Infomotions, Inc.The Happy Foreigner / Bagnold, Enid, 1889-1981

Author: Bagnold, Enid, 1889-1981
Title: The Happy Foreigner
Publisher: Project Gutenberg
Tag(s): fanny; julien; mademoiselle; car; garage
Contributor(s): Legge, James, 1815-1897 [Translator]
Versions: original; local mirror; HTML (this file); printable
Services: find in a library; evaluate using concordance
Rights: GNU General Public License
Size: 64,947 words (short) Grade range: 6-8 (grade school) Readability score: 75 (easy)
Identifier: etext9978
Delicious Bookmark this on Delicious

Discover what books you consider "great". Take the Great Books Survey.

The Project Gutenberg EBook of The Happy Foreigner, by Enid Bagnold

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****

Title: The Happy Foreigner

Author: Enid Bagnold

Release Date: March, 2006 [EBook #9978]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on November 7, 2003]

Edition: 10

Language: English

Character set encoding: ISO Latin-1


Produced by Suzanne Shell, Charlie Kirschner and the Online
Distributed Proofreading Team.

















Between the grey walls of its bath--so like its cradle and its
coffin--lay one of those small and lonely creatures which inhabit the
surface of the earth for seventy years.

As on every other evening the sun was sinking and the moon, unseen, was

The round head of flesh and bone floated upon the deep water of the

"Why should I move?" rolled its thoughts, bewitched by solitude. "The
earth itself is moving.

"Summer and winter and winter and summer I have travelled in my head,
saying--'All secrets, all wonders, lie within the breast!' But now that
is at an end, and to-morrow I go upon a journey.

"I have been accustomed to finding something in nothing--how do I know
if I am equipped for a larger horizon!..."

And suddenly the little creature chanted aloud:--

     "The strange things of travel,
        The East and the West,
      The hill beyond the hill,--
        They lie within the breast!"





The war had stopped.

The King of England was in Paris, and the President of the United States
was hourly expected.

Humbler guests poured each night from the termini into the overflowing
city, and sought anxiously for some bed, lounge-chair, or pillowed
corner, in which to rest until the morning. Stretched upon the table in
a branch of the Y.W.C.A. lay a young woman from England whose clothes
were of brand-new khaki, and whose name was Fanny.

She had arrived that night at the Gare du Nord at eight o'clock, and the
following night at eight o'clock she left Paris by the Gare de l'Est.

Just as she entered the station a small boy with a basket of violets for
sale held a bunch to her face.

"No, thank you."

He pursued her and held it against her chin.

"No, thank you."

"But I give it to you! I _give_ it to you!"

As she had neither slept on the boat from Southampton nor on the table
of the Y.W.C.A., tears of pleasure came into her eyes as she took them.
But while she dragged her heavy kitbag and her suitcase across the
platform another boy of a different spirit ran beside her.

"Mademoiselle! Mademoiselle! Wait a minute..." he panted.


"Haven't you heard ... haven't you heard! The war is over!"

She continued to drag the weighty sack behind her over the platform.
"She didn't know!" howled the wicked boy. "No one had told her!"

And in the train which carried her towards the dead of night the taunt
and the violets accompanied her.

At half-past two in the morning she reached the station of Bar-le-Duc.
The rain rattled down through the broken roof as she crossed the lines
of the platform on the further side, where, vaguely expecting to be met
she questioned civilians and military police. But the pall of death that
hung over Bar stretched even to the station, where nobody knew anything,
expected anything, cared anything, except to hurry out and away into
the rain.

She, too, followed at last, leaving her bag and box in the corner of a
deserted office, and crossing the station yard tramped out in the thick
mud on to a bridge. The rain was falling in torrents, and crouching for
a minute in a doorway she made her bundles faster and buttoned up her
coat. Roofs jutted above her, pavements sounded under her feet, the
clock struck three near by. If there was an hotel anywhere there was no
one to give information about it. The last train had emptied itself, the
travellers had hurried off into the night, and not a foot rang upon the
pavements. The rain ran in a stream down her cap and on to her face;
down her sleeves and on to her hands.

A light further up the street attracted her attention, and walking
towards it she found that it came from an open doorway above which she
could make out the letters "Y.M.C.A."

She did not know with what complicated feelings she would come to regard
these letters--with what gratitude mixed with irritation, self-reproach
with greed.

Climbing the steps she looked inside. The hall of the building was paved
with stone, and on a couple of dozen summer chairs of cane sat as many
American officers, dozing in painful attitudes of unrest. By each ran a
stream of water that trickled from his clothes, and the streams, joining
each other, formed aimless rivers upon the floor.

The eye of a captain opened.

"Come in, ma'am," he said without moving. She wondered whether she

The eye of a lieutenant opened.

"Come in, ma'am," he said, and rose. "Take my chair."

"Could you tell me if there is any hotel?"

"There is some sort of a shanty down the street. I'll take you."

Further up the street a faint light shone under a slit between two
boards. There was no door near it, no keyhole or shutter. The American
thundered at the boards with a tin of jam which he took out of his
pocket. The noise was monstrous in the blackness, but the town had heard
noises more monstrous than that, and it lay in a barred and blind,
unanswering stupor.

"God!" said the American, quickly angered, and kicked the board till the
slit grew larger. The light went out.

"Some one is coming round to the door," said Fanny, in time to prevent
the destruction of the board.

Higher up the street bolts were being withdrawn and a light fell upon
the pavement.

"Who's there?" creaked a voice. The American moved towards the light.

"The hotel is shut to Americans," said the voice.

"The devil it is," shouted the American. "And why, then?"

"Man killed here last night," said the voice briefly. Fanny moved
towards the light and saw an old man with a shawl upon his shoulders,
who held a candle fixed in the neck of a bottle.

"I am English," she said to the old man. "I am alone. I want a room

"I've a room ... If you're not American!"

"I don't know what kind of a hole this is," said the American
wrathfully. "I think you'd better come right back to the 'Y.' Say, here,
what kind of a row was this last night you got a man killed in?"

"Kind of row your countrymen make," muttered the old man, and added

Soothing, on the one hand, entreating on the other, the girl got rid of
her new friend, and effected an entrance into the hotel. ("If hotel it
is!" she thought, in the brief passage of a panic while the old man
stooped to the bolts of the door.)

"I've got rooms enough," he said, "rooms enough. Now _they've_ gone.
Follow me."

She followed his candle flame and he threw open a door upon the ground

"I've no light to give you."

"Yet I must have a light."

Grumbling, he produced half an inch of wax candle.

"Hurry into bed and that will last you. It's all I have."

The bed wore a coloured rug, bare and thin, an eiderdown, damp and
musty. Spreading her wet mackintosh on the top she rolled herself up as
well as she could, and developing a sort of warmth towards morning,
slept an hour or two. The daylight showed her nothing to wash in, no
jug, no basin, no bell to pull.

As no one would come to her, as there was nothing to be gained by
waiting, she got up, and going into the hall, entered a dark
coffee-room in which breakfast was served at its lowest ebb, black
coffee, sugarless, and two pieces of dry bread.

Yet, having eaten, she was able to think: "I am a soldier of five sous.
I am here to drive for the French Army." And her thoughts pleased her so
well that, at the moment when her circumstances were in their state of
least perfection, she exclaimed: "How right I was to come!" and set off
down the street to find her companions.

A mile out of the town upon the banks of a tributary of the Meuse stood
a deserted glass factory which had been converted by the French into a
garage for a fleet of thirty cars. Above the garage was a large attic
used as a dormitory for the mechanics, soldier-cooks, drivers and
clerks. In a smaller room at the end slept the non-commissioned
officers--the _brigadier_ and the two _marechaux des logis_.

A hundred yards from the factory, built upon the brink of the stream
which was now in flood, and reached from the road by a narrow wooden
bridge, stood a tarred hut of wood and tarpaulin. It was built upon
simple lines. A narrow corridor ran down the centre of it, and on either
hand were four square cells divided one from the other by grey paper
stretched upon laths of wood--making eight in all. At one end was a
small hall filled with mackintoshes. At the other a sitting-room.

This was the home of the women drivers attached to the garage. In one
of these paper cells, henceforward to be her own, Fanny set up her
intimate life.

       *       *       *       *       *

Outside the black hut the jet-black night poured water down. Inside, the
eight cubicles held each a woman, a bed, and a hurricane lantern. Fanny,
in her paper box, listened to the scratching of a pen next door, then
turned her eyes as a new and nearer scratching caught her ear. A
bright-eyed rat stared at her through the hole it had made in the wall.

"Food is in!"

Out of the boxes came the eight women to eat pieces of dark meat from a
tin set on the top of the sitting-room stove--then cheese and bread. The
watery night turned into sleet and rattled like tin-foil on the panes.

"Where is Stewart?"

"She is not back yet."

Soon the eight crept back to their boxes and sat again by the lamps to
read or darn or write. They lived so close to each other that even the
most genial had learnt to care for solitude, and the sitting-room
remained empty.

The noise of Stewart's feet sounded in the corridor. She swung a lantern
in her hand; her face was shining, her hair streaming.

"Is there any food?"

"It's on the stove."

"Is it eatable?"


Silence for a while, and then one by one they crept out into the black
mud beyond the hut to fill their cans with hot water from the
cook-house--and so to bed, on stretchers slung on trestles, where those
who did not sleep listened through the long night to those who slept
too well.

"Are you awake?" came with the daylight. "Ah, you are washing! You are
doing your hair!" There was no privacy.

"How cold, how cold the water, is!..." sighed Fanny, And a voice through
the paper wall, catching the shivering whisper, exclaimed: "Use your
hot-water bottle!"

"What for?"

"Empty it into your basin. If you have kept it in your bed all night you
will find the water has the chill off."

Those who had to be out early had left before the daylight, still with
their lanterns swinging in their hands; had battled with the cold cars
in the unlighted garage, and were moving alone across the long desert of
the battlefields.

On the first morning she was tested on an old ambulance, and passed the
test. On the second morning she got her first run upon a Charron car
that had been assigned to her.

Driving into Bar-le-Duc in the early morning under a grey flood of rain
she asked of a passer-by, "Which is the Rue Thierry?" She got no answer.
The French, too poor and wet, did not trouble to reply; the Americans
did not know. As she drove along at the side of the road there came a
roar out of the distance, and a stream of American lorries thundered
down the street. Men, women and children ran for their lives to gain the
pavements, as the lorries passed, a mud-spout covered Fanny's face and
hands, and dripped from her windscreen.

"Why do they drive like that?" she wondered, hunting blindly for her
handkerchief, and mopping at her face. She thought there must be some
desperate need calling for the lorries, and looked after them
with respect.

When she had found her street, and fetched her "client," she drove at
his order to Souilly, upon the great road to Verdun. And all day,
calling at little villages upon the way, where he had business, she
drove with the caution of the newcomer. It seemed to her that she had
need for caution. She saw a Ford roll over, leave the road, and drop
into the ditch. The wild American who had driven it to its death, pulled
himself up upon the road, and limping, hailed a passing lorry, and went
upon his way.

She saw a horse gallop out of a camp with a terrified Annamite upon its
back. Horse and Annamite shot past her on the road, the yellow man's
eyes popping from his head, his body slipping, falling, falling. When
she would have slowed the car to watch the end of the flight her client
cried to her: "Why do you wait?"

Enormous American guns, trailed behind lorries driven by pink-faced boys
swayed from side to side on the greasy road, and threatened to crush her
like an egg-shell.

Everywhere she saw a wild disregard for life, everywhere she winced
before the menace of speed, of weight, of thundering metal.

In the late afternoon, returning home in the half-light, she overtook a
convoy of lorries driven by Annamites.

Hooting with her horn she crept past three lorries and drew abreast of
the fourth; then, misjudging, she let the tip of her low mudguard touch
the front wheel of the foremost lorry. The touch was so slight that she
had passed on, but at a cry she drew up and looked back. The lorry which
she had touched was overhanging the edge of the road, and its radiator,
striking a tree, had dropped down into the valley below. Climbing from
her car she ran back and was instantly surrounded by a crowd of Annamites
who chirped and twittered at her, and wrung their little hands.

"What can I do?..." she said to them aloud, in distress.

But they understood nothing, and seemed to echo in their strange bird
language, "What can _we_ do ... what can _we_ do?..." ("And I..." she
thought in consternation, "am responsible for this!")

But the last lorry had drawn alongside, and a French sergeant descended
from it and joined the Annamites. He walked to the edge of the road, saw
the radiator below upon a rock, and shrugged his shoulders. Catching
sight of Fanny's face of horror he laughed.

"_Ne vous en faites pas, mademoiselle_! These poor devils sleep as they
drive. Yes, even with their eyes open. We started nine this morning. We
were four when we met you--and now we are three!"

On the third morning the rain stopped for an hour or two. Fanny had no
run till the afternoon, and going into the garage in the morning she set
to work on her car.

"Where can I get water?" she asked a man.

"The pump is broken," he replied. "I backed my car against it last
night. But there is a tap by that broken wall on the piece of
waste ground."

She crossed to the wall with her bucket.

Standing upon the waste ground was an old, closed limousine whose engine
had long been injured past repair. One of the glass windows was broken,
but it was as roomy and comfortable as a first-class railway carriage,
and the men often sat in it in a spare moment.

The yard cleared suddenly for the eleven o'clock meal. As Fanny passed
the limousine a man appeared at the broken window and beckoned to her.
His face was white, and he wore his shirt, trousers, and braces. She
stopped short with the bucket in her hand.

"On est delivre de cette bande!" he said, pointing to the yard, and she
went a little nearer.

"Wait till I get my coat on," he said softly to her, and struggled into
his coat.

He put both his hands on the window ledge, leant towards her, and said
clearly: "Je suis le president Wilson."

"You are the President Wilson," she echoed, hunting for the joke, and
willing to smile. He passed her out his water-bottle and a tin box. "You
must fill these for me," he said. "Fill the bottle with wine, and get me
bread and meat. Be quick. You know I must be off. The King expects me."

Where have you come from?"

"I slept here last night. I have come far. But I must be quick now, for
it's late, and ... I believe in Freedom!" he finished emphatically.

"Well, will you wait till I have made you up a parcel of food?"

"Only be quick."

"Will you wait in the car? Promise to wait!"

"Yes. Be quick. Look sharp."

She put down her bucket and stretched up her hand for the bottle and the
box. He held them above her a second, hesitating, then put them into
her hand. She turned from him and went back into the yard. As she
approached the door of the room where the men sat eating she looked
round and saw that he was watching her intently. She waved once,
soothingly, then slipped into the long room filled with the hum of
voices and the smell of gravy.

"There is a poor madman in the yard," she whispered to the man nearest
her. The others looked up.

"They've lost a man from the asylum. I heard in the town this morning,"
said one. "We must keep him here till we telephone. Have you told the
brigadier, mademoiselle?"

"You tell him. I'll go back and talk to the man. Ask the brigadier to

"I'll come with you, mademoiselle," said another. "Where is he?"

"In the old limousine by the water tap. He is quiet. Don't frighten him
by coming all together." Chairs and benches were pushed back, and the
men stood up in groups.

"We will go round by the gate in case he makes a run for it. Better not
use force if one can help it...."

Fanny and her companion went out to the car. "Where is my food and
wine?" called the man.

"It's coming," answered Fanny, "they are doing it up in the kitchen."

"Well, I can't wait. I must go without it. I can't keep the King
waiting." And he opened the door of the limousine. As he stood on the
step he held a bundle of rusty weapons.

"What's that you've got?"

"Bosche daggers," he said. "See!" He held one towards her, without
letting it go from his hand.

"Where did you find those?"

"On the battlefields." He climbed down the steps.

"Stay a moment," said Fanny. "I'm in a difficulty. Will you help me?"

"What's that? But I've no time...."

"Do you know about cars?"

"I was in the trade," he nodded his head.

"I have trouble ... I cannot tell what to do. Will you come and see?"

"If it's a matter of a moment. But I must be away."

"If you leave all those things in the car you could fetch them as you
go," suggested Fanny, eyeing the daggers.

The man whistled and screwed up one eye. "When one believes in Freedom
one must go armed," he said. "Show me the car."

Going with her to the car-shed he looked at the spark-plugs of the car,
at her suggestion unscrewing three from their seatings. At the fourth he
grew tired, and said fretfully: "Now I must be off. You know I must. The
King expects me."

He walked to the gate of the yard, and she saw the men behind the gate
about to close on him. "You're not wearing your decorations!" she
called after him. He stopped, looked down, looked a little troubled.

She took the gilt safety pin from her tie, the safety pin that held her
collar to her blouse at the back, and another from the back of her
skirt, and pinned them along his poor coat. An ambulance drove quickly
into the yard, and three men, descending from it, hurried towards them.
At sight of them the poor madman grew frantic, and turning upon Fanny he
cried: "You are against me!" then ran across the yard. She shut her eyes
that she might not see them hunt the lover of freedom, and only opened
them when a man cried in triumph: "_We'll_ take you to the King!"

"Pauvre malheureux!" muttered the drivers in the yard.

Day followed day and there was plenty of work. Officers had to be driven
upon rounds of two hundred kilometres a day--interviewing mayors of
ruined villages, listening to claims, assessing damage caused by French
troops in billets. Others inspected distant motor parks. Others made
offers to purchase old iron among the villages in order to prove thefts
from the battlefields.

The early start at dawn, the flying miles, the winter dusk, the long
hours of travel by the faint light of the acetylene lamps filled day
after day; the unsavoury meal eaten alone by the stove, the book read
alone in the cubicle, the fitful sleep upon the stretcher, filled night
after night.

A loneliness beyond anything she had ever known settled upon Fanny. She
found comfort in a look, a cry, a whistle. The smiles of strange men
upon the road whom she would never see again became her social
intercourse. The lost smiles of kind Americans, the lost, mocking
whistles of Frenchmen, the scream of a nigger, the twittering surprise
of a Chinese scavenger.

Yet she was glad to have come, for half the world was here. There could
have been nothing like it since the Tower of Babel. The country around
her was a vast tract of men sick with longing for the four corners of
the earth.

"Have you _got_ to be here?" asked an American.

"No, I wanted to come."

The eye of the American said "Fool!"

"Are you paid to come here?" asked a Frenchman.

"No. In a sense, I pay to come." The eye of the Frenchman said,

Each day she drove in a wash of rain. Each night she returned long after
dark, and putting her car in the garage, felt her way up the inky road
by the rushing of the river at its edge, crossed the wooden bridge, and
entered the cell which she tried to make her personal haven.

But if personal, it was the personality of a dog; it had the character
of a kennel. She had brought no furnishings with her from England; she
could buy nothing in the town. The wooden floor was swamped by the rain
which blew through the window; the paper on the walls was torn by rats;
tarry drops from the roof had fallen upon her unmade bed.

The sight of this bed caused her a nightly dismay. "Oh, if I could but
make it in the morning how different this room would look!"

There would be no one in the sitting-room, but a tin would stand on the
stove with one, two, or three pieces of meat in it. By this she knew
whether the cubicles were full or if one or two were empty. Sometimes
the coffee jug would rise too lightly from the floor as she lifted it,
and in an angry voice she would call through the hut: "There is no
coffee!" Silence, silence; till a voice, goaded by the silence, cried:
"Ask Madeleine!"

And Madeleine, the little maid, had long since gone over to laugh with
the men in the garage.

Then came the owners of the second and third piece of meat, stumbling
across the bridge and up the corridor, lantern in hand. And Fanny,
perhaps remembering a treasure left in her car, would rise, leave them
to eat, feel her way to the garage, and back again to the safety of her
room with a tin of sweetened condensed milk under her arm. So low in
comfort had she sunk it needed but this to make her happy. She had never
known so sharp, so sweet a sense of luxury as that with which she
prepared the delicacy she had seized by her own cunning. It had not
taken her long to learn the possibilities of the American Y.M.C.A., the
branch in Bar, or any other which she might pass in her travels.

Shameless she was as she leant upon the counter in some distant village,
cajoling, persuading, spinning some tale of want and necessity more
picturesque, though no less actual, than her own. Secret, too, lest one
of her companions, over-eager, should spoil her hunting ground.

Sitting with her leather coat over her shoulders, happy in her solitude,
she would drink the cup of Benger's Food which she had made from the
milk, and when it was finished, slide lower among the rugs, put out the
lights, and listen to the rustle of the rats in the wall.

"Mary Bell is getting married," said a clear voice in the hut.

"To the Wykely boy?" answered a second voice, and in a sudden need of
sound the two voices talked on, while the six listeners upon their
stretchers saw in the dark the life and happiness of Mary Bell blossom
before them, unknown and bright.

The alarm clock went off with a scream at five.

"Why, I've hardly been asleep!" sighed Fanny, bewildered, and, getting
up, she lit the lamp and made her coffee. Again there was not time to
make the bed. Though fresh to the work she believed that she had been
there for ever, yet the women with whom she shared her life had driven
the roads of the Meuse district for months before she came to them, and
their eyes were dim with peering into the dark nights, and they were
tired past any sense of adventure, past any wish or power to better
their condition.

On and on and on rolled the days, and though one might add them together
and make them seven, they never made Sunday. For there is no Sunday in
the French Army, there is no bell at which tools are laid aside, and not
even the night is sacred.

On and on rolled the weeks, and the weeks made months, till all November
was gone, and all December, and the New Year broke in fresh torrents
of rain.

Fanny made friends all day and lost them again for ever as she passed on
upon the roads. Sometimes it was a sentry beside whom her "clients" left
her for an hour while they inspected a barracks; sometimes it was an old
woman who called from a doorway that she might come and warm her hands
at the fire; sometimes an American who helped her to change a tyre.

There were times, further up towards Verdun, where there were no old
women, or young women, or villages, when she thought her friends were
mad, deranged, eccentric in their loneliness.

"My sister has a grand piano ..." said one American to her--opening
thus his conversation. But he mused upon it and spoke no further.

"Yes?" she encouraged. "Yes?"

He did not open his mind until she was leaving, when he said simply to
her: "I wish I was back home." And between the two sentences all the
pictures of his home were flowing in his thoughts.

An old woman offered her shelter in a village while her clients were
busy with the mayor. In the kitchen there was a tiny fire of twigs.

American boys stamped in and out of the house, laughing, begging the
daughter to sew on a button, sell them an egg, boys of nineteen and
twenty, fair, tall, and good-looking.

"We shall be glad when they are gone," said the old woman looking at
their gay faces. "They are children," she added, "with the faults of

"They seem well-mannered."

"They are beautiful boys," said the peasant woman, "and good-mannered.
But I'm tired of them. Children are all very well, but to have your
house full of them, your village, your family-life! They play all day in
the street, chasing the dogs, throwing balls. When our children come out
of school there's no holding them, they must be off playing with the
Americans. The war is over. Why don't they take them home?"

"Good-day, ma'am," said a tall boy, coming up to Fanny. "You're sure
cold. We brought you this." And he offered her a cup of coffee he had
fetched from his canteen.

"Yes, they're good boys," said the old woman, "but one doesn't want
other people's children always in one's life."

"Is this a park?" Fanny asked a soldier in the next village, a village
whose four streets were filled with rows of lorries, touring cars and
ambulances. On every car the iron was frail with rust, the bonnets of
some were torn off, a wheel, two wheels, were missing, the side ripped
open disclosing the rusting bones.

"Pardon, madame?"

"What are you doing here?"

"We are left behind from the Fourth Army which has gone up to Germany. I
have no tools or I would make one car out of four. But my men are
discouraged and no one works. The war is over.

"Then this is a park?"

"No, madame, it is a cemetery."

Months went by, and there came a night, as wet and sad as any other,
when no premonitory star showed in the sky, and all that was bright in
Fanny's spirit toned itself to match the monotonous, shadowless pallor
about her.

She was upon her homeward journey. At the entrance to the hut she
paused; for such a light was burning in the sitting-room that it
travelled even the dark corridor and wandered out upon the step. By it
she could see the beaded moisture of the rain-mist upon the long hair
escaped from her cap.

A group of women stood within, their faces turned towards the door as
she entered.


"What is it?"

"We are going to Metz! We are ordered to Metz!" Stewart waved a letter.

Was poverty and solitude at an end? They did not know it. In leaving the
Meuse district did they leave, too, the boundless rain, the swollen
rivers, the shining swamps, the mud which ebbed and flowed upon the land
like a tide? Was hunger at an end, discomfort, and poor living? They had
no inkling.

Fanny, indifferent to any change, hoping for nothing better, turned
first to the meat tin, for she was hungry.

"Metz is a town," she hazarded.

"Of course!"

"There will be things to eat there?"

"No, very little. It was fed from Germany; now that it is suddenly fed
from Paris the service is disorganised. One train crosses the devastated
land in the day. I hear all this from the brigadier--who has, for that
matter, never been there."

"Then we are going for certain?"

"We are sent for. Yes, we are going. We are to be attached to the
Headquarters Staff. Petain is there. It might even be gay."

Fanny laughed. "Gay!"

"Why not?"

"I was thinking of my one pair of silk stockings."

"You have silk stockings with you!"

"Yes, I ... I am equipped for anything."

There came a morning, as wet and sad as any other, when Stewart and
Fanny, seated in the back of an ambulance, their feet overhanging the
edge, watched the black hut dwindle upon the road, and wondered how any
one had lived there so long.





With its back to the woods and hills of Luxembourg, with its face to the
desolation of Northern France, the city of Metz stood at the entry of
Lorraine like the gate to a new world.

The traveller, arriving after long hours of journey through the
battlefields, might sigh with relief, gape with pleasure, then hurry
away down deflagged streets, beneath houses roped with green-leafed
garlands, to eat divinely at Moitrier's restaurant, and join the dancing
in the hall below.

Not a night passed in Metz without the beat of music upon the frosty
air. It burst into the narrow streets from _estaminets_ where the
soldiers danced, from halls, from drawing-rooms of confiscated German
houses where officers of the "Grand Quartier General" danced a triumph.
Or it might be supposed to be a triumph by the Germans who stayed in
their homes after dark. They might suppose that the French officers
danced for happiness, that they danced because they were French, because
they were victorious, because they were young, because they must.

It was not, surely, the wild dancing of the host whose party drags a
little, who calls for more champagne, more fiddles?

In the centre of the city of Metz sat the Marechal Petain, and kept his
eye upon Lorraine. He was not a man who cared for gaiety, but should the
Lorraines be insufficiently amused he gave them balls--insufficiently
fed, he sent for flour and sugar; all the flour and sugar that France
could spare; more, much more, than Paris had, and at his bidding the
cake-shops flowered with _eclairs, millefeuilles, brioches, choux a la
creme_, and cakes more marvellous with German names.

France, poor and hungry, flung all she had into Alsace and Lorraine,
that she might make her entry with the assuring dazzle of the
benefactress. The Lorraines, like children, were fed with sugar while
the meat shops were empty--were kept dancing in national costume that
they might forget to ask for leather boots, to wonder where wool and
silk were hiding.

Fetes were organised, colours were paraded in the square, torchlight
processions were started on Saturday nights, when the boys of the town
went crying and whooping behind the march of the flares. Artists were
sent for from Paris, took train to Nancy, and were driven laboriously
through hours of snow, over miles of shell-pitted roads, that they might
sing and play in the theatre or in the house of the Governor. To the
dances, to the dinners, to the plays came the Lorraine women, wearing
white cotton stockings to set off their thick ankles, and dancing in
figures and set dances unknown to the officers from Paris.

The Commandant Dormans, head of all motor transport under the Grand
Quartier General, having prepared his German drawing-room as a ballroom,
having danced all the evening with ladies from the surrounding hills,
found himself fatigued and exasperated by the side of the head of
Foreign Units attached to the Automobile Service.

"I thought you had Englishwomen at Bar-le-Duc," he said to the latter.

"I have--eight."

"What are they doing at Bar-le-Duc? Get them here."

"Is there work, sir?"

"Work! They shall work from dawn to sunset so long as they will dance
all night! Englishwomen do dance, don't they?"

"I have never been to England."

"Get them here. Send for them."

So through his whim it happened that six days later a little caravan of
women crossed the old front lines beyond Pont-a-Mousson as dusk was
falling, and as dark was falling entered the gates of Metz.

They leant from the ambulance excitedly as the lights of the streets
flashed past them, saw windows piled with pale bricks of butter, bars of
chocolates, tins of preserved strawberries, and jams.

"Can you see the price on the butter?"



"I can't see. Yes.... Twenty-four francs a pound."

"Good heavens!"

"Ah, is it possible, eclairs?"


And with exclamations of awe they saw the cake shops in the Serpenoise.

German boys cried "American girls! American girls!" and threw paper
balls into the back of the ambulance.

"I heard, I heard...."

"What is it?"

"I heard German spoken."

"Did you think, then, they were all dead?"

"No," but Fanny felt like some old scholar who hears a dead language
spoken in a vanished town.

They drove on past the Cathedral into the open square of the Place du
Theatre. Half the old French theatre had been set aside as offices for
the Automobile Service, and now the officers of the service, who had
waited for them with curiosity, greeted them on the steps.

"You must be tired, you must be hungry! Leave the ambulance where it is
and come now, as you are, to dine with us!"

In the uncertain light from the lamp on the theatre steps the French
tried to see the English faces, the women glanced at the men, and they
walked together to the oak-panelled Mess Room in a house on the other
side of the empty square. A long table was spread with a white cloth,
with silver, with flowers, as though they were expected. Soldiers waited
behind the chairs.

"Vauclin! That _foie gras_ you brought back from Paris yesterday...
where is it, out with it? What, you only brought two jars! Arrelles,
there's a jar left from yours."

"Mademoiselle, sit here by Captain Vauclin. He will amuse you. And you,
mademoiselle, by me. You all talk French?"

"And fancy, I never met an Englishwoman before. Never! Your
responsibility is terrible. How tired you must be!... What a journey!
For to-night we have found you billets. We billet you on Germans. It is
more comfortable; they do more for you. What, you have met no Germans
yet? They exist, yes, they exist."

"Arrelles, you are not talking French! You should talk English. You
can't? Nor I either...."

"But these ladies talk French marvellously...."

Some one in another house was playing an ancient instrument. Its music
stole across the open square. Soldiers passed singing in the street.

A hundred miles ... a hundred years away ... lay Bar-le-Duc, liquid in
mud, soaked in eternal rain. "What was I?" thought Fanny in amazement.
"To what had I come, in that black hut!" And she thought that she had
run down to the bottom of living, lain on that hard floor where the poor
lie, known what it was to live as the poor live, in a hole, without
generosity, beauty, or privacy--in a hole, dirty and cold, plain
and coarse.

She glanced at her neighbour with wonder and appreciation, delight and
envy. There was a light, clean scent upon his hair. She saw his hands,
his nails. And her own.

A young Jew opposite her had his hair curled, and a faint powdery bloom
about his face.

("But never mind! That is civilisation. There are people who turn from
that and cry for nature, but I, since I've lived as a dog, when I see
artifice, feel gay!")

"You don't know with what interest you have been awaited."


"Ah, yes! And were you pleased to come?"

"We did not know to what we were coming!"

"And now?..."

She looked round the table peacefully, listened to the light voices
talking a French she had never heard at Bar.

"And now?..."

"I could not make you understand how different...." (No, she would not
tell him how they had lived at Bar. She was ashamed.) But as she was
answering the servant gave him a message and he was called away. When he
returned he said: "The Commandant Dormans is showing himself
very anxious."

The Jew laughed and said: "He wants to see these ladies this evening?"

"No, he spares them that, knowing of their journey. He sends a message
by the Capitaine Chatel to tell us that the _D.S.A._ gives a dance
to-morrow night. The personal invitation will be sent by messenger in
the morning. You dance, mademoiselle?"

"There is a dance, and we are invited? Yes, yes, I dance! You asked if I
was happy now that I am here. To us this might be Babylon, after
the desert!"

"Babylon, the wicked city?"

"The gay, the light, beribboned city! What is the 'D.S.A.'?"

"A power which governs our actions. We are but the C.R.A.... the
regulating control. But they are the Direction. 'Direction Service
Automobile.' They draw up all traffic rules for the Army, dispose of
cars, withdraw them. On them you depend and I depend. But they are
well-disposed towards you."

"And the Commandant Dormans is the head?"

"The head of all transport. He is a great man. Very peculiar."

"The Capitaine Chatel?"

"His aide, his right hand, the nearest to his ear."

Dinner over, the young Jew, Reherrey, having sent for two cars from the
garage, drove the tired Englishwomen to their billets. As the cars
passed down the cobbled streets and over a great bridge, Fanny saw water
gleam in the gulf below.

"What river is that?"

"The Moselle."

A sentry challenged them on the far side of the bridge. "Now we are in
the outer town, the German quarter."

In a narrow street whose houses overhung the river each of the section
was put down at a different doorway, given a paper upon which was
inscribed her right to billets, and introduced in Reherry's rapid German
to her landlady.

Fanny in her turn, following the young man through a dark doorway, found
herself in a stone alley and climbed the windings of a stairway. A girl
of twelve or thirteen received her on the upper landing, saying "Guten
Abend," and looking at her with wonder.

"Where is your mother?" said Reherry.

"She is out with my eldest sister."

"What is your name?"


"Then, Elsa, look after this lady. Take her to her room, the room I saw
your mother about, give her hot water, and bring her breakfast in the
morning. Take great care of her."

"Jawohl, mein Herr."

Reherry turned away and ran down the stairs. Elsa showed Fanny to a room
prepared for her.

"You are English?" said Elsa, and could not take her eyes off her.

"Yes, I am English. And are you German?" (Question so impossible, so
indiscreet in England...)

"I am real German, from Coblentz. How did you come here, Fraeulein?"

"In a car."

"But from England! Is there not water?"

"I crossed the water in a ship, and afterwards I came here in a car."

"You have a motor car? But every one is rich in England."

"Oh, not very..."

"Yes, every one. Mother says so."

The girl went away, then brought her a jug of hot water.

"I hope," said Fanny, venturing upon a sea of forgotten German, "I hope
I haven't turned you or your sister out of this room."

"This is the strangers' room," said Elsa. "I thank you."

When she had gone, Fanny looked round the room. It was too German to be
true. The walls were dark red, the curtains dark red, the carpet,
eiderdown, rep cover of the armchair, plush on the photograph frames,
embroidered mats upon the washstand, tiles upon the stove, everything a
deep, dark red. Four mugs stood upon the mantelpiece, and ... she rubbed
her eyes ... was it possible that one had an iron cross upon its
porcelain, one the legend "Got mit uns," the third the head of the
Kaiser, the fourth the head of the Kaiserin? "That is too much! The
people I shall write to won't believe it!"

Her bed was overhung by a large branch of stag's horn fixed upon the

She felt the bed, counted the blankets, found matches on the
mantelpiece, a candle in the candlestick, room in the stove to boil a
kettle or a saucepan. Hot water steamed from her jug, a hot brick had
been placed to warm her bed, a plate of rye bread cut in slices and
covered with a cloth was upon the table.

Foreign to her own, the eyes which had rejoiced in this room ... yet the
smile of German comfort was upon it.

She lay down beneath the branching antlers, and smiled before she went
to sleep: "One pair of silk stockings ... to dance in Babylon ..."

 *       *       *       *       *

In the morning a thin woman dressed in black brought her breakfast--jam,
rye bread, coffee and sugar.

"Guten Morgen," said the woman, and looked at her curiously. But Fanny
couldn't remember which language she ought to talk, and fumbled in her
head so long that the woman went away.

She dressed and went out, meeting Stewart by her doorway. Together they
crossed the bridge, the theatre square, and went towards the Cathedral
with eager faces. They did not look up at the Cathedral, at the statute
of old David upon which the Kaiser had had his own head carved, and upon
whose crossed hands the people had now hung chains fastened with a
padlock--they did not glance at the Hotel de Ville in the square beyond,
but, avoiding the tram which emerged from the narrow Serpenoise like a
monster that had too long been oppressed, they hurried on up the street
with a subdued and hungry gaiety.

There was a Need to be satisfied before anything could be seen, done, or
said. A Need four years old, now knocking at the doors of heaven,
howling to be satisfied.

Before the windows of a shop they paused, but Stewart, standing back and
looking up the street, said: "There is a better further on!" and when
they had gone on a few paces Fanny whispered, hurrying, "A better still
beyond!" At the third shop, the Need, imperative, royal, would wait no
longer, and drove them within.

"How many?" asked the saleswoman at the end of ten minutes.

"Seven _eclairs_ and a cream bun, said Stewart.

"Just nine _eclairs_," said Fanny.

