promotional, 1963-1980, n.d.DirgeClippings, Programs, Promotional, 1955-1978Down a country laneClippings, 1963-1981Duo for flute and pianoClippings, 1971-1986, n.d.Commission correspondence, 1967-1969Programs, Promotional, 1971-1989, n.d.Miscellaneous, 1971-1976Duo for violin and pianoClippings, 1981, n.d.EmblemsClippings, 1965-1976, n.d.Programs, 1964-1967Programs, 1970-1980Promotional, 1965-1975Miscellaneous, 1964, n.d.EpisodeClippings, Programs, Promotional, 1960-1978Fanfare for the common manClippings, 1944-1976Clippings, 1977Clippings, 1978-1979Clippings, 1980-1983, n.d.Programs, 1944-1979Programs, 1980-1983, n.d.Promotional, Miscellaneous, 1946-1982First symphonyClippings, 1927-1969Clippings, n.d.Programs, 1927-1934Programs, 1934-1935Programs, 1936-1960Programs, 1960-1980Five kings, BalletClippings, Correspondence, Programs, 1939Four motetsClippings, Programs, Promotional, 1979-1984GrohgProgram, 1934Happy (birthday) anniversaryClippings, 1970-1973Programs, 1969-1977Hear ye! Hear ye!Clippings, 1934-1936, n.d.Programs, Miscellaneous, 1934-1936, n.d.Heiress, FilmAcademy Award Presentation, Clippings 1948-1954, n.d.Magazines, 1950Promotional, Script, 1948Hoe down (Rodeo)Clippings, 1945-1953, n.d.Programs, 1945-1947, n.d.An immoralityClippings, Programs, 1962-1968In evening airClippings, 1976-1978In the beginningClippings, 1947-1957Clippings, 1960-1965Clippings, 1966-1969Clippings, 1970-1974Clippings, 1975-1980, n.d.Commission correspondence, 1946Programs, 1947-1963Programs, 1964-1968Programs, 1971-1984, n.d.Promotional, 1947-1984, n.d.Miscellaneous, 1947-1950, n.d.Inaugural fanfareClippings, 1969-1977Commission correspondence, Programs, Miscellaneous, 1967-1985InscapeClippings, 1967Clippings, 1968-1973, n.d.Programs, 1967-1970Programs, 1970-1972Programs, Promotional, 1973-1984Miscellaneous, 1967-1969, n.d.Into the streets may firstNew Masses, 1934John HenryClippings, 1955-1979Commission correspondence, Programs, Miscellaneous, 1940-1980LarkClippings, Programs, Promotional, 1943-1981, n.d.Las agachadasClippings, Programs, 1942-1980, n.d.Promotional, Miscellaneous, 1949-1963Lento espressivoMiscellaneous, 1985Letter from homeClippings, Programs, Miscellaneous, 1947-1978Commission correspondence, Programs, Miscellaneous, 1944-1978Lincoln portraitClippings, 1942-1943Clippings, 1944-1965Clippings, 1966-1968Clippings, 1969-1975Clippings, 1976-1980Clippings, n.d.Commission correspondence, 1942Programs, 1942-1947Programs, 1949-1962Programs, 1963-1967Programs, 1968-1976Programs, 1977-1982, n.d.Promotional, 1969-1983, n.d.Miscellaneous, n.d.Mid-day thoughtsClippings, Programs, 1983-1984MotetPrograms, Promotional, 1934-1937Music for a great cityClippings, 1964 MayClippings, 1964-1971, n.d.Commission correspondence, 1962Programs, 1949-1966Programs, 1968-1980Promotional, Miscellaneous, 1967-1978Music for moviesClippings, Programs, Promotional, 1943-1988Music for radioClippings, Programs, Promotional, Miscellaneous, 1926-1950Music for theaterClippings, 1925-1933Clippings, 1934-1941Clippings, 1945-1981Clippings, n.d.Programs, 1925-1932Programs, 1933-1940Programs, 1941-1956Programs, 1958-1974Programs, n.d.Promotional, 1928-1985, n.d.Miscellaneous, 1941, n.d.Night thoughtsClippings, 1974-1978Programs, Promotional, 1972-1980, n.d.NocturneProgram, 1972 Oct.NonetClippings, 1961-1981, n.d.Commission correspondence, 1957-1960Programs, 1961-1965Programs, 1966-1977Promotional, Miscellaneous, 1960-1983, n.d.North star, FilmClippings, 1943-1953, n.d.Script, 1943Miscellaneous, 1941-1954, n.d.Of mice and men, FilmClippings, 1939-1969, n.d.Program, n.d.Old American songsClippings, 1951-1967Clippings, 1968-1978Clippings, 1979-1981Programs, 1951-1970Programs, 1971-1976Programs, 1977-1978Programs, 1979-1981, n.d.Promotional, Miscellaneous, 1950-1984, n.d.Orchestral variationsClippings, 1958Clippings, 1960-1985, n.d.Programs, 1957-1975Programs, 1976-1982Promotional, Miscellaneous, 1958-1984Our town, FilmClippings, Programs, 1940-1988Script, 1940Miscellaneous, n.d.Our town, SuiteClippings, 1940-1981, n.d.Programs, Promotional, 1941-1982Outdoor overtureClippings, 1939-1973Clippings, 1974-1983, n.d.Commission correspondence, 1938Programs, 1938-1946Programs, 1947-1963Programs, 1964-1980Programs, 1981-1984, n.d.Promotional, 1939-1981, n.d.Miscellaneous, n.d.PassacagliaClippings, Programs, Promotional, 1963-1980, n.d.Piano concertoClippings, 1927-1953Clippings, 1954-1965Clippings, 1966-1983Clippings, n.d.Commission correspondence, 1943Programs, 1926-1954Programs, 1958-1969Programs, 1970-1985Promotional, Miscellaneous, 1936-1985, n.d.Piano fantasyClippings, 1957-1972Clippings, 1973-1981, n.d.Correspondence, Miscellaneous, 1956-1958, n.d.Programs, 1957-1965Programs, 1966-1988, n.d.Promotional, 1957-1982, n.d.Piano music, GeneralClippings, 1945-1974Clippings, 1975-1980Clippings, 1981, n.d.Programs, 1923-1983, n.d.Promotional, Miscellaneous, 1940 -1983, n.d.Piano sonataClippings, 1942-1947Clippings, 1948-1960Clippings, 1961-1970Clippings, 1971-1972Clippings, 1973-1981Clippings, n.d.Programs, 1944Programs, 1945-1947Programs, 1948-1957Programs, 1958-1971Programs, 1972-1975Programs, 1976-1981, n.d.Promotional, 1938-1958Promotional, 1959-1978, n.d.Miscellaneous, 1942-1952, n.d.Piano variationsClippings, 1931-1965Clippings, 1966-1982Clippings, n.d.Programs, 1934-1941Programs, 1942-1952Programs, 1953-1974Programs, 1975-1982, n.d.Promotional, 1930-1947Promotional, 1948-1958Promotional, 1959-1982, n.d.Miscellaneous, 1951-1981, n.d.Poets songClippings, 1926-1974PreambleClippings, Promotional, Miscellaneous, 1949-1973, n.d.Commission correspondence, 1949Programs, 1948-1965ProclamationClippings, Promotional, Programs, 1983-1987Quartet for piano and stringsClippings, 1950-1975Clippings, 1976-1986, n.d.Programs, 1950Programs, 1951-1953Programs, 1954Programs, 1955-1972Programs, 1973-1978Programs, 1979-1983, n.d.Promotional, 1951-1986, n.d.Quiet cityClippings, 1941-1959Clippings, 1960-1975Clippings, 1976-1981, n.d.Play Typescript, 1939Programs, 1939-1941Programs, 1942Programs, 1943-1946Programs, 1947-1965Programs, 1966-1972Programs, 1973-1983Promotional, 1942-1980Promotional, 1981-1984, n.d.Miscellaneous, 1941-1957, n.d.Red pony, FilmTypescript, 1947Red pony, SuiteClippings, 1948-1976Clippings, Miscellaneous, 1977-1983Correspondence, Notes, 1964-1968, n.d.Programs, 1948-1980, n.d.Promotional, 1942-1980Rodeo, BalletClippings, 1942-1984, n.d.Programs, 1942-1945Programs, 1948-1985Promotional, 1954-1981, n.d.Rodeo, SuiteClippings, 1947-1981Clippings, 1972-1977Clippings, 1978-1983Clippings, n.d.Programs, 1943-1948Programs, 1950-1971Programs, 1972-1977Programs, 1980-1990, n.d.Promotional, Miscellaneous, 1943-1989, n.d.El salón MexicoClippings, 1938-1957Clippings, 1958-1962Clippings, 1963-1975Clippings, 1976-1984, n.d.Programs, 1937-1938Programs, 1938-1942Programs, 1943-1946Programs, 1948-1966Programs, 1967-1972Programs, 1973-1976Programs, 1977-1978Programs, 1979-1985Promotional, 1954-1981, n.d.Miscellaneous, n.d.Second hurricaneClippings, 1936-1938Clippings, 1938 1942Clippings, 1942-1978Clippings, n.d.PhotographsPrograms, 1937-1958Programs, 1960-1978Promotional, 1937-1985, n.d.Script, 1937Script, n.d.Script, n.d.Miscellaneous, 1941-1942, 1964, 1976-1977Miscellaneous, n.d.SextetClippings, 1947-1979, n.d.Programs, 1939-1976Programs, 1977-1979Programs, 1980-1988Promotional, 1943-1969Promotional, 1970-1988Promotional, Miscellaneous, n.d.Short symphonyClippings, Programs, Promotional, 1982-1985Short symphony no. 2Clippings, 1935-1981, n.d.Programs, 1934-1970Programs, 1971-1978Programs, 1979-1982Promotional, Miscellaneous, 1960-1982Something wildClippings, 1961-1962, n.d.Statements for orchestraClippings, 1942-1967, n.d.Programs, 1942-1957Programs, 1958-1969Programs, 1970-1975Programs, 1976-1981Promotional, Miscellaneous, 1942-1976, n.d.Symphonic odeClippings, 1932-1980, n.d.Programs, 1932-1978Programs, 1979-1980Promotional, Miscellaneous, 1932-1976Symphonic ode - revisedClippings, 1932-1977, n.d.Programs, 1931-1956Programs, 1960-1980Miscellaneous, 1956, n.d.Symphony for organClippings, 1925-1964Clippings, 1966-1980Clippings, 1981-1982, n.d.Programs, 1924-1981Programs, 1982-1983, n.d.Promotional, Miscellaneous, 1932-1976, n.d.Tender land, BalletClippings, 1978-1979Tender land, OperaClippings, 1954-1962Clippings, 1963-1975Clippings, 1976-1987, n.d.Correspondence, 1954-1988, n.d.Notes, 1965, n.d.Programs, 1954-1957Programs, 1958-1964Programs, 