Infomotions, Inc.Dream Life and Real Life; a little African story / Schreiner, Olive, 1855-1920



Author: Schreiner, Olive, 1855-1920
Title: Dream Life and Real Life; a little African story
Publisher: Project Gutenberg
Tag(s): woman; rocks
Contributor(s): Power, Patrick, 1862-1951 [Translator]
Versions: original; local mirror; HTML (this file); printable
Services: find in a library; evaluate using concordance
Rights: GNU General Public License
Size: 9,609 words (really short) Grade range: 6-8 (grade school) Readability score: 75 (easy)
Identifier: etext1458
Delicious Bookmark this on Delicious

Discover what books you consider "great". Take the Great Books Survey.

Project Gutenberg Etext of Dream Life and Real Life by Schreiner
#5 in our series by Olive Schreiner

Copyright laws are changing all over the world, be sure to check
the copyright laws for your country before posting these files!!

Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers.  Do not remove this.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*These Etexts Prepared By Hundreds of Volunteers and Donations*

Information on contacting Project Gutenberg to get Etexts, and
further information is included below.  We need your donations.


Dream Life and Real Life 

by Olive Schreiner

September, 1998 [Etext #1458]


Project Gutenberg Etext of Dream Life and Real Life by Schreiner
******This file should be named dlarl10.txt or dlarl10.zip******

Corrected EDITIONS of our etexts get a new NUMBER, dlarl11.txt
VERSIONS based on separate sources get new LETTER, dlarl10a.txt

This etext was prepared by Sue Asscher <asschers@aia.net.au>

Project Gutenberg Etexts are usually created from multiple editions,
all of which are in the Public Domain in the United States, unless a
copyright notice is included.  Therefore, we do NOT keep these books
in compliance with any particular paper edition, usually otherwise.

We are now trying to release all our books one month in advance
of the official release dates, for time for better editing.

Please note:  neither this list nor its contents are final till
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.  To be sure you have an
up to date first edition [xxxxx10x.xxx] please check file sizes
in the first week of the next month.  Since our ftp program has
a bug in it that scrambles the date [tried to fix and failed] a
look at the file size will have to do, but we will try to see a
new copy has at least one byte more or less.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
fifty hours is one conservative estimate for how long it we take
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.  This
projected audience is one hundred million readers.  If our value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour this year as we release thirty-two text
files per month, or 384 more Etexts in 1998 for a total of 1500+
If these reach just 10% of the computerized population, then the
total should reach over 150 billion Etexts given away.

The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by the December 31, 2001.  [10,000 x 100,000,000=Trillion]
This is ten thousand titles each to one hundred million readers,
which is only 10% of the present number of computer users.  2001
should have at least twice as many computer users as that, so it
will require us reaching less than 5% of the users in 2001.

We need your donations more than ever!

All donations should be made to "Project Gutenberg/CMU": and are
tax deductible to the extent allowable by law.  (CMU = Carnegie-
Mellon University).

For these and other matters, please mail to:

Project Gutenberg
P. O. Box  2782
Champaign, IL 61825

When all other email fails try our Executive Director:
Michael S. Hart <hart@pobox.com>

We would prefer to send you this information by email
(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).

******
If you have an FTP program (or emulator), please
FTP directly to the Project Gutenberg archives:
[Mac users, do NOT point and click. . .type]

ftp uiarchive.cso.uiuc.edu
login:  anonymous
password:  your@login
cd etext/etext90 through /etext96
or cd etext/articles [get suggest gut for more information]
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET INDEX?00.GUT
for a list of books
and
GET NEW GUT for general information
and
MGET GUT* for newsletters.

**Information prepared by the Project Gutenberg legal advisor**
(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here?  You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault.  So, among other things, this "Small Print!" statement
disclaims most of our liability to you.  It also tells you how
you can distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement.  If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from.  If you received this etext on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
tm etexts, is a "public domain" work distributed by Professor
Michael S. Hart through the Project Gutenberg Association at
Carnegie-Mellon University (the "Project").  Among other
things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties.  Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the Project's "PROJECT GUTENBERG" trademark.

To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works.  Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects".  Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] the Project (and any other party you may receive this
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from.  If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy.  If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS".  NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold the Project, its directors,
officers, members and agents harmless from all liability, cost
and expense, including legal fees, that arise directly or
indirectly from any of the following that you do or cause:
[1] distribution of this etext, [2] alteration, modification,
or addition to the etext, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     etext or this "small print!" statement.  You may however,
     if you wish, distribute this etext in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word pro-
     cessing or hypertext software, but only so long as
     *EITHER*:

     [*]  The etext, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The etext may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the etext (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          etext in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the etext refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Project of 20% of the
     net profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Association/Carnegie-Mellon
     University" within the 60 days following each
     date you prepare (or were legally required to prepare)
     your annual (or equivalent periodic) tax return.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of.  Money should be paid to "Project Gutenberg
Association / Carnegie-Mellon University".

*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*





This etext was prepared by Sue Asscher <asschers@aia.net.au>





Dream Life and Real Life 

A Little African Story 

by Olive Schreiner

Author of "The Story of an African Farm" and "Dreams"




Dedication.