"Seventeen francs," said the woman without moving an eyelash.

This frenzy cooled, their pockets lighter, they walked for pleasure in
the town. The narrow streets streamed with people--French soldiers and
officers, Lorraine women in the costumes of pageantry, and German
children who cried shrilly: "Amerikanerin, Amerikanerin!"

An English major passed them. They recognised his flawless boots before
they realised his nationality. And, following his, the worst boots in
the world--worn by a couple of sauntering Italian officers, gay in olive
and silver uniform. German men in black slouch hats hurried along
the streets.

It had been arranged that they should eat their meals in a room
overlooking the canal, at the foot of the Cathedral--and there at eleven
o'clock they went, to be a little dashed in spirit by the reappearance
of the Bar-le-Duc crockery.

The same yellow dish carried what seemed the same rationed jam; the
square blocks of meat might have been cooked in the Bar cook-hut, and
brought with them over the desert; two heavy loaves stood as usual on
the wooden table. The French Army ration was the same in every town.

"Mesdames," said the orderly assigned to them, "there are two
sous-officers without who wish to speak with you."

"Let them come in."

Two blue figures appeared in the doorway and saluted. The first brought
a card of invitation from the Commandant Dormans. The second was the
brigadier from the garage with a list of the cars assigned to
the drivers.

"Perhaps these ladies would come down and try their cars after lunch?"
he suggested, and lunch being over they walked with him through the
winding streets. At the gates of a great yard he paused and a sentry
swung them open. Behind the gates lay a sandy plain as large as a parade
ground, which, except for gulleys or gangways crossing it at intervals,
was packed from end to end with row after row of cars; cars in the worst
possible condition, torn, twisted, wheelless, cars with less dramatic
and yet fatal injuries; some squatting backwards upon their haunches,
some inclined forwards upon their knees--one, lately fished up from a
river, had slabs and crusts of ice still upon its seats--one, the last
dragged in at the tail of a breakdown lorry, hung, fore-wheels in the
air, helpless upon a crane. Here, in the yard, was nothing but broken
iron and mouldering carriage work--the cemetery of the Transport of the
Grand Quartier.

Lining all one side of the yard ran a shed, closed and warmed and
lighted, where living cars slept in long rows mudguard to mudguard, and
bright lamps facing outward.

As the Englishwomen walked in a soft rustle could be heard up and down
the lighted shed, for each half-hidden driver working by his car turned
and shot a glance, expectant and mocking, towards the door.

"Ben quoi, i'parait qu'c'esst vrai! Tu vois!"

"Qu'est-ce qu'il dit, c'ui-la?"

"C'est les Anglaises, pardi!"

"Tu comprends, j'suis contre tout ca. I'y a des fois ou les femmes c'est
bien. Mais ici ..."

"Tu grognes? On va r'devenir homme, c'est tres bien!"

"C'est idiot! Qu'est-ce qu'elles vont faire ici!"

"On dirait--c'est du militarisme francais!"

"Le militarisme francais j'm'en f----! Tu verra, cela va faire encore du
travail pour nous."

"Attends un peu!"... And murmurs filled the shed--glances threaded the
shadows, chilling the spirit of the foreign women adventuring upon the

"Four Rochets," said the _brigadier_, consulting his paper, "two
Delages, two FIATS ... Mademoiselle, here is yours, and yours. The
Lieutenant Denis will be here in a moment. He fears the Rochets will be
too heavy for you, but we must see."

The lieutenant who had been at dinner the night before entered the shed,
greeted them, and turned to Stewart. "That car is too heavy for your
strength, mademoiselle. It is not a car for a lady."

"I like the make," she said stiffly, conscious of the ears which
listened in the shed.

"See if you can start her now, mademoiselle," said the _brigadier_,
arranging the levers.

There was a still hush in the shed as Stewart bent to the handle. Fanny,
standing by the Rochet which had been assigned to her, felt her
heart thumping.

("Tu vas voir!" whispered the little soldiers watching brightly from
behind the cars. "Attends, attends un peu! Pour les mettre en marche,
les tacots, c'est autre chose!")

Stewart, seizing the handle, could not turn it. In the false night of
the shed the lights shone on polished lamps, on glass and brass, on
French eyes which said: "That's what comes of it!"--which were ready to
say--"March out again, Englishwomen, ridiculous and eager and defeated!"

Fanny, looking neither to right nor left, prayed under her breath
--"Stewart, Stewart we can never live in this shed if you can't
start her. And if you can't, nobody else can...."

There was a spurt of life from the engine as it back-fired, and Stewart
sprang away holding her wrist with the other hand. The lieutenant, the
brigadier, and a driver from a car near by crowded round her with

"You advanced the spark too much," said the driver to the _brigadier_.
"_Tenez_! I will retard it."

"She shan't touch the car again." said the lieutenant. "It is too

"Leave the controls alone," said Stewart, scowling at the driver. "Give
me room ..." She caught the handle with her injured hand, and with a
gasp, swung the Rochet into throbbing life.

There was a murmur of voices down the shed, and each man with a slight
movement returned to the work he had been doing; the polishers polished,
the cleaners swept, and a little chink of metal on metal filled the
garage. The women were accepted.

The day had vanished. Cars, yard and garage sank out of sight. Out in
the streets the lamps woke one by one, and from the town came shouts and
the stamp of feet marching. It was Saturday night and a torchlight
procession of soldier and civilians wound down the street. The band
passed first, and after it men carried fire-glares fastened upon sticks.

The garage gates turned to rods and bars of gold till the light left
them, and the glare upon the house-fronts opposite travelled slowly down
the street.

Fanny slipped out of the yard and crept along behind the flares like a
shadow on the pavement. At the street corner she passed out on to the
bridge over the Moselle, and leant against the stonework to watch the
plumes of fire as they glittered up the riverside upon the tow-path. The
lights vanished, leaving the darkness so intense that she could only
feel her way over the bridge by holding to the stonework with her hand.
A sentry challenged her and when she had passed him she had arrived at
the door of her German lodging.

Climbing the stairs a slow breeze of excitement filled out the sails of
her spirit. "My silk stockings ... my gold links, and my benzene
bottle!" she murmured happily. Now that of all her life she had the
slenderest toilet to make--three hours was the time she had set
aside for it!



Earth has her usual delights--which can be met with six days out of the
seven. But here and there upon grey earth there exist, like the flying
of sunlight, celestial pleasures also--and one of these is the heaven of
success. When, puffed-up and glorious, the successful creature struts
like a peacock, gilded in a passing radiance. And in a radiance, in a
magic illumination, the newcomers danced in the drawing-room of the
Commandant Dormans, and tasted that which cannot be found when sought,
nor held when tasted.

Old tapestries of tropical foliage hung around the walls, dusk upon one
wall, dawn upon another. Trees climbed from floor to ceiling laden with
lime-coloured flowers, with birds instead of fruits upon the branches.

When at a touch the yellow dust flew out under the lamplight it seemed
to the mazy eye of the dancer that the trees sent up a mist of
pollen and song.

In this happy summer, Fanny, turning her vain ear to spoken flattery,
her vain eye to mute, danced like a golden gnat in fine weather.

The Commandant Dormans spoke to her. If he was not young he had a quick
voice that was not old. He said: "We welcome you. We have been waiting
for you. We are glad you have come."

Faces surrounded her which to her fresh eyes were not easy to read.
Names which she had heard last night became young and old men to her
--skins red and pale and dark-white--eyes blue and olive and black--gay,
audacious and mocking features. She was dazzled, she did not hurry to
understand. One could not choose, one floated free of preference, all
men were strangers.

"One day I shall know what they are, how they live, how they think." But
she did not want that day to come.

The Commandant Dormans said: "You do not regret Bar-le-Duc?"

"No, no, no."

"I hear you are all voracious for work. I hear that if you do not drive
from morning to night we cannot hope to keep you with us!"

Denis said to her: "Be careful of him! He believes there is no end to
the human strength."

She replied joyously: "There is no end to our strength!"

When she had eyes to see, to watch, to choose, she found that there was
in the room a man who was graceful and young, whose eyes were a peculiar
shape, who laughed all the time gently as he danced. He never looked at
her, never came near her. This young man was indifferent to her, he was
indifferent to her ... Soon he became a trouble and a pleasure to her.
With whom was he dancing now ... and now? Who was it that amused him?
His eyes and his hair were bright ... but there were many around her
whose eyes and hair were as bright. Before she had seen that young man
laugh her pleasure had been more complete.

While she was talking to Denis a voice said to her: "Won't you dance
with me?"

Looking up she saw who it was. His mouth smiled, his eyes were clever
and gay.

The moment she danced with him she began to grow proud, she began to
find herself. Someone whispered to her: "The section must leave at such
and such an hour...."

She thought in a flash: "For me the section is dissolved ... I am I, and
the others are the others!"

The evening wore on. The musicians flagged and took up their courage
again. It was late when Stewart, touching Fanny's arm, showed her that
they were almost the only two women in the room.

"Where are the others?"

"In the hall, putting on their coats. We are all going."

"Aren't they in a hurry?"

"They have had orders, which were brought up just now, for runs early
to-morrow morning. But you and I have nothing, and Denis has asked
us ... if you are quick you can slip away ... to have supper with him
at Moitriers."


"We can. The others go home in two cars which have been sent for us. No
one will know that we are not in the other car. I'm so hungry."

"So am I, starving. Very well."

They joined the others, put on their coats, hunted ostentatiously for
their gloves, then slipped ahead down the dark stairway into the square
below. Denis joined them.

"Splendid. I have my car round that corner. It will be only a matter of
half an hour, but if you are both as hungry as I you will welcome it.
Everything was finished upstairs, every crumb and cake. We must get a
fourth. Who shall I get?"

"Any one whom you would like to bring," said Stewart. "I don't think I
have mastered the names yet. I really don't mind."

"And you, mademoiselle?"

"Nor I either," said Fanny, sniffing at the frosty air, at the fresh

"Whom you like!"

"Then I won't be a moment. I'll bring whom I can."

"Monsieur!"... as he reached the corner. He turned back.

"There is an artillery captain ... in a black uniform with silver."

"An artillery captain ..." he paused enquiringly.

"In black and silver. There was no other in the room."

"Oh, yes, there were two in black and silver!"

"Tall, with ..."

"Ah, tall! The other is very short ... The tall one is the Commandant's
aide, Captain Chatel. He may not be able.... But I will see!" He
disappeared again.

When he returned he had the young man beside him.

"One moment," said Chatel, as they walked towards the car; "who asked
for me, the girl with the fair hair, or with the dark?"

"With the fair."

Moitriers was closed when they reached it, and they drove on to the only
other place where food could be bought past the hour of midnight--the
station buffet.

Pushing past the barriers at the entrance to the station they entered a
long corridor filled with heavy civilian life. Men and women lay, slept
and snored upon the stone ledges which lined the side of the tunnel,
their bags and packets stacked around them. Small children lay asleep
like cut corn, heads hanging and nodding in all directions, or propped
against each other in such an intricate combination that if one should
move the whole sheaf of tired heads slipped lower to the floor.

Further on, swing doors of glass led to a waiting-room, and here the
sleeping men and women were so packed upon the ground and around the
little tables that it was difficult to walk between them. Men sat in
groups of nine or ten around a table meant for four each with his head
sunk down between his hands upon the marble surface. On one table a
small child wrapped in shawls lay among the circle of heads, curled like
a snail, its toe in its father's ear. At each end of the room stood
soldiers with fixed bayonets.

Denis paused at the entrance. "Walk round here," he said, "there is a
gangway for the sentry."

"If we talk too loud," said Fanny, "we shall wake them."

"They must soon wake in any case. It must be near the time for the
train. You know who they are?"


"Germans. Expelled from Metz. They leave in batches for Germany every
night--by a train that comes in and goes out at some horrible hour."

Passing through more glass doors they came to an inner room where,
behind a buffet, a lady in black silk served them with beer and slices
of raw ham and bread.

The four sat down for a moment at a little table--Denis talking of the
system by which the outgoing Germans were nightly weeded from those who
had permission to remain behind in Metz. Julien Chatel joined in the
conversation. He spoke with the others but he glanced at Fanny. For the
briefest of seconds he thought as he looked at her face that he saw a
new interest smile upon it. He did not know that his own face wore the
same look. His look said as he looked at her: "You, you, you!" At one
moment she thought: "Am I pretty?" At the next she was content only to
breathe, and thought no more of herself. She took in now his eyes which
seldom rested on her, now a movement of his lips which made her feel
both happy and miserable, and suddenly she learnt how often his finger
traced some letter upon his cheek.

These things were important. They were like the opening sentences of a
great play to which one must listen, absorbed, for fear of
misunderstanding all the story.

It was not long before they rose, threaded their way back between the
sleeping Germans, regained the car, and drove down the silent streets
towards the Cathedral.

"Have you seen it?" said Julien in a low voice, addressing her directly.

"The Cathedral?"

"Yes. I want to show it to you. Will you meet me there to-morrow at

(The others talked and smiled and knew nothing. Whoever has a secret is
stronger than they who know nothing. Fanny thought: "My companions, to
be as you are is not to exist! Whatever you feel, you are feeling
nothing ...")

"Will you?"

"Yes," she answered, and joined her hands tightly, for this was where
the play really began.

       *       *       *       *       *

The sun shone gaily. Here was no mud, no unhappiness, here were no
puzzled women, and touching mayors of ruined villages, but instead gay
goblin houses, pointed churches like sugar cake, the old French theatre
with its stone garlands glittering in the sun; sun everywhere, streaming
over the Place du Theatre, over women shaking coloured rags from the
windows, women washing linen by the river; everything that had been wet
was drying, everything that had savoured of tears and age and sadness
was burning up under the sun, and what moisture remained was brighter
than jewels.

"Suppose he never came!"

"Why, then, be ready for that. Very likely he wouldn't come. Very likely
he would think in daylight--' She is not a woman, but an English
Amazon...'" Fanny glanced down at her clothes regretfully. She was
ill-equipped for an assignation.

"At least I might have better gloves," she thought, and walked into a
small shop which advertised men's clothes in German across the window.
She bought yellow washing-leather gloves at twenty-eight francs a pair,
and would have paid a hundred had the salesman insisted.

And now with yellow gloves, silk stockings, shining shoes and a heart
as light as a leaf upon a wind she walked towards the Cathedral.

"He won't come. He won't be there...." She pushed at the east door.

He was under a Madonna, his black and silver hat in his hand, his eyes
critical and pleased as he walked to meet her. They sat down together
on a seat, without speaking. Then, each longing for the other to speak
--"You have come...." he said first. (His face was oval and his hair
was shining.)

"Yes," she nodded, and noticed a peculiar glory in the Cathedral. The
dark cave shone as white flesh and youth can shine through the veils of
a mourner.

They no longer lived their own separate lives; they had come together at
each other's call.

"I thought you wouldn't come."

"Why, why did you think that?"

Little questions and little answers fell in a sudden rain from their
lips. Yet while Fanny spoke he did not seem to know what she said, and
answered at random, or sometimes he did not answer at all, but smiled.

Afraid of the fragile avowal of silence, evading it, she found little
words to follow one another. But he answered less and less, and smiled
at her, till his face was full of this smile. So then she said: "We'll
go out and walk by the river," and he rose at once and followed her
among the forest of wooden chairs. They forgot that he was to have shown
her the Cathedral. In all its length she never saw one statue except
the first Madonna, not one stone face but his young face with the cold
light upon it, his hands as white as stones, as long and fine as any of
the carved fingers which prayed around them.

They walked together down the winding path below the bridge to the very
edge of the Moselle, which lay in light winter sunlight, its banks
buried in shrubberies of green.

Mont St. Quentin, conical, covered with waving trees, shone like a hill
in summer, and beyond it the indigo forest of every Lorraine horizon
floated indefinitely like a cloud.

A young doctor lounged beside them, putty-coloured under his red plush
cap. "Why are all doctors plain in France?" she laughed.

"Hush!" He wound his hand round and round like the player of a barrel-
organ. "I have to stop you when you say silly things like a phonograph,
at so much a metre."

So he believed he might tease her.... Delighted, she stopped by the bank
of the river and stared into the water. The sun ran over her shoulders
and warmed her hands. The still shine of the river held both their eyes
as movement in a train holds the mind.

"I am enjoying my walk," he said. He did not mean it like that, or as a
compliment to her. When it was said he thought it sounded banal, and was
sorry. "What a pity!"

But she was not critical because she was looking for living happiness,
and every moment she was more and more convinced that she would get it.
But when he asked her her name and she repeated it, it sounded so much
like an avowal that they both turned together down the tow-path with a
quick movement and spoke of other things, for they were old enough to be
afraid that the vague happiness that fluttered before them down the path
would not be so beautiful when it was caught. And at this fear she said
distinctly to herself: "In love!" and wondered that she had not said
it before.

Coming back to him with her words, she then began to wound and to delay
him. "You mustn't be late for your office...."

"When shall I see you again?"

They dropped into a long silence. She summoned her coquetry that she
called pride. The blue, blue forest at the edge of her sight tilted a
little like a ship, the watery hill-country rolled towards it in
mysterious kilometres.

"It is beautiful," she said clumsily, avoiding his question, ignoring
it. "Yet when I go there it is always more beautiful on the next hill.'

"I must hurry," he said at once, "I shall be late at my office."

"Where is your office?"

He looked round vaguely. "There in that group of pines." They walked
towards it, they were almost at the door, but he would not repeat his
question. Would he not at the last moment? No. Had it not then been
clear that the living happiness was at her lips? No. Could he let her
go, could it have been a failure? He was holding out one of the stone
hands. He was going.

She looked up and the sun was streaming in his eyes, blinding him, and
without seeing her he stared into the darkness that was her face. "I
have so enjoyed my walk," he said. "Thank you for coming."

All her face said "Oh!" in a hurt, frightened stare, but the sun only
came round the edges of her hair and cap and left the panic in a
shifting darkness. He was gone.

She went back to her street. Reaching the big, populous house she
followed the corridor that led from the stone courtyard, climbed to the
first floor and opened the door of her own room. A bitter disillusion
ran through her. The close-packed furniture seemed to say indifferently,
"There's not much room for you!" and she knew quite well as she sat down
on the bed that it was not her room at all, but had been as public to
the birds of passage as the branch of a tree to the birds of the air.

"I did so little. I did so little. It was such a little mistake!"
Self-pity flooded her.

"And why did he ask me to come to the Cathedral if such a little thing,
such a little thing...." Indignation rose.

"Things don't crumble like that, don't vanish like that!" She stared,
astonished, at the scenes she had left behind her, the shining of the
dark Cathedral, the ripple on the Moselle. "But they do, they do,
they do...."

Down in the street her own name caught her ear, and she went to the

"Are you there, are you there?" cried the voice.

Hanging waist-deep out of the window she received her orders for the
next day.

"I came down to tell you now," said the girl below on the pavement. "I
thought you might have things to do to the car. You must be at the Hotel
Royal, near the station, at half-past six to-morrow morning."

"Have you any idea whom I'm to take? Or where?"

"I don't know where, but the man is a Russian colonel."

She drew her head back through the window, and the gay tumble of the
street gave way to the impersonal, heavy room. Cramming her oil-stained
overall into her haversack, she put on her leather coat and went up to
the garage.

The sun had disappeared. A cold wind struck the silk-clad ankles.



"Come in," she said in English, lifting her head and all her mind and
spirit out of the pit of the pillow.

Feet came further into the room and a shivering child held a candle in
her face. "Halb sechs, Fraeulein," it said. But the Fraeulein continued
to stare at him. He thought she was not yet awake--he could not tell that
she was counting countries in her head to find which one she was in--or
that she was inclining towards the theory that she was at school in
Germany. He was very cold in his shirt and little trousers, and he
pulled at her sheets. "Fraeulein!" he said again with chattering teeth,
and when she nodded more collectedly the little ghost slipped out
relieved by the door. "Russian colonel ... I must get up. Fancy making
that boy call me! Why couldn't someone older ... I must get up."

He had left the electric light burning in her room, but out in the
corridor all was black and hushed as she had left it the night before
when she had gone to bed. Behind the kitchen door there was a noise of
water running in the sink. She opened the door, and there was the
wretched child again, still in his shirt, rinsing out her coffee-pot by
the light of one candle. Well, since he was doing it ... Poor child! But
she must have her coffee. By the time she was dressed he tapped again
and brought in the tray with coffee, bread and jam on it. Setting it
down, he looked it over with an anxious face. "Zucker," he said, and
disappeared to fetch it. She filled her thermos bottle with the rest of
the coffee which she could not finish, and put two of the slices of grey
bread into the haversack, then crept downstairs and out into the black
street where the gas lamps still burnt and the night sentry still paced
up and down in the spectral gloom. Over the river hung a woolly fog,
imprisoning the water; but as she crossed the bridge she noticed where
its solidity was incomplete and torn, and into the dark water which lay
at the bottom of such crevasses a lamp upon the bridge struck its
arrowed likeness. It was a good seven minutes' walk to the garage, and
she tried to get warm by running, but the ice crackling in the gutters
and between the cobble stones defied her, and her hands ached with cold
though she put them in turn right through her blouse against her heart
to warm them as she ran. Fetching her car she drove to the Hotel Royal,
and settled down to wait.

A porter came out and swept the steps of the hotel, and a puff of his
dust caught her in the face. He laid a fibre mat on each stone step, and
clipped them with little metal clips.

"Are you for us?" asked a _sous-lieutenant_, looking first up and down
the empty street and then at the car. He had blue eyes and a long, sad
moustache that swept down the lower half of his face and even below his
chin, making him look older than he should.

"I am for a Russian colonel," she said, liking his mild face.

"That's right. Yes, a Russian colonel. Colonel Dellahousse. But can you
manage by yourself? Can you really? I will tell him...."

He disappeared up the steps and through the swing door of the hotel. A
moment later he was out again.

"He will come to you himself, he will see you. But we want to go to
Verdun! Could you drive so far? You could? Yes, yes, perhaps. Yet here
he comes...."

In dark civilian clothes the Russian came down the hotel steps. He was
tall, serious, upright, rich. His face beneath his wide, black hat was
grave and well cared for. The sombre glitter of his eye was grave, his
small dark beard shone in the well-controlled prime of its growth. From
the narrow line of white collar to the narrower thread of French
watchchain--from the lean, long feet to the lean, white hands she took
him in, and braced herself, adjusted herself, to meet his stately
gravity. If there was something of the Mephistopheles in fancy dress
about him, it was corrected by his considerate expression.

"Have you had breakfast?" he began, speaking French with a softly nasal

"How kind of you to think of it! Yes, thank you, monsieur."

"I have to go to Verdun," he put it to her. "I have business there." It
was as though he expected that she would let him off without difficult
explanations, would exclaim: "There is some mistake! Some other car,
some other driver is intended for your work!"

But she remained silent except for a smile of acknowledgment, and with a
sigh he summoned the lieutenant and went back into the hotel. In a few
minutes the Frenchman came out again. "Monsieur Dellahousse would like
to know if you know the way?" he inquired.

"He doesn't want to take me? Isn't that it?" asked Fanny, smiling but

"He is a little doubtful," admitted the lieutenant. "You must

"Perhaps I appear flippant to him. But I am grave, too, grave as he, and
I long to go, and the car and I, we are trustworthy. I do, indeed, know
the way to Verdun."

He went in again, and for answer the porter brought out the bags, and
Colonel Dellahousse followed, carrying a sealed black bag with care
under his arm. She was sure he had said to the Frenchman: "But what sort
of a woman is she? One does not want to have difficulties." And as sure,
too, that the other had answered: "I know the English. They let their
women do this sort of thing. I think it will be all right."

She no longer felt defiant towards the spoken and unspoken criticism she
met everywhere: "What kind of women can these be whose men allow them to
drive alone with us for hours, and sometimes days?" but had begun to
apologise for it even to herself, while it sometimes caused her

She drove them back through the waking town and out by the Verdun gates,
and soon up on to the steep heights above the town among frozen fields
and grasslands white with frost. The big stone tombs of 1870 stuck out
of a light ground fog like sails upon a grey sea, and it was not long,
at Jeandelize, before the 1914 graves began, small isolated wooden
crosses. They touched the brink of the battlefields; a rain of dead
gunfire began along the sides of the road, shell-holes with hairy edges
of dried thistles and, at the bottom of each, green moss stiffened with
ice. The road grew wilder and wilder and took on the air of a burnt-out
moor, mile after mile of grey, stricken grass, old iron, and large
upturned stones. Wherever a pair of blasted trees was left at the road's
side a notice hung in mid-air, on wires slung from tree to tree
across the road.

"Halt--Autos!" shouted the square, black, German orders from the boards
which swung and creaked in the wind.

"Nach Verdun," said the monster black arrows painted on trees and stone,
pointing, thick, black and steady, till it seemed that the ghost of the
German endeavour still flung itself along the road. "Nach Verdun! Nach
Verdun!" without a pause, with head down. "Nach Verdun," so that no one
might go wrong, go aside, go astray, turn back against the order of the
arrow. Not an arrow anywhere answered "Nach Metz."

For miles and miles nothing living was to be seen, neither animal, nor
motor, nor living man; only the stray fires of the Chinese fluttered
here and there like blue and red marsh fires a mile or so back from the
main road. Once as she flew along she shied like a horse and twisted the
wheel as a wild screaming and twittering rose at the side of the car,
and glancing back she saw three figures wriggle and laugh in mockery and
astonishment. They had risen round the embers of a dead fire, and stood
swaying on their feet and showing white teeth in orange faces. One had
the long hair of a woman flapping about his ears.

They reached Etain, and turned the sharp corner in the street lined with
hollow houses, passed under a tunnel of thick camouflage, leafy as an
arbour, mouldy as the rags upon a corpse, and came on the first
pill-boxes of the Hindenburg line.

Another twelve miles and the twin towers of Verdun appeared over the
brow of a hill.

"I thought it but dust!" exclaimed the Russian. "I thought it a ruin; it
is a town!"

"Wait, wait till you get nearer...."

Then down the last long hill and over the paved Route d'Etain into the
suburbs of Verdun. As they neared it the town began to show its awful
frailty--its appearance of preservation was a mockery. Verdun stood
upright as by a miracle, a coarse lace of masonry--not one house
was whole.

"Stop!" ordered the Russian, and at the foot of the steep, conical hill
which wore Verdun upon its crest they stopped and stared. The town was
poured over the slopes of the hill as though a titanic tipcart had let
out its rubbish upon the summit. Houses, shops and churches, still
upright, still formed Verdun, kept its shape intact, unwilling that it
should fall to dust while these deadly skeletons could keep their feet.
Light glared through the walls, and upon the topmost point of all the
palace of the bishop was balanced, its bones laced against the sky. The
Russian, who had stood up in the car, sat down. "Now go on...."

The streets which circled the base of the hill had been partially
cleared of fallen rock and stonework, and the car could pick its way
between the crazy shop-fronts, where notices of vanished cobblers,
manicurists, butchers, flapped before caverns hollowed by fire, upon
fingers of stone already touched by moss.

Here and there soldiers moved in bands at their work of clearing. But
the black hat, the drab coat of the civilian had long been left behind
--and here the face of a woman was unknown as the flying dragons of the
world's youth.

Now and then with a crash the remains of a house fell, as the block
of stonework which alone supported it was disarranged by the working

"Where am I to go?" asked Fanny, as the street wound round the base of
the hill.

"I will climb over beside you and direct you," said the French
lieutenant, and dropped into the front seat.

"Where do these soldiers sleep? Not among these ruins?"

A block of masonry fell ahead of them and split its stones across the

"Be careful! You can get round by this side street. Up here.... In these
ruins. No living soul can sleep in Verdun now."

"Where, then?"

"Don't you know? They sleep _beneath_ Verdun, in this hill around which
we are circling. I am looking for the entrance."

"Inside this hill? Under the town?"

"But you've heard of the _citadelle?_"

"Yes, but... this hill is so big."

"There are fifteen kilometres of tunnel in this hollow hill, and
hundreds of steps lead up to the top by the palace, where there is a
defence of barbed wire and guns. Look, here is the entrance."

They left the car. Before them was a small dark hole in the side of the
hill, an entrance not much higher than a man, into which ran a single
rail line of narrow gauge. A sentry challenged them as they walked
towards him.

Entering the hill they found themselves in a tunnel lit by electric
bulbs which hung in a dotted line ahead of them.

"Wait!" ordered the deep voice of the Russian, and he strode from them
into the depths of the tunnel with the Eastern swing of Ali Baba
entering his cave.

Fanny stood by the mild lieutenant, and they waited obediently.

"I must tell you a secret," he said to her. "Monsieur Dellahousse is
very glad to be here. He said this morning: 'The Governor has sent me a
woman to break my neck!'"

"But he took me...."

"Could he refuse you?--For he felt that it was a glove of challenge
thrown down by the Governor of Metz. They do not get on together.... He
took you with dignity, but he was convinced that he placed himself in
the jaws of death."

"When do we go back? We cannot now be in Metz before dark."

"But haven't they told you? Never warned you? How monstrous! We are
staying here."

"And I return alone?"

"No, you stay too. You are lent to us for five days. They should have
told you!"

"Oh, I stay too. In this tunnel, here! How odd, how amusing!"

"Monsieur Dellahousse has gone to ask the Commandant of the _citadelle_
to house us all. Here he comes."

The Russian returned under the chain of lights. "Follow me," he said,
and led them further into his cavern.

They followed him like children, and as they advanced the lieutenant
whispered: "We are now well beneath the town. It lies like a crust above
our heads. Exactly beneath the palace you will see the steps go up...."

"What is the railway line for?"

"Bread for the garrison. There are great bakeries in the _citadelle_."

Further and further still.... Till the Russian turned to the right and
took a branching tunnel. Here, lining the curve of the stone wall were
twenty little cubicles of light wood, raised a few inches from the moist
floor, and roofless except for the arch of the tunnel that ran equally
above them all. These were the rooms assigned to the _officers de
passage_, officers whom duty kept for a night in Verdun. Each cubicle
held a bed, a tin basin on a tripod, a minute square of looking-glass, a
chair and a shelf, and each bore the name of its temporary owner written
on a card upon the door.

"Twenty ... twenty-one ... and twenty-two," read the Russian from a
paper he carried, and threw open the door of twenty-two.

"This is yours, mademoiselle"; he bowed and waved her toward it. Fanny
entered the room, which, from his manner, might have been the gilded
ante-chamber of his Tzar.

She heard him enter his own room, and through the partition the very
sighing of his breath was audible as it rustled upon his lips! He tried
to give her the illusion of privacy, for, wishing to speak to her, he
left his room again to tap at her door, though his voice was as near her
ear whether at door or wall.

"I hope you are content, mademoiselle?" he said through the woodwork.

"Delighted, monsieur."

"You will sleep here," he continued, as though he suspected her of
sleeping anywhere but there, "and dine with us in the officers' mess at
seven. Until then, please stay in the _citadelle_ in case I need you."

She heard his footsteps go up the corridor, the lieutenant following
him. "I will unpack," she thought, and from her knapsack drew what she
had by chance brought with her. Upon the shelf she arranged a tin of
_singe_--the French bully beef--a gilt box of powder, a toothbrush, a
comb, a map, a packet of letters to be answered, and a magneto spanner.

There was an hour yet before dinner and she wandered out into the
corridors to explore the _citadelle_. A soldier stood upon a ladder
changing the bulb of an electric light.

Catching sight of her he hurried from his ladder, and passing her with
a stiff face, saluted, and disappeared.

Soon she began to think that this was the busy hour in the fortress: the
corridors rustled gently, the unformed whispering of voices echoed
behind her. The walls seemed to open at a dozen spots as she walked on,
and little men with bright, grave faces hurried past her about
their duties.

"Perhaps they are changing the guard...."

Yet a face which had already passed her three times began to impress its
features upon her, and she realised suddenly that it was curiosity, not
duty, that called the soldiers from their burrows. The news was spreading,
for out of the gloom ahead fresh parties of onlookers appeared, paused
disconcerted as she wished them "good evening," nodded or saluted her in
haste, then hurried by.

An officer with grizzled hair stepped into the passage from a doorway.
As she neared him she saw he wore the badges of a commandant.

"Who is this?" he asked in a low voice of the soldier who followed at
his heels.

"J'n'en sais rien, mon commandant," The soldier stiffened as a watch-dog
who sees a cat.

Fanny hastened nearer. "I drive a Russian officer," she explained. "I
hope I have your permission to stay here."

"Ah!" exclaimed the officer, looking at her in surprise. "Colonel
Dellahousse told me 'a driver'; he did not add that the driver was a
lady. Where have they put you? Not in the cubicles of the _officiers de
passage?_ No, no, that must be changed, that won't do. Come, you shall
sleep in the room next to the bishop's room, as he is absent. It is in
my corridor."

Fanny followed him, and noticed that the corridor was now clear of
soldiers. The commandant paused before a door decorated with flags and
led her into another corridor lined with cubicles much larger than those
she had seen at first.

"Open number seven."

The soldier took his bunch of keys and opened the door.

"Now fetch mademoiselle's effects from the other corridor. Which number
was your room, mademoiselle?"

"Twenty-two. But I can fetch them ... I have really nothing."

The soldier withdrew.

"He will get them. You dine with us, I hope, to-night at seven. Are you
English, mees?"

"Yes, English--with the French Army. I am really so grateful..."

"The other room was not possible. I like the English, mees. I have known
them at my home near Biarritz. You and I must talk a little. Do you
care to read?"

"Oh, yes, if I get time...."

"Any books you may want please take from my sitting-room, number
sixteen in this corridor. _Tenez!_ I have an English book there--'The
Light that Failed'--I will get it for you."

"Oh! I have read ... But thank you."

_"De rien, de rien!_ I will get it now." He hastened up the corridor and
returned with the book in his hand.

The soldier, too, returned, bearing the seven objects which had
accompanied her travels.

"You will clean mademoiselle's shoes, brush her uniform, and bring her
hot water when she needs it," ordered the commandant, and the soldier
saluted impassively--a watch-dog who had been told that it was the
house-cat after all.

Left alone, she searched all her pockets for some forgotten stick of
chocolate, and finding nothing, sat down upon the bed to wait hungrily
till seven. The air in the tunnels was heavy and dry, and throwing off
her tunic she lay down on the bed and slept until footsteps passing her
door awoke her.

She became aware that the inhabitants of her corridor were washing their
hands for dinner, and sitting up sleepily found that it was already
seven. In a few minutes she hurried from her room and out into the main
tunnel, glad to get nearer the fresh air which filtered in through the
opening at the far end.

Reaching a door which she had noticed before, marked "_popote_," she
paused a second, listening to the hum of voices within, then pushed at
the door and entered.

Instantly there was a hush of astonishment as seventy or eighty
officers, eating at a long trestle table, sharply turned their heads
towards her, their forks poised for a second, their hands still. Then,
with a quick recovery, all was as before, and the stream of talk
flowed on.

The first section of the table was reserved for strangers passing
through Verdun, and here sat a party of young Russian officers in light
blouse-tunics, an American or two, and a few French officers. At the
next section sat the officers of the _citadelle_, a passing general, and
at the left hand of the commandant, Monsieur Dellahousse and the mild

Overhead the stone roof of the tunnel was arched with flags, and
orderlies hurried up and down serving the diners.

Fanny, halfway up the long table, wavered in doubt. Where, after all,
was she supposed to sit? At the top section, as a guest--or, as a
driver, among the whispering Russians at the "stranger" section? Her
anxiety showed in her face as she glanced forwards and backwards and an
orderly hurried towards her. "Par ici, mademoiselle, par ici!" and she
followed him towards the head of the table. Her doubts dissolved as she
saw the gap left for her by the friendly arm of the lieutenant, and,
arrived at the long wooden bench upon which they sat, she bowed to the
commandant, and lifting one leg beneath her skirt as a hen does beneath
its feathers, she straddled the difficult bench and dropped
into position.

"Beer, mademoiselle? Or red wine?" asked the Russian, suddenly turning
to her; and the commandant, released from his conversation, called out
gaily: "The mees will say 'water'--but one must insist. Take the wine,
mees, it is better for you." The idea of water had never crossed Fanny's
mind, but having decided on beer she changed it politely to red wine,
which she guessed to be no other than the everlasting _pinard_.

"I know them..." continued the commandant, smiling at the general. "I
know the English! My home is at Biarritz and there one meets so many."

And this old man thus addressed, a great star blazing on his breast, and
tears of age trembling in his blue eyes, lifted his hand to attract her
attention, and said to Fanny in gentle English: "Verdun honours a
charming guest, mademoiselle."

