As a crier who collects the crowd together to buy his goods, so a poet rich in land, rich in money put out at interest, invites flatterers to come[ and praise his works] for a reward. But if he be one who is well able to set out an elegant table, and give security for a poor man, and relieve when entangled in glaomy law- suits; I shall wonder if with his wealth he can distinguish a true friend from false one. You, whether you have made, or intend to make, a present to any one, do not bring him full of joy directly to your finished verses: for then he will cry out," Charming, excellent, judicious," he will turn pale; at some parts he will even distill the dew from his friendly eyes; he will jump about; he will beat the ground[ with ecstasy]. As those who mourn at funerals for pay, do and say more than those that are afflicted from their hearts; so the sham admirer is more moved than he that praises with sincerity. Certain kings are said to ply with frequent bumpers, and by wine make trial of a man whom they are sedulous to know whether he be worthy of their friendship or not. Thus, if you compose verses, let not the fox 's concealed intentions impose upon you.