To My Brother Fred,

For whose little school magazine the first of these tiny stories--one of
the first I ever made--was written out many long years ago.

O.S.

New College, Eastbourne,
Sept. 29, 1893.


Contents.

I.  Dream Life and Real Life; a Little African Story.

II.  The Woman's Rose.

III.  "The Policy in Favour of Protection--".


Kopjes - In the karoo, are hillocks of stones, that rise up singly or in
clusters, here and there; presenting sometimes the fantastic appearance of
old ruined castles or giant graves, the work of human hands.
Kraal - A sheepfold.
Krantz - A precipice.
Sluit - A deep fissure, generally dry, in which the superfluous torrents of
water are carried from the karoo plains after thunderstorms.
Stoep - A porch.



I.  DREAM LIFE AND REAL LIFE; A LITTLE AFRICAN STORY.

Little Jannita sat alone beside a milk-bush.  Before her and behind her
stretched the plain, covered with red sand and thorny karoo bushes; and
here and there a milk-bush, looking like a bundle of pale green rods tied
together.  Not a tree was to be seen anywhere, except on the banks of the
river, and that was far away, and the sun beat on her head.  Round her fed
the Angora goats she was herding; pretty things, especially the little
ones, with white silky curls that touched the ground.  But Jannita sat
crying.  If an angel should gather up in his cup all the tears that have
been shed, I think the bitterest would be those of children.

By and by she was so tired, and the sun was so hot, she laid her head
against the milk-bush, and dropped asleep.

She dreamed a beautiful dream.  She thought that when she went back to the
farmhouse in the evening, the walls were covered with vines and roses, and
the kraals were not made of red stone, but of lilac trees full of blossom. 
And the fat old Boer smiled at her; and the stick he held across the door,
for the goats to jump over, was a lily rod with seven blossoms at the end. 
When she went to the house her mistress gave her a whole roaster-cake for
her supper, and the mistress's daughter had stuck a rose in the cake; and
her mistress's son-in-law said, "Thank you!" when she pulled off his boots,
and did not kick her.

It was a beautiful dream.

While she lay thus dreaming, one of the little kids came and licked her on
her cheek, because of the salt from her dried-up tears.  And in her dream
she was not a poor indentured child any more, living with Boers.  It was
her father who kissed her.  He said he had only been asleep--that day when
he lay down under the thorn-bush; he had not really died.  He felt her
hair, and said it was grown long and silky, and he said they would go back
to Denmark now.  He asked her why her feet were bare, and what the marks on
her back were.  Then he put her head on his shoulder, and picked her up,
and carried her away, away!  She laughed--she could feel her face against
his brown beard.  His arms were so strong.

As she lay there dreaming, with the ants running over her naked feet, and
with her brown curls lying in the sand, a Hottentot came up to her.  He was
dressed in ragged yellow trousers, and a dirty shirt, and torn jacket.  He
had a red handkerchief round his head, and a felt hat above that.  His nose
was flat, his eyes like slits, and the wool on his head was gathered into
little round balls.  He came to the milk-bush, and looked at the little
girl lying in the hot sun.  Then he walked off, and caught one of the
fattest little Angora goats, and held its mouth fast, as he stuck it under
his arm. He looked back to see that she was still sleeping, and jumped down
into one of the sluits.  He walked down the bed of the sluit a little way
and came to an overhanging bank, under which, sitting on the red sand, were
two men.  One was a tiny, ragged, old bushman, four feet high; the other
was an English navvy, in a dark blue blouse.  They cut the kid's throat
with the navvy's long knife, and covered up the blood with sand, and buried
the entrails and skin.  Then they talked, and quarrelled a little; and then
they talked quietly again.

The Hottentot man put a leg of the kid under his coat and left the rest of
the meat for the two in the sluit, and walked away.

When little Jannita awoke it was almost sunset.  She sat up very
frightened, but her goats were all about her.  She began to drive them
home.  "I do not think there are any lost," she said.

Dirk, the Hottentot, had brought his flock home already, and stood at the
kraal door with his ragged yellow trousers.  The fat old Boer put his stick
across the door, and let Jannita's goats jump over, one by one.  He counted
them.  When the last jumped over:  "Have you been to sleep today?" he said;
"there is one missing."

Then little Jannita knew what was coming, and she said, in a low voice,
"No."  And then she felt in her heart that deadly sickness that you feel
when you tell a lie; and again she said, "Yes."

"Do you think you will have any supper this evening?" said the Boer.

"No," said Jannita.

"What do you think you will have?"

"I don't know," said Jannita.

"Give me your whip," said the Boer to Dirk, the Hottentot.

...

The moon was all but full that night.  Oh, but its light was beautiful!

The little girl crept to the door of the outhouse where she slept, and
looked at it.  When you are hungry, and very, very sore, you do not cry. 
She leaned her chin on one hand, and looked, with her great dove's eyes--
the other hand was cut open, so she wrapped it in her pinafore.  She looked
across the plain at the sand and the low karoo-bushes, with the moonlight
on them.