_"Verdun ... honours...."_ His words lingered in her ear. She a guest,
_she_ honoured ... _here_!

Up till now the novelty of her situation had engrossed her, the little
soldiers watching in the tunnels, the commandant so eager to air his
stumbling English, these had amused her.

And when she had perceived herself rare, unique, she had forgotten why
she was thus rare, and what strange, romantic life she meddled in.

Here in this womanless region, in this fortress, in this room, night
after night, month after month, the commandant and his officers had sat
at table; in this room, which, unlike the tomb, had held only the
living, while the dead and the threatened-with-death inhabited the
earth above.

They had finished dinner and Monsieur Dellahousse signalled to Fanny
that she might rise. She rose, and at the full sight of her uniform he
remembered her duties and said stiffly: "Be good enough to wait up till
ten to-night. I may need you."

They passed out again down the length of the tables. Near the door the
Russian paused to speak with his countrymen, who rose and stood
respectfully round him. Fanny and the lieutenant went on alone to
the corridor.

"You have travelled with him before?" she asked.

"Oh, yes. I am lent to him to help him through the country. He is on a
tour of inspection for the Red Cross; he visits all the camps of Russian
prisoners liberated from Germany."

"But are there many round Verdun?"

"Thousands. You will see to-morrow. And be prepared for early rising. If
he doesn't send for you by ten to-night I will tell the orderly to let
you know the hour at which you will be wanted to-morrow morning. The
car is all ready to start again?"

"I am going out to her now."

He turned away to join the Russian, and Fanny passed the sentry at the
tunnel's mouth, and stood in the road outside.

Verdun by night, Verdun by starlight, awaited her.

Up the slopes of the hill, every spar, brick and beam, carried its
bristle of gold. At her own head's imperceptible movement flashes came
and went between the ribs of the Bishop's Palace. The sentry by the
tunnel stood between the upper and the underground:--with his left eye
he could watch the lights that strung back into the hollow hill, with
his right, the smiling and winking of the stars in the sky.

"Fait beau dehors." His voice startled her. She turned to him, but he
stood immobile in the shadow as though he had never spoken. She could
not be sure that he had indicated to her that every man has his taste
and his choice.

She set to work on her car which stood in the shelter of an archway
opposite, and for half an hour the sky trembled unregarded above her
head. When she had finished she stood back and gazed at the Rochet with
an anxious friendly enmity--the friendship of an infant with a lion.
"The garage is eighty miles away," she sighed, "with its friendly men
who know all where I know so little.... Ah, do I know enough? What have
I left undone?" For she felt, what was the truth, that the whole
expedition depended on her, that the stately Russian had perhaps never
known what it was to have a breakdown--that in Moscow, in Petrograd, in
his faraway life, he had sat in town cars behind two chauffeurs, unaware
of the deadly traps in rubber and metal.



Night was the same as day in the tunnels; the electric light was always
on, and with the morning no daylight crept in to alter it. The orderly
called her at half-past six and she took her "clients" to a barracks in
the suburbs of Verdun, where Russian prisoners "liberated" from Germany
crowded and jostled to see her from behind the bars of the barrack
square, like wild animals in a cage. Armed sentries paced backwards and
forwards across the gateway to the yard. As it came on to snow a French
soldier came out of a guardroom and invited her in by the fire.

Inside, the rest of the guard huddled about the stove, and behind them
a Russian prisoner with a moon face swept up the crumbs from their last

"Why do Americans guard the gate?" she asked, "since you are a French

"Because we don't shoot with enough goodwill," grinned a little man.

"But who do you want to shoot?"

"Those fellows!" said the little man, slapping the moon-faced Russian on
the thigh. "We used to guard the gates a week ago. But the Russians were
always escaping, and not enough were shot as they got over the wall. So
they said: 'The Americans are the types for that!' and they put them on
to guard the gates. Look outside! You are having a success,

Hundreds of Russians stood about together outside, in strange, poor,
scraped-together clothes, just as they had come from Germany, peering at
Fanny in silence through the open doorway.

"But I thought these were _liberated_ prisoners from Germany?"

"Don't ask me!" said the little man disgustedly. "I wish to heaven they
were all back in Germany. Look at me! I've fought in the Somme, the
Aisne, and Verdun, and now at the end of the war I'm left here to look
after these pigs!"

A sergeant entered. "A man to take the prisoner in the fourth cell up to
the doctor," he said sharply.

"It's not my turn," said the little man, aggrieved that the eye of the
sergeant should so rest on him. "It's yours!" he said to the man on the
bench beside him. "It's yours!" replied this man to the next.

"Yes, it's Chaumet's! Yes, it's Chaumet's, _va-t'en_!" they all said,
and a man with a cast in his eye got up slowly, grumbling, and turned
towards the door.

"Here, dress yourself!"

"What, to take a ... to the doctor?"

He pulled his belt and gun off the rack with an ill-will and
disappeared, buckling it on.

"You have Russians in cells, too?"

"Those who won't work, yes. On bread and water. That one has been on
bread and water for five days. In my opinion he'll die."

"But why won't they work?"

"Work! He won't even clean his own cell out! They say it's because they
are Bolshevists, but I don't know about that. I talk a little Russian,
and I think they are convinced that if they make themselves at all
useful to us we shall never send them home. Some of them think they are
in Germany still. They're an ignorant lot."

An American came in rather hesitatingly, but without nodding to the

"We've got bacon-chips in our camp," he said, addressing Fanny directly.
"I don't like to bring them in here, but if you'd just step
across ... it isn't a stone's throw."

She did not like to desert the French, but she was sick with hunger, and
rose. She knew she would have nothing from the guard-house meal, for
they probably had the same ration as she--one piece of meat, two potatoes,
and one sardine a man.

After all, food was more important than sentiment, and she followed him
out of the hut.

"You won't get anything from those skinflints," said the American, "so
we thought you'd better come and have some chips."

"Because they have nothing to give," she answered, half inclined to
turn back. The American barracks were opposite, and in the yard, under a
shelter of planks, the men were eating round a complicated travelling
kitchen on wheels. "They have all the latest, richest things," thought
Fanny, jealous for the French, antagonistic, yet hungry. But when she
was among the Americans, they were simple and kind to her, offering her
a great tray of fried bacon chips, concerned that she should have to eat
them with her hand, washing out their tin mugs and filling them with
coffee for her, making her sit on a barrel while she ate. "It's only
that they are so different," she thought. "So different from the French
that they can never meet without hurting and jarring each other."

Russians slouched about in the snow, washing the pans. When they had
finished eating the Americans called to the Russians to eat what
remained of the bacon chips. Watching them eat with the hunger of
animals, they said:

"They starve them in the French barracks. We give them food here, or
they'd sure die."

"They give them what they can in the French barracks; the soldiers don't
get a ration like this, you know, even for themselves."

"Their fault for not kicking up a shindy," said the free-born Americans.
"We wouldn't stand it."

"You have no idea of poverty."

Food was even lying in the snow. A soldier cook thrust his head out of a
hut, crying: "Any one want any more chips?"

She knew that it was probably true what the Frenchman had said, that the
Americans shot the Russians as lightly as if they were sparrows. Yet
here they wept over the French ration that kept the Russians hungry,
though alive and well. What a curious mixture of sentiment and brutality
they were....

She pulled out her cigarette case and offered a cigarette to a man
standing near her. He took it and answered in a thick, lisping Jewish
accent, soft and uniformed: "I don't smoke, ma'am. But I'll keep it as a
souvenir give to me by the only lady I've seen in three months."

"That's really true? You haven't seen a woman for three months?"

"No, ma'am. Not a one. It must seem strange to you to hear us say that.
Just as though you were a zebra."

"There's some one over by your car," said the sentry, who had no idea of
silence at his post. She got up quickly and flew back to the other
barracks, jumping the deep pools of water and mud and the little heaps
of soiled snow, started up the car and drove back to the _citadelle_
for lunch.

At one-thirty they started out again, to chase over the grey downs in
search of Russian camps folded away in small depressions and hollows,
invisible from the main roads.

And thus, day after day, for five days, she drove him from morning to
evening, from camp to camp around Verdun, until they had seen many
thousands of Russians. Sometimes the French lieutenant came with them,
and once or twice the Russian gravely invited him to sit in front with
the driver. Then they would talk together a little in English, and once
he said: "Would you like me to tell you something that will surprise you
and interest me?"

She looked round.

"Your employer," he said, smiling gently over the expression, "is
jealous of you."

She did not know what to make of this.

"He dislikes it intensely when you talk to the commandant of the


"He does not think you exclusive enough, considering you, as he does,
as _his woman_."

"But, why...."

"Yes, of course! But you ought to realise that you are the only woman
for miles around, and you belong to us!"

"You too?"

"Well, yes. I have something the same feeling. But his is stronger
because his nature is Oriental. He thinks: 'This woman is a great
curiosity, therefore a great treasure; and this treasure belongs to me.
I brought her here, I am responsible for her, she obeys my orders.'"

"But does he tell you all this, or do you guess it?"

"We talk of this and that."

That night in the mess-room the Russian leant across the table to Fanny.

"What is man's mystery to a woman if she lives surrounded by him?"

"Oh, but that's not necessary ... mystery!"

"It _is_ necessary to love."

"Colonel Dellahousse," explained the lieutenant, smiling very much,
"does not believe that you can love what you know."

The Russian nodded. "Love is based on a fabulous belief. An illusory
image which fills the eyes of people who are unused to each other. This
poor lady will soon be used to everything."

Fanny, who felt momentarily alarmed, suddenly remembered Julien.

"When do we go back?" she asked absently.

The sympathetic eyes of the lieutenant seemed to understand even that,
and he smiled again.

They left next day, after the midday meal.

Before lunch she met a soldier, who stopped her in one of the branching

"You are going," he said. "I have a little thing to ask."

She waited.

"Mademoiselle, it would not incommode you, it is such a little thing.
Think! We have not seen a woman here so long."

Still she waited; and he muttered, already abashed:

"One kiss would not hurt you, mademoiselle."

"Let me pass...." she stammered to this member of the great "monastery."

He wavered and stood aside, and she went on up the corridor vaguely
ashamed of her refusal.

       *       *       *       *       *

"We go now," said the Russian, rising from the luncheon table. "Are you
satisfied with your experience, mademoiselle?"

"My experience?"

"Verdun. This life is strange to you. I have seen you reflective. Now,
if you will go out to the car you shall go back to your civilised town
where the Governor so dislikes me, and you shall see your women friends
again! But we are not coming all the way with you."


"No, we stay at Briey. You return from Briey alone."

They set out once more upon the roads which ran between the dead
violence of the plains--between trenches that wandered down from the
side of a sandy hillock, by villages which appeared like an illusion
upon the hillside, fading as they passed and reforming into the
semblance of houses in the distance behind them.

The clouds above their heads were built up to a great height, rocky and
cavernous; crows swung on outspread wings, dived and alighted heavily on
the earth like fowls. They came behind the old German lines, and the
road changing led them through short patches of covering woods filled
with instruments. Depot after depot was piled between the trees and the
notices hanging from the branches chattered antique directions at them.
"The drinking trough--the drinking trough!" cried one, but they had no
horse to water. "Take this path!" urged another, "for the...." but they
flew by too fast to read the end of the message, while the path pursued
them a little way among the pines, then turned abruptly away. "Do not
smoke here ... _Nicht rauchen_," "NICHT RAUCHEN," "_Rauchen streng
verboten_," cried the notices, in furious impotent voices. The wood
chattered and spat with cries, with commands for which the men who made
them cared no longer. The hungry noses of old guns snuffed at the car as
it rolled by, guns dragging still upon their flanks the torn cloak of
camouflage--small squat guns which stared idly into the air, or with
wider mouths still, like petrified dogs for ever baying at the
moon--long slim guns which lay along the grass and pushing
undergrowth--and one gun which had dipped forward and, fallen upon its
knees, howled silenced imprecations at the devil in the centre of
the earth.

When they had passed the shattered staging of the past they came out
upon the country which had been occupied by Germans but not by warfare.
Here the fields, uncultivated, had grown wild, but round the sparse
villages little patches of ground had been dug and sown. Not a cow
grazed anywhere, not a sheep or a goat. No hens raced wildly across
village streets. Far ahead on the white ribbon of road a black figure
toiled in the gutter, and Fanny debated with herself: "Might I offer
a lift?"

Looking ahead she saw no village or cottage within sight, and with a
murmured apology to the Russian she pulled up beside the old woman whom
she had overtaken.

"Where are you going?"

"To Briey."

"We, too. Get in, madame."

The Russian made no comment. The old crone, knuckled, hard-breathing,
climbed in, holding uncertainly to the windscreen and pulling after her
her basket and umbrella.

"Cover yourself, madame," ordered Fanny, as to a child, and handed her
a rug.

"I have never been in an auto before," whispered the old creature
against a wind which made her breathless. "I have seen them pass."

"You are not afraid?"

"Oh, no!"

"Cover yourself well, well."

Gallant old women, toiling like ants upon the long stretches of road,
who, suddenly finding themselves projected through the air at a pace
they had never experienced in their lives before, would say not a word,
though the colour be whipped to their cheeks and their eyes rained tears
until, clinging to the arm of the driver: "Stop here, mademoiselle!"
they would whisper, expecting the car to rear and stop dead at their own
doorstep; and finding themselves still carried on, and half believing
themselves kidnapped: "Ah, mademoiselle, stop, stop...."

They slipped down into the pit of Briey where the houses cling to the
sides of a circular hollow, and drew up by a white house which the
Frenchman indicated.

The old woman searched, trembling and out of breath for her
handkerchief, and wiped her streaming eyes; then, as she climbed out
backwards, with feet feeling for the ground--"What do I owe you,

"Ah, nothing, nothing."

"_Mais si_! I am not at all poor!" and leaving a twopence-halfpenny
piece on the seat, she hurried away.

Colonel Dellahousse came to the side of the car and thanked Fanny
ceremoniously. "And if I do not see you again, mademoiselle," he said,
"remember what I say and go back to your home before the pleasure of
life is spoilt for you."

"Good-bye, good-bye," said the French lieutenant.

Soon after she had left Briey snow began to fall. A river circled at the
foot of a hill, and she followed its windings on a road which ran just
above it. Night wiped out the colours on the hills around her, until the
moon rose and they glowed again, half trees, half light. She climbed
slowly up to a plateau not a dozen miles from Metz.

       *       *       *       *       *

An hour later, the car put away in the garage, Fanny was tapping at the
window of the bath house in the town. The beautiful fat woman who
prepared the baths answered her tap. "Fraeulein," said Fanny, "would it
matter if I had a bath? Is it too late? I'll turn it on myself and dry
it afterwards."

What did the woman mind if Fanny had a bath? Fat and beautiful, she had
nothing left to wish for, and contentedly she gave her the corner room
overlooking the canal and the theatre square, wishing her a good-night
full of German blessings. The water ran boiling out of the tap, and the
smoke curled up over the looking-glass and the window-sill.

When the bath was full to the brim she got in, lay back, and pulled open
the window with her toe. The beautiful French theatre, piebald with snow
and shadow, shone over the window-sill. The Cathedral clock struck out
ten chimes, whirling and singing over her head, the voices of the little
boys died down, the last had thrown his last snowball and gone to bed.
The steam rose up like a veil before the window, and once again,
between the grey walls of her bath--so like her cradle and her
coffin--she meditated upon the riches and treasure of the passing days.

"And yet," echoed the thoughts in that still water travelling still, "to
travel is not to move across the earth."

Peering back into the past, frowning in the effort to string forgotten
words together, Fanny whispered upon the surface of the water:

     "The strange things of travel,
      The East and the West,
      The hill beyond the hill--"

But the poem was shattered as the voice of the bath woman called to her
through the door.

"You are well, Fraeulein?"

Fanny turned in her bath astonished. "Why, yes, thank you! Did you think
I was ill?"

"I didn't know. I daren't go to bed till I see you out, for last week we
had a woman who killed herself in here, drowned in the water. I have
just remembered her."

"Well, I won't drown myself."

"I can never be sure now. She gave me such shock."

"Well, I'm getting out," said Fanny.


"I'm getting out. Listen!" And naked feet padded and splashed down upon
the cork mat. "Now go to bed. I promise you I have no reason to
drown myself."



"How do you know you will meet him?" said the cold morning light; and
when she walked in it the city looked big enough to hide his face. In
the first street a girl said the name of Julien without knowing what it
was she said. But only a child shrieked in answer from a magic square of
chalk upon the pavement.

"You've been away for days and days," said her companions at the garage,
to show that they had noticed it. "Where have you been?"

The garage faded. "Verdun," she said; and Verdun lacy and perilous, hung
in her mind.

"Whom did you take?"

She struggled with the confusing image of the Russian. Before she could
reply the other said: "There's to be an inspection of the cars this
morning. You'll have to get something done to your car!"

Outside in the yard the sun was gay upon the thinly frosted-stones, but
in the shadow of the garage the glass and brass of seventy or eighty
cars glowed in a veiled bloom of polish. Only the Rochet-Schneider,
which had been to Verdun, stood unready for the inspection, coated from
wheel to hood with white Meuse mud. There was nothing to be done with
her until she had been under the hose.

Out in the street, where the hose was fastened to the hydrant, the
little pests of Metz clustered eagerly, standing on the hose pipe where
the bursts were tied with string, and by dexterous pressure diverting
the leaks into gay fountains that flew up and pierced the windows
opposite. As the mud rolled off under the blast of the hose and left the
car streaky and dripping, the little boys dipping their feet into the
gutters and paddled.

Soaked and bareheaded, Fanny drove the clean car slowly back into the
garage and set her in her place in the long line.

Stewart, beside her, whispered, "They've come, they've come! They're
starting at the other end. Four officers."

Fanny pulled her tin of English "Brasso" from a pocket-flap, and began
to rub a lamp. At the far, far end of the long shed four men were
standing with their backs to her, round a car. The globed lamp was
tricky, and the chamois-leather would slip and let her bark her knuckle
on the bracket. But the glow, born in the brass, grew clearer and
clearer, till suddenly, stooping to it, she looked into a mirror and saw
all the garage behind her and the long rows of cars bent in a yellow
curve, and little men and oily women walking incredibly upon the rounded
ball of the world. They hung with their feet on curving walls running
and walking without difficulty, blinking, moving, talking in a yellow
lake of brass.

Julien, Dennis and two others, stopping at car after car, came nearer
and nearer. And Julien, holding the inspection, nodded gravely to their
comments, searching car after car with his eyes as he walked up the
garage, until they rested on the head and the hair of the girl he knew;
then he paused, three cars from her, and watched the head as it hung
motionless, level with the lamp she had just turned into a mirror.

And within the field of her vision he had just appeared. He paused,
fantastic, upon the ball of the world, balanced amazingly with his feet
on the slope of a golden corridor, and, hypnotised, she watched his
face, bent into the horn of a young moon--Julien, and yet unearthly and
impossible. There were his two hands, lit in a brassy fire, hanging down
his sides, and the cane which he held in his left went out beyond the
scope of the corridor. The three others hung around him like bent corn.
She watched these yellow shades, as tall as ladders, talk and act in the
little theatre of the lamp.... He was coming up to her, he became
enormous, his head flew out of the top of the world, his feet ran down
into the centre of the earth. He was effacing the garage, he had eaten
up the corridor and all the cars. He must be touching her, he must have
swallowed her too, his voice in her ear said: "You'd gone for ever...."

"I ... I had gone?" She drew her gaze out of the mirror.

The world outside let him down again on to his feet, and he stood
beside her and said gently in her ear: "Will you meet me again in the
Cathedral at four to-day?" She nodded, and he turned away, and she saw
that he was so unknown to her that she could hardly tell his uniformed
back from the backs of those about him.

To meet this stranger then at four in the Cathedral she prepared herself
with more care than she would have given to meet her oldest friend. The
gilded day went by while she did little things with the holy air of a
nun at her lamp--polishing her shoes, her belt, her cap badge, sitting
on her bed beneath the stag's horn, an enraptured sailor upon the deck
of the world. Around the old basin on the washstand faded blue animals
chased each other and snapped at ferns and roses: she lifted the jug and
drowned the beasts in water, and even to wash her hands was a rite which
sent a shower of thoughts flying through her mind. How many before her
had called this room a sanctuary, a temple, and prepared as carefully as
she for some charmed meeting in the crannies of the town? This room?
This "corridor." The passengers, travellers, soldiers, who had used this
bed for a night and passed on, thought of it only as a segment in the
endless chain of rooms that sheltered them. Bed, washstand, chair,
table, rustled with history. Soldiers resting from the battle out there
by Pont-a-Moussons, kissing the girl who lived in the back room, waking
in the morning as darkly as she, leaving the room to another. Soldiers,
new-fledged, coming up from Germany, trembling in the room as they heard
the thunder out at Pont-a-Moussons. An officer--that ugly, wooden boy
who stared at her from the wall above the mantelpiece. (What a mark he
had left on the household that they should frame him in velvet and keep
him staring at his own bed for ever!) She all but saw spirits--and
shivered at the procession of life. Outside in the street she heard a
cry, and her name called under the window. How like the cry that
afternoon a week ago which had sent her to Verdun! Standing in the
shadow of the curtain she peered cautiously out.

At sight of her, a voice cried up from the street: "There is a fancy
dress dance next Tuesday night! I'm warning every one; it's so hard to
get stuffs." The voice passed on to the house where Stewart lived.

("How nice of her!") This was a good day. ("What shall I wear at the
dance?") There, about the face of the clock, windless and steady, hung
the hours. Not yet time to start, not yet.

Through the lace of the curtain and the now closed window, the shadows
hurried by upon the pavement, heads bobbed below upon the street.

Oh Dark, and Pale, and Plain, walking soberly in hat and coat, what sign
in these faces of the silver webbery within the brain, of the flashing
fancies and merry plans, like birds gone mad in a cage! The tram, as
antique as a sedan chair, clanked across the bridge over the river, and
changing its note as it reached firmer land, roared and bumbled like a
huge bee into the little street. Stopping below her window it was
assailed by little creatures who threw themselves as greedily within as
if they were setting out upon a wild adventure.

"All going to meet somebody," said Fanny, whose mind, drowned in her
happiness, took the narrowest view of life. But for all their push and
hurry the little creatures in the glass cage were forced to unfold their
newspapers and stare at each other for occupation while the all-powerful
driver and _Wattmann_, climbing down from the opposite ends of the car,
conferred together in the street. "It's waiting for the other tram!" And
even as she said it, she found the clock behind her back had leapt
mysteriously and slyly forward. "I'll take the other...." And, going
downstairs, she stood in the shelter of her doorway, out of the cold
wind that blew along the street. The delay of the other car brought her
well up to her hour. "I'll even be a little late," she thought, proud
of herself.

"Don't talk to the _Wattmann_," said the notices in the tramcar crossly
to her in German as she slipped and slid upon its straining seats.
"Don't spit, don't smoke ... don't...." But she had her revenge, for
across all the notices _her_ side of the war had written coldly: "You
are begged, in the measure possible to you, to talk only French."

When they got into the narrow town the tramcar, mysteriously swelling,
seemed to chip the shop windows and bump the front doors, and people
upon the pavement scrambled between the glass of the tram and the glass
of the big drapery shop.

They met, as it were, in the very centre of a conversation. "I never
know where you are," he complained, as though this trouble was so in his
thoughts that he must speak of it at once, "or when I shall see you
again." She smiled radiantly, busier with greeting, less absorbed
than he.

"You may go away and never come back. You go so far."

She went away often and far. But that was his trouble, not hers. He, at
least, remained stationary in Metz. She was full of another thought--the
vagueness, the precariousness of the chance that even in Metz had
brought them together.

"How lucky...."

"How lucky what?"

How lucky? How lucky? He begged, implored, frowned, tried to peer. He
would not let her rest. "Why should you hide what you think? I don't
like it."

Oh, no, he did not like it. No one likes to get hint of that fountain of
talk which, sweet or bitter, plays just out of reach of the ear, just
behind the mask of the face.

"How lucky that you held the inspection!" had all but stolen from her
lips. But this implied too clearly that it was lucky for somebody--for
her, for him. And how could she say that? Her thoughts were so far in
advance of her confessions. A dozen sentences rose to her lips, all too
clear, too intimate. So she became silent before the things that she
could not say.

"Of what are you thinking?"

Extortionate question. ("Am I to put all my fortune in your hand like
that? Am I to say, 'Of you, of you'?") For every word she said aloud she
said a hundred to herself; and after three words between them she had
the impression of a whole conversation.

"One must arrange some plan," he said, pursuing his perplexity, "so that
I know when you go, and when you come back. I can't always be holding
inspections to find out."

"It was for that _that_ you held the inspection?"

"Why, of course, of course!"

"But entirely to find out?" (divided between the desire to make him say
it again and the fear of driving his motives into daylight).

"I didn't know what to do. I couldn't telephone and ask whether your car
had returned."

Wonderful and excellent! She had had the notion while she was at Verdun
that something might be rolling up to her account in the bank at Metz,
and now he was giving her proof after proof of the accumulation.

But from the valley of vanity she suddenly flew up to wonder. "He does
that for me!" looking at herself in the mirror of her mind. "He does it
for me!" But of what use to look at the daylight image of herself--the
khaki figure, the driver? "For he must be looking at glory as I do." The
Russian said: "Love is an illusory image." "Isn't it strange how these
human creatures can cast it like a net out of their personality?..."
Vanity, creeping above love, beat it down like a stick beats down a
fire; it was too easy to-day; he gave her nothing left to wish for; the
spell over him, she felt, was complete, and now she had nothing else to
do but develop her own. And this she had instantly less inclination to
do. But, guided by his bright wits, he too withdrew, let the tacit
assumption of intimacy drop between them, and their walk by the Moselle
was filled by her talk of the Russian prisoners and Verdun.

She glanced at him from time to time, and would have grown more silent,
but by his light questions he kept her talking briskly on, offering her
no new proof, until she grew unsure and wondered whether she had been
mistaken; and, the hour striking for her supper in the town, she went to
it, filled anew with his charm and her anxiety. Other meetings came,
when, thrilling with the see-saw of belief and doubt, they watched each
other with absorbed attention, and in their fragile and unconfessed
relationship sometimes one was the victor and sometimes the vanquished.
Yet what was plain to the man who swept the mud from the streets was not
plain to them.

"Does he love me already?"

"Will she love me soon?"

When they saw other couples by the banks of the Moselle, Reason in a
convinced and careless voice said: "That is love!" But on coming towards
each other they were not sure at all, and each said of the other:
"To-morrow he may not meet me...." "To-morrow she will say she is busy
and it will not be true!"

When Fanny said, "He may not meet me," she was mad. How could he fail to
meet her when the rolling hours hung fire and buzzed about his head like
loaded bees, unable to proceed; when in a lethargy of vision he signed
his name at the bottom of the typewritten sheet, saying confusedly,
"What does she think? Does she think of me?"

When at last they met under the shadow of the Cathedral they would
exclaim in their hearts: "What next?" and hurry off by the Moselle,
looking into the future, looking into the future, and yet warding it
off, aware of the open speech that must soon lie between them, and yet
charmed by the beautiful, the merciful, the delay. And going home, each
would study the hours they had spent together, as a traveller returned
from wonderful lands pores over the cold map which for him sparkles with
mountains and rivers.

That very Saturday night after the early supper in their room in the
town, she had gone out to the big draper's shop which did not close till
seven, almost running into Reherrey on the pavement.

"I'm going to Weile," he said.

"I'm going there myself."

"To get your dress?"


They went into the large, empty shop together, to be surrounded at once
by a group of idle girls.

"Stuffs ..." said Fanny, thinking vaguely.

"Black bombazine," said Reherrey, who had finished his thinking.

Fanny followed Reherrey to a newly-polished counter, backed by rows of
empty shelves. They had no black bombazine.

"Black tulle," said Reherrey, with his air of cool indifference, "black
gauze, black cotton..."

It had to be black sateen in the end. "Now you!" said Reherrey, when he
had bought six yards at eight francs a yard.

"White ... something ... for me."

There was white nothing under sixteen francs a yard. "But cheap, cheap,
CHEAP stuff," she expostulated--"stuff you would make lampshades of,
or dusters. It's only for a fancy dress." The idle little girls assumed
a special air. Fanny looked round the shop in desperation. It was like
all the shops in Metz--the window dressed, the saleswomen ready, the
shelves scrubbed out and polished, the lady waiting at the pay desk--but
the goods hadn't come!

Here and there a shelf held a roll or two of some material, and
eventually Fanny bought seven yards of white soft stuff at seven
francs a yard.

"White," said Reherrey, with a critical look; "how _English_!"

Fanny had an idea of her own.

"_Wo_," she said heavily to Elsa's mother still later in the evening,
"_ist eine Schneiderin?_"

"A dressmaker who speaks French...."

Elsa took her out into the dark street again, and in at a neighbouring
archway, till at the back of deep courtyards they found a tiny flat of a
little old lady. "Like this," explained Fanny, drawing with her pencil.

"Why, my mother had a dress like that!" said the little lady, pleased.
"Before the last war." She nodded many times. "I know how to make a
crinoline. But when do you want it?"

"For Tuesday night."

"Ah, dear mademoiselle! How can I! To-day is Saturday. I have only
to-day and Monday. Unless.... Are you a Catholic?"


"Then you can sew on Sunday. You can do the frills."

All Sunday Fanny sewed frills under the stag's horn, and when she went
to meet Julien in the late afternoon, she had the frills still in a
parcel. "What is that?" he asked, as she unfolded the parcel in the
empty Cathedral, and began to thread her needle.

"My dress for the dance."

"What is it going to be?"

"Frills. Hundreds of frills." She shook her lap a little, and yards and
yards of white frills leapt on to the floor in a river.

"Those flowers you bought, look, you have never put them in water!"

He shook his head, and leaning from his chair, stretched out his arm for
the parcel of white paper. "They are dying. Smell them! They yield more
scent when they die." She sat holding the flowers near her face, and not
thinking of him very distinctly, but not thinking of anything else.

"But they won't last."

"They will last this visit. I'll get new ones."

"Oh, how extravagant you are with happiness!..."

They looked startled and became silent. For every now and then among
their talk some sentence which they had thought discreet rang out with
a clarity which disturbed them.

Between them there had been no avowal, and neither could count on the
other's secret. She was not sure he loved her; and though he argued,
"Why should she come if she does not care?" he watched her sit by him
with as little confidence, with as much despair, as if she sat on the
other side of the Atlantic Ocean. "Is it raining again? How dark it
gets. I must soon go." She made gaps in and scattered that alarming
silence in which the image of each filled and fitted into the thoughts
of the other like an orange into its close rind. Yet so dark and perfect
is the mask of the face, so dull the inner ear, that each looked
uncertainly about, half deaf to the song which issued so plainly from
the other, distracted by the great gaps in the music.

"Won't you stay with me till you have sewn to the end of that frill?"

She sat down again without a word. And, greedy after his victory, he
added: "But I oughtn't to keep you?"

"I want to stay, too."

The frill flowed on with the beat of the Cathedral clock, and came to an

"Now I must go. It's supper--supper in the garage."

He walked with her almost in silence down the Cathedral steps and to the
door of the house in the dark street by the river.

"You do say good-bye so curiously," he remarked, "so suddenly. Perhaps
it's English."

"Perhaps it is," she agreed, disappearing into the house.

"What have you got there?" said her companions in the lighted room

"My dress for the dance." But she did not open the parcel to show them
the charmed frills. ("How is it they don't know that I left him in the
street below?") She looked at the seven travellers who met each night
round the table for dinner, overcome with the mystery of those
uncommunicating, shrouded heads. "What have they all been doing?"

"Has every one had runs?"

"Yes, every one has been out. What have you been doing?"

"I haven't left Metz to-day," she replied, giddy with the isolation and
the silence of the human mind.



"What!" cried Fanny on Monday morning, staring at the _brigadier_ and at
the pink paper he offered her.

"At once, at once, mademoiselle. You ought to have been told last night.
You must go back for your things for the night and then as quickly as
you can to the Hotel de l'Europe. I don't know how many days you'll be,
but here is an order for fifty litres of petrol and a can of oil, and
Pichot is getting you two spare tubes...."

She stared at him in horror a moment longer, then took the pink order
and disappeared through the dark garage door. Her mind was in a frenzy
of protestation. She saw the waiting cars which might have gone instead,
the drivers polishing a patch of brass for want of something to do, and
accident, pure accident, had lighted on _her_, to sweep _her_ out of
Metz, away from that luminous personality which brooded over the city
like a sunset, out into the nondescript world, the cold _Anywhere_.
White frills and yards of bleached calico lying at the dressmaker's
cried out to her to stay, to make some protest, to say something,
anything--that she was ill--and stay.

She splashed petrol wastefully into the tank, holding the small blue
tin with firm hands high in the air above the leather strainer and
the funnel.

"And if I said--(it is mad)--if I said, 'I am in love. _I can't go_.
Send some one who is not in love!'" She glanced down from her perch on
the footboard at the olive profile bent over the next car. The driver
was sitting on his step with his open hand outstretched to hold a dozen
bright washers which he was stirring with his forefinger. The hand with
the washers sank gently to rest on his knee, and he sighed as he ceased
stirring, and looked absently down the garage, his mystical cloak of
bone and skin shrouding his thoughts. Idle men all down the garage hung
about the cars, each holding within him some private affection, some
close hope, something which sent a spurt of dubious song out of his
mouth, or his eyes, wandering sightless, down the shed.

The tank, resenting her treatment, overflowed violently and drenched her
skirt and feet.

"Are you ready, mademoiselle?"

"Coming. Where are the tubes?"

"I have them."

She drove through the yard, down the street, and hurried over the bridge
to her room. Nightgown, toothbrush, comb, sponge, and powder--hating
every hour of the days and nights her preparations meant.

At the Hotel de l'Europe, three men waited for her with frowns, loaded
with plaid rugs, mufflers, black bags, and gaping baskets of food, from
which protruded bottles of wine. It was, then, to be one of those days
when they lunched by the wayside in the bitter cold.

She drew up beside them. A huge man with an unclean bearskin coat and
flaccid red cheeks told her she was very late. She listened, apologising,
but intent only on her question.

"And could you tell me--(I'm so dreadfully sorry, but they only told me
very late at the garage)--and would you mind telling me which day you
expect to get back?"

He turned to the others.

"It depends," said a dry, dark man with a look of rebuke, "on our work.
To-morrow night, perhaps. Perhaps the next morning."

"Where shall I drive you?"

"Go out by Thionville. We are going up the Moselle to Treves."

Anxious to dispose of such a mountain of a man, it was suggested that
the Bearskin should climb in beside the driver. Instantly Fanny was
smothered up as he sat down, placing so many packages between himself
and the outer side of the car that he sank heavily against her arm, and
the fur of his coat blew into her mouth.

In discomfort she drove them from the town, brooding over her wheel,
unhappily on and on till Metz had sunk over the edge of the flat
horizon. The weary way to Thionville unfurled before them, furnaces to
the left and flat grass prairie to the right--little villages and
clustering houses went by them, and Thionville itself, with its
tramlines and faint air of Manchester, drew near. Beyond Thionville the
road changed colour abruptly, and stretched red and gravelly before
them. The frost deepened, the wheels bit harder on the road surface, the
grass-fields sparkled with a brittle light, and scanty winter orchards
sprang up beside the road, which narrowed down and became a lane of
beautiful surface. Not for long, however, for the surface changed again,
and long hours set in when the car had to be held desperately with foot
and hand brake to save the springs, and the accelerator could only be
touched to be relinquished.

Fanny, hardly sad any more, but busy and hungry, secretly lifted the
corner of her sleeve to peer at her wrist-watch, and seeing that it was
half-past twelve, began to wonder how soon they would decide to sit down
by the roadside for their lunch. She fumbled in the pocket of the car,
but the last piece of chocolate had either been eaten or had slipped
down between the leather and the wood. She could bring up nothing better
than an old postcard, a hairpin, and a forgotten scrap of

At last they stopped for lunch, choosing a spot where a hedge rose
wirily against the midday sky, and spread the rugs on the frozen grass.
The sudden cessation of movement and noise brought a stillness into the
landscape; a child's voice startled them from the outskirts of a village
beyond, and the crackle of a wheelbarrow that was being driven along
the dry road.