1965-1972Programs, 1973-1977Promotional, 1954-1982, n.d.Script, n.d.Tender land, SuiteClippings, 1958-1980Programs, 1978-1990, n.d.Programs, 1958-1959Programs, 1960-1969Programs, 1970-1983Promotional, 1959-1983Third symphonyClippings, 1946Clippings, 1947Clippings, 1948-1956Clippings, 1957-1959Clippings, 1960-1970Clippings, 1972-1987Clippings, n.d.Programs, 1946-1947Programs, 1947Programs, 1948-1950Programs, 1952-1958Programs, 1959-1962Programs, 1965-1966Programs, 1967-1969Programs, 1970-1973Programs, 1974-1976Programs, 1977-1980Programs, 1981-1989Promotional, 1947-1982Miscellaneous, 1946, 1958, n.d.Three Latin American sketchesClippings, Miscellaneous, 1972-1981, n.d.Programs, 1972-1977Programs, Promotional, 1979-1982Three songsProgram, 1986Threnody I, IIClippings, Miscellaneous, 1972-1978, n.d.Programs, 1971-1982, n.d.Promotional, 1973-1974Promotional, 1977-1981, n.d.Twelve poems by Emily DickinsonClippings, 1950-1968Clippings, 1969-1977Clippings, 1978-1981Poems, Programs, 1950, 1970, n.d.Programs, 1950-1972Programs, 1973-1980, n.d.Promotional, 1954-1982, n.d.Miscellaneous, 1949-1988, n.d.Two choruses for womenClippings, Programs, Promotional 1926-1952Two pieces for string orchestraClippings, 1928-1970, n.d.Programs, 1928-1965Promotional, 1933, n.d.Two pieces for string quartetClippings, 1928-1976Programs, Promotional, 1929-1980Two pieces for violinClippings, 1927-1969Programs, Promotional, 1927-1949, n.d.Variations on a shaker melodyClippings, Programs, 1966-1978Violin sonataClippings, 1944-1956Clippings, 1957-1968Clippings, 1969-1981, n.d.Programs, 1944-1945Programs, 1946-1948Programs, 1949-1950Programs, 1951-1957Programs, 1958-1968Programs, 1969-1976Programs, 1978-1981, n.d.Promotional, 1944-1951Promotional, 1952-1976Promotional, 1977-1983, n.d.VitebskClippings, 1929-1960Clippings, 1961-1972Clippings, 1973-1981, n.d.Programs, 1929-1949Programs, 1950-1967Programs, 1968-1976Programs, 1977-1983Promotional, 1946-1984, n.d.VocaliseClippings, Programs, 1973What do we plantPrograms, 1946NewslettersThe Floating Bear, 1962NotesMiscellaneous, 1971, n.d.Opera Ideas, 1950-1986Clippings, Correspondence, Notes, Script, 1950-1986Programs, 1923-198819231930-19391940-19491950-19591950-19591960-1964196419651966-19681968-19701970-19711973-197619771978-19791980-19881988Promotional Materials, 1960-19821960-1982, n.d.Recording, 1965-1985Clippings, Promotional, 1965-1985, n.d.Tribute and Multiple Composition, 1941-1991Programs, 1941-1979Programs, 1980-1981Programs, 1982-1983Programs, 1985-1990, n.d.Promotional, 1950-1991United States Congress: House Un-American Activities Committee, 1953-1957ClippingsCongressional Record, 1953 Jan. 16CorrespondenceSee also: Biography, Legal Papers, Attorney Correspondence BOX: xxxEvidentiary DocumentsListsNotesStatementsWhite House, 1945-1988Franklin D. Roosevelt [1933-1945]Invitations [Inaugural], 1945John F. Kennedy [1961-1963]Correspondence,1961-1962Invitations (General), 1961-1962Lyndon B. Johnson [1963-1969]Correspondence, 1964-1965Invitations (General), 1964-1965Invitations (Inaugural), 1965Invitations (Inaugural), 1965Telegram, 1968Gerald Ford [1974-1977]Invitations (General), 1975-1976Jimmy Carter [1977-1981]Invitations (General, Inaugural), 1977-1981Correspondence, 1977-1980Ronald Reagan [1981-1989]Correspondence, 1985Invitations (General, Inaugural), 1981-1988ScrapbooksThe series Scrapbooks is represented by four scrapbooks. Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942. Four volumes that include articles, clippings, photographs, programs and other memorabilia. Arranged chronologically. Copland-Sessions Concerts, 1924-1931Scrapbook, 1924-1942Yaddo Scrapbook, 1932-1933ABC Australian Tour, 1978Biography, 1921-1988The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries. Includes correspondence, notebook, lists, two birthday albums containing letters, music manuscripts, poems, photographs and ink drawings, calling cards, clippings, miscellaneous bank, investment, insurance, medical and property records and documents, invitations, and passports. Arranged alphabetically by subject. Accountant PapersH. N. Whitney, GoadbyKorsh and KraussAutobiographical NotesBiographical NotebookLecturesWritings by ACWritings about ACBook ReviewsRadio AppearancesRecordingsTripsPrograms ConductedList of WorksHonorsBiographical SketchesMiscellaneousObituaryBirthday Album, 70thBirthday Album, 80thCalling CardsFamily TreeHouseholdAutomobileAutomobileBank StatementsBills: MiscellaneousCheck Stubs [1957]Citibank: Investment SummaryCitibank: MiscellaneousCitibank: Statement of TransactionsHorizon Gas CompanyInsurance: Blue CrossInsurance: Equitable BrokersInsurance: MiscellaneousInsurance: Schiff TerhuneInsurance: Schiff TerhuneMayfair TravelMiscellaneousSafety Deposit InformationStock Investment StubsStock StatementsInvitationsLegal PapersAttorney Correspondence, 1946-1952Attorney Correspondence, 1953-1967See also: Subject File: House Un-American Activities Committee BOX: xxxAttorney Correspondence, 1970-1978Attorney Correspondence, 1979-1980Attorney Correspondence, 1981Attorney Correspondence, 1982-1984Attorney Correspondence, 1985Attorney Correspondence, 1986Attorney Correspondence. 1987Last Will and TestamentListsAddressesAddress BooksAC American Music CollectionComposition Department Members: TanglewoodCompositions by ACConducting EngagementsLecture EngagementsAC Letter FilesLincoln Portrait NarratorsPeekskill ArchivesPhotographsRecordingsTelevision AppearancesTripsUnidentifiedWritings by ACMedical RecordsInoculationsMiscellaneousMusic Assistant InformationPassportsPassport InformationPassport PhotosPeekskill House, Architectural Maps and BlueprintPeekskill House, Architectural SpecificationsProperty InformationProperty InformationProperty InformationRolodexStamp CollectionAwards, 1934-1985The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, "Honoris Causa", from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal. Citations, Medals, etc. include certificates, proclamations, plaques, medals, keys to cities and, some cases, accompanying correspondence, programs, reviews and other printed material. Arranged alphabetically by the presenter's name. Honorary DegreesAccademia Filarmonica Romana, 1963 (diploma)Brandeis University, 1957 (printed materials)Brandeis University, 1957 (diploma)Brooklyn College, 1975Brown University, 1980The Catholic University of America, 1979Columbia University, 1971 (printed materials)Columbia University, 1971 (diploma)Fairfield University, 1968Harvard University, 1961 (printed materials)Harvard University, 1961 (printed materials)Harvard University, 1961 (diploma)Illinois Wesleyan, 1958Indiana State University, 1978 (diploma)Jacksonville University, 1967Kalamazoo College, 1965Kansas State University, 1982 (diploma)Kansas Sate University, 1982 (Phi Beta Kappa)Long Island University, 1974 (printed materials)Long Island University, 1974 (diploma)New England Conservatory, 1977New School for Social Research, 1983 (diploma)New York University, 1970Oberlin College, 1958Ohio State University, 1970Ottawa University, 1976Peabody Institute, Conservatory of Music, 1969 (diploma)Princeton University, 1956 (printed materials)Princeton University, 1956 (diploma)Queens College, 1981Rutgers University, 1967 (printed materials)Rutgers University, 1967 (diploma)San Francisco Conservatory of Music, 1976University of Florida, 1972State University of New York, New Paltz, 1982Syracuse University, 1964 (printed materials)Syracuse University, 1964 (diploma)Temple University, 1959 (in tube)Tulane University, 1976University of Florida, 1972University of Hartford, 1959University of Portland, 1975University of Michigan, 1964University of Redlands, 1977University of Rhode Island, 1964University of Rochester, 1976University of Utah, 1966 (printed materials)University of Utah, 1966 (diploma)University of York, 1971 (printed materials)Citations, Medals, etc.Academia Nacional de Bellas Artes, 1962 (membership)Academia Nacional de Bellas Artes, 1963 (award)Academy of Motion Picture Arts and Sciences, 1940 (nomination)Academy of Motion Picture Arts and Sciences, 1943 (nomination)Accademia Filarmonica Romana, 1963 (membership)Accademia Nazionale di Santa Cecilia, 1956 (membership)Accademia Nazionale Santa Cecilia, n.d. (medal)Akademie der Künste, 1983 (membership)Albany Institute of History and Art, 1981 (concert)American Academy of Arts and Letters