Infomotions, Inc.The Pleasures of Life / Lubbock, Sir John, 1834-1913



Author: Lubbock, Sir John, 1834-1913
Title: The Pleasures of Life
Publisher: Project Gutenberg
Tag(s): life; pleasures; hogarth; love; time; man; lubbock; john
Contributor(s): Hogarth, C. J. [Translator]
Versions: original; local mirror; HTML (this file); printable
Services: find in a library; evaluate using concordance
Rights: GNU General Public License
Size: 70,718 words (short) Grade range: 12-15 (college) Readability score: 55 (average)
Identifier: etext7952
Delicious Bookmark this on Delicious

Discover what books you consider "great". Take the Great Books Survey.

The Project Gutenberg EBook of The Pleasures of Life, by Sir John Lubbock

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: The Pleasures of Life

Author: Sir John Lubbock

Release Date: April, 2005  [EBook #7952]
[This file was first posted on June 4, 2003]

Edition: 10

Language: English

Character set encoding: US-ASCII

*** START OF THE PROJECT GUTENBERG EBOOK, THE PLEASURES OF LIFE ***




Produced by Charles Aldarondo, Tiffany Vergon, Robert Connal, and the Online
Distributed Proofreading Team



THE PLEASURES OF LIFE

SIR JOHN LUBBOCK







CONTENTS.


PART I


CHAPTER I
THE DUTY OF HAPPINESS

CHAPTER II
THE HAPPINESS OF DUTY

CHAPTER III
A SONG OF BOOKS

CHAPTER IV
THE CHOICE OF BOOKS

CHAPTER V
THE BLESSING OF FRIENDS

CHAPTER VI
THE VALUE OF TIME

CHAPTER VII
THE PLEASURES OF TRAVEL

CHAPTER VIII
THE PLEASURES OF HOME

CHAPTER IX
SCIENCE

CHAPTER X
EDUCATION


PART II


CHAPTER I
AMBITION

CHAPTER II
WEALTH

CHAPTER III
HEALTH

CHAPTER IV
LOVE

CHAPTER V
ART

CHAPTER VI
POETRY

CHAPTER VII
MUSIC

CHAPTER VIII
THE BEAUTIES OF NATURE

CHAPTER IX
THE TROUBLES OF LIFE

CHAPTER X
LABOR AND REST

CHAPTER XI
RELIGION

CHAPTER XII
THE HOPE OF PROGRESS

CHAPTER XIII
THE DESTINY OF MAN






PREFACE


Those who have the pleasure of attending the opening meetings of schools
and colleges, and of giving away prizes and certificates, are generally
expected at the same time to offer such words of counsel and encouragement
as the experience of the world might enable them to give to those who are
entering life.

Having been myself when young rather prone to suffer from low spirits, I
have at several of these gatherings taken the opportunity of dwelling on
the privileges and blessings we enjoy, and I reprint here the substance of
some of these addresses (omitting what was special to the circumstances of
each case, and freely making any alterations and additions which have
since occurred to me), hoping that the thoughts and quotations in which I
have myself found most comfort may perhaps be of use to others also.

It is hardly necessary to say that I have not by any means referred to all
the sources of happiness open to us, some indeed of the greatest pleasures
and blessings being altogether omitted.

In reading over the proofs I feel that some sentences may appear too
dogmatic, but I hope that allowance will be made for the circumstances
under which they were delivered.

HIGH ELMS,

DOWN, KENT, _January 1887_.






PREFACE

TO THE TWENTIETH EDITION.


A lecture which I delivered three years ago at the Working Men's College,
and which forms the fourth chapter of this book, has given rise to a good
deal of discussion. The _Pall Mall Gazette_ took up the subject and issued
a circular to many of those best qualified to express an opinion. This
elicited many interesting replies, and some other lists of books were
drawn up. When my book was translated, a similar discussion took place in
Germany. The result has been very gratifying, and after carefully
considering the suggestions which have been made, I see no reason for any
material change in the first list. I had not presumed to form a list of my
own, nor did I profess to give my own favorites. My attempt was to give
those most generally recommended by previous writers on the subject. In
the various criticisms on my list, while large additions, amounting to
several hundred works in all, have been proposed, very few omissions have
been suggested. As regards those works with reference to which some doubts
have been expressed--namely, the few Oriental books, Wake's Apostolic
Fathers etc.--I may observe that I drew up the list, not as that of the
hundred best books, but, which is very different, of those which have been
most frequently recommended as best worth reading.

For instance as regards the _Sheking_ and the _Analects_ of Confucius, I
must humbly confess that I do not greatly admire either; but I recommended
them because they are held in the most profound veneration by the Chinese
race, containing 400,000,000 of our fellow-men. I may add that both works
are quite short.

The _Ramayana_ and _Maha Bharata_ (as epitomized by Wheeler) and St.
Hilaire's _Bouddha_ are not only very interesting in themselves, but very
important in reference to our great oriental Empire.

The authentic writings of the Apostolic Fathers are very short, being
indeed comprised in one small volume, and as the only works (which have
come down to us) of those who lived with and knew the Apostles, they are
certainly well worth reading.

I have been surprised at the great divergence of opinion which has been
expressed. Nine lists of some length have been published. These lists
contain some three hundred works not mentioned by me (without, however,
any corresponding omissions), and yet there is not one single book which
occurs in every list, or even in half of them, and only about half a dozen
which appear in more than one of the nine.

If these authorities, or even a majority of them, had concurred in their
recommendations, I would have availed myself of them; but as they differ
so greatly I will allow my list to remain almost as I first proposed it. I
have, however, added Kalidasa's _Sakuntala_ or _The Lost Ring_, and
Schiller's _William Tell_, omitting, in consequence, Lucretius and Miss
Austen: Lucretius because though his work is most remarkable, it is
perhaps less generally suitable than most of the others in the list; and
Miss Austen because English novelists were somewhat over-represented.

HIGH ELMS,

DOWN, KENT, _August 1890_.






THE PLEASURES OF LIFE

PART I


    "All places that the eye of Heaven visits
    Are to the wise man ports and happy havens."

    SHAKESPEARE.


    "Some murmur, when their sky is clear
      And wholly bright to view,
    If one small speck of dark appear
      In their great heaven of blue.
    And some with thankful love are fill'd
      If but one streak of light,
    One ray of God's good mercy gild
      The darkness of their night.

    "In palaces are hearts that ask,
      In discontent and pride,
    Why life is such a dreary task,
      And all good things denied.
    And hearts in poorest huts admire
      How love has in their aid
    (Love that not ever seems to tire)
      Such rich provision made."

    TRENCH.




CHAPTER I.

THE DUTY OF HAPPINESS.


    "If a man is unhappy, this must be his own fault; for
    God made all men to be happy."--EPICTETUS.


Life is a great gift, and as we reach years of discretion, we most of us
naturally ask ourselves what should be the main object of our existence.
Even those who do not accept "the greatest good of the greatest number" as
an absolute rule, will yet admit that we should all endeavor to contribute
as far as we may to the happiness of our fellow-creatures. There are many,
however, who seem to doubt whether it is right that we should try to be
happy ourselves. Our own happiness ought not, of course, to be our main
object, nor indeed will it ever be secured if selfishly sought. We may
have many pleasures in life, but must not let them have rule over us, or
they will soon hand us over to sorrow; and "into what dangerous and
miserable servitude doth he fall who suffereth pleasures and sorrows (two
unfaithful and cruel commanders) to possess him successively?" [1]

I cannot, however, but think that the world would be better and brighter
if our teachers would dwell on the Duty of Happiness as well as on the
Happiness of Duty, for we ought to be as cheerful as we can, if only
because to be happy ourselves, is a most effectual contribution to the
happiness of others.

Every one must have felt that a cheerful friend is like a sunny day, which
sheds its brightness on all around; and most of us can, as we choose, make
of this world either a palace or a prison.

There is no doubt some selfish satisfaction in yielding to melancholy, and
fancying that we are victims of fate; in brooding over grievances,
especially if more or less imaginary. To be bright and cheerful often
requires an effort; there is a certain art in keeping ourselves happy; and
in this respect, as in others, we require to watch over and manage
ourselves, almost as if we were somebody else.

Sorrow and joy, indeed, are strangely interwoven. Too often

    "We look before and after,
      And pine for what is not:
    Our sincerest laughter
      With some pain is fraught;
  Our sweetest songs are those that tell of saddest thought." [2]

As a nation we are prone to melancholy. It has been said of our countrymen
that they take even their pleasures sadly. But this, if it be true at all,
will, I hope, prove a transitory characteristic. "Merry England" was the
old saying, let us hope it may become true again. We must look to the East
for real melancholy. What can be sadder than the lines with which Omar
Khayyam opens his quatrains: [3]

  "We sojourn here for one short day or two,
  And all the gain we get is grief and woe;
  And then, leaving life's problems all unsolved
  And harassed by regrets, we have to go;"

or the Devas' song to Prince Siddartha, in Edwin Arnold's beautiful
version:

  "We are the voices of the wandering wind,
  Which moan for rest, and rest can never find.
  Lo! as the wind is, so is mortal life--
  A moan, a sigh, a sob, a storm, a strife."

If indeed this be true, if mortal life be so sad and full of suffering, no
wonder that Nirvana--the cessation of sorrow--should be welcomed even at
the sacrifice of consciousness.

But ought we not to place before ourselves a very different ideal--a
healthier, manlier, and nobler hope?

Life is not to live merely, but to live well. There are some "who live
without any design at all, and only pass in the world like straws on a
river: they do not go; they are carried," [4]--but as Homer makes Ulysses
say, "How dull it is to pause, to make an end, to rest unburnished; not to
shine in use--as though to breathe were life!"

Goethe tells us that at thirty he resolved "to work out life no longer by
halves, but in all its beauty and totality."

  "Im Ganzen, Guten, Schoenen
  Resolut zu leben."

Life indeed must be measured by thought and action, not by time. It
certainly may be, and ought to be, bright, interesting, and happy; and,
according to the Italian proverb, "if all cannot live on the Piazza, every
one may feel the sun."

If we do our best; if we do not magnify trifling troubles; if we look
resolutely, I do not say at the bright side of things, but at things as
they really are; if we avail ourselves of the manifold blessings which
surround us; we cannot but feel that life is indeed a glorious
inheritance.

    "More servants wait on man
  Than he'll take notice of. In every path
    He treads down that which doth befriend him
    When sickness makes him pale and wan
  Oh mighty Love! Man is one world, and hath
    Another to attend him." [5]

Few of us, however, realize the wonderful privilege of living, or the
blessings we inherit; the glories and beauties of the Universe, which is
our own if we choose to have it so; the extent to which we can make
ourselves what we wish to be; or the power we possess of securing peace,
of triumphing over pain and sorrow.

Dante pointed to the neglect of opportunities as a serious fault:

                       "Man can do violence
  To himself and his own blessings, and for this
  He, in the second round, must aye deplore,
  With unavailing penitence, his crime.
  Whoe'er deprives himself of life and light
  In reckless lavishment his talent wastes,
  And sorrows then when he should dwell in joy."

Ruskin has expressed this with special allusion to the marvellous beauty
of this glorious world, too often taken as a matter of course, and
remembered, if at all, almost without gratitude. "Holy men," he complains,
"in the recommending of the love of God to us, refer but seldom to those
things in which it is most abundantly and immediately shown; though they
insist much on His giving of bread, and raiment, and health (which He
gives to all inferior creatures): they require us not to thank Him for
that glory of His works which He has permitted us alone to perceive: they
tell us often to meditate in the closet, but they send us not, like Isaac,
into the fields at even: they dwell on the duty of self denial, but they
exhibit not the duty of delight:" and yet, as he justly says elsewhere,
"each of us, as we travel the way of life, has the choice, according to
our working, of turning all the voices of Nature into one song of
rejoicing; or of withering and quenching her sympathy into a fearful
withdrawn silence of condemnation,--into a crying out of her stones and a
shaking of her dust against us."

Must we not all admit, with Sir Henry Taylor, that "the retrospect of life
swarms with lost opportunities"? "Whoever enjoys not life," says Sir T.
Browne, "I count him but an apparition, though he wears about him the
visible affections of flesh."

St. Bernard, indeed, goes so far as to maintain that "nothing can work me
damage except myself; the harm that I sustain I carry about with me, and
never am a real sufferer but by my own fault."

Some Heathen moralists also have taught very much the same lesson. "The
gods," says Marcus Aurelius, "have put all the means in man's power to
enable him not to fall into real evils. Now that which does not make a man
worse, how can it make his life worse?"

Epictetus takes the same line: "If a man is unhappy, remember that his
unhappiness is his own fault; for God has made all men to be happy." "I
am," he elsewhere says, "always content with that which happens; for I
think that what God chooses is better than what I choose." And again:
"Seek not that things should happen as you wish; but wish the things which
happen to be as they are, and you will have a tranquil flow of life.... If
you wish for anything which belongs to another, you lose that which is
your own."

Few, however, if any, can I think go as far as St. Bernard. We cannot but
suffer from pain, sickness, and anxiety; from the loss, the unkindness,
the faults, even the coldness of those we love. How many a day has been
damped and darkened by an angry word!

Hegel is said to have calmly finished his _Phaenomenologie des Geistes_ at
Jena, on the 14th October 1806, not knowing anything whatever of the
battle that was raging round him.

Matthew Arnold has suggested that we might take a lesson from the heavenly
bodies.

 "Unaffrighted by the silence round them,
    Undistracted by the sights they see,
  These demand not the things without them
    Yield them love, amusement, sympathy.

 "Bounded by themselves, and unobservant
    In what state God's other works may be,
  In their own tasks all their powers pouring,
    These attain the mighty life you see."

It is true that

  "A man is his own star;
  Our acts our angels are
  For good or ill,"

and that "rather than follow a multitude to do evil," one should "stand
like Pompey's pillar, conspicuous by oneself, and single in
integrity." [6] But to many this isolation would be itself most painful,
for the heart is "no island cut off from other lands, but a continent that
joins to them." [7]

If we separate ourselves so much from the interests of those around us
that we do not sympathize with them in their sufferings, we shut ourselves
out from sharing their happiness, and lose far more than we gain. If we
avoid sympathy and wrap ourselves round in a cold chain armor of
selfishness, we exclude ourselves from many of the greatest and purest
joys of life. To render ourselves insensible to pain we must forfeit also
the possibility of happiness.

Moreover, much of what we call evil is really good in disguise, and we
should not "quarrel rashly with adversities not yet understood, nor
overlook the mercies often bound up in them." [8] Pleasure and pain are,
as Plutarch says, the nails which fasten body and soul together. Pain is a
warning of danger, a very necessity of existence. But for it, but for the
warnings which our feelings give us, the very blessings by which we are
surrounded would soon and inevitably prove fatal. Many of those who have
not studied the question are under the impression that the more
deeply-seated portions of the body must be most sensitive. The very
reverse is the case. The skin is a continuous and ever-watchful sentinel,
always on guard to give us notice of any approaching danger; while the
flesh and inner organs, where pain would be without purpose, are, so long
as they are in health, comparatively without sensation.

"We talk," says Helps, "of the origin of evil;... but what is evil? We
mostly speak of sufferings and trials as good, perhaps, in their result;
but we hardly admit that they may be good in themselves. Yet they are
knowledge--how else to be acquired, unless by making men as gods, enabling
them to understand without experience. All that men go through may be
absolutely the best for them--no such thing as evil, at least in our
customary meaning of the word."

Indeed, "the vale best discovereth the hill," [9] and "pour sentir les
grands biens, il faut qu'il connoisse les petits maux." [10]

But even if we do not seem to get all that we should wish, many will feel,
as in Leigh Hunt's beautiful translation of Filicaja's sonnet, that--

  "So Providence for us, high, infinite,
  Makes our necessities its watchful task.
  Hearkens to all our prayers, helps all our wants,
  And e'en if it denies what seems our right,
  Either denies because 'twould have us ask,
  Or seems but to deny, and in denying grants."

Those on the other hand who do not accept the idea of continual
interferences, will rejoice in the belief that on the whole the laws of
the Universe work out for the general happiness.

And if it does come--

                     "Grief should be
  Like joy, majestic, equable, sedate,
  Confirming, cleansing, raising, making free:
  Strong to consume small troubles; to commend
  Great thoughts, grave thoughts, thoughts lasting to the end." [11]

If, however, we cannot hope that life will be all happiness, we may at
least secure a heavy balance on the right side; and even events which look
like misfortune, if boldly faced, may often be turned to good. Oftentimes,
says Seneca, "calamity turns to our advantage; and great ruins make way
for greater glories." Helmholtz dates his start in science to an attack of
illness. This led to his acquisition of a microscope, which he was enabled
to purchase, owing to his having spent his autumn vacation of 1841 in the
hospital, prostrated by typhoid fever; being a pupil, he was nursed
without expense, and on his recovery he found himself in possession of the
savings of his small resources.

"Savonarola," says Castelar, "would, under different circumstances,
undoubtedly have been a good husband, a tender father; a man unknown to
history, utterly powerless to print upon the sands of time and upon the
human soul the deep trace which he has left; but misfortune came to visit
him, to crush his heart, and to impart that marked melancholy which
characterizes a soul in grief; and the grief that circled his brows with a
crown of thorns was also that which wreathed them with the splendor of
immortality. His hopes were centered in the woman he loved, his life was
set upon the possession of her, and when her family finally rejected him,
partly on account of his profession, and partly on account of his person,
believed that it was death that had come upon him, when in truth it was
immortality."

It is however, impossible to deny the existence of evil, and the reason
for it has long exercised the human intellect. The Savage solves it by the
supposition of evil Spirits. The Greeks attributed the misfortunes of men
in great measure to the antipathies and jealousies of gods and goddesses.
Others have imagined two divine principles, opposite and antagonistic--the
one friendly, the other hostile, to men.

Freedom of action, however, seems to involve the existence of evil. If any
power of selection be left us, much must depend on the choice we make. In
the very nature of things, two and two cannot make five. Epictetus
imagines Jupiter addressing man as follows: "If it had been possible to
make your body and your property free from liability to injury, I would
have done so. As this could not be, I have given you a small portion of
myself."

This divine gift it is for us to use wisely. It is, in fact, our most
valuable treasure. "The soul is a much better thing than all the others
which you possess. Can you then show me in what way you have taken care of
it? For it is not likely that you, who are so wise a man, inconsiderately
and carelessly allow the most valuable thing that you possess to be
neglected and to perish." [12]

Moreover, even if evil cannot be altogether avoided, it is no doubt true
that not only whether the life we lead be good and useful, or evil and
useless, but also whether it be happy or unhappy, is very much in our own
power, and depends greatly on ourselves. "Time alone relieves the foolish
from sorrow, but reason the wise." [13] and no one was ever yet made
utterly miserable excepting by himself. We are, if not the masters, at any
rate almost the creators of ourselves.

With most of us it is not so much great sorrows, disease, or death, but
rather the little "daily dyings" which cloud over the sunshine of life.
Many of our troubles are insignificant in themselves, and might easily be
avoided!

How happy home might generally be made but for foolish quarrels, or
misunderstandings, as they are well named! It is our own fault if we are
querulous or ill-humored; nor need we, though this is less easy, allow
ourselves to be made unhappy by the querulousness or ill-humors of others.

Much of what we suffer we have brought on ourselves, if not by actual
fault, at least by ignorance or thoughtlessness. Too often we think only
of the happiness of the moment, and sacrifice that of the life. Troubles
comparatively seldom come to us, it is we who go to them. Many of us
fritter our life away. La Bruyere says that "most men spend much of their
lives in making the rest miserable;" or, as Goethe puts it:

  "Careworn man has, in all ages,
  Sown vanity to reap despair."

Not only do we suffer much in the anticipation of evil, as "Noah lived
many years under the affliction of a flood, and Jerusalem was taken unto
Jeremy before it was besieged," but we often distress ourselves greatly in
the apprehension of misfortunes which after all never happen at all. We
should do our best and wait calmly the result. We often hear of people
breaking down from overwork, but in nine cases out of ten they are really
suffering from worry or anxiety.

"Nos maux moraux," says Rousseau, "sont tous dans l'opinion, hors un seul,
qui est le crime; et celui-la depend de nous: nos maux physiques nous
detruisent, ou se detruisent. Le temps, ou la mort, sont nos remedes."

  "Our remedies oft in ourselves do lie,
  Which we ascribe to heaven." [14]

This, however, applies to the grown up. With children of course it is
different. It is customary, but I think it is a mistake, to speak of happy
childhood. Children, however, are often over-anxious and acutely
sensitive. Man ought to be man and master of his fate; but children are at
the mercy of those around them. Mr. Rarey, the great horse-tamer, has told
us that he has known an angry word raise the pulse of a horse ten beats in
a minute. Think then how it must affect a child!

It is small blame to the young if they are over-anxious; but it is a
danger to be striven against. "The terrors of the storm are chiefly felt
in the parlor or the cabin." [15]

To save ourselves from imaginary, or at any rate problematical, evils, we
often incur real suffering. "The man," said Epicurus, "who is not content
with little is content with nothing." How often do we "labor for that
which satisfieth not." More than we use is more than we need, and only a
burden to the bearer. [16] We most of us give ourselves an immense amount
of useless trouble; encumber ourselves, as it were, on the journey of life
with a dead weight of unnecessary baggage; and as "a man maketh his train
longer, he makes his wings shorter." [17] In that delightful fairy tale,
_Alice through the Looking-Glass_, the "White Knight" is described as
having loaded himself on starting for a journey with a variety of odds and
ends, including a mousetrap, in case he was troubled by mice at night, and
a beehive in case he came across a swarm of bees.

Hearne, in his _Journey to the Mouth of the Coppermine River_ tells us
that a few days after starting on his expedition he met a party of
Indians, who annexed a great deal of his property, and all Hearne says is,
"The weight of our baggage being so much lightened, our next day's journey
was much pleasanter." I ought, however, to add that the Indians broke up
the philosophical instruments, which, no doubt, were rather an
encumbrance.

When troubles do come, Marcus Aurelius wisely tells us to "remember on
every occasion which leads thee to vexation to apply this principle, that
this is not a misfortune, but that to bear it nobly is good fortune." Our
own anger indeed does us more harm than the thing which makes us angry;
and we suffer much more from the anger and vexation which we allow acts to
rouse in us, than we do from the acts themselves at which we are angry and
vexed. How much most people, for instance, allow themselves to be
distracted and disturbed by quarrels and family disputes. Yet in nine
cases out of ten one ought not to suffer from being found fault with. If
the condemnation is just, it should be welcome as a warning; if it is
undeserved, why should we allow it to distress us?

Moreover, if misfortunes happen we do but make them worse by grieving over
them.

"I must die," again says Epictetus. "But must I then die sorrowing? I must
be put in chains. Must I then also lament? I must go into exile. Can I be
prevented from going with cheerfulness and contentment? But I will put you
in prison. Man, what are you saying? You may put my body in prison, but my
mind not even Zeus himself can overpower."

If, indeed, we cannot be happy, the fault is generally in ourselves.
Socrates lived under the Thirty Tyrants. Epictetus was a poor slave, and
yet how much we owe him!

"How is it possible," he says, "that a man who has nothing, who is naked,
houseless, without a hearth, squalid, without a slave, without a city, can
pass a life that flows easily? See, God has sent a man to show you that it
is possible. Look at me, who am without a city, without a house, without
possessions, without a slave; I sleep on the ground; I have no wife, no
children, no praetorium, but only the earth and heavens, and one poor
clock. And what do I want? Am I not without sorrow? Am I not without fear?
Am I not free? When did any of you see me failing in the object of my
desire? or ever falling into that which I would avoid? Did I ever blame
God or man? Did I ever accuse any man? Did any of you ever see me with a
sorrowful countenance? And how do I meet with those whom you are afraid of
and admire? Do not I treat them like slaves? Who, when he sees me, does
not think that he sees his king and master?"

Think how much we have to be thankful for. Few of us appreciate the number
of our everyday blessings; we look on them as trifles, and yet "trifles
make perfection, and perfection is no trifle," as Michael Angelo said. We
forget them because they are always with us; and yet for each of us, as
Mr. Pater well observes, "these simple gifts, and others equally trivial,
bread and wine, fruit and milk, might regain that poetic and, as it were,
moral significance which surely belongs to all the means of our daily
life, could we but break through the veil of our familiarity with things
by no means vulgar in themselves."

"Let not," says Isaak Walton, "the blessings we receive daily from God
make us not to value or not praise Him because they be common; let us not
forget to praise Him for the innocent mirth and pleasure we have met with
since we met together. What would a blind man give to see the pleasant
rivers and meadows and flowers and fountains; and this and many other like
blessings we enjoy daily."

Contentment, we have been told by Epicurus, consists not in great wealth,
but in few wants. In this fortunate country, however, we may have many
wants, and yet, if they are only reasonable, we may gratify them all.

Nature indeed provides without stint the main requisites of human
happiness. "To watch the corn grow, or the blossoms set; to draw hard
breath over plough-share or spade; to read, to think, to love, to pray,"
these, says Ruskin, "are the things that make men happy."

"I have fallen into the hands of thieves," says Jeremy Taylor; "what then?
They have left me the sun and moon, fire and water, a loving wife and many
friends to pity me, and some to relieve me, and I can still discourse;
and, unless I list, they have not taken away my merry countenance and my
cheerful spirit and a good conscience.... And he that hath so many causes
of joy, and so great, is very much in love with sorrow and peevishness who
loses all these pleasures, and chooses to sit down on his little handful
of thorns."

"When a man has such things to think on, and sees the sun, the moon, and
stars, and enjoys earth and sea, he is not solitary or even helpless."
[18]

"Paradise indeed might," as Luther said, "apply to the whole world." What
more is there we could ask for ourselves? "Every sort of beauty," says Mr.
Greg, [19] "has been lavished on our allotted home; beauties to enrapture
every sense, beauties to satisfy every taste; forms the noblest and the
loveliest, colors the most gorgeous and the most delicate, odors the
sweetest and subtlest, harmonies the most soothing and the most stirring:
the sunny glories of the day; the pale Elysian grace of moonlight; the
lake, the mountain, the primeval forest, and the boundless ocean; 'silent
pinnacles of aged snow' in one hemisphere, the marvels of tropical
luxuriance in another; the serenity of sunsets; the sublimity of storms;
everything is bestowed in boundless profusion on the scene of our
existence; we can conceive or desire nothing more exquisite or perfect
than what is round us every hour; and our perceptions are so framed as to
be consciously alive to all. The provision made for our sensuous enjoyment
is in overflowing abundance; so is that for the other elements of our
complex nature. Who that has revelled in the opening ecstasies of a young
Imagination, or the rich marvels of the world of Thought, does not confess
that the Intelligence has been dowered at least with as profuse a
beneficence as the Senses? Who that has truly tasted and fathomed human
Love in its dawning and crowning joys has not thanked God for a felicity
which indeed 'passeth understanding.' If we had set our fancy to picture a
Creator occupied solely in devising delight for children whom he loved, we
could not conceive one single element of bliss which is not here."

[1] Seneca.

[2] Shelley.

[3] I quote from Whinfield's translation.

[4] Seneca.

[5] Herbert.

[6] Sir T. Browne.

[7] Bacon.

[8] Sir T. Browne.

[9] Bacon.

[10] Rousseau.

[11] Aubrey de Vere.

[12] Epictetus.

[13] _Ibid_.

[14] Shakespeare.

[15] Emerson.

[16] Seneca.

[17] Bacon.

[18] Epictetus.

[19] The Enigmas of Life.




CHAPTER II

THE HAPPINESS OF DUTY.


    "I am always content with that which happens; for I
    think that what God chooses is better than what I choose."

    EPICTETUS.


    "O God, All conquering! this lower earth
    Would be for men the blest abode of mirth
      If they were strong in Thee
    As other things of this world well are seen;
    Oh then, far other than they yet have been,
      How happy would men be."

    KING ALFRED'S ed. of Boethius's
    _Consolations of Philosophy_.


We ought not to picture Duty to ourselves, or to others, as a stern
taskmistress. She is rather a kind and sympathetic mother, ever ready to
shelter us from the cares and anxieties of this world, and to guide us in
the paths of peace.