The third man, who had blackberry eyes, and glasses which enlarged them,
made great preparations over the setting of the meal. They had forgotten
nothing. When they sat down, the Bearskin upon the step of the motor,
the others cross-legged upon the ground, each man had a napkin as big as
a sheet spread across the surface of his coat and waistcoat, and tied
into the band of the overcoat at the side. Bottles of red wine, and a
bottle of white to finish with, lay on a cloth spread upon the grass.
Bread, cheese, sausage, _pate_, and a slab of chocolate; knives, forks
and a china cup apiece. Fanny, who had taken her own uneatable lunch
from the garage, was made to eat some of theirs. They were on a high,
dry, open plateau of land, and the winter sun, not strong enough to
break the frost, faintly warmed their necks and hands and the round
bodies of the bottles.

It was not unpleasant sitting there with the three white-chested
strangers, watching the sky through the prongs of the bare hedge,
spreading _pate_ on to fresh bread, and balancing her cup half full of
red wine among the fibres and roots of the grass.

"Now that I have started I am well on my way to getting back," she
thought, and found that within her breast the black despair of the
morning had melted. She watched her companions for amusement.

The Bearskin, cumbrous, high-coloured, and blue-eyed, looked like an
innkeeper in an English tavern. When he took off his cloth hood she
thought she had never seen anything so staring as the pink of his face
against the blue of his cap; but when the cap came off too for a second
that he might stir his forehead with his finger, the blaze and crackle
of his red hair beneath was even more ferocious. Yet he seemed
intimidated by his companions, and kept silence, eating meekly from his
knife, and spreading his napkin with care to the edge of his knees.

The little man with warm black eyes and the colder, thinner man talked
appreciatively together.

"_He!_ The _pate_ is not bad."

"Not bad at all. And you haven't tried the cheese?"

"No, no. I never touch cheese before the wine; it's a sin. Now the
bottle is all warmed. Try some."

"What is your father?" said the little man suddenly to Fanny.

"He is in the army."

"You have no brother--no one to take care of you?"

"You mean, because I come out here? But in England they don't mind; they
think it interesting for us."


They obviously did not believe her, and turned to other subjects. But
the Bearskin began to move uncomfortably on the step of the car, and,
bending forward to attract their attention, he burst out:

"But, don't you know, mademoiselle is not paid!"

The others reconsidered her.

"How do you live then, mademoiselle? You have means of your own? You do
not buy your clothes yourself? Your Government gives you those, and that
fine leather coat?"

"I bought it myself," said Fanny, and caused a sensation.

Immediately they put out their delicate hands, and fingers that loved to
appraise, to feel the leather on the lapel.

"How soft! We have no leather now like that in France! How much did that
cost? No, let me guess! You never paid a sou less than--Well, how much?"

The Bearskin, who had sat beside her all the morning, and had now turned
her into an object of interest, took a pride in Fanny.

"The English upbringing is very interesting," he said, pushing back his
cap and letting out the flame of his hair. "The young ladies become very
serious. I have been in England. I have been in Balham."

But though, owing to the leather coat, the others seemed to consider
that they had an heiress amongst them, they would not let the big
Bearskin be her _impresario_ or their instructor.

"Divorce is very easy in England," said the thin man solemnly, and
turned his shoulder slightly on the Bearskin, as though he blamed him
for his stay in Balham.

When the lunch was over and the last fragment of _pate_ drawn off the
last knife upon the crust of bread that remained, Fanny's restless hopes
turned towards packing up; but she counted without the white wine and
the national repose after the midday meal. They washed their cups with
care under the outlet tap of the radiator, and, wiping them dry to the
last corner, sat back under the hedge to drink slowly.

All this time a peculiar quality had been drawing across the sun. It
grew redder and duller, till, blushing, it died out, and Fanny saw that
the morning frost had disappeared. Out to the left a mauve bank of cloud
moved up across the sky like the smoke from a titanic bonfire, and, with
the first drift of moisture towards them, the four shivered and rose
simultaneously to pack the things and put them in the car.

As Fanny stooped to wind up the handle the first snowflake, soft and wet
and heavy, melted on her ear.

"It won't lie," said the Bearskin. "Shall we draw up the hood?"

They drew it up, but the thin man, huddling himself in the corner of the
back seat, insisted on "side-curtains as well."

"Then I'm sorry. Will you get out? They are under the seat."

"Oh, never mind, my dear fellow," said Blackberry-Eyes.

"No, no. One ought to keep the warmth of food within one."

And the other got out, and stood shivering while the Bearskin and Fanny
pulled rugs and baskets and cushions out into the road that they might
lift the back seat and find the curtains.

"Oh, how torn!" exclaimed the thin man bitterly, as he saw her drape the
car with leather curtains whose windows of mica had long since been
cracked and torn away. The snow was hissing on the radiator and melting
on the road, and there seemed no wind left anywhere to drive the weight
of the mauve cloud further across the sky. It hung solid and low above
them, so that between the surface of the earth and the floor of the sky
there was only a foggy tunnel in which the road could be seen a few
yards ahead.

As they drove forward the windscreen became filmed with melting snow.
Fanny unscrewed it and tilted it open, and the Bearskin fumbled unhappily
at his collar to close every chink and cranny in his mossy hide.

They were climbing higher and higher across an endless plateau, and at
last a voice called from the back, "We must look at the map." It was a
voice of doubt and distrust that any road could be right road which
held so much discomfort.

Fanny stopped and pulled her map from behind her back, where she was
keeping it dry. "It's all right," she showed them, leaning over the back
and holding the map towards them. Then she discovered that the back seat
was empty, and her clients were huddled among the petrol tins and rugs
upon the floor.

"You must be miserable! It's so much colder in the back. See, here's the
big road that we must avoid, going off into Luxembourg, and here's ours,
running downhill in another mile."

They believed her, being too cramped and miserable to take more than a
querulous interest. In another half-hour the snow ceased, and as they
glided down the long hill on the other side of the plateau in a bed of
fresh, unruffled wool, the sun struck out with a suddenness that seemed
to tear the sky in two, and turned the blue snow into a sheet of light
which stretched far below them into a country of pine woods and pits of
shadow. Down, down they ran, till just below lay a village--if village
it was when only a house or two were gathered together for company in
the forest.

The snow seemed to have lain here for days, for the car slipped and
skidded at the steep entrance, where the boys of the village had made
slides for their toboggans. A hundred feet from the first house a
triumphal arch was built of pine and laurel across the road. On it was
written in white letters "Soyez le Bienvenu." All the white poor houses
glittered in the snow with flags.

A stream crossed the village street, and a file of geese on its narrow
bridge brought her to a standstill.

"What are the flags for?" she asked of an old man, pressing back into a
safety alcove in the stone wall of the bridge.

"We expect Petain here to-day. He is coming to Thionville."

"But Thionville is forty miles away--"

"Still, he might pass here--"

Running on and on through forest and hilly country, they left the snow
behind them, and slipped down into greener valleys, till at last they
came upon a single American sentry, and over his head was chalked upon a
board: "This is Germany."

They pulled up. Germany it might be--but the road to Treves? He did not
know; he knew nothing, except that with his left foot he stood in
Germany, and with his right in France.



Over the side of the next mountain all Hans Andersen was stretched
before them--tracts of _little_ country, little wooden houses with
pointed roofs, little hills covered with squares of different coloured
woods, and a blue river at the bottom of the valley, white with geese
upon its banks. They held their open mouths insultedly in the air as the
motor passed. The narrow road became like marble, and the car hissed
like a glass ball rolled on a stone step. On every little hill stood a
castle made of brown chocolate, very small, but complete with turrets.
Young horses with fat stomachs and arched necks bolted sideways off the
road in fear, followed by gaily painted lattice-work carts, and plunged
far into the grassland at the side. Old women with coloured hoods swore
at them, and pulled the reins. Many pointed hills were grey with
vine-sticks, and on the crest of each of these stood a small chapel as
if to bless the wine. The countryside was wet and fresh--white, hardly
yellow--with the winter sun; moss by the roadside still dripped from the
night, and small bare orchard trees stood in brilliant grass.

"Look! How the grass grows in Germany!"

"Ah, it doesn't grow like that in the valley of the Meuse--"

Every cottage in every village was different; many wore hats instead of
roofs, wooden things like steeples, with deep eaves and carved fringes,
in which were shadowy windows like old eyes. Some were pink and some
were yellow.

Soon they left the woods and came out upon an open plateau surrounded by
wavy hills with castles on them. In the middle of the plateau was a
Zeppelin shed which looked like the work of bigger men than the crawling
peasants in the roads. One side of the shed was open, and the strange
predatory bird within, insensible to the peering eye of an enemy, seemed
lost in thought in this green valley. The camp of huts beside it was
deserted, and there seemed to exist no hand to close the house door.
They rose again on to a hillside, and on every horizon shone a far blue
forest faint like sea or cloud.

Nearer Treves the villages were filled with Americans--Americans mending
the already perfect roads, and playing with the children.

"This is a topsy-turvy country, as it would be in Hans Andersen,"
thought Fanny. "I thought the Germans had to mend the broken roads
in France!"

They stayed that night in the Porta-Nigra hotel, which had been turned
into an Allied hostel. The mess downstairs was chiefly filled with
American officers, though a few Frenchmen sat together in one corner.
The food was American--corn cakes, syrup, and white, flaky bread.

"Well, what bread! It's like cake!"

"Oh, the Americans eat well!"

"I don't agree with you. They put money into their food, and they eat a
lot of it, but they can't cook.

"Isn't it astonishing what they eat! It's astonishing what all the
armies eat compared with our soldiers."

"Now this cake-bread! I should soon sicken of it. But _they_ will eat
sweets and such things all day long."

"Well, I told you they are children!"

"The Americans here seem different. They behave better than those in

"These are very _chics types_. Pershing is here. This is the
Headquarters Staff."

"Yes, one can see they are different."

"It appears they get on very well with the Germans."

"Hsh--not so loud."

After dinner they strolled out into the town. The Bearskin was very
anxious to get a "genuine iron cross."

He was offered iron crosses worked on matchboxes, on cigarette lighters,
on ladies' chains.

"But are they genuine?"

He did not know quite what he meant.

"I don't suppose them to be taken from a dead man's neck, but are they

In the streets the Germans sold iron crosses from job lots on barrows
for ten francs each.

"But I will get one cheaper!" said the Bearskin, and clambered up the
steps into shop after shop. He found an iron cross on a chain for seven
francs. No one knew what the mark was worth, and the three men, with the
German salesman, bent over the counter adding and subtracting on paper.

"How can a goblin countryside breed people who sell iron crosses at ten
francs each?" wondered Fanny.

There was a notice on the other side of the street, "Y.M.C.A., two doors
down the street on your left," and the thin man stood in the door of the
shop beside Fanny and pointed to it.

"Couldn't you go there and get me cigars? They will be very cheap. Have
you money with you?"

"I'll try," said Fanny, "I've money. We can settle afterwards," inwardly
resolving to get as many cigarettes as she could to take back for the
men in the garage. She crossed the street, but looked back to find the
thin man creeping after her. She waited for him, irritated.

"Go back. If the American salesman sees you he'll know it's for the
French, and he won't sell."


"He knew that quite well," she thought impatiently to herself, "or he
wouldn't have asked me to buy for him."

The thin man turned back to the cover of the shop like an eager little
dog which has jumped too quickly for biscuit and been snubbed.

She went down the street and into the Y.M.C.A.

Instantly she was among three or four hundred men, who stood with their
backs to her, in queues up the long wooden hall. Far ahead on the
improvised counter was a _guichet_ marked "Cigars." She placed herself
at the tail of that queue.

"Move up, lady," said the man in front of her, moving her forward. "Say
here's a lady. Move her up."

Men from the other queues looked round, and one or two whistled slyly
beneath their breath, but her own queue adopted her protectingly, and
moved her up to their head, against the counter.

It was out of the question to get cigars now. She had become a guest,
and to get cigars would imply that she was not buying for herself, but
to supply an unknown man without. And the marks on her uniform showed
that the unknown was French.

"One carton of Camels, please," she said, used to the phraseology.

"Take two if you like," said the salesman. "We've just got a dump in."

She took two long cardboard packets of cigarettes, and put down ten

"Only marks taken here," said the salesman. "You got to make the change
as you come in."

"Oh, well--I'll--"

"Put it down. Put it here. We don't get a lady in every day."

He gave her the change in marks, which seemed countless.

"I'm sure you've given me too much!"

"Oh no. Marks is goin' just for love in this country. Makes you feel

As she emerged from the hall with her two long cartons under her arm she
found the thin man, the Bearskin and Blackberry-Eyes standing like
children on the doorstep.

It was too much--to give her away like that.

Other Americans, coming out, looked at them as a gentleman coming out of
his own house might look at a party of penguins on his doorstep.

Fanny swept past her friends without a glance and walked on up the
street with her head in the air. They turned and came after her
guiltily. When they caught her up in the next street, she said to the
thin man, "I asked you not to come near while I was buying--"

"Have you got cigars, mademoiselle?"

"No, I couldn't. Why did you come like that? Now I can go in no more.
You'd only to wait two minutes."

They looked crestfallen, while she held the cigarettes away from them as
a nurse holds sweets from a naughty child.

"I could only get two packets. I can give you one. I'm sorry, but I
promised to get cigarettes for some people in Metz."

The thin man brightened, and took the big carton of Camels with delight.

"They're good, those!" he said knowingly to the others. "How much were
they, mademoiselle?"

"Five francs twenty the carton."

"Is it possible? And we have to pay...."

By his tone he made it seem a reflection on the Americans. Why should a
country be so rich when his had been devastated, so thinned, so difficult
to live in? Fanny thought of the poor huddled clients who had sat on the
floor of the car during the snowstorm. It had been a bitter journey for

After all--those rich, those pink and happy Americans, leather-coated
down to the humblest private, pockets full of money, and fat meals three
times a day to keep their spirits up--why shouldn't they let him have
their cigarettes?

"You can have this carton, too, if you like," she said, offering it.
"I'll manage to slip in to-morrow morning."

He thanked her, delighted, and they went back to the hotel.

The problem of the kindness of the Americans, and her frequent abuse of
it to benefit the French, puzzled her.

"But, after all, it's very easy to be kind. It's much easier to be kind
if you are American and pink than if you are French and anxious."

Another difference between the two nations struck her.

"The Americans treat me as if I were an amusing child. The French, no
matter how peculiar their advances, always, always as a woman."

Next morning, when she got down to breakfast at eight, she found that
the three Frenchmen had already gone out about their work.

"Perhaps I shall get home to-night, after all," she prayed. She sat in
the hotel and watched the Americans, or wandered about the little town
until eleven. The affair with the cigars was suitably arranged. The hall
was nearly empty when she went in, and the few men who stood about in it
did not disarm her with special kindness. On getting back to the hotel
she found the Bearskin pushing breathlessly and anxiously through the
glass doors.

"Monsieur Raudel has left his cigarettes in his bedroom," he said,
"unlocked up. He is anxious so I have come back."

"Well, tell him that if he--tell him quite as a joke, you know--that if
I can get home--"

(Something in his little blue eye shone sympathetically, and she leant
towards him.) "Well, I'll tell _you_! There is a dance to-night in Metz,
and I am asked. And tell him that I have bought two boxes of cigars
for him!"

The Bearskin, enchanted, promised to do his best.

By half-past twelve the three were back at lunch in the hotel. Over the
coffee Monsieur Raudel looked reflectively at his well-shaped nails.

"Well, mademoiselle, so this is what it is to have a woman chauffeur--"

Fanny looked up nervously, regretting her confidence in the Bearskin.

"Apart from the pleasure of your company with us, we get cheap cigars,
and you get your dance, so every one is pleased."

"Oh!" She was radiant. "But you haven't hurried too much? Are we really
starting back?"

Monsieur Raudel, who was a new man when he wasn't cold, reassured her,
and soon they were all packed in the Renault, and running out of Treves.



That same night as dusk fell she shook the snow from her feet and
clothes and entered the dressmaker's kitchen. Four candles were burning
beside the gas, and the tea-cups lay heaped and unwashed upon
the dresser.

"Good-evening, good-evening," murmured a number of voices, German and
French, and the old dressmaker, standing up, her face haggard under the
gas, took both Fanny's hands with a whimper:

"It will never be done! Oh, dear child, it will _never_ be done!"

The crinoline which they were preparing lay in white rags upon the

"Oh, Elsa, that is good! Are you helping too?" Elsa had brought three of
her friends with her, and the four bright, bullety heads bent over the
long frills which moved slowly through their sewing fingers. "_Good_
Conquered Children!" They were sewing like little machines.

"The Fraeulein Schneiderin," explained Elsa, "is so upset."

And this was evident and needed no explaining. The little lady twisted
her fingers, grieved and scolded, snatching at this and that, and
rapping with her scissors upon the table as though she were going to
wear the dress herself.

"Mademoiselle, I had to get them." She nodded towards the busy Conquered
Children, apologising for them as though she feared Fanny might think
she had done a deal with the devil for her sake.

"Here are my frills," said Fanny, bringing from her pocket two paper
parcels, one of which she laid in mystery upon the table, the other
opened and shook out her two long frills. She drew off her leather coat
and sat down to sew.

"Oh, how calm you are!" burst out the dressmaker. "How can you be so
calm? It won't be finished."

"Yes, yes, yes. It's only half-past five. Can I have a needle?"

"My mother had a dress like this before the last war." (This for the
fiftieth time.) "And will your _amoureux_ be there?" she asked with the
licence of the old.

"Well, yes," said Fanny smiling, "he will."

"And what will he wear?"

"Oh, it's a secret. I don't know. But I chose this particular dress
because it is so feminine, and it will be the first time he has seen me
in the clothes of a woman."

"Children, hurry, hurry!" cried the dressmaker, in a frenzy of sympathy.
"Minette, get down!" She slapped the grey cat tenderly as she lifted him
off the table. "Tell them in their language to hurry!" she exclaimed.
"_I_ never learnt it!"

But, after the breath of excitement, followed her poor despair, and she
dropped her hands in her lap. "It will never be done. I can't do it."

"Look, my dear, courage! The bodice is already done ... Have you had any

"The children ate. I couldn't. I am too excited. But you are so calm.
You have no nerves. It isn't natural!"

Yet she ate a little piece of cake, scolding the cat and the children
with her mouth full, prowling restlessly above their bent heads as they
sewed and solidly sewed.

At the end of an hour and a half the nine frills were on the skirt, the
long hoops of wire had been run in, and the hooks and eyes on the belt.

Often the door opened and shut; visitors came and went in the room; the
milk woman put her head in, crying: "What a party!" and left the tiny
can of milk upon the floor: Elsa's mother came to call her daughter to
supper, but let her stay when she saw the dress still unfinished. Now
and then some one would run out of the flat opposite, the flat above or
the flat next door and, popping a head in at the door, wish them good
luck. All the building seemed to know of the crinoline that was being
made in the kitchen.

"You do not smoke a pipe?..." said the dressmaker softly, with

"But none of us do!"

"Oh, pardon, yes! I saw it yesterday. A great big girl dressed like you
with her hands in her pockets and a pipe in her mouth. It made an effect
on me--you can hardly believe how it startled me! I called Madame
Coppet to see."

"I know it wasn't one of us. And (it seems rude of me to say so) I even
think the woman you saw was French."

"Oh, my dear, French women never do that!"

"Well, they do when they get free. They go beyond us in freedom when
they get it The woman you saw (I have seen her, too) works with the men,
shoulder to shoulder, eats with them, smokes with them, drinks with
them, drives all night and all day, and they say she can change a tyre
in two minutes.

"There was a woman, too, who drove a lorry between Verdun and Bar-le-Duc,
not a tender, you know, but a big lorry. She wore a bit of old ermine
round her neck, knickerbockers, and yellow check stockings. One could
imagine she had painted her face by the light of a candle at four in the
morning. She never wore a hat, and her short yellow hair stuck out over
her face which was as bright as a pink lamp shade."


"She may have been, but she worked hard! She was always on that road. Or
she would disappear for days with her lorry and come back caked in rouge
and mud. I wish I could have got to know her and heard where she went
and the things that happened to her."

"But, my dear, I keep thinking what a strange life it is for you. Are
you always alone on your car?"

"Always alone."

"You are with men alone then all the time?"

"All the time."

"Well, it's more than I can understand. It's part of the war."

Elsa bent across the table and picked up the folded bodice, murmuring
that it was done. The dressmaker rose, and reaching for the hooped
skirt, held it up between her two arms. It was a thrilling moment.
Fanny, too, rose. "Put it on a dummy," she commanded. Candles were
placed around the dummy, who seemed to step forward out of the shades of
the kitchen, and offer its headless body to be hooked and buttoned into
the dress. All the room stood back to look and admire. "Wie schoen!" said
Elsa's shiny-headed friends, peering with their mouths open.

"Ah, dear child, you were so calm, and now it is done!" said the old

The dress stood stiffly glittering at them, white as snow, the nine
frills pricking away from the great hooped skirt.

Fanny picked up the brown paper parcel she had laid on the dresser,
taking from it a bottle of blue ink, a bottle of green, and a paint
brush, and diluted the inks in a saucer under the tap. There was awe in
the kitchen as she held the brush, filled with colour, in the air, and
began to paint blue flowers on the dress.

At the first touch of the brush the old dressmaker clasped her hands.
"What is she doing, the English girl! And we who have kept it so

"Hush," said Fanny, stooping towards the bodice, "trust me!"

The children held their breath, except Elsa, who breathed so hard that
Fanny felt her hair stir on her neck. She covered the plain, tight-
waisted bodice with dancing flowers in blue and green.

On the frills of the skirt a dozen large flowers were painted as though
fallen from the bodice. Soon it was done.

"Like that! In five minutes!" groaned the dressmaker, troubled by the
peculiar growth of the flowers.

"Let it dry," said Fanny. "I'll go home and start doing my hair. Elsa
will bring it round when it's dry."

The old woman held out both her hands, in a gesture of mute
congratulation and fatigue.

"Now rest," said Fanny. "Now sleep--and in the morning I will come and
tell you all about it," and ran out into the snow.

       *       *       *       *       *

The top hook of the bodice would not meet. With her heart in her mouth,
with despair, she pulled. Then sat down on the bed and stared blankly
before her.

"Then if _that_ won't meet, all, all the dress is wasted. I can't go.
No, right in the front! There is nothing to be done, nothing to be
done!" She sat alone in the room, the five candles she had lighted
guttering and spilling wax. She was in the half-fastened painted bodice
and a fine net petticoat she had bought at Nancy. Even the green silk
bedroom slippers were on, tied round her ankles with ribbons, the only
slippers she had found in Metz, and she had searched for them for hours.

The room was icy cold, and the hand of the clock chasing towards the
hour for the dance. Should she go in uniform? Not for the world.

She would not meet him, and it seemed as though there could be no
to-morrow, and she would never meet him again in this world. This
meeting had had a peculiar significance--the flouncy, painted dress, the
plans she had made to meet him for once as a woman. Shivering, and in
absurd anguish she sat still on the bed.

"Oh, Elsa, Elsa, look!" Better the child than no one, and the shiny head
was hanging round the door. ("Wie schoen!")

"But it isn't _schoen_! Look! It won't meet!"

"Oh!..." Elsa's eyes grew round with horror, and she went to fetch her
mother. "Tanzen!" They talked so much of "tanzen" in that household. The
thin mother was all sympathy, and stood in helpless sorrow before the
gap in the bodice.

"What's all this?" and _der Vater_ stood in the doorway, heavy as lead,
and red as a plum.

"Give her a bunch of flowers," he said simply, and as if by accident,
and "Oh!..." said Elsa's mother, and disappeared. She came back with
three blue cotton cornflowers out of Elsa's hat, and the gap in the
bodice was hidden.

       *       *       *       *       *

_He was not there_. Her eyes flew round the room, searching the shadows
in the corners, searching the faces. In the bitterness of dismay she
could not fully enter the door, but stood a little back, blocking the
entrance, afraid of the certainty which was ready for her within; but
others, less eager, and more hurried, pressed her on, drove her into
the centre of the room, and with a voice of excitement and distress
chattering within her, like some one who has mislaid all he has, she
shook hands with the eighteenth-century general who shrouded the
personality of the Commandant Dormans.

At first she could not recognise any one as she looked round upon Turks,
clowns, Indians, the tinselled, sequined, beaded, ragged flutter of the
room, then from the coloured and composite clothing of a footballer,
clown or jockey grinned the round face and owlish eyes of little Duval,
who flew to her at once to whisper compliments and stumble on the
swelling fortress of her white skirt. She realised dimly from him that
her dress was as beautiful as she had hoped it might be, but what was
the use of its beauty if Julien should be missing? And, looking over
Duval's head, she tried to see through the crowd.

Suddenly she saw him, dressed in the white uniform of a Russian,
standing by a buttress of the wall. His uniform had a faint yellowish
colour, as if it had been laid away for many years against this
evening's dance; the light caught his knees and long boots, but the
shadow of the buttress crept over his face, turned from her towards a
further door. On his head he wore a white hat of curling sheep's wool,
which made him seem fantastically tall.

When Fanny had surveyed him, from the tip of his lit hat to his lit
feet, she was content to leave him in his shadowed corner, and turned
willingly to dance with Duval. The little man offered an arm to hold
her, and, as he came nearer to her, his feet pressed the bottom ring of
wire about her skirt, and the whole bell of flowers and frills swung
backwards and stood out obliquely behind her.

Presently the Jew boy, Reherrey, detached himself from the others and
came out to stand by her and flatter her. He had wound the black stuff
that he had bought three days before so cleverly round his slim body
that he seemed no fatter than a lacquered hairpin. The cynical flattery
of this nineteen-year-old Jew, the plunging admiration which Duval
breathed at her side, the attentive look in the bright eyes of the
Commandant Dormans, who had come near them and stood before her, filled
her with joy. She looked about her, bright rat, tiny and enormous in her
own sight, aware now of her outer, now of her inner life, and sipped her
meed of success, full of the light happiness fashioned from the
admiration of creatures no bigger than herself. She laughed at one and
the other, bending towards them, listening to what they had to say,
without denying, without doubts, with only triumph in her heart; and,
the group shifting a little, a voice was able to say secretly at her
ear, "You look beautiful, but you are not exclusive...." Her sense of
triumph was not dimmed because her quick ear caught jealousy shading the
reproach in his voice.

She did not answer him, except to look at him; but they seemed to
forgive each other mutually as the figure of yellowish-white moved close
enough to tilt the bell skirt and take the figure of bluish-white into
his arms and dance with her. Calico and sheep's wool and painted flowers
went down the room under the low gas brackets, and her eyes, avoiding
his, looked out from a little personal silence into the far-off whirl of
the room, and heard the dimmed music and the scrape of feet.

For him the world was a pale dumb-show, and she the absorbing centre.
For her the world without was lit equally with his personality, the
glamour of which hung over all the scenes before her eyes with the
weight of the sky over the land. So long as he lit the horizon the very
furthest object in it wore a shaft of his light upon its body.

They danced on, not wearing away the shining boards with their feet half
so much as they wore away the thin ice above the enchanted lake.

The Commandant Dormans crossed the room to them.

"She must be drawn. She must go for her portrait. Spare me your partner.
Mademoiselle, we have an artist, a _poilu_, drawing some of the dresses.
Will you come with me and sit for yours?"

She went into the little room and stood for the drawing; the door shut
on her, and she and the artist faced each other. Through the door the
music came softly, and as she stood, hands resting without a breath's
stir on fold, on frill, head bent and wandering eyes, the artist with
twitching face and moving hand looked up and down, up and down, and she
sank, swaying a little upon her rooted feet, into a hypnotised
tranquillity. She did not care what the man put upon the white paper
with his flying hands; he might draw the flowers upon her skirt, but not
the tall blooming flowers within her, growing fabulously like the lilies
in a dream. Her thoughts went out to meet the waves of music floating
through the door; her rooted body held so still that she no longer felt
it, and her spirit hung unbodied in an exaltation between love which
she remembered and love which she expected. No one came through the
door; they left her in silence, enclosed in the cell of the room and of
her dreams, and she was content to stand without movement, without act
or thought. The near chair, the wall hard by, the golden room which she
had just left so suddenly were alike to her; her eyes and her
imagination were tuned to the same level, and there was no distinction
between what was on her horizon and beyond it. Across the face of the
artist the scenes in the room behind her passed in unarrested
procession, and the voice of an illusory lover in her ear startled her
by its clearness. The music wandered about the room like visible
movement, and the artist, God bless him, never opened his mouth between
his shower of tiny glances.

"Finished, mademoiselle!" and he held the drawing towards her as he
leant back with a sigh. He had made too many drawings that evening, and
any talent he had hung in his mind as wearily as a flag in an airless
room. With an effort she broke her position and moved towards him,
taking up the drawing in her hand with a forced interest. "Yes, thank
you, thank you," she said, and he took it back and laid it with the pile
he had made. "You don't like it? But I'm so tired. Look at these others
I did earlier in the evening...."

But while she bent over them the door burst open and Dormans came in,
followed by Duval and Dennis. "Is it finished? Let me look! Yes, yes,
very good! Quite good!" They were pleased enough, and drew the artist
away with them to the buffet.

Suddenly Julien was with her and had closed the door. He was hurried,
excited, and it seemed as though he said what he could no longer
contain, as though the thought biggest in his mind broke in a bound from
him. He was white and he exclaimed: "It's terrible how _much_ you could
hurt me if you would!"

He seemed to close his eyes a little then and lean his head towards her.
She looked at the drooping, half-lit head, and she knew that she had him
without fear of escape. Knew too, that the moment was brief. Their recent,
undeclared silence brooded as though still with them, half regretful and
departing angel. "You will have other beauties," she said to her heart,
"but none like this silence."

They were breathless. The ice had gone from the lake and the ship had
not yet set sail. In a dream she moved down to the beach. She saw him
open his eyes and stare at her incredulously. "I am going to break this
beauty," she breathed alone, and put out her hand and launched the ship.
He was by her side, the silence broken, the voyage begun.



Clouds, yellow, mauve and blue, hung ominously over the road to Nancy.
The valley was filled with shades, but the road itself gleamed like a
bleached bone in a ditch. Seated upon the dashboard of her wounded car,
Fanny had drummed her heels for warmth since morning, and seemed likely
soon to drum them upon a carpet of snow. Beneath the car a dark stream
of oil marked the road, and the oil still dripped from the differential
case, where the back axle lay in two halves.

"I will telephone to your garage," her "client" had promised, as he
climbed on to a passing lorry and continued his journey into Nancy. With
that she had to be content, while she waited, first without her lunch,
and then without her tea, for the breakdown lorry which his telephone
message would eventually bring to her aid. Now it was nearly four
o'clock. She had been hungry, but was hungry no longer. The bitter cold
made her forehead ache, and though every moment the blue and mauve
shades thickened upon the sky no flake of snow had fallen.

Only last night, only twenty-four hours ago, she had been preparing for
the dance; and only last night she had said to Julien ... What had she
said to Julien? What had he said to her? Again she was deep in a reverie
that had lasted all day, that had kept her warm, had fed her.

She was almost asleep when a man's voice woke her, and she found a car
with three Americans drawn up beside her.

"I guess this is too bad," said the man who had woken her. "We passed
you this morning on our way into Nancy, and here you are still looking
as though you had never moved. 'Ain't you had any food since then?"

"I haven't been so very hungry."

"Not hungry? You're sure past being hungry! Lucky we've got food with us
in the car. Pity we've got to hurry, but here's sandwiches and sandwiches,
and cakes and candy, and bits of bunstuff, and an apple. And here's a
cheese that's running out of its wrappin'. When's your show coming to
fetch you? 'Ain't you coming home along with us?"

"They won't be long now. Oh, you are good...." Fanny's hunger revived as
she took the food, and now she was waiting ungratefully for them to be
gone that she might start on her heavensent meal.

"Good-bye, ma'am," they cried together.

"Good-bye," she waved, and as their car passed onwards she climbed up on
to the mudguard and spread the rug over her knees.

The slow night grew out of nothing, expanded, and nearly enveloped the
slopes of the hill below. The wind dropped in the cloudy, heavy
twilight, and the papers of the sandwiches did no more than rustle upon
her knees. Not prepared yet to light her car lamps, Fanny laid her torch
upon her lap, and its patch of white light lit her hands and the piles
of bread, cake, and fancy buns.

Across the road in the deeper gloom that dyed the valley and spilt over
its banks, a head rustled in the ragged border of twig and reed, and
eyes watched the brightly-lighted meal which seemed to hang suspended
above the vague shape of the motor car.

With a sense of being perfectly alone, walled round by the gathering
dusk, Fanny made a deep inroad upon her sandwiches and cake, finishing
with the apple, and began to roll up what remained in case of further
need, should no one come to fetch her.

She reflected that her torch would not last her long and that she ought
to put it and light her head and tail lamps instead, but, drowsy with
pleasure in her lonely dinner, she sat on, prolonging the last moments
before she must uncurl her feet and climb down on to the ground. The
torch slipped from her knee on to a lower fold of the rug, lighting only
the corner of a packet in which she had rolled the cake.

Suddenly, while she watched it, the gleam of the corner disappeared. She
stared at the spot intensely, and saw a hand, a shade lighter than the
darkness, travel across the surface of the rug, cover with its fingers
the second parcel and draw it backwards into what had now become dense
night. Her skin stirred as though a million antennae were alive upon it;
she could not breathe lest any movement should fling the unknown upon
her; her eyes were glued to the third packet, and, in a moment, the hand
advanced again. With horror she saw it creep along the rug, a small
brown, fibrous hand, worn with work. The third packet was eclipsed by
the fingers and receded as the others had done, but as it reached the
edge of the rug, overflowing horror galvanised her into movement, and
catching the corners of the rug she threw it violently after the package
and over the hand, at the same moment jumping from her seat and on to
the footboard, to grope wildly for the switch. Her heart was leaping
like a fish just flung into a basket, and every inch of her body winced
from an expected grasp upon it. She flung herself over the side and into
the seat of the car, found the switch and pushed it.

A dozen Chinese at least were caught in the two long beams that flew out
across the darkness. For a second their wrinkled faces stared, eyes
blinked, and short, unhollowed lips stretched over yellow teeth, then,
with a flutter of dark garments, the Chinese started away from the fixed
beams and were gone into the shadow. Except for the sudden twitter of a
voice, the spurt of a stone flung up against the metal of the car, they
melted silently out of sight and hearing. Sick with panic, Fanny leant
down upon her knees and covered her head with her two arms, expecting a
blow from above. Seconds passed, and ice-cold, with one leg gone to
sleep, she lifted her head, switched off the lights and stared into the
night. She could see nothing, and gradually becoming accustomed to the
darkness, she found that they had completely disappeared. The rug, too,
had gone, and all three packets of sandwiches. Cautiously, with
trembling legs, she stepped upon the footboard.

Something hit her softly upon the forehead, but before she had time to
suffer from a new fear her eye caught the glitter of a flake of snow in
its parachute descent across the path of her lamps. "They hate snow...."
she whispered, not knowing whether it was true. She tried to picture
them as a band of workmen, who, content with their little pillage, were
now far from her on their way to some encampment.

Finding the torch still caught between the mudguard and the bonnet, she
prowled round the car, flashing it into corners and pits of darkness.
There was no sign of a lurking face or flutter of garment.

Snow began to fall, patting her noiselessly on her face and hands, and
curling faster and faster across the lights. In twenty minutes the road
around her was lightened, and cones of delicate softness grew between
the spokes of the wheels.

Climbing down again from her perch, Fanny went to the back of the car,
and, taking from beneath the seat her box of tools, she groped in the
hollow under the wood and pulled out an iron bar, stout and slightly
bent, with a knob at one end--the handle of the wheel jack.

       *       *       *       *       *

Far away, in what seemed another world, equally blind, snowy and obscure,
but divided from this one by fathoms of frozen water, a car was coming
out from Pont-a-Moussons on to the main Nancy road. Its two head-lamps
glowed confusedly under the snow that clung to them, and the driver, his
thick, blue coat buttoned about his chin, leant forward peering through
the open windscreen, stung, blinded, and blinking as the flakes drove in.

The head-lamps swept the road, the range of the beams reaching out and
climbing the tree trunks in sheltered spots, or flung back and huddled
about the front wheels when a blast of fresh snow was swept in from the
open valley on the left.

"We must be getting to Marbashe?"

"Hardly yet, _mon capitaine_. It was unlucky the _brigadier_ should be
at Thionville. I could have mended the spring on the lorry myself, but
it wants two men to tow in the car."