Medal, 1956 (printed materials)American Academy of Arts and Sciences, 1951 (membership)American Academy of Arts and Sciences, 1951 (citation)American Chamber Orchestra, 1982 (tribute)American Composers' Alliance, 1968 (award)American-Israel Cultural Foundation, 1975 (award)American-Israel Cultural Foundation, 1976 (award)ASCAP, 1945 (plaque)ASCAP, 1946 (membership)ASCAP, 1985 (plaque)American Symphony, 1975 (citation)American Symphony Orchestra Golden Baton Award, 1978 (baton)Art Critic's Circle, 1963 (award)Association of College, University and Community Arts Administrators, 1976 (plaque)The Bohemians, 1971 (dinner)Boys High School Alumni Association, n.d. (citation)Boys High School Alumni Association, 1953 (plaque)Brandeis University, 1960 (award)Brandeis University, 1960 (medal)Brandeis University, 1963 (tribute)Brandeis University, 1975 (award)Brandeis University, 1975 (medal)Brandeis University Medal, n.d. (printed materials)Brooklyn Academy of Music, 1961 (citation)Chamber Symphony Society of California, 1975 (Allegro Ball)City of Aspen, 1975 (ACday)City of Bridgeport, n.d. (key)City of Buffalo, n.d. (key)City of Chicago, 1980 (AC Day)City of Cleveland, n.d. (key)City of Cleveland, 1974 (AC Week)City of Harrisburg, 1975 (AC Week)City of Jacksonville, 1972 (key)City of Kansas City, n.d. (key)City of Los Angeles, 1975 (award)City of New York, 1914 (citation)City of New York, 1970 (medal)City of New York, 1980 (plaque)City of New York, 1983 (concert)City of Peekskill, 1985 (AC Week)City of Portland, 1975 (AC Week)City of San Jose, n.d. (letter)City of San Juan, n.d. (key)City of San Salvador, 1975 (key)Commander's Cross of the Order of Merit of the Federal Republic of Germany, 1970 (printed materials)Commonwealth of Pennsylvania, 1975 (citation)El Concejo Municipal de San Salvador, 1974 (citation)Consul General of the United States, 1978 (luncheon)Cookeville, Tennessee, 1978 (plaque)County of Los Angeles, 1964 (citation)County of Oswego, 1979 (plaque)Da Capo Chamber Players, n.d. (concert)Dancemagazine, 1979 (plaque)École des Hautes Études Musicales de France, 1921 (award)Edinburgh Film Festival, 1959 (award)Friends of Music, 1964 (award)German Cross, n.d. (medal)Die Gesellschaft der Musikfreund, n.d. (medal)Harvard Glee Club, n.d. (medal)Harvard University, 1978 (citation)Harvard University, 1934, 1944, 1951 (appointment as lecturer)Hebrew Arts School, 1982 (dinner)Henry Street Settlement, 1966 (award)Institut de France, 1970 (membership)International Capital of the Age of Enlightenment, 1979 (award)International Congress on Nutrition, 1960 (award)Irving Jr. High, Salt Lake City, n.d. (salutation)Joffrey Ballet, 1989 (dinner)Kansas State University, 1982 (AC Festival)Kennedy Center Honors, 1979 (medal)Kennedy Center Honors, 1979 (printed materials)Lamont School of Music, n.d. (plaque)Library of Congress, 1981 (concert)Los Angeles County Museum of Art, 1970 (concert)Louisiana Council for Music and Performing Arts, n.d. (medal)MacDowell Colony Medal, 1961 (printed materials)MacDowell Medal, 1961 (medal)Massachusetts Federation of Music Clubs, n.d. (award)Mostra Internazionale d'Art Cinematografica, 1959 (award)Mu Phi Epsilon, 1986 (citation)Music Critic's Circle, 1944, 1946 (award)Music Educators' National Conference, 1973 (award)Music in the Mountains, n.d. (concert)National Academy of Recording Arts and Sciences, 1960 (plaque)National Academy of Recording Arts and Sciences, 1960 (plaque)National Academy of Recording Arts and Sciences, 1962 (plaque)National Academy of Recording Arts and Sciences, 1966 (plaque)National Academy of Recording Arts and Sciences, 1966 (plaque)National Academy of Recording Arts and Sciences, 1967 (plaque)National Academy of Recording Arts and Sciences, 1974 (plaque)National Academy of Recording Arts and Sciences, 1975 (printed materials)National Academy of Television Arts and Sciences, 1960-61 (plaque)National Academy of Television Arts and Sciences, 1966-67 (plaque)National Association for American Composers and Conductors, n.d. (medal)National Bicentennial Medal, 1976 (medal)National Endowment for the Arts Medal, 1986 (printed materials)National Federation of Music Clubs, 1941 (award)National Institute of Arts and Letters, 1942 (membership)National Institute of Arts and Letters Medal, 1956 (printed materials)National Music Awards, 1976 (award)National Press Club, 1974 (award)New York State Assembly, 1985 (citation)New York State Music Awards, 1975 (award)New York State Music Award, 1981 (citation)New York State Music Awards, 1981 (award)Oakland University, 1978 (plaque)Oklahoma City, 1943 (award)Ovation Magazine, 1989 (award)Paramount Center for the Arts, 1985 (medal)Pennsylvania House of Representatives, 1990 (citation)Philharmonic Symphony Society of New York, 1970 (membership)Phi Mu Alpha, 1961 (membership)Phi Mu Alpha, 1970 (plaque)Phi Mu Alpha, 1972 (plaque)Phi Mu Alpha, 1974 (plaque)Phi Mu Alpha, 1976 (award)Phi Mu Alpha, 1979 (plaque)Pi Kappa Lambda, 1970 (membership)The Pierian Sodality of 1808, 1962 (certificate)Pittsburgh Bicentennial, 1958 (medal)Preservation and Revitalization of Cold Springs Area, 1983 (reception)President of Brooklyn, 1980 (award)Presidential Medal of Freedom, 1964 (printed materials)Presidential Medal of Freedom, 1964 (medal)Pulitzer Prize, 1945 (printed materials)Pulitzer Prize, 1945 (diploma)Rainier, Prince de Monaco, III, n.d. (medal)Royal Academy of Music, 1959 (membership)Royal Philharmonic Society, 1970 (membership)Royal Society for the Encouragement of Arts Manufactures and Commerce, 1960 (membership)San Jose, n.d. (plaque)Scholastic Teacher's National Film and Filmstrip Awards, 1960 (award)State of Kansas, 1976 (membership)State of New York, 1979 (citation- 2 copies)State of Louisiana, 1976 (AC Days)State of Michigan, 1980 (citation)State of New York, 1983 (citation)State of North Carolina, 1976 (AC Day)State of Tennessee, 1978 (award)State of Utah, 1976 (AC Week)State University of New York at Potsdam, n.d. (citation)Stereo Review, 1981 (award)Syracuse University Chancellor's Medal, 1975 (printed materials)Syracuse University Chancellor's Medal, 1975 (medal)Tanglewood, n.d. (concert)Third Street Music School Settlement, 1979 (award)Town of Cortland, 1985 (plaque)Umpaqua Community College, 1981 (AC Festival)United States Air Force Band, n.d. (citation)United States Senate, 1985 (citation)Universidad de Chile, 1963 (award)Universidad de Chile, n.d. (award)Universidade do Estado da Guanabara, 1950 (medal)Universidade do Estado da Guanabara, 1963 (award)University of Leeds, 1977, (tribute)University of Pennsylvania, 1980 (citation)University of Pennsylvania Glee Club, 1970 (award)University of Pennsylvania Glee Club, 1970 (plaque)Venezuelan Association of Authors and Composers, 1957 (award)Washington, DC, 1980 (AC Day)Westchester Council for the Arts, 1981 (plaque)Westchester County Executive, 1981 (citation)Westchester County Executive, 1985 (citation)Westchester County Merit Award, n.d. (medal)Westchester Music and Arts Camp, 1981, (festival)William Penn College, 1983 (award)Wisdom Magazine, n.d. (award)Yale University Howland Medal, 1970 (printed materials)Yale University Howland Medal, n.d. (medal)Yale University Samuel Simons Sanford Medal, n.d. (medal)Art Works, 1944-1983The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger. Citations, Medals, etc. include certificates, proclamations, plaques, medals, keys to cities and, some cases, accompanying correspondence, programs, reviews and other printed material. Arranged alphabetically by the presenter's name. Of Aaron CoplandAlbee, E. (pencil sketch)Altman, N. (right and left handprints)Boyce, John (pencil sketch)Frueh, A. (pencil sketch)Frubauf, Aune (woodcut)Hirsch, Joseph (portrait)Hoffnung, Gerard (caricature reproduced in journal)Irene (sketch)Johnson, J. R. (watercolor; collage)Nando (caricature)Oslundigo, E. R. (watercolor)Perrin, Joyous (ink sketch)Re, F. (engraving, 2 copies)Ross, Alvin (ink sketch)Schiff, R. (ink sketch)Schiff, R. (pencil sketch)Unidentified (caricature)Unidentified (caricature with Charles Ives)Unidentified (ink sketch)Unidentified (mounted newspaper photo of AC and Benny Goodman)Unidentified (pencil sketch)Unidentified (portrait)Other worksChagell, Marc (Print, included in a program honoring Nadia Boulanger)Children (drawings)Johnson, J. R. (painting)Keahy, Ruth (watercolor, El Saloon Mexico)Picasso, Pablo (numbered