To shut oneself up from mankind is, in most cases, to lead a dull, as well
as a selfish life. Our duty is to make ourselves useful, and thus life may
be most interesting, and yet comparatively free from anxiety.

But how can we fill our lives with _life_, energy, and interest, and yet
keep care outside?

Many great men have made shipwreck in the attempt. "Anthony sought for
happiness in love; Brutus in glory; Caesar in dominion: the first found
disgrace, the second disgust, the last ingratitude, and each
destruction." [1] Riches, again, often bring danger, trouble, and
temptation; they require care to keep, though they may give much happiness
if wisely spent.

How then is this great object to be secured? What, says Marcus Aurelius,
"What is that which is able to conduct a man? One thing and only
one--philosophy. But this consists in keeping the daemon [2] within a man
free from violence and unharmed, superior to pains and pleasures, doing
nothing without a purpose, yet not falsely and with hypocrisy, not feeling
the need of another man's doing or not doing anything; and besides,
accepting all that happens, and all that is allotted, as coming from
thence, wherever it is, from whence he himself came; and, finally, waiting
for death with a cheerful mind, as being nothing else than a dissolution
of the elements of which every living being is compounded." I confess I do
not feel the force of these last few words, which indeed scarcely seem
requisite for his argument. The thought of death, however, certainly
influences the conduct of life less than might have been expected.

Bacon truly points out that "there is no passion in the mind of man so
weak, but it mates and masters the fear of death.... Revenge triumphs over
death, love slights it, honor aspireth to it, grief flieth to it."

  "Think not I dread to see my spirit fly
  Through the dark gates of fell mortality;
  Death has no terrors when the life is true;
  'Tis living ill that makes us fear to die." [3]

We need certainly have no such fear if we have done our best to make
others happy; to promote "peace on earth and goodwill amongst men."
Nothing, again, can do more to release us from the cares of this world,
which consume so much of our time, and embitter so much of our life. When
we have done our best, we should wait the result in peace; content, as
Epictetus says, "with that which happens, for what God chooses is better
than what I choose."

At any rate, if we have not effected all we wished, we shall have
influenced ourselves. It may be true that one cannot do much. "You are not
Hercules, and you are not able to purge away the wickedness of others; nor
yet are you Theseus, able to drive away the evil things of Attica. But you
may clear away your own. From yourself, from your own thoughts, cast away,
instead of Procrustes and Sciron, [4] sadness, fear, desire, envy,
malevolence, avarice, effeminacy, intemperance. But it is not possible to
eject these things otherwise than by looking to God only, by fixing your
affections on Him only, by being consecrated by his commands." [5]

People sometimes think how delightful it would be to be quite free. But a
fish, as Ruskin says, is freer than a man, and as for a fly, it is "a
black incarnation of freedom." A life of so-called pleasure and
self-indulgence is not a life of real happiness or true freedom. Far from
it, if we once begin to give way to ourselves, we fall under a most
intolerable tyranny. Other temptations are in some respects like that of
drink. At first, perhaps, it seems delightful, but there is bitterness at
the bottom of the cup. Men drink to satisfy the desire created by previous
indulgence. So it is in other things. Repetition soon becomes a craving,
not a pleasure. Resistance grows more and more painful; yielding, which at
first, perhaps, afforded some slight and temporary gratification, soon
ceases to give pleasure, and even if for a time it procures relief, ere
long becomes odious itself.

To resist is difficult, to give way is painful; until at length the
wretched victim to himself, can only purchase, or thinks he can only
purchase, temporary relief from intolerable craving and depression, at the
expense of far greater suffering in the future.

On the other hand, self-control, however difficult at first, becomes step
by step easier and more delightful. We possess mysteriously a sort of dual
nature, and there are few truer triumphs, or more delightful sensations,
than to obtain thorough command of oneself.

How much pleasanter it is to ride a spirited horse, even perhaps though
requiring some strength and skill, than to creep along upon a jaded hack.
In the one case you feel under you the free, responsive spring of a living
and willing force; in the other you have to spur a dull and lifeless
slave.

To rule oneself is in reality the greatest triumph. "He who is his own
monarch," says Sir T. Browne, "contentedly sways the sceptre of himself,
not envying the glory to crowned heads and Elohim of the earth;" for those
are really highest who are nearest to heaven, and those are lowest who are
farthest from it.

True greatness has little, if anything, to do with rank or power.
"Eurystheus being what he was," says Epictetus, "was not really king of
Argos nor of Mycenae, for he could not even rule himself; while Hercules
purged lawlessness and introduced justice, though he was both naked and
alone."

We are told that Cineas the philosopher once asked Pyrrhus what he would
do when he had conquered Italy. "I will conquer Sicily." "And after
Sicily?" "Then Africa." "And after you have conquered the world?" "I will
take my ease and be merry." "Then," asked Cineas, "why can you not take
your ease and be merry now?"

Moreover, as Sir Arthur Helps has wisely pointed out, "the enlarged view
we have of the Universe must in some measure damp personal ambition. What
is it to be king, sheikh, tetrarch, or emperor over a 'bit of a bit' of
this little earth?" "All rising to great place," says Bacon, "is by a
winding stair;" and "princes are like heavenly bodies, which have much
veneration, but no rest."

Plato in the _Republic_ mentions an old myth that after death every soul
has to choose a lot in life for the existence in the next world; and he
tells us that the wise Ulysses searched for a considerable time for the
lot of a private man. He had some difficulty in finding it, as it was
lying neglected in a corner, but when he had secured it he was delighted;
the recollection of all he had gone through on earth, having disenchanted
him of ambition.

Moreover, there is a great deal of drudgery in the lives of courts.
Ceremonials may be important, but they take up much time and are terribly
tedious.

A man then is his own best kingdom. "He that ruleth his speech," says
Solomon, "is better than he that taketh a city." But self-control, this
truest and greatest monarchy, rarely comes by inheritance. Every one of us
must conquer himself; and we may do so, if we take conscience for our
guide and general.

No one really fails who does his best. Seneca observes that "no one saith
the three hundred Fabii were defeated, but that they were slain," and if
you have done your best, you will, in the words of an old Norse ballad,
have gained

  "Success in thyself, which is best of all."

Being myself engaged in business, I was rather startled to find it laid
down by no less an authority than Aristotle (almost as if it were a
self-evident proposition) that commerce "is incompatible with that
dignified life which it is our wish that our citizens should lead, and
totally adverse to that generous elevation of mind with which it is our
ambition to inspire them." I know not how far that may really have been
the spirit and tendency of commerce among the ancient Greeks; but if so, I
do not wonder that it was not more successful.

I may, indeed, quote Aristotle against himself, for he has elsewhere told
us that "business should be chosen for the sake of leisure; and things
necessary and useful for the sake of the beautiful in conduct."

It is not true that the ordinary duties of life in a country like
ours--commerce, manufactures, agriculture,--the pursuits to which the vast
majority are and must be devoted--are incompatible with the dignity or
nobility of life. Whether a life is noble or ignoble depends, not on the
calling which is adopted, but on the spirit in which it is followed. The
humblest life may be noble, while that of the most powerful monarch or the
greatest genius may be contemptible. Commerce, indeed, is not only
compatible, but I would almost go further and say that it will be most
successful, if carried on in happy union with noble aims and generous
aspirations. What Ruskin says of art is, with due modification, true of
life generally. It does not matter whether a man "paint the petal of a
rose or the chasms of a precipice, so that love and admiration attend on
him as he labors, and wait for ever on his work. It does not matter
whether he toil for months on a few inches of his canvas, or cover a
palace front with color in a day; so only that it be with a solemn
purpose, that he have filled his heart with patience, or urged his hand to
haste."

It is true that in a subsequent volume he refers to this passage, and
adds, "But though all is good for study, and all is beautiful, some is
better than the rest for the help and pleasure of others; and this it is
our duty always to choose if we have opportunity," adding, however, "being
quite happy with what is within our reach if we have not."

We read of and admire the heroes of old, but every one of us has to fight
his own Marathon and Thermopylae; every one meets the Sphinx sitting by
the road he has to pass; to each of us, as to Hercules, is offered the
choice of Vice or Virtue; we may, like Paris, give the apple of life to
Venus, or Juno, or Minerva.

There are many who seem to think that we have fallen on an age in the
world when life is especially difficult and anxious, when there is less
leisure than of yore, and the struggle for existence is keener than ever.

On the other hand, we must remember how much we have gained in security?
It may be an age of hard work, but when this is not carried to an extreme,
it is by no means an evil. If we have less leisure, one reason is because
life is so full of interest. Cheerfulness is the daughter of employment,
and on the whole I believe there never was a time when modest merit and
patient industry were more sure of reward.

We must not, indeed, be discouraged if success be slow in coming, nor
puffed up if it comes quickly. We often complain of the nature of things
when the fault is all in ourselves. Seneca, in one of his letters,
mentions that his wife's maid, Harpaste, had nearly lost her eyesight, but
"she knoweth not she is blind, she saith the house is dark. This that
seemeth ridiculous unto us in her, happeneth unto us all. No man
understandeth that he is covetous, or avaricious. He saith, I am not
ambitious, but no man can otherwise live in Rome; I am not sumptuous, but
the city requireth great expense."

Newman, in perhaps the most beautiful of his hymns, "Lead, kindly light,"
says:

  "Keep thou my feet, I do not ask to see
  The distant scene; one step enough for me."

But we must be sure that we are really following some trustworthy guide,
and not out of mere laziness allowing ourselves to drift. We have a guide
within us which will generally lead us straight enough.

Religion, no doubt, is full of difficulties, but if we are often puzzled
what to think, we need seldom be in doubt what to do.

  "To say well is good, but to do well is better;
  Do well is the spirit, and say well the letter;
  If do well and say well were fitted in one frame,
  All were won, all were done, and got were all the gain."

Cleanthes, who appears to have well merited the statue erected to him at
Assos, says:

  "Lead me, O Zeus, and thou, O Destiny.
    The way that I am bid by you to go:
  To follow I am ready. If I choose not,
    I make myself a wretch;--and still must follow."

If we are ever in doubt what to do, it is a good rule to ask ourselves
what we shall wish on the morrow that we had done.

Moreover, the result in the long run will depend not so much on some
single resolution, or on our action in a special case, but rather on the
preparation of daily life. Battles are often won before they are fought.
To control our passions we must govern our habits, and keep watch over
ourselves in the small details of everyday life.

The importance of small things has been pointed out by philosophers over
and over again from AEsop downward. "Great without small makes a bad
wall," says a quaint Greek proverb, which seems to go back to cyclopean
times. In an old Hindoo story Ammi says to his son, "Bring me a fruit of
that tree and break it open. What is there?" The son said, "Some small
seeds." "Break one of them and what do you see?" "Nothing, my lord," "My
child," said Ammi, "where you see nothing there dwells a mighty tree." It
may almost be questioned whether anything can be truly called small.

  "There is no great and no small
  To the soul that maketh all;
  And where it cometh all things are,
  And it cometh everywhere." [6]

We should therefore watch ourselves in small things. If "you wish not to
be of an angry temper, do not feed the habit: throw nothing on it which
will increase it: at first keep quiet, and count the days on which you
have not been angry. I used to be in passion every day; now every second
day; then every third; then every fourth. But if you have intermitted
thirty days, make a sacrifice to God. For the habit at first begins to be
weakened, and then is completely destroyed. When you can say, 'I have not
been vexed to-day, nor the day before, nor yet on any succeeding day
during two or three months; but I took care when some exciting things
happened,' be assured that you are in a good way." [7]

Emerson closes his _Conduct of Life_ with a striking allegory. The young
Mortal enters the Hall of the Firmament. The Gods are sitting there, and
he is alone with them. They pour on him gifts and blessings, and beckon
him to their thrones. But between him and them suddenly appear snow-storms
of illusions. He imagines himself in a vast crowd, whose behests he
fancies he must obey. The mad crowd drives hither and thither, and sways
this way and that. What is he that he should resist? He lets himself be
carried about. How can he think or act for himself? But the clouds lift,
and there are the Gods still sitting on their thrones; they alone with him
alone.

"The great man," he elsewhere says, "is he who in the midst of the crowd
keeps with perfect sweetness the serenity of solitude."

We may all, if we will, secure peace of mind for ourselves.

"Men seek retreats," says Marcus Aurelius, "houses in the country,
seashores, and mountains; and thou too art wont to desire such things very
much. But this is altogether a mark of the most common sort of men; for it
is in thy power whenever thou shalt choose, to retire into thyself. For
nowhere either with more quiet or more freedom from trouble does a man
retire, than into his own soul, particularly when he has within him such
thoughts that by looking into them he is immediately in perfect
tranquillity."

Happy indeed is he who has such a sanctuary in his own soul. "He who is
virtuous is wise; and he who is wise is good; and he who is good is
happy." [8]

But we cannot expect to be happy if we do not lead pure and useful lives.
To be good company for ourselves we must store our minds well; fill them
with pure and peaceful thoughts; with pleasant memories of the past, and
reasonable hopes for the future. We must, as far as may be, protect
ourselves from self-reproach, from care, and from anxiety. We shall make
our lives pure and peaceful, by resisting evil, by placing restraint upon
our appetites, and perhaps even more by strengthening and developing our
tendencies to good. We must be careful, then, on what we allow our minds
to dwell. The soul is dyed by its thoughts; we cannot keep our minds pure
if we allow them to be sullied by detailed accounts of crime and sin.
Peace of mind, as Ruskin beautifully observes, "must come in its own time,
as the waters settle themselves into clearness as well as quietness; you
can no more filter your mind into purity than you can compress it into
calmness; you must keep it pure if you would have it pure, and throw no
stones into it if you would have it quiet."

The penalty of injustice, said Socrates, is not death or stripes, but the
fatal necessity of becoming more and more unjust. Few men have led a wiser
or more virtuous life than Socrates himself, of whom Xenophon gives us the
following description:--"To me, being such as I have described him, so
pious that he did nothing without the sanction of the gods; so just, that
he wronged no man even in the most trifling affair, but was of service in
the most important matters to those who enjoyed his society; so temperate
that he never preferred pleasure to virtue; so wise, that he never erred
in distinguishing better from worse; needing no counsel from others, but
being sufficient in himself to discriminate between them; so able to
explain and settle such questions by argument; and so capable of
discerning the character of others, of confuting those who were in error,
and of exhorting them to virtue and honor, he seemed to be such as the
best and happiest of men would be. But if any one disapproves of my
opinion let him compare the conduct of others with that of Socrates, and
determine accordingly."

Marcus Aurelius again has drawn for us a most instructive lesson in his
character of Antoninus:--"Remember his constancy in every act which was
conformable to reason, his evenness in all things, his piety, the serenity
of his countenance, his sweetness, his disregard of empty fame, and his
efforts to understand things; how he would never let anything pass without
having first carefully examined it and clearly understood it; how he bore
with those who blamed him unjustly without blaming them in return; how he
did nothing in a hurry; how he listened not to calumnies, and how exact an
examiner of manners and actions he was; not given to reproach people, nor
timid, nor suspicious, nor a sophist; with how little he was satisfied,
such as lodging, bed, dress, food, servants; how laborious and patient;
how sparing he was in his diet; his firmness and uniformity in his
friendships; how he tolerated freedom of speech in those who opposed his
opinions; the pleasure that he had when any man showed him anything
better, and how pious he was without superstition. Imitate all this that
thou mayest have as good a conscience, when thy last hour comes, as he
had."

Such peace of mind is indeed an inestimable boon, a rich reward of duty
fulfilled. Well then does Epictetus ask, "Is there no reward? Do you seek
a reward greater than that of doing what is good and just? At Olympia you
wish for nothing more, but it seems to you enough to be crowned at the
games. Does it then seem to you so small and worthless a thing to be good
and happy?"

In Bernard of Morlaix's beautiful lines--

  "Pax erit illa fidelibus, illa beata,
  Irrevocabilis, Invariabilis, Intemerata.
  Pax sine crimine, pax sine turbine, pax sine rixa,
  Meta Laboribus, inque tumultibus anchora fixa;
  Pax erit omnibus unica. Sed quibus? Immaculatis
  Pectore mitibus, ordine stantibus, ore sacratis."

What greater reward can we have than this; than the "peace which passeth
all understanding," "which cannot be gotten for gold, neither shall silver
be weighed for the price thereof." [9]

[1] Colton, _Lacon, or Many Things in Few Words_.

[2] _i.e._ spirit.

[3] Omar Khayyam.

[4] Two robbers destroyed by Theseus.

[5] Epictetus.

[6] Emerson.

[7] Epictetus.

[8] King Alfred's _Boethius_.

[9] Job.




CHAPTER III

A SONG OF BOOKS.


    "Oh for a booke and a shadie nooke,
      Eyther in doore or out;
    With the grene leaves whispering overhead
      Or the streete cryes all about.
    Where I maie reade all at my ease,
      Both of the newe and old;
    For a jollie goode booke whereon to looke,
      Is better to me than golde."

    OLD ENGLISH SONG.


Of all the privileges we enjoy in this nineteenth century there is none,
perhaps, for which we ought to be more thankful than for the easier access
to books.

The debt we owe to books was well expressed by Richard de Bury, Bishop of
Durham, author of _Philobiblon_, written as long ago as 1344, published in
1473, and the earliest English treatise on the delights of
literature:--"These," he says, "are the masters who instruct us without
rods and ferules, without hard words and anger, without clothes or money.
If you approach them, they are not asleep; if investigating you
interrogate them, they conceal nothing; if you mistake them, they never
grumble; if you are ignorant, they cannot laugh at you. The library,
therefore, of wisdom is more precious than all riches, and nothing that
can be wished for is worthy to be compared with it. Whosoever therefore
acknowledges himself to be a zealous follower of truth, of happiness, of
wisdom, of science, or even of the faith, must of necessity make himself a
lover of books." But if the debt were great then, how much more now.

This feeling that books are real friends is constantly present to all who
love reading. "I have friends," said Petrarch, "whose society is extremely
agreeable to me; they are of all ages, and of every country. They have
distinguished themselves both in the cabinet and in the field, and
obtained high honors for their knowledge of the sciences. It is easy to
gain access to them, for they are always at my service, and I admit them
to my company, and dismiss them from it, whenever I please. They are never
troublesome, but immediately answer every question I ask them. Some relate
to me the events of past ages, while others reveal to me the secrets of
Nature. Some teach me how to live, and others how to die. Some, by their
vivacity, drive away my cares and exhilarate my spirits; while others give
fortitude to my mind, and teach me the important lesson how to restrain my
desires, and to depend wholly on myself. They open to me, in short, the
various avenues of all the arts and sciences, and upon their information I
may safely rely in all emergencies. In return for all their services, they
only ask me to accommodate them with a convenient chamber in some corner
of my humble habitation, where they may repose in peace; for these friends
are more delighted by the tranquillity of retirement than with the tumults
of society."

"He that loveth a book," says Isaac Barrow, "will never want a faithful
friend, a wholesome counsellor, a cheerful companion, an effectual
comforter. By study, by reading, by thinking, one may innocently divert
and pleasantly entertain himself, as in all weathers, so in all fortunes."

Southey took a rather more melancholy view:

  "My days among the dead are pass'd,
    Around me I behold,
  Where'er these casual eyes are cast,
    The mighty minds of old.
  My never-failing friends are they,
    With whom I converse day by day."

Imagine, in the words of Aikin, "that we had it in our power to call up
the shades of the greatest and wisest men that ever existed, and oblige
them to converse with us on the most interesting topics--what an
inestimable privilege should we think it!--how superior to all common
enjoyments! But in a well-furnished library we, in fact, possess this
power. We can question Xenophon and Caesar on their campaigns, make
Demosthenes and Cicero plead before us, join in the audiences of Socrates
and Plato, and receive demonstrations from Euclid and Newton. In books we
have the choicest thoughts of the ablest men in their best dress."

"Books," says Jeremy Collier, "are a guide in youth and an entertainment
for age. They support us under solitude, and keep us from being a burthen
to ourselves. They help us to forget the crossness of men and things;
compose our cares and our passions; and lay our disappointments asleep.
When we are weary of the living, we may repair to the dead, who have
nothing of peevishness, pride, or design in their conversation."

Sir John Herschel tells an amusing anecdote illustrating the pleasure
derived from a book, not assuredly of the first order. In a certain
village the blacksmith having got hold of Richardson's novel, _Pamela, or
Virtue Rewarded_, used to sit on his anvil in the long summer evenings and
read it aloud to a large and attentive audience. It is by no means a short
book, but they fairly listened to it all. At length, when the happy turn
of fortune arrived, which brings the hero and heroine together, and sets
them living long and happily together according to the most approved
rules, the congregation were so delighted as to raise a great shout, and
procuring the church keys, actually set the parish bells a-ringing.

"The lover of reading," says Leigh Hunt, "will derive agreeable terror
from _Sir Bertram_ and the _Haunted Chamber_; will assent with, delighted
reason to every sentence in _Mrs. Barbauld's Essay_; will feel himself
wandering into solitudes with _Gray_; shake honest hands with _Sir Roger
de Coverley_; be ready to embrace _Parson Adams_, and to chuck _Pounce_
out of the window instead of the hat; will travel with _Marco Polo_ and
_Mungo Park_; stay at home with _Thomson_; retire with _Cowley_; be
industrious with _Hutton_; sympathizing with _Gay_ and _Mrs. Inchbald_;
laughing with (and at) _Buncle_; melancholy, and forlorn, and
self-restored with the shipwrecked mariner of _De Foe_."

Carlyle has wisely said that a collection of books is a real university.

The importance of books has been appreciated in many quarters where we
might least expect it. Among the hardy Norsemen runes were supposed to be
endowed with miraculous power. There is an Arabic proverb, that "a wise
man's day is worth a fool's life," and another--though it reflects perhaps
rather the spirit of the Califs than of the Sultans,--that "the ink of
science is more precious than the blood of the martyrs."

Confucius is said to have described himself as a man who "in his eager
pursuit of knowledge forgot his food, who in the joy of its attainment
forgot his sorrows, and did not even perceive that old age was coming on."

Yet, if this could be said by the Arabs and the Chinese, what language can
be strong enough to express the gratitude we ought to feel for the
advantages we enjoy! We do not appreciate, I think, our good fortune in
belonging to the nineteenth century. Sometimes, indeed, one may even be
inclined to wish that one had not lived quite so soon, and to long for a
glimpse of the books, even the school-books, of one hundred years hence. A
hundred years ago not only were books extremely expensive and cumbrous,
but many of the most delightful were still uncreated--such as the works of
Scott, Thackeray, Dickens, Bulwer Lytton, and Trollope, not to mention
living authors. How much more interesting science has become especially,
if I were to mention only one name, through the genius of Darwin! Renan
has characterized this as a most amusing century; I should rather have
described it as most interesting: presenting us as it does with an endless
vista of absorbing problems; with infinite opportunities; with more
interest and less danger than surrounded our less fortunate ancestors.

Cicero described a room without books, as a body without a soul. But it is
by no means necessary to be a philosopher to love reading.

Reading, indeed, is by no means necessarily study. Far from it. "I put,"
says Mr. Frederic Harrison, in his excellent article on the "Choice of
Books," "I put the poetic and emotional side of literature as the most
needed for daily use."

In the prologue to the _Legende of Goode Women_, Chaucer says:

  "And as for me, though that I konne but lyte,
  On bokes for to rede I me delyte,
  And to him give I feyth and ful credence,
  And in myn herte have him in reverence,
  So hertely, that ther is game noon,
  That fro my bokes maketh me to goon,
  But yt be seldome on the holy day,
  Save, certynly, when that the monthe of May
  Is comen, and that I here the foules synge,
  And that the floures gynnen for to sprynge,
  Farwel my boke and my devocion."

But I doubt whether, if he had enjoyed our advantages, he could have been
so certain of tearing himself away, even in the month of May.

Macaulay, who had all that wealth and fame, rank and talents could give,
yet, we are told, derived his greatest happiness from books. Sir G.
Trevelyan, in his charming biography, says that--"of the feelings which
Macaulay entertained toward the great minds of bygone ages it is not for
any one except himself to speak. He has told us how his debt to them was
incalculable; how they guided him to truth; how they filled his mind with
noble and graceful images; how they stood by him in all vicissitudes--
comforters in sorrow, nurses in sickness, companions in solitude, the old
friends who are never seen with new faces; who are the same in wealth and
in poverty, in glory and in obscurity. Great as were the honors and
possessions which Macaulay acquired by his pen, all who knew him were well
aware that the titles and rewards which he gained by his own works were as
nothing in the balance compared with the pleasure he derived from the
works of others."

There was no society in London so agreeable that Macaulay would have
preferred it at breakfast or at dinner "to the company of Sterne or
Fielding, Horace Walpole or Boswell." The love of reading which Gibbon
declared he would not exchange for all the treasures of India was, in
fact, with Macaulay "a main element of happiness in one of the happiest
lives that it has ever fallen to the lot of the biographer to record."

"History," says Fuller, "maketh a young man to be old without either
wrinkles or gray hair, privileging him with the experience of age without
either the infirmities or the inconveniences thereof."

So delightful indeed are books that we must be careful not to forget other
duties for them; in cultivating the mind we must not neglect the body.

To the lover of literature or science, exercise often presents itself as
an irksome duty, and many a one has felt like "the fair pupil of Ascham
(Lady Jane Gray), who, while the horns were sounding and dogs in full cry,
sat in the lonely oriel, with eyes riveted to that immortal page which
tells how meekly and bravely (Socrates) the first martyr of intellectual
liberty took the cup from his weeping jailer." [1]

Still, as the late Lord Derby justly observed, [2] those who do not find
time for exercise will have to find time for illness.

Books, again, are now so cheap as to be within the reach of almost every
one. This was not always so. It is quite a recent blessing. Mr. Ireland,
to whose charming little _Book Lover's Enchiridion_, in common with every
lover of reading. I am greatly indebted, tells us that when a boy he was
so delighted with White's _Natural History of Selborne_, that in order to
possess a copy of his own he actually copied out the whole work.

Mary Lamb gives a pathetic description of a studious boy lingering at a
bookstall:

  "I saw a boy with eager eye
  Open a book upon a stall,
  And read, as he'd devour it all;
  Which, when the stall man did espy,
  Soon to the boy I heard him call,
  'You, sir, you never buy a book,
  Therefore in one you shall not look.'
  The boy passed slowly on, and with a sigh
  He wished he never had been taught to read,
  Then of the old churl's books he should have had no need."

Such snatches of literature have indeed, special and peculiar charm. This
is, I believe, partly due to the very fact of their being brief. Many
readers miss much of the pleasure of reading by forcing themselves to
dwell too long continuously on one subject. In a long railway journey, for
instance, many persons take only a single book. The consequence is that,
unless it is a story, after half an hour or an hour they are quite tired
of it. Whereas, if they had two, or still better three books, on different
subjects, and one of them of an amusing character, they would probably
find that, by changing as soon as they felt at all weary, they would come
back again and again to each with renewed zest, and hour after hour would
pass pleasantly away. Every one, of course, must judge for himself, but
such at least is my experience.

I quite agree, therefore, with Lord Iddesleigh as to the charm of
desultory reading, but the wider the field the more important that we
should benefit by the very best books in each class. Not that we need
confine ourselves to them, but that we should commence with them, and they
will certainly lead us on to others. There are of course some books which
we must read, mark, learn, and inwardly digest. But these are exceptions.
As regards by far the larger number, it is probably better to read them
quickly, dwelling only on the best and most important passages. In this
way, no doubt, we shall lose much, but we gain more by ranging over a
wider field. We may, in fact, I think, apply to reading Lord Brougham's
wise dictum as regards education, and say that it is well to read
everything of something, and something of everything. In this way only we
can ascertain the bent of our own tastes, for it is a general, though not
of course an invariable, rule, that we profit little by books which we do
not enjoy.

Every one, however, may suit himself. The variety is endless.

Not only does a library contain "infinite riches in a little room," [3]
but we may sit at home and yet be in all quarters of the earth. We may
travel round the world with Captain Cook or Darwin, with Kingsley or
Ruskin, who will show us much more perhaps than ever we should see for
ourselves. The world itself has no limits for us; Humboldt and Herschel
will carry us far away to the mysterious nebulae, beyond the sun and even
the stars: time has no more bounds than space; history stretches out
behind us, and geology will carry us back for millions of years before the
creation of man, even to the origin of the material Universe itself. Nor
are we limited to one plane of thought. Aristotle and Plato will transport
us into a sphere none the less delightful because we cannot appreciate it
without some training.