"This is Marbache!"

In the shelter of the hamlet the lights leapt forward and struck a
handful of houses, thickened and rounded with snow. Almost immediately
darkness swallowed them up, and a drift of snow flung up by the wind
burst in powder over the bonnet and on to the glass.

"The plain outside. Now we go down a long hill. We turn sharp to the
right here."

The car entered a tunnel of skeleton trees through which the flakes
drained and flickered, or broke in uneven gusts through the trunks. The
left lamp touched a little wooden hut which stood blinkered and
deserted. Just beyond it was a sharp turn in the road.

"What's that?"

A pale light hung in the dark ahead of them.

"Is it a car? No."

"Yes, lamps. With the beam broken by the snow."

"Go slow."

For fear of blinding the driver of a lighted vehicle which might, after
all, be moving, one of the men put out his hand and switched off the
headlights, and the car glided forward on its own momentum.

Thus they came upon Fanny, in the hollow torn by the lamps out of an
obscurity which whirled like a dense pillar above her, seated on her
mudguard, blanched and still as an image, the iron bar for a weapon in
her right hand, the torch ready as a signal in her left.


"Well, yes, my poor child!" And she saw the man behind him, and laughed.

"Help me down. Within and without I am set in plaster."

"You look like a poor, weather-chipped goddess, or an old stone pillar
with a face."

"Be careful, that leg will not stand.... Oh, look, look how the snow
clings. It's frozen on my lap."

"We must be quick. Everything must be quickly done, or we shall all stay

"Oh, I don't care about that now!"

"What have you got in your hand? Give it to me."

"That's a weapon. I almost needed it. Where is the lorry?"

"The garage was empty. The _brigadier_ was at Thionville. The lorry had
a spring broken."

"And they told you?"

"I did not call at the 'C.R.A.' office till late in the day, or you
would have been fetched long ago. Come along! Have you got your things
together? We must take them back in the other car. And the magneto too."

"We're to leave the car after all my guarding care?"

"No; here's Pichot volunteered to take your place."

"Has he got food with him and rugs. My rug has gone...."

"He has everything. Come along! Let's put everything of value into the
other car."

When they had finished the night air was clear of snowflakes; hill, road
and valley were lit by the pallor of the fallen snow.

Fanny followed Julien to the other car. He swung the handle and jumped
into the driving seat. "Come...." he said, and held out a hand.

"Good-night, Pichot. We'll send for you early in the morning."

"Good-night, _mon capitaine._ Good-night, mademoiselle."

They moved forward, and the moon like a wandering lamp lit their faces.

"Blow out, old moon!" said Julien, turning his silvered face and hair up
to the sky. The moon flew behind a cloud.

"Quick!" he said.


... and kissed her. The jacks and tyres and wheels and bolts fluttered
out of Fanny's head like black ravens and disappeared. They flew on,
over the bridge at Pont-a-Moussons, up the shining ruinous street.

"Crouch lower!" said Julien. "If any one wanted to, they could count
your eyelashes from the windows."

"Ah, yes, if there was any one to count...." She glanced up at the
fragmentary pronged chimneys, the dark, unstirring caves of brick.

Soon the church clocks of Metz rang out, quarrelling, out of time with
one another.

"Do you know this isn't going to last?" said Julien suddenly, as if the
clocks had reminded him.

She turned swiftly towards him.

"The Grand Quartier is moving?"

"Ah, you knew? You had heard?"

"No, no," she shook her head. "But do you think I haven't thought of it?
I keep thinking, 'We can't stay here for ever. Some end will come.' And
then--'It will come this way. The Grand Quartier will go.'"

"But you are going with it."

"Julien! Is that true?"

"Certain. It was settled to-day. We are actually leaving in three days
for Chantilly; and you, with all the garage, all the drivers, and the
offices of the 'C.R.A.' are to be at Precy-sur-Oise, five miles away."

"But you are at Precy too?"

"No, I have to be at Chantilly. And worse than that ... The bridge over
the Oise at Precy is blown up and all cars have to come sixteen miles
round to Chantilly by another bridge. I am in despair about it. I have
tried every means to get Dormans to fix upon another village, but he is
obstinate, and Precy it must be for you, and Chantilly for me. But don't
let's think of it now. Wait till you've eaten and are warm, and we can
plan. Here are the gates!"

He handed out the paper pass as a red light waved to and from upon the
snow. First the Customs-men, Germans still, in their ancient civic
uniform. "Nothing to declare?" Then the little soldier with the lantern
in his hand: "Your pass, _ma belle!_" As he caught sight of Julien,
"Pardon, mademoiselle!" Lastly, up the long road into the open square by
the station, down the narrow street, splashing the melted snow-water
against the shop windows, and under the shadow of the cathedral.

"Put the car away and come and dine with me at Moitriers."

She looked at him astonished. "The car? Whose car is it? Does it belong
to our garage?"

"It will in future. It arrived last night, fresh from Versailles. I am
arranging with Dennis for you to take it over to-morrow."

Her eyes sparkled. "A beautiful Renault! A brand new Renault!..."

He laughed. "Hurry, or you will faint with hunger. Put it away and come,
just as you are, to Moitriers, up into the balcony. I am going there
first to order a wonderful dinner."

In a quarter of an hour they were sitting behind the wooden balustrade
of the balcony at Moitriers--the only diners on the little landing that
overhung the one fashionable restaurant in Metz. It was a quarter to
nine; down below, the room, which was lined with mirrors set in gilt
frames, was filled with light; knives and forks still tapped upon the
plates, but the hour being late many diners leant across the strewn
tablecloths and talked, or sat a little askew in their chairs and
listened. A hum filled the warm air, and what was garish below, here,
behind the balustrade, became filtered and strained to delicate streaks
and bars of light which crossed and recrossed their cloth, their hands,
their faces--what was noisy below was here no more than a soft insect
bustle, a murmurous background to their talk.

The door of the balcony opened behind them, and Madame Berthe, the
proprietress herself, moved at their side; her old-fashioned body,
shaped like an hour-glass, was clothed in rucked black silk, which
flowed over her like a pigment; flowed from her chin to the floor, upon
which it lay stiffly in hills and valleys of braided hem. Her gay gold
tooth gleamed, and the gold in her ears wagged, as she fed them gently
on omelette, chicken and tinned peas, and a _souffle_ ice.

They talked a little, sleepy after the wind, smiling at each other.

"Don't you want more light than that?" said Madame Berthe, coming in
again softly with the coffee.

Fanny shook her head. "Not any more than this."

Then they were left alone, stirring the coffee, gazing down between the
wooden columns at the diners below.

"Of what are you thinking?" she asked, as a sigh escaped her companion.

"The move to Chantilly. I am so loth to break up all this."

"Break up?"

"Ah, well, it changes, doesn't it? Even if it is no longer the same
landscape it changes!"

After a silence he added: "How fragile it is!"


"You!" He covered her hand with both his. "You! What I think you are,
and what you think I am. Love and illusion. Too fragile to be given to
us with our blunders and our nonsense."

She watched him, silent, and he went on:

"I don't understand this life. That's why I keep quiet and smile, as you
say I do. There are often things I don't say when I smile."

"What things?"

"Oh, I wonder how much you believe me. And I listen to that immense
interior life, which talks such a different language. I _hate_ to move
on to Chantilly."

Suddenly she recognised that they were at a corner which he had wanted
her to turn for days. There had been something he had hinted at,
something he wanted to tell her. He chafed at some knowledge he had
which she did not share, which he wanted her to share.

Once he had said: "I had letters this morning which worried me...."


"One in particular. It hurt me. It gave me pain."

But she had not wanted to ask what was in the letter. Then he had grown
restless, sighed and turned away, but soon they had talked again and it
had passed.

And now to-night he said:

"Look how detached we are in this town, which is like an island in the
middle of the sea. We behave as though we had no past lives, and never
expected any future. Especially you."

"Especially I?"

"You behave as though I was born the day before you met me, and would
die the day after you leave me. You never ask anything about me; you
tell me nothing about yourself. We might be a couple of stars hanging in
mid air shining at each other. And then I have the feeling that one
might drop and the other wouldn't know where to look for it."

But after a little silence the truth burst out, and he said with
despair: "Don't you want to know _anything_ about me?"

(Yes, that was all very well. She did, she did. But not just this that
was coming!)

And then he told her....

     *     *     *     *     *

"What is she like ... Violette?"


After several low questions she seemed to stand between them like a
child, thin and fair, delicate and silent, innocently expecting to be
spared all pain.

"No, she doesn't go out very much. She stays indoors and does her hair,
and her nails, and reads a little book."

"And have you known her for a long time?"

"A long time...."

After this they pretended that she did not exist, and the little wraith
floated back to Paris from which she had come, suddenly, on days when
she had written him certain letters which had brought tears into
his eyes.



Fanny turned again to seek the lights of the town and the dagger points
of the churches that climbed against the sky upon the hill behind her,
but all that met her eyes was the blanket of wet darkness, and the
shimmer of the snowflakes under the lamps.

She slipped through the garage gates, touching the iron bars ... "almost
for the last time."

"But what does it matter? All towns are the same and we sing the same
song in each and wear the same coloured feathers." She stirred the snow
in the yard with her foot. "An inch already and the Renault has so
little grip upon the snow. Shall we be able to start to-morrow?"

Then she set out to look for a heap of snow chains which she had noticed
before in a corner of the yard. Not far from her another little torch
moved in the darkness, and under its downward ray she caught sight of a
khaki skirt and a foot. "Someone else has thought of chains, too! And
there are so few!" She clicked off her light and moved stealthily along
the forest of cars, her fingers sweeping blankets of snow from the
mudguards. Passing the first line of corpse-cars she saw the light
again. "She's in the wrong place!" she thought, and hurried on. "Those
bags of chains are just behind the Berliet they brought in backwards."
Behind the Berliet little mounds showed in the snow. She stooped over
them, shading her light with her knees, and dug in the light powder with
her hand, pulling out a small canvas bag which she dusted and beat with
her fingers.

"Are you looking for chains?" she called to the other light, her bag
safely in her arms.


"They are here. Here! In this corner!"

"Who are you?" cried the voice.

But she slipped away in silence to the garage door; for on this last
black and white night in Metz she longed to creep about unspoken to,
unquestioned. A little soldier sat on guard by a brazier of glowing
charcoal near the door. She nodded to him as she moved down the long
line of cars to her own.

There it stood, the light of the brazier falling faintly upon it, the
two points of the windscreen standing up like the ready ears of an
interested dog, the beautiful lines of its body, long bonnet and
mudguards stretched like a greyhound at a gallop, at rest until the
dawn. She flung the bag of chains inside, and, patting the bonnet,
slipped away and out into the street without attempting to try the fit
of the chains upon the wheels.

She slept a last night in the dark red German room three streets
away--first making a little tour of the walls in her nightgown, the
candle flame waving from her hand, the hot wax running in a cascade over
her fingers--and looked at the stag's horn fastened to the bracket and
the cluster of Christmas postcards pinned to the wall.

The postcards arrested her attention, and a light darted in her mind.
They were dark postcards, encrusted with shiny frosting, like the snow
outside. Little birds and goblins, a wreath of holly, and a house with
red mica windows were designed on them. She put out a finger and gently
touched the rough, bright, common stuff; standing opposite them, almost
breathless with a wave of memory. She could see herself no taller than
the nursery fireguard, with round eyes to which every bright thing was a
desire. She could feel herself very small amid the bustle and clatter of
Christmas, blowing dark breath marks against the bright silver on the
table, pulling the fringe round the iced cake, wetting her finger and
picking up "hundreds and thousands" with it from a bag.

These postcards now in front of her were made by some one with the mind
of a child. It struck and shook her violently with memory to see them.
"That's why the Germans write good fairy stories!" she thought, and her
eyes passed to the framed photographs that hung near the postcards,
pictures of soldiers in uniform, sitting at a table with the two
daughters of the house. But these wooden faces, these bodies pressing
through unwieldy clothes seemed unrelated to the childish postcards.

She went contentedly to her bed, the room, bare of all her belongings,
except the one bag that stood, filled and open, upon the table; sleeping
for the last time in the strange bed in the strange town which she might
never see again. It was time indeed to go.

For days past civilians had crept through the gates of Metz, leading old
horses, drawing ramshackle carts filled with mattresses, faded silk
chairs, gilt ormolu stands, clocks and cloaks and parrot cages; all the
strange things that men and women use for their lives. The furniture
that had fled in other carts from villages now dust upon a dead plain
was returning through all the roads of France, repacked and dusted, to
set up the spirit of civilian life again.

It was time to go, following all the other birds of passage that war had
dragged through the town of Metz--time to make way for the toiling
civilian with his impedimenta of civilisation.

In the morning when she opened her eyes the room was darker than usual,
and the opening of the window but the merest square of light. Snow was
built up round the frame in thick rolls four inches high.

She dressed hurriedly and rolled up the sleeping-sack with her few last
things inside it. Out in the street the snow was dry and thick and
beautifully untrodden. The garage gates looked strange, with a thick
white banner blown down each side of the pillars. She looked inside the
garage shed. Yes, all the cars had gone--hers stood alone, the suitcases
inside, tyres pumped stiff and solid, the hood well buckled back.

"Mademoiselle hasn't gone with the convoy?" said the _marechal des
logis_, aghast.

"Oh, I'm separate," she laughed.

"But the convoy is gone."

"I know it. But I'm not with them. It's an order. I'm going alone."

"_Bien_. But do you know the route?"

"I'm not going by it."

He laughed, suddenly giving up all attempt at responsibility, and bent
to catch her starting handle.

"Oh, don't worry."

"Yes, it's your last day, I may as well help you to go away."

The engine started easily and she drove out of the garage into the yard,
the wheels flying helplessly in the snow, and flinging up dry puffs like
flour. "Haven't you chains?" said the _marechal des logis_. But she
smiled and nodded and could not wait. "Good-bye--good-bye to all the
garage," she nodded and waved. The sun broke out from behind a cloud,
her brass and glass caught fire and twinkled gaily, the snow sparkled,
the gate-posts shone at her. She left the garage without a regret in her
heart, with not a thought in her head, save that in a minute she would
be safe, no accident could stop her, she would be abroad upon the magic,
the unbelievable journey.

       *       *       *       *       *

They were in a small circular room, shaped like an English oasthouse,
its roof running upwards in a funnel to meet the sky. At the apex was a
round porthole of thick glass to let in the light, but as this was
supporting several feet of snow the lighting of the room was effected
only by a large oil-lamp which stood on the blackened table in the
centre. An old woman came forward into the light of the lamp. Her eyes
were fine and black--her mouth was toothless and folded away for ever,
lost in a crevice under her nose. When she smiled the oak-apples of her
cheeks rose up and cut the black eyes into hoops.

"We are on a long journey, madame, to Chantilly. We are cold; can we
have coffee?"

She drew out chairs and bade them sit, then placed two tall glasses of
coffee in the ring of light from the lamp, sugar melting in a sandy heap
at the bottom of each.

"What an odd shape your house is!" said Julien, looking round him.

"It's very old, like me. And the light is poor. You have to know it to
get used to it," she replied.

"You've only that one window?" He stared up the funnel to where he
could see the grey underside of the cone of snow.

"But I can make that one better than it is; and then the lady can see
herself in this little glass!" The old woman moved to the side of the
wall where a rope hung down. "_Elle a raison_; since she has a gentleman
with her! I was the same--and even not so long ago!"

She put up her thin arm and gave the rope a long pull. She must have
been strong, for the skylight and all its burden opened on a hinge, and
the snow could be seen sliding from it, could be heard in a heavy body
rumbling on the roof. She closed the skylight, and now a wan light
filtered down the funnel and turned their faces green. It was like life
at the bottom of a well, and they felt as though the level of the earth
was far above their heads, and its weighty walls pressing against
their sides.

"But why is it built this way?"

"Many houses are," said the old woman with a shrug. "It's old, older
than my mother." She sat down beside them. "Soldiers have been drunk in
here many times in the war," she said. "And in the old war, too. But I
never saw one like you." She pinched Fanny's sleeve. "Fine stuff," she
said. "The Americans are rich!"

"I'm not American."

"Rich they are. But I don't care for them. They have no real feeling for
a woman. You are not stupid, _ma belle_, to get a Frenchman for a lover."

"Don't make him vain."

"It is the truth. He knows it very well. Why should he be vain? An
American loves a pretty face; but a Frenchman loves what is a woman."
She rose and lifted the lamp, and let its ray search out a corner of the
room wherein the great bed stood, wooden and square, its posts black
with age, its bedding puffed about it and crowned with a scarlet
eiderdown as solid and deep as the bed itself.

"A fine bed; an old bed; it is possible that you will not believe me,
but I shared that bed with a bishop not two years ago."

Fanny's eyes were riveted on the bed.

Julien laughed. "In the worst sense, mother?"

"In the best, my son," bragged the old woman, sliding a skinny finger to
the tip of her nose. "You don't believe me?"

Coming nearer, she stood with the lamp held in her two hands resting on
the table, so that she towered over them in fluttering shawl and shadow.

"He arrived in the village one night in a great storm. It was past the
New Year and soldiers had been coming through the street all day to go
up to the lines beyond Pont-a-Moussons. I've had them sleeping in here
on the floor in rows, clearing away the table and lying from wall to
wall so thick that I had to step on them when I crossed the room with my
lamp. But that night there were none; they were all passing through up
to the front lines, and though the other end of the village was full, no
one knocked here. There was snow as there is to-day, but not lying still
on the ground. It was rushing through the air and choking people and
lying heavy on everything that moved outside. That glass of mine up
there was too heavy for me to move so I let it be. A knock came at the
door in the middle of the night, and when I got up to unbar the door
there was a soldier on the doorstep. I said: 'Are you going to wake me
up every night to fill the room with men?' And he said: 'Not to-night,
mother, only one. Pass in, monsieur.'

"It was a bishop, as I told you. _Un eveque_. A great big man with a red
face shining with the snow. If he had not been white with snow he would
have been as black as a rook. He stamped on the cobbles by the door and
the snow went down off him in heaps, and there he was in his beautiful
long clothes, and I said to myself: 'Whatever shall I do with him? Not
the floor for such a man!' So there we were, I in my red shawl that
hangs on the hook there, and he in his long clothes like a black baby
in arms, and his big man's face staring at me over the top.

"'I can't put you anywhere but in my bed,' I told him. I told him like
that, quickly, that he might know. And he answered like a gentleman, the
Lord save his soul: 'Madame, what lady could do more!'

"'But there's only one bed' I told him (I told him to make it clear),
'and I'm not young enough to sleep on the floor.' Not that I'm an old
woman. And he answered like a gentleman, the Lord save him...."

"I will tell _you_ the end," said the old woman, drawing near to Julien
as he took some money from his pocket to pay for the coffee.

Two hours later they drew up at a _cafe_ in the main square at Ligny.

Within was a gentle murmur of voices, a smell of soup and baking bread;
warm steam, the glow of oil lamps and reddened faces.

Sitting at a small table, with a white cloth, among the half-dozen
American soldiers who, having long finished their lunch, were playing
cards and dominoes, they ordered bread-soup, an omelette, white wine,
brille cheese and their own ration of bully beef which they had brought
in tins to be fried with onions.

A woman appeared from the door of the kitchen, carrying their bowl of
bread-soup. Across the plains of her great chest shone a white satin
waistcoat fastened with blue glass studs, and above her handsome face
rose a crown of well-brushed hair dyed in two shades of scarlet. A
little maid followed, and they covered the table with dishes, knives and
forks, bread and wine. The woman beamed upon Fanny and Julien, and
laying her hand upon Fanny's shoulder begged them not to eat till she
had fetched them a glass of her own wine.

"You bet it's good, ma'am," advised a big American sergeant at a table
near them. "You take it."

She brought them a wine which shone like dark amber in a couple of
glasses, and stood over them listening with pleasure to their
appreciation while each slight movement of her shoulders sent ripples
and rivers of heaving light over the waistcoat of satin.

The butter round the omelette was bubbling in the dish, the brille had
had its red rind removed and replaced by fried breadcrumbs, the white
wine was light and sweet, and with the coffee afterwards they were given
as much sugar as they wished.

"I have seen her before somewhere," said Julien, as the scarlet head
receded among the shadows of the back room. "I wonder where?"

"One wouldn't forget her."

"No. It might have been in Paris; it might have been anywhere."

The little maid was at his elbow. "Madame would be glad if you would
come to her store and make your choice of a cigar, monsieur."

"Well, I shall know where I met her. Do you mind if I go?"

He followed the girl into the back room. Fanny, searching in her pocket
for her handkerchief, scattered a couple of German iron pennies on the
floor; an American from the table behind picked them up and returned
them to her. "These things are just a weight and a trouble," he said.
"I think I shall throw mine away?"

"You've come down from Germany, then?"

"Been up at Treves. They do you well up there."

"Not better than here!"

"No, this is an exception. It's a good place."

"Madame is a great manager."

"Hev' you got more German pennies than you know what to do with?" said
the American sergeant who had advised her to drink the wine. "Because,
if you hev' so hev' I and I'll play you at dominoes for them."

As Julien did not return at once, Fanny moved to his table and piled her
German pennies beside her, and they picked out their dominoes from
the pile.

"I want to go home," said the American, and lifted up his big face and
looked at her.

"You all do."

"That's right. We all do," assented another and another. They would make
this statement to her at every village where she met them, in every
_estaminet_, at any puncture on the road over which they helped her
--simply, and because it was the only thing in their minds.

"Do you hev' to come out here?" he enquired.

"Oh, no. We come because we like to."

Thinking this a trumpery remark he made no answer, but put out another
domino--then as though something about her still intrigued his heavy
curiosity: "You with the French, ain't you?"


"Like that too?"

He sat a little back into his chair as though he felt he had put her in
a corner now, and when she said she even liked that too, twitched his
cheek a little in contempt for such a lie and went on playing.

But the remark worked something in him, for five minutes later he

"I don't see anything in the French. They ain't clean. They ain't
generous. They ain't up-to-date nor comfortable."

Fanny played out her domino.

"They don't know how to _live_," he said more violently than he had
spoken yet.

"What's living?" she said quickly. "What is it to live, if _you_ know?"

"You want to put yourself at something, an' build up. Build up your
fortune and spread it out and about, and have your house so's people
know you've got it. I want to get home and be doing it."

"Mademoiselle actually knows it!" said Julien in the doorway to the
red-haired woman in the back room, and Fanny jumped up.

The American passed four iron coins across the table. "'Tisn't going to
hinder that fortune I'm going to make," he said, smiling at last.

"What do I know?" she asked, approaching the doorway, and moving with
him into the back room.

"Madame owns a house in Verdun," said Julien, "and I tell her you know

"_I_ know it?"

"Come and drink this little glass of my wine, mademoiselle," said the
red-haired woman good-humouredly, "and tell me about my poor little
house. I had a house on the crown of the hill ... with a good view
... and a good situation (she laughed) by the Cathedral."

"Had you? Well, there are a great many by the Cathedral," Fanny answered
cautiously, for she thought she knew the house that was meant.

"But my house looked out on the _citadelle_, and stood very high on a
rock. Below it there was a drop and steep steps went down to a street

"Had you pink curtains in the upper windows?"

"Is it not then so damaged?" demanded the woman eagerly, dropping her
smile. "The curtains are left? You can see the curtains?"

"No, no, it is terribly damaged. If it is the house you mean I found a
piece of pink satin and a curtain ring under a brick, and there is a sad
piece which still waves on a high window. But wait a minute, excuse me,
I'll be back." She passed through the cafe and ran out to the car,
returning in a moment with something in her hand.

"I fear I looted your house, madame," she said, offering her a small
cylindrical pot made of coarse clouded glass, and half filled with a
yellowish paste. "I found that inside on the ground floor; I don't know
why I took it."

The woman held it in her hand. "Oh!" she wailed, and sliding down upon
the sofa, found her handkerchief.

"_Mais non!_" said Julien, "you who have so much courage!"

"But it was my own _face_!" she cried incoherently, holding out the
little pot. "My poor little cream pot!"


"It was my face cream!"

"How strange!"

"I had not used it for a week because they had recommended me a new one.
Ah! miraculous! that so small a thing should follow me!"

She touched her eyes carefully with her handkerchief, but a live tear
had fallen on the waistcoat.

"Tell me, mademoiselle ... sit down beside me, my dear ... the poor
little house is no more good to me? I couldn't live there? Is there
a roof?"

"You couldn't live in it."

"But the roof?"

"It was on the point of sliding off; it was worn like a hat over one
ear. The front of the house is gone. Only on the frame of one window
which sticks to the wall could I see your piece of pink curtain
which waves."

"My poor, pretty house!" she mused. "My first, you know," she said in an
undertone to Julien. "Ah, well, courage, as you say!"

"But you are very well here."

"True, but this isn't my vocation. I shall start again elsewhere. And
Verdun itself, Mademoiselle, can one live in it?"

"No, not yet. Perhaps never."

"Well, well...."

"Madame, we must move on again," interrupted Julien. "We have a long way
to go before night."

The woman rose, and turning to a drawer, pulled out a heap of soiled
papers, bills and letters. "Wait," she said, "wait an instant!"

Turning them over she sought and found a couple of old sheets pinned
together, and unpinning them she handed one to Fanny.

"It is the receipt for the cream," she said, "that I want to give you.
It is a good cream though I left the pot behind."

       *       *       *       *       *

The sun sank and the forests around Chantilly grew vague and deep. White
statues stood by the roadside, and among the trees chateaux with closed
eyes slept through the winter. Every tree hung down beneath its load of
snow; the telephone wires drooped like worsted threads across the road.

Fanny, who had left Julien at his new billets in Chantilly, drove on
alone to the little village on the Oise which was to be her home. It was
not long before she could make out the posts and signals of the railway
on her left, and the river appeared in a broad band below her. The moon
rose, and in the river the reeds hung head downwards, staring up at the
living reeds upon the bank.


It gleamed upon a signpost, and turning down a lane on the left she came
on a handful of unlighted cottages, and beyond them a single village
street, soundless and asleep. A chemist's shop full of coloured glasses
was lit from within by a single candle; upon the step the chemist stood,
a skull cap above his large, pitted face.

Somewhere in the shuttered village a roof already sheltered her
companions, but before looking for them she drew up and gazed out beyond
the river and the railway line to where the moon was slowly lighting
hill after hill. But the spectral summer town which she sought was
veiled in the night.





The light of dawn touched Paris, the wastes of snow surrounding her,
forests, villages scattered in the forest and plains around Senlis,
Chantilly, Boran, Precy. The dark receded in the west; in the east a
green light spread upwards from the horizon, touched the banks of the
black Oise, the roofs of the houses of Precy, the dark window panes, and
the flanks of the granite piers that stood beheaded in the water--all
that was left of the great bridge that had crossed from bank to bank.

Above the river stood the station hut and the wooden gates of the level
crossing, upon which the night lantern still hung; above again a strip
of snow divided the railway line from the road, at the other side of
whose stone wall the village itself began, and stretched backwards up
a hill.

Upon a patch of snow above the river and below the road stood a
flourishing little house covered with gables and turrets; and odd shapes
like the newel-posts of staircases climbed unexpectedly about the roof.
In summer, fresh with paint, the outside of the house must wave its
vulgar little hands into the sky, but now, everything that bristled upon
it served only as a fresh support for the snow which hung in deep
drifts on its roof, and around its balconied windows. It stood in its
own symmetrical walled garden, like a cup in a deep saucer, and within
the wall a variety of humps and hillocks showed where the bushes
crouched beneath their unusual blanket. One window, facing towards the
railway and the river, had no balcony clinging to its stonework, and in
the dark room behind it the light of the dawn pressed faintly between
the undrawn curtains. A figure stirred upon the bed within, and Fanny,
not clearly aware whether she had slept or not, longed to search the
room for some heavier covering which, warming her, would let her sink
into unconsciousness. Her slowly gathering wits, together with the
nagging cold, forced her at last from the high bed on to the floor, and
she crossed the room towards the light. In the walled garden below
strange lights of dawn played, red, green and amber, like a crop of
flowers. The railway lines beyond the garden wall disappeared in fiery
bands north and south, lights flashed down from the sky above and winked
in the black and polished river; at the limit of the white plain beyond,
a window caught the sun and turned its burning-glass upon the snow.

"Chantilly...." A word like the dawn, filled with light and the promise
of light! Turning back into the dim room, she flung her coat upon the
bed, climbed in and fell asleep. Three hours later something pressed
against her bed and she opened her eyes again. The room was fresh with
daylight, and Stewart standing beside her carried a rug on her arm and
wore a coat over her nightgown. "I'm coming down to have chocolate in
your room...."

Fanny watched her. Stewart climbed up beside her wrapped in the rug. A
knock at the door heralded the entry of a woman carrying a tray. Fanny
watched her too, and saw that she was fresh, smiling, clean and big, and
that steam flew up in puffs from the tray she carried. The woman pulled
a little table towards the bed and set the tray on it.

"This is Madame Boujan!" said Stewart's voice.

Fanny tried to smile and say "Good morning," and succeeded. She was not
awake but knew she was in clover. The cups holding the steaming
chocolate were as large as bowls, and painted cherries and leaves
glistened beneath their lustre surface. Beside the cups was a plate with
rolls, four rolls; and there were knives and two big pots which must be
butter and jam.

"Wake up!"

Fanny rolled nearer to the chocolate, sniffed it and pulled herself up
in bed. The woman, still smiling beside them, turned and hunted among
the clothes upon the chair; then held a jersey towards her shoulders and
guided her arms into its sleeves. Ecstasy stole over Fanny; other
similar wakings strung themselves like beads upon her memory; nursery
wakings when her spirit had been guided into daylight by the crackle of
a fire new-lit, by the movements of just such an aproned figure as this,
by a smile on just such a pink face; or wakings after illness when her
freshening life had leapt in her at the sound of a blind drawn up, at
the sight of the white-cuffed hand that pulled the cord.

Oh, heavenly woman, who stood beside the tray, who fed her and warmed
her while she was yet weak and babyish from sleep! Beyond her the white
plains of beauty shone outside the window.... She sat up and smiled:
"I'm awake," she said.

And Madame Boujan, having seen that her feet were set upon the threshold
of day, went out of the door and closed it softly.

They held the lustre bowls cupped in their hands and sipped.

       *       *       *       *       *

During lunch in the little villa, while they were all recounting their
experiences, Madame Boujan came softly to Fanny's side and whispered:

"A soldier has brought you a note from Chantilly."

"Keep it for me in the kitchen," Fanny answered, under her breath,
helping herself to potatoes.

"Will you come and cut wood for the bedroom fire?" said Stewart, when
lunch was over. "I bought a hatchet in the village this morning."

"Come down by the river first," insisted Fanny, who had her note in her

"Why? And it gets dark so soon!"

"I want to find a boat."

"What for?"

"To cross the river."

"To cross the river! Do you want to see what's on the other side?"

"Julien will be on the other side.... I have had a letter from him. I am
to dine in Chantilly. He will send a car at seven to wait for me in the
fields at the other side of the broken bridge, and trusts to me to find
a boat. Come over the level crossing to the river."

They passed the station hut and came to a little landing stage near
which a boat was tied.

"There's a boat," said Stewart. "Shall we ask at that hut?"

The wooden hut stood above their heads on a pedestal of stone; from its
side the haunch of the stone bridge sprang away into the air, but
stopped abruptly where it had been broken off. The hut, once perhaps a
toll-house, was on a level with what had been the height of the bridge,
and now it could be reached by stone steps which wound up to a small
platform in front of the door. From within came men's voices singing.

"Look in here!"

A flickering light issued from a small window, and having climbed the
steps they could see inside. Two boys, about sixteen, a soldier and an
old man, sat round a table beneath a hanging lamp, and sang from scraps
of paper which they held in their hands. Behind the old man a girl stood
cleaning a cup with a cloth.

"They are practising something. Knock!"

But there was no need, for a dog chained in a barrel close to them set
up a wild barking.

"Is he chained? Keep this side. The old man is coming."

The door opened. The voices ceased; the girl stood by the old man's

"Yes, it could be arranged. People still crossed that way; their boat
was a sort of ferry and there was a charge.

"There might be a little fog to-night, but it didn't matter. Margot
knows the way across blindfold--Margot would row the lady. She would be
waiting with a lantern at five minutes to seven; and again at half-past
nine. Not too late at all! But Margot would not wait on the other side,
it was too cold. They would lend the lady a whistle, and she must blow
on it from the far bank."

"There's romance!" said Fanny, as they came away.

"Not if you are caught."

"There's my magic luck!"

"How dare you ask like that? Even if you are not superstitious, even if
you don't believe a word of it, why be so defiant--why not set the
signs right!"

"Oh, my dear Stewart, I hardly care! And to the creature who doesn't
care no suspicion clings. Haven't I an honest face? Would you think it
was me, me, of all the Section, to cross the river to-night, in a little
boat with a lantern, to creep out of the house, out of the village, to
dine forbidden in Chantilly, with some one who enchants me! You
wouldn't. Why, do you know, if I lived up in their house, under their
eyes, I would go out just the same, to cross the river. I wouldn't climb
by windows or invent a wild tale to soothe them, but open the door and
shut the door, and be gone. And would anybody say: 'Where's Fanny?'"

"They might."

"They might. But they would answer their own question: 'Innocently
sleeping. Innocently working. Innocently darning, reading, writing.'
I don't suspect myself so why should any one else suspect me!"

Fanny broke off and laughed.

"Come along and cut wood!"

They moved off into the woods as people with not a care in the world,
and coming upon a snow-covered stack of great logs which had been piled
by some one else, began to steal one or two and drag them away into a
deep woodland drive where they could cut them up without fear of
being noticed.

They worked on for an hour, and then Stewart drew a packet of cake from
her coat pocket, and sitting upon the logs they had their tea.

Soon Fanny, wringing her hands, cried:

"I'm blue again, stiff again, letting the cold in, letting the snow
gnaw. Where's the hatchet?"

For a time she chopped and hacked, and Stewart, shepherding the
splinters which flew into the snow, piled them--splinters, most precious
of all--_petit bois_ to set a fire alight; and the afternoon grew bluer,
deeper. Stewart worked in a reverie--Fanny in a heat of expectation. One
mused reposedly on life--the other warmly of the immediate hours
before her.

"Now I'm going to fetch the car," said Stewart at last. "Will you stay
here and go on cutting till I come? There are two more logs."

She walked away up the drive, and Fanny picked the hatchet out of the
snow and started on the leathery, damp end of a fresh log. It would not
split, the tapping marred the white silence, and yet again she let the
hatchet fall and sat down on the log instead. It was nearly six--they
had spent the whole afternoon splitting up the logs, and making a fine
pile of short pieces for firewood; the forest was darkening rapidly,
blue deepened above the trees to indigo, and black settled among the
trunks. Only the snow sent up its everlasting shine. Her thoughts fell
and rose. Now they were upon the ground busy with a multitude of small
gleams and sparkles--now they were up and away through the forest
tunnels to Chantilly. What would he say first? How look when he met her?

"Ah, I am a silly woman in a fever! Yet happy--for I see beauty in
everything, in the world, upon strange faces, in nights and days. Upon
what passes behind the glassy eyes" (she pressed her own) "depends
sight, or no sight. There is a life within life, and only I" (she
thought arrogantly, her peopled world bounded by her companions) "am
living in it. We are afraid, we are ashamed, but when one dares talk of
this strange ecstasy, other people nod their heads and say: 'Ah, yes, we
know about that! They are in love.' And they smile. But what a
convention--tradition--that smile!"

There was no sound in the forest at all--not the cry of a bird, not the
rustle of snow falling from a branch--but there was something deeper and
remoter than sound, the approach of night. There was a change on the
face of the forest--an effective silence which was not blankness--a
voiceless expression of attention as the Newcomer settled into his
place. Fanny looked up and saw the labyrinth of trees in the very act of
receiving a guest.

"Oh, what wretched earnest I am in," she thought, suddenly chilled. "And
it can only have one end--parting." But she had a power to evade these
moods. She could slip round them and say to herself: "I am old enough--I
have learnt again and again--that there is only one joy--the Present;
only one Perfection--the Present. If I look into the future it is lost."

She heard the returning car far up the forest drive, and in a moment saw
the gleam of its two lamps as they rocked and swayed. It drew up, and
Stewart put out the lamps, ever remembering that their logs were stolen.
There was still light enough by which they could pack the car with wood.
As they finished Stewart caught her arm: "Look, a fire!" she said,
pointing into the forest. Through a gap in the trees they could see a
red glow which burst up over the horizon.