print of bull and horse)Ross, A. (etching)Ross, A. (etching, one for each month)Unidentified (18th century songbook)Unidentified (Japanese fabric sculpture)Unidentified (paper collage)Unidentified (Tango folio)Unidentified (watercolor and floor plan of AC's house)Wolf, R. Statements on artPoetryAmmons, A., Breaking OutPrice, R., The Dream of the HouseTate, A., All is BrillingUnidentified, For Aaron Copland (5 poems)Unidentified, Patrick County, VirginiaPostersAlbany InstituteAmerican Symphony OrchestraAustralian concertsBasilique-Cathédrale Sante-ReparateBamberger SymphonikerBarous, Terry (senior recital)Beorgradska FilharmonijaBologna concertBoston Symphony OrchestraBoston University concertBowery EnsembleJavier CabadaEmpire SinfoniettaHarvest of Music FestivalInscapeIsrael PhilharmonicJordan Hall, BostonNational Symphony OrchestraNew York State Council on the ArtsOjai FestivalParkening, ChristopherRussian concertsSchiff, Richard J.Second hurricaneSmit, Leo (recital)Seymour Group, AustraliaSyracuse University concertTender landTrieste Philharmonic (2 copies)Waldman, PaulWFNL, U.S. Guys (Ives, Copland, Bernstein)Photographs, 1889-1985The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, "Copland, 1900-1943" (Volume I) and "Copland Since 1943" (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found. A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series. Includes black and white and color photoprints in several sizes, color slides, black and white contact prints, black and white and color negatives, and color transparencies (mostly 35mm, but includes oversize, copy and square negatives). Photoprints with and without Aaron Copland arranged by subject from the most personal and relevant to Copland to less important and significant, then roughly in chronological order; Photo Albums arranged in approximate chronological order; Color Slides arranged by subject; and Negatives arranged according to pre-existing job codes in alpha-numeric order when available, and according to newly-assigned codes arranged by subject, then numerically. Photoprints with Aaron CoplandAC Portraits: Early (1900-1930)1906, at age 6 [enlargement of smaller print][1920?], "Copland 1924" (Ortho) [ I;37]1920s, AC in Parisca. 1920s1923[1926?], "Copland in front of Koussevitzky's house, Boston, 1925" [I;101]1930, 6 signed and mounted prints (Hermann Collmann)MiscellaneousMiscellaneousAC Portraits: Middle (1931-1960)[ca. 1930s], series, one mounted (Victor Kraft)1932, series (Carl Van Vechten)[1932], "Copland 1927" [copy of photo by Carl Van Vechten]1946, "Studio in the Berkshires September, 1946" (Victor Kraft)1947, signed and mounted (Irving Penn)[1947], signed and mounted (Irving Penn)ca. 1951, at piano, "Barn studio in Berkshires, circa 1951" (Victor Kraft)1958, Life magazine (Gordon Parks)1959 (Harold Shapero)1960 (C. Manos)Undated, 1 photo, matted (Carl Van Vechten), UndatedUndated, 2 photos (Victor Kraft) [Negs. CC-CP-N-1057-R2;22,23], UndatedUndated, 2 photos, 3 prints, UndatedUndated, 3 photos (George Platt Lynes), UndatedUndated, 2 prints, UndatedUndated, 8 proofs (Pach Bros.), UndatedUndated, At piano [Berkshires studio], UndatedUndated, [Berkshires?, outdoors] (Victor Kraft), UndatedUndated, Informal, UndatedUndated, [Massachusetts house, exterior and interior; sunset (Victor Kraft)] (Color slides)MiscellaneousMiscellaneousMiscellaneousMiscellaneousMiscellaneous, AC at pianoMiscellaneous, informalAC Portraits: Late (1961-1990)1960s, proofs (Lotte Meitner-Graf)[1960s], 2 photos, "in 60's" (Marc and Evelyne Bernheim)[1960s], 3 photos, "in 60's" (Editta Sherman)[ca. 1960s][ca. late 1960s?], mounted (Color)1962, Apr., LIFE magazine (Yale Joel)1970, Feb., mounted (John Hustad)[ca. 1970s], signed and mounted[ca. 1970s, outside], mounted (Color)1971, mounted (Martha Crumb) (Color)1972 (Bob Fullerton)1977, signed and mounted (Leo Smit) (Color)1978, 3 photos, signed (King Wehrle)1979 (Hans Namuth)1979, mounted (Mickey Adair)1980, 13 photos (Suzie E. Maeder)[ca. 1980] (Iris Posner) (Color)[ca. 1980], matted (Color)1981, signed (Nancy Rica Schiff)1982, signed and mounted (Ralph Titus)1983 (Arthur Mones)1984, at piano (Lucy Cobos)1985, signed (Marianne Barcellona)[ca. 1985] (from [by?] Ann Mann) (Color)At piano (Dennis Goulden)Undated, At piano (Victor Kraft?)Undated, At piano, signed by AC (Paul Moor)Undated, Series (David Diamond)Undated, Series (Editta Sherman)Undated, Signed and mounted (Lotte Meitner-Graf)Undated, 1 print (Kazuo Inoue Okayama)MiscellaneousMiscellaneousMiscellaneousMiscellaneousMiscellaneousMiscellaneous (Color)Miscellaneous, AC at the pianoAC Family1909, AC with sister Josephine [enlargement copy]1935, Golden wedding anniversary banquet for AC's parents, mounted [banquet camera photo]1935, Golden wedding anniversary banquet for AC's parents [banquet photo, rolled]AC with family, UndatedMiscellaneous, UndatedMiscellaneous (Color), UndatedAC Conducting: Middle (1930-1960)Foreign Countries1960, Berlin, conducting "Nonet" (Paul Moor)[1960, Japan] (Kazuo Inoue Okayama)[1960?], Japan, "Conducting in Japan" (Jun Miki)MiscellaneousUnited States[1940s?, Tanglewood], 2 photos (Victor Kraft)MiscellaneousUnidentifiedAC Conducting: Late (1961-1980s)Foreign Countries1963, Columbian National Symphony1970, Berlin (Victor Kraft)1970, Berlin (Peter Muck)1970, London, London Symphony Orchestra (Julian Hahn)1970, London, London Symphony Orchestra (Victor Kraft)1970 Nov., London, London Symphony Orchestra (Victor Kraft?) (Color slides)1980, London, London Symphony Orchestra (Crowthers)1980, London, [London Symphony Orchestra?], 5 photos (Suzie Maeder)England (Victor Kraft), UndatedMiscellaneousUnited States1964 Summer, New York City, Lewis Stadium, rehearsal of Lincoln Portrait with Adlai Stevenson (Marc and Evelyne Bernheim)1970, Los Angeles (Mary Leipziger)1970 Dec., New York Philharmonic Orchestra (Color slides)[ca. 1970s], Kent State University (Jack Davis)1971 Nov., Kansas State University, Copland Festival (Ralph Titus)[1972], Austin Symphony (James E. Alvis)[1972] Mississippi River Festival (Charles H. Cox)1973 Feb. 11, United States Air Force Band and Singing Sergeants, Washington, D.C. [photo scrapbook]1976, Saratoga Springs, 2 photos (Allen J. Winigrad) (Color)[1976?, Saratoga Springs], 3 photos (Color)1981 Sept., Library of Congress, conducting "Nonet"Undated, Detroit Symphony Orchestra with William Warfield (L. Wardrop)Undated, Norfolk Symphony Orchestra [photo scrapbook]Undated, San Francisco [dual slides] (Color slides)Unidentified and MiscellaneousAC Conducting: Miscellaneous and Unidentified[ca.1960s] UnidentifiedUndated, 1 print (Goldstein)Undated, 2 prints (Kenneth Love)Undated, 4 photos, mounted (J. Fowler)Undated, Enlarged photo (Gordon Clarke)Undated, Series of 15 prints (Gordon Clarke)Undated, Series of 17 prints (Nicholas Tucker)MiscellaneousMiscellaneous (Color)Unidentified (Color slides)AC PerformingAt piano, 1967 Congregation of the Arts, Dartmouth College [photo album]At piano, 1970 Nov., AC with André Previn and London Symphony Orchestra, "Piano Concerto" rehearsal (Color)At piano, UndatedFilmRadioRadio and Television (Color)TelevisionMiscellaneous (Color)AC with ComposersBarber, Samuel and Virgil Thomson, Gian Carlo Menotti, and William Schuman, ca. 1940, "AC with American composer friends" (John Stewart)Bernstein, LeonardBoulanger, NadiaBoulanger, Nadia and Serge KoussevitzkyBritten, BenjaminKoussevitzky, Serge, 1944 May, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky"Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft)Milhaud, DariusRochester, New York Conf[erence] of American Composers, 1925Smit, LeoThomson, Virgil and Roger Sessions (Color slide)Thomson, Virgil, Walter Piston, and Herbert Elwell, 1924, ParisMiscellaneousAC with ConductorsKoussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft)Mehta, Zubin, ca. 1980 (Color)MiscellaneousMiscellaneous (Color)AC with ChoreographersRobbins, Jerome, J. B. Kennedy, and Arthur Gold and Robert FizdaleSmith, Oliver and Agnes de Mille, 1942, Tanglewood (Victor Kraft)MiscellaneousAC with PerformersGold, Arthur and Robert FizdaleMacLeish, Archibald, 1923Barzin, Leon and National Orchestra Association, 1975 (Ezio Petersen, UPI)Dartmouth College, Congregation of the Arts, 1967 [photo scrapbook]MiscellaneousMiscellaneous - Performers, Composers, and Politicians (Color)Unidentified (Bern Ketchum)AC with Famous