Comfort and consolation, refreshment and happiness, may indeed be found in
his library by any one "who shall bring the golden key that unlocks its
silent door." [4] A library is true fairyland, a very palace of delight, a
haven of repose from the storms and troubles of the world. Rich and poor
can enjoy it equally, for here, at least, wealth gives no advantage. We
may make a library, if we do but rightly use it, a true paradise on earth,
a garden of Eden without its one drawback; for all is open to us,
including, and especially, the fruit of the Tree of Knowledge, for which
we are told that our first mother sacrificed all the Pleasures of
Paradise. Here we may read the most important histories, the most exciting
volumes of travels and adventures, the most interesting stories, the most
beautiful poems; we may meet the most eminent statesmen, poets, and
philosophers, benefit by the ideas of the greatest thinkers, and enjoy the
grandest creations of human genius.

[1] Macaulay.

[2] Address, Liverpool College, 1873.

[3] Marlowe.

[4] Matthews.




CHAPTER IV.

THE CHOICE OF BOOKS.


    "All round the room my silent servants wait
    My friends in every season, bright and dim,
        Angels and Seraphim
    Come down and murmur to me, sweet and low,
    And spirits of the skies all come and go
        Early and Late."

    PROCTOR.


And yet too often they wait in vain. One reason for this is, I think, that
people are overwhelmed by the crowd of books offered to them.

In old days books were rare and dear. Now on the contrary, it may be said
with greater truth than ever that

  "Words are things, and a small drop of ink,
  Falling like dew upon a thought, produces
  That which makes thousands, perhaps millions, think."

Our ancestors had a difficulty in procuring them. Our difficulty now is
what to select. We must be careful what we read, and not, like the sailors
of Ulysses, take bags of wind for sacks of treasure--not only lest we
should even now fall into the error of the Greeks, and suppose that
language and definitions can be instruments of investigation as well as of
thought, but lest, as too often happens, we should waste time over trash.
There are many books to which one may apply, in the sarcastic sense, the
ambiguous remark said to have been made to an unfortunate author, "I will
lose no time in reading your book."

There are, indeed, books and books, and there are books which, as Lamb
said, are not books at all. It is wonderful how much innocent happiness we
thoughtlessly throw away. An Eastern proverb says that calamities sent by
heaven may be avoided, but from those we bring on ourselves there is no
escape.

Many, I believe, are deterred from attempting what are called stiff books
for fear they should not understand them; but there are few who need
complain of the narrowness of their minds, if only they would do their
best with them.

In reading, however, it is most important to select subjects in which one
is interested. I remember years ago consulting Mr. Darwin as to the
selection of a course of study. He asked me what interested me most, and
advised me to choose that subject. This, indeed, applies to the work of
life generally.

I am sometimes disposed to think that the readers of the next generation
will be, not our lawyers and doctors, shopkeepers and manufacturers, but
the laborers and mechanics. Does not this seem natural? The former work
mainly with their head; when their daily duties are over the brain is
often exhausted, and of their leisure time much must be devoted to air and
exercise. The laborer and mechanic, on the contrary, besides working often
for much shorter hours, have in their work-time taken sufficient bodily
exercise, and could therefore give any leisure they might have to reading
and study. They have not done so as yet, it is true; but this has been for
obvious reasons. Now, however, in the first place, they receive an
excellent education in elementary schools, and in the second have more
easy access to the best books.

Ruskin has observed that he does not wonder at what men suffer, but he
often wonders at what they lose. We suffer much, no doubt, from the faults
of others, but we lose much more by our own ignorance.

"If," says Sir John Herschel, "I were to pray for a taste which should
stand me in stead under every variety of circumstances, and be a source of
happiness and cheerfulness to me through life, and a shield against its
ills, however things might go amiss and the world frown upon me, it would
be a taste for reading. I speak of it of course only as a worldly
advantage, and not in the slightest degree as superseding or derogating
from the higher office and surer and stronger panoply of religious
principles--but as a taste, and instrument, and a mode of pleasurable
gratification. Give a man this taste, and the means of gratifying it, and
you can hardly fail of making a happy man, unless, indeed, you put into
his hands a most perverse selection of books."

It is one thing to own a library; it is quite another to use it wisely. I
have often been astonished how little care people devote to the selection
of what they read. Books, we know, are almost innumerable; our hours for
reading are, alas! very few. And yet many people read almost by hazard.
They will take any book they chance to find in a room at a friend's house;
they will buy a novel at a railway-stall if it has an attractive title;
indeed, I believe in some cases even the binding affects their choice. The
selection is, no doubt, far from easy. I have often wished some one would
recommend a list of a hundred good books. If we had such lists drawn up by
a few good guides they would be most useful. I have indeed sometimes heard
it said that in reading every one must choose for himself, but this
reminds me of the recommendation not to go into the water till you can
swim.

In the absence of such lists I have picked out the books most frequently
mentioned with approval by those who have referred directly or indirectly
to the pleasure of reading, and have ventured to include some which,
though less frequently mentioned, are especial favorites of my own. Every
one who looks at the list will wish to suggest other books, as indeed I
should myself, but in that case the number would soon run up. [1]

I have abstained, for obvious reasons, from mentioning works by living
authors, though from many of them--Tennyson, Ruskin, and others--I have
myself derived the keenest enjoyment; and I have omitted works on science,
with one or two exceptions, because the subject is so progressive.

I feel that the attempt is over bold, and I must beg for indulgence, while
hoping for criticism; indeed one object which I have had in view is to
stimulate others more competent far than I am to give us the advantage of
their opinions.

Moreover, I must repeat that I suggest these works rather as those which,
as far as I have seen, have been most frequently recommended, than as
suggestions of my own, though I have slipped in a few of my own special
favorites.

In any such selection much weight should, I think, be attached to the
general verdict of mankind. There is a "struggle for existence" and a
"survival of the fittest" among books, as well as among animals and
plants. As Alonzo of Aragon said, "Age is a recommendation in four
things--old wood to burn, old wine to drink, old friends to trust,
and old books to read." Still, this can not be accepted without important
qualifications. The most recent books of history and science contain or
ought to contain, the most accurate information and the most trustworthy
conclusions. Moreover, while the books of other races and times have an
interest from their very distance, it must be admitted that many will
still more enjoy, and feel more at home with, those of our own century and
people.

Yet the oldest books of the world are remarkable and interesting on
account of their very age; and the works which have influenced the
opinions, or charmed the leisure hours, of millions of men in distant
times and far-away regions are well worth reading on that very account,
even if to us they seem scarcely to deserve their reputation. It is true
that to many, such works are accessible only in translations; but
translations, though they can never perhaps do justice to the original,
may yet be admirable in themselves. The Bible itself, which must stand
first in the list, is a conclusive case.

At the head of all non-Christian moralists, I must place the
_Enchiridion_ of Epictetus, certainly one of the noblest books in the
whole of literature; it has, moreover, been admirably translated. With
Epictetus, [2] I think must come Marcus Aurelius. The _Analects_ of
Confucius will, I believe, prove disappointing to most English readers,
but the effect it has produced on the most numerous race of men
constitutes in itself a peculiar interest. The _Ethics_ of Aristotle,
perhaps, appear to some disadvantage from the very fact that they have so
profoundly influenced our views of morality. The _Koran_, like the
_Analects_ of Confucius, will to most of us derive its principal interest
from the effect it has exercised, and still exercises, on so many millions
of our fellow-men. I doubt whether in any other respect it will seem to
repay perusal, and to most persons probably certain extracts, not too
numerous, would appear sufficient.

The writings of the Apostolic Fathers have been collected in one volume by
Wake. It is but a small one, and though I must humbly confess that I was
disappointed, they are perhaps all the more curious from the contrast they
afford to those of the Apostles themselves. Of the later Fathers I have
included only the _Confessions_ of St. Augustine, which Dr. Pusey selected
for the commencement of the _Library of the Fathers_, and which, as he
observes, has "been translated again and again into almost every European
language, and in all loved;" though Luther was of opinion that St.
Augustine "wrote nothing to the purpose concerning faith." But then Luther
was no great admirer of the Father. St. Jerome, he says, "writes, alas!
very coldly;" Chrysostom "digresses from the chief points;" St. Jerome is
"very poor;" and in fact, he says, "the more I read the books of the
Fathers the more I find myself offended;" while Renan, in his interesting
autobiography, compared theology to a Gothic Cathedral, "elle a la
grandeur, les vides immenses, et le peu de solidite."

Among other devotional works most frequently recommended are Thomas a
Kempis' _Imitation of Christ_, Pascal's _Pensees_, Spinoza's _Tractatus
Theologico-Politicus_, Butler's _Analogy of Religion_, Jeremy Taylor's
_Holy Living and Dying_, Bunyan's _Pilgrim's Progress_, and last, not
least, Keble's beautiful _Christian Year_.

Aristotle and Plato again stand at the head of another class. The
_Politics_ of Aristotle, and Plato's _Dialogues_, if not the whole, at any
rate the _Phaedo_, the _Apology_, and the _Republic_, will be of course
read by all who wish to know anything of the history of human thought,
though I am heretical enough to doubt whether the latter repays the minute
and laborious study often devoted to it.

Aristotle being the father, if not the creator, of the modern scientific
method, it has followed naturally--indeed, almost inevitably--that his
principles have become part of our very intellectual being, so that they
seem now almost self-evident, while his actual observations, though very
remarkable--as, for instance, when he observes that bees on one journey
confine themselves to one kind of flower--still have been in many cases
superseded by others, carried on under more favorable conditions. We must
not be ungrateful to the great master, because his lessons have taught us
how to advance.

Plato, on the other hand, I say so with all respect, seems to me in some
cases to play on words: his arguments are very able, very philosophical,
often very noble; but not always conclusive; in a language differently
constructed they might sometimes tell in exactly the opposite sense. If
this method has proved less fruitful, if in metaphysics we have made but
little advance, that very fact in one point of view leaves the
_Dialogues_ of Socrates as instructive now as ever they were; while the
problems with which they deal will always rouse our interest, as the calm
and lofty spirit which inspires them must command our admiration. Of the
_Apology_ and the _Phaedo_ especially it would be impossible to speak too
gratefully.

I would also mention Demosthenes' _De Corona_, which Lord Brougham
pronounced the greatest oration of the greatest of orators; Lucretius,
Plutarch's Lives, Horace, and at least the _De Officiis_, _De Amicitia_,
and _De Senectute_ of Cicero.

The great epics of the world have always constituted one of the most
popular branches of literature. Yet how few, comparatively, ever read
Homer or Virgil after leaving school.

The _Nibelungenlied_, our great Anglo-Saxon epic, is perhaps too much
neglected, no doubt on account of its painful character. Brunhild and
Kriemhild, indeed, are far from perfect, but we meet with few such "live"
women in Greek or Roman literature. Nor must I omit to mention Sir T.
Malory's _Morte d'Arthur_, though I confess I do so mainly in deference to
the judgment of others.

Among the Greek tragedians I include Aeschylus, if not all his works, at
any rate _Prometheus_, perhaps the sublimest poem in Greek literature, and
the _Trilogy_ (Mr. Symonds in his _Greek Poets_ speaks of the "unrivalled
majesty" of the _Agamemnon_, and Mark Pattison considered it "the grandest
work of creative genius in the whole range of literature"); or, as Sir M.
E. Grant Duff recommends, the _Persae_; Sophocles (_Oedipus Tyrannus_),
Euripides (_Medea_), and Aristophanes (_The Knights_ and _Clouds_);
unfortunately, as Schlegel says, probably even the greatest scholar does
not understand half his jokes; and I think most modern readers will prefer
our modern poets.

I should like, moreover, to say a word for Eastern poetry, such as
portions of the _Maha Bharata_ and _Ramayana_ (too long probably to be
read through, but of which Talboys Wheeler has given a most interesting
epitome in the first two volumes of his _History of India_); the
_Shah-nameh_, the work of the great Persian poet Firdusi; Kalidasa's
_Sakuntala_, and the Sheking, the classical collection of ancient Chinese
odes. Many I know, will think I ought to have included Omar Khayyam.

In history we are beginning to feel that the vices and vicissitudes of
kings and queens, the dates of battles and wars, are far less important
than the development of human thought, the progress of art, of science,
and of law, and the subject is on that very account even more interesting
than ever. I will, however, only mention, and that rather from a literary
than a historical point of view, Herodotus, Xenophon (the _Anabasis_),
Thucydides, and Tacitus (_Germania_); and of modern historians, Gibbon's
_Decline and Fall_ ("the splendid bridge from the old world to the new"),
Hume's _History of England_, Carlyle's _French Revolution_, Grote's
_History of Greece_, and Green's _Short History of the English People_.

Science is so rapidly progressive that, though to many minds it is the
most fruitful and interesting subject of all, I cannot here rest on that
agreement which, rather than my own opinion, I take as the basis of my
list. I will therefore only mention Bacon's _Novum Organum_, Mill's
_Logic_, and Darwin's _Origin of Species_; in Political Economy, which
some of our rulers do not now sufficiently value, Mill, and parts of
Smith's _Wealth of Nations_, for probably those who do not intend to make
a special study of political economy would scarcely read the whole.

Among voyages and travels, perhaps those most frequently suggested are
Cook's _Voyages_, Humboldt's _Travels_, and Darwin's _Naturalist's
Journal_; though I confess I should like to have added many more.

Mr. Bright not long ago specially recommended the less known American
poets, but he probably assumed that every one would have read Shakespeare,
Milton (_Paradise Lost_, _Lycidas_, _Comus_ and minor poems), Chaucer,
Dante, Spencer, Dryden, Scott, Wordsworth, Pope, Byron, and others, before
embarking on more doubtful adventures.

Among other books most frequently recommended are Goldsmith's _Vicar of
Wakefield_, Swift's _Gulliver's Travels_, Defoe's _Robinson Crusoe_, _The
Arabian Nights_, _Don Quixote_, Boswell's _Life of Johnson_, White's
_Natural History of Selborne_, Burke's Select Works (Payne), the Essays of
Bacon, Addison, Hume, Montaigne, Macaulay, and Emerson, Carlyle's _Past
and Present_, Smiles' _Self-Help_, and Goethe's _Faust_ and
_Autobiography_.

Nor can one go wrong in recommending Berkeley's _Human Knowledge_,
Descartes' _Discours sur la Methode_, Locke's _Conduct of the
Understanding_, Lewes' _History of Philosophy_; while, in order to keep
within the number one hundred, I can only mention Moliere and Sheridan
among dramatists. Macaulay considered Marivaux's _La Vie de Marianne_ the
best novel in any language, but my number is so nearly complete that I
must content myself with English: and will suggest Thackeray (_Vanity
Fair_ and _Pendennis_), Dickens (_Pickwick_ and _David Copperfield_), G.
Eliot (_Adam Bede_ or _The Mill on the Floss_), Kingsley (_Westward Ho!_),
Lytton (_Last Days of Pompeii_), and last, not least, those of Scott,
which indeed constitute a library in themselves, but which I must ask, in
return for my trouble, to be allowed, as a special favor, to count as one.

To any lover of books the very mention of these names brings back a crowd
of delicious memories, grateful recollections of peaceful home hours,
after the labors and anxieties of the day. How thankful we ought to be for
these inestimable blessings, for this numberless host of friends who never
weary, betray, or forsake us!


LIST OF 100 BOOKS.

_Works by Living Authors are omitted_.

  The Bible
  The Meditations of Marcus Aurelius
  Epictetus
  Aristotle's Ethics
  Analects of Confucius
  St. Hilaire's "Le Bouddha et sa religion"
  Wake's Apostolic Fathers
  Thos. a Kempis' Imitation of Christ
  Confessions of St. Augustine (Dr. Pusey)
  The Koran (portions of)
  Spinoza's Tractatus Theologico-Politicus
  Comte's Catechism of Positive Philosophy
  Pascal's Pensees
  Butler's Analogy of Religion
  Taylor's Holy Living and Dying
  Bunyan's Pilgrim's Progress
  Keble's Christian Year

       *       *       *       *       *

  Plato's Dialogues; at any rate, the Apology, Crito, and Phaedo
  Xenophon's Memorabilia
  Aristotle's Politics
  Demosthenes' De Corona.
  Cicero's De Officiis, De Amicitia, and De Senectute
  Plutarch's Lives
  Berkeley's Human Knowledge
  Descartes' Discours sur la Methode
  Locke's On the Conduct of the Understanding

       *       *       *       *       *

  Homer
  Hesiod
  Virgil
  Maha Bharata       |Epitomized in Talboys Wheeler's
  Ramayana           |History of India, vols. i. and ii.
  The Shahnameh
  The Nibelungenlied
  Malory's Morte d'Arthur

       *       *       *       *       *

  The Sheking
  Kalidasa's Sakuntala or The Lost Ring
  Aeschylus' Prometheus
    Trilogy of Orestes
  Sophocles' OEdipus
  Euripides' Medea
  Aristophanes' The Knights and Clouds
  Horace

       *       *       *       *       *

  Chaucer's Canterbury Tales (perhaps in Morris' edition; or, if
    expurgated, in C. Clarke's, or Mrs. Haweis')
  Shakespeare
  Milton's Paradise Lost, Lycidas, Comus, and the shorter poems
  Dante's Divina Commedia
  Spenser's Fairie Queen
  Dryden's Poems
  Scott's Poems
  Wordsworth (Mr. Arnold's selection)
  Pope's Essay on Criticism
    Essay on Man
    Rape of the Lock
  Burns
  Byron's Childe Harold
  Gray

       *       *       *       *       *

  Herodotus
  Xenophon's Anabasis and Memorabilia
  Thucydides
  Tacitus' Germania
  Livy
  Gibbon's Decline and Fall
  Hume's History of England
  Grote's History of Greece
  Carlyle's French Revolution
  Green's Short History of England
  Lewes' History of Philosophy

       *       *       *       *       *

  Arabian Nights
  Swift's Gulliver's Travels
  Defoe's Robinson Crusoe
  Goldsmith's Vicar of Wakefield
  Cervantes' Don Quixote
  Boswell's Life of Johnson
  Moliere
  Schiller's William Tell
  Sheridan's The Critic, School for Scandal, and The Rivals
  Carlyle's Past and Present

       *       *       *       *       *

  Bacon's Novum Organum
  Smith's Wealth of Nations (part of)
  Mill's Political Economy
  Cook's Voyages
  Humboldt's Travels
  White's Natural History of Selborne
  Darwin's Origin of Species
    Naturalist's Voyage
  Mill's Logic

       *       *       *       *       *

  Bacon's Essays
  Montaigne's Essays
  Hume's Essays
  Macaulay's Essays
  Addison's Essays
  Emerson's Essays
  Burke's Select Works
  Smiles' Self-Help

       *       *       *       *       *

  Voltaire's Zadig and Micromegas
  Goethe's Faust, and Autobiography
  Thackeray's Vanity Fair
    Pendennis
  Dickens' Pickwick
    David Copperfield
  Lytton's Last Days of Pompeii
  George Eliot's Adam Bede
  Kingsley's Westward Ho!
  Scott's Novels

[1] Several longer lists have been given; for instance, by Comte,
_Catechism, of Positive Philosophy_; Pycroft, _Course of English Reading_;
Baldwin, _The Book Lover_; Perkins, _The Best Reading_; and by Mr.
Ireland, _Books for General Readers_.

[2] It is much to be desired that some one would publish a selection from
the works of Seneca.




CHAPTER V.

THE BLESSING OF FRIENDS.


    "They seem to take away the sun from the world who withdraw friendship
    from life; for we have received nothing better from the Immortal Gods,
    nothing more delightful."--CICERO.


Most of those who have written in praise of books have thought they could
say nothing more conclusive than to compare them to friends.

"All men," said Socrates, "have their different objects of
ambition--horses, dogs, money, honor, as the case may be; but for his own
part he would rather have a good friend than all these put together." And
again, men know "the number of their other possessions, although they
might be very numerous, but of their friends, though but few, they were
not only ignorant of the number, but even when they attempted to reckon it
to such as asked them, they set aside again some that they had previously
counted among their friends; so little did they allow their friends to
occupy their thoughts. Yet in comparison with what possession, of all
others, would not a good friend appear far more valuable?"

"As to the value of other things," says Cicero, "most men differ;
concerning friendship all have the same opinion. What can be more foolish
than, when men are possessed of great influence by their wealth, power,
and resources, to procure other things which are bought by money--horses,
slaves, rich apparel, costly vases--and not to procure friends, the most
valuable and fairest furniture of life?" And yet, he continues, "every man
can tell how many goats or sheep he possesses, but not how many friends."
In the choice, moreover, of a dog or of a horse, we exercise the greatest
care: we inquire into its pedigree, its training and character, and yet we
too often leave the selection of our friends, which is of infinitely
greater importance--by whom our whole life will be more or less influenced
either for good or evil--almost to chance.

It is no doubt true, as the _Autocrat of the Breakfast Table_ says, that
all men are bores except when we want them. And Sir Thomas Browne quaintly
observes that "unthinking heads who have not learnt to be alone, are a
prison to themselves if they be not with others; whereas, on the contrary,
those whose thoughts are in a fair and hurry within, are sometimes fain to
retire into company to be out of the crowd of themselves." Still I do not
quite understand Emerson's idea that "men descend to meet." In another
place, indeed, he qualifies the statement, and says, "Almost all people
descend to meet." Even so I should venture to question it, especially
considering the context. "All association," he adds, "must be a
compromise, and, what is worse, the very flower and aroma of the flower of
each of the beautiful natures disappears as they approach each other."
What a sad thought! Is it really so; need it be so? And if it were, would
friends be any real advantage? I should have thought that the influence of
friends was exactly the reverse: that the flower of a beautiful nature
would expand, and the colors grow brighter, when stimulated by the warmth
and sunshine of friendship.

It has been said that it is wise always to treat a friend, remembering
that he may become an enemy, and an enemy, remembering that he may become
a friend; and whatever may be thought of the first part of the adage,
there is certainly much wisdom in the latter. Many people seem to take
more pains and more pleasure in making enemies, than in making friends.
Plutarch, indeed, quotes with approbation the advice of Pythagoras "not to
shake hands with too many," but as long as friends are well chosen, it is
true rather that

  "He who has a thousand friends,
    Has never a one to spare,
   And he who has one enemy,
    Will meet him everywhere,"

and unfortunately, while there are few great friends there is no little
enemy.

I guard myself, however, by saying again--As long as they are well chosen.
One is thrown in life with a great many people who, though not actively
bad, though they may not wilfully lead us astray, yet take no pains with
themselves, neglect their own minds, and direct the conversation to petty
puerilities or mere gossip; who do not seem to realize that conversation
may by a little effort be made most instructive and delightful, without
being in any way pedantic; or, on the other hand, may be allowed to drift
into a mere morass of muddy thought and weedy words. There is hardly
anyone from whom we may not learn much, if only they will trouble
themselves to tell us. Nay, even if they teach us nothing, they may help
us by the stimulus of intelligent questions, or the warmth of sympathy.
But if they do neither, then indeed their companionship, if companionship
it can be called, is mere waste of time, and of such we may well say, "I
do desire that we be better strangers."

Much certainly of the happiness and purity of our lives depends on our
making a wise choice of our companions and friends. If our friends are
badly chosen they will inevitably drag us down; if well they will raise us
up. Yet many people seem to trust in this matter to the chapter of
accident. It is well and right, indeed, to be courteous and considerate to
every one with whom we are brought into contact, but to choose them as
real friends is another matter. Some seem to make a man a friend, or try
to do so, because he lives near, because he is in the same business,
travels on the same line of railway, or for some other trivial reason.
There cannot be a greater mistake. These are only, in the words of
Plutarch, "the idols and images of friendship."

To be friendly with every one is another matter; we must remember that
there is no little enemy, and those who have ever really loved any one
will have some tenderness for all. There is indeed some good in most men.
"I have heard much," says Mr. Nasmyth in his charming autobiography,
"about the ingratitude and selfishness of the world. It may have been my
good fortune, but I have never experienced either of these unfeeling
conditions." Such also has been my own experience.

  "Men talk of unkind hearts, kind deeds
    With coldness still returning.
  Alas! the gratitude of men
    Has oftener left me mourning."

I cannot, then, agree with Emerson that "we walk alone in the world.
Friends such as we desire are dreams and fables. But a sublime hope cheers
ever the faithful heart, that elsewhere in other regions of the universal
power souls are now acting, enduring, and daring, which can love us, and
which we can love."

No doubt, much as worthy friends add to the happiness and value of life,
we must in the main depend on ourselves, and every one is his own best
friend or worst enemy.

Sad, indeed, is Bacon's assertion that "there is little friendship in the
world, and least of all between equals, which was wont to be magnified.
That  that is, is between superior and inferior, whose fortunes may
comprehend the one to the other." But this can hardly be taken as his
deliberate opinion, for he elsewhere says, "but we may go farther, and
affirm most truly, that it is a mere and miserable solitude to want true
friends, without which the world is but a wilderness." Not only, he adds,
does friendship introduce "daylight in the understanding out of darkness
and confusion of thoughts;" it "maketh a fair day in the affections from
storm and tempests:" in consultation with a friend a man "tosseth his
thoughts more easily; he marshalleth them more orderly; he seeth how they
look when they are turned into words; finally, he waxeth wiser than
himself, and that more by an hour's discourse than by a day's
meditation."... "But little do men perceive what solitude is, and how far
it extendeth, for a crowd is not company, and faces are but a gallery of
pictures, and talk but a tinkling cymbal where there is no love."

With this last assertion I cannot altogether concur. Surely even strangers
may be most interesting! and many will agree with Dr. Johnson when,
describing a pleasant evening, he summed it up--"Sir, we had a good talk."

Epictetus gives excellent advice when he dissuades from conversation on
the very subjects most commonly chosen, and advises that it should be on
"none of the common subjects--not about gladiators, nor horse-races, nor
about athletes, nor about eating or drinking, which are the usual
subjects; and especially not about men, as blaming them;" but when he
adds, "or praising them," the injunction seems to me of doubtful value.
Surely Marcus Aurelius more wisely advises that "when thou wishest to
delight thyself, think of the virtues of those who live with thee; for
instance, the activity of one, and the modesty of another, and the
liberality of a third, and some other good quality of a fourth. For
nothing delights so much as the examples of the virtues, when they are
exhibited in the morals of those who live with us and present themselves
in abundance, as far as is possible. Wherefore we must keep them before
us." Yet how often we know merely the sight of those we call our friends,
or the sound of their voices, but nothing whatever of their mind or soul.

We must, moreover, be as careful to keep friends as to make them. If every
one knew what one said of the other, Pascal assures us that "there would
not be four friends in the world." This I hope and think is too strong,
but at any rate try to be one of the four. And when you have made a
friend, keep him. Hast thou a friend, says an Eastern proverb, "visit him
often, for thorns and brushwood obstruct the road which no one treads."
The affections should not be mere "tents of a night."

Still less does Friendship confer any privilege to make ourselves
disagreeable. Some people never seem to appreciate their friends till they
have lost them. Anaxagoras described the Mausoleum as the ghost of wealth
turned into stone.

"But he who has once stood beside the grave to look back on the
companionship which has been for ever closed, feeling how impotent _then_
are the wild love and the keen sorrow, to give one instant's pleasure to
the pulseless heart, or atone in the lowest measure to the departed spirit
for the hour of unkindness, will scarcely for the future incur that debt
to the heart which can only be discharged to the dust." [1]

Death, indeed, cannot sever friendship. "Friends," says Cicero, "though
absent, are still present; though in poverty they are rich; though weak,
yet in the enjoyment of health; and, what is still more difficult to
assert, though dead they are alive." This seems a paradox, yet it there
not much truth in his explanation? "To me, indeed, Scipio still lives, and
will always live; for I love the virtue of that man, and that worth is not
yet extinguished.... Assuredly of all things that either fortune or time
has bestowed on me, I have none which I can compare with the friendship of
Scipio."

If, then, we choose our friends for what they are, not for what they have,
and if we deserve so great a blessing, then they will be always with us,
preserved in absence, and even after death, in the "amber of memory."