"And look behind the trees--the whole sky is illumined--What a fire!" As
they watched, the glare grew stronger and brighter, and seemed about to
lift the very tongue of its flame over the horizon.

"It's the moon!" they cried together.

The cold moon it was who had come up red and angry from some Olympic
quarrel and hung like a copper fire behind the forest branches. Up and
up she sailed, but paling as she rose from red to orange, from orange to
the yellow of hay; and at yellow she remained, when the last branch had
dropped past her face of light, and she was drifting in the height
of the sky.



They drove back to the village and down to their isolated villa, and
here on the road they passed ones and twos of the Section walking
into supper.

"How little we have thought out your evasion!" whispered Stewart at the
wheel, as they drew up at the door: "Get out, and go and dress. I will
take the car up to the garage and come back."

Fanny slipped in through the garden. What they called "dressing" was a
clean skirt and silk stockings--but silk stockings she dared not put on
before her brief appearance at supper. Stuffing the little roll into her
pocket she determined to change her stockings on the boat.

Soon, before supper was ended, she had risen from the table,
unquestioned by the others, had paused a moment to meet Stewart's eye
full of mystery and blessing, had closed the door and was gone.

She slipped down the road and across the field to the railway. There was
a train standing, glowing and breathing upon the lines, and the driver
called to her as she ran round the buffers of the engine. Soon she was
down by the riverside and looking for Margot. Though there was moonlight
far above her the river banks were wrapped in fog that smelt of water,
and Margot's face at the hut window was white, and her wool dress white,
too. She came down and they rowed out into the fog, in an upward circle
because of the stream. Fanny could just see her companion's little blunt
boots, the stretched laces across her instep, and above, her pretty face
and slant eyes. Hurriedly, in the boat she pulled off the thick stockings,
rolled them up, and drew on the silk. A chill struck her feet. She wrapped
the ends of her coat lightly round her knees and as she did so the roll
of thick stockings sprang out of her lap and fell overboard into the fog
and the river.
"Mademoiselle goes to a party?" said Margot, who had not noticed. The
soft sympathetic voice was as full of blessing as Stewart's eyes had

"Yes, to a party. And you will fetch me back to-night when I whistle?"

"Yes. Blow three times, for sometimes in the singing at home I lose the

The opposite bank seemed to drift in under the motionless boat, and she
sprang out.

"A tout a l'heure, mademoiselle."

At the top of the bank the road ran out into the fog, which was thicker
on this side. She walked along it and was lost to Margot's incurious
eyes. Here it was utterly deserted: since the bridge had been blown up
the road had become disused and only the few who passed over by
Margot's boat ever found their way across these fields. She strayed
along by the road's edge and could distinguish the blanched form of
a tree.

Strange that the fog should reach so much further inland on this side of
the river. Perhaps the ground was lower. Standing still her ear caught a
rich, high, throaty sound, a choking complaint which travelled in the air.

"It is the car," she thought. Far away a patch of light floated in the
sky, like an uprooted searchlight.

"That is the fog, bending the headlights upward."

She stood in the centre of the road and listened to the sound as it drew
nearer and nearer, till suddenly the headlights came down out of the sky
and pierced her--she stood washed in light, and the car stopped.

Beside the driver of the car was, not Julien, but a man with a red,
wooden face like a Hindoo god made out of mahogany. Saluting, he said:
"We are sent to fetch you, mademoiselle." He held the door of the closed
car open for her, she smiled, nodded, climbed in and sank upon the seat.

"When you get to the lights of the houses, mademoiselle, will you stoop
a little and cover yourself with this rug? It is not foggy in Chantilly
and the street is very full."

"I will," she said, "I'll kneel down."

Something about his face distressed her. How came it that Julien trusted
this new man? Perhaps he was some old and private friend of his who felt
antagonistic to her, who disbelieved in her, who would hurt them both
with his cynical impassivity.

"I'm fanciful!" she thought. "This is only some friend of his from
Paris." Paris sending forth obstacles already!

In Chantilly she crouched beneath the rug--her expectations closing,
unwandering, against her breast. Beams might pierce the glass of the car
and light nothing unusual; what burnt beneath was not a fire that man
could see. Generals in the street walked indifferently to the Hotel of
the Grand Conde. It was their dinner hour, and who cared that an empty
car should move towards a little inn beyond? Now, she held armfuls of
the rug about her, buried from the light, now held her breath, too, as
the car stopped.

"Now mademoiselle!"

And there stood Julien, at the end of the passage, he whom she had left,
sombre and distracted, a long twenty-four hours ago in Chantilly. She
saw the change even while she flew to him. He was gay, he was excited,
he was exciting. He was beautiful, admirable, he admired her.

"Fanny, is it true? You have come?" and "Que vous etes en beaute!"

Within, a table was laid for three--three chairs, three plates, three
covers. He saw her looking at this.

"We dine three to-night. You must condescend to dine with a sergeant.
My old friend--Where is Alfred?"

"I am here."

"My old friend--four years before the war. The oldest friend I have.
He has heard--"

("----Of Violette. He has heard of Violette! He is Violette's friend;
he is against me!")

"I am so glad," she said aloud, in a small voice, and put out her hand.
She did not like him, she had an instant dread of him, and thought he
beheld it too.

"I did not even know he was here," said Julien, more gay than ever. "But
he is the sergeant of the garage, and I find him again.

"What a help you'll be, to say the least of it! You will drive her to
the river, you will fetch her from the river! I myself cannot drive, I
am not allowed."

The impassive man thus addressed looked neither gay nor sad. His little
eyes wandered to Fanny with a faint critical indifference. ("Julien has
made a mistake, a mistake! He is an enemy!") She could not clearly
decide how much she should allow her evening to be shadowed by this man,
how deeply she distrusted him. But Julien was far from distrusting him.
Through the dinner he seemed silently to brag to Alfred. His look said,
and his smile said: "Is she not this and that, Alfred? Is she not
perfect?" His blue eyes were bright, and once he said, "Go on, talk,
Fanny, talk, Fanny, you have an audience. To-night you have two to
dazzle!" Impossible to dazzle Alfred. Could he not see that? One might
as easily dazzle a mahogany god, a little god alive beneath its casing
with a cold and angry life. Yet though at first she was silent, inclined
to listen to Alfred, to hope that something in his tones would soothe
her enemy fears, soon she could not help following Julien's mood. Should
she want to be praised, she had it from his eye--or be assured of love,
it was there, too, in the eye, the smile, the soft tone. Because of
Alfred, he could put nothing into words--because he must be dumb she
could read a more satisfying conversation in his face.

She began to think the occasional presence of a third person was an
addition, an exciting disturbance, a medium through which she could talk
with ease two languages at once, French to Alfred, and love to Julien.

When they had finished dining Alfred left them, promising to come back
with the car in half an hour, to take Fanny to the river.

"You must like him!" said Julien confidently, when the door had closed.
Fanny said she would. "And _do_ you like him?" Fanny said she did.

"I met him so many years ago. He was suffering very much at the time
through a woman. Now he will tell you he has become a cynic."

"Did she treat him badly?"

"She ran away from him, taking his carriage and his two horses--"

"A beautiful woman?" interrupted Fanny, who liked details.

"She might equally well have been magnificent or monstrous. She was over
life-size, and Alfred, who is small, adored her. Everything about her
was emphatic. Her hair was heavy-black, her skin too red. And never
still, never in one place. Alfred had a house outside Paris, and
carriage and horses to take him to the station. One night she took the
horses, put them into the carriage and was seen by a villager seated
upon the coachman's box driving along the road. When she had passed him
this man saw her stop and take up a dark figure who climbed to the seat
beside her. They--the woman and her probable lover, who never once had
been suspected, and never since been heard of--drove as far as Persan-
Beaumont, near here, where they had an accident, and turned the carriage
into the ditch, killing one of the horses. The other they took out and
coolly tied to the station railings. They took the train and disappeared,
and though she had lived with Alfred two years, she never left a note for
him to tell him that she had gone, she never wired to him about the roses,
she never has written one since."

"Enough to turn him into a cynic!"

"Not at first. He came to me, spent the night in my flat; he was
distracted. We must have walked together a mile across my little floor.
He couldn't believe she was gone, which was natural. And though next
morning the horses were missing and the coach-house empty, he couldn't
be got to connect the two disappearances. He rang me up from the country
where he went next day, saying earnestly as though to convince himself,
'You know I've got on to the Paris police about those horses.' And later
in the day, again: 'I hear there has been a good deal of horse-stealing
all over the country.' Then, when the horses were found, one dead, and
the other tied to the station railings, he believed at once that she had
taken them and wouldn't talk one word more upon the subject. He sold the
remaining horse."

"It was then he grew cool about women!"

"Not yet. It was then that he met, almost at once, a young girl who
insisted in the most amazing fashion, that she loved him. He could not
understand it. He came to me and said: 'Why does she love me?'

"I thought she was merely intriguing to marry him, but no, he said:
'There's something sincere and impressive in her tone; she loves me.
What shall I do?'

'Why _shouldn't_ you marry her?' I said.

And then he was all at once taken with the idea to such a degree that
he became terrified when he was with her. 'Suppose she refuses me,' he
said twenty times a day. 'Ask her. It's simple.' 'It's staking too much.
You say, "Ask her," when all in a minute she may say no.'

"He got quite ill over it. The girl's mother asked him to the house, the
girl herself, though she saw him less and less alone, smiled at him as
tenderly as ever. And then there came a day when he left me full of
courage, and going to her house he asked her to marry him. He met her
alone by chance, and before asking her mother he spoke to the girl
herself. She said no, point-blank. She said 'Nothing would induce her
to.' He was so astonished that he didn't stay a second longer in the
house. He didn't even come to me, but went back into the country, and
then to England."

"But why did the girl--?"

"There is nothing to ask. Or, at any rate, there is no answer to
anything. I suppose he asked himself every question about her conduct,
but it was inexplicable."

"He should have asked her twice."

"It never occurred to him. And he has told me lately that she refused
him with such considered firmness that it seemed unlikely that it was
a whim."

"Well--poor Alfred! And yet it was only the merest chance, the merest
run of bad luck--but it leaves him, you say, with the impression that we
are flawed?"

"A terrible flaw. His opinion is that there is a deep coldness in
women. In the brain, too, he feels them mortally unsound. Mad and cold
he says now of all women, and therefore as unlike a normal man as a
creature half-lunatic, half-snake."

"He thinks that of all women, young or old?"

"Yes, I think so. He tells me that whereas most men make the mistake of
putting down womanly unreason to the score of their having too much
heart, he puts it down to their having no heart at all, which he says
is so mad a state that they are unrecognisable as human creatures."

"But--(alas, poor Alfred)--you have made a charming confidante for us!"

"Confidante? He will make the best. He is devoted to me."

"To me?"

"To anything, to any one I care for."

"Not to me. What you have told me is the key to his expression when he
looks at me. If he is devoted to you it is not an unreasoning devotion,
and he is judging me poisonous to you. As he has himself been hurt, he
will not have you hurt. I wish he had never come. I wish he might never
be my driver to the river, and your friend, and our enemy."


"I wish it. I am unhappy about him, and unhappiness is always punished.
While we were in Metz every one smiled at us; here every one will spy
us out, scold, frown, punish--"

"And your magic luck?"

"Alfred threatens my luck," she said. Then, with another look, "Are you
angry with me? Can you love such a character?"

"I love it now."

"You have never heard me when I scold, or cry or am sulky?..."


"But if I make the experiment?"

"I could make a hundred experiments, but I make none of them. We cannot
know what to-morrow may bring."

This she remembered suddenly with all her heart.

"Come nearer to me, Fanny. Why are you sitting so far away?"

She sat down nearer to him; she put all her fingers tightly round his

"I am not always sure that you are there, Julien; that you exist."

"Yet I am substantial enough."

"No, you are most phantom-like. It is the thought of parting that checks
my earnestness; as though I had an impulse to save myself. It is the
thought of parting that turns you into a ghost, already parted with;
that sheds a light of unreality over you when I am distant. Something in
me makes ready for that parting, flees from you, and I cannot stay it,
steals itself, and I cannot break through it. I have known you so short
a time. I have had nothing but pleasure from you; isn't it possible that
I can escape without pain?"

"Is it?"

"No, no, no!" She laid her cheek upon his hand. "Do something to make it
easier. Must it be that when you go you go completely? Promise me at
least that it will be gradual, that you will try to see me when you have
taken up your other life."

"But if I can't? If you are ordered back to Metz?"

"Why should I be? But, if I am, promise me that you will try. If it is
only an artifice, beguile me with it; I will believe in any promise."

"You don't need to ask me to promise; you know you don't need to make me
promise. Wherever you are sent I will try to come. _Wherever_--do you
hear? Do you think that that 'other' life is a dragon to eat me up? That
it will be such bliss to me that I shall forget you completely? It isn't
to be bliss, but work, hard work, and competition. It is the work that
will keep me to Paris, not my happiness, my gaiety, my content with
other faces. That would comfort me if I were listener, and you the
speaker. But, Fanny, Fanny, I never met any one with such joy as you--it
is you who change the forest and the inns we meet in, make the journeys
a miracle. Don't show me another face. We have been in love without a
cloud, without scenes, without tears. You have laughed at everything.
Don't change, don't show me someone whom I don't know; _not that
sad face_!"

"This then!" She held up a face in whose eyes and smile was the hasty
radiance his fervour had brought her--and at sight of it the words broke
from him--"Are you happy so quickly?"

"Yes, yes, already happy."

"Because I speak aloud of what I feel? What a doubting heart you have
within you! And I believe you only pretend to distress yourself, that
you may test whether I am sensitive enough to show the reflection of it.
Come! Well--am I right?"

"Partly. But I need not think. Oh, I am glad your feeling is so like
mine, and mine like yours! I will let the parting take care of itself
--yet there is one thing about which I cannot tell. What does your
heart do in absence, what kind of man are you when there is no one but
Alfred, who will say: 'Forget her'?"

"What kind do you think?"

"While I am here beside you, you cannot even imagine how dim I might
become. Can I tell? Can you assure me?"

Dim she might become to him, but dim she was not now as she besought him
with eyes that showed a quick and eager heart, eyes fixed on his face
full of enquiry, sure of its answer, feigning doubt that did not
distress her.

"And I to you, and I to you?" he said, speaking in her ear when he had
made her an answer. "Dim, too? Why do we never talk of your inconstancy?
We must discuss it."

"Inconstancy! That word had not occurred to me. It was _your_
forgetfulness that I dreaded."

"I shall not be unforgetful until I am inconstant."


"My love!"

"You can afford to tease me now you have me in such a mood!"

"In such a mood! Have I, indeed? Yet you will forget me before I forget

"You tell me to my face that I shall change?" she asked.

"Yes. And since you are bound to forget me, I insist at least that there
shall be a reason for doing so. I would rather be a king dethroned than
allowed to lapse like a poor idiot."

"You would? You can say that?" Her voice rose.

"One instant, Fanny. Even when my teasing is out of taste, learn to
distinguish it from what I say in earnest. My dear, my dear, why should
you have to listen to the matter of _my_ philosophy and _my_ experience
which tells me all creatures forget and are forgotten! No! I wipe out!
You will not vanish--"

The door opened and Alfred entered the room.

"The car is ready," he said. "I have had trouble in getting here."

Fanny turned to him. "I am ready," she said. "It is dreadful to have to
trouble you to take me so late at night to the river."

"No, no--" Alfred, glowing from the exercise in the snowy night outside,
was inclined to be more friendly, or at least less sparing of his words.
"Here are some letters that were at your lodging." He handed three
to Julien.

"When do you dine with me again?" Julien, holding the letters, placed
his hand upon her shoulder.

"I cannot tell what the work will be. Perhaps little, as the snow is

"It is snowing again outside," said Alfred.

"Then the snow will lie even deeper, and there will be no work."

"Get her back quickly, Alfred, or the snow will lie too deep for you.
I will send you a note, Fanny."

"That is quite easy, is it?"

"Easy. But compromising."

"Oh, surely--not very?"

"In France everything is compromising, mademoiselle," said Alfred. "But
he will find a way to send it."

Julien had urged her to hurry, fearing the snow; now he said, "You are
going?" as though it distressed him.

"I must."

"Yes, you must, you must. Where is your leather coat? Here--"

He found it.

"Stay! I must read this before you go. It is my demobilisation paper
with the final date. I will look--"

"Are you coming?" called Alfred, from the end of the passage. "It is
snowing wildly."

"There is some mistake," muttered Julien, his eye searching the large
unfolded document.

"When, when--?" Fanny, hanging on his words, watched him.

"One moment. It is a mistake. Alfred! Alfred, here, a minute!"

"Look," he said, when Alfred had re-entered the room. He handed the
paper to him, and drew him under the light. "See, they say--ah, wait,
did I register at Charleville or Paris?"

"At Charleville. As an agriculturist. I remember well."

"Then there is no mistake." He folded up the paper, pinching the edges
of the folds slowly with his thumb and finger nail.

"Fanny, it has come sooner than I expected."

She could say nothing, but fastened her gaze upon his lips.

"Much, much sooner, and there is no evading it. Alfred, I will bring her
in a minute."

"The snow is coming down," muttered the mahogany god, grown wooden again
under the light, and retreated.

"It is worse for me; it has been done by my own stupidity. But in those
days I didn't know you--"

"Oh, if you are thinking of breaking it to me--only tell me _which_ day!
To-morrow?" She moved up close to him.

"Not to-morrow! No, no," he said, almost relieved that it was better
than she feared. "In five days, in five days. Oh, this brings it before
me! I have no wish now for that release for which I have longed. Fanny,
it is only a change, not a parting!"

Alfred's voice called sharply from without. "You must come, mademoiselle!
Julien, bring her!"

"One instant. She is coming. Fanny, I must think it out. Until I go--I
shall have time--we will get you sent to Charleville, and Charleville I
must come often to see my land and my factory."

"How often?"

"Often, I must--"

"How often?"

"Once a week at last. Perhaps more often. If we can only manage that!"

"Julien!" Alfred returned and stood again in the doorway. "This is
absurd. I can never get to the river if you keep her."

"Go, go. I will arrange! You will have a note from me to-morrow. Hurry,
good-night, good-night!"

She was in the car; now the door was shutting on her; yet once more he
pulled it open, "Ah! Oh, good-night!"

At the side of the car, the snow whirling round his head, Julien kissed
her face in the darkness; Alfred, relentless, drove the car onward, and
the door shutting with a slam, left him standing by the inn.



The indifferent Alfred drove his unhappy burden towards the river.
Walled in by the rush of snowflakes about him he made what way he could,
but it was well-nigh impossible to see. The lamps gave no light, for the
flakes had built a shutter across the glass like a policeman's dark
lantern. The flying multitudes in the air turned him dizzy; he could not
tell upon which side of the road he drove, and he could not tell what he
would do when the wall beyond the outskirts of Chantilly forsook him. As
to what was happening below him, what ruts, ditches, pits or hillocks he
was navigating, he had no idea; his ship was afloat upon the snow,
sluggishly rolling and heaving as it met with soft, mysterious

Heaviness and gloom sat upon the velvet seat behind him. The white, wild
night outside was playful and waggish compared with the black dejection
behind the opaque glass windows.

Fanny, who could not see her hand move in the darkness, saw clearly with
other miserable and roving eyes the road that lay before her.

"Julien, good-bye. Don't forget me!" That she would say to him in a few
days; that was the gate, the black portal which would lead her into the
road. That she would say, with entreaty, yet no painful tones of hers
would represent enough the entreaty of her heart that _neither would
forget the other_. She thought of this.

Not in wilful unreason, or in disbelief of his promise, she looked at
this parting as though it might be final. Without him she could see no
charm ahead. And yet.... Tough, leathery heart--indestructible spinner
she knew herself to be--no sooner should the dew fall from this
enchanting fabric, the web itself be torn, than she would set to work
upon the flimsiest of materials to weave another. And with such weaving
comes forgetfulness. She thought of this.

Not four feet away, another mind, inscrutable to hers, was violently
employed upon its own problem. In this wild darkness the wall of
Chantilly had bid him go on alone; it left him first without guide,
second without shelter. He drove into the path of a rough and bitter
storm which was attacking everything in the short plain between the
forest and the town. It leapt upon him in an outbreak of hisses; cut him
with hailstones, swept up false banks of snow before him till the
illusion of a road led him astray. He turned too much to the right, hung
on the lip of a buried ditch, turned back again and saved himself. He
turned too much to the left, tilted, hung, was in danger--yet found the
centre of the road again. Here, on this wild plain, the exposed night
was whiter--blanched enough, foreign enough, fitful enough to puzzle the
most resolved and native traveller.

He arrived at a cross-roads. Yet was it a cross-roads? When roads are
filled in level with the plain around them, the plain itself
wind-churned like a ploughed field, when banks are rompishly erected, or
melt unstably before the blows of the storm, it is hard to choose the
true road from the false. He chose a road which instantly he saw to be
no road. Too late. He pitched, this time not to recover. "A river--a
river-bed!" was his horrified thought. Down went the nose of the car
before him, the steering-wheel hitting him in the chest. Down came Fanny
and all her black thoughts against the glass at his back. The car had
not fallen very far; it had slid forward into a snow-lined dyke, and
remained, resting on its radiator, its front wheels thrust into the
steep walls of the bank, its back wheels in the air. Alfred climbed down
from a seat which had lost its seating power; Fanny opened the door and
stepped from the black interior into the deep snow. The front lamps were
extinguished and buried in the opposite bank, the little red light at
the back shone upwards to heaven.



"Are you hurt?"

"Not at all. And you?"

"Not a bit."

Their cold relations did not seem one whit changed from what they had
been in the inn. Nothing had intervened but a little reflection, a
little effort, and a vigorous jerk. Why should they change? They stood
side by side in the noisy violence of the storm, and one shouted to the
other: "Can you get her out!" and the other answered, "No."

"I will walk on to the river."

"You would never find it."

The truth of this she saw as she looked round.

Alfred left her and descending into the dyke, went on his knees by the
radiator and fumbled deep in the snow with his hand. A hissing arose as
the heated water ran from the tap he had turned. He emptied the water
from the generator; the tail light sank and went out.

"No one will run into her," he remarked. "No one will pass."

Aie--screamed the wind and created a pillar of white powder. Fanny,
losing her balance, one foot sank on the edge of a rut, and she went
down on her hands; to the knees her silk-clad legs met the cold bite
of the snow.

"You must come back with me," shouted Alfred in her ear.

That seemed true and necessary; she could not reach the river; she could
not stay where she was. She followed him. At the next ditch he put out
his hand and helped her across. They had no lamp. By the light of the
snow she watched his blue-clad legs as they sank and rose; her own
sinking and rising in the holes he left for her, the buffets of wind
un-steadying her at every step. She followed him. And because she was as
green as a green bough which bursts into leaf around a wound, the
disturbing, the exciting menace of her discovery brightened her heart,
set her mind whirling, and overgrew her dejection.

They gained the Chantilly wall, and experienced at once its protection.
The howling wind passed overhead and left them in a lew; the dancing
snowflakes steadied and dropped more like rain upon them; she moved up
abreast of Alfred.

"I will take you back to the inn," he said. "They will have a room

"Julien will have left and gone to his lodging."

"Yes, at the other end of the town," answered Alfred, she fancied with
grim satisfaction. ("Though it is as well," she thought; "there will be
less scandal in the eyes of the innkeeper.")

"To-morrow morning, mademoiselle, I will fetch you at six with another
car and its driver, Foss, a man whom I can trust. We will take you to
the river, and on the return journey drag the car from the ditch. It
should be easy; she has not heeled over on her side."

"That will be marvellous. I cannot tell you how I apologise."

This, she began to see, was serious; her debt to the enemy Alfred was
growing hourly.

"No, no," he said, as though he saw the thing in the light of common
justice. "You have come over to dine with Julien; we must get you back
to the river."

"Nevertheless it's monstrous," she thought, "what he has to do for me."

But Alfred regarded it less as a friendly office towards Julien than as
a duty, an order given by an officer. He was a sergeant, and four years
of war had changed him from an irritable and independent friend to a
dogged and careful subordinate. He did not like Fanny any the more for
the trouble she was giving him; but he did not hold her responsible for
his discomforts. She must be got to the river and to the river he
would get her.

Pray heaven she never crossed it again.

When they arrived on the pavement outside the inn, he said: "Knock,
mademoiselle, and ask if there is a room. It would be better that I
should not be seen. Explain that the snow prevented you from returning.
If there is a room do not come back to tell me, I shall watch you enter,
and fetch you at six in the morning."

She thanked him again, and following his instructions, found herself
presently in a small room under the eaves--pitied by the innkeeper's
wife, given a hot brick wrapped in flannel by the innkeeper's daughter,
warmed and cheered and, in a very short time, asleep. At half-past five
she was called, dressed herself, and drank a cup of coffee; paying a
fabulous bill which included two francs for the hot brick.

At six came Alfred, in another car, seated beside Foss, the new driver,
a pale man with a grave face. They moved off in the grey dawn which
brightened as they drove. Beyond the Chantilly wall the plain stretched,
and on it the labouring wheel-marks of the night before were plainly
marked. Alfred, beside the driver, let down a pane of glass to tell her
that he had already been out with Foss and towed in the other car. She
saw the ditch into which they had sunk, the scrambled marks upon the
bank where she had been towed out. In ten minutes they were in the midst
of the forest.

Now, Fate the bully, punishing the unlucky, tripping up the hurried,
stepped in again. This car, which had been seized in a hurry by cold and
yawning men, was not as she should be.

"Is she oiled?" Foss had called to the real driver of the car.

"She is ... everything!" answered the man, in a hurry, going off to his
coffee. She was not.

Just as the approaching sun began to clear the air, just as with a
spring at her heart Fanny felt that to be present at the opening of a
fine day was worth all the trouble in the world, the engine began to
knock. She saw Foss's head tilt a little sideways, like a keen dog who
is listening. The knock increased. The engine laboured, a grinding set
in; Foss pulled up at the side of the road and muttered to Alfred. He
opened the bonnet, stared a second, then tried the starting handle. It
would not move. Fanny let down the pane of glass and watched them in
silence. "Not a drop," said Foss's low voice. And later, "Oil, yes,
but--find me the tin!"

"Do you mean there is no oil, no spare oil--" Alfred hunted vainly round
the car, under the seats, in the tool box. There was no tin of oil.

"If I had some oil," said Foss, "and if I let her cool a little, I could
manage--with a syringe."

They consulted together. Alfred nodded, and approached the window.

"Mademoiselle," he said, "I am going on to the next village to get a tin
of oil. There is a garage. Cars will be passing soon; I must ask you to
lie covered with the rug in the bottom of the car; your uniform is very
visible. Foss will remain with you."

Fanny lay down in the bottom of the car, fitting her legs among a couple
of empty petrol tins; Foss covered her with the rug. A quarter of an
hour went by, and above her she began to hear the voices of birds; below
her the cold crept up. She had no idea how far the village might be, and
it is possible that Alfred had had no idea either. A bicycle bell rang
at her side; later she heard the noise of a car, which passed her with
a rush. Lying with her ear so close to the poor body of the motor she
felt it to be but cold bones in a cemetery, dead, dead.

Outside in the road, Foss shaded his eyes and looked up the now sparkling
road a hundred times. The motors increased; the morning traffic between
Precy and Chantilly awoke; the cars were going in to the offices of the
G.Q.G. Now and then Foss would come to the window of the car. "Don't
move," he would say. The floor-boards were rattled by an icy wind that
blew over the face of the snow and up under the car; the brown, silk legs
lay prone and stiff between the petrol cans, lifeless now to the knee.
She was seized with fits of violent shivering. At one moment she had
planned in her despair to call to Foss and tell him she would walk--but
she had let the moment pass and now she put away the thought of walking
on those lifeless feet. Besides, she would be seen--that well-known cap,
bobbing back between the trees from Chantilly so early in the morning!

"Oh, Honour of the Section, I am guarding you like my life!" She tried
to raise her head a little to ease her neck.

"Don't move," said Foss.

Feet pattered past her; motors swept by; bicycle bells rang.

"Foss," she said.

The soldier leant towards her and listened.

"Choose your own time, but you must let me sit up a moment. I am in

"Then, now, mademoiselle!"

She sat up, flinging the rug back, dazzled by the splendour of the
forest, the climbing sun, the heavy-burdened trees. Behind her was a
cart coming up slowly; far ahead a cyclist swayed in the ruts of the
road. As they approached her she pleaded: "They can't know me! Let
me sit up--"

But Foss knew only one master, his sergeant.

"Better go down, mademoiselle."

She went down again under the black rug, close against the wind that
lifted the floor-boards, wrapping her coat more tightly round her,
folding her arms about her knees.

"It must be nearly eight. I have an hour more before they come in to
breakfast. Ah, and when they do, will one of them go into my bedroom
with my letters?"

She tried to pick out in her mind that one most friendly to her, that
one who was to destroy her. She heard in spirit her cry: "Fanny
_isn't there!_"

She thought of Stewart who would have woken early, planning anxiously to
save her. The faces of the Guardians of the Honour of the Section began
to visit her one by one, and horror spread in her. Then, pushing them
from her, attempting to escape: "They are not all the world--" But they
_were_ all the world--if in a strange land they were all to frown
together. The thought was horrible. Time to get there yet! Alas, that
the car was not facing _towards_ Chantilly--so early in the morning!

"Foss, Foss, don't you see him coming?"

"The road is full of people."

A car rushed by them, yet never seemed to pass. The engine slowed down
and a voice called: "What's up? Anything you want?"

It was the voice of Roland Vauclin. Ah, she knew him--that fat, childish
man, who loved gossip as he loved his food. To Fanny it seemed but a
question of seconds before he would lift the rug, say gravely, "Good
morning, mademoiselle," before he would rush back to his village
spreading the news like a fall of fresh snow over the roofs. She lay
still from sheer inertia. Had Foss answered? She could not hear.

Then she heard him clear his throat and speak.

"The Captain asked me to get a bit of wood for his fire, sir. I have a
man in there gathering branches, while I do a bit of 'business' with
the car."

"Oh, right!... Go on!" said Vauclin to his own chauffeur. Again they were
left alone. Talk between them was almost impossible; Fanny was so
muffled, Foss so anxiously watched for Alfred. The reedy singing between
the boards where the wind attacked her occupied all her attention. The
very core of warmth seemed extinguished in her body, never to be lit
again. She remembered their last _fourier_, or special body-servant, who
had gone on leave upon an open truck, and who had grown colder and
colder--"and he never got warm again and he died, madame," the letter
from his wife had told them.

"I think he is coming! There is no one else on the road, mademoiselle.
Will you look? I don't see very well--"

She tried to throw off the rug and sit up, but her frozen elbow slipped
and she fell again on the floor of the car. Pulling herself up she
stared with him through the glass. Far up the white road a little figure
toiled towards them, carrying something, wavering as though the ice-ruts
were deep, picking its way from side to side. Neither of them was sure
whether it was Alfred; they watched in silence. Before she knew it was
upon her a car went by; she dived beneath the rug, striking her forehead
on the corner of the folding seat.

"Did they see? Was any one inside?"

"It was an empty car. Please be careful."

Foss was cold with rebuke. After that she lay still, isolated even from
Foss. Ten minutes went by and suddenly Foss spoke--"Did you have to go

And Alfred's hard voice answered "Yes."

Then she heard the two men working, tools clattering, murmured voices,
and in ten minutes Foss said: "Try the starting handle."

She heard the efforts, the labour of Alfred at the handle.

"He will kill himself--he will break a blood-vessel," she thought as she
listened to him. Every few minutes someone seized the handle and wound
and wound--as she had never wound in her life--on and on, past the very
limit of endurance. And under her ear, in the cold bones of the car, not
a sign of life! Not a sign of life, and, as though she could hear them,
all the clocks in the world struck nine.

The Guardians of the Honour would be in at breakfast now! they would be
sitting, sitting--discussing her absence. Stewart, upstairs, would be
looking out of the window, watching the river, perhaps answering
questions indifferently with her cool look. "Oh, in the garage--or
walking in the forest. I don't know." Cough! She jumped as the bones in
the bottom of the car moved under her, and the engine breathed. The
noise died out, Foss leapt to the handle and wound and wound, fiercely,
like a man who meant to make her breathe again or die. Again she
struggled to life, lived for a few minutes, choked and was silent.

"How is the handle?"

"Pretty stiff," said Foss, "but getting better. Give me the oil squirt."

Alfred took his place at the handle. Suddenly the car sprang to life
again on a full deep note. Fanny lifted her head a little. Foss was
leaning over the carburettor with his thin anxious look: Alfred stood
in the snow, dark red in the face, and covered with oil. Soon they were
moving along the road, slowly at first, and with difficulty: then faster
and more freely. A little thin warmth began to creep up through the
boards and play about her legs.

She was carried along under her dark rug for another twenty minutes,
then fell against the seat as the car turned sharply into the forsaken
road that led to the broken bridge. In five minutes more the car had
stopped and Alfred was at the door saying: "At last, mademoiselle!" She
stammered her thanks as she tried to step from the car to the ground
--but fell on her knees on the dashboard.

"Have you hurt your foot?" said Alfred, who was hot.

"I am only cold," she said humbly, unwilling to intrude her puny
endurances on their gigantic labours.

She sat on the step of the car rubbing her ankles, and stared at the
meadows of thawing snow, at the open porches of stone which led the road
straight into the river, at the church and the sunlit houses on the
other side.

Bidding them good-bye she reached the bank, and climbed down it,
stumbling in the frozen mud and pits of ice till she reached the stiff
reeds at the bank.

The river had floes of ice upon it, green ice which swung and caught
among the reeds at the edge. "It is thin," she thought, pushing her
shoe through it, "it can't prevent the boat from crossing the river."
Yet she was anxious.

There on the other side was the little hut, the steps, the boat tied to
the stone and held rigid in the ice. A shaggy dog ran by her feet to the
river's edge and barked. Feet came clambering down the bank and a
workman followed the dog, with a bag of tools and a basket. He walked up
to the river, and putting his hands in a trumpet to his mouth called in
a huge voice: "Un passant, Margot! Margot!" Fanny remembered her whistle
and blew that too.

There was no sign of life, and the little hut looked as before, like a
brown dog asleep in the sun. Fanny turned to the man, ready to share her
anxiety with him, but he had sat down on the bank and was retying a
bootlace that had come undone.

Margot never showed herself at the hut window, at the hut door. When
Fanny turned back to whistle again she saw her standing up in the boat,
which, freed, was drifting out towards them--saw her scatter the ice
with her oar--and the boat, pushed upstream, came drifting down towards
them in a curve to hit the bank at their feet. The girl stepped out,
smiling, happy, pretty, undimmed by the habit of trade. The man got in
and sat down, the dog beside him.

"I would stand," said Margot to Fanny, "it's so wet."

She made no allusion to the broken appointment for the night before.
Fanny, noticing the dripping boards of the boat, stood up, her hand upon
Margot's shoulder to steady herself. The thin, illusory ice shivered and
broke and sank as the oar dipped in sideways.

Cocks were crowing on the other side--the sun drew faint colours from
the ice, the river clattered at the side of the boat, wind twisted and
shook her skirt, and stirred her hair. All was forgotten in the glory of
the passage of the river.

Margot, smiling up under her damp, brown hair, took her five sous,
pressed her town boots against the wooden bar, and shot the boat up
against the bank.

Fanny went up the bank, over the railway lines, and out into the road.
Two hundred yards of road lay before her, leading straight up to the
house. On the left was a high wall, on the right the common covered with
snow--should some one come out of the house there was no chance of
hiding. She glanced down at her tell-tale silk stockings; yet she could
not hurry on those stiff and painful feet. She was near the door in
the wall.

She passed in--the dog did not bark; came to the foot of the steps
--nobody looked out of the window; walked into the hall among their
hanging coats and macintoshes, touched them, moved them with her
shoulder; heard voices behind the door of the breakfast room, was
on the stairs, up out of sight past the first bend, up, up, into
Stewart's room.

"_Do you know_...?"

"_No one knows_!"

"Oh ... oh...." All her high nerves came scudding and shuddering down
into the meadows of content. Eternal luck.... She crept under Stewart's
eiderdown and shivered.

"Here's the chocolate. I will boil it again on my cooker. Oh, you have
a sort of ague...."

Good friend ... kind friend! She had pictured her like that, anxious,
unquestioning and warm!