People and PoliticiansMiscellaneousMiscellaneousAC with Recording and Publishing ExecutivesHawkes, Ralph, ca. 1949, TanglewoodMiscellaneousAC with FriendsBernstein, Leonard (Color)Bernstein, Leonard, Tanglewood (Victor Kraft)See also: AC with Composers and Festivals and Artist Colonies, Tanglewood (Victor Kraft) BOX: xxxBernstein, Leonard, ca. 1940, at piano, 2 photos (Victor Kraft)Bernstein, Leonard, 1962, at rehearsal for "Connotations"Clurman, HaroldRamey, Philip (Color)Walker, David and Nadja [AC's dog], ca. 1970Early photos, 1912-1920, n.d.MiscellaneousMiscellaneous (Color)AC with AcquaintancesGarfein, Jack, 1961, PeekskillLaTouche, John, 1937, on set of Rudy Burkhardt's film "145 West 21"Mosely, Carlos (Victor Kraft)MiscellaneousMiscellaneous (Color)AC with OthersBoys High School, Brooklyn, Class of June 1918MiscellaneousMiscellaneous (Color)Festivals and Artist ColoniesAspen, ColoradoOjai, CaliforniaSanta Fe, New MexicoTanglewood, [1940s]Tanglewood, [1940s] (Color)Tanglewood, 1985University of Gainsville, Forida, 1972Yaddo, 1932MiscellaneousMiscellaneous (Color)TravelArgentinaBrazilColombiaFranceFrance, 1920sGreat BritainGermany, BambergGreat BritainGermany, BambergIsraelJapanJapan, 1962 Jan., "Joint U.S. - Japan Conference on Cultural and Educational Interchange January 1962" [Photo album]Latin AmericaMexicoPeruPolandPortugalPuerto RicoTurkeyUnited StatesUSSRVenezuelaMiscellaneousMiscellaneous (Color)EventsAwards"Golden Apple"MiscellaneousMiscellaneous, honors (Color)Birthday celebrations1977, Johns Hopkins UniversityMiscellaneous (Color)Dinners1944 May 16, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky, May 16, 1944" [banquet camera photo]1954 Mar. 30, "40thanniversary dinner, Amercian Society of Composers, Authors and Publsihers, The Waldorf-Astoria, March 30, 1954"70th birthday80th birthday, Boosey & HawkesMiscellaneousDinners and Receptions (Color)Honorary degrees1958 June, Oberlin College1950s1960s1971, Columbia University1970s-1980sMiscellaneous (Color)Lectures and Seminars1967, Dartmouth College, Congregation of the Arts [photo scrapbook]1972, University of Texas, SymposiumMiscellaneousPress conferences and InterviewsReceptionsPhotoprints without Aaron CoplandComposersBerger, Arthur (Victor Kraft)Bernstein, Leonard, [ca. 1947, NY Times article] (Victor Kraft)Bernstein, Leonard, signed (Lotte Meitner-Graf)Bernstein, Leonard and brother, [ca. 1930s] (Andrée Vilas)Blitzstein, Marc, David Diamond, and Colin McPhee, [ca. 1940s] (Victor Kraft?)Bowles, Paul [ca. 1930s] (Victor Kraft)Britten, Benjamin (Andrée Vilas)Britten, Benjamin (Victor Kraft)Cage, John, [ca. 1947, NY Times article] (Victor Kraft)Diamond, David, [ca. 1948] (Victor Kraft?)Foss, Lukas, [11/47 NY Times] (Victor Kraft)Foss, Lukas, [11/47 NY Times] (Victor Kraft)Haieff, Alexei, [ca. 1947, NY Times article] (Victor Kraft)Henze, Hans WernerHonegger, Arthur and Elizabeth Sprague Coolidge, Tanglewood, [1947] (Victor Kraft)Kennedy, J. B. (Daniel Entin)Milhaud, Darius, [ca. 1940s] (Victor Kraft)Piston, Walter, [ca. 1940s] (Victor Kraft)Shapero, Harold, [ca. 1947, NY Times article] (Victor Kraft)Stravinsky, Igor (Victor Kraft)Thomson, Virgil, [ca. 1980s] (Nancy Rica Schiff)Tippett, Michael (Nicholas Tucker)MiscellaneousMiscellaneous (Color)UnidentifiedConductorsBoult, Sir AdrianDavies, MeredithHoffman, Irwin, [ca. 1940s] (Victor Kraft)Hoffman, Irwin, Leonard Bernstein, and Serge Koussevitzky, 1947, Tanglewood (Victor Kraft)Koussevitzky, Serge and Olga (Victor Kraft)Koussevitzky, Serge, signed and matted, (Lotte Neustein)Shaw, Robert [1947, rehearsal at New York City Center for Harper's Bazaar] (Victor Kraft)MiscellaneousChoreographersRobbins, Jerome (Victor Kraft)PerformersFizdale, Robert and Arthur Gold, 1947, 4 prints (Victor Kraft)Kapell, William, 15 prints (Victor Kraft)Newlin, D[ika?], 6 prints (Victor Kraft)"Tender Land" production and other productions (Color)MiscellaneousFriendsKennedy, J. B. (Daniel Entin)Kraft, VictorKraft, Victor [with camera], ca.1940Ramey, Philip (Color)Ross, Alvin, signed (Carmen Schiavone)MiscellaneousMiscellaneous (Color)AcquaintancesCoolidge, Elizabeth Sprague and Arthur Honegger, [1947, Tanglewood] (Victor Kraft)MiscellaneousMiscellaneous People and Subjects"Peter Grimes" scenes (Andrée Vilas)Mittenthal store, Texas, 1889 [copy of photo]Tree, 1964 Feb., signed and matted (Robert Lombardo)MiscellaneousBallet"Billy the Kid""Dance Panels", 1963, MunichMiscellaneousMotion Pictures"North Star", [1943]MiscellaneousPhotos of ArtworkMiscellaneousMiscellaneous (Color)Houses"Rock Hill," Peekskill, NY (Victor Kraft?)MiscellaneousMiscellaneous (Color)Miscellaneous (Color slides)Contact SheetsAC Portraits: Early (1900-1930) and Middle (1931-1960)AC PortraitsMiddle (1931-1960)Middle (1931-1960) and Late (1961-1990)Late (1961-1990)MiscellaneousAC ConductingMiddle, Foreign Countries, 1964, [London?]MiscellaneousAC in studioAC with ComposersFoss, Lukas and Harold Shapero (Victor Kraft)Chávez, Carlos and Harold Clurman, [ca. 1960s] (Victor Kraft)AC with othersReceptionMiscellaneousTravelLondon, 1970 (Victor Kraft)London, 1972 (Victor Kraft)ComposersPiston, Walter (Victor Kraft)MiscellaneousFriendsBernstein, Leonard (Victor Kraft)PerformersFizdale, Robert and Arthur Gold (Victor Kraft)MiscellaneousTanglewoodMiscellaneousPhoto AlbumsFamily: ca. late 1800s - early 1900s)AC aloneAC with friendsFriendsMexico, 1932United States, 1932Color SlidesMiscellaneousNegativesBlack and White35mm and 2.5x2.5 negatives4x5 negatives and 5x7, 8x10 copy negativesColor35mm, 2.5x2.5 negatives, and one 8x10 transparencyVictor Kraft Materials, 1918-1976The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as "Life Magazine", "Harper's Bazaar", "Junior Bazaar", and the French art journal "L'Oeil", among others. The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series. Includes letters, telegram, manuscript and typewritten notes, identification cards and passport, address book, bank checks and statements, receipts, purchase orders, black and white and color prints, black and white contact prints, color slides, black and white and color negatives, color transparencies (mostly 35 mm, but includes oversize, copy and square negatives), a watercolor and etching print, post cards, clippings, and maps. Biographical, Professional Papers, Photoprints, Contact Sheets, Color Slides and Printed Matter arranged by subject (Photoprints follow similar order as photoprints in Photographs series); Correspondence arranged chronologically; Artwork arranged alphabetically by subject, and Negatives arranged according to pre-existing job codes in alpha-numeric order when available, and according to newly-assigned codes arranged by subject, then numerically. BiographicalPersonal PapersForeign Service applicationCorrespondenceBowles, Paul, 1935-1936Miscellaneous, 1937-1975Professional PapersBrazil, 1951-1953[?]MiscellaneousPhotoprintsVictor Kraft: Portraits and FamilyPortraitsEarlyEarly and MiddleMiddleMiddle with cameraMiddle with cameraMiddle and LateFamilyFamily and childhoodAlone and with Jeremy Kraft: LateWith Jeremy Kraft, [ca. 1970s, snapshots] (Color)VK with othersVK with Pearl KazinKazin, Pearl alone [curled prints]Composers and PerformersCopland, Aaron: Portraits: [Middle]Copland, Aaron: 1948, Tanglewood, "Copland-Milhaud with composition students"Copland, Aaron: With others (Color)Dancers, in studioFoss, Lukas and Alexei HaieffJohns, Erik and Frances Garman, [ca. 1940s?]Kapell, WilliamKraft, Victor with cameraMcPhee, Colin, Walter Piston, and Igor StravinskyMitropoulos, DmitriRobbins, JeromeShaw, Robert, 1947, City Center, New YorkTanglewood, 1940sMiscellaneousMiscellaneousUnidentified performers, backstageFamous PeopleBowles, Paul, [ca. 1930s]Denby, Edwin, [ca. 1930s, Mexico]Laughton, Charles and Elsa LanchesterMcCullugh, Carson, signed (Ronny Jaques)Rosenfeld, IsaacVan Vechten, Carl, portrait seriesMiscellaneousMiscellaneous People"The Captain with friend", 8 printsSoldiers descending steps, 2 copiesMen, mostly unidentified[Unidentified], 4 prints[Unidentified], Children[Unidentified], Group photos[Unidentified], Men[Unidentified], Women[Unidentified], Woman, elderly[Unidentified], Women, [story photos ?]New York CityBaseball gameBrooklyn BridgeCityscapesColumbus CircleStreet ScenesStreet ScenesForeign CountriesBrazil1951, "Maranhao Uprising, 10-16-51" [curled prints]1951-52 [curled prints]1951-52 [curled