[1] Ruskin.




CHAPTER VI.

THE VALUE OF TIME.


    Each day is a little life.


All other good gifts depend on time for their value. What are friends,
books, or health, the interest of travel or the delights of home, if we
have not time for their enjoyment? Time is often said to be money, but it
is more-it is life; and yet many who would cling desperately to life,
think nothing of wasting time.

Ask of the wise, says Schiller in Lord Sherbrooke's translation,

  "The moments we forego
  Eternity itself cannot retrieve."

And, in the words of Dante,

  "For who knows most, him loss of time most grieves."

Not that a life of drudgery should be our ideal. Far from it. Time spent
in innocent and rational enjoyments, in healthy games, in social and
family intercourse, is well and wisely spent. Games not only keep the body
in health, but give a command over the muscles and limbs which cannot be
overvalued. Moreover, there are temptations which strong exercise best
enables us to resist.

It is the idle who complain they cannot find time to do that which they
fancy they wish. In truth, people can generally make time for what they
choose to do; it is not really the time but the will that is wanting: and
the advantage of leisure is mainly that we may have the power of choosing
our own work, not certainly that it confers any privilege of idleness.

"Time travels in divers paces with divers persons. I'll tell you who time
ambles withal, who time trots withal, who time gallops withal, and who he
stands still withal." [1]

For it is not so much the hours that tell, as the way we use them.

  "Circles are praised, not that excel
  In largeness, but th'exactly framed;
  So life we praise, that doth excel
  Not in much time, but acting well." [2]

"Idleness," says Jeremy Taylor, "is the greatest prodigality in the world;
it throws away that which is invaluable in respect of its present use, and
irreparable when it is past, being to be recovered by no power of art or
nature."

Life must be measured rather by depth than by length, by thought and
action rather than by time. "A counted number of pulses only," says Pater,
"is given to us of a variegated, aromatic, life. How may we see in them
all that is to be seen by the finest senses? How can we pass most swiftly
from point to point, and be present always at the focus where the greatest
number of vital forces unite in their purest energy? To burn always with
this hard gem-like flame, to maintain this ecstasy, is success in life.
Failure is to form habits, for habit is relation to a stereotyped
world:... while all melts under our feet, we may well catch at any
exquisite passion, or any contribution to knowledge, that seems, by a
lifted horizon, to set the spirit free for a moment."

I would not quote Lord Chesterfield as generally a safe guide, but there
is certainly much shrewd wisdom in his advice to his son with reference to
time. "Every moment you now lose, is so much character and advantage lost;
as, on the other hand, every moment you now employ usefully, is so much
time wisely laid out, at prodigious interest."

And again, "It is astonishing that any one can squander away in absolute
idleness one single moment of that small portion of time which is allotted
to us in the world ... Know the true value of time; snatch, seize, and
enjoy every moment of it."

  "Are you in earnest? seize this very minute,
  What you can do, or think you can, begin it." [3]

There is a Turkish proverb that the Devil tempts the Idle man, but the
Idle man tempts the Devil. I remember, says Hilliard, "a satirical poem,
in which the Devil is represented as fishing for men, and adapting his
bait to the tastes and temperaments of his prey; but the idlers were the
easiest victims, for they swallowed even the naked hook."

The mind of the idler indeed preys upon itself. "The human heart is like a
millstone in a mill; when you put wheat under it, it turns and grinds and
bruises the wheat to flour; if you put no wheat, it still grinds on--and
grinds itself away." [4]

It is not work, but care, that kills, and it is in this sense, I suppose,
that we are told to "take no thought for the morrow." To "consider the
lilies of the field, how they grow; they toil not, neither do they spin:
and yet even Solomon, in all his glory, was not arrayed like one of these.
Wherefore, if God so clothe the grass of the field, which to-day is, and
to-morrow is cast into the oven, shall he not much more clothe you, O ye
of little faith?" It would indeed be a mistake to suppose that lilies are
idle or imprudent. On the contrary, plants are most industrious, and
lilies store up in their complex bulbs a great part of the nourishment of
one year to quicken the growth of the next. Care, on the other hand, they
certainly know not. [5]

"Hours have wings, fly up to the author of time, and carry news of our
usage. All our prayers cannot entreat one of them either to return or
slacken his pace. The misspents of every minute are a new record against
us in heaven. Sure if we thought thus, we should dismiss them with better
reports, and not suffer them to fly away empty, or laden with dangerous
intelligence. How happy is it when they carry up not only the messages,
but the fruits of good, and stay with the Ancient of Days to speak for us
before His glorious throne!" [6]

Time is often said to fly; but it is not so much the time that flies; as
we that waste it, and wasted time is worse than no time at all; "I wasted
time," Shakespeare makes Richard II. say, "and now doth time waste me."

"He that is choice of his time," says Jeremy Taylor, "will also be choice
of his company, and choice of his actions; lest the first engage him in
vanity and loss, and the latter, by being criminal, be a throwing his time
and himself away, and a going back in the accounts of eternity."

The life of man is seventy years, but how little of this is actually our
own. We must deduct the time required for sleep, for meals, for dressing
and undressing, for exercise, etc., and then how little remains really at
our own disposal!

"I have lived," said Lamb, "nominally fifty years, but deduct from them
the hours I have lived for other people, and not for myself, and you will
find me still a young fellow."

The hours we live for other people, however, are not those that should be
deducted, but rather those which benefit neither oneself nor any one else;
and these, alas! are often very numerous.

"There are some hours which are taken from us, some which are stolen from
us, and some which slip from us." [7] But however we may lose them, we can
never get them back. It is wonderful, indeed, how much innocent happiness
we thoughtlessly throw away. An Eastern proverb says that calamities sent
by heaven may be avoided, but from those we bring on ourselves there is no
escape.

Some years ago I paid a visit to the principal lake villages of
Switzerland in company with a distinguished archaeologist, M. Morlot. To
my surprise I found that his whole income was L100 a year, part of which,
moreover, he spent in making a small museum. I asked him whether he
contemplated accepting any post or office, but he said certainly not. He
valued his leisure and opportunities as priceless possessions far more
than silver or gold, and would not waste any of his time in making money.

Time indeed, is a sacred gift, and each day is a little life. Just think
of our advantages here in London! We have access to the whole literature
of the world; we may see in our National Gallery the most beautiful
productions of former generations, and in the Royal Academy and other
galleries the works of the greatest living artists. Perhaps there is no
one who has ever found time to see the British Museum thoroughly. Yet
consider what it contains; or rather, what does it not contain? The most
gigantic of living and extinct animals; the marvellous monsters of
geological ages; the most beautiful birds, shells, and minerals; precious
stones and fragments from other worlds; the most interesting antiquities;
curious and fantastic specimens illustrating different races of men;
exquisite gems, coins, glass, and china; the Elgin marbles; the remains of
the Mausoleum; of the temple of Diana of Ephesus; ancient monuments of
Egypt and Assyria; the rude implements of our predecessors in England, who
were coeval with the hippopotamus and rhinoceros, the musk-ox, and the
mammoth; and beautiful specimens of Greek and Roman art.

Suffering may be unavoidable, but no one has any excuse for being dull.
And yet some people _are_ dull. They talk of a better world to come, while
whatever dulness there may be here is all their own. Sir Arthur Helps has
well said: "What! dull, when you do not know what gives its loveliness of
form to the lily, its depth of color to the violet, its fragrance to the
rose; when you do not know in what consists the venom of the adder, any
more than you can imitate the glad movements of the dove. What! dull, when
earth, air, and water are all alike mysteries to you, and when as you
stretch out your hand you do not touch anything the properties of which
you have mastered; while all the time Nature is inviting you to talk
earnestly with her, to understand her, to subdue her, and to be blessed by
her! Go away, man; learn something, do something, understand something,
and let me hear no more of your dulness."

[1] Shakespeare.

[2] Waller.

[3] _Faust_.

[4] Luther.

[5] The word used [Greek: merimnaesaete] is translated in Liddell and
Scott "to be anxious about, to be distressed in mind, to be cumbered with
many cares."

[6] Milton.

[7] Seneca.




CHAPTER VII.

THE PLEASURES OF TRAVEL.


    "I am a part of all that I have seen."--TENNYSON.


I am sometimes disposed to think that there are few things in which we of
this generation enjoy greater advantages over our ancestors than in the
increased facilities of travel; but I hesitate to say this, not because
our advantages are not great, but because I have already made the same
remark with reference to several other aspects of life.

The very word "travel" is suggestive. It is a form of "travail"--excessive
labor; and, as Skeat observes, it forcibly recalls the toil of travel in
olden days. How different things are now!

It is sometimes said that every one should travel on foot "like Thales,
Plato, and Pythagoras"; we are told that in these days of railroads people
rush through countries and see nothing. It may be so, but that is not the
fault of the railways. They confer upon us the inestimable advantage of
being able, so rapidly and with so little fatigue, to visit countries
which were much less accessible to our ancestors. What a blessing it is
that not our own islands only--our smiling fields and rich woods, the
mountains that are full of peace and the rivers of joy, the lakes and
heaths and hills, castles and cathedrals, and many a spot immortalized in
the history of our country:--not these only, but the sun and scenery of
the South, the Alps the palaces of Nature, the blue Mediterranean, and the
cities of Europe, with all their memories and treasures, are now brought
within a few hours of us.

Surely no one who has the opportunity should omit to travel. The world
belongs to him who has seen it. "But he that would make his travels
delightful must first make himself delightful." [1]

According to the old proverb, "the fool wanders, the wise man travels."
Bacon tells us that "the things to be seen and observed are the courts of
princes, especially when they give audience to ambassadors; the courts of
justice while they sit and hear causes; and so of consistories
ecclesiastic; the churches and monasteries, with the monuments which are
therein extant; the walls and fortifications of cities and towns; and so
the havens and harbors, antiquities and ruins, libraries, colleges,
disputations and lectures, when any are; shipping and navies; houses and
gardens of state and pleasure near great cities; armories, arsenals,
magazines, exchanges, burses, warehouses, exercises of horsemanship,
fencing, training of soldiers, and the like; comedies, such whereunto the
better sort of persons do resort; treasuries of jewels and robes; cabinets
and rarities; and, to conclude, whatsoever is memorable in the places
where they go."

But this depends on the time at our disposal, and the object with which we
travel. If we can stay long in any one place Bacon's advice is no doubt
excellent; but for the moment I am thinking rather of an annual holiday,
taken for the sake of rest and health; for fresh air and exercise rather
than for study. Yet even so, if we have eyes to see we cannot fail to lay
in a stock of new ideas as well as a store of health.

We may have read the most vivid and accurate description, we may have
pored over maps and plans and pictures, and yet the reality will burst on
us like a revelation. This is true not only of mountains and glaciers, of
palaces and cathedrals, but even of the simplest examples.

For instance, like every one else, I had read descriptions and seen
photographs and pictures of the Pyramids. Their form is simplicity itself.
I do not know that I could put into words any characteristic of the
original for which I was not prepared. It was not that they were larger;
it was not that they differed in form, in color, or situation. And yet,
the moment I saw them, I felt that my previous impression had been but a
faint shadow of the reality. The actual sight seemed to give life to the
idea.

Every one who has been in the East will agree that a week of oriental
travel brings out, with more than stereoscopic effect, the pictures of
patriarchal life as given us in the Old Testament. And what is true of the
Old Testament is true of history generally. To those who have been in
Athens or Rome, the history of Greece or Italy becomes far more
interesting; while, on the other hand, some knowledge of the history and
literature enormously enhances the interest of the scenes themselves.

Good descriptions and pictures, however, help us to see much more than we
should perhaps perceive for ourselves. It may even be doubted whether some
persons do not derive a more correct impression from a good drawing or
description, which brings out the salient points, than they would from
actual, but unaided, inspection. The idea may gain in accuracy, in
character, and even in detail, more than it misses in vividness. But,
however this may be, for those who cannot travel, descriptions and
pictures have an immense interest; while to those who _have_ traveled,
they will afford an inexhaustible delight in reviving the memories of
beautiful scenes and interesting expeditions.

It is really astonishing how little most of us see of the beautiful world
in which we live. Mr. Norman Lockyer tells me that while traveling on a
scientific mission in the Rocky Mountains, he was astonished to meet an
aged French Abbe, and could not help showing his surprise. The Abbe
observed this, and in the course of conversation explained his presence in
that distant region.

"You were," he said, "I easily saw, surprised to find me here. The fact
is, that some months ago I was very ill. My physicians gave me up: one
morning I seemed to faint and thought that I was already in the arms of
the Bon Dieu. I fancied one of the angels came and asked me, 'Well, M.
l'Abbe how did you like the beautiful world you have just left?' And then
it occurred to me that I who had been all my life preaching about heaven,
had seen almost nothing of the world in which I was living. I determined
therefore, if it pleased Providence to spare me, to see something of this
world; and so here I am."

Few of us are free, however much we might wish it, to follow the example
of the worthy Abbe. But although it may not be possible for us to reach
the Rocky Mountains, there are other countries nearer home which most of
us might find time to visit.

Though it is true that no descriptions can come near the reality, they may
at least persuade us to give ourselves this great advantage. Let me then
try to illustrate this by pictures in words, as realized by one of our
most illustrious countrymen; I will select references to foreign countries
only, not that we have not equal beauties here, but because everywhere in
England one feels oneself at home.

The following passage from _Tyndall's Hours of Exercise in the Alps_, is
almost as good as an hour in the Alps themselves:

"I looked over this wondrous scene toward Mont Blanc, the Grand Combin,
the Dent Blanche, the Weisshorn, the Dom, and the thousand lesser peaks
which seem to join in the celebration of the risen day. I asked myself, as
on previous occasions, How was this colossal work performed? Who chiselled
these mighty and picturesque masses out of a mere protuberance of the
earth? And the answer was at hand. Ever young, ever mighty-with the vigor
of a thousand worlds still within him-the real sculptor was even then
climbing up the eastern sky. It was he who raised aloft the waters which
cut out these ravines; it was he who planted the glaciers on the mountain
slopes, thus giving gravity a plough to open out the valleys; and it is
he who, acting through the ages, will finally lay low these mighty
monuments, rolling them gradually seaward, sowing the seeds of continents
to be; so that the people of an older earth may see mould spread, and corn
wave over the hidden rocks which at this moment bear the weight of the
Jungfrau." And the Alps lie within twenty-four hours of London!

Tyndall's writings also contain many vivid descriptions of glaciers; those
"silent and solemn causeways ... broad enough for the march of an army in
line of battle and quiet as a street of tombs in a buried city." [2] I do
not, however, borrow from him or from any one else any description of
glaciers, for they are so unlike anything else, that no one who has not
seen, can possibly visualize them.

The history of European rivers yet remains to be written, and is most
interesting. They did not always run in their present courses. The Rhone,
for instance, appears to have been itself a great traveler. At least there
seems reasons to believe that the upper waters of the Valais fell at first
into the Danube, and so into the Black Sea; subsequently joined the Rhine
and the Thames, and so ran far north over the plains which once connected
the mountains of Scotland and of Norway--to the Arctic Ocean; and to have
only comparatively of late years adopted their present course into the
Mediterranean.

But, however this may be, the Rhine of Germany and the Rhine of
Switzerland are very unlike. The catastrophe of Schaffhausen seems to
alter the whole character of the river, and no wonder. "Stand for half an
hour," says Ruskin, "beside the Fall of Schaffhausen, on the north side
where the rapids are long, and watch how the vault of water first bends,
unbroken, in pure polished velocity, over the arching rocks at the brow of
the cataract, covering them with a dome of crystal twenty feet thick, so
swift that its motion is unseen except when a foam globe from above darts
over it like a falling star;... and how ever and anon, startling you with
its white flash, a jet of spray leaps hissing out of the fall, like a
rocket, bursting in the wind and driven away in dust, filling the air with
light; and how, through the curdling wreaths of the restless crushing
abyss below, the blue of the water, paled by the foam in its body, shows
purer than the sky through white rain-cloud; ... their dripping masses
lifted at intervals, like sheaves of loaded corn, by some stronger gush
from the cataract, and bowed again upon the mossy rocks as its roar dies
away."

But much as we may admire the majestic grandeur of a mighty river, either
in its eager rush or its calmer moments, there is something which
fascinates even more in the free life, the young energy, the sparkling
transparence, and merry music of smaller streams.

"The upper Swiss valleys," as the same great Seer says, "are sweet with
perpetual streamlets, that seem always to have chosen the steepest places
to come down, for the sake of the leaps, scattering their handfuls of
crystal this way and that, as the winds take them, with all the grace, but
with none of the formalism, of fountains ... until at last ... they find
their way down to the turf, and lose themselves in that, silently; with
quiet depth of clear water furrowing among the grass blades, and looking
only like their shadow, but presently emerging again in little startled
gushes and laughing hurries, as if they had remembered suddenly that the
day was too short for them to get down the hill."

How vividly does Symonds bring before us the sunny shores of the
Mediterranean, which he loves so well, and the contrast between the
scenery of the North and the South.

"In northern landscapes the eye travels through vistas of leafy boughs to
still, secluded crofts and pastures, where slow-moving oxen graze. The
mystery of dreams and the repose of meditation haunt our massive bowers.
But in the South, the lattice-work of olive boughs and foliage scarcely
veils the laughing sea and bright blue sky, while the hues of the
landscape find their climax in the dazzling radiance of the sun upon the
waves, and the pure light of the horizon. There is no concealment and no
melancholy here. Nature seems to hold a never-ending festival and dance,
in which the waves and sunbeams and shadows join. Again, in northern
scenery, the rounded forms of full-foliaged trees suit the undulating
country, with its gentle hills and brooding clouds; but in the South the
spiky leaves and sharp branches of the olive carry out the defined
outlines which are everywhere observable through the broader beauties of
mountain and valley and sea-shore. Serenity and intelligence characterize
this southern landscape, in which a race of splendid men and women lived
beneath the pure light of Phoebus, their ancestral god. Pallas protected
them, and golden Aphrodite favored them with beauty. Olives are not,
however, by any means the only trees which play a part in idyllic scenery.
The tall stone pine is even more important.... Near Massa, by Sorrento,
there are two gigantic pines so placed that, lying on the grass beneath
them, one looks on Capri rising from the sea, Baiae, and all the bay of
Naples sweeping round to the base of Vesuvius. Tangled growths of olives,
and rose-trees fill the garden-ground along the shore, while far away in
the distance pale Inarime sleeps, with her exquisite Greek name, a virgin
island on the deep.

"On the wilder hills you find patches of ilex and arbutus glowing with
crimson berries and white waxen bells, sweet myrtle rods and shafts of
bay, frail tamarisk and tall tree-heaths that wave their frosted boughs
above your head. Nearer the shore the lentisk grows, a savory shrub, with
cytisus and aromatic rosemary. Clematis and polished garlands of tough
sarsaparilla wed the shrubs with clinging, climbing arms; and here and
there in sheltered nooks the vine shoots forth luxuriant tendrils bowed
with grapes, stretching from branch to branch of mulberry or elm, flinging
festoons on which young loves might sit and swing, or weaving a
lattice-work of leaves across the open shed. Nor must the sounds of this
landscape be forgotten,--sounds of bleating flocks, and murmuring bees,
and nightingales, and doves that moan, and running streams, and shrill
cicadas, and hoarse frogs, and whispering pines. There is not a single
detail which a patient student may not verify from Theocritus.

"Then too it is a landscape in which sea and country are never sundered.
The higher we climb upon the mountain-side the more marvellous is the
beauty of the sea, which seems to rise as we ascend, and stretch into the
sky. Sometimes a little flake of blue is framed by olive boughs, sometimes
a turning in the road reveals the whole broad azure calm below. Or, after
toiling up a steep ascent we fall upon the undergrowth of juniper, and lo!
a double sea, this way and that, divided by the sharp spine of the jutting
hill, jewelled with villages along its shore, and smiling with fair
islands and silver sails."

To many of us the mere warmth of the South is a blessing and a delight.
The very thought of it is delicious. I have read over again and again
Wallace's graphic description of a tropical sunrise--of the "sun of the
early morning that turneth all into gold." [3]

"Up to about a quarter past five o'clock," he says, "the darkness is
complete; but about that time a few cries of birds begin to break the
silence of night, perhaps indicating that signs of dawn are perceptible in
the eastern horizon. A little later the melancholy voices of the
goatsuckers are heard, varied croakings of frogs, the plaintive whistle of
mountain thrushes, and strange cries of birds or mammals peculiar to each
locality. About half-past five the first glimmer of light becomes
perceptible; it slowly becomes lighter, and then increases so rapidly that
at about a quarter to six it seems full daylight. For the next quarter of
an hour this changes very little in character; when, suddenly, the sun's
rim appears above the horizon, decking the dew-laden foliage with
glittering gems sending gleams of golden light far into the woods, and
waking up all nature to life and activity. Birds chirp and flutter about,
parrots scream, monkeys chatter, bees hum among the flowers, and gorgeous
butterflies flutter lazily along or sit with full expanded wings exposed
to the warm and invigorating rays. The first hour of morning in the
equatorial regions possesses a charm and a beauty that can never be
forgotten. All nature seems refreshed and strengthened by the coolness and
moisture of the past night, new leaves and buds unfold almost before the
eye, and fresh shoots may often be observed to have grown many inches
since the preceding day. The temperature is the most delicious
conceivable. The slight chill of early dawn, which was itself agreeable,
is succeeded by an invigorating warmth; and the intense sunshine lights up
the glorious vegetation of the tropics, and realizes all that the magic
art of the painter or the glowing words of the poet have pictured as their
ideals of terrestrial beauty."

Or take Dean Stanley's description of the colossal statues of Amenophis
III., the Memnon of the Greeks, at Thebes--"The sun was setting, the
African range glowed red behind them; the green plain was dyed with a
deeper green beneath them, and the shades of evening veiled the vast rents
and fissures in their aged frames. As I looked back at them in the sunset,
and they rose up in front of the background of the mountain, they seemed,
indeed, as if they were part of it,--as if they belonged to some natural
creation."

But I must not indulge myself in more quotations, though it is difficult
to stop. Such extracts recall the memory of many glorious days: for the
advantages of travel last through life; and often, as we sit at home,
"some bright and perfect view of Venice, of Genoa, or of Monte Rosa comes
back on you, as full of repose as a day wisely spent in travel." [4]

So far is a thorough love and enjoyment of travel from interfering with
the love of home, that perhaps no one can thoroughly enjoy his home who
does not sometimes wander away. They are like exertion and rest, each the
complement of the other; so that, though it may seem paradoxical, one of
the greatest pleasures of travel is the return; and no one who has not
roamed abroad, can realize the devotion which the wanderer feels for
Domiduca--the sweet and gentle goddess who watches over our coming home.

[1] Seneca.

[2] Ruskin.

[3] Morris.

[4] Helps.




CHAPTER VIII.

THE PLEASURES OF HOME.


    "There's no place like Home."--_Old English Song_.


It may well be doubted which is more delightful,--to start for a holiday
which has been fully earned, or to return home from one which has been
thoroughly enjoyed; to find oneself, with renewed vigor, with a fresh
store of memories and ideas, back once more by one's own fireside, with
one's family, friends, and books.

"To sit at home," says Leigh Hunt, "with an old folio (?) book of romantic
yet credible voyages and travels to read, an old bearded traveller for its
hero, a fireside in an old country house to read it by, curtains drawn,
and just wind enough stirring out of doors to make an accompaniment to the
billows or forests we are reading of--this surely is one of the perfect
moments of existence."

It is no doubt a great privilege to visit foreign countries; to travel say
in Mexico or Peru, or to cruise among the Pacific Islands; but in some
respects the narratives of early travellers, the histories of Prescott or
the voyages of Captain Cook, are even more interesting; describing to us,
as they do, a state of society which was then so unlike ours, but which
has now been much changed and Europeanized.

Thus we may make our daily travels interesting, even though, like those of
the Vicar of Wakefield, all our adventures are by our own fireside, and
all our migrations from one room to another.

Moreover, even if the beauties of home are humble, they are still
infinite, and a man "may lie in his bed, like Pompey and his sons, in all
quarters of the earth." [1]

It is, then, wise to "cultivate a talent very fortunate for a man of my
disposition, that of travelling in my easy chair; of transporting myself,
without stirring from my parlor, to distant places and to absent friends;
of drawing scenes in my mind's eye; and of peopling them with the groups
of fancy, or the society of remembrance." [2]

We may indeed secure for ourselves endless variety without leaving our own
firesides.

In the first place, the succession of seasons multiplies every home. How
different is the view from our windows as we look on the tender green of
spring, the rich foliage of summer, the glorious tints of autumn, or the
delicate tracery of winter.

Our climate is so happy, that even in the worst months of the year, "calm
mornings of sunshine visit us at times, appearing like glimpses of
departed spring amid the wilderness of wet and windy days that lead to
winter. It is pleasant, when these interludes of silver light occur, to
ride into the woods and see how wonderful are all the colors of decay.
Overhead, the elms and chestnuts hang their wealth of golden leaves, while
the beeches darken into russet tones, and the wild cherry glows like
blood-red wine. In the hedges crimson haws and scarlet hips are wreathed
with hoary clematis or necklaces of coral briony-berries; the brambles
burn with many-colored flames; the dog-wood is bronzed to purple; and here
and there the spindle-wood puts forth its fruit, like knots of rosy buds,
on delicate frail twigs. Underneath lie fallen leaves, and the brown brake
rises to our knees as we thread the forest paths." [3]

Nay, every day gives us a succession of glorious pictures in never-ending
variety. It is remarkable how few people seem to derive any pleasure from
the beauty of the sky. Gray, after describing a sunrise--how it began with
a slight whitening, just tinged with gold and blue, lit up all at once by
a little line of insufferable brightness which rapidly grew to half an
orb, and so to a whole one too glorious to be distinctly seen--adds, "I
wonder whether any one ever saw it before. I hardly believe it." [4]

No doubt from the dawn of poetry, the splendors of the morning and evening
skies have delighted all those who have eyes to see. But we are especially
indebted to Ruskin for enabling us more vividly to realize these glorious
sky pictures. As he says, in language almost as brilliant as the sky
itself, the whole heaven, "from the zenith to the horizon, becomes one
molten, mantling sea of color and fire; every block bar turns into massy
gold, every ripple and wave into unsullied, shadowless crimson, and
purple, and scarlet, and colors for which there are no words in language,
and no ideas in the mind--things which can only be conceived while they
are visible; the intense hollow blue of the upper sky melting through it
all, showing here deep and pure, and lightness; there, modulated by the
filmy, formless body of the transparent vapor, till it is lost
imperceptibly in its crimson and gold."

It is in some cases indeed "not color but conflagration," and though the
tints are richer and more varied toward morning and at sunset, the
glorious kaleidoscope goes on all day long. Yet "it is a strange thing how
little in general people know about the sky. It is the part of creation in
which Nature has done more for the sake of pleasing man, more for the sole
and evident purpose of talking to him, and teaching him, than in any other
of her works, and it is just the part in which we least attend to her.
There are not many of her other works in which some more material or
essential purpose than the mere pleasing of man is not answered by every
part of their organization; but every essential purpose of the sky might,
so far as we know, be answer, if once in three days, or thereabouts, a
great, ugly, black rain-cloud were brought up over the blue, and
everything well watered, and so all left blue again till next time, with
perhaps a film of morning and evening mist for dew. And instead of this,
there is not a moment of any day of our lives when Nature is not producing
scene after scene, picture after picture, glory after glory, and working
still upon such exquisite and constant principles of the most perfect
beauty, that it is quite certain it is all done for us, and intended for
our perpetual pleasure." [5]

Nor does the beauty end with the day. "It is nothing to sleep under the
canopy of heaven, where we have the globe of the earth for our place of
repose, and the glories of the heavens for our spectacle?" [6] For my part
I always regret the custom of shutting up our rooms in the evening, as
though there was nothing worth seeing outside. What, however, can be more
beautiful than to "look how the floor of heaven is thick inlaid with
patines of bright gold," or to watch the moon journeying in calm and
silver glory through the night. And even if we do not feel that "the man
who has seen the rising moon break out of the clouds at midnight, has been
present like an Archangel at the creation of light and of the world," [7]
still "the stars say something significant to all of us: and each man has
a whole hemisphere of them, if he will but look up, to counsel and
befriend him"; [8] for it is not so much, as Helps elsewhere observes, "in
guiding us over the seas of our little planet, but out of the dark waters
of our own perturbed minds, that we may make to ourselves the most of
their significance." Indeed,

     "How beautiful is night!
    A dewy freshness fills the silent air;
  No mist obscures, nor cloud, nor speck, nor stain,
      Breaks the serene of heaven:
    In full-orbed glory yonder moon divine
    Rolls through the dark blue depths;
     Beneath her steady ray
     The desert circle spreads,
  Like the round ocean, girdled with the sky;
      How beautiful is night!" [9]

I have never wondered at those who worshipped the sun and moon.