Later she went downstairs and opened the door of the breakfast room upon
the Guardians of the Honour.

As she stood looking at them she felt that her clothes were the clothes
of some one who had spent hours in the forest--that her eyes gave out a
gay picture of all that was behind them--her adventures must shout aloud
from her hands, her feet.

"Had your breakfast?" said some one.

"Upstairs," said Fanny, contentedly, and marvelled.

She had only to open and close her lips a dozen times, bid them form
the words: "I have been out all night," to turn those browsing herds
of benevolence into an ambush of threatening horns, lowered at her.
Almost ... she would _like_ to have said the sentence.

But basking in their want of knowledge she sat down and ate her third



A thaw set in.

All night the snow hurried from the branches, slid down the tree trunks,
sank into the ground. Sank into the moss, which suddenly uncovered,
breathed water as a sponge breathes beneath the sea; sank into the Oise,
which set up a roaring as the rising water sapped and tunnelled under
its banks.

With a noise of thunder the winter roof of the villa slipped down and
fell into the garden--leaving the handiwork of man exposed to the
dawn--streaming tiles, ornamental chimneys, unburied gargoyles, parapet,
and towers of wood.

In a still earlier hour, while darkness yet concealed the change of
aspect, Fanny left the garden with a lantern in her hand. She had a
paper in her pocket, and on the paper was written the order of her
mission; the order ran clearly: "To take one officer to the
demobolisation centre at Amiens and proceed to Charleville"; but the
familiar words "and return" were not upon it.

She cast no glance back, yet in her mind sent no glance forward. She
could not think of what she left; she left nothing, since these romantic
forests would be as empty as tunnels when Julien was not there; but
closing the door of the garden gate softly behind her, she blew out the
lantern and hung it to the topmost spike, that Stewart, who was leaving
for England in the morning, might bequeath it to their landlady.

All night long the Renault had stood ready packed in the road by the
villa--and now, starting the engine, which ran soundlessly beneath the
bonnet--she drove from a village whose strangeness was hidden from her,
followed the Oise, which rumbled on a new note, heard the bubbling of
wild brooks through the trees, and was lost in the steamy moisture of a
thawing forest.

There was a sad, a deadly charm still about the journey. There was a
bitter and a sweet comfort yet before her. There were two hours of
farewell to be said at dawn. There was the sight of his face once more
for her. That the man who slipped into the seat beside her at Chantilly
was Julien dissolved her courage and set her heart beating. She glanced
at him in that early light, and he at her. Two hours before them still.

She was to carry him with her only to lose him surely; he was to
accompany her on her journey only to turn back.

All the way to Amiens he reassured himself and her: "In a week I will
come to Charleville."

And she replied: "Yes, this is nothing. I lose you here, but in a week
you will come."

(Why then this dread?)

"In a week--in a week," ran the refrain.

"How will you find me at Charleville? Will you come to the garage?"

"No, I shall write to the 'Silver Lion.' You will find in the middle of
the main street an old inn with mouldering black wood upon the window
sashes. How well I know it! I will write there."

"We are so near the end," she said suddenly, "that to have said
'Good-bye' to you, to leave you at Amiens, is no worse than this."

And faster she hurried towards Amiens to find relief. He did not
contradict her, or bid her go slower, but as they neared Amiens, offered
once more his promise that they would meet again in a week.

"It isn't that," she said. "I know we shall meet again. It isn't that I
fear never to see you again. It is the closing of a chapter."

"I, too, know that."

They drove into Amiens in the streaming daylight.

The rain poured.

"I am sending you to my home," he said. "Every inch of the country is
mine. You go to a town that I know, villages that I know, roads that I
have walked and ridden and driven upon. You go to my country. I like to
think of that."

"I shall go at once to see your house in Revins."

"Yes--oh, you will see it easily--on the banks of the Meuse. I was born
there. In a week, in a few days, in a short time--I will come, too."

She stopped the car in a side street of the town.

Lifting her hands she said: "They want to hold you back." Then placed
them back on the wheel. "They can't," she said, and shook her head.

He took his bag in his hand, and stood by the car, looking at her.

"You take the three o'clock train back to Paris when the papers are
through," she said hurriedly with sudden nervousness. And then: "Oh,
we've said everything! Oh, let's get it over--"

He held the side of the car with his hand, then stepped back sharply.
She drove down the street without looking back.

There was a sort of relief in turning the next corner, in knowing that
if she looked back she would see nothing. A heavy shadow lifted from
her; it was a deliverance. "Good-bye" was said--was over; that pain was
done--now for the next, now for the first of the days without him. She
had slipped over the portal of one sorrow to arrive at another; but she
felt the change, and her misery lightened. This half-happiness lasted
her all the morning.

She moved out of Amiens upon the St. Quentin road, and was almost beyond
the town before she thought of buying food for the day. Unjustly,
violently, she reflected: "What a hurry to leave me! He did not ask if
I had food, or petrol, or a map--"

But she knew in her heart that it was because he was young and in
trouble, and had left her quickly, blindly, as eager as she to loosen
that violent pain.

She bought a loaf of bread, a tin of potted meat, an orange and a small
cheese, and drove on upon the road until she came to Warfusee. Wherever
her thoughts fell, wherever her eye lay, his personality gnawed within
her--and nowhere upon her horizon could she find anything that would do
instead. Julien, who had moved off down the street in Amiens, went
moving off down the street of her endless thought.

"I have only just left him! Can't I go back?" And this cry, carried out
in the nerves of her foot, slowed the car up at the side of the road.
She looked back--no smoke darkened the landscape. Amiens was gone
behind her.

Again, on. In ten minutes the battlefields closed in beside the road.

Julien was gone. Stewart was gone. Comfort and ease and plenty were
gone. "But _We_ are here again!" groaned the great moors ahead, and on
each hand. The dun grass waved to the very edge of the road cut through
it. Deep and wild stretched the battlefields, and there, a few yards
ahead, were those poor strangers, the scavenging Chinamen.

Upon a large rough signpost the word "Foucaucourt" was painted in white
letters. A village of spars and beams and broken bricks--yet here, as
everywhere, returning civilians hunted like crows among the ruins,
carrying beams and rusty stoves, and large umbrellas for the rain.

At the next corner a Scotch officer hailed her.

"Will you give me a lift?"

He sat down beside her.

"What do you do?" she asked.

"I look after Chinamen."

"Ah, how lonely!"

"It is terrible," he replied. "Look at it! Dead for miles; the army
gone, and I here with these little yellow fellows, grubbing up
the crumbs."

She put him down at what he called "my corner"--a piece of ground
indistinguishable from the rest.

"Is that where you live?"


There was a black-boarded hut from whose chimney smoke exuded, and to
this ran a track across the grass. She watched him walk along it, a
friendless, sandy man, left over from the armies which had peopled the
rabbit warren in the ground. The Renault loped on with its wolf-like
action, and she felt a spring of relief that she lived upon moving
ground; passing on down the rickety road she forgot the little man.

Ahead lay the terrible miles. She seemed to make no gain upon them, and
could not alter the face of the horizon, however fast she drove. Iron,
brown grass--brown grass and iron, spars of wood, girders, torn railway
lines and stones. Even the lorries travelling the road were few and far
between. A deep loneliness was settled upon the desert where nothing
grew. Yet, suddenly, from a ditch at the side of the road, a child of
five stared at her. It had its foot close by a stacked heap of hand
grenades; a shawl was wrapped round it and the thin hands held the ends
together. What child? Whose? How did it get here, when not a house stood
erect for miles and miles--when not a coil of smoke touched the horizon!
Yes, something oozed from the ground! Smoke, blue smoke! Was life
stirring like a bulb under this whiter ruin, this cemetery of
village bones?

She stopped the car. The child turned and ran quickly across a heap of
dust and iron and down into the ground behind a pillar. "It must have a
father or mother below--" The breath of the invisible hearth coiled up
into the air; the child was gone.

A man appeared behind the pillar and came towards the car. Fanny held
out her cigarette-case and offered it to him.

"Have you been here long?" she asked.

"A month, mademoiselle."

"Are there many of you in this--village?" (Not a spar, not a pile of
bricks stood higher than two feet above the ground.)

"There are ten persons now. A family came in yesterday."

"But how are you fed?"

"A lorry passes once a week for all the people in this district--within
fifty miles. There are ten souls in one village, twenty in another, two
in another. They have promised to send us huts, but the huts don't come.
We have sunk a well now and it is drinkable, but before that we got
water by lorry once a week, and we often begged a little from the
radiators of other lorries."

"What have you got down there?"

"It is the cellar of my house, mademoiselle. There are two rooms still,
and one is watertight. The trouble is the lack of tools. I can't build
anything. We have a spade, and a pick and a hammer, which we keep
between the ten of us."

"Take my hammer," said Fanny. "I can get another in the garage."

He took it, pleased and grateful, and she left this pioneer of
recolonisation, this obstinate Crusoe and his family, standing by his
banner of blue smoke.

Another hour and a large signpost arrested her attention.

"This _was_ Villers Carbonel," it told her, and beneath it three roads
ran in different directions. There was no sign at all of the
village--not a brick lay where the signpost stood.

Stopping the car she drew out her map and considered--and suddenly, out
of nowhere, with a rattle and a bang, and a high blast on a mad little
horn, a Ford arrived at her side upon the cross-roads.

"Got no gas?" enquired an American. She looked up into his pink face.
His hood was broken and hung down over one side of the car. One of his
springs was broken and he appeared to be holding the car upright by the
tilt of his body. His tyres were in rags, great pieces of rubber hung
out beyond the mudguards.

"Dandy car you've got!" he said with envy. "French?"

Soon he was gone upon the road to Chaulnes. His retreating back, with
the spindly axle, the wild hood, the torn fragments of tyre flying round
in streamers, and the painful list of the body set her laughing, as she
stood by the signpost in the desert.

Then she took the road to Peronne.

"I won't have my lunch yet--" looking at the pale sun. Her only watch
had stopped long since, resenting the vibrations of the wheel. She
passed Peronne--uprooted railways and houses falling head foremost into
the river, and beyond it, side roads led her to a small deserted
village, oddly untouched by shell or fire. Here the doors swung and
banged, unlatched by any human fingers, the windows, still draped with
curtains, were shut, and no face looked out. Here she ate her lunch.

The rain had ceased and a little pale sunshine cheered the cottages, the
henless, dogless, empty road. A valiant bird sang on a hedge beside her.

With her wire-cutters she opened the tin of potted meat, and with their
handle spread it on the bread.

"Lord, how lonely it is--surely some door might open, some face look
out--" At that a little gust of wind got up, and she jumped in her seat,
for a front door slammed and blew back again.

"I couldn't stay here the night--" with a shiver--and the bird on the
branch sang louder than ever. "It's all very well," she addressed him.
"You're with your own civilisation. I'm right _out_ of mine!"

The day wore on. The white sun, having finished climbing one side of the
sky, came down upon the other.

Here and there a man hailed her, and she gave him a lift to his village,
talked a little to him, and set him down.

A young Belgian, who had learned his English at Eton, was her companion
for half an hour.

"And you are with the French?" he asked. "How do you like the fellows?"

"I like them very much. I like them enormously." (Strange question,
when all France meant Julien!)

"Don't you find they think there is no one else in the world?" he
grumbled. "It is a delicious theory for them, and it must be amusing to
be French!"

"Little Belgium--jealous young sister, resentful of the charm of the
elder woman of the world!"

A French lieutenant climbed to the seat beside her.

"You are English, mademoiselle?" he said, she thought with a touch of
severity. He was silent for a while. Then: "Ah, none but the English
could do this--"


"Drive as you do, alone, mademoiselle, amid such perils."

She did not ask to what perils he alluded, and she knew that his words
were a condemnation, not a compliment. Ah, she knew that story, that
theory, that implication of coldness! She did not trouble to reply, nor
would she have known how had she wished it.

They passed an inhabited village. From a door flew a man in a green
bonnet and staggered in the street. After him a huge peasant woman came,
and standing in the doorway shook her fist at him. "I'll teach you to
meddle with my daughter--"

"Those are the cursed Italians!" said the French lieutenant, leaning
from the car to watch.

A mile further on they came to a quarry, in which men prowled in rags.

"Those are the Russians!" he said. And these were kept behind barbed
wire, fenced round with armed sentries.

She remembered an incident in Paris, when she had hailed a taxi.

"Are you an American?" asked the driver. "For you know I don't much like
driving Americans."

"But I am English."

"Well, that's better. I was on the English Front once, driving for the
French Mission."

"Why don't you like Americans?"

"Among other things they give me two francs when three is marked!"

"But once they gave you ten where three was marked!"

"That's all changed!" laughed the taxi-man. "And it's a long story. I
don't like them."

       *       *       *       *       *

"Go away!" said France restlessly, pushing at the new nations in her
bosom. "It's all done. Go back again!"

"Are you an Ally?" said the Allies to each other balefully, their eyes
no longer lit by battle, but irritable with disillusion--and each told
his women tales of the other's shortcomings.

Along the sides of the roads, in the gutters, picking the dust-heap of
the battlefields, there were representatives of other nations who did
not join in the inter-criticism of the lords of the earth. Chinese,
Arabs and Annamites made signs and gibbered, but none cared whether they
were in amity or enmity.

Only up in Germany was there any peace from acrimony. _There_ the Allies
walked contentedly about, fed well, looked kindly at each other. _There_
were no epithets to fling--they had all been flung long ago.

And the German people, looking curiously back, begged buttons as
souvenirs from the uniforms of the men who spoke so many different



The day wore on--

The sun came lower and nearer, till the half-light ran with her half-
thought, dropping, sinking, dying. "Guise," said the signpost, and
a battlement stared down and threw its shadow across her face. "Is that
where the dukes lived?" She was a speck in the landscape, moving on
wheels that were none of her invention, covering distances of hundreds
of miles without amazement, upon a magic mount unknown to her
forefathers. Dark and light moved across the face of the falling day.
Sometimes when she lifted her eyes great clouds full of rain were
crossing the sky; and now, when she looked again the wind had torn them
to shreds and hunted them away. The shadows lengthened--those of the few
trees falling in bars across the road. A turn of the road brought the
setting sun in her face, and blinded with light, she drove into it. When
it had gone it left rays enough behind to colour everything, gilding the
road itself, the air, the mists that hung in the ditches.

Before the light was gone she saw the Ardennes forests begin upon her

When it was gone, wood and road, air and earth, were alike stone-
coloured. Then the definite night, creeping forward on all sides,
painted out all but the road and the margin of the road--and with the
side lights on all vision narrowed down to the grey snout of the bonnet,
the two hooped mudguards stretched like divers' arms, and the blanched
dead leaves which floated above from the unseen branches of the trees.

Four crazy Fords were drawn up in one village street, and as her lights
flashed on the door she caught sight of the word "Cafe" written on it.
Placing the Renault beside the Fords she opened the door. Within five
Frenchmen were drinking at one table, and four Americans at another. The
Americans sprang up and claimed her, first as their own kin, and then at
least as a blood sister. They gave her coffee, and would not let her
pay; but she sat uneasily with them.

"For which nation do you work? There are no English here," they said.

"I am in the French Army."

"Gee, what a rotten job!" they murmured sympathetically.

"Where have you come from?"

"We've just come back from Germany, and you bet it's good up there!"


"Every darn thing you want. Good beds, good food, and, thank God, one
can speak the lingo."

"You don't speak French then?"

"You bet not."

"Why don't you learn? Mightn't it be useful to you?"


"Oh, when you get back home. In business perhaps--"

"Ma'am," said the biggest American, leaning earnestly towards her, "let
me tell you one thing. If any man comes up to me back in the States and
starts on me with that darn language--I'll drop him one."

"And German is easier?"

"Oh, well, German we learn in the schools, you see. How far do you make
it to St. Quentin?"

"Are you going there on those Fords?"

"We hope to, ma'am. But we started a convoy of twenty this morning, and
these here four cars are all we've seen since lunch."

"I hardly think you'll get as far as St. Quentin to-night. And there's
little enough to sleep in on the way. I should stay here." She rose. "I
wish you luck. Good-bye."

She thanked them for their coffee, nodded to the quiet French table and
went out.

One American followed her.

"Can you buzz her round?" he asked kindly, and taking the handle, buzzed
her round.

"I bet you don't get any one to do that for you in your army, do you?"
he asked, as he straightened himself from the starting handle. She put
her gear in with a little bang of anger.

"You're kind," she said, "and they are kind. That you can't see it is
all a question of language. Every village is full of bored Americans
with nothing to do, and never one of them buys a dictionary!"

"If it's villages you speak of, ma'am, it isn't dictionaries is needed,"
he answered, "'tis plumbing!"

She had not left him ten minutes before one of her tyres punctured.

"Alas! I could have found a better use for them than arguing," she
thought ruefully, regretting the friendly Americans, as she changed the
tyre by the roadside under the beam from her own lamps.

When it was done she sat for a few minutes in the silent car. The moon
came up and showed her the battlements of the Ardennes forest standing
upon the crest of the mountains to her left. "That is to be my home--"

Julien was in Paris by now, divested of his uniform, sitting by a great
fire, eating civilised food. A strange young man in dark clothes--she
wondered what he would wear.

He seemed a great many difficult miles away. That he should be in a
heated room with lights, and flowers, and a spread table--and she under
the shadow of the forest watching the moon rise, lengthened the miles
between them; yet though she would have given much to have him with her,
she would have given nothing to change places with him.

The road left the forest for a time and passed over bare grass hills
beneath a windy sky. Then back into the forest again, hidden from the
moon. And here her half-stayed hunger made her fanciful, and she started
at the noise of a moving bough, blew her horn at nothing, and seemed to
hear the overtaking hum of a car that never drew near her.

Suddenly, on the left, in a ditch, a dark form appeared, then another
and another. Down there in a patch of grass below the road she caught
sight of the upturned wheels of a lorry, and stopping, got down, walked
to the ditch and looked over. There, in wild disorder, lay thirty or
forty lorries and cars, burnt, twisted, wheelless, broken, ravaged,
while on the wooden sides the German eagle, black on white, was marked.

"What--what--can have happened here!"

She climbed back into the car, but just beyond the limit of her lights
came on a huge mine crater, and the road seemed to hang on its lip and
die for ever. Again she got down, and found a road of planks, shored up
by branches of trees, leading round on the left edge of the crater to
firm land on the other side. Some of the planks were missing, and moving
carefully around the crater she heard others tip and groan beneath her.

"Could that have been a convoy caught by the mine? Or was it a dumping
ground for the cars unable to follow in the retreat?"

The mine crater, which was big enough to hold a small villa, was
overgrown now at the bottom with a little grass and moss.

On and on and on--till she fancied the moon, too, had turned as the sun
had done, and started a downward course. It grew no colder, she grew no
hungrier--but losing count of time, slipped on between the flying tree
trunks, full of unwearied content. At last a light shone through the
trees, and by a wooden bridge which led over another crater she came on
a lonely house. "Cafe" was written on the door, but the shutters were
tight shut, and only a line of light shone from a crack.

From within came sounds of laughter and men's voices. She knocked, and
there was an instant silence, but no one came to answer. At length the
bolts were withdrawn and the head of an old woman appeared through the
door, which was cautiously opened a little.

"An omelette? Coffee?"

"You don't know what you speak of! We have no eggs."

"Then coffee?"

"No, no, nothing at all. Go on to Charleville. We have nothing."

"How far is Charleville?"

But the door shut again, the bolts were shot, and a man's voice growled
in the hidden room behind.

"Dubious hole. Yet it looks as though a big town were near----" And down
the next slope she ran into Charleville. The town had been long abed,
the street lamps were out, the cobbles wet and shining.

On the main boulevard one dark figure hurried along.

"Which is the 'Silver Lion'?" she called, her voice echoing in the empty

Soon, between rugs on a bed in the "Silver Lion," between a single sheet
doubled in two, she slept--propping the lockless door with her suitcase.

The Renault slept or watched below in the courtyard, the moon sank, the
small hours passed, the day broke, the first day in Charleville.





A stuffed bird stood upon a windless branch and through a window of blue
and orange squares of glass a broken moon stared in.

A bedroom, formed from a sitting-room, a basin to wash in upon a red
plush table--no glass, no jug, no lock upon the door. Instead, gilt
mirrors, three bell ropes and a barometer. A bed with a mattress upon it
and nothing more.

This was her kingdom.

Beyond, a town without lights, without a station, without a milkshop,
without a meat shop, without sheets, without blankets, crockery, cooking
pans, or locks upon the doors. A population half-fed and poor. A sky
black as ink and liquid as a river.

Prisoners in the streets, moving in green-coated gangs; prisoners in the
gutters, pushing long scoops to stay the everlasting tide of mud; thin,
hungry, fierce and sad, green-coated prisoners like bedraggled parrots,
out-numbered the population.

The candle of the world was snuffed out--and the wick smoked.

The light was gone--the blinding light of the Chantilly snows, the
lights on the Precy river--moonlight, sunlight--the little boat
crossing at moonrise, sunrise.

"Ah, that long journey! How I pressed on, how I fled from Amiens!"

"What, not Charleville yet?" I said. "Isn't it Charleville soon? What
hurry was there then to get there?"

The stuffed bird eyed her from his unstirring branch, and that yellow
eye seemed to answer: "None, none..."

"This is his home; his country. He told me it was beautiful. But I
cannot see beauty. I am empty of happiness. Where is the beauty?"

And the vile bird, winking in the candle's light, replied: "Nowhere."

But he lied.

Perhaps she had been sent, stuffed as he was, from Paris. Perhaps he had
never flown behind the town, and seen the wild mountains that began at
the last house on the other bank of the river. Or the river itself,
greener than any other which flowed over black rocks, in cold gulleys
--the jade-green Meuse flowing to Dinant, to Namur. Perhaps from his
interminable boulevard he had never seen the lovely Spanish Square of
red and yellow, its steep-roofed houses standing upon arches--or the
proud Duc Charles de Gonzague who strutted for ever upon his pedestal,
his stone cape slipping from one shoulder, his gay Spaniard's hat upon
his head--holding back a smile from his handsome lips, lest the town
which he had come over the mountains to found should see him tolerant
and sin beneath his gaze.

That bird knew the rain would stop--knew it in his dusty feathers,
but he would not kindle hope. He knew there was a yellow spring at
hand--but he left her to mourn for the white lustre of Chantilly.
Vile bird!... She blew out the candle that he might wink no more.

"To-morrow I will buy a padlock and a key. If among these gilt mirrors I
can have no other charm, I will have solitude!" And having hung a
thought, a plan, a hope before her in the future, she slept till day
broke--the second day in Charleville.

       *       *       *       *       *

She woke, a mixture of courage and philosophy.

"I can stand anything, and beyond a certain limit misfortune makes me
laugh. But there's no reason why I should stand this!" The key and
padlock idea was rejected as a compromise with happiness.

"No, no, let us see if we can get something better to lock up than that
bird." He looked uncommonly dead by daylight.

"I would rather lock up an empty room, and leave it pure when I must
leave it!"

Dressing, she went quickly down the street to the Bureau de la Place.
The clerks and secretaries nodded and smiled at each other, and bent
their heads over their typewriters when she looked at them.

"Can I see the billeting lieutenant?"

"He is not here."

"I saw him enter."

"We will go and see...."

She drummed upon the table with her fingers and the clerks and
secretaries winked and nodded more meaningly than ever.

"_Entrez_, mademoiselle. He will see you."

The red-haired lieutenant with pince-nez was upon his feet looking at
her curiously as she entered the adjoining room.

"Good morning, mademoiselle. There is something wrong with the billet
that I found you yesterday?"

She looked at him. In his pale-blue eyes there was a beam; in his
creased mouth there was an upward curve. The story of legitimate
complaint that she had prepared drooped in her mind; she looked at
him a little longer, hesitated, then, risking everything:

"Monsieur, there is a stuffed owl in the room."

He did not wince. "Take it out, mademoiselle."

"H'm, yes. I cannot see heaven except through orange glass."

"Open the window."

"It is fixed."

Then he failed her; he was a busy, sensible man.

"Mademoiselle, I find you a billet, I instal you, and you come to me in
the middle of the morning with this ridiculous story of an owl. It isn't

The door opened and his superior officer walked in, a stern captain with
no crease about his mouth, no beam in his olive eye.

Ah, now ... Now the lieutenant had but to turn to his superior officer
and she would indeed be rent, and reasonably so.

"What is the matter?" said the newcomer. "Is something fresh needed?"

The billeting lieutenant never hesitated a second.

"_Mon capitaine_, unfortunately the billet found yesterday for this lady
is unsuitable. The owner of the house returns this week, and needs
the room."

"Have you some other lodging for her?"

"Yes, _mon capitaine_, in the Rue de Cleves."

"Good. Then there is no difficulty?"

"None. Follow me, mademoiselle, the street is near. I will take you to
the _concierge_."

She followed him down the stairs, and caught him up upon the pavement.

"You may think, mademoiselle, that it is because I am young and

"Oh, no, no...."

"Indeed, I _am_ young; But I slept in that room myself the first night I
came to Charleville...."

"My room with the owl? Do you mean that?"

"Yes, I put him upon the landing. But even then I dared not break the
window. Here is the street."

"How you frightened me when your captain came in! How grateful I am, and
how delighted. Is the house here?"

"Mademoiselle, I do not truly know what to do. _It is an empty house._"

"So much the better."

"But you are not afraid?"

"Oh, no, no, not at all. Has it any furniture?"

"Very little. We will see."

He pulled the bell at an iron railing, and the gate opened. A beautiful
face looked out of the window, and a young woman called: "_Eh bien!
More_ officers? I told you, _mon lieutenant_, we have not room for
one more."

"Now, come, come, Elsie! Not so sharp. It is for the house opposite this
time. Have you the key?"

"But the house opposite is empty."

"It will not be when I have put mademoiselle into it."


"Of course."

The young _concierge,_ under the impression that he was certainly
installing his mistress, left the window, and came through the gate with
a look of impish reproof in her eyes.

Together they crossed the road and she fitted the key into a green iron
door let into the face of a yellow wall. Within was a courtyard,
leading to a garden, and from the courtyard, steps in an inner wall led
up into the house.

"All this ... all this mine?"

"All yours, mademoiselle."

The garden, a deserted tangle of fruit trees and bushes, fallen statues,
arbours and grass lawn brown with fallen leaves, was walled in by a high
wall which kept it from every eye but heaven's. The house was large, the
staircase wide and low, the rooms square and high, filled with windows
and painted in dusty shades of cream. In every room as they passed
through them lay a drift of broken and soiled furniture as brown and
mouldering as the leaves upon the lawn.

"Who lived here?"

"Who lived here?" echoed the _concierge_, and a strange look passed over
her face. "Many men. Austrians, Turks, Bulgarians, Germans...."

"Were you, then, in Charleville all the time?"

"All the time. I knew them all."

In her eyes there flitted the image of enemies who had cried gaily to
her from the street as she leant out of the open window of the house
opposite. "Take anything," she said, with a shrug, to Fanny. "See what
you can make from it. If you can make one room habitable from this
dust-heap, you are welcome. See, there is at least a saucepan. Take
that. So much has gone from the house in these last years it seems
hardly worth while to retain a saucepan for the owner."

"Who is the owner?"

"A rich lady who can afford it. The richest family in Charleville. She
has turned _mechante_. She will abuse me when she comes here to see
this--as though _I_ could have saved it. Her husband and her son were
killed. Georges et Phillippe. Georges was killed the first day of the
war, and Phillippe ... I don't know when, but somewhere near here."

"You think she will come back?"

"Sometimes I think it. She has such a sense of property. But her
daughter writes that it would kill her to come. Phillippe was the
sun ... was the good God to her."

"I must go back to my work," said the lieutenant. "Can you be happy here
in this empty house? There will be rats...."

"I can be very happy--and so grateful. I will move my things across
to-day. My companions ... that is to say six more of us arrive in convoy
from Chantilly to-morrow."

"Six more! Had you told me that before ... But what more simple! I can
put them all in here. There is room for twenty."

"Oh...." Her face fell, and she stood aghast. "And you gave me this house
for myself. And I was so happy!"

"You are terrible. If my business was to lodge soldiers of your sex
every day I should be grey-haired. You cannot lodge with an owl, you
cannot lodge with your compatriots!..."

"Yet you were joking when you said you would put us all here?"

"I was joking. Take the house--the rats and the rubbish included with
it! No one will disturb you till the owner comes. I have another, a
better, a cleaner house in my mind for your companions. Now, good-bye, I
must go back to my work. Will you ask me to tea one day?"

"I promise. The moment I have one sitting-room ready."

He left her, and she explored the upper storey with the _concierge._

"I should have this for your bedroom and this adjoining for your
sitting-room. The windows look in the street and you can see life."
Fanny agreed. It pleased her better to look in the street than into the
garden. The two rooms were large and square. Old blue curtains of
brocade still hung from the windows; in the inner room was a vast oak
bed and a turkey carpet of soft red and blue. The fireplaces were of
open brick and suitable for logs. Both rooms were bare of any other

"I will find you the mattress to match that bed. I hid it; it is in the
house opposite."

She went away to dust it and find a man to help her carry it across the
road. Fanny fetched her luggage from her previous billet, borrowed six
logs and some twigs from the _concierge,_ promising to fetch her an
ample store from the hills around.

All day she rummaged in the empty house--finding now a three-legged
armchair which she propped up with a stone, now a single Venetian glass
scrolled in gold for her tooth glass.

In a small room on the ground floor a beautiful piece of tapestry lay
rolled in a dusty corner. Pale birds of tarnished silver flew across its
blue ground and on the border were willows and rivers.

It covered her oak bed exactly--and by removing the pillows it looked
like a comfortable and venerable divan. The logs in the fire were soon
burnt through, and she did not like to ask for more, but leaving her
room and wandering up and down the empty house in the long, pale
afternoon, she searched for fragments of wood that might serve her.

A narrow door, built on a curve of the staircase, led to an upper storey
of large attics and her first dazzled thought was of potential loot for
her bedroom. A faint afternoon sun drained through the lattice over
floors that were heaped with household goods. A feathered brush for
cobwebs hung on a nail, she took it joyfully. Below it stood an iron
lattice for holding a kettle on an open fire. That, too, she put aside.

But soon the attics opened too much treasure. The boy's things were
everywhere, the father's and the son's. Her eyes took in the host of
relics till her spirit was living in the lost playgrounds of their
youth, pressing among phantoms.

"Irons ... For ironing! For my collars!"

But they were so small, too small. His again--the son's. "Yet why
shouldn't I use them," she thought, and slung the little pair upon
one finger.

Crossing to the second attic she came upon all the toys. It seemed as
though nothing had ever been packed up--dolls' houses, rocking-horses,
slates, weighing machines, marbles, picture books, little swords and
guns, and strange boxes full of broken things.

Returning to the floor below with empty hands she brooded by the embers
and shivered in her happy loneliness. Julien was no longer someone whom
she had left behind, but someone whom she expected. He would be here ...
how soon? In four days, in five, in six. There would be a letter
to-morrow at the "Silver Lion." Since she had found this house, this
perfect house in which to live alone and happy, the town outside had
changed, was expectant with her, and full of his presence. But, ah ...
inhuman... was Julien alone responsible for this happiness? Was she not
weaving already, from her blue curtains, from her soft embers, from the
branches of mimosa which she had bought in the market-place and placed
in a thin glass upon the mantelpiece, from the gracious silence of the
house, from her solitude?



What a struggle to get wood for that fire? Coal wouldn't burn in the
open hearth. She had begged a little wood from the cook in the garage,
but it was wet and hissed, and all her fire died down. Wood hadn't
proved so abundant on the hills as she had hoped. Either it was cut and
had been taken by the Germans, or grew in solid and forbidding branches.
All the small broken branches and twigs of winter had been collected by
the shivering population of the town and drawn down from the mountains
on trays slung on ropes.

Stooping over her two wet logs she drenched them with paraffin, then,
when she had used the last drop in her tin, got down her petrol bottle.
"I shall lose all my hair one day doing this...."

The white flame licked hungrily out towards her, but it too, died down,
leaving the wet wood as angrily cold as ever.

Going downstairs she searched the courtyard and the hayloft, but the
Bulgarians and Turks of the past had burnt every bit, and any twigs in
the garden were as wet as those which spluttered in the hearth. Then--up
to the attics again.

"I _must_ have wood," she exclaimed angrily, and picked up a piece of
broken white wood from the floor.

It had "Philippe Seret" scrawled across it in pencil. "Why, it's your
name!" she said wonderingly, and held the piece of wood in her hand. The
place was all wood. There was wood here to last her weeks. Mouse
cages--white mouse cages and dormouse cages, a wooden ruler with idle
scratches all over it and "P.S." in the corner--boxes and boxes of
things he wouldn't want; he'd say if he saw them now: "Throw it
away"--boxes of glass tubes he had blown when he was fifteen, boxes of
dried modelling clay....

"I must have wood," she said aloud, and picked up another useless
fragment. It mocked her, it wouldn't listen to her need of wood; it had
"P.S." in clumsy, inserted wires at the back. His home-made stamp.

Under it was a grey book called "Grammaire Allemande." "It wasn't any
use your learning German, was it, Philippe?" she said, then stood still
in a frozen conjecture as to the use and goal of all that bright
treasure in his mind--his glass-blowing, his modelling, the cast head of
a man she had found stamped with his initial, the things he had written
and read, on slates, in books. "It was as much use his learning German
as anything else," she said slowly, and her mind reeled at the edge of
difficult questions.

Coming down from the attics again she held one piece of polished
chair-back in her hand.

"How can I live in their family like this," she mused by the fire. "I am
doing more. I am living in the dreadful background to which they can't
or won't come back. I am counting the toys which they can't look at.
Your mother will never come back to pack them up, Philippe!"

She made herself chocolate and drank it from a fine white cup with his
mother's initials on it in gold.

       *       *       *       *       *

Work was over for the day and she walked down the main street by the
"Silver Lion," from whose windows she daily expected that Julien's voice
would call to her.

"Mademoiselle has no correspondence to-day," said the girl, looking down
at her from her high seat behind the mugs and glasses.

"He ought to be here to-day or to-morrow, as he hasn't written," and
even at that moment thought she heard hurrying feet behind her and
turned quickly, searching with her eyes. An old civilian ran past her
and climbed into the back of a waiting lorry.

"I am in no hurry," she said, sure that he would come, and walked on
into the Spanish Square, to stare in the shops behind the arcaded
pillars. Merchandise trickled back into the empty town in odd ways. By
lorry, train, and touring car, merchants penetrated and filled the
shops with provisions, amongst which there were distressing lacks.

The trains, which had now been extended from Rheims over many laborious
wooden bridges, stopped short of Charleville by four miles, as the
bridges over the Meuse had not yet been made strong enough to support a
railroad. To the passenger train, which left Paris twice a week, one
goods truck full of merchandise was attached--and it seemed as though
the particular truck to arrive was singled out casually, without any
regard to the needs of the town. As yet no dusters, sheets or kitchen
pans could be bought, but to-day in the Spanish Square every shop was
filled to overflowing with rolls of ladies' stays; even the chemist had
put a pair in the corner of his window. Fanny inquired the cause. A
truck had arrived filled with nothing but stays. It was very unfortunate
as they had expected condensed milk, but they had accepted the truck,
as, no doubt, they would find means of selling them--for there were
women in the country round who had not seen a pair for years.

A man appeared in the Square selling boots from Paris--the first to come
to the town with leather soles instead of wooden ones. Instantly there
was a crowd round him.

It was dark now and the electric street lamps were lit round the
pedestal of the Spanish Duke. The organisation of the town was jerky,
and often the lights would come on when it was daylight and often
disappear when it was dark. Where Germans had been there were always
electric light and telephones. No matter how sparse the furniture in the
houses, how ragged the roof, how patched the windows--what tin cans,
paper and rubbish lay heaped upon the floors, the electric light
unfailingly illumined all, the telephone hung upon the wall among the
peeling paper.

A little rain began to fall lightly and she hurried to her rooms. There,
once within, the padlock slipped through the rings and locked, the fire
lighted, the lamps lit, the room glowed before her. The turkey carpet
showed all its blues and reds--the mimosa drooped above the mantelpiece,
the willow palm in the jar was turning yellow and shedding a faint down.

"You must last till he comes to tea!" she rebuked it, but down it
fluttered past the mirror on to the carpet.

"He will be here before they all fall," she thought, and propped open
her window that she might hear his voice if he called her from the
street below.