prints]1951-52, miscellaneous [slightly curled prints]1952, "Cooperativa Agraria" [curled prints]1952, "Cooperativa Agraria" [curled prints]GuatemalaGuatemala photoprints, [curled prints]MexicoMexico photoprints508 W114 Ca8-7621 [slightly curled prints]"Parana Dupes" [badly curled prints]MiscellaneousMiscellaneousMiscellaneousMiscellaneous: ItalyMiscellaneous: FranceMiscellaneous: Photo post cardsMiscellaneous: UnidentifiedStory PhotosButcherHarper's BazaarJunior Bazaar, 1947 Feb., "How They Got Started"Miscellaneous, [mostly unidentified]Fashion / ModelsGarman, FrancesModels, miscellaneousStudies, nude figures, 4 printsMiscellaneousMagazine Product PhotosMiscellaneousMiscellaneous SubjectsAnimalsGeneralGeneralLandscapesLandscapes (Color)LandscapeContact SheetsKraft, VictorComposers and PerformersAC and AC with othersAC [rolled contact strip]AC, in EnglandMitropoulos, DmitriMiscellaneousFamous peopleMiscellaneous peopleMiscellaneous peopleMiscellaneous peopleNew York CityUnited States"Pendle Hill July 1955 w. Orders !"Street scenesTravelForeign CountriesBrazilBrazilBrazilBrazil [curled prints]Brazil [curled prints]Brazil [assorted subjects]EuropeGuatemala [curled prints]Haiti [rolled contact strips]Italy, Puglia region [photos for L'Oeil magazine] [badly curled prints]MexicoMexico [assorted subjects]Mexico [story boards]MiscellaneousUnidentifiedTravel / Landscapes, miscellaneous and unidentifiedStory photosFashion modelFashion modelsFashion modelsMiscellaneous subjectsMiscellaneous subjectsMiscellaneous subjects and unidentifiedColor SlidesRussian slides, "Sikhote-Alin Reserve", Produced by Novosti Press Agency [Nature scenes]Victor and Jeremy Kraft, 1974 Sept.AC with two unidentified people[Brazil]Italy [Pisa][Mexico?], 1954 Sept. 24, A-B-C-D1955 Sept. 14, [Unidentified]1956 Mar. 16, [Unidentified]Undated and unidentifiedNegatives35mm negatives and 8x10 copy negatives35mm, 2.5x2.5, 4x5 negatives and transparencies (Color)Negative Sleeves and WrappersSampling of sleeves with notes and identification codes by VKArtwork and MiscellaneousBrazil, 1948-49, Fundaçao Brasil Central (F.B.C.) [3 maps]Davison, Robert[?], watercolor landscape, signed, 1948 Oct.Kraft, VictorJunior Bazaar and Harper's Bazaar, miscellaneous magazine pages [photos]Miscellaneous post cards [Reproductions of artwork]Tsachacbosov, numbered etching print of a fish, signed, 1946Miscellaneous magazine and newspaper clippingsMiscellaneous foreign publicationsCopland Library, 1908-1988The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris. Includes published hardbacks and softbacks. Arranged in alphabetical order by author, then by title. Title onlyOne hundred Japanese folk-songs. Ongaku no tomo-sha, 1960.Orquestra Sinfónica de México. 1929-30.By AuthorAdrian, P. G.Réflexions sur l'univers sonore. Éditions Richard-Masse, 1954.Alfred KnopfRead at a luncheon given by Fannie Hurst, Anne O'Hare McCormack, and H. L. Mencken.... Alfred Knopf, 1941.Amado, JorgeABC de Castro Alves. Livraria Martins, 1945.American Society of Composers, Authors and Publishers (ASCAP)Copyright Law Symposium, no. 21-34. Columbia University, 1986.Andreis, Josip and Slavko Zlatic (editors)Yugoslav music. Edition Jugoslavija Beograd, 1959.Andrews, Edward D.The gift to be simple. J. J. Augustin, 1940.Anouilh, JeanPièces brillantes. La Table Ronde, 1951.Antek, SamuelThis was Toscanini. Vanguard, 1963.Ausubel, Nathan (editor)A treasury of Jewish folklore. Crown, 1948.Bacon, ErnstNotes on the piano. Syracuse, 1963.Bakeless, Katherine LittleStory-lives of American composers. Stokes, 1941.Balzac, Honoré deLe Lys dans la Vallée. Éditions R. Simon, n.d.Bang, HermanErzentrische Novellen. Fischer, 1921.Barolini, AntonioElegie di Croton. Feltrinelli, 1959.Bator, VictorThe Béla Bartók Archives: history and catalogue. Bartók Archives, 1963.Bayard, Samuel Preston (editor)Hill country tunes. American Folklore Society, 1944.Bearsley, AubreyThe later work of Aubrey Beardsley. Dover, 1967Beck, GeorgGuide to the beauty of Bamberg. Bayerische, 1969.Beck, GeorgesDarius Milhaud. Heugel, 1949.Becker, JohnAfter Geneva. London Magazine Editions, 1975.Berger, ArthurAaron Copland. Oxford, 1953.Aaron Copland. Club du Libre Americain, 1962.Berger, MelvinMasters of modern music. Lothrop, 1970.Bergson, HenriThe two sources of morality and religion. Doubleday, 1954.Bernanos, GeorgesSous le soleil de Satan. Plon, 1926.Bernstein, LeonardFindings. Simon and Schuster, 1982.The joy of music. Simon and Schuster, 1959.Bever, Adolphe van and Paul LéautaudPoètes d'aujourd'hui. Mercure, 1922.Boccaccio, GiovanniDecameròn. Rizzoli, 1950.Borevitz, VictorB. C. E. Biggest Century Enterprise. Borevitz, 1972.Botkin, B. A. (editor)The pocket treasury of American folklore. Pocket, 1950.Boucher, MauriceLa philosophie de Hermann Keyserling. Les Éditions Rieder, 1927.Breton, AndréSituation du surréalisme entre les deux guerres. Éditions de la Revue Fontaine, 1945.Brincourt, AndréLa farandole. La Table Ronde, 1952.Brindle, Reginald SmithSerial composition. Oxford, 1967.Brooks, Van WyckThe pilgrimage of Henry James. Dutton, 1925.Bruyr, JoséL'écran des musiciens. Les Cahiers de France, 1930.Honegger et son oeuvre. Éditions Corrêa, 1947.Bynner, WitterCake. Knopf, 1926.Cage, JohnWriting through Finnegans Wake. University of Tulsa, 1978.Campos, Jorge HernandezLa parabola del Terron. 1945.Campos, RubénEl folklore y la música méxicana. Secretaría de Educación Pública, 1928.Camus, AlbertL'étranger. Gallimard, 1942.Le mythe de Sisyphe. Gallimard, 1942.La peste. Gallimard, 1947.Carco, FrancisJésus-la-Caille. Artheme Fayard, n.d.Cartwright, Jean and John CartwrightEnjoy Santa Fe more. New Mexico Publishing Co., 1976.Castillo, B. Díaz delConquista de la nueva españa, tomo II. Espasa-Calpe, 1928.Cendrars, BlaiseHistoires vraies. Grasset, 1938.Chapin, Katherine GarrisoinLament for the stolen. Centaur, 1938.Chevalier, Maurice and Robert DoisneauMy Paris. Macmillan, 1972.Childs, Barney...and other poems. Privately printed, 1955.Citron, Samuel and David DiamondThe golden slippers. Friends of the Jewish Theatre for Children, 1967.Clermont-Tonnerre, E. deRobert de Montequiou et Marcel Proust. Flammarion, 1925.Cober, AlanThe forgotten society. Dover, 1975.Cocteau, JeanCarte blanche. Éditions de la Sirene, 1920.Lettre à Jacques Maritain. Librairie Stock, 1926.Mon premier voyage. Gallimard, 1936.Opium. Librairie Stock, 1930.Cogley, JohnReport on blacklisting: II Radio-television. The Fund for the Republic, 1956.Conteurs AnglaisLa Venus Indienne. Bibliothèque des curieux, 1921.Copland, AaronAtt lyssna tíll muśik. Stockholm: Gebers, 1949.Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957.Az új zene, 1900-1960. Zenemükiadó, 1973.Come ascoltare la musica. Garzanti, 1950.Come ascoltare la musica. Garzanti, 1954.Come ascoltare la musica. Garzanti, 1959.Cómo escuchar la música. Fondo de Cultura Económica, 1955.Cómo escuchar la música. Fondo de Cultura Económica.Como ouvir (e entender) música. Editôra Artenova, 1974.Copland on music. Doubleday, 1960.Copland on music. Andre Deutsch, 1961.Copland on music. Da Capo, 1960.Copland on music. Norton, n.d.Lerne Musik hören. Kasparek, 1948.Luister zo naar muziek. Zomer & Keunings, n.d.Music & imagination. Mentor, 1952.Music and imagination. Harvard, 1952.Music and imagination. Harvard, 1952.Music and imagination. Oxford, 1952.[Music and imagination ]. Shorinsha, Tokyo, 1962.[Music and imagination ]. Shridhar Hari, 1962.[Music and imagination ]. 1968.Música e imaginación. Emece, 1955.Música y músicos contemporáneos. Editorial Losada, 1945.Musik von heute. Humboldt, 1947.The new music, 1900-1960. Norton, 1968.The new music, 1900-1960. MacDonald, 1968.A nova música. Gráfica Record Editôra, 1969.Nueva música, 1900-1960. Editorial Letras, 1969.Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941.Unsere neue Musik. Kasparek, 1947.Vom richtigen anhören der Musik. Rowohlts, 1967.What to listen for in music. Whittlesey, 1939.What to listen for in music. Mentor, 1953.[What to listen for in music ] Tehran, Iran: Zavar, 1956.What to listen for in music. McGraw-Hill, 1957.[What to listen for in music ]. Cairo: Hassan Irani, 1958.