On the other hand, when all outside is dark and cold; when perhaps

  "Outside fall the snowflakes lightly;
    Through the night loud raves the storm;
  In my room the fire glows brightly,
    And 'tis cosy, silent, warm.

  "Musing sit I on the settle
    By the firelight's cheerful blaze,
  Listening to the busy kettle
    Humming long forgotten lays." [10]

For after all the true pleasures of home are not without, but within; and
"the domestic man who loves no music so well as his own kitchen clock and
the airs which the logs sing to him as they burn on the hearth, has
solaces which others never dream of." [11]

We love the ticking of the clock, and the flicker of the fire, like the
sound of the cawing of rooks, not so much for any beauty of their own as
for their associations.

It is a great truth that when we retire into ourselves we can call up what
memories we please.

  "How dear to this heart are the scenes of my childhood,
  When fond recollection recalls them to view.--
  The orchard, the meadow, the deep-tangled wildwood
  And every lov'd spot which my infancy knew." [12]

It is not so much the

  "Fireside enjoyments,
   And _all the comforts_ of the lowly roof," [13]

but rather, according to the higher and better ideal of Keble,

  "Sweet is the smile of home; the mutual look,
     When hearts are of each other sure;
  Sweet all the joys that crowd the household nook,
     The haunt of all affections pure."

In ancient times, not only among savage races, but even among the Greeks
themselves, there seems to have been but little family life. What a
contrast was the home life of the Greeks, as it seems to have been, to
that, for instance, described by Cowley--a home happy "in books and
gardens," and above all, in a

  "Virtuous wife, where thou dost meet
  Both pleasures more refined and sweet;
  The fairest garden in her looks
  And in her mind the wisest books."

No one who has ever loved mother or wife, sister or daughter, can read
without astonishment and pity St. Chrysostom's description of woman as "a
necessary evil, a natural temptation, a desirable calamity, a domestic
peril, a deadly fascination, and a painted ill."

In few respects has mankind made a greater advance than in the relations
of men and women. It is terrible to think how women suffer in savage life;
and even among the intellectual Greeks, with rare exceptions, they seem to
have been treated rather as housekeepers or playthings than as the Angels
who make a Heaven of home.

The Hindoo proverb that you should "never strike a wife, even with a
flower," though a considerable advance, tells a melancholy tale of what
must previously have been.

In _The Origin of Civilization_ I have given many cases showing how small
a part family affection plays in savage life. Here I will only mention one
case in illustration. The Algonquin (North America) language contained no
word for "to love," so that when the missionaries translated the Bible
into it they were obliged to invent one. What a life, and what a language,
without love.

Yet in marriage even the rough passion of a savage may contrast favorably
with any cold calculation, which, like the enchanted hoard of the
Nibelungs, is almost sure to bring misfortune. In the Kalevala, the
Finnish epic, the divine smith, Ilmarinnen, forges a bride of gold and
silver for Wainamoinen, who was pleased at first to have so rich a wife,
but soon found her intolerably cold, for, in spite of fires and furs,
whenever he touched her she froze him.

Moreover, apart from mere coldness, how much we suffer from foolish
quarrels about trifles; from mere misunderstandings; from hasty words
thoughtlessly repeated, sometimes without the context or tone which would
have deprived them of any sting. How much would that charity which
"beareth all things, believeth all things, hopeth all things, endureth all
things," effect to smooth away the sorrows of life and add to the
happiness of home. Home indeed may be a sure haven of repose from the
storms and perils of the world. But to secure this we must not be content
to pave it with good intentions, but must make it bright and cheerful.

If our life be one of toil and of suffering, if the world outside be cold
and dreary, what a pleasure to return to the sunshine of happy faces and
the warmth of hearts we love.

[1] Sir T. Browne.

[2] Mackenzie, _The Lounger_.

[3] J. A. Symonds.

[4] Gray's Letters.

[5] Ruskin.

[6] Seneca.

[7] Emerson.

[8] Helps.

[9] Southey.

[10] Heine, trans. by E. A. Bowring.

[11] Emerson.

[12] Woodworth.

[13] Cowper.




CHAPTER IX.

SCIENCE.


    "Happy is he that findeth wisdom,
    And the man that getteth understanding:
    For the merchandise of it is better than silver,
    And the gain thereof than fine gold.
    She is more precious than rubies:
    And all the things thou canst desire are not to be compared unto her.
    Length of days is in her right hand,
    And in her left hand riches and honor.
    Her ways are ways of pleasantness,
    And all her paths are peace."

    PROVERBS OF SOLOMON.


Those who have not tried for themselves can hardly imagine how much
Science adds to the interest and variety of life. It is altogether a
mistake to regard it as dry, difficult, or prosaic--much of it is as easy
as it is interesting. A wise instinct of old united the prophet and the
"seer." "The wise man's eyes are in his head, but the fool walketh in
darkness." Technical works, descriptions of species, etc., bear the same
relation to science as dictionaries do to literature.

Occasionally, indeed, Science may destroy some poetical myth of antiquity,
such as the ancient Hindoo explanation of rivers, that "Indra dug out
their beds with his thunderbolts, and sent them forth by long continuous
paths;" but the real causes of natural phenomena are far more striking,
and contain more true poetry, than those which have occurred to the
untrained imagination of mankind.

In endless aspects science is as wonderful and interesting as a fairy
tale.

  "There are things whose strong reality
    Outshines our fairyland; in shape and hues
  More beautiful than our fantastic sky,
    And the strange constellations which the Muse
    O'er her wild universe is skillful to diffuse." [1]

Mackay justly exclaims:

  "Blessings on Science! When the earth seemed old,
  When Faith grew doting, and our reason cold,
  'Twas she discovered that the world was young,
  And taught a language to its lisping tongue."

Botany, for instance, is by many regarded as a dry science. Yet though
without it we may admire flowers and trees, it is only as strangers, only
as one may admire a great man or a beautiful woman in a crowd. The
botanist, on the contrary--nay, I will not say the botanist, but one with
even a slight knowledge of that delightful science--when he goes out into
the woods, or into one of those fairy forests which we call fields, finds
himself welcomed by a glad company of friends, every one with something
interesting to tell. Dr. Johnson said that, in his opinion, when you had
seen one green field you had seen all; and a greater even than
Johnson--Socrates--the very type of intellect without science, said he was
always anxious to learn, and from fields and trees he could learn nothing.

It has, I know, been said that botanists

  "Love not the flower they pluck and know it not.
  And all their botany is but Latin names."

Contrast this, however, with the language of one who would hardly claim to
be a master in botany, though he is certainly a loving student.
"Consider," says Ruskin, "what we owe to the meadow grass, to the covering
of the dark ground by that glorious enamel, by the companies of those
soft, countless, and peaceful spears of the field! Follow but for a little
time the thought of all that we ought to recognize in those words. All
spring and summer is in them--the walks by silent scented paths, the rest
in noonday heat, the joy of the herds and flocks, the power of all
shepherd life and meditation; the life of the sunlight upon the world,
falling in emerald streaks and soft blue shadows, when else it would have
struck on the dark mould or scorching dust; pastures beside the pacing
brooks, soft banks and knolls of lowly hills, thymy slopes of down
overlooked by the blue line of lifted sea; crisp lawns all dim with early
dew, or smooth in evening warmth of barred sunshine, dinted by happy feet,
softening in their fall the sound of loving voices."

My own tastes and studies have led me mainly in the direction of Natural
History and Archaeology; but if you love one science, you cannot but feel
intense interest in them all. How grand are the truths of Astronomy!
Prudhomme, in a sonnet beautifully translated by Arthur O'Shaugnessy, has
pictured an Observatory. He says--

  "'Tis late; the astronomer in his lonely height,
  Exploring, all the dark, descries afar
  Orbs that like distant isles of splendor are."

He notices a comet, and calculating its orbit, finds that it will return
in a thousand years--

  "The star will come. It dare not by one hour
    Cheat Science, or falsify her calculation;
  Men will have passed, but, watchful in the tower,
    Man shall remain in sleepless contemplation;
  And should all men have perished in their turn,
  Truth in their place would watch that star's return."

Ernest Rhys well says of a student's chamber--

  "Strange things pass nightly in this little room,
  All dreary as it looks by light of day;
  Enchantment reigns here when at evening play
  Red fire-light glimpses through the pallid gloom."

And the true student, in Ruskin's words, stands on an eminence from which
he looks back on the universe of God and forward over the generations of
men.

Even if it be true that science was dry when it was buried in huge folios,
that is certainly no longer the case now; and Lord Chesterfield's wise
wish, that Minerva might have three graces as well as Venus, has been
amply fulfilled.

The study of natural history indeed seems destined to replace the loss of
what is, not very happily I think, termed "sport;" engraven in us as it is
by the operation of thousands of years, during which man lived greatly on
the produce of the chase. Game is gradually becoming "small by degrees and
beautifully less." Our prehistoric ancestors hunted the mammoth, the
woolly-haired rhinoceros, and Irish elk; the ancient Britons had the wild
ox, the deer, and the wolf. We have still the pheasant, the partridge, the
fox, and the hare; but even these are becoming scarcer, and must be
preserved first, in order that they may be killed afterwards. Some of us
even now--and more, no doubt, will hereafter--satisfy instincts,
essentially of the same origin, by the study of birds, or insects, or even
infusoria--of creatures which more than make up by their variety what they
want in size.

Emerson avers that when a naturalist has "got all snakes and lizards in
his phials, science has done for him also, and has put the man into a
bottle." I do not deny that there are such cases, but they are quite
exceptional. The true naturalist is no mere dry collector.

I cannot resist, although it is rather long, quoting the following
description from Hudson and Gosse's beautiful work on the Rotifera:--

"On the Somersetshire side of the Avon, and not far from Clifton, is a
little combe, at the bottom of which lies an old fish-pond. Its slopes are
covered with plantations of beech and fir, so as to shelter the pond on
three sides, and yet leave it open to the soft south-western breezes, and
to the afternoon sun. At the head of the combe wells up a clear spring,
which sends a thread of water, trickling through a bed of osiers, into the
upper end of the pond. A stout stone wall has been drawn across the combe
from side to side, so as to dam up the stream; and there is a gap in one
corner through which the overflow finds its way in a miniature cascade,
down into the lower plantation.

"If we approach the pond by the gamekeeper's path from the cottage above,
we shall pass through the plantation, and come unseen right on the corner
of the wall; so that one quiet step will enable us to see at a glance its
whole surface, without disturbing any living thing that may be there.

"Far off at the upper end a water-hen is leading her little brood among
the willows; on the fallen trunk of an old beech, lying half way across
the pond, a vole is sitting erect, rubbing his right ear, and the splash
of a beech husk just at our feet tells of a squirrel who is dining
somewhere in the leafy crown above us.

"But see, the water-rat has spied us out, and is making straight for his
hole in the bank, while the ripple above him is the only thing that tells
of his silent flight. The water-hen has long ago got under cover, and the
squirrel drops no more husks. It is a true Silent Pond, and without a sign
of life.

"But if, retaining sense and sight, we could shrink into living atoms and
plunge under the water, of what a world of wonders should we then form
part! We should find this fairy kingdom peopled with the strangest
creatures--creatures that swim with their hair, that have ruby eyes
blazing deep in their necks, with telescopic limbs that now are withdrawn
wholly within their bodies and now stretched out to many times their own
length. Here are some riding at anchor, moored by delicate threads spun
out from their toes; and there are others flashing by in glass armor,
bristling with sharp spikes or ornamented with bosses and flowing curves;
while fastened to a great stem is an animal convolvulus that, by some
invisible power, draws a never-ceasing stream of victims into its gaping
cup, and tears them to death with hooked jaws deep down within its body.

"Close by it, on the same stem, is something that looks like a filmy
heart's-ease. A curious wheelwork runs round its four outspread petals;
and a chain of minute things, living and dead, is winding in and out of
their curves into a gulf at the back of the flower. What happens to them
there we cannot see; for round the stem is raised a tube of golden-brown
balls, all regularly piled on each other. Some creature dashes by, and
like a flash the flower vanishes within its tube.

"We sink still lower, and now see on the bottom slow gliding lumps of
jelly that thrust a shapeless arm out where they will, and grasping their
prey with these chance limbs, wrap themselves round their food to get a
meal; for they creep without feet, seize without hands, eat without
mouths, and digest without stomachs."

Too many, however, still feel only in Nature that which we share "with the
weed and the worm;" they love birds as boys do--that is, they love
throwing stones at them; or wonder if they are good to eat, as the
Esquimaux asked about the watch; or treat them as certain devout Afreedee
villagers are said to have treated a descendant of the Prophet--killed him
in order to worship at his tomb: but gradually we may hope that the love
of Science--the notes "we sound upon the strings of nature" [2]--will
become to more and more, as already it is to many, a "faithful and sacred
element of human feeling."

Science summons us

  "To that cathedral, boundless as our wonder,
     Whose quenchless lamps the sun and moon supply;
  Its choir the winds and waves, its organ thunder,
                       Its dome the sky." [3]

Where the untrained eye will see nothing but mire and dirt, Science will
often reveal exquisite possibilities. The mud we tread under our feet in
the street is a grimy mixture of clay and sand, soot and water. Separate
the sand, however, as Ruskin observes--let the atoms arrange themselves in
peace according to their nature--and you have the opal. Separate the clay,
and it becomes a white earth, fit for the finest porcelain; or if it still
further purifies itself, you have a sapphire. Take the soot, and if
properly treated it will give you a diamond. While, lastly, the water,
purified and distilled, will become a dew-drop, or crystallize into a
lovely star. Or, again, you may see as you will in any shallow pool either
the mud lying at the bottom, or the image of the heavens above.

Nay, even if we imagine beauties and charms which do not really exist;
still if we err at all it is better to do so on the side of charity; like
Nasmyth, who tells us in his delightful autobiography, that he used to
think one of his friends had a charming and kindly twinkle, and was one
day surprised to discover that he had a glass eye.

But I should err indeed were I to dwell exclusively on science as lending
interest and charm to our leisure hours. Far from this, it would be
impossible to overrate the importance of scientific training on the wise
conduct of life.

"Science," said the Royal Commission of 1861, "quickens and cultivates
directly the faculty of observation, which in very many persons lies
almost dormant through life, the power of accurate and rapid
generalization, and the mental habit of method and arrangement; it
accustoms young persons to trace the sequence of cause and effect; it
familiarizes them with a kind of reasoning which interests them, and which
they can promptly comprehend; and it is perhaps the best corrective for
that indolence which is the vice of half-awakened minds, and which shrinks
from any exertion that is not, like an effort of memory, merely
mechanical."

Again, when we contemplate the grandeur of science, if we transport
ourselves in imagination back into primeval times, or away into the
immensity of space, our little troubles and sorrows seem to shrink into
insignificance. "Ah, beautiful creations!" says Helps, speaking of the
stars, "it is not in guiding us over the seas of our little planet, but
out of the dark waters of our own perturbed minds, that we may make to
ourselves the most of your significance." They teach, he tells us
elsewhere, "something significant to all of us; and each man has a whole
hemisphere of them, if he will but look up, to counsel and befriend him."

There is a passage in an address given many years ago by Professor Huxley
to the South London Working Men's College which struck me very much at the
time, and which puts this in language more forcible than any which I could
use.

"Suppose," he said, "it were perfectly certain that the life and fortune
of every one of us would, one day or other, depend upon his winning or
losing a game of chess. Don't you think that we should all consider it to
be a primary duty to learn at least the names and the moves of the pieces?
Do you not think that we should look with a disapprobation amounting to
scorn upon the father who allowed his son, or the State which allowed its
members, to grow up without knowing a pawn from a knight? Yet it is a very
plain and elementary truth that the life, the fortune, and the happiness
of every one of us, and more or less of those who are connected with us,
do depend upon our knowing something of the rules of a game infinitely
more difficult and complicated than chess. It is a game which has been
played for untold ages, every man and woman of us being one of the two
players in a game of his or her own. The chessboard is the world, the
pieces are the phenomena of the Universe, the rules of the game are what
we call the laws of Nature. The player on the other side is hidden from
us. We know that his play is always fair, just, and patient. But also we
know to our cost that he never overlooks a mistake or makes the smallest
allowance for ignorance. To the man who plays well the highest stakes are
paid, with that sort of overflowing generosity which with the strong shows
delight in strength. And one who plays ill is checkmated--without haste,
but without remorse."

I have elsewhere endeavored to show the purifying and ennobling influence
of science upon religion; how it has assisted, if indeed it may not claim
the main share, in sweeping away the dark superstitions, the degrading
belief in sorcery and witchcraft, and the cruel, however well-intentioned,
intolerance which embittered the Christian world almost from the very days
of the Apostles themselves. In this she has surely performed no mean
service to religion itself. As Canon Fremantle has well and justly said,
men of science, and not the clergy only, are ministers of religion.

Again, the national necessity for scientific education is imperative. We
are apt to forget how much we owe to science, because so many of its
wonderful gifts have become familiar parts of our everyday life, that
their very value makes us forget their origin. At the recent celebration
of the sexcentenary of Peterhouse College, near the close of a long
dinner, Sir Frederick Bramwell was called on, some time after midnight, to
return thanks for Applied Science. He excused himself from making a long
speech on the ground that, though the subject was almost inexhaustible,
the only illustration which struck him as appropriate under the
circumstances was "the application of the domestic lucifer to the bedroom
candle." One cannot but feel how unfortunate was the saying of the poet
that

  "The light-outspeeding telegraph
  Bears nothing on its beam."

The report of the Royal Commission on Technical Instruction, which has
recently been issued, teems with illustrations of the advantages afforded
by technical instruction. At the same time, technical training ought not
to begin too soon, for, as Bain truly observes, "in a right view of
scientific education the first principles and leading examples, with
select details, of all the great sciences, are the proper basis of the
complete and exhaustive study of any single science." Indeed, in the words
of Sir John Herschel, "it can hardly be pressed forcibly enough on the
attention of the student of Nature, that there is scarcely any natural
phenomenon which can be fully and completely explained in all its
circumstances, without a union of several, perhaps of all, the sciences."
The most important secrets of Nature are often hidden away in unexpected
places. Many valuable substances have been discovered in the refuse of
manufactories; and it was a happy thought of Glauber to examine what
everybody else threw away. There is perhaps no nation the future happiness
and prosperity of which depend more on science than our own. Our
population is over 35,000,000, and is rapidly increasing. Even at present
it is far larger than our acreage can support. Few people whose business
does not lie in the study of statistics realize that we have to pay
foreign countries no less than L140,000,000 a year for food. This, of
course, we purchase mainly by manufactured articles. We hear now a great
deal about depression of trade, and foreign, especially American,
competition, which, let me observe, will be much keener a few years hence,
when the United States have paid off their debt, and consequently reduced
taxation.

But let us look forward a hundred years--no long time in the history of a
nation. Our coal supplies will then be greatly diminished. The population
of Great Britain doubles at the present rate of increase in about fifty
years, so that we should, if the present rate continues, require to import
over L400,000,000 a year in food. How, then, is this to be paid for? We
have before us, as usual, three courses. The natural rate of increase may
be stopped, which means suffering and outrage; or the population may
increase, only to vegetate in misery and destitution; or, lastly, by the
development of scientific training and appliances, they may probably be
maintained in happiness and comfort. We have, in fact, to make our choice
between science and suffering. It is only by wisely utilizing the gifts of
science that we have any hope of maintaining our population in plenty and
comfort. Science, however, will do this for us if we will only let her.
She may be no Fairy Godmother indeed, but she will richly endow those who
love her.

That discoveries, innumerable, marvellous, and fruitful, await the
successful explorers of Nature no one can doubt. What would one not give
for a Science primer of the next century? for, to paraphrase a well-known
saying, even the boy at the plough will then know more of science than the
wisest of our philosophers do now. Boyle entitled one of his essays "Of
Man's great Ignorance of the Uses of Natural Things; or that there is no
one thing in Nature whereof the uses to human life are yet thoroughly
understood"--a saying which is still as true now as when it was written.
And, lest I should be supposed to be taking too sanguine a view, let me
give the authority of Sir John Herschel, who says: "Since it cannot but be
that innumerable and most important uses remain to be discovered among the
materials and objects already known to us, as well as among those which
the progress of science must hereafter disclose, we may hence conceive a
well-grounded expectation, not only of constant increase in the physical
resources of mankind, and the consequent improvement of their condition,
but of continual accession to our power of penetrating into the arcana of
Nature and becoming acquainted with her highest laws."

Nor is it merely in a material point of view that science would thus
benefit the nation. She will raise and strengthen the national, as surely
as the individual, character. The great gift which Minerva offered to
Paris is now freely tendered to all, for we may apply to the nation, as
well as to the individual, Tennyson's noble lines:--

  "Self-reverence, self-knowledge, self-control:
  These three alone lead life to sovereign power,
  Yet not for power (power of herself
  Would come uncalled for), but to live by law;
  Acting the law we live by without fear."

"In the vain and foolish exultation of the heart," said John Quincy Adams,
at the close of his final lecture on resigning his chair at Boston, "which
the brighter prospects of life will sometimes excite, the pensive portress
of Science shall call you to the sober pleasures of her holy cell. In the
mortification of disappointment, her soothing voice shall whisper serenity
and peace. In social converse with the mighty dead of ancient days, you
will never smart under the galling sense of dependence upon the mighty
living of the present age. And in your struggles with the world, should a
crisis ever occur, when even friendship may deem it prudent to desert you,
when priest and Levite shall come and look on you and pass by on the other
side, seek refuge, my unfailing friends, and be assured you shall find it,
in the friendship of Laelius and Scipio, in the patriotism of Cicero,
Demosthenes, and Burke, as well as in the precepts and example of Him
whose law is love, and who taught us to remember injuries only to forgive
them."

Let me in conclusion quote the glowing description of our debt to science
given by Archdeacon Farrar in his address at Liverpool College--testimony,
moreover, all the more valuable, considering the source from which it
comes.

"In this great commercial city," he said, "where you are surrounded by the
triumphs of science and of mechanism--you, whose river is ploughed by the
great steamships whose white wake has been called the fittest avenue to
the palace front of a mercantile people--you know well that in the
achievements of science there is not only beauty and wonder, but also
beneficence and power. It is not only that she has revealed to us infinite
space crowded with unnumbered worlds; infinite time peopled by unnumbered
existences; infinite organisms hitherto invisible but full of delicate and
iridescent loveliness; but also that she has been, as a great Archangel of
Mercy, devoting herself to the service of man. She has labored, her
votaries have labored, not to increase the power of despots or to add to
the magnificence of courts, but to extend human happiness, to economize
human effort, to extinguish human pain. Where of old, men toiled, half
blinded and half naked, in the mouth of the glowing furnace to mix the
white-hot iron, she now substitutes the mechanical action of the viewless
air. She has enlisted the sunbeam in her service to limn for us, with
absolute fidelity, the faces of the friends we love. She has shown the
poor miner how he may work in safety, even amid the explosive fire-damp of
the mine. She hits, by her anaesthetics, enabled the sufferer to be hushed
and unconscious while the delicate hand of some skilled operator cuts a
fragment from the nervous circle of the unquivering eye. She points not to
pyramids built during weary centuries by the sweat of miserable nations,
but to the lighthouse and the steamship, to the railroad and the
telegraph. She has restored eyes to the blind and hearing to the deaf. She
has lengthened life, she has minimized danger, she has controlled madness,
she has trampled on disease. And on all these grounds, I think that none
of our sons should grow up wholly ignorant of studies which at once train
the reason and fire the imagination, which fashion as well as forge, which
can feed as well as fill the mind."

[1] Byron.

[2] Emerson.

[3] H. Smith.




CHAPTER X.

EDUCATION.


    "No pleasure is comparable to the standing upon the
    vantage ground of truth."--BACON.


                   "Divine Philosophy!
    Not harsh and crabbed as dull fools suppose,
    But musical as is Apollo's lute,
    And a perpetual feast of nectar'd sweets
    Where no crude surfeit reigns."--MILTON.


It may seem rather surprising to include education among the pleasures of
life; for in too many cases it is made odious to the young, and is
supposed to cease with school; while, on the contrary, if it is to be
really successful it must be suitable, and therefore interesting, to
children, and must last through life. The very process of acquiring
knowledge is a privilege and a blessing. It used to be said that there was
no royal road to learning; it would be more true to say that the avenues
leading to it are all royal.

"It is not," says Jeremy Taylor, "the eye that sees the beauties of
heaven, nor the ear that hears the sweetness of music, or the glad tidings
of a prosperous accident; but the soul that perceives all the relishes of
sensual and intellectual perceptions: and the more noble and excellent the
soul is, the greater and more savory are its perceptions. And if a child
behold the rich ermine, or the diamonds of a starry night, or the order of
the world, or hears the discourses of an apostle; because he makes no
reflex act on himself and sees not what he sees, he can have but the
pleasure of a fool or the deliciousness of a mule."

Herein lies the importance of education. I say education rather than
instruction, because it is far more important to cultivate the mind than
to store the memory. Studies are a means and not an end. "To spend too
much time in studies is sloth; to use them too much for ornament is
affectation; to make judgment wholly by their rules is the humor of a
scholar: they perfect nature, and are perfected by experience.... Crafty
men contemn studies, simple men admire them, and wise men use them." [1]

Moreover, though, as Mill says, "in the comparatively early state of human
development in which we now live, a person cannot indeed feel that
entireness of sympathy with all others which would make any real
discordance in the general direction of their conduct in life impossible,"
yet education might surely do more to root in us the feeling of unity with
our fellow-creatures. At any rate, if we do not study in this spirit, all
our learning will but leave us as weak and sad as Faust.

  "I've now, alas! Philosophy,
     Medicine and Jurisprudence too,
   And to my cost Theology,
     With ardent labor studied through,
   And here I stand, with all my lore
     Poor fool, no wiser than before." [2]

Our studies should be neither "a couch on which to rest; nor a cloister in
which to promenade alone; nor a tower from which to look down on others;
nor a fortress whence we may resist them; nor a workshop for gain and
merchandise; but a rich armory and treasury for the glory of the creator
and the ennoblement of life." [3]

For in the noble words of Epictetus, "you will do the greatest service to
the state if you shall raise, not the roofs of the houses, but the souls
of the citizens: for it is better that great souls should dwell in small
houses rather than for mean slaves to lurk in great houses."

It is then of great importance to consider whether our present system of
education is the one best calculated to fulfil these great objects. Does
it really give that love of learning which is better than learning itself?
Does all the study of the classics to which our sons devote so many years
give any just appreciation of them; or do they not on leaving college too
often feel with Byron--

    "Then farewell, Horace; whom I hated so!"

Too much concentration on any one subject is a great mistake, especially
in early life. Nature herself indicates the true system, if we would but
listen to her. Our instincts are good guides, though not infallible, and
children will profit little by lessons which do not interest them. In
cheerfulness, says Pliny, is the success of our studies--"studia
hilaritate proveniunt"--and we may with advantage take a lesson from
Theognis, who, in his Ode on the Marriage of Cadmus and Harmonia, makes
the Muses sing:

  "What is good and fair,
  Shall ever be our care;
    Thus the burden of it rang,
  That shall never be our care,
  Which is neither good nor fair.
    Such were the words your lips immortal sang."

There are some who seem to think that our educational system is as good as
possible, and that the only remaining points of importance are the number
of schools and scholars, the question of fees, the relation of voluntary
and board schools, etc. "No doubt," says Mr. Symonds, in his _Sketches in
Italy and Greece_, "there are many who think that when we not only
advocate education but discuss the best system we are simply beating the
air; that our population is as happy and cultivated as can be, and that no
substantial advance is really possible. Mr. Galton, however, has expressed
the opinion, and most of those who have written on the social condition of
Athens seem to agree with him, that the population of Athens, taken as a
whole, was as superior to us as we are to Australian savages."