Presently, there came slowly, from far away, a wild springbuck.  It came
close to the house, and stood looking at it in wonder, while the moonlight
glinted on its horns, and in its great eyes.  It stood wondering at the red
brick walls, and the girl watched it.  Then, suddenly, as if it scorned it
all, it curved its beautiful back and turned; and away it fled over the
bushes and sand, like a sheeny streak of white lightning.  She stood up to
watch it.  So free, so free!  Away, away!  She watched, till she could see
it no more on the wide plain.

Her heart swelled, larger, larger, larger:  she uttered a low cry; and
without waiting, pausing, thinking, she followed on its track.  Away, away,
away!  "I--I also!" she said, "I--I also!"

When at last her legs began to tremble under her, and she stopped to
breathe, the house was a speck behind her.  She dropped on the earth, and
held her panting sides.

She began to think now.

If she stayed on the plain they would trace her footsteps in the morning
and catch her; but if she waded in the water in the bed of the river they
would not be able to find her footmarks; and she would hide, there where 
the rocks and the kopjes were.

So she stood up and walked towards the river.  The water in the river was
low; just a line of silver in the broad bed of sand, here and there
broadening into a pool.  She stepped into it, and bathed her feet in the
delicious cold water.  Up and up the stream she walked, where it rattled
over the pebbles, and past where the farmhouse lay; and where the rocks
were large she leaped from one to the other.  The night wind in her face
made her strong--she laughed.  She had never felt such night wind before. 
So the night smells to the wild bucks, because they are free!  A free thing
feels as a chained thing never can.

At last she came to a place where the willows grew on each side of the
river, and trailed their long branches on the sandy bed.  She could not
tell why, she could not tell the reason, but a feeling of fear came over
her.

On the left bank rose a chain of kopjes and a precipice of rocks.  Between
the precipice and the river bank there was a narrow path covered by the
fragments of fallen rock.  And upon the summit of the precipice a kippersol
tree grew, whose palm-like leaves were clearly cut out against the night
sky.  The rocks cast a deep shadow, and the willow trees, on either side of
the river.  She paused, looked up and about her, and then ran on, fearful.

"What was I afraid of?  How foolish I have been!" she said, when she came
to a place where the trees were not so close together.  And she stood still
and looked back and shivered.

At last her steps grew wearier and wearier.  She was very sleepy now, she
could scarcely lift her feet.  She stepped out of the river-bed.  She only
saw that the rocks about her were wild, as though many little kopjes had
been broken up and strewn upon the ground, lay down at the foot of an aloe,
and fell asleep.

...

But, in the morning, she saw what a glorious place it was.  The rocks were
piled on one another, and tossed this way and that.  Prickly pears grew
among them, and there were no less than six kippersol trees scattered here
and there among the broken kopjes.  In the rocks there were hundreds of
homes for the conies, and from the crevices wild asparagus hung down.  She
ran to the river, bathed in the clear cold water, and tossed it over her
head.  She sang aloud.  All the songs she knew were sad, so she could not
sing them now, she was glad, she was so free; but she sang the notes
without the words, as the cock-o-veets do.  Singing and jumping all the
way, she went back, and took a sharp stone, and cut at the root of a
kippersol, and got out a large piece, as long as her arm, and sat to chew
it.  Two conies came out on the rock above her head and peeped at her.  She
held them out a piece, but they did not want it, and ran away.

It was very delicious to her.  Kippersol is like raw quince, when it is
very green; but she liked it.  When good food is thrown at you by other
people, strange to say, it is very bitter; but whatever you find yourself
is sweet!

When she had finished she dug out another piece, and went to look for a
pantry to put it in.  At the top of a heap of rocks up which she clambered
she found that some large stones stood apart but met at the top, making a
room.

"Oh, this is my little home!" she said.

At the top and all round it was closed, only in the front it was open. 
There was a beautiful shelf in the wall for the kippersol, and she
scrambled down again.  She brought a great bunch of prickly pear, and stuck
it in a crevice before the door, and hung wild asparagus over it, till it
looked as though it grew there.  No one could see that there was a room
there, for she left only a tiny opening, and hung a branch of feathery
asparagus over it.  Then she crept in to see how it looked.  There was a
glorious soft green light.  Then she went out and picked some of those
purple little ground flowers--you know them--those that keep their faces
close to the ground, but when you turn them up and look at them they are
deep blue eyes looking into yours!  She took them with a little earth, and
put them in the crevices between the rocks; and so the room was quite
furnished.  Afterwards she went down to the river and brought her arms full
of willow, and made a lovely bed; and, because the weather was very hot,
she lay down to rest upon it.

She went to sleep soon, and slept long, for she was very weak.  Late in the
afternoon she was awakened by a few cold drops falling on her face.  She
sat up.  A great and fierce thunderstorm had been raging, and a few of the
cool drops had fallen through the crevice in the rocks.  She pushed the
asparagus branch aside, and looked out, with her little hands folded about
her knees.  She heard the thunder rolling, and saw the red torrents rush
among the stones on their way to the river.  She heard the roar of the
river as it now rolled, angry and red, bearing away stumps and trees on its
muddy water.  She listened and smiled, and pressed closer to the rock that
took care of her.  She pressed the palm of her hand against it.  When you
have no one to love you, you love the dumb things very much.  When the sun
set, it cleared up.  Then the little girl ate some kippersol, and lay down
again to sleep.  She thought there was nothing so nice as to sleep.  When
one has had no food but kippersol juice for two days, one doesn't feel
strong.