She boiled her kettle to make chocolate, hanging it upon a croquet hoop
which she had found in the garden--Philippe's hoop. But Philippe was so
powerless, he couldn't even stop his croquet hoop from being heated
red-hot in the flames as a kettle-holder ... One must be sensible. He
would allow it. That was the sort of device he would have thought
well of.

"He rushed about the town on a motor-bicycle," the _concierge_ had
said, when asked about him. But that was later. There had been other
times when he had rocked a rocking-horse, broken a doll's head, sold
meat from a wooden shop, fed a dormouse.

"Did Philippe," she wondered, "have adventures, too, in this street?"
She felt him in the curtains, under the carpet like a little wind.

       *       *       *       *       *

The days passed.

Each day her car was ordered and ran to Rheims and Chalons through the
battlefields, or through the mountains to Givet, Dinant or Namur.
Changes passed over the mountains as quickly as the shades of flying
clouds. The spring growth, at every stage and age from valley to crest,
shook like light before the eyes. There were signs of spring, too, in
the battlefields. Cowslips grew in the ditches, and grass itself, as
rare and bright as a flower, broke out upon the plains.

A furtive and elementary civilisation began to creep back upon the
borders of the national roads. Pioneers, with hand, dog, and donkey
carts, with too little money, with too many children, with obstinate and
tenacious courage, began to establish themselves in cellars and
pill-boxes, in wooden shelters scraped together from the _debris_ of
their former villages. In those communities of six or seven families
the re-birth and early struggles of civilisation set in. One tilled a
patch of soil the size of a sheet between two trenches--one made a
fowl-yard, fenced it in and placed a miserable hen within. Little
notices would appear, nailed to poles emerging from the bowels of the
earth. "Vin-Cafe" or "Small motor repairs done here."

All this was noticeable along the great national roads. But in the side
roads, roads deep in yellow mud, uncleared, empty of lorries and cars,
no one set up his habitation.

A certain lawlessness was abroad in the lonelier areas of the
battlefields. Odds and ends of all the armies, deserters, well hidden
during many months, lived under the earth in holes and cellars and used
strange means to gain a living.

There had been rumours of lonely cars which had been stopped and
robbed--and among the settlers a couple of murders had taken place in a
single district. The mail from Charleville to Montmedy was held up at
last by men in masks armed with revolvers. "We will go out armed!"
exclaimed the drivers in the garage, and polished up their rifles.

After that, when the Americans hi the camps around, hungry upon the
French ration, or drunk upon the mixture of methylated spirits and
whisky sold in subterranean _estaminets_ of ruined villages, picked a
quarrel, there were deaths instead of broken heads and black eyes. "They
must ... they MUST go home!" said the French, turning their easy wrath
upon the homesick Americans.

Somewhere beyond Rheims the wreck of a cindery village sprawled along a
side road. Not a chimney, not a pile of bricks, not a finger of wood or
stone reached three feet high, but in the middle, a little wooden stake
rose above the rubbish, a cross-bar pointing into the ground, and the
words "Vin-Cafe" written in chalk upon it. Fanny, who was thirsty, drew
up her car and climbed across the village to a hole down which the board
pointed. Steps of pressed earth led down, and from the hole rose the
quarrelling, fierce voices of three men. She fled back to the car,
determined to find a more genial _cafe_ upon a national road.

The same day, upon another side road, she came on the remains of a
village, where the road, instead of leading through it, paused at the
brink of the river, over which hung the end spars of a broken bridge.

"I will make a meal here," she thought, profiting by the check--and
pulled out a packet of sandwiches, driving her car round the corner of a
wall out of the wind. Here, across the road, a donkey cart was standing,
and a donkey was tied to a brick in the gutter.

Upon the steps of a doorway which was but an aperture leading to
nothing, for the house itself lay flat behind it and the courtyard was
filled with trestles of barbed wire, a figure was seated writing
earnestly upon its knees. She went nearer and saw an old man, who
looked up as she approached.

"Sir ..." she began, meaning to inquire about the road--and the wind
through the doorway blew her skirt tight against her.

"I am identifying the houses," he said, as though he expected to be
asked his business. She saw by his face that he was very old--eighty
perhaps. The book upon his knee contained quavering drawings, against
each of which a name was written.

"This is mine," he said, pointing through the doorway on whose step he
sat. "And all these other houses belong to people whom I know. When they
come back here to live they have only to come to me and I can show them
which house to go to. Without me it might be difficult, but I was the
oldest man here and I know all the streets, and all the houses. I carry
the village in my head."

"That is your donkey cart, then?"

"It is my son's. I drive here from Rheims on Saturdays, when he doesn't
want it."

He showed his book, the cheap paper filled with already-fading maps,
blurred names and vague sketches. The old man was in his dotage and
would soon die and the book be lost.

"I carry the village in my head," he repeated. It was the only life the
village had.

So the days went on, day after day, and with each its work, and still no
letter at the "Silver Lion," Though vaguely ashamed at her mood, she
could not be oppressed by this. Each cold, fine, blooming day in the
mountains made him less necessary to her, and only the delicate memory
of him remained to gild the town. When hopes wither other hopes spring
up. When the touch of charm trembles no more upon the heart it can no
longer be imagined.



The horn of a two days' moon was driving across the window; then stars,
darkness, dawn and sunrise painted the open square; till rustling, and
turning towards the light, she awoke. At the top of the window a magpie
wiped his beak on a branch, bent head, and tail bent to balance him
--then dropped like a mottled pebble out of sight. She sat up, drew the
table prepared overnight towards her, lit the lamp for the chocolate
--thinking of the dim Julien who might pay his beautiful visit in turn
with the moon and the sun.

She got up and dressed, and walked in the spring morning, first to the
bread shop to buy a pound of bread from the woman who wouldn't smile
 ... so serious and puzzling was this defect that Fanny had once asked
her: "Would you rather I didn't buy my bread here?"

"No, I don't mind."

Then to the market for a bunch of violets and an egg.

And at last through the "Silver Lion"--for luck, opening one door of
black wood, passing through the hot, sunny room, ignoring the thrilled
glances of soldiers drinking at the tables, looking towards the girl at
the bar, who shook her head, saying: "No, no letter for you!" and out
again into the street by the other black door (which was gold inside).

She passed the morning in the garage working on the Renault, cleaning
her, oiling her--then ate her lunch in the garage room with the Section.

Among them there ran a rumour of England--of approaching demobilisation,
of military driving that must come to an end, to give place to civilian
drivers who, in Paris, were thronging the steps of the Ministry of the
Liberated Regions.

"Already," said one, "our khaki seems as old-fashioned as a crinoline.
A man said to me yesterday: 'It is time mademoiselle bought her dress
for the summer!'"

(What dream was that of Julien, and of a summer spent in Charleville!
The noise of England burst upon her ears. She heard the talk at
parties--faces swam so close to hers that she looked in their eyes and
spoke to them.)

And how the town is filling with men in new black coats, and women in
shawls! Every day more and more arrive. And the civilians come first
now! Down in the Co-operative I asked for a tin of milk, and I was told:
'We are keeping the milk for the "Civils."' 'For the "Civils"?' I said,
for we are all accustomed to the idea that the army feeds first."

"Oh, that's all gone! We are losing importance now. It is time to go

As they spoke there came a shrill whistle which sounded through

"Ecoute!" said a man down the street, and the Section, moving to the
window, heard it again, nameless, and yet familiar.

Unseen Charleville lifted its head and said, "Ecoute."

The first train had crawled over the new bridge, and stood whistling its
triumph in the station.

As spring became more than a bright light over the mountains so the town
in the hollow blossomed and functioned. The gate bells rang, the electric
light ceased to glow in the daytime, great cranes came up on the trains
and fished in the river for the wallowing bridges. Workmen arrived in the
streets. In the early summer mornings tapping could be heard all about
the town. Civilians in new black suits, civilians more or less damaged,
limping or one-eyed, did things that made them happy with a hammer and
a nail. They whistled as they tapped, nailed up shutters that had hung
for four years by one hinge, climbed about the roofs and fixed a tile or
two where a hundred were needed, brought little ladders on borrowed
wheelbarrows and set them against the house-wall. In the house opposite,
in the Rue de Cleves, a man was using his old blue puttees to nail up his

All the men worked in new Sunday clothes; they had, as yet, nothing old
to work in. Every day brought more of them to the town, lorries and
horse carts set them down by the "Silver Lion," and they walked along
the street carrying black bags and rolls of carpet, boxes of tools, and
sometimes a well-oiled carbine.

"Yes, we must go home," said the Englishwomen. "It's time to leave the

The "Civils" seemed to drive them out. They knew they were birds of
passage as they walked in the sun in their khaki coats.

The "Civils" were blind to them, never looked at them, hurried on,
longing to grasp the symbolic hammer, to dust, sweep out the German rags
and rubbish, nail talc over the gaping windows, set their homes going,
start their factories in the surrounding mountains, people the houses so
long the mere shelter for passing troops, light the civilian life of the
town, and set it burning after the ashes and dust of war.

There were days when every owner, black-trousered and in his shirt-
sleeves, seemed to be burning the contents of his house in a bonfire in
the gutter. Poor men burned things that seemed useful to the casual eye
--mattresses, bolsters, all soiled, soiled again and polluted by four
years of soldiery.

Idling over the fire in the evening, Fanny's eye was caught by a stain
upon her armchair. It was sticky; it might well be champagne--the
champagne which stuck even now to the bottoms of the glasses downstairs.

"I wonder if they will burn the chair--when _they_ come back." Some one
must come back, some day, even if Philippe's mother never came. She
seemed to see the figure of the Turkish officer seated in her chair,
just as the _concierge_ had described him, stout, fezzed, resting his
legs before her fire--or of the German, stretched back in the chair in
the evening reading the copy of the _Westfaelisches Volksblatt_ she had
found stuffed down in the corner of the seat.

How, how did that splash of wax come to be so high up on the face of the
mirror? Had someone, some predecessor, thrown a candle in a temper? It
puzzled her in the morning as she lay in bed.

On the polished wooden foot of the bed was burnt the outline of a face
with a funny nose. A child's drawing. That was Philippe's. The nurse had
cried at him in a rage, perhaps, and snatched the hot poker with which
he drew--and that had made the long rushing burn that flew angrily
across the wood from the base of the face's chin. "Oh, you've made it
worse!" Philippe must have gibed.

("B"--who wrote "B" on the wall? The Bulgarian--)

She fell asleep.

The first bird, waking early, threw the image of the world across her
lonely sleep. He squeaked alone, minute after minute, from his tree
outside the window, thrusting forests, swamps, meadows, mountains in
among her dreams. Then a fellow joined him, and soon all the birds were
shouting from their trees. Slowly the room lightened till on the
mantelpiece the buds of the apple blossom shone, till upon the wall the
dark patch became an oil painting, till the painting showed its features
--a castle, a river and a hill.

In the night the last yellow down had fallen from the palm upon the

The common voice of the tin clock struck seven. And with it came women's
voices--women's voices on the landing outside the door--the voice of
the _concierge_ and another's.'

Some instinct, some strange warning, sent the sleeper on the bed flying
from it, dazed as she was. Snatching at the initialled cup of gold
veining she thrust it behind the curtain on the window sill. An act of
panic merely, for a second glance round the room convinced her that
there was too much to be hidden, if hidden anything should be. With a
leap she was back in bed, and drew the bedclothes up to her neck.

Then came the knock at the door.

"I am in bed," she called.

"Nevertheless, can I come in?" asked the _concierge_.

"You may come in."

The young woman came in and closed the door after her. She approached
the bed and whispered--then glancing round the room with a shrug she
picked up a dressing-gown and held it that Fanny might slip her
arms into it.

"But what a time to come!"

"She has travelled all night. She is unfit to move."

"Must I see her now? I am hardly awake."

"I cannot keep her any longer. She was for coming straight here when the
train came in at five. I have kept her at coffee at my house. _Tant
pis!_ You have a right to be here!"

The _concierge_ drew the curtain a little wider and the cup was exposed.
She thrust it back into the shadow; the door opened and Philippe's
mother walked in. She was very tall, in black, and a deep veil hung
before her face.

"_Bonjour_, madame," she said, and her veiled face dipped in a faint

"Will you sit down?"

She took no notice of this, but leaning a little on a stick she carried,
said, "I understand that it is right that I should find my house
occupied. They told me it would be by an officer. Such occupation I
believe ceases on the return of the owner."

"Yes, madame."

"I am the owner of this house."


"May I ask of what nationality you are?"

The _concierge_ standing behind her, shrugged her shoulders impatiently,
as if she would say, "I have explained, and explained again!"

"I am English, madame."

The lady seemed to sink into a stupor, and bending her head in silence
stared at the floor. Fanny, sitting upright in bed, waited for her to
speak. The _>concierge_, her face still as an image, waited too.

Philippe's mother began to sway upon her stick.

"Do please sit down," said Fanny, breaking the silence at last.

"When will you go?" demanded the old lady, suddenly.


"Who gave you that lamp? That is mine." She pointed to a glass lamp
which stood upon the table.

"It is all yours," said Fanny, humbly.

"Mademoiselle borrowed it," said the voice of the _concierge_. "I lent
it to her."

"Why are my things lent when I am absent? My armchair--dirty, soiled,
torn! Paul's picture--there is a hole in the corner. Who made that hole
in the corner?"

"I didn't," said Fanny feebly, wishing that she were dressed and upon
her feet.

"Madame, a Turkish officer made the hole. I spoke to him about it; he
said it was the German colonel who was here before him. But I am sure it
was the Turk."

"A Turk!" said Philippe's mother in bewilderment. "So you have allowed a
Turk to come in here!"

"Madame does not understand."

"Oh, I understand well enough that my house has been a den! The house
where I was born--All my things, all my things--You must give that
lamp back!"

"Dear madame, I will give everything back, I have hurt nothing--"

"Not ruined my carpet, my mother's carpet! Not soiled my walls, written
your name upon them, cracked my windows, filled my room downstairs with
rubbish, broken my furniture--But I am told this is what I must expect!"
Fanny looked at her, petrified. "But I--" she began.

"You don't understand," said the young _concierge_ fiercely. "Don't you
know who has lived here? In this room, in this bed, Turks, Bulgars,
Germans. Four years of soldiers, coming in one week and gone the next.
I could not stop it! When other houses were burnt I would say to myself,
'Madame is lucky.' When all your china was broken and your chairs used
for firewood, could I help it? Can _she_ help it? She is your last
soldier, and she has taken nothing. So much has gone from this house it
is not worth while to worry about what remains. When you wrote to me
last month to send you the barometer, it made me smile. Your barometer!"

"Begone, Elsie."

"No, madame, no! Not till you come back with me. They should not have
let you come alone. But you were always wilful. You cannot mean to
live here?"

"I wish this woman gone to-day. I wish to sleep here to-night."

"No, madame, no. Sleep in the house opposite to-night. Give her time to
find a lodging--"

"A lodging! She will find a lodging soon enough. A town full of
soldiers--" muttered the old woman.

"I think this is a question for the billeting lieutenant," said Fanny.
"He will explain to you that I am billeted here exactly as a soldier,
that I have a right to be here until your arrival. It will be kind of
you to give me a day in which to find another room."

"Where are _his_ things?" said the old woman unheedingly. "I must go up
to the attics."

A vision of those broken toys came to Fanny, the dusty heap of horses,
dolls and boxes--the poor disorder.

"You mustn't, yet!" she cried with feeling. "Rest first. Sit here longer
first. Or go another day!"

"Have you touched _them_?" cried Philippe's mother, rising from the
chair. "I must go at once, at once----" but even as she tried to cross
the room she leant heavily upon the table and put her hand to her heart.
"Get me water, Elsie," she said, and threw up her veil. Her ruined face
was grey even at the lips; her eyes were caverns, worn by the dropping
of water, her mouth was folded tightly that nothing kind or hopeful, or
happy might come out of it again. Elsie ran to the washing-stand.
Unfortunately she seized the glass with the golden scrolling, and when
she held it to the lips of her mistress those lips refused it.

"_That_, too, that glass of mine! Elsie, I wish this woman gone. Why
don't you get up? Where are your clothes? Why don't you dress and go--"

"Madame, hush, hush, you are ill."

"Ah!" dragging herself weakly to the door, "I must take an inventory.
That is what I should have done before! If I don't make a list at once I
shall lose something!"

"Take an inventory!" exclaimed the _concierge_ mockingly, as she
followed her. "The house won't change! After four years--it isn't now
that it will change!" She paused at the door and looked back at Fanny.
"Don't worry about the room, mademoiselle. She is like that--_elle a des
crises._ She cannot possibly sleep here. Keep the room for a day or two
till you find another."

"In a very few days I shall be going to England."

"Keep it a week if necessary. She will be persuaded when she is calmer.
Why did they let her come when they wrote me that she was a dying woman!
But no--_elle est comme toujours--mechante pour tout le monde._"

"You told me she thought only of Philippe."

"Ah, mademoiselle, she is like many of us! She has still her sense of



Around the Spanish Square the first sun-awnings had been put up in the
night, awnings red and yellow, flapping in the mountain wind.

In the shops under the arches, in the market in the centre of the
Square, they were selling anemones.

"But have you any eggs?"

"No eggs this morning."

"Any butter?"

"None. There has been none these three days."

"A pot of condensed milk?"

"Mademoiselle, the train did not bring any."

"Must I eat anemones? Give me two bunches."

And round the Spanish Square the orange awnings protecting the empty
shop-fronts shuddered and flapped, like a gay hat worn unsteadily when
the stomach is empty.

What was there to do on a last day but look and note, and watch, and
take one's leave? The buds against the twig-laced sky were larger than
ever. To-morrow--the day after to-morrow ... it would be spring in
England, too!

"_Tenez_, mademoiselle," said the market woman, "there is a little
ounce of butter here that you may have!"

The morning passed and on drifted the day, and all was finished, all was
done, and love gone, too. And with love gone the less divine but wider
world lay open.

In the "Silver Lion" the patient girl behind the counter shook her head.

"There is no letter for you."

"And to-morrow I leave for England."

"If a letter comes where shall I send it on?"

"Thank you, but there will come no letter now. Good-bye."


It was the afternoon. Now such a tea, a happy, lonely tea--the last, the
best, in Charleville! Crossing the road from the "Silver Lion" Fanny
bought a round, flat, sandwich cake, and carried it to the house which
was her own for one more night, placed it in state upon the biggest of
the green and gold porcelain plates, and the anemones in a sugar-bowl
beside it. She lit the fire, made tea, and knelt upon the floor to toast
her bread. There was a half-conscious hurry in her actions.

("So long as nobody comes!" she whispered. "So long as I am left
alone!") she feared the good-byes of the _concierge_, the threatened
inventory of Philippe's mother, a call of state farewell from the
billeting lieutenant.

When the toast was done and the tea made, some whim led her to change
her tunic for a white jersey newly back from the wash, to put on the
old dancing shoes of Metz--and not until her hair was carefully brushed
to match this gaiety did she draw up the armchair with the broken leg,
and prop it steadily beside the tea-table.


Who was that knocking on the door in the street?

One of the Section coming on a message? The _brigadier_ to tell her that
she had some last duty still?

"Shall I go to the window?" (creeping nearer to it). Then, with a glance
back at the tea-table, "No, let them knock!"

But how they knocked! Persistent, gentle--could one sit peacefully at
tea so called and so besought! She went up to the blue curtains, and
standing half-concealed, saw the _concierge_ brooding in the sunlight of
her window-sill.

"Is _nobody_ there?" said a light voice in the hidden street below, and
at that she peered cautiously over the edge of the stonework, and saw a
pale young man in grey before the door.

She watched him. She watched him gravely, for he had come too late. But
tenderly, for she had been in love with him. The _concierge_ raised her
two black brows in her expressive face and looked upwards. Her look
said: "Why don't you let him in?"

Yet Fanny stood inactive, her hands resting on the sun-warmed stone.

"Julien is here--is here! And does not know that I go to-morrow!"

But she put _to-morrow_ from her, and in the stillness she felt her
spirit smiling for pleasure in him. She had mourned him once; she never
would again.

In her pocket lay the key of the street door, and the curtain-cord, long
rotted and useless, dangled at her cheek. With a quick wrench she
brought its length tumbling beside her on the sill, then knotted it to
the key and let it down into the street.

The young man saw it hang before his eyes.

"Are you coming in?" said a voice above him. "Tea is ready."


"It has been ready for six weeks."

"Only wait--" He was trying the key in the door.

"What--still longer?" said the voice.

He was gone from the pavement, he had entered her house, he was on her
stair--the grey ghost of the soldier!

She had a minute's grace. Slipping her hand into the cupboard she drew
out another cup and saucer, and laid the table for two.

There was his face--his hands--at her door! But what a foreign grey

"Come in, Ghost!" she said, and held out her hands--for now she cared at
least for "he who cared"--lest that, too, be lost! Does a ghost kiss?
Yes, sometimes. Sometimes they are ghosts who kiss.

"Oh, Fanny!" Then, with a quick glance at the table, "You are expecting

"You. How late you come to tea with me!"

"But I--You didn't know."

"I waited tea for you," she said, and turning to a calendar upon a
wooden wheel, she rolled it back a month.

She made him sit, she made him drink and eat. He filled the room with
his gaiety. He had no reasons upon his tongue, and no excuses; she no
reproaches, no farewell.

A glance round the room had shown her that there were no signs of her
packing; her heavy kitbag was at the station, her suitcase packed and in
the cupboard. She put her gravest news away till later.

"You came by the new train--that has arrived at last in Charleville?"

"Yes, and I go up to Revins to-night."

She paused at that. "But how?"

"I don't know," he answered, smiling at her.

Her eyes sparkled. "Could I?" (She had that morning delivered the car to
its new driver.) "Of course. I could! I will, I will, I'll manage! You
counted on me to drive you to Revins?"

"Will it be difficult to manage?"

"No--o--But I must get the car out before dark or there will be no
excuse--" She pushed back her chair and went to the window. The sun was
sinking over the mountains and the scenery in the western sky was
reflected in the fiery pools between the cobbles in the street.

"I must go soon and get it. But how--"

She paused and thought. "How do you come down to-morrow?"

"I don't. I go on to Brussels. There is a car at Revins belonging to my
agent. He will take me to Dinant for the Brussels train."

"You are bound for Brussels? Yet you could have gone straight from Paris
to Brussels?"

"Yet I didn't because I wanted to see you!"

She took down her cap and coat from the nail on which they were hanging.

"Need you go yet?" he said, withdrawing the clothes from her arm, and
laying them upon a chair. She sat down again.

"The sun is sinking. The town gets dark so quickly here, though it's
light enough in the mountains. If I leave it later the men will be gone
home, and the garage key with them."

"You're right," he said. "Put them on," and he held the coat for her.
"But once you have the car there's no hurry over our drive. Yes, fetch
it quickly, and then we'll go up above Revins and I'll show you the
things I have in mind."

"What things?"

He drew out a fat, red note-book and held it up.

"It's full of my thoughts," he said. "Quick with the car, and we'll get
up there while it's light enough to show you!"

She slipped out under the apple-red sky, through the streets where the
shadows of the houses lay black as lacquer.

Before the locked gates of the garage the _brigadier_ lounged smoking
his little, dry cigarettes.

"We are on fire," he said, pointing up the street at the mountain. "What
an evening!"

"Yes, and my last!" she said. "Oh, may I have the key of the garage?"

"But you've given up the car."

"Yes, I have, but--after to-morrow I shall never use your petrol again!
And there are my bags to be taken to the station. Ah, let me have the

He gave her the key.

"Don't be long then. Yet I shall be gone in a few minutes. When you come
in hang the key on the nail in the office."

Once more she wound up the Renault, drove from the garage, regained the
Rue de Cleves, and saw Julien leaning from her window sill.

"Come down, come down!" she called up to him, and realised that it would
have been better to have made her revelation to him before they started
on this journey. For now he was staring at the mountains in an absorbed
excited fashion, and she would have to check his flow of spirits, spoil
their companionable gaiety, and precipitate such heavy thoughts upon him
as might, she guessed, spread to herself. Between his disappearance
from the window and the opening of the street door she had a second in
which to fight with her disinclination.

"And yet, if I've neglected to tell him in the room," she argued, "I
can't tell him in the street!"

For looking up she saw, as she expected, the deep eyes of the
_concierge_ watching her as impersonally as the mountains watched
the town.

"There'll come a moment," she said to herself as the street door opened
and he joined her and climbed into the car, "when it'll come of itself,
when it will be easy and natural."

By back streets they left the town, and soon upon the step road had
climbed through the belt of trees and out on to bare slopes.

As they wound up the mountain, sitting so dose together, she felt how
familiar his company was to her, and how familiar his silence. Their
thoughts, running together, would meet presently, as they had often met,
at the juncture when his hand was laid upon hers at the wheel: But when
he spoke he startled her.

"How long has the railway been extended to Charleville?"

"A fortnight," she answered upon reflection.

"How about the big stone bridge on this side? The railway bridge?"

"Why that lies at the bottom of the river as usual."

"And haven't they replaced it yet by a wooden one?"

"No, not yet."

"And no one is even working there?"

"I haven't been there lately," she answered. "Maybe they are by now. Is
it your railway to Revin you are thinking of?"

He was fingering his big note book.

"I can't start anything till the railway runs," he answered, tapping on
the book, "but when it runs--I'll show you when we get up there."

They came to a quagmire in the red clay of the road. It was an ancient
trap left over from the rains of winter, strewn with twigs and small
branches so that light wheels might skim, with luck, over its shaking

"You see," he said, pursuing his thought, "lorries wouldn't do here.
They'd sink."

"They would," she agreed, and found that his innocence of her secret
locked her words more tightly in her throat. Far above, from an iron
peak, the light of the heavy sun was slipping. Beneath it they ran in
shadow, through rock and moss. Before the light had gone they had
reached the first crest and drew up for a moment at a movement of
his hand.

Looking back to Charleville, he said, "See where the river winds. The
railway crosses it three times. Can we see from here if the bridges are
all down?" And he stood up and, steadying himself upon her shoulder,
peered down at Charleville, to where man lived in the valleys. But
though the slopes ahead of them were still alight, depths, distance, the
crowding and thickening of twilight in the hollows behind them offered
no detail.

"I fear they are," she said, gazing with him. "I think they are. I think
I can remember that they are."

Soon they would be at the top of the long descent on Revins. Should she
tell him, he who sat so close, so unsuspecting? An arrowy temptation
shot through her mind.

"Is it possible--Why not write a letter when he is gone!"

She saw its beauty, its advantages, and she played with it like someone
who knew where to find strength to withstand it.

"He is so happy, so gay," urged the voice, "so full of his plans! And
you have left it so late. How painful now, just as he is going, to bid
him think: 'I will never see her face again!'"

(How close he sat beside her! How close her secret sat within her!)

"Think how it is with you," pursued the tempting voice. "It is hard to
part from a face, but not so hard to part from the writer of a letter."

Over the next crest the Belgian Ardennes showed blue and dim in the

"Stop!" he said, holding up his hand again.

They were on the top of a high plateau; she drew up. A large bird with
red under its wings flapped out and hung in the air over the precipice.

"See--the Meuse!" he said. "See, on its banks, do you see down there?
Come to the edge."

Hundreds of feet below lay a ribbon-loop of dark, unstirring water. They
stood at the edge of the rock looking down together. She saw he was
excited. His usually pale face was flushed.

"Do you see down there, do you see in this light--a village?"

She could see well enough a village.

"That's Revins. And those dark dots beyond----"

"I see them."

"My factories. Before the summer you'll see smoke down there! They are
partially destroyed. One can't see well, one can't see how much--"



"Have you never been back? Have you never seen what's happened?"

She had not guessed this: she was not prepared for this. This was the
secret, then of his absorption.

"I've not seen it yet. I've not been able to get away. And the Paris
factories have held me every minute. But now I'm here, I'm--I'm
wondering--You see that dot beyond, standing separate?"


"That's where I sleep to-night. That's the house."

"But can you sleep there?" she asked, still shocked that she had not
realised what this journey was to him.

"Can I?"

"I mean is the house ruined?"

"Oh, the house is in bad order," he said. "Not ruined. 'Looted,' my old
_concierge_ writes. She was my nurse a hundred years ago. She has been
there through the occupation. I wrote to her, and she expects me
to-night. To-night it will be too dark, but to-morrow before I leave I
shall see what they have done to the factories."

"Don't you know at all how bad they are?"

"I've had letters. The agent went on ahead five days ago and he has
settled there already. But letters don't tell one enough. There are
little things in the factories--things I put in myself--" He broke off
and drew her to another side of the plateau. "See down there! That
unfortunate railway crosses two more bridges. I can't see now, but
they're blown up, since all the others are. And such a time for
business! It hurts me to think of the things I can't set going till that
railway works. Every one is crying out for the things that I can
make here."

On and on he talked in his excitement, absorbed and planning, leading
her from one point of view on the plateau to another. Her eyes followed
his pointing hands from crest to crest of the mountains their neighbours,
till the valleys were full of creeping shadows. Even when the shades
filmed his eager hand he held it out to point here and there as though
the whole landscape of the mountains was printed in immortal daylight on
his mind.

"I can't see," she said. "It's so dark down there. I can't see it," as
he pointed to the spot where the Brussels railway once ran.

"Well, it's there," he said, staring at the spot with eyes that knew.

The blue night deepened in the sky; from east, west, north, south,
sprang the stars.

"Fanny, look! There's a light in my house!"

Fathoms of shade piled over the village and in the heart of it a light
had appeared. "Marie has lit the lamp on the steps. I mustn't be too
late for her--I must soon go down."

"What, you walk? Is there a footpath down?"

"I shall go down this mountain path below. It's a path I know, shooting
hares. Soon I shall be back again. Brussels one week; then Paris; then
here again. I'll see what builders can be spared from the Paris
factories. They can walk out here from Charleville. Ten miles, that's
nothing! Then we'll get the stone cut ready in the quarries. Do you
know, during the war, I thought (when I thought of it), 'If the Revins
factories are destroyed it won't be I who'll start them again. I won't
take up that hard mountain life any more. If they're destroyed, it's too
discouraging, so let them lie!' But now I don't feel discouraged at
all. I've new ideas, bigger ones. I'm older, I'm going to be richer. And
then, since they're partly knocked down I'll rebuild them in a better
way. And it's not only that--See!" He was carried away by his resolves,
shaken by excitement, and pulling out his note-book he tilted it this
way and that under the starlight, but he could not read it, and all the
stars in that sky were no use to him. He struck a match and held the
feeble flame under that heavenly magnificence, and a puff of wind
blew it out.

"But I don't need to see!" he exclaimed, and pointing into the night he
continued to unfold his plans, to build in the unmeaning darkness,
which, to his eyes, was mountain valleys where new factories arose,
mountain slopes whose sides were to be quarried for their stony ribs,
rivers to move power-stations, railways to Paris and to Brussels. As she
followed his finger her eyes lit upon the stars instead, and now he
said, "There, there!" pointing to Orion, and now "Here, here!" lighting
upon Aldebrande.

As she followed his finger her thoughts were on their own paths,
thinking, "This is Julien as he will be, not as I have known him." The
soldier had been a wanderer like herself, a half-fantastic being. But
here beside her in the darkness stood the civilian, the Julien-to-come,
the solid man, the builder, plotting to capture the future.

For him, too, she could no longer remain as she had been. Here, below
her was the face, the mountain face, of her rival. Unless she became one
with his plans and lived in the same blazing light with them, she would
be a separate landscape, a strain upon his focus.

Then she saw him looking at her. Her face, silver-bright in the
starlight, was as unreadable as his own note-book.

"Are you sure," he was saying, "that you won't be blamed about the car?"

"Sure, quite sure. The men have all gone home."

"But to-morrow morning? When they see it has been out?"

"Not--to-morrow morning. No, they won't say anything to-morrow morning.
Oh, dear Julien--"


"I think, I hope you are going to have a great success here. And don't
forget--me--when you--"

"--When I come back in a week!"

"But your weeks--are so long."

"Yet you will be happy without me," he said suddenly.

"What makes you say that?"

"You've some solace, some treasure of your own." He nodded. "In a way,"
he said, "I've sometimes thought you half out of reach of pain."

She caught her breath, and the starry sky whirled over her head.

"You're a happy foreigner!" he finished. "Did you know? Dormans called
you that after the first dance. He said to me: 'I wonder if they are all
so happy in England! I must go and see.'"

"You too, you too!" she said, eagerly, and she wanted him to admit it.
"See how happy, how busy, how full of the affairs of life you soon will
be! Difficulties of every sort, and hard work and triumph--"

"And you'll see, you'll see, I'll do it," he said, catching fire again.
"I'll grow rich on these bony mountains--it isn't only the riches, mind
you, but they are the proof--I'll wring it out in triumph, not in water,
but in gold--from the rock!"

He stood at the edge of the path, a little above her, blotting out the
sky with his darker shape, then turning, kissed her.

"For the little time!" he said, and disappeared.

The noise of his footsteps descended in the night below. Ten minutes
passed, and as each step trod innocently away from her for ever she
continued motionless and silent to listen from her rock. The noises all
but faded, yet, loth to put an end to the soft rustle, she listened
while it grew fainter and less human to her ear, till it mingled at last
with the rustle of nature, with the whine of the wind and the pit-pat of
a little creature close at hand.

She stirred at last, and turned; and found herself alone with that
flock of enormous companions, the hog-backed mountains, like cattle
feeding about her. Above, uniting craggy horn to horn, was an
architrave of stars.

"Good-bye"--to the light in the valley, and starting the car she began
the descent on Charleville. There are moments when the roll of the world
is perceptible to the extravagant senses. There are moments when the
glamour of man thins away into oblivion before the magic of night, when
his face fades and his voice is silenced before that wind of excited
perception that blows out of nowhere to shake the soul.

In such a mood, in such a giddy hour, seated in person upon her car, in
spirit upon her imagination, Fanny rode down the mountain into the night.

She was invincible, inattentive to the voice of absent man, a hard,
hollow goddess, a flute for the piping of heaven--composing and chanting
unmusical songs, her inner ear fastened upon another melody. And heaven,
protecting a creature at that moment so estranged from earth, led her
down the wild road, held back the threatening forest branches, brought
her, all but standing up at the wheel like a lunatic, safely to the foot
of the last hill.

Recalled to earth by the light of Charleville she drove slowly up the
main street, replaced the car in the garage, and returned to her house
in the Rue de Cleves.

"It is true," she whispered, as she entered the room, "that I am half
out of reach of pain--" and long, in plans for the future, she hung over
the embers.

The gradual sinking of the light before her reminded her of the present.
"The last night that the fire burns for me!" She heaped on all her logs.

"Little pannikin of chocolate, little companion!" Hunger, too, awoke,
and she dropped two sticks of chocolate into the water. "The fire dies
down to-night. To-morrow I shall be gone." A petal from the apple
blossom on the mantelpiece fell against her hand.

"To-morrow I shall be gone. The apple blossom is spread to large wax
flowers, and the flowers will fall and never breed apples. They will
sweep this room, and Philippe's mother will come and sit in it and make
it sad. So many things happen in the evening. So many unripe thoughts
ripen before the fire. Turk, Bulgar, German--Me. Never to return. When
she comes into this room the apple flowers will stare at her across the
desert of _my_ absence, and wonder who _she_ is! I wonder if I can teach
her anything. Will she keep the grid on the wood fire? And the blue
birds flying on the bed? It is like going out of life--tenderly leaving
one's little arrangements to the next comer--"

And drawing her chair up to the table, she lit the lamp, and sat down to
write her letter.


End of the Project Gutenberg EBook of The Happy Foreigner, by Enid Bagnold


This file should be named 7hpfr10.txt or
Corrected EDITIONS of our eBooks get a new NUMBER, 7hpfr11.txt
VERSIONS based on separate sources get new LETTER, 7hpfr10a.txt

Produced by Suzanne Shell, Charlie Kirschner and the PG Online
Distributed Proofreading Team.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at: or

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).

Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter. or

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*

The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:


If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.

**The Legal Small Print**

(Three Pages)

Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.


Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]



This file was acquired from Project Gutenberg, and it is in the public domain. It is re-distributed here as a part of the Alex Catalogue of Electronic Texts ( by Eric Lease Morgan (Infomotions, Inc.) for the purpose of freely sharing, distributing, and making available works of great literature. Its Infomotions unique identifier is etext9978, and it should be available from the following URL:

Infomotions, Inc.

Infomotions Man says, "Give back to the 'Net."