That there is, indeed, some truth in this, probably no student of Greek
history will deny. Why, then, should this be so? I cannot but think that
our system of education is partly responsible.

Manual and science teaching need not in any way interfere with instruction
in other subjects. Though so much has been said about the importance of
science and the value of technical instruction, or of hand-training, as I
should prefer to call it, it is unfortunately true that in our system of
education, from the highest schools downward, both of them are sadly
neglected, and the study of language reigns supreme.

This is no new complaint. Ascham, in _The Schoolmaster_, long ago lamented
it; Milton, in his letter to Mr. Samuel Hartlib, complained "that our
children are forced to stick unreasonably in these grammatick flats and
shallows;" and observes that, "though a linguist should pride himself to
have all the tongues Babel cleft the world into, yet, if he have not
studied the solid things in them as well as the words and lexicons, he
were nothing so much to be esteemed a learned man as any yeoman or
tradesman competently wise in his mother dialect only;" and Locke said
that "schools fit us for the university rather than for the world."
Commission after commission, committee after committee, have reiterated
the same complaint. How then do we stand now?

I see it indeed constantly stated that, even if the improvement is not so
rapid as could be desired, still we are making considerable progress. But
is this so? I fear not. I fear that our present system does not really
train the mind, or cultivate the power of observation, or even give the
amount of information which we may reasonably expect from the time devoted
to it.

Sir M. E. Grant-Duff has expressed the opinion that a boy or girl of
fourteen might reasonably be expected to "read aloud clearly and
agreeably, to write a large distinct round hand, and to know the ordinary
rules of arithmetic, especially compound addition--a by no means universal
accomplishment; to speak and write French with ease and correctness, and
have some slight acquaintance with French literature; to translate _ad
aperturam libri_ from an ordinary French or German book; to have a
thoroughly good elementary knowledge of geography, under which are
comprehended some notions of astronomy--enough to excite his curiosity; a
knowledge of the very broadest facts of geology and history--enough to
make him understand, in a clear but perfectly general way, how the larger
features of the world he lives in, physical and political, came to be like
what they are; to have been trained from earliest infancy to use his
powers of observation on plants, or animals, or rocks, or other natural
objects; and to have gathered a general acquaintance with what is most
supremely good in that portion of the more important English classics
which is suitable to his time of life; to have some rudimentary
acquaintance with drawing and music."

To effect this, no doubt, "industry must be our oracle, and reason our
Apollo," as Sir T. Browne says; but surely it is no unreasonable estimate;
yet how far do we fall short of it? General culture is often deprecated
because it is said that smatterings are useless. But there is all the
difference in the world between having a smattering of, or being well
grounded in, a subject. It is the latter which we advocate--to try to
know, as Lord Brougham well said, "everything of something, and something
of everything."

"It can hardly," says Sir John Herschel, "be pressed forcibly enough on
the attention of the student of nature, that there is scarcely any natural
phenomenon which can be fully and completely explained, in all its
circumstances, without a union of several, perhaps of all, the sciences."

The present system in most of our public schools and colleges sacrifices
everything else to classics and arithmetic. They are most important
subjects, but ought not to exclude science and modern languages. Moreover,
after all, our sons leave college unable to speak either Latin or Greek,
and too often absolutely without any interest in classical history or
literature. But the boy who has been educated without any training in
science has grave reason to complain of "knowledge to one entrance quite
shut out."

By concentrating the attention, indeed, so much on one or two subjects, we
defeat our own object, and produce a feeling of distaste where we wish to
create an interest.

Our great mistake in education is, as it seems to me, the worship of
book-learning--the confusion of instruction and education. We strain the
memory instead of cultivating the mind. The children in our elementary
schools are wearied by the mechanical act of writing, and the interminable
intricacies of spelling; they are oppressed by columns of dates, by lists
of kings and places, which convey no definite idea to their minds, and
have no near relation to their daily wants and occupations; while in our
public schools the same unfortunate results are produced by the weary
monotony of Latin and Greek grammar. We ought to follow exactly the
opposite course with children--to give them a wholesome variety of mental
food, and endeavor to cultivate their tastes, rather than to fill their
minds with dry facts. The important thing is not so much that every child
should be taught, as that every child should be given the wish to learn.
What does it matter if the pupil know a little more or a little less? A
boy who leaves school knowing much, but hating his lessons, will soon have
forgotten almost all he ever learned; while another who had acquired a
thirst for knowledge, even if he had learned little, would soon teach
himself more than the first ever knew. Children are by nature eager for
information. They are always putting questions. This ought to be
encouraged. In fact, we may to a great extent trust to their instincts,
and in that case they will do much to educate themselves. Too often,
however, the acquirement of knowledge is placed before them in a form so
irksome and fatiguing that all desire for information is choked, or even
crushed out; so that our schools, in fact, become places for the
discouragement of learning, and thus produce the very opposite effect from
that at which we aim. In short, children should be trained to observe and
to think, for in that way there would be opened out to them a source of
the purest enjoyment for leisure hours, and the wisest judgment in the
work of life.

Another point in which I venture to think that our system of education
might be amended, is that it tends at present to give the impression that
everything is known.

Dr. Busby is said to have kept his hat on in the presence of King Charles,
that the boys might see what a great man he was. I doubt, however, whether
the boys were deceived by the hat; and am very skeptical about Dr. Busby's
theory of education.

Master John of Basingstoke, who was Archdeacon of Leicester in 1252,
learned Greek during a visit to Athens, from Constantina, daughter of the
Archbishop of Athens, and used to say afterwards that though he had
studied well and diligently at the University of Paris, yet he learned
more from an Athenian maiden of twenty. We cannot all study so pleasantly
as this, but the main fault I find with Dr. Busby's system is that it
keeps out of sight the great fact of human ignorance.

Boys are given the impression that the masters know everything. If, on the
contrary, the great lesson impressed on them was that what we know is as
nothing to what we do not know, that the "great ocean of truth lies all
undiscovered before us," surely this would prove a great stimulus, and
many would be nobly anxious to enlarge the boundaries of human knowledge,
and extend the intellectual kingdom of man. Philosophy, says Aristotle,
begins in wonder, for Iris is the child of Thaumas.

Education ought not to cease when we leave school; but if well begun
there, will continue through life.

Moreover, whatever our occupation or profession in life may be, it is most
desirable to create for ourselves some other special interest. In the
choice of a subject every one should consult his own instincts and
interests, I will not attempt to suggest whether it is better to pursue
art or science; whether we should study the motes in the sunbeam, or the
heavenly bodies themselves. Whatever may be the subject of our choice, we
shall find enough, and more than enough, to repay the devotion of a
lifetime. Life no doubt is paved with enjoyments, but we must all expect
times of anxiety, of suffering, and of sorrow; and when these come it is
an inestimable comfort to have some deep interest which will, at any rate
to some extent, enable us to escape from ourselves.

"A cultivated mind," says Mill--"I do not mean that of a philosopher, but
any mind to which the fountains of knowledge have been opened, and which
has been taught in any tolerable degree to exercise its faculties--will
find sources of inexhaustible interest in all that surrounds it; in the
objects of nature, the achievements of art, the imaginations of poetry,
the incidents of history, the ways of mankind, past and present, and their
prospects in the future. It is possible, indeed, to become indifferent to
all this, and that too without having exhausted a thousandth part of it;
but only when one has had from the beginning no moral or human interest in
these things, and has sought in them only the gratification of curiosity."

I have been subjected to some good-natured banter for having said that I
looked forward to a time when our artisans and mechanics would be great
readers. But it is surely not unreasonable to regard our social condition
as susceptible of great improvement. The spread of schools, the cheapness
of books, the establishment of free libraries will, it may be hoped,
exercise a civilizing and ennobling influence. They will even, I believe,
do much to diminish poverty and suffering, so much of which is due to
ignorance and to the want of interest and brightness in uneducated life.
So far as our elementary schools are concerned, there is no doubt much
difficulty in apportioning the National Grant without unduly stimulating
mere mechanical instruction. But this is not the place to discuss the
subject of religious or moral training, or the system of apportioning the
grant.

If we succeed in giving the love of learning, the learning itself is sure
to follow.

We should therefore endeavor to educate our children so that every country
walk may be a pleasure; that the discoveries of science may be a living
interest; that our national history and poetry may be sources of
legitimate pride and rational enjoyment. In short, our schools, if they
are to be worthy of the name--if they are to fulfil their high
function--must be something more than mere places of dry study; they must
train the children educated in them so that they may be able to appreciate
and enjoy those intellectual gifts which might be, and ought to be, a
source of interest and of happiness, alike to the high and to the low, to
the rich and to the poor.

A wise system of education will at least teach us how little man yet
knows, how much he has still to learn; it will enable us to realize that
those who complain of the tiresome monotony of life have only themselves
to blame; and that knowledge is pleasure as well as power. It will lead us
all to try with Milton "to behold the bright countenance of truth in the
quiet and still air of study," and to feel with Bacon that "no pleasure is
comparable is the standing upon the vantage ground of truth."

We should then indeed realize in part, for as yet we cannot do so fully,
the "sacred trusts of health, strength, and time," and how thankful we
ought to be for the inestimable gift of life.

[1] Bacon.

[2] Goethe.

[3] Bacon.


END OF PART I.






THE PLEASURES OF LIFE.

PART II.






PREFACE


    "And what is writ is writ--
    Would it were worthier."

    BYRON.


Herewith I launch the conclusion of my subject. Perhaps I am unwise in
publishing a second part. The first was so kindly received that I am
running a risk in attempting to add to it.

In the preface, however, to the first part I have expressed the hope that
the thoughts and quotations in which I have found most comfort and
delight, might be of use to others also.

In this my most sanguine hopes have been more than realized. Not only has
the book passed through thirteen editions in less than two years, but the
many letters which I have received have been most gratifying.

Two criticisms have been repeated by several of those who have done me the
honor of noticing my previous volume. It has been said in the first place
that my life has been exceptionally bright and full, and that I cannot
therefore judge for others. Nor do I attempt to do so. I do not forget, I
hope I am not ungrateful for, all that has been bestowed on me. But if I
have been greatly favored, ought I not to be on that very account
especially qualified to write on such a theme? Moreover, I have had,--who
has not,--my own sorrows.

Again, some have complained that there is too much quotation--too little
of my own. This I take to be in reality a great compliment. I have not
striven to be original.

If, as I have been assured by many, my book have proved a comfort, and
have been able to cheer in the hour of darkness, that is indeed an ample
reward, and is the utmost I have ever hoped.

HIGH ELMS, DOWN,

KENT, _April 1889_.




CHAPTER I.

AMBITION.


    "Fame is the spur that the clear spirit doth raise
    (That last infirmity of noble minds)
    To scorn delights and live laborious days."

    MILTON.




CHAPTER I.

AMBITION.


If fame be the last infirmity of noble minds, ambition is often the first;
though, when properly directed, it may be no feeble aid to virtue.

Had not my youthful mind, says Cicero, "from many precepts, from many
writings, drunk in this truth, that glory and virtue ought to be the
darling, nay, the only wish in life; that, to attain these, the torments
of the flesh, with the perils of death and exile, are to be despised;
never had I exposed my person in so many encounters, and to these daily
conflicts with the worst of men, for your deliverance. But, on this head,
books are full; the voice of the wise is full; the examples of antiquity
are full: and all these the night of barbarism had still enveloped, had it
not been enlightened by the sun of science."

The poet tells us that

  "The many fail: the one succeeds." [1]

But this is scarcely true. All succeed who deserve, though not perhaps as
they hoped. An honorable defeat is better than a mean victory, and no one
is really the worse for being beaten, unless he loses heart. Though we may
not be able to attain, that is no reason why we should not aspire.

I know, says Morris,

  "How far high failure overleaps the bound
  Of low successes."

And Bacon assures us that "if a man look sharp and attentively he shall
see fortune; for though she is blind, she is not invisible."

To give ourselves a reasonable prospect of success we must realize what we
hope to achieve; and then make the most of our opportunities. Of these the
use of time is one of the most important. What have we to do with time,
asks Oliver Wendell Holmes, but to fill it up with labor.

"At the battle of Montebello," said Napoleon, "I ordered Kellermann to
attack with 800 horse, and with these he separated the 6000 Hungarian
grenadiers before the very eyes of the Austrian cavalry. This cavalry was
half a league off, and required a quarter of an hour to arrive on the
field of action; and I have observed that it is always these quarters of
an hour that decide the fate of a battle," including, we may add, the
battle of life.

Nor must we spare ourselves in other ways, for

  "He who thinks in strife
  To earn a deathless fame, must do, nor ever care for life." [2]

In the excitement of the struggle, moreover, he will suffer comparatively
little from wounds and blows which would otherwise cause intense
suffering.

It is well to weigh scrupulously the object in view, to run as little risk
as may be, to count the cost with care.

But when the mind is once made up, there must be no looking back, you must
spare yourself no labor, nor shrink from danger.

  "He either fears his fate too much
  Or his deserts are small,
  That dares not put it to the touch
  To gain or lose it all." [3]

Glory, says Renan, "is after all the thing which has the best chance of
not being altogether vanity." But what is glory?

Marcus Aurelius observes that "a spider is proud when it has caught a fly,
a man when he has caught a hare, another when he has taken a little fish
in a net, another when he has taken wild boars, another when he has taken
bears, and another when he has taken Sarmatians;" [4] but this, if from
one point of view it shows the vanity of fame, also encourages us with the
evidence that every one may succeed if his objects are but reasonable.

Alexander may be taken as almost a type of Ambition in its usual form,
though carried to an extreme.

His desire was to conquer, not to inherit or to rule. When news was
brought that his father Philip had taken some town, or won some battle,
instead of appearing delighted with it, he used to say to his companions,
"My father will go on conquering, till there be nothing extraordinary left
for you and me to do." [5] He is said even to have been mortified at the
number of the stars, considering that he had not been able to conquer one
world. Such ambition is justly foredoomed to disappointment.

The remarks of Philosophers on the vanity of ambition refer generally to
that unworthy form of which Alexander may be taken as the type--the idea
of self-exaltation, not only without any reference to the happiness, but
even regardless of the sufferings, of others.

"A continual and restless search after fortune," says Bacon, "takes up too
much of their time who have nobler things to observe." Indeed he elsewhere
extends this, and adds, "No man's private fortune can be an end any way
worthy of his existence."

Goethe well observes that man "exists for culture; not for what he can
accomplish, but for what can be accomplished in him." [6]

As regards fame we must not confuse name and essence. To be remembered is
not necessarily to be famous. There is infamy as well as fame; and
unhappily almost as many are remembered for the one as for the other, and
not a few for the mixture of both.

Who would not rather be forgotten, than recollected as Ahab or Jezebel,
Nero or Commodus, Messalina or Heliogabalus, King John or Richard III.?

"To be nameless in worthy deeds exceeds an infamous history. The
Canaanitish woman lives more happily without a name than Herodias with
one; and who would not rather have been the good thief than Pilate?" [7]

Kings and Generals are often remembered as much for their deaths as for
their lives, for their misfortunes as for their successes. The Hero of
Thermopylae was Leonidas, not Xerxes. Alexander's Empire fell to pieces at
his death. Napoleon was a great genius, though no Hero. But what came of
all his victories? They passed away like the smoke of his guns, and he
left France weaker, poorer, and smaller than he found her. The most
lasting result of his genius is no military glory, but the Code Napoleon.

A surer and more glorious title to fame is that of those who are
remembered for some act of justice or self-devotion: the self-sacrifice of
Leonidas, the good faith of Regulus, are the glories of history.

In some cases where men have been called after places, the men are
remembered, while the places are forgotten. When we speak of Palestrina or
Perugino, of Nelson or Wellington, of Newton or Darwin, who remembers the
towns? We think only of the men.

Goethe has been called the soul of his century.

It is true that we have but meagre biographies of Shakespeare or of Plato;
yet how much we know about them.

Statesmen and Generals enjoy great celebrity during their lives. The
newspapers chronicle every word and movement. But the fame of the
Philosopher and Poet is more enduring.

Wordsworth deprecates monuments to Poets, with some exceptions, on this
very account. The case of Statesmen, he says, is different. It is right to
commemorate them because they might otherwise be forgotten; but Poets live
in their books forever.

The real conquerors of the world indeed are not the generals but the
thinkers; not Genghis Khan and Akbar, Rameses, or Alexander, but Confucius
and Buddha, Aristotle, Plato, and Christ. The rulers and kings who reigned
over our ancestors have for the most part long since sunk into
oblivion--they are forgotten for want of some sacred bard to give them
life--or are remembered, like Suddhodana and Pilate, from their
association with higher spirits.

Such men's lives cannot be compressed into any biography. They lived not
merely in their own generation, but for all time. When we speak of the
Elizabethan period we think of Shakespeare and Bacon, Raleigh and Spenser.
The ministers and secretaries of state, with one or two exceptions, we
scarcely remember, and Bacon himself is recollected less as the Judge than
as the Philosopher.

Moreover, to what do Generals and Statesmen owe their fame? They were
celebrated for their deeds, but to the Poet and the Historian they owe
their fame, and to the Poet and Historian we owe their glorious memories
and the example of their virtues.

  "Vixere fortes ante Agamemnona
  Multi; sed omnes illacrimabiles
  Urgentur ignotique longa
  Nocte, carent quia vate sacro."

There were many brave men before Agamemnon, but their memory has perished
because they were celebrated by no divine Bard. Montrose happily combined
the two, when in "My dear and only love" he promises,

  "I'll make thee glorious by my pen,
  And famous by my sword."

It is remarkable, and encouraging, how many of the greatest men have risen
from the lowest rank, and triumphed over obstacles which might well have
seemed insurmountable; nay, even obscurity itself may be a source of
honor. The very doubts as to Homer's birthplace have contributed to this
glory, seven cities as we all know laying claim to the great poet--

  "Smyrna, Chios, Colophon, Salamis, Rhodos, Argos, Athenae."

To take men of Science only. Ray was the son of a blacksmith, Watt of a
shipwright, Franklin of a tallow-chandler, Dalton of a handloom weaver,
Frauenhofer of a glazier, Laplace of a farmer, Linnaeus of a poor curate,
Faraday of a blacksmith, Lamarck of a banker's clerk; Davy was an
apothecary's assistant, Galileo, Kepler, Sprengel, Cuvier, and Sir W.
Herschel were all children of very poor parents.

It is, on the other hand, sad to think how many of our greatest
benefactors are unknown even by name. Who discovered the art of procuring
fire? Prometheus is merely the personification of forethought. Who
invented letters? Cadmus is a mere name.

These inventions, indeed, are lost in the mists of antiquity, but even as
regards recent progress the steps are often so gradual, and so numerous,
that few inventions can be attributed entirely, or even mainly, to any one
person.

Columbus is said, and truly said, to have discovered America, though the
Northmen were there before him.

We Englishmen have every reason to be proud of our fellow-countrymen. To
take Philosophers and men of Science only, Bacon and Hobbes' Locke and
Berkeley, Hume and Hamilton, will always be associated with the progress
of human thought; Newton with gravitation, Adam Smith with Political
Economy, Young with the undulatory theory of light, Herschel with the
discovery of Uranus and the study of the star depths, Lord Worcester,
Trevethick, and Watt with the steam-engine, Wheatstone with the electric
telegraph, Jenner with the banishment of smallpox, Simpson with the
practical application of anaesthetics, and Darwin with the creation of
modern Natural History.

These men, and such as these, have made our history and moulded our
opinions; and though during life they may have occupied, comparatively, an
insignificant space in the eyes of their countrymen, they became at length
an irresistible power, and have now justly grown to a glorious memory.

[1] Tennyson.

[2] Beowulf.

[3] Montrose.

[4] He is referring here to one of his expeditions.

[5] Plutarch.

[6] Emerson.

[7] Sir J. Browne.




CHAPTER II.

WEALTH.


    "The rich and poor meet together: the Lord is the maker of
    them all."--PROVERBS OF SOLOMON.




CHAPTER II.

WEALTH.


Ambition often takes the form of a love of money. There are many who have
never attempted Art or Music, Poetry or Science; but most people do
something for a livelihood, and consequently an increase of income is not
only acceptable in itself, but gives a pleasant feeling of success.

Doubt is often expressed whether wealth is any advantage. I do not myself
believe that those who are born, as the saying is, with a silver spoon in
their mouth, are necessarily any the happier for it. No doubt wealth
entails almost more labor than poverty, and certainly more anxiety. Still
it must, I think, be confessed that the possession of an income, whatever
it may be, which increases somewhat as the years roll on, does add to the
comfort of life.

Unquestionably the possession of wealth is by no means unattended by
drawbacks. Money and the love of money often go together. The poor man, as
Emerson says, is the man who wishes to be rich; and the more a man has,
the more he often longs to be richer. Just as drinking often does but
increase thirst; so in many cases the craving for riches does grow with
wealth.

This is, of course, especially the case when money is sought for its own
sake. Moreover, it is often easier to make money than to keep or to enjoy
it. Keeping it is dull and anxious drudgery. The dread of loss may hang
like a dark cloud over life. Apicius, when he squandered most of his
patrimony, but had still 250,000 crowns left, committed suicide, as Seneca
tells us, for fear he should die of hunger.

Wealth is certainly no sinecure. Moreover, the value of money depends
partly on knowing what to do with it, partly on the manner in which it is
acquired.

"Acquire money, thy friends say, that we also may have some. If I can
acquire money and also keep myself modest, and faithful, and magnanimous,
point out the way, and I will acquire it. But if you ask me to love the
things which are good and my own, in order that you may gain things that
are not good, see how unfair and unwise you are. For which would you
rather have? Money, or a faithful and modest friend....

"What hinders a man, who has clearly comprehended these things, from
living with a light heart, and bearing easily the reins, quietly expecting
everything which can happen, and enduring that which has already happened?
Would you have me to bear poverty? Come, and you will know what poverty is
when it has found one who can act well the part of a poor man." [1]

We must bear in mind Solon's answer to Croesus, "Sir, if any other come
that hath better iron than you, he will be master of all this gold."

Midas is another case in point. He prayed that everything he touched might
be turned into gold, and this prayer was granted. His wine turned to gold,
his bread turned to gold, his clothes, his very bed.

  "Attonitus novitate mali, divesque miserque,
  Effugere optat opes, et quae modo voverat, odit."

He is by no means the only man who has suffered from too much gold.

The real truth I take to be that wealth is not necessarily an advantage,
but that whether it is so or not depends on the use we make of it. The
same, however, might be said of most other opportunities and privileges;
Knowledge and Strength, Beauty and Skill, may all be abused; if we neglect
or misuse them we are worse off than if we had never had them. Wealth is
only a disadvantage in the hands of those who do not know how to use it.
It gives the command of so many other things--leisure, the power of
helping friends, books, works of art, opportunities and means of travel.

It would, however, be easy to exaggerate the advantages of money. It is
well worth having, and worth working for, but it does not requite too
great a sacrifice; not indeed so great as is often offered up to it. A
wise proverb tells us that gold may be bought too dear. If wealth is to be
valued because it gives leisure, clearly it would be a mistake to
sacrifice leisure in the struggle for wealth. Money has no doubt also a
tendency to make men poor in spirit. But, on the other hand, what gift is
there which is without danger?

Euripides said that money finds friends for men, and has great (he said
the greatest) power among Mankind, cynically adding, "A mighty person
indeed is a rich man, especially if his heir be unknown."

Bossuet tells us that "he had no attachment to riches, still if he had
only what was barely necessary, he felt himself narrowed, and would lose
more than half his talents."

Shelley was certainly not an avaricious man, and yet "I desire money," he
said, "because I think I know the use of it. It commands labor, it gives
leisure; and to give leisure to those who will employ it in the forwarding
of truth is the noblest present an individual can make to the whole."

Many will have felt with Pepys when he quaintly and piously says, "Abroad
with my wife, the first time that ever I rode in my own coach; which do
make my heart rejoice and praise God, and pray him to bless it to me, and
continue it."

This, indeed, was a somewhat selfish satisfaction. Yet the merchant need
not quit nor be ashamed of his profession, bearing in mind only the
inscription on the Church of St. Giacomo de Rialto at Venice: "Around this
temple let the merchant's law be just, his weight true, and his covenants
faithful." [2]

If life has been sacrificed to the rolling up of money for its own sake,
the very means by which it was acquired will prevent its being enjoyed;
the chill of poverty will have entered into the very bones. The term Miser
was happily chosen for such persons; they are essentially miserable.

"A collector peeps into all the picture shops of Europe for a landscape of
Poussin, a crayon sketch of Salvator; but the Transfiguration, the Last
Judgment, the Communion of St. Jerome, and what are as transcendent as
these, are on the walls of the Vatican, the Uffizi, or the Louvre, where
every footman may see them: to say nothing of Nature's pictures in every
street, of sunsets and sunrises every day, and the sculpture of the human
body never absent. A collector recently bought at public auction in
London, for one hundred and fifty-seven guineas, an autograph of
Shakespeare: but for nothing a schoolboy can read Hamlet, and can detect
secrets of highest concernment yet unpublished therein." [3] And yet
"What hath the owner but the sight of it with his eyes." [4]

We are really richer than we think. We often hear of Earth hunger. People
envy a great Landlord, and fancy how delightful it must be to possess a
large estate. But, as Emerson says, "if you own land, the land owns you."
Moreover, have we not all, in a better sense--have we not all thousands of
acres of our own? The commons, and roads, and footpaths, and the seashore,
our grand and varied coast--these are all ours. The sea-coast has,
moreover, two great advantages. In the first place, it is for the most
part but little interfered with by man, and in the second it exhibits most
instructively the forces of Nature. We are all great landed proprietors,
if we only knew it. What we lack is not land, but the power to enjoy it.
Moreover, this great inheritance has the additional advantage that it
entails no labor, requires no management. The landlord has the trouble,
but the landscape belongs to every one who has eyes to see it. Thus
Kingsley called the heaths round Eversley his "winter garden;" not because
they were his in the eye of the law, but in that higher sense in which ten
thousand persons may own the same thing.

[1] Epictetus.

[2] Ruskin.

[3] Emerson.

[4] Solomon.




CHAPTER III.

HEALTH.


    "Health is best for mortal man; next beauty; thirdly, well gotten
    wealth; fourthly, the pleasures of youth among friends."

    SIMONIDES.




CHAPTER III

HEALTH.


But if there has been some difference of opinion as to the advantage of
wealth, with reference to health all are agreed.

"Health," said Simonides long ago, "is best for mortal man; next beauty;
thirdly, well gotten wealth; fourthly, the pleasure of youth among
friends." "Life," says Longfellow, "without health is a burden, with
health is a joy and gladness." Empedocles delivered the people of Selinus
from a pestilence by draining a marsh, and was hailed as a Demigod. We are
told that a coin was struck in his honor, representing the Philosopher in
the act of staying the hand of Phoebus.

We scarcely realize, I think, how much we owe to Doctors. Our system of
Medicine seems so natural and obvious that it hardly occurs to us as
somewhat new and exceptional. When we are ill we send for a Physician; he
prescribes some medicine; we take it, and pay his fee. But among the lower
races of men pain and illness are often attributed to the presence of evil
spirits. The Medicine Man is a Priest, or rather a Sorcerer, more than a
true Doctor, and his effort is to exorcise the evil spirit.

In other countries where some advance has been made, a charm is written on
a board, washed off, and drunk. In some cases the medicine is taken, not
by the patient, but by the Doctor. Such a system, however, is generally
transient; it is naturally discouraged by the Profession, and is indeed
incompatible with a large practice. Even as regards the payment we find
very different systems. The Chinese pay their medical man as long as they
are well, and stop his salary as soon as they are ill. In ancient Egypt we
are told that the patient feed the Doctor for the first few days, after
which the Doctor paid the patient until he made him well. This is a
fascinating system, but might afford too much temptation to heroic
remedies.