"It is so nice here," she thought as she went to sleep, "I will stay here
always."

Afterwards the moon rose.  The sky was very clear now, there was not a
cloud anywhere; and the moon shone in through the bushes in the door, and
made a lattice-work of light on her face.  She was dreaming a beautiful
dream.  The loveliest dreams of all are dreamed when you are hungry.  She
thought she was walking in a beautiful place, holding her father's hand,
and they both had crowns on their heads, crowns of wild asparagus.  The
people whom they passed smiled and kissed her; some gave her flowers, and
some gave her food, and the sunlight was everywhere.  She dreamed the same
dream over and over, and it grew more and more beautiful; till, suddenly,
it seemed as though she were standing quite alone.  She looked up:  on one
side of her was the high precipice, on the other was the river, with the
willow trees, drooping their branches into the water; and the moonlight was
over all.  Up, against the night sky the pointed leaves of the kippersol
trees were clearly marked, and the rocks and the willow trees cast dark
shadows.

In her sleep she shivered, and half awoke.

"Ah, I am not there, I am here," she said; and she crept closer to the
rock, and kissed it, and went to sleep again.

It must have been about three o'clock, for the moon had begun to sink
towards the western sky, when she woke, with a violent start.  She sat up,
and pressed her hand against her heart.

"What can it be?  A cony must surely have run across my feet and frightened
me!" she said, and she turned to lie down again; but soon she sat up. 
Outside, there was the distinct sound of thorns crackling in a fire.

She crept to the door and made an opening in the branches with her fingers.

A large fire was blazing in the shadow, at the foot of the rocks.  A little
Bushman sat over some burning coals that had been raked from it, cooking
meat.  Stretched on the ground was an Englishman, dressed in a blouse, and
with a heavy, sullen face.  On the stone beside him was Dirk, the
Hottentot, sharpening a bowie knife.

She held her breath.  Not a cony in all the rocks was so still.

"They can never find me here," she said; and she knelt, and listened to
every word they said.  She could hear it all.

"You may have all the money," said the Bushman; "but I want the cask of
brandy.  I will set the roof alight in six places, for a Dutchman burnt my
mother once alive in a hut, with three children."

"You are sure there is no one else on the farm?" said the navvy.

"No, I have told you till I am tired," said Dirk; "The two Kaffirs have
gone with the son to town; and the maids have gone to a dance; there is
only the old man and the two women left."

"But suppose," said the navvy, "he should have the gun at his bedside, and
loaded!"

"He never has," said Dirk; "it hangs in the passage, and the cartridges
too.  He never thought when he bought it what work it was for!  I only wish
the little white girl was there still," said Dirk; "but she is drowned.  We
traced her footmarks to the great pool that has no bottom."

She listened to every word, and they talked on.

Afterwards, the little Bushman, who crouched over the fire, sat up
suddenly, listening.

"Ha! what is that?" he said.

A Bushman is like a dog:  his ear is so fine he knows a jackal's tread from
a wild dog's.

"I heard nothing," said the navvy.

"I heard," said the Hottentot; "but it was only a cony on the rocks."

"No cony, no cony," said the Bushman; "see, what is that there moving in
the shade round the point?"

"Nothing, you idiot!" said the navvy.  "Finish your meat; we must start
now."

There were two roads to the homestead.  One went along the open plain, and
was by far the shortest; but you might be seen half a mile off.  The other
ran along the river bank, where there were rocks, and holes, and willow
trees to hide among.  And all down the river bank ran a little figure.

The river was swollen by the storm full to its banks, and the willow trees
dipped their half-drowned branches into its water.  Wherever there was a
gap between them, you could see it flow, red and muddy, with the stumps
upon it.  But the little figure ran on and on; never looking, never
thinking; panting, panting!  There, where the rocks were the thickest;
there, where on the open space the moonlight shone; there, where the
prickly pears were tangled, and the rocks cast shadows, on it ran; the
little hands clinched, the little heart beating, the eyes fixed always
ahead.

It was not far to run now.  Only the narrow path between the high rocks and
the river.

At last she came to the end of it, and stood for an instant.  Before her
lay the plain, and the red farmhouse, so near, that if persons had been
walking there you might have seen them in the moonlight.  She clasped her
hands.  "Yes, I will tell them, I will tell them!" she said; "I am almost
there!"  She ran forward again, then hesitated.  She shaded her eyes from
the moonlight, and looked.  Between her and the farmhouse there were three
figures moving over the low bushes.

In the sheeny moonlight you could see how they moved on, slowly and
furtively; the short one, and the one in light clothes, and the one in
dark.

"I cannot help them now!" she cried, and sank down on the ground, with her
little hands clasped before her.

...

"Awake, awake!" said the farmer's wife; "I hear a strange noise; something
calling, calling, calling!"

The man rose, and went to the window.