[What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965.Copland, Aaron and Vivian PerlisCopland, 1900 through 1942. St. Martin's, 1984.Coulette, HenriThe war of the secret agents. Scribner's, 1966.CounterattackRed Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950.Crevel, RenéLe clavecin de Diderot. Editions Surrealistes, 1932.Davison, AlvinThe human body and health. American Book Company, 1908.Derais, François and Henri RambaudL'envers du journal de Gide. Le nouveau portique, 1951.Diamond, DavidThe Alice and Frederick Slee lectures. University of Buffalo, 1961.Dolan, Robert EmmettMusic modern media. Schirmer, 1967.Drutman, IrvingGood company. Little, Brown, 1976.Edwards, ArthurThe art of melody. Philosophical Library, 1956.Eekhoud, GeorgeEscal-Vigor. Mercure de France, n.d.Le terroir incarné. La Renaissance d'Occident, 1923.Elöd, JuhászAmerikai variációk. Zenemükiadó, 1969.Bernstein Story. Zenemükiadó, 1972.Engel, GabrielGustav Mahler: song-symphonist. Bruckner Society of America, 1932.Engel, LehmanWords with music. Macmillan, 1972.Ewen, David (editor)The book of modern composers. Knopf, 1942.Composers of today. Wilson, 1934.Fennell, FrederickTime and the winds. G. LeBlanc, 1954.Fernández, JustinoFolklore Méxicano. Eugenio Fischgrund, n.d.Fernández, RamónAndré Gide. Éditions R.-A. Corrêa, 1931.Foote, Arthur and Walter R. SpaldingModern harmony in its theory and practice. Schmidt, 1905.Forster, E. M.Alexandria: a history and guide. Doubleday, 1961.Maurice. Edward Arnold, 1971.Fox, IdaIn the wind. Antiphon, 1970.France, AnatoleL'anneau d'améthyste. Calmann-Levy, n.d.Franco, EnriqueLa música en los estados unidos. La Editora Nacional, 1955.Friedman, SanfordRip Van Winkle. Atheneum, 1980.Gagliani, OliverOliver Gagliani. Ideograph, 1975.Oliver Gagliani: a retrospective. 1984.Gagne, Cole and Tracy CarasSoundpieces, interviews with American composers. Scarecrow, 1982.Galantière, Lewis (editor)The Goncourt journals. Doubleday, 1958.Gavoty, Bernard and Daniel LesurPour ou contre la musique moderne. Flammarion, 1957.Genet, JeanPompes funebres. 1948.Georges-Michel, MichelGens de théâtre que j'ai connus 1900-1940. Brentano, 1942.Gide, AndréAndré Gide. Éditions du Capitole.Ainsi soit-il ou les jeux sont faits. Gallimard, 1952.Amyntas. Gallimard, 1925.Attendu que... Charlot, 1943.Les caves du Vatican. Nouvelle Revue Française, 1922.Les contemporains. Capitole, 1928.Corydon. Nouvelle Revue Française, 1924.Un esprit non prévenu. Éditions Kra, 1929.Et nunc Manet in te. Ides et Calendes, 1947.Les faux-monnayeurs. Gallimard, 1925.Feuillets d'automne. Mercure de France, 1949.L'immoraliste. Mercure, 1923.Incidences. Nouvelle Revue Français, 1924.Journal, 1939-1942. Gallimard, 1946.Journal, 1942-1949. Gallimard, 1950.Journal des faux-monnayeurs. Gallimard, 1927.Les nourritures terrestres. Gallimard, 1921.Nouveaux prétextes. Mercure, 1921.Les nouvelles nourritures. Gallimard, 1935.Paludes. Gaimard, 1926.Prétextes. Mercure, 1923.Retouches à mon retour de l'U.R.S.S. Gallimard, 1937.Le retour de l'enfant prodigue. Gallimard.Retour de l'U.R.S.S. Gallimard, 1936.Robert. Gallimard, 1930.Saül. Gallimard, 1922.Si le grain ne meurt, II. Nouvelle Revue Française, 1924.La symphonie pastorale. Gallimard, 1925.Voyage au Congo: Carnets de route. Gallimard, 1927.Le voyage d'Urien. Gallimard, 1929.Gide, André and J. L. BarraultLe procès: Pièce tirée du roman de Kafka. Gallimard, 1947.Goldfarb, Rabbi Israel and Samuel E. GoldfarbFriday evening melodies. Bureau of Jewish Education, 1918.Gorali, Moshe; Gideon Almagor, and Moshe Bick (editors)The golden peacock. Haifa Music Museum, 1970.Gordon, Henry EvartsVocal expression in speech. Ginn and Company, 1911.Gordon, PhilipThe availability of contemporary American music for performing groups... Teachers College, Columbia University, 1950.Goss, MadeleineModern music-makers. Dutton, 1952.Graham, MarthaNotebooks of Martha Graham. Harcourt Brace Jovanovich, n.d.Gräter, ManfredKonzertführer neue Musik. Fischer-Bucherei, 1955.Green, JulienAdrienne Mesurat. Librairie Plon, 1927.Journal, 1935-1939. Librarie Plon, 1939.Journal, 1950-1954. Librarie Plon, 1955.Gregory, Horace (editor)The poems of Catullus. Grove Press, 1956.The triumph of life. Viking, 1943.Gruen, JohnThe private world of Leonard Bernstein. Viking Press, 1968.Hahn, ReynaldoJournal d'un musicien. Plon, 1933.Hallgren, Mauritz A.Seeds of revolt. Knopf, 1933.Hammond, MacThe horse opera and other poems. Ohio State University, 1966.Harrison, LouLou Harrison's music primer. Peters, 1971.Hayden, GeorgeThe cancer of the French candystoreman... R. E. Martin, 1972.Heinsheimer, Hans W.Best regards to Aida. Knopf, 1968.Henriot, ÉmileLes livres du second rayon. Le Livre, 1926.Henry-MarxRyls. Librairie Ollendorff, n.d.Hernan, W. J.What you want to say and how to say it in Italian. Hernan, 1920.Hindemith, PaulTestimony in pictures. Introduction by Heinrich Strobel. Schott, 1961.Hines, Robert Stephan (editor)The composer's point of view. University of Oklahoma, 1963.Hoffman, E. T. A.Musikalische Novellen und Auffäße. Insel, n.d.Hoffnung, GerardHoffnung's musical chairs. Dobson and Putnam, 1958.The maestro. Dobson, 1953.Hölderlin, FriedrichGedichte. Insel, n.d.Holguín, Guillermo UribeVida de un música colombiano. Libreria Voluntad, 1941.Hopkins, AntonyTalking about concertos. Heinemann Educational Books, 1974.Howe, Mark Anthony De WolfeThe tale of Tanglewood. Vanguard Press, 1946.Hughes, Rupert (composer); Deems Taylor, and Russell Kerr (editors)Music lovers' encyclopedia. Garden City Publishing, 1939.Hurst, Fannie (editor)A record of tributes to Clarence Adler.... , n.p., n.d.Hurtado, LeopoldoEspacio y tiempo en el arte actual. Editorial Losada, 1941.Estética de la música contemporanea. Biblioteca del colegio de graduados de la facultad de filosofia..., 1934.Introducción a la estética de la música. Ricordi Americana, 1951.Realidad de la música. Emecé Editores, 1953.Instituto di Studi VerdianiVerdi. Instituto de Studi Verdiani, 1969.Jackson, George Pullen (editor)Down-east spirituals and others. J. J. Augustin, n.d.Spiritual folk-songs of early America. Dover, 1964.Jarustowski, BorisDie Dramaturgie der klassischen russischen Oper. Henschelverlag, 1957.Jelinek, HannsAnleitung zür Zwölftonkomposition. Universal-Edition, 1952.Johnson, Thomas (editor)Final harvest: Emily Dickinson's poems. Little, Brown, 1961.Kai, MiwaSay it in Japanese. Dover, 1954.Kierkegaard, SørenAus dem Tagebuch des Verführers. George Muller, 1927.King, FrancisE. M. Forster and his world. Scribner, 1978.Kirkpatrick, John (editor)The music manuscripts and related materials of Charles Ives. John Kirkpatrick, Yale University, 1960.Kohlhaas, MichaelAus einer alten Chronik von Heinrich von Kleist. Lesel, n.d.Kosarin, SolJuvenile delinquency. Vantage Press, 1956.Kostelanetz, Richard (editor)The new American arts. Horizon, 1965.Kramer, AaronDenmark Vesey. Kramer, 1952.Last, JefZuyderzée. Gallimard, 1938.Leatherman, Leroy and Martha SwopeMartha Graham. Knopf, 1966.Leconte (editor)Plan de Paris. Leconte, n.d.Lee Stern PressWho is who in music, 1941. Lee Stern Press, 1941.Lefèvre, FrédéricEntretiens avec Paul Valéry. "Le Libre", 1926.Lenin, V. I.Imperialism: the highest stage of capitalism. International Publishers, 1939.Lewis, Richard (editor)In praise of music. Orion, 1963.Lime, MauriceGide, tel je l'ai connu. Julliard, 1952.Lobato, José Monteiro (editor)Alice no paíz das maravilhas por Lewis Carroll. Nacional, 1931.Lockspeiser, Edward (editor)Lettres inédites de Claude Debussy a André Caplet. Éditions du Rocher, 1957.Lomax, John and Alan LomaxCowboy songs. Macmillan, 1938.Our singing country. Macmillan, 1941.Luxton, Eleanor G.Banff. Summerthought, 1975.Machado, LavíniaA study of Brazilian folksongs. University of Miami, thesis, 1955.Machlis, JosephThe enjoyment of music. Norton, 1970.Macintyre, AladsairHerbert Marcuse. Viking, 1970.Madariaga, Salvador deAnglais français espagnols. Gallimard, 1930.Maeztu, María deAntología--siglo XX; Prosistas españoles. Espasa-Calpe, 1943.Maeztu, Ramiro deDon Quijote, Don Juan y la Celestina. Espasa-Calpe, 1943.Mahanna, John G. W.Music under the moon. Mahanna and Berkshire Symphonic Festival, 1935.Malipiero, Gian FrancescoL'armonioso labirinto. Rosa e Ballo, 1946.La pietra del Bando. Ateneo, 1945.Strawinsky. Cavallino, 1945.Malraux, AndréLa condition humaine. Gallimard, 1933.Manos, ConstantinePortrait of a symphony. Basic Books, n.d.Maritain, JacquesRéponse a Jean Cocteau. Librairie Stock, 1926.Martínez, OrlandoPasión de la música en Martí. La Habana, 1953.Mauclair, CamilleLa religion de la musique. Librairie Fischbacher, 1921.Maul, CarlosA glória escandalosa de Heitor