On the whole our plan seems the best, though it does not offer adequate
encouragement to discovery and research. We do not appreciate how much we
owe to the discoveries of such men as Hunter and Jenner, Simpson and
Lister. And yet in the matter of health we can generally do more for
ourselves than the greatest Doctors can for us.

But if all are agreed as to the blessing of health, there are many who
will not take the little trouble, or submit to the slight sacrifices,
necessary to maintain it. Many, indeed, deliberately ruin their own
health, and incur the certainty of an early grave, or an old age of
suffering.

No doubt some inherit a constitution which renders health almost
unattainable. Pope spoke of that long disease, his life. Many indeed may
say, "I suffer, therefore I am." But happily these cases are exceptional.
Most of us might be well, if we would. It is very much our own fault that
we are ill. We do those things which we ought not to do, and we leave
undone those things which we ought to have done, and then we wonder there
is no health in us.

We all know that we can make ourselves ill, but few perhaps realize how
much we can do to keep ourselves well. Much of our suffering is
self-inflicted. It has been observed that among the ancient Egyptians the
chief aim of life seemed to be to be well buried. Many, however, live even
now as if this were the principal object of their existence.

Like Naaman, we expect our health to be the subject of some miraculous
interference, and neglect the homely precautions by which it might be
secured.

I am inclined to doubt whether the study of health is sufficiently
impressed on the minds of those entering life. Not that it is desirable to
potter over minor ailments, to con over books on illnesses, or experiment
on ourselves with medicine. Far from it. The less we fancy ourselves ill,
or bother about little bodily discomforts, the more likely perhaps we are
to preserve our health.

It is, however, a different matter to study the general conditions of
health. A well-known proverb tells us that every one is a fool or a
physician at forty. Unfortunately, however, many persons are invalids at
forty as well as physicians.

Ill-health, however, is no excuse for moroseness. If we have one disease
we may at least congratulate ourselves that we are escaping all the rest.
Sydney Smith, ever ready to look on the bright side of things, once, when
borne down by suffering, wrote to a friend that he had gout, asthma, and
seven other maladies, but was "otherwise very well;" and many of the
greatest invalids have borne their sufferings with cheerfulness and good
spirits.

It is said that the celebrated physiognomist, Campanella, could so
abstract his attention from any sufferings of his body, that he was even
able to endure the rack without much pain; and whoever has the power of
concentrating his attention and controlling his will, can emancipate
himself from most of the minor miseries of life. He may have much cause
for anxiety, his body may be the seat of severe suffering, and yet his
mind will remain serene and unaffected; he may triumph over care and pain.

But many have undergone much unnecessary suffering, and valuable lives
have often been lost, through ignorance or carelessness. We cannot but
fancy that the lives of many great men might have been much prolonged by
the exercise of a little ordinary care.

If we take musicians only, what a grievous loss to the world it is that
Pergolesi should have died at twenty-six, Schubert at thirty-one, Mozart
at thirty-five, Purcell at thirty-seven, and Mendelssohn at thirty-eight.

In the old Greek myth the life of Meleager was indissolubly connected by
fate with the existence of a particular log of wood. As long as this was
kept safe by Althaea, his mother, Meleager bore a charmed life. It seems
wonderful that we do not watch with equal care over our body, on the state
of which happiness so much depends.

The requisites of health are plain enough; regular habits, daily exercise,
cleanliness, and moderation in all things--in eating as well as in
drinking--would keep most people well.

I need not here dwell on the evils of drinking, but we perhaps scarcely
realize how much of the suffering and ill-humor of life is due to
over-eating. Dyspepsia, for instance, from which so many suffer, is in
nine cases out of ten their own fault, and arises from the combination of
too much food with too little exercise. To lengthen your life, says an old
proverb, shorten your meals. Plain living and high thinking will secure
health for most of us, though it matters, perhaps, comparatively little
what a healthy man eats, so long as he does not eat too much.

Mr. Gladstone has told us that the splendid health he enjoys is greatly
due to his having early learnt one simple physiological maxim, and laid it
down as a rule for himself always to make twenty-five bites at every bit
of meat.

  "Go to your banquet then, but use delight,
  So as to rise still with an appetite." [1]

No doubt, however, though the rule not to eat or drink too much is simple
enough in theory, it is not quite so easy in application. There have been
many Esaus who sold their birthright of health for a mess of pottage.

Moreover, it may seem paradoxical, but it is certainly true, that in the
long run the moderate man will derive more enjoyment even from eating and
drinking, than the glutton or the drunkard will ever obtain. They know not
what it is to enjoy "the exquisite taste of common dry bread." [2]

And yet even if we were to consider merely the pleasure to be derived from
eating and drinking, the same rule would hold good. A lunch of bread and
cheese after a good walk is more enjoyable than a Lord Mayor's feast.
Without wishing, like Apicius, for the neck of a stork, so that he might
enjoy his dinner longer, we must not be ungrateful for the enjoyment we
derive from eating and drinking, even though they be amongst the least
aesthetic of our pleasures. They are homely, no doubt, but they come
morning, noon, and night, and are not the less real because they have
reference to the body rather than the soul.

We speak truly of a healthy appetite, for it is a good test of our bodily
condition; and indeed in some cases of our mental state also. That

    "There cometh no good thing
  Apart from toil to mortals,"

is especially true with reference to appetite; to sit down to a dinner,
however simple, after a walk with a friend among the mountains or along
the shore, is no insignificant pleasure.

Cheerfulness and good humor, moreover, during meals are not only pleasant
in themselves, but conduce greatly to health.

It has been said that hunger is the best sauce, but most would prefer some
good stories at a feast even to a good appetite; and who would not like to
have it said of him, as of Biron by Rosaline--

                      "A merrier man
  Within the limit of becoming mirth
  I never spent an hour's talk withal."

In the three great "Banquets" of Plato, Xenophon, and Plutarch, the food
is not even mentioned.

In the words of the old Lambeth adage--

  "What is a merry man?
  Let him do what he can
  To entertain his guests
  With wine and pleasant jests,
  Yet if his wife do frown
  All merryment goes down."

What salt is to food, wit and humor are to conversation and literature.
"You do not," an amusing writer in the _Cornhill_ has said, "expect humor
in Thomas a Kempis or Hebrew Prophets;" but we have Solomon's authority
that there is a time to laugh, as well as to weep.

"To read a good comedy is to keep the best company in the world, when the
best things are said, and the most amusing things happen." [3]

It is not without reason that every one resents the imputation of being
unable to see a joke.

Laughter appears to be the special prerogative of man. The higher animals
present us with proof of evident, if not highly developed reasoning power,
but it is more than doubtful whether they are capable of appreciating a
joke.

Wit, moreover, has solved many difficulties and decided many
controversies.

  "Ridicule shall frequently prevail,
  And cut the knot when graver reasons fail." [4]

A careless song, says Walpole, with a little nonsense in it now and then,
does not misbecome a monarch, but it is difficult now to realize that
James I. should have regarded skill in punning in his selections of
bishops and privy councillors.

The most wasted of all days, says Chamfort, is that on which one has not
laughed.

It is, moreover, no small merit of laughter that it is quite spontaneous.
"You cannot force people to laugh; you cannot give a reason why they
should laugh; they must laugh of themselves or not at all.... If we think
we must not laugh, this makes our temptation to laugh the greater." [5]
Humor is, moreover, contagious. A witty man may say, as Falstaff does of
himself, "I am not only witty in myself, but the cause that wit is in
other men."

But one may paraphrase the well-known remark about port wine and say that
some jokes may be better than others, but anything which makes one laugh
is good. "After all," says Dryden, "it is a good thing to laugh at any
rate; and if a straw can tickle a man, it is an instrument of happiness,"
and I may add, of health.

I have been told that in omitting any mention of smoking I was overlooking
one of the real pleasures of life. Not being a smoker myself I cannot
perhaps judge; much must depend on the individual temperament; to some
nervous natures it certainly appears to be a great comfort; but I have my
doubts whether smoking, as a general rule, does add to the pleasures of
life. It must, moreover, detract somewhat from the sensitiveness of taste
and of smell.

Those who live in cities may almost lay it down as a rule that no time
spent out of doors is ever wasted. Fresh air is a cordial of incredible
virtue; old families are in all senses county families, not town families;
and those who prefer Homer and Plato and Shakespeare to hares and
partridges and foxes must beware that they are not tempted to neglect this
great requisite of our nature.

Most Englishmen, however, love open air, and it is probably true that most
of us enjoy a game at cricket or golf more than looking at any of the old
masters. The love of sport is engraven in the English character. As was
said of William Rufus, "he loves the tall deer as he had been their
father."

An Oriental traveler is said to have watched a game of cricket and been
much astonished at hearing that many of those playing were rich men. He
asked why they did not pay some poor people to do it for them.

Wordsworth made it a rule to go out every day, and he used to say that as
he never consulted the weather, he never had to consult the physicians.

It always seems to be raining harder than it really is when you look at
the weather through the window. Even in winter, though the landscape often
seems cheerless and bare enough when you look at it from the fireside,
still it is far better to go out, even if you have to brave the storm:
when you are once out of doors the touch of earth and the breath of the
fresh air gives you fresh life and energy. Men, like trees, live in great
part on air.

After a gallop over the downs, a row on the river, a sea voyage, a walk by
the seashore or in the woods

  "The blue above, the music in the air,
  The flowers upon the ground," [6]

one feels as if one could say with Henry IV., "Je me porte comme le Ponte
Neuf."

The Roman proverb that a child should be taught nothing which he cannot
learn standing up, went no doubt into an extreme, but surely we fall into
another when we act as if games were the only thing which boys could learn
upon their feet.

The love of games among boys is certainly a healthy instinct, and though
carried too far in some of our great schools, there can be no question
that cricket and football, boating and hockey, bathing and birdnesting,
are not only the greatest pleasures, but the best medicines for boys.

We cannot always secure sleep. When important decisions have to be taken,
the natural anxiety to come to a right decision will often keep us awake.
Nothing, however, is more conducive to healthy sleep than plenty of open
air. Then indeed we can enjoy the fresh life of the early morning: "the
breezy call of incense-bearing morn." [7]

  "At morn the Blackcock trims his jetty wing,
      'Tis morning tempts the linnet's blithest lay,
  All nature's children feel the matin spring
      Of life reviving with reviving day."

Epictetus described himself as "a spirit bearing about a corpse." That
seems to me an ungrateful description. Surely we ought to cherish the
body, even if it be but a frail and humble companion. Do we not own to the
eye our enjoyment of the beauties of this world and the glories of the
Heavens; to the ear the voices of friends and all the delights of music;
are not the hands most faithful and invaluable instruments, ever ready in
case of need, ever willing to do our bidding; and even the feet bear us
without a murmur along the roughest and stoniest paths of life.

With reasonable care, then, most of us may hope to enjoy good health. And
yet what a marvellous and complex organization we have!

We are indeed fearfully and wonderfully made. It is

  "Strange that a harp of a thousand strings,
  Should keep in tune so long."

When we consider the marvellous complexity of our bodily organization, it
seems a miracle that we should live at all; much more that the innumerable
organs and processes should continue day after day and year after year
with so much regularity and so little friction that we are sometimes
scarcely conscious of having a body at all.

And yet in that body we have more than 200 bones, of complex and varied
forms, any irregularity in, or injury to, which would of course grievously
interfere with our movements.

We have over 500 muscles; each nourished by almost innumerable blood
vessels, and regulated by nerves. One of our muscles, the heart, beats
over 30,000,000 times in a year, and if it once stops, all is over.

In the skin are wonderfully varied and complex organs--for instance, over
2,000,000 perspiration glands, which regulate the temperature and
communicate with the surface by ducts, which have a total length of some
ten miles.

Think of the miles of arteries and veins, of capillaries and nerves; of
the blood, with the millions of millions of blood corpuscles, each a
microcosm in itself.

Think of the organs of sense,--the eye with its cornea and lens, vitreous
humor, aqueous humor, and choroid, culminating in the retina, no thicker
than a sheet of paper, and yet consisting of nine distinct layers, the
innermost composed of rods and cones, supposed to be the immediate
recipients of the undulations of light, and so numerous that in each eye
the cones are estimated at over 3,000,000, the rods at over 30,000,000.

Above all, and most wonderful of all, the brain itself. Meinert has
calculated that the gray matter of the convolutions alone contains no less
than 600,000,000 cells; each cell consists of several thousand visible
atoms, and each atom again of many millions of molecules.

And yet with reasonable care we can most of us keep this wonderful
organization in health; so that it will work without causing us pain, or
even discomfort, for many years; and we may hope that even when old age
comes

                 "Time may lay his hand
  Upon your heart gently, not smiting it
  But as a harper lays his open palm
  Upon his harp, to deaden its vibrations."

[1] Herrick.

[2] Hamerton.

[3] Hazlitt.

[4] Francis.

[5] Hazlitt.

[6] Trench.

[7] Gray.




CHAPTER IV.

LOVE.


    "Love rules the court, the camp, the grove,
    And men below and saints above;
    For love is heaven and heaven is love."

    SCOTT.




CHAPTER IV.

LOVE.


Love is the light and sunshine of life. We are so constituted that we
cannot fully enjoy ourselves, or anything else, unless some one we love
enjoys it with us. Even if we are alone, we store up our enjoyment in hope
of sharing it hereafter with those we love.

Love lasts through life, and adapts itself to every age and circumstance;
in childhood for father and mother, in manhood for wife, in age for
children, and throughout for brothers and sisters, relations and friends.
The strength of friendship is indeed proverbial, and in some cases, as in
that of David and Jonathan, is described as surpassing the love of women.
But I need not now refer to it, having spoken already of what we owe to
friends.

The goodness of Providence to man has been often compared to that of
fathers and mothers for their children.

  "Just as a mother, with sweet, pious face,
    Yearns toward her little children from her seat,
  Gives one a kiss, another an embrace,
    Takes this upon her knees, that on her feet;
  And while from actions, looks, complaints, pretences,
    She learns their feelings and their various will,
  To this a look, to that a word, dispenses,
    And, whether stern or smiling, loves them still;--
  So Providence for us, high, infinite,
    Makes our necessities its watchful task,
    Hearkens to all our prayers, helps all our wants,
  And e'en if it denies what seems our right,
    Either denies because 'twould have us ask,
    Or seems but to deny, or in denying grants." [1]

Sir Walter Scott well says--

  "And if there be on Earth a tear
  From passion's dross [2] refined and clear,
  'Tis that which pious fathers shed
  Upon a duteous daughter's head."



Epaminondas is said to have given as his main reason for rejoicing at the
victory of Leuctra, that it would give so much pleasure to his father and
mother.

Nor must the love of animals be altogether omitted. It is impossible not
to sympathize with the Savage when he believes in their immortality, and
thinks that after death

              "Admitted to that equal sky
  His faithful dog shall bear him company." [3]

In the _Mahabharata_, the great Indian Epic, when the family of Pandavas,
the heroes, at length reach the gates of heaven, they are welcomed
themselves, but are told that their dog cannot come in. Having pleaded in
vain, they turn to depart, as they say they can never leave their faithful
companion. Then at the last moment the Angel at the door relents, and
their Dog is allowed to enter with them.

We may hope the time will come when we shall learn

  "Never to blend our pleasures or our pride,
  With sorrow of the meanest thing that feels." [4]

But at the present moment I am speaking rather of the love which leads to
marriage. Such love is the music of life, nay, "there is music in the
beauty, and the silver note of love, far sweeter than the sound of any
instrument." [5]

The Symposium of Plato contains an interesting and amusing disquisition on
Love.

"Love," Phaedrus is made to say, "will make men dare to die for their
beloved--love alone: and women as well as men. Of this, Alcestis, the
daughter of Pelias, is a monument to all Hellas; for she was willing to
lay down her life on behalf of her husband, when no one else would,
although he had a father and mother; but the tenderness of her love so far
exceeded theirs, that she made them seem to be strangers in blood to their
own son, and in name only related to him; and so noble did this action of
hers appear to the gods, as well as to men, that among the many who have
done virtuously she is one of the very few to whom they have granted the
privilege of returning to earth, in admiration of her virtue; such
exceeding honor is paid by them to the devotion and virtue of love."

Agathon is even more eloquent--

Love "fills men with affection, and takes away their disaffection, making
them meet together at such banquets as these. In sacrifices, feasts,
dances, he is our lord--supplying kindness and banishing unkindness,
giving friendship and forgiving anmity, the joy of the good, the wonder of
the wise, the amazement of the gods, desired by those who have no part in
him, and precious to those who have the better part in him; parent of
delicacy, luxury, desire, fondness, softness, grace, regardful of the
good, regardless of the evil. In every word, work, wish, fear--pilot,
comrade, helper, savior; glory of gods and men, leader best and brightest:
in whose footsteps let every man follow, sweetly singing in his honor that
sweet strain with which love charms the souls of gods and men."

No doubt, even so there are two Loves, "one, the daughter of Uranus, who
has no mother, and is the elder and wiser goddess; and the other, the
daughter of Zeus and Dione, who is popular and common,"--but let us not
examine too closely. Charity tells us even of Guinevere, "that while she
lived, she was a good lover and therefore she had a good end." [6]

The origin of love has exercised philosophers almost as much as the origin
of evil. The Symposium continues with a speech which Plato attributes in
joke to Aristophanes, and of which Jowett observes that nothing in
Aristophanes is more truly Aristophanic.

The original human nature, he says, was not like the present. The Primeval
Man was round, [7] his back and sides forming a circle; and he had four
hands and four feet, one head with two faces, looking opposite ways, set
on a round neck and precisely alike. He could walk upright as men now do,
backward or forward as he pleased, and he could also roll over and over at
a great rate, whirling round on his four hands and four feet, eight in
all, like tumblers going over and over with their legs in the air; this
was when he wanted to run fast. Terrible was their might and strength, and
the thoughts of their hearts great, and they made an attack upon the gods;
of them is told the tale of Otys and Ephialtes, who, as Homer says, dared
to scale heaven, and would have laid hands upon the gods. Doubt reigned in
the celestial councils. Should they kill them and annihilate the race with
thunderbolts, as they had done the giants, then there would be an end of
the sacrifices and worship which men offered to them; but, on the other
hand, the gods could not suffer their insolence to be unrestrained. At
last, after a good deal of reflection, Zeus discovered a way. He said;
"Methinks I have a plan which will humble their pride and mend their
manners; they shall continue to exist, but I will cut them in two, which
will have a double advantage, for it will halve their strength and we
shall have twice as many sacrifices. They shall walk upright on two legs,
and if they continue insolent and will not be quiet, I will split them
again and they shall hop on a single leg." He spoke and cut men in two,
"as you might split an egg with a hair."... After the division the two
parts of man, each desiring his other half, came together.... So ancient
is the desire of one another which is implanted in us, reuniting our
original nature, making one of two, and healing the state of man. Each of
us when separated is but the indenture of a man, having one side only,
like a flat-fish and he is always looking for his other half.

And when one of them finds his other half, the pair are lost in amazement
of love and friendship and intimacy, and one will not be out of the
other's sight, as I may say, even for a minute: they will pass their whole
lives together; yet they could not explain what they desire of one
another. For the intense yearning which each of them has toward the other
does not appear to be the desire of lover's intercourse, but of something
else, which the soul of either evidently desires and cannot tell, and of
which she has only a dark and doubtful presentiment.

However this may be, there is such instinctive insight in the human heart
that we often form our opinion almost instantaneously, and such
impressions seldom change, I might even say, they are seldom wrong. Love
at first sight sounds like an imprudence, and yet is almost a revelation.
It seems as if we were but renewing the relations of a previous existence.

  "But to see her were to love her,
  Love but her, and love for ever." [8]

Yet though experience seldom falsifies such a feeling, happily the reverse
does not hold good. The deepest affection is often of slow growth. Many a
warm love has been won by faithful devotion.

Montaigne indeed declares that "Few have married for love without
repenting it." Dr. Johnson also maintained that marriages would generally
be happier if they were arranged by the Lord Chancellor; but I do not
think either Montaigne or Johnson were good judges. As Lancelot said to
the unfortunate Maid of Astolat, "I love not to be constrained to love,
for love must arise of the heart and not by constraint." [9]

Love defies distance and the elements; Sestos and Abydos are divided by
the sea, "but Love joined them by an arrow from his bow." [10]

Love can be happy anywhere. Byron wished

  "O that the desert were my dwelling-place,
  With one fair Spirit for my minister,
  That I might all forget the human race,
  And, hating no one, love but only her."

And many will doubtless have felt

  "O Love! what hours were thine and mine
  In lands of Palm and Southern Pine,
  In lands of Palm, of Orange blossom,
  Of Olive, Aloe, and Maize and Vine."

What is true of space holds good equally of
time.

  "In peace, Love tunes the shepherd's reed.
  In war, he mounts the warrior's steed;
  In halls, in gay attire is seen;
  In hamlets, dances on the green.
  Love rules the court, the camp, the grove,
  And men below, and saints above;
  For love is heaven, and heaven is love." [11]

Even when, as among some Eastern races, Religion and Philosophy have
combined to depress Love, truth reasserts itself in popular sayings, as
for instance in the Turkish proverb, "All women are perfection, especially
she who loves you."

A French lady having once quoted to Abd-el-Kader the Polish proverb, "A
woman draws more with a hair of her head than a pair of oxen well
harnessed;" he answered with a smile, "The hair is unnecessary, woman is
powerful as fate."

But we like to think of Love rather as the Angel of Happiness than as a
ruling force: of the joy of home when "hearts are of each other sure."

  "It is the secret sympathy,
  The silver link, the silken tie,
  Which heart to heart, and mind to mind
  In body and in soul can bind." [12]

What Bacon says of a friend is even truer of a wife; there is "no man that
imparteth his joys to his friend, but he joyeth the more; and no man that
imparteth his griefs to his friend, but he grieveth the less."

Let some one we love come near us and

  "At once it seems that something new or strange
    Has passed upon the flowers, the trees, the ground;
  Some slight but unintelligible change
    On everything around." [13]

We might, I think, apply to love what Homer says of Fate:

  "Her feet are tender, for she sets her steps
  Not on the ground, but on the heads of men."

Love and Reason divide the life of man. We must give to each its due. If
it is impossible to attain to virtue by the aid of Reason without Love,
neither can we do so by means of Love alone without Reason.

Love, said Melanippides, "sowing in the heart of man the sweet harvest of
desire, mixes the sweetest and most beautiful things together."

No one indeed could complain now, with Phaedrus in Plato's Symposium, that
Love has had no worshippers among the Poets. On the contrary, Love has
brought them many of their sweetest inspirations; none perhaps nobler or
more beautiful than Milton's description of Paradise:

  "With thee conversing, I forget all time,
  All seasons, and their change, all please alike.
  Sweet is the breath of morn, her rising sweet
  With charm of earliest birds; pleasant the sun
  When first on this delightful land he spreads
  His orient beams on herb, tree, fruit, and flower
  Glistering with dew, fragrant the fertile earth
  After soft showers; and sweet the coming on
  Of grateful evening mild; then silent night
  With this her solemn bird and this fair moon,
  And these the gems of heaven, her starry train:
  But neither breath of morn when she ascends
  With charm of earliest birds, nor rising sun
  On this delightful land, nor herb, fruit, flower
  Glistering with dew, nor fragrance after showers,
  Nor grateful evening mild, nor silent night
  With this her solemn bird, nor walk by moon
  Or glittering starlight, without thee is sweet."

Moreover, no one need despair of an ideal marriage. We unfortunately
differ so much in our tastes; love does so much to create love, that even
the humblest may hope for the happiest marriage if only he deserves it;
and Shakespeare speaks, as he does so often, for thousands when he says

                       "She is mine own,
  And I as rich in having such a jewel
  As twenty seas, if all their sands were pearls,
  The water nectar, and the rocks pure gold."

True love indeed will not be unreasonable or exacting.

  "Tell me not, sweet, I am unkind
    That from the nursery
  Of thy chaste breast and quiet mind
    To war and arms I fly.
  True! a new mistress now I chase,
    The first foe in the field,
  And with a stronger faith embrace
    A sword, a horse, a shield.
  Yet this inconstancy is such
    As you too shall adore,
  I could not love thee, dear, so much,
    Loved I not honor more." [14]

And yet

  "Alas! how light a cause may move
  Dissension between hearts that love!
  Hearts that the world in vain had tried,
  And sorrow but more closely tied,
  That stood the storm, when waves were rough,
  Yet in a sunny hour fall off,
  Like ships that have gone down at sea,
  When heaven was all tranquillity." [15]

For love is brittle. Do not risk even any little jar; it may be

         "The little rift within the lute,
  That by and by will make the music mute,
  And ever widening slowly silence all." [16]

Love is delicate; "Love is hurt with jar and fret," and you might as well
expect a violin to remain in tune if roughly used, as Love to survive if
chilled or driven into itself. But what a pleasure to keep it alive by

  "Little, nameless, unremembered acts
  Of kindness and of love." [17]

"She whom you loved and chose," says Bondi,

                                "Is now your bride,
    The gift of heaven, and to your trust consigned;
    Honor her still, though not with passion blind;
    And in her virtue, though you watch, confide.
  Be to her youth a comfort, guardian, guide,
    In whose experience she may safety find;
    And whether sweet or bitter be assigned,
    The joy with her, as well as pain divide.
  Yield not too much if reason disapprove;
    Nor too much force; the partner of your life
    Should neither victim be, nor tyrant prove.
  Thus shall that rein, which often mars the bliss
    Of wedlock, scarce be felt; and thus your wife
    Ne'er in the husband shall the lover miss." [18]

Every one is ennobled by true love--

  "Tis better to have loved and lost
    Than never to have loved at all." [19]

Perhaps no one ever praised a woman more gracefully in a sentence than
Steele when he said of Lady Elizabeth Hastings that "to know her was a
liberal education;" but every woman may feel as she improves herself that
she is not only laying in a store of happiness for herself, but also
raising and blessing him whom she would most wish to see happy and good.

Love, true love, grows and deepens with time. Husband and wife, who are
married indeed, live

       "By each other, till to love and live
  Be one." [20]

For does it end with life. A mother's love knows no bounds.

  "They err who tell us Love can die,
  With life all other passions fly,
    All others are but vanity.
  In Heaven Ambition cannot dwell,
  Nor Avarice in the vaults of Hell;
  Earthly these passions of the Earth;
  They perish where they have their birth,
      But Love is indestructible;
    Its holy flame forever burneth,
  From Heaven it came, to Heaven returneth;
    Too oft on Earth a troubled guest,
    At times deceived, at times opprest,
      It here is tried and purified,
    Then hath in Heaven its perfect rest:
  It soweth here with toil and care,
  But the harvest time of Love is there.

  "The mother when she meets on high
    The Babe she lost in infancy,
  Hath she not then, for pains and fears,
    The day of woe, the watchful night,
    For all her sorrow, all her tears,
    An over-payment of delight?" [21]

As life wears on the love of husband or wife, of friends and of children,
becomes the great solace and delight of age. The one recalls the past, the
other gives interest to the future; and in our children, it has been truly
said, we live our lives again.

[1] _Filicaja_. Translated by Leigh Hunt.

[2] Not from passion itself.

[3] Pope.

[4] Wordsworth.

[5] Browne.

[6] Malory, _Morte d' Arthur_.

[7] I avail myself of Dr. Jowett's translation.

[8] Burns.

[9] Malory, _Morte d' Arthur_.

[10] Symonds.

[11] Scott.

[12] Scott.

[13] Trench.

[14] Lovelace.

[15] Moore.

[16] Tennyson.

[17] Wordsworth.

[18] Bondi. Tr. by Glassfors.

[19] Tennyson.

[20] Swinburne.

[21] Southey.




CHAPTER V.

ART.


    "High art consists neither in altering, nor in improving nature; but
    in seeking throughout nature for 'whatsoever things are lovely,
    whatsoever things are pure;' in loving these, in displaying to the
    utmost of the painter's power such loveliness as is in them, and
    directing the thoughts of others to them by winning art, or gentle
    emphasis. Art (caeteris paribus) is great in exact proportion to the
    love of beauty shown by the painter, provided that love of beauty
    forfeit no atom of truth."--RUSKIN.




CHAPTER V.

ART.