"I hear it also," he said; "surely some jackal's at the sheep.  I will load
my gun and go and see."

"It sounds to me like the cry of no jackal," said the woman; and when he
was gone she woke her daughter.

"Come, let us go and make a fire, I can sleep no more," she said; "I have
heard a strange thing tonight.  Your father said it was a jackal's cry, but
no jackal cries so.  It was a child's voice, and it cried, 'Master, master,
wake!'"

The women looked at each other; then they went to the kitchen, and made a
great fire; and they sang psalms all the while.

At last the man came back; and they asked him, "What have you seen?" 
"Nothing," he said, "but the sheep asleep in their kraals, and the
moonlight on the walls.  And yet, it did seem to me," he added, "that far
away near the krantz by the river, I saw three figures moving.  And
afterwards--it might have been fancy--I thought I heard the cry again; but
since that, all has been still there."

...

Next day a navvy had returned to the railway works.

"Where have you been so long?" his comrades asked.

"He keeps looking over his shoulder," said one, "as though he thought he
should see something there."

"When he drank his grog today," said another, "he let it fall, and looked
round."

Next day, a small old Bushman, and a Hottentot, in ragged yellow trousers,
were at a wayside canteen.  When the Bushman had had brandy, he began to
tell how something (he did not say whether it was man, woman, or child) had
lifted up its hands and cried for mercy; had kissed a white man's hands,
and cried to him to help it.  Then the Hottentot took the Bushman by the
throat, and dragged him out.

Next night, the moon rose up, and mounted the quiet sky.  She was full now,
and looked in at the little home; at the purple flowers stuck about the
room, and the kippersol on the shelf.  Her light fell on the willow trees,
and on the high rocks, and on a little new-made heap of earth and round
stones.  Three men knew what was under it; and no one else ever will.

Lily Kloof,
South Africa.



II.  THE WOMAN'S ROSE.

I have an old, brown carved box; the lid is broken and tied with a string. 
In it I keep little squares of paper, with hair inside, and a little
picture which hung over my brother's bed when we were children, and other
things as small.  I have in it a rose.  Other women also have such boxes
where they keep such trifles, but no one has my rose.

When my eye is dim, and my heart grows faint, and my faith in woman
flickers, and her present is an agony to me, and her future a despair, the
scent of that dead rose, withered for twelve years, comes back to me.  I
know there will be spring; as surely as the birds know it when they see
above the snow two tiny, quivering green leaves.  Spring cannot fail us.

There were other flowers in the box once; a bunch of white acacia flowers,
gathered by the strong hand of a man, as we passed down a village street on
a sultry afternoon, when it had rained, and the drops fell on us from the
leaves of the acacia trees.  The flowers were damp; they made mildew marks
on the paper I folded them in.  After many years I threw them away.  There
is nothing of them left in the box now, but a faint, strong smell of dried
acacia, that recalls that sultry summer afternoon; but the rose is in the
box still.

It is many years ago now; I was a girl of fifteen, and I went to visit in a
small up-country town.  It was young in those days, and two days' journey
from the nearest village; the population consisted mainly of men.  A few
were married, and had their wives and children, but most were single. 
There was only one young girl there when I came.  She was about seventeen,
fair, and rather fully-fleshed; she had large dreamy blue eyes, and wavy
light hair; full, rather heavy lips, until she smiled; then her face broke
into dimples, and all her white teeth shone.  The hotel-keeper may have had
a daughter, and the farmer in the outskirts had two, but we never saw them.
She reigned alone.  All the men worshipped her.  She was the only woman
they had to think of.  They talked of her on the stoep, at the market, at
the hotel; they watched for her at street corners; they hated the man she
bowed to or walked with down the street.  They brought flowers to the front
door; they offered her their horses; they begged her to marry them when
they dared.  Partly, there was something noble and heroic in this devotion
of men to the best woman they knew; partly there was something natural in
it, that these men, shut off from the world, should pour at the feet of one
woman the worship that otherwise would have been given to twenty; and
partly there was something mean in their envy of one another.  If she had
raised her little finger, I suppose, she might have married any one out of
twenty of them.

Then I came.  I do not think I was prettier; I do not think I was so pretty
as she was.  I was certainly not as handsome.  But I was vital, and I was
new, and she was old--they all forsook her and followed me.  They
worshipped me.  It was to my door that the flowers came; it was I had
twenty horses offered me when I could only ride one; it was for me they
waited at street corners; it was what I said and did that they talked of. 
Partly I liked it.  I had lived alone all my life; no one ever had told me
I was beautiful and a woman.  I believed them.  I did not know it was
simply a fashion, which one man had set and the rest followed
unreasoningly.  I liked them to ask me to marry them, and to say, No.  I
despised them.  The mother heart had not swelled in me yet; I did not know
all men were my children, as the large woman knows when her heart is grown. 
I was too small to be tender.  I liked my power.  I was like a child with a
new whip, which it goes about cracking everywhere, not caring against what. 
I could not wind it up and put it away.  Men were curious creatures, who
liked me, I could never tell why.  Only one thing took from my pleasure; I
could not bear that they had deserted her for me.  I liked her great dreamy
blue eyes, I liked her slow walk and drawl; when I saw her sitting among
men, she seemed to me much too good to be among them; I would have given
all their compliments if she would once have smiled at me as she smiled at
them, with all her face breaking into radiance, with her dimples and
flashing teeth.  But I knew it never could be; I felt sure she hated me;
that she wished I was dead; that she wished I had never come to the
village.  She did not know, when we went out riding, and a man who had
always ridden beside her came to ride beside me, that I sent him away; that
once when a man thought to win my favour by ridiculing her slow drawl
before me I turned on him so fiercely that he never dared come before me
again.  I knew she knew that at the hotel men had made a bet as to which
was the prettier, she or I, and had asked each man who came in, and that
the one who had staked on me won.  I hated them for it, but I would not let
her see that I cared about what she felt towards me.