Villa Lôbos. Livraria imperio editora, 1959.Mauriac, ClaudeJean Cocteau. Odette Lieutier, 1945.Maurois, AndréLa vie de Disraeli. Gallimard, 1927.Mayer-Serra, OttoPanorama de la música mexicana. El Colegio de México, 1941.McCarthy, EugeneOther things and the aardvark. Doubleday, 1969.McPhee, ColinAngkloeng gamelans in Bali. Overdruk uit Djawa, 1937.Children and music in Bali. Overdrum uit Djawa, 1938.A house in Bali. Asia Press, 1946.Meier, M. H. E.Histoire de l'amour grec dans l'antiquité. Stendhal, 1930.Mellers, WilfridCaliban reborn, renewal in twentieth-century music. Harper, 1967.Francois Couperin and the french classical tradition. Dobson, n.d.Man & his music, romanticism & the 20th century. Rockliff, 1957.Messiaen, OlivierTechnique de mon langage musical. Alphonse Leduc, 1944.Meyer, LeonardEmotion and meaning in music. University of Chicago, 1956.MichelinFrance. Michelin, 1964.Miller, MerleThe judges and the judged. Doubleday, 1952.Mintz, MarilynThe martial arts films. A. S. Barnes, 1978.Montagu, AshleyOn being human. Henry Schuman, 1951.Moore, MarianneNevertheless. Macmillan, 1944.Moreno, SalvadorAngeles músicos en México. Bellas Artes, 1957.Morillo, Roberto GarciaCarlos Chavez, vida y obra. Fondo de Cultura Económica, 1960.Musorgsky. Ricordi, 1943.Rimsky-Korsakov. Ricordi, 1945.Siete músicos europeos. Ollantay, 1949,Morley, HildaA blessing outside us. Pourboire Press, 1976.Morris, R. O.The structure of music. Oxford, 1935.Morton, DavidLike a man in love. Yankee, 1953.Mrabet, MohammedLook & move on. Black Sparrow Press, 1976.Love with a few hairs. Braziller, 1968.Nelson, Robert U.The technique of variation, a study.... University of California, 1948.New DirectionsDylan Thomas. New Directions, 1946.Five young American poets. New Directions, 1944.Nicolson, NigelPortrait of a marriage. Atheneum, 1973.Norris, HaroldYou are this nation. Harlo, 1976.Ocampo, Victoria338171 T. E. Éditions des lettres françaises, 1942.Panufnik, ScarlettOut of the city of fear. Hodder & Stoughton, 1956.Peare, Catherine OwensAaron Copland his life. Holt Rinehart Winston, 1969.Pereira Salas, EugenioLos orígenes del arte musical en Chile. Universidad de Chile, 1941.Perlis, VivianCharles Ives en el recuerdo. Editora Distribuidora Argentina, 1975.Perse, Saint-JohnAmers. Gallimard, 1957.Peyrefitte, RogerLes cles de Saint Pierre. Flammarion, 1955.L'exilé de Capri. Flammarion, 1959.The exile of Capri. Panther, 1961.Pfleger, KarlAndré Gide: O filho pródigo. Stella Editora, 1943.Pickenhayn, Jorge OscarPsicopedagogia musical. Casa Lottermoser, 1961.Pike, Joseph and Frederick C. WellstoodStratford upon Avon. Black, 1929.Pincherle, MarcAn illustrated history of music. Reynal, 1959.Musiciens peints par eux-mêmes. Pierre Cornuau, 1939.Plaskin, GlennHorowitz. Morrow, 1983.Poole, CliffordOut of joint in the familiar. Mitre, 1972.Porter, Eliot"In wildness is the preservation of the world". Kennedy Center, 1972.Potsch, WaldemiroBrazil, land and people. Fundação Alfredo Herculano Xavier Potsch, 1960.Pugsley, Betty and Richard PugsleyThe sound eternal. Paraclete, 1987.Queneau, Raymond (editor)Anthologie des jeunes auteurs. Éditions J. A. R., 1955.Exercices de style. Gallimard, 1949.Râpeanu, ValeriuCălător pe două continente. Editura Albatros, 1970.Interferente spirituaĺ. Editura Eminescu, 1970.Reich, SteveWritings about music. Nova Scotia College and New York University, 1974.Reis, ClairAmerican composers of today. International Society for Contemporary Music, 1930.American composers. International Society for Contemporary Music, 1932.Composers in America. MacMillan, 1938.Richmond, LeeNight-ride. HPC, 1981.Roads to spring. HPC, 1980.Ridge, LolaDance of fire. Harrison Smith and Robert Haas, 1935.Rimsky-Korsakow, NicolasPrincipes d'orchestration, I, II. Édition Russe de Musique, 1914.Rivera, A. Ramon and Thelma GruenbaumTo: music and children with love. exPressAll, 1979.Robinson, DavidThe confession of Andrew Clare. David McKay, 1968.Romains, JulesLe dieu des corps. Gallimard, 1928.Lucienne. Gallimard, 1922.Rorem, NedMusic from inside out. George Braziller, 1967.The Paris diary of Ned Rorem. George Braziller, 1966.Rose, BarbaraAmerican art since 1900. Praeger, 1967.Rosen, CharlesThe classical style. Faber, 1971.Rosen, Heinz (editor)Ballett Theater. Suddeutscher, 1963.Rosenberg, Deena and Bernard RosenbergThe music makers. Columbia University, 1979.Rosner, Stanley and Lawrence E. Abt (editors)The creative experience. Grossman Publishers, 1970.Rosten, NormanThrive upon the rock. Trident, 1965.Rukeyer, MurielSelected poems. New Directions, 1951.Sachs, MauriceLa chasse à courre. Gallimard, 1949.Sagiova, MarketaThe art of singing. Hawthorn, 1977.Salazar, AdolfoMúsica y sociedad en el siglo XX. La Casa de españa, 1939.La rosa de los vientos en la música europea. Orquesta Sinfónica de México, 1940.Salomon, I. L.Unit & universe. Clarke & Way, 1961.Samazeuilh, GustaveForeword and commentary toVues sur la France par Richard Wagner. Mercure, 1943.Saroyan, WilliamLove, here is my hat. Modern Age, 1938.Sartori, ClaudioRiccardo Malipiero. Edizioni Suvini Zerboni, 1957.Sartre, Jean PaulHuis clos. Gallimard, 1945.L'imaginaire. Gallimard, 1948.Le mur. Gallimard, 1939.La nausée. Gallimard, 1938.Situations, III, IV. Gallimard, 1949.Le sursis. Gallimard, 1945.Schindler, KurtFolk music and poetry of Spain and Portugal. Hispanic Institute in the United States, 1941.Schlœzer, Boris deIgor Stravinsky. Claude Aveline, 1929.Schweitzer, AlfredOut of my life and thought. Mentor, 1953.Sessions, RogerReflections on the music life in the United States. Merlin Press, 1954.Shaker Village Work CampSongs of the Shakers. Shaker Village Work Camp, 1956.Shanks, Lynn ForrestEnsemble: the gratuitous act. Shanks, 1968.Shapira, Yeshayahu (editor)[Zimron: collection of songs with notes. ] Kibuts ha-me uhad, 1950.Sherburne, Donald W.A Whiteheadian aesthetic. Yale, 1961.Sires, Ina (composer and editor)Songs of the open range. C. C. Birchard, 1928.Sittner, HansAus Schriften und Reden. Mozartgemeinde, 1963.Slaught, H. E.First principles of algebra. Allyn and Bacon, 1912.Smith, Carol SturmFat people. Fiction Collective, 1978.Smith, Georgia TuckerLeave it to Miss Annie. Allen Press, 1956.Solomon R. Guggenheim MuseumFernand Léger, five themes and variations. Solomon R. Guggenheim Museum,1962.Sonneck, O. G.A survey of music in America. McQueen Press, 1913.Stassinopoulos, AriannaMaria Callas. Simon and Schuster, 1981.Steigman, BenjaminAccent on talent. Wayne State University, 1964.Steiner, StanThe vanishing white man. Harper & Row, 1973.Stravinsky, IgorPoétique musicale. Plon, n.d.Stravinsky, VeraFantastic cities and other paintings. Godine, 1979.Stuckenschmidt, H. H.Arnold Schönberg. Rocher, 1951.Sykes, GeraldAlienation. Braziller, 1964.The cool millennium. Prentice Hall, 1967.Foresights, self-evolution and survival. Bobbs-Merrill, 1975.Thompson, Marilou BonhamAbiding Appalachia, or: where mountain and atom meet. St. Luke's Press, [1978].Thompson, Oscar (editor)Great modern composers. Dodd, 1941.Toor, FrancesA treasury of Mexican folkways. Crown Publishers, 1947.Traven, BrunoLa rebelion de los Colgados. Insignia, 1938.Turkington, Grace A.My country. Ginn and Company, 1918.Valéry, PaulVariété. Gallimard, 1924.Vivant. Cahiers du Suc, 1946.Varga, Bálint AndrásZenészekkelzéneröl. Beszélgetések Világhírü Muzsikusokkal, 1972.Vega, Aurelio de laThe negative emotion. La Habana, 1950.Vise, Sidney R.Ray Green: his life and stylistic elements of his music.... American Music Edition, Carl Fischer, 1975.Voice of AmericaThe American Symphony Orchestra. Voice of America, 1967.Voice of America Forum LecturesThe American Symphony Orchestra. Voice of America Forum Lectures, 1967.VoltaireCandide. Cluny, 1936.Vuillemin, LouisGabriel Fauré. Durand, 1914.Walker, MargaretFor my people. Yale, 1942.Walsh, Thomas (composer)Hispanic anthology. Putnam's, 1920.Walter, EugèneLove you good. René Julliard, 1963Walter, Eugène and Zev. WalterSingerie songerie. Willoughby Institute, 1958.Weinstock, Herbert (editor)Carlos Chávez: North American Press 1936-1950. Ediciónes Méxicanas, 1951.Weiss, Walter A.Solutions. 1975.Wellesz, EgonArnold Schönberg. E. P. Tal, 1921.Wescott, GlenwayThe grandmothers. Harpers, 1927.Xenakis, IannisMusique architecture. Casterman, 1971.Musiques formelles. La Revue Musicale, 1963.Return to the Table of Contents |
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