The most ancient works of Art which we possess are representations of
animals, rude indeed, but often strikingly characteristic, engraved on, or
carved in, stag's-horn or bone; and found in English, French, and German
caves, with stone and other rude implements, and the remains of mammalia,
belonging apparently to the close of the glacial epoch: not only of the
deer, bear, and other animals now inhabiting temperate Europe, but of
some, such as the reindeer, the musk sheep, and the mammoth, which have
either retreated north or become altogether extinct. We may, I think,
venture to hope that other designs may hereafter be found, which will give
us additional information as to the manners and customs of our ancestors
in those remote ages.

Next to these in point of antiquity come the sculptures and paintings on
Assyrian and Egyptian tombs, temples, and palaces.

These ancient scenes, considered as works of art, have no doubt many
faults, and yet how graphically they tell their story! As a matter of fact
a king is not, as a rule, bigger than his soldiers, but in these
battle-scenes he is always so represented. We must, however, remember that
in ancient warfare the greater part of the fighting was, as a matter of
fact, done by the chiefs. In this respect the Homeric poems resemble the
Assyrian and Egyptian representations. At any rate, we see at a glance
which is the king, which are officers, which side is victorious, the
struggles and sufferings of the wounded, the flight of the enemy, the city
of refuge--so that he who runs may read; while in modern battle-pictures
the story is much less clear, and, indeed, the untrained eye sees for some
time little but scarlet and smoke.

These works assuredly possess a grandeur and dignity of their own, even
though they have not the beauty of later art.

In Greece Art reached a perfection which has never been excelled, and it
was more appreciated than perhaps it has ever been since.

At the time when Demetrius attacked the city of Rhodes, Protogenes was
painting a picture of Ialysus. "This," says Pliny, "hindered King
Demetrius from taking Rhodes, out of fear lest he should burn the picture;
and not being able to fire the town on any other side, he was pleased
rather to spare the painting than to take the victory, which was already
in his hands. Protogenes, at that time, had his painting-room in a garden
out of the town, and very near the camp of the enemies, where he was daily
finishing those pieces which he had already begun, the noise of soldiers
not being capable of interrupting his studies. But Demetrius causing him
to be brought into his presence, and asking him what made him so bold as
to work in the midst of enemies, he answered the king, 'That he understood
the war which he made was against the Rhodians, and not against the
Arts.'"

With the decay of Greece, Art sank too, until it was revived in the
thirteenth century by Cimabue, since whose time its progress has been
triumphal.

Art is unquestionably one of the purest and highest elements in human
happiness. It trains the mind through the eye, and the eye through the
mind. As the sun colors flowers, so does art color life.

"In true Art," says Ruskin, "the hand, the head, and the heart of man go
together. But Art is no recreation: it cannot be learned at spare moments,
nor pursued when we have nothing better to do."

It is not only in the East that great works, really due to study and
labor, have been attributed to magic.

Study and labor cannot make every man an artist, but no one can succeed in
art without them. In Art two and two do not make four, and no number of
little things will make a great one.

It has been said, and on high authority, that the end of art is to please.
But this is a very imperfect definition. It might as well be said that a
library is only intended for pleasure and ornament.

Art has the advantage of nature, in so far as it introduces a human
element, which is in some respects superior even to nature. "If," says
Plato, "you take a man as he is made by nature and compare him with
another who is the effect of art, the work of nature will always appear
the less beautitiful, because art is more accurate than nature."

Bacon also, in _The Advancement of Learning_, speaks of "the world being
inferior to the soul, by reason whereof there is agreeable to the spirit
of man a more ample greatness, a more exact goodness, and a more absolute
variety than can be found in the nature of things."

The poets tell us that Prometheus, having made a beautiful statue of
Minerva, the goddess was so delighted that she offered to bring down
anything from Heaven which could add to its perfection. Prometheus on this
prudently asked her to take him there, so that he might choose for
himself. This Minerva did, and Prometheus, finding that in heaven all
things were animated by fire, brought back a spark, with which he gave
life to his work.

In fact, Imitation is the means and not the end of Art. The story of
Zeuxis and Parrhasius is a pretty tale; but to deceive birds, or even man
himself, is but a trifling matter compared with the higher functions of
Art. To imitate the _Iliad_, says Dr. Young, is not imitating Homer, but
as Sir J. Reynolds adds, the more the artist studies nature "the nearer he
approaches to the true and perfect idea of art."

"Following these rules and using these precautions, when you have clearly
and distinctly learned in what good coloring consists, you cannot do
better than have recourse to Nature herself, who is always at hand, and in
comparison of whose true splendor the best colored pictures are but faint
and feeble." [1]

Art, indeed, must create as well as copy. As Victor Cousin well says, "The
ideal without the real lacks life; but the real without the ideal lacks
pure beauty. Both need to unite; to join hands and enter into alliance. In
this way the best work may be achieved. Thus beauty is an absolute idea,
and not a mere copy of imperfect Nature."

The grouping of the picture is of course of the utmost importance. Sir
Joshua Reynolds gives two remarkable cases to show how much any given
figure in a picture is affected by its surroundings. Tintoret in one of
his pictures has taken the Samson of Michael Angelo, put an eagle under
him, placed thunder and lightning in his right hand instead of the jawbone
of an ass, and thus turned him into a Jupiter. The second instance is even
more striking. Titian has copied the figure in the vault of the Sistine
Chapel which represents the Deity dividing light from darkness, and has
introduced it into his picture of the battle of Cadore, to represent a
general falling from his horse.

We must remember that so far as the eye is concerned, the object of the
artist is to train, not to deceive, and that his higher function has
reference rather to the mind than to the eye.

No doubt

  "To gild refined gold, to paint the lily,
  To throw a perfume on the violet,
  To smooth the ice, or add another hue
  Unto the rainbow, or with taper-light
  To seek the beauteous eye of heaven to garnish,
  Is wasteful and ridiculous excess." [2]

But all is not gold that glitters, flowers are not all arrayed like the
lily, and there is room for selection as well as representation.

"The true, the good, and the beautiful," says Cousin, "are but forms of
the infinite: what then do we really love in truth, beauty, and virtue? We
love the infinite himself. The love of the infinite substance is hidden
under the love of its forms. It is so truly the infinite which charms in
the true, the good, and the beautiful, that its manifestations alone do
not suffice. The artist is dissatisfied at the sight even of his greatest
works; he aspires still higher."

It is indeed sometimes objected that Landscape painting is not true to
nature; but we must ask, What is truth? Is the object to produce the same
impression on the mind as that created by the scene itself? If so, let any
one try to draw from memory a group of mountains, and he will probably
find that in the impression produced on his mind the mountains are loftier
and steeper, the valleys deeper and narrower, than in the actual reality.
A drawing, then, which was literally exact would not be true, in the sense
of conveying the same impression as Nature herself.

In fact, Art, says Goethe, is called Art simply because it is not Nature.

It is not sufficient for the artist to choose beautiful scenery, and
delineate it with accuracy. He must not be a mere copyist. Something
higher and more subtle is required. He must create, or at any rate
interpret, as well as copy.

Turner was never satisfied merely to reach to even the most glorious
scenery. He moved, and even suppressed, mountains.

A certain nobleman, we are told, was very anxious to see the model from
whom Guido painted his lovely female faces. Guido placed his
color-grinder, a big coarse man, in an attitude, and then drew a beautiful
Magdalen. "My dear Count," he said, "the beautiful and pure idea must be
in the mind, and then it is no matter what the model is."

Guido Reni, who painted St. Michael for the Church of the Capuchins at
Rome, wished that he "had the wings of an angel, to have ascended unto
Paradise, and there to have beheld the forms of those beautiful spirits,
from which I might have copied my Archangel. But not being able to mount
so high, it was in vain for me to seek for his resemblance here below; so
that I was forced to look into mine own mind, and into that idea of beauty
which I have formed in my own imagination." [3]

Science attempts, as far as the limited powers of Man permit, to reproduce
the actual facts in a manner which, however bald, is true in itself,
irrespective of time and scene. To do this she must submit to many
limitations; not altogether unvexatious, and not without serious
drawbacks. Art, on the contrary, endeavors to convey the impression of the
original under some especial aspect.

In some respects, Art gives a clearer and more vivid idea of an unknown
country than any description can convey. In literature rock may be rock,
but in painting it must be granite or slate, and not merely rock in
general.

It is remarkable that while artists have long recognized the necessity of
studying anatomy, and there has been from the commencement a professor of
anatomy in the Royal Academy, it is only of late years that any knowledge
of botany or geology has been considered desirable, and even now their
importance is by no means generally recognized.

Much has been written as to the relative merits of painting, sculpture,
and architecture. This, if it be not a somewhat unprofitable inquiry,
would at any rate be out of place here.

Architecture not only gives intense pleasure, but even the impression of
something ethereal and superhuman.

Madame de Stael described it as "frozen music;" and a cathedral is a
glorious specimen of "thought in stone," whose very windows are
transparent walls of gorgeous hues.

Caracci said that poets paint in their words and artists speak in their
works. The latter have indeed one great advantage, for a glance at a
statue or a painting will convey a more vivid idea than a long and minute
description.

Another advantage possessed by Art is that it is understood by all
civilized nations, whilst each has a separate language.

Even from a material point of view Art is most important. In a recent
address Sir F. Leighton has observed that the study of Art "is every day
becoming more important in relation to certain sides of the waning
material prosperity of the country. For the industrial competition between
this and other countries--a competition, keen and eager, which means to
certain industries almost a race for life--runs, in many cases, no longer
exclusively or mainly on the lines of excellence of material and solidity
of workmanship, but greatly nowadays on the lines of artistic charm and
beauty of design."

The highest service, however, that Art can accomplish for man is to become
"at once the voice of his nobler aspirations, and the steady
disciplinarian of his emotions; and it is with this mission, rather than
with any aesthetic perfection, that we are at present concerned." [4]

Science and Art are sisters, or rather perhaps they are like brother and
sister. The mission of Art is in some respects like that of woman. It is
not Hers so much to do the hard toil and moil of the world, as to surround
it with a halo of beauty, to convert work into pleasure.

In science we naturally expect progress, but in Art the case is not so
clear; and yet Sir Joshua Reynolds did not hesitate to express his
conviction that in the future "so much will painting improve, that the
best we can now achieve will appear like the work of children," and we may
hope that our power of enjoying it may increase in an equal ratio.
Wordsworth says that poets have to create the taste for their own works,
and the same is, in some degree at any rate, true of artists.

In one respect especially modern painters appear to have made a marked
advance, and one great blessing which in fact we owe to them is a more
vivid enjoyment of scenery.

I have of course no pretensions to speak with authority, but even in the
case of the greatest masters before Turner, the landscapes seem to me
singularly inferior to the figures. Sir Joshua Reynolds tells us that
Gainsborough framed a kind of model of a landscape on his table, composed
of broken stones, dried herbs, and pieces of looking-glass, which he
magnified and improved into rocks, trees, and water; and Sir Joshua
solemnly discusses the wisdom of such a proceeding. "How far it may be
useful in giving hints," he says, "the professors of landscape can best
determine," but he does not recommend it, and is disposed to think, on the
whole, the practice may be more likely to do harm than good!

In the picture of Ceyx and Alcyone, by Wilson, of whom Cunningham said
that, with Gainsborough, he laid the foundation of our School of
Landscape, the castle is said to have been painted from a pot of porter,
and the rock from a Stilton cheese. There is indeed another version of the
story, that the picture was sold for a pot of porter and a cheese, which,
however, does not give a higher idea of the appreciation of the art of
landscape at that date.

Until very recently the general feeling with reference to mountain scenery
has been that expressed by Tacitus. "Who would leave Asia or Africa or
Italy to go to Germany, a shapeless and unformed country, a harsh sky, and
melancholy aspect, unless indeed it was his native land?"

It is amusing to read the opinion of Dr. Beattie, in a special treatise on
_Truth, Poetry and Music_, written at the close of the last century, that
"The Highlands of Scotland are in general a melancholy country. Long
tracts of mountainous country, covered with dark heath, and often obscured
by misty weather; narrow valleys thinly inhabited, and bounded by
precipices resounding with the fall of torrents; a soil so rugged, and a
climate so dreary, as in many parts to admit neither the amenities of
pasturage, nor the labors of agriculture; the mournful dashing of waves
along the firths and lakes: the portentous noises which every change of
the wind is apt to raise in a lonely region, full of echoes, and rocks,
and caverns; the grotesque and ghastly appearance of such a landscape by
the light of the moon: objects like these diffuse a gloom over the fancy,"
etc. [5]

Even Goldsmith regarded the scenery of the Highlands as dismal and
hideous. Johnson, we know, laid it down as an axiom that "the noblest
prospect which a Scotchman ever sees is the high road that leads him to
England"--a saying which throws much doubt on his distinction that the
Giant's Causeway was "worth seeing but not worth going to see." [6]

Madame de Stael declared, that though she would go 500 leagues to meet a
clever man, she would not care to open her window to see the Bay of
Naples.

Nor was the ancient absence of appreciation confined to scenery. Even
Burke, speaking of Stonehenge, says, "Stonehenge, neither for disposition
nor ornament, has anything admirable."

Ugly scenery, however, may in some cases have an injurious effect on the
human system. It has been ingeniously suggested that what really drove Don
Quixote out of his mind was not the study of his books of chivalry, so
much as the monotonous scenery of La Mancha.

The love of landscape is not indeed due to Art alone. It has been the
happy combination of art and science which has trained us to perceive the
beauty which surrounds us.

Art helps us to see, and "hundreds of people can talk for one who can
think; but thousands can think for one who can see. To see clearly is
poetry, prophecy, and religion all in one.... Remembering always that
there are two characters in which all greatness of Art consists--first,
the earnest and intense seizing of natural facts; then the ordering those
facts by strength of human intellect, so as to make them, for all who look
upon them, to the utmost serviceable, memorable, and beautiful. And thus
great Art is nothing else than the type of strong and noble life; for as
the ignoble person, in his dealings with all that occurs in the world
about him, first sees nothing clearly, looks nothing fairly in the face,
and then allows himself to be swept away by the trampling torrent and
unescapable force of the things that he would not foresee and could not
understand: so the noble person, looking the facts of the world full in
the face, and fathoming them with deep faculty, then deals with them in
unalarmed intelligence and unhurried strength, and becomes, with his human
intellect and will, no unconscious nor insignificant agent in consummating
their good and restraining their evil." [7]

May we not also hope that in this respect also still further progress may
be made, that beauties may be revealed, and pleasures may be in store for
those who come after us, which we cannot appreciate, or at least can but
faintly feel.

Even now there is scarcely a cottage without something more or less
successfully claiming to rank as Art,--a picture, a photograph, or a
statuette; and we may fairly hope that much as Art even now contributes to
the happiness of life, it will do so even more effectively in the future.

[1] Reynolds.

[2] Shakespeare.

[3] Dryden.

[4] Haweis.

[5] Beattie, 1776.

[6] Boswell.

[7] Ruskin.




CHAPTER VI.

POETRY.


    "And here the singer for his Art
       Not all in vain may plead;
     The song that nerves a nation's heart
       Is in itself a deed."
                             TENNYSON.




CHAPTER VI.

POETRY.


After the disastrous defeat of the Athenians before Syracuse, Plutarch
tells us that the Sicilians spared those who could repeat any of the
poetry of Euripides.

"Some there were," he says, "who owed their preservation to Euripides. Of
all the Grecians, his was the muse with whom the Sicilians were most in
love. From the strangers who landed in their island they gleaned every
small specimen or portion of his works, and communicated it with pleasure
to each other. It is said that upon this occasion a number of Athenians on
their return home went to Euripides, and thanked him in the most grateful
manner for their obligations to his pen; some having been enfranchised for
teaching their masters what they remembered of his poems, and others
having procured refreshments, when they were wandering about after the
battle, by singing a few of his verses."

Nowadays we are none of us likely to owe our lives to Poetry in this
sense, yet in another we many of us owe to it a similar debt. How often,
when worn with overwork, sorrow, or anxiety, have we taken down Homer or
Horace, Shakespeare or Milton, and felt the clouds gradually roll away,
the jar of nerves subside, the consciousness of power replace physical
exhaustion, and the darkness of despondency brighten once more into the
light of life.

"And yet Plato," says Jowett, "expels the poets from his Republic because
they are allied to sense; because they stimulate the emotions; because
they are thrice removed from the ideal truth."

In that respect, as in some others, few would accept Plato's Republic as
being an ideal Commonwealth, and most would agree with Sir Philip Sidney
that "if you cannot bear the planet-like music of poetry ... I must send
you in the behalf of all poets, that while you live, you live in love, and
never get favor for lacking skill of a sonnet; and when you die, your
memory die from the earth, for want of an epitaph."

Poetry has often been compared with painting and sculpture. Simonides long
ago said that Poetry is a speaking picture, and painting is mute Poetry.

"Poetry," says Cousin, "is the first of the Arts because it best
represents the infinite."

And again, "Though the arts are in some respects isolated, yet there is
one which seems to profit by the resources of all, and that is Poetry.
With words, Poetry can paint and sculpture; she can build edifices like an
architect; she unites, to some extent, melody and music. She is, so to
say, the center in which all arts unite."

A true poem is a gallery of pictures.

It must, I think, be admitted that painting and sculpture can give us a
clearer and more vivid idea of an object we have never seen than any
description can convey. But when we have once seen it, then on the
contrary there are many points which the poet brings before us, and which
perhaps neither in the representation, nor even in nature, should we
perceive for ourselves. Objects can be most vividly brought before us by
the artist, actions by the poet; space is the domain of Art, time of
Poetry. [1]

Take, for instance, as a typical instance, female beauty. How labored and
how cold any description appears. The greatest poets recognize this; as,
for instance, when Scott wishes us to realize the Lady of the Lake he does
not attempt any description, but just mentions her attitude and then
adds--

  "And ne'er did Grecian chisel trace
  A Nymph, a Naiad, or a Grace,
  Of finer form or lovelier face!"

A great poet indeed must be inspired; he must possess an exquisite sense
of beauty, and feelings deeper than those of most men, and yet well under
his control. "The Milton of poetry is the man, in his own magnificent
phrase, of devout prayer to that eternal spirit that can enrich with all
utterance and knowledge, and sends out his seraphim with the hallowed fire
of his altar, to touch and purify the lips of whom he pleases." [2] And if
from one point of view Poetry brings home to us the immeasurable
inequalities of different minds, on the other hand it teaches us that
genius is no affair of rank or wealth.

  "I think of Chatterton, the marvellous boy,
     The sleepless soul, that perish'd in his pride;
   Of Burns, that walk'd in glory and in joy
     Behind his plough upon the mountain-side." [3]

A man may be a poet and yet write no verse, but not if he writes bad or
poor ones.

                        "Mediocribus esse poetis
  Non homines, non Di, non concessere columnae." [4]

Second-rate poets, like second-rate writers generally, fade gradually into
dreamland; but the great poets remain always.

Poetry will not live unless it be alive, "that which comes from the head
goes to the heart;" [5] and Milton truly said that "he who would not be
frustrate of his hope to write well hereafter in laudable things, ought
himself to be a true poem."

For "he who, having no touch of the Muses' madness in his soul, comes to
the door and thinks he will get into the temple by the help of Art--he, I
say, and his Poetry are not admitted." [6]

But the work of the true poet is immortal.

"For have not the verses of Homer continued 2500 years or more without the
loss of a syllable or a letter, during which time infinite palaces,
temples, castles, cities, have been decayed and demolished? It is not
possible to have the true pictures or statues of Cyrus, Alexander, Caesar,
no, nor of the kings or great personages of much later years; for the
originals cannot last, and the copies cannot but lose of the life and
truth. But the images of men's wits and knowledge remain in books,
exempted from the wrong of time and capable of perpetual renovation.
Neither are they fitly to be called images, because they generate still
and cast their seeds in the minds of others, provoking and causing
infinite actions and opinions in succeeding ages: so that if the invention
of the ship was thought so noble, which carrieth riches and commodities
from place to place, and consociateth the most remote regions in
participation of their fruits, how much more are letters to be magnified,
which, as ships, pass through the vast seas of time and make ages so
distant to participate of the wisdom, illuminations, and inventions, the
one of the other?" [7]

The poet requires many qualifications. "Who has traced," says Cousin, "the
plan of this poem? Reason. Who has given it life and charm? Love. And who
has guided reason and love? The Will."

 "All men have some imagination, but
  The Lover and the Poet
  Are of imagination all compact.

     *       *       *      *       *

 "The Poet's eye, in a fine frenzy rolling,
  Doth glance from heaven to earth, from earth to heaven,
  And as imagination bodies forth
  The forms of things unknown, the poet's pen
  Turns them to shapes, and gives to airy nothing
  A local habitation and a name." [8]

Poetry is the fruit of genius; but it cannot be produced without labor.
Moore, one of the airiest of poets, tells us that he was a slow and
painstaking workman.

The works of our greatest Poets are all episodes in that one great poem
which the genius of man has created since the commencement of human
history.

A distinguished mathematician is said once to have inquired what was
proved by Milton in his _Paradise Lost_; and there are no doubt still some
who ask themselves, even if they shrink from putting the question to
others, whether Poetry is of any use, just as if to give pleasure were not
useful in itself. No true Utilitarian, however, would feel this doubt,
since the greatest happiness of the greatest number is the rule of his
philosophy.

"We must not estimate the works of genius merely with reference to the
pleasure they afford, even when pleasure was their principal object. We
must also regard the intelligence which they presuppose and exercise." [9]

Thoroughly to enjoy Poetry we must not so limit ourselves, but must rise
to a higher ideal.

"Yes; constantly in reading poetry, a sense for the best, the really
excellent, and of the strength and joy to be drawn from it, should be
present in our minds, and should govern our estimate of what we
read." [10]

Cicero, in his oration for Archias, well asked, "Has not this man then a
right to my love, to my admiration, to all the means which I can employ in
his defence? For we are instructed by all the greatest and most learned of
mankind, that education, precepts, and practice, can in every other branch
of learning produce excellence. But a poet is formed by the hand of
nature; he is aroused by mental vigor, and inspired by what we may call
the spirit of divinity itself. Therefore our Ennius has a right to give to
poets the epithet of Holy, [11] because they are, as it were, lent to
mankind by the indulgent bounty of the gods."

"Poetry," says Shelley, "awakens and enlarges the mind itself by rendering
it the receptacle of a thousand unapprehended combinations of thought.
Poetry lifts the veil from the hidden beauty of the world, and makes
familiar objects be as if they were not familiar; it reproduces all that
it represents, and the impersonations clothed in its Elysian light stand
thenceforward in the minds of those who have once contemplated them, as
memorials of that gentle and exalted content which extends itself over all
thoughts and actions with which it co-exists."

And again, "All high Poetry is infinite; it is as the first acorn, which
contained all oaks potentially. Veil after veil may be undrawn, and the
inmost naked beauty of the meaning never exposed. A great poem is a
fountain forever overflowing with the waters of wisdom and delight."

Or, as he has expressed himself in his Ode to a Skylark:

    "Higher still and higher
      From the earth thou springest
    Like a cloud of fire;
      The blue deep thou wingest,
  And singing still dost soar, and soaring ever singest.

    "Like a poet hidden
      In the light of thought,
    Singing hymns unbidden,
      Till the world is wrought
  To sympathy with hopes and fears it heeded not.

    "Like a glow-worm golden
      In a dell of dew,
    Scattering unbeholden
      Its aerial hue
  Among the flowers and grass, which screen it from the view."

We speak now of the poet as the Maker or Creator--[Greek: poiaetaes]; the
origin of the word "bard" seems doubtful.

The Hebrews well called their poets "Seers," for they not only perceive
more than others, but also help other men to see much which would
otherwise be lost to us. The old Greek word was [Greek: aoidos]--the Bard
or Singer.

Poetry lifts the veil from the beauty of the world which would otherwise
be hidden, and throws over the most familiar objects the glow and halo of
imagination. The man who has a love for Poetry can scarcely fail to derive
intense pleasure from Nature, which to those who love it is all "beauty to
the eye and music to the ear."

"Yet Nature never set forth the earth in so rich tapestry as divers poets
have done; neither with so pleasant rivers, fruitful trees, sweet-smelling
flowers, nor whatsoever else may make the too-much-loved earth more
lovely." [12]

In the smokiest city the poet will transport us, as if by enchantment, to
the fresh air and bright sun, to the murmur of woods and leaves and water,
to the ripple of waves upon sand, and enable us, as in some delightful
dream, to cast off the cares and troubles of life.

The poet, indeed, must have more true knowledge, not only of human nature,
but of all Nature, than other men are gifted with.

Crabbe Robinson tells us that when a stranger once asked permission to see
Wordsworth's study, the maid said, "This is master's Library, but he
studies in the fields." No wonder then that Nature has been said to return
the poet's love.

  "Call it not vain;-they do not err
     Who say that, when the poet dies,
   Mute Nature mourns her worshipper,
     And celebrates his obsequies." [13]

Swinburne says of Blake, and I feel entirely with him, though in my case
the application would have been different, that "The sweetness of sky and
leaf, of grass and water--the bright light life of bird, child, and
beast--is, so to speak, kept fresh by some graver sense of faithful and
mysterious love, explained and vivified by a conscience and purpose in the
artist's hand and mind. Such a fiery outbreak of spring, such an
insurrection of fierce floral life and radiant riot of childish power and
pleasure, no poet or painter ever gave before; such lustre of green leaves
and flushed limbs, kindled cloud and fervent fleece, was never wrought
into speech or shape."

To appreciate Poetry we must not merely glance at it, or rush through it,
or read it in order to talk or write about it. One must compose oneself
into the right frame of mind. Of course for one's own sake one will read
Poetry in times of agitation, sorrow, or anxiety, but that is another
matter.

The inestimable treasures of Poetry again are open to all of us. The best
books are indeed the cheapest. For the price of a little beer, a little
tobacco, we can buy Shakespeare or Milton--or indeed almost as many books
as a man can read with profit in a year.

Nor, in considering the advantage of Poetry to man, must we limit
ourselves to its past or present influence. The future of Poetry, says Mr.
Matthew Arnold, and no one was more qualified to speak, "The future of
Poetry is immense, because in Poetry, where it is worthy of its high
destinies, our race, as time goes on, will find an ever surer and surer
stay. But for Poetry the idea is everything; the rest is a world of
illusion, of divine illusion. Poetry attaches its emotion to the idea; the
idea _is_ the fact. The strongest part of our religion to-day is its
unconscious Poetry. We should conceive of Poetry worthily, and more highly
than it has been the custom to conceive of it. We should conceive of it as
capable of higher uses, and called to higher destinies than those which in
general men have assigned to it hitherto."

Poetry has been well called the record "of the best and happiest moments
of the happiest and best minds;" it is the light of life, the very "image
of life expressed in its eternal truth;" it immortalizes all that is best
and most beautiful in the world; "it purges from our inward sight the film
of familiarity which obscures from us the wonder of our being;" "it is the
center and circumference of knowledge;" and poets are "mirrors of the
gigantic shadows which futurity caste upon the present."

Poetry, in effect, lengthens life; it creates for us time, if time be
realized as the succession of ideas and not of minutes; it is the "breath
and finer spirit of all knowledge;" it is bound neither by time nor space,
but lives in the spirit of man. What greater praise can be given than the
saying that life should be Poetry put into action.

[1] See Lessing's _Laocooen_.

[2] Arnold.

[3] Coleridge.

[4] Horace.

[5] Wordsworth.

[6] Plato.

[7] Bacon.

[8] Shakespeare.

[9] St. Hailare.

[10] Arnold.

[11] Plato styles poets the sons and interpreters of the gods.

[12] Sydney, _Defence of Poetry_.

[13] Scott.




CHAPTER VII.

MUSIC.


    "Music is a moral law. It gives a soul to the universe, wings to the
    mind, flight to the imagination, a charm to sadness, gaiety and life
    to everything. It is the essence of order, and leads to all that is
    good, just, and beautiful, of which it is the invisible, but
    nevertheless dazzling, passionate, and eternal form."--PLATO.




CHAPTER VII.

MUSIC.


Music is in one sense far more ancient than man, and the voice was from
the very commencement of human existence a source of melody: but so far as
musical instruments are concerned, it is probable that percussion came
first, then wind instruments, and lastly, those with strings: first the
Drum, then the Flute, and thirdly, the Lyre. The early history of Music