She and I never spoke to each other.

If we met in the village street we bowed and passed on; when we shook hands
we did so silently, and did not look at each other.  But I thought she felt
my presence in a room just as I felt hers.

At last the time for my going came.  I was to leave the next day.  Some one
I knew gave a party in my honour, to which all the village was invited.

It was midwinter.  There was nothing in the gardens but a few dahlias and
chrysanthemums, and I suppose that for two hundred miles round there was
not a rose to be bought for love or money.  Only in the garden of a friend
of mine, in a sunny corner between the oven and the brick wall, there was a
rose tree growing which had on it one bud.  It was white, and it had been
promised to the fair haired girl to wear at the party.

The evening came; when I arrived and went to the waiting-room, to take off
my mantle, I found the girl there already.  She was dressed in pure white,
with her great white arms and shoulders showing, and her bright hair
glittering in the candle-light, and the white rose fastened at her breast.
She looked like a queen.  I said "Good-evening," and turned away quickly to
the glass to arrange my old black scarf across my old black dress.

Then I felt a hand touch my hair.

"Stand still," she said.

I looked in the glass.  She had taken the white rose from her breast, and
was fastening it in my hair.

"How nice dark hair is; it sets off flowers so."  She stepped back and
looked at me.  "It looks much better there!"

I turned round.

"You are so beautiful to me," I said.

"Y-e-s," she said, with her slow Colonial drawl; "I'm so glad."

We stood looking at each other.

Then they came in and swept us away to dance.  All the evening we did not
come near to each other.  Only once, as she passed, she smiled at me.

The next morning I left the town.

I never saw her again.

Years afterwards I heard she had married and gone to America; it may or may
not be so--but the rose--the rose is in the box still!  When my faith in
woman grows dim, and it seems that for want of love and magnanimity she can
play no part in any future heaven; then the scent of that small withered
thing comes back:--spring cannot fail us.

Matjesfontein,
South Africa.



III.  "THE POLICY IN FAVOUR OF PROTECTION--".

Was it Right?--Was it Wrong?

A woman sat at her desk in the corner of a room; behind her a fire burnt
brightly.

Presently a servant came in and gave her a card.

"Say I am busy and can see no one now.  I have to finish this article by
two o'clock."

The servant came back.  The caller said she would only keep her a moment: 
it was necessary she should see her.

The woman rose from her desk.  "Tell the boy to wait.  Ask the lady to come
in."

A young woman in a silk dress, with a cloak reaching to her feet, entered.
She was tall and slight, with fair hair.

"I knew you would not mind.  I wished to see you so!"

The woman offered her a seat by the fire.  "May I loosen your cloak?--the
room is warm."

"I wanted so to come and see you.  You are the only person in the world who
could help me!  I know you are so large, and generous, and kind to other
women!"  She sat down.  Tears stood in her large blue eyes:  she was
pulling off her little gloves unconsciously.

"You know Mr.--" (she mentioned the name of a well-known writer): "I know
you meet him often in your work.  I want you to do something for me!"

The woman on the hearth-rug looked down at her.

"I couldn't tell my father or my mother, or any one else; but I can tell
you, though I know so little of you.  You know, last summer he came and
stayed with us a month.  I saw a great deal of him.  I don't know if he
liked me; I know he liked my singing, and we rode together--I liked him
more than any man I have ever seen.  Oh, you know it isn't true that a
woman can only like a man when he likes her; and I thought, perhaps, he
liked me a little.  Since we have been in town we have asked, but he has
never come to see us.  Perhaps people have been saying something to him
about me.  You know him, you are always meeting him, couldn't you say or do
anything for me?"  She looked up with her lips white and drawn.  "I feel
sometimes as if I were going mad!  Oh, it is so terrible to be a woman!" 
The woman looked down at her.  "Now I hear he likes another woman.  I don't
know who she is, but they say she is so clever, and writes.  Oh, it is so
terrible, I can't bear it."

The woman leaned her elbow against the mantelpiece, and her face against
her hand.  She looked down into the fire.  Then she turned and looked at
the younger woman.  "Yes," she said, "it is a very terrible thing to be a
woman."  She was silent.  She said with some difficulty:  "Are you sure you
love him?  Are you sure it is not only the feeling a young girl has for an
older man who is celebrated, and of whom every one is talking?"

"I have been nearly mad.  I haven't slept for weeks!"  She knit her little
hands together, till the jewelled rings almost cut into the fingers.  "He
is everything to me; there is nothing else in the world.  You, who are so
great, and strong, and clever, and who care only for your work, and for men
as your friends, you cannot understand what it is when one person is
everything to you, when there is nothing else in the world!"

"And what do you want me to do?"

"Oh, I don't know!"  She looked up.  "A woman knows what she can do.  Don't
tell him that I love him."  She looked up again.  "Just say something to
him.  Oh, it's so terrible to be a woman; I can't do anything.  You won't
tell him exactly that I love him?  That's the thing that makes a man hate a
woman, if you tell it him plainly."

"If I speak to him I must speak openly.  He is my friend.  I cannot fence
with him.  I have never fenced with him in my own affairs."  She moved as
though she were going away from the fireplace, then she turned and said: 
"Have you thought of what love is between a man and a woman when it means
marriage?  That long, long life together, day after day, stripped of all
romance and distance, living face to face:  seeing each other as a man sees
his own soul?  Do you realize that the end of marriage is to make the man
and woman stronger than they were; and that if you cannot, when you are an
old man and woman and sit by the fire, say, 'Life has been a braver and a
freer thing for us, because we passed it hand in hand, than if we had
passed through it alone,' it has failed?  Do you care for him enough to
live for him, not tomorrow, but when he is an old, faded man, and you an
old, faded woman?  Can you forgive him his sins and his weaknesses, when
they hurt you most?  If he were to lie a querulous invalid for twenty
years, would you be able to fold him in your arms all that time, and
comfort him, as a mother comforts her little child?"  The woman drew her
breath heavily.

"Oh, I love him absolutely!  I would be glad to die, if only I could once
know that he loved me better than anything in the world!"

The woman stood looking down at her.  "Have you never thought of that other
woman; whether she could not perhaps make his life as perfect as you?" she
asked, slowly.

"Oh, no woman ever could be to him what I would be.  I would live for him.
He belongs to me."  She bent herself forward, not crying, but her shoulders
moving.  "It is such a terrible thing to be a woman, to be able to do
nothing and say nothing!"

The woman put her hand on her shoulder; the younger woman looked up into
her face; then the elder turned away and stood looking into the fire. 
There was such quiet, you could hear the clock tick above the writing-
table.

The woman said:  "There is one thing I can do for you.  I do not know if it
will be of any use--I will do it."  She turned away.

"Oh, you are so great and good, so beautiful, so different from other
women, who are always thinking only of themselves!  Thank you so much.  I
know I can trust you.  I couldn't have told my mother, or any one but you."

"Now you must go; I have my work to finish."

The younger woman put her arms round her.  "Oh, you are so good and
beautiful!"

The silk dress and the fur cloak rustled out of the room.

The woman who was left alone walked up and down, at last faster and faster,
till the drops stood on her forehead.  After a time she went up to the
table; there was written illegibly in a man's hand on a fragment of
manuscript paper:  "Can I come to see you this afternoon?"  Near it was a
closed and addressed envelope.  She opened it.  In it were written the
words:  "Yes, please, come."

She tore it across and wrote the words:  "No, I shall not be at liberty."

She closed them in an envelope and addressed them.  Then she rolled up the
manuscript on the table and rang the bell.  She gave it to the servant. 
"Tell the boy to give this to his master, and say the article ends rather
abruptly; they must state it is to be continued; I will finish it tomorrow.
As he passes No. 20 let him leave this note there."

The servant went out.  She walked up and down with her hands folded above
her head.

...

Two months after, the older woman stood before the fire.  The door opened
suddenly, and the younger woman came in.

"I had to come--I couldn't wait.  You have heard, he was married this
morning?  Oh, do you think it is true?  Do help me!"  She put out her
hands.

"Sit down.  Yes, it is quite true."

"Oh, it is so terrible, and I didn't know anything!  Did you ever say
anything to him?"  She caught the woman's hands.

"I never saw him again after the day you were here,--so I could not speak
to him,--but I did what I could."  She stood looking passively into the
fire.

"And they say she is quite a child, only eighteen.  They say he only saw
her three times before he proposed to her.  Do you think it is true?"

"Yes, it is quite true."

"He can't love her.  They say he's only marrying her for her rank and her
money."

The woman turned quickly.

"What right have you to say that?  No one but I know him.  What need has he
of any one's rank or wealth?  He is greater than them all!  Older women may
have failed him; he has needed to turn to her beautiful, fresh, young life
to compensate him.  She is a woman whom any man might have loved, so young
and beautiful; her family are famed for their intellect.  If he trains her,
she may make him a better wife than any other woman would have done."

"Oh, but I can't bear it--I can't bear it!"  The younger woman sat down in
the chair.  "She will be his wife, and have his children."

"Yes."  The elder woman moved quickly.  "One wants to have the child, and
lay its head on one's breast and feed it."  She moved quickly.  "It would
not matter if another woman bore it, if one had it to take care of."  She
moved restlessly.

"Oh, no, I couldn't bear it to be hers.  When I think of her I feel as if I
were dying; all my fingers turn cold; I feel dead.  Oh, you were only his
friend; you don't know!"

The older spoke softly and quickly, "Don't you feel a little gentle to her
when you think she's going to be his wife and the mother of his child?  I
would like to put my arms round her and touch her once, if she would let
me.  She is so beautiful, they say."

"Oh, I could never bear to see her; it would kill me.  And they are so
happy together today!  He is loving her so!"

"Don't you want him to be happy?"  The older woman looked down at her. 
"Have you never loved him, at all?"

The younger woman's face was covered with her hands.  "Oh, it's so
terrible, so dark! and I shall go on living year after year, always in this
awful pain!  Oh, if I could only die!"

The older woman stood looking into the fire; then slowly and measuredly she
said, "There are times, in life, when everything seems dark, when the brain
reels, and we cannot see that there is anything but death.  But, if we wait
long enough, after long, long years, calm comes.  It may be we cannot say
it was well; but we are contented, we accept the past.  The struggle is
ended.  That day may come for you, perhaps sooner than you think."  She
spoke slowly and with difficulty.

"No, it can never come for me.  If once I have loved a thing, I love it for
ever.  I can never forget."

"Love is not the only end in life.  There are other things to live for."

"Oh, yes, for you!  To me love is everything!"

"Now, you must go, dear."

The younger woman stood up.  "It has been such a comfort to talk to you.  I
think I should have killed myself if I had not come.  You help me so.  I
shall always be grateful to you."

The older woman took her hand.

"I want to ask something of you."

"What is it?"

"I cannot quite explain to you.  You will not understand.  But there are
times when something more terrible can come into a life than it should lose
what it loves.  If you have had a dream of what life ought to be, and you
try to make it real, and you fail; and something you have killed out in
your heart for long years wakes up and cries, 'Let each man play his own
game, and care nothing for the hand of his fellow!  Each man for himself. 
So the game must be played!' and you doubt all you have lived for, and the
ground seems washing out under your feet--."  She paused.  "Such a time has
come to me now.  If you would promise me that if ever another woman comes
to seek your help, you will give it to her, and try to love her for my
sake, I think it will help me.  I think I should be able to keep my faith."

"Oh, I will do anything you ask me to.  You are so good and great."

"Oh, good and great!--if you knew!  Now go, dear."

"I have not kept you from your work, have I?"

"No; I have not been working lately.  Good-by, dear."

The younger woman went; and the elder knelt down by the chair, and wailed
like a little child when you have struck it and it does not dare to cry
loud.

A year after; it was early spring again.

The woman sat at her desk writing; behind her the fire burnt brightly.  She
was writing a leading article on the causes which in differing peoples lead
to the adoption of Free Trade or Protectionist principles.

The woman wrote on quickly.  After a while the servant entered and laid a
pile of letters on the table.  "Tell the boy I shall have done in fifteen
minutes."  She wrote on.  Then she caught sight of the writing on one of
the letters.  She put down her pen, and opened it.  It ran so:--

"Dear Friend,--I am writing to you, because I know you will rejoice to hear
of my great happiness.  Do you remember how you told me that day by the
fire to wait, and after long, long years I should see that all was for the
best?  That time has come sooner than we hoped.  Last week in Rome I was
married to the best, noblest, most large-hearted of men.  We are now in
Florence together.  You don't know how beautiful all life is to me.  I know
now that the old passion was only a girl's foolish dream.  My husband is
the first man I have ever truly loved.  He loves me and understands me as
no other man ever could.  I am thankful that my dream was broken; God had
better things in store for me.  I don't hate that woman any more; I love
every one!  How are you, dear?  We shall come and see you as soon as we
arrive in England.  I always think of you so happy in your great work and
helping other people.  I don't think now it is terrible to be a woman; it
is lovely.

"I hope you are enjoying this beautiful spring weather.

"Yours, always full of gratitude and love,

"E--."

The woman read the letter:  then she stood up and walked towards the fire.
She did not re-read it, but stood with it open in her hand, looking down
into the blaze.  Her lips were drawn in at the corners.  Presently she tore
the letter up slowly, and watched the bits floating down one by one into
the grate.  Then she went back to her desk, and began to write, with her
mouth still drawn in at the corners.  After a while she laid her arm on the
paper and her head on her arm, and seemed to go to sleep there.

Presently the servant knocked; the boy was waiting.  "Tell him to wait ten
minutes more."  She took up her pen--"The Policy of the Australian Colonies
in favour of Protection is easily understood--" she waited--"when one
considers the fact--the fact--;" then she finished the article.

Cape Town,
South Africa, 1892.





End of Project Gutenberg Etext of Dream Life and Real Life by Schreiner


Colophon

This file was acquired from Project Gutenberg, and it is in the public domain. It is re-distributed here as a part of the Alex Catalogue of Electronic Texts (http://infomotions.com/alex/) by Eric Lease Morgan (Infomotions, Inc.) for the purpose of freely sharing, distributing, and making available works of great literature. Its Infomotions unique identifier is etext1458, and it should be available from the following URL:

http://infomotions.com/etexts/id/etext1458



Infomotions, Inc.

Infomotions Man says, "Give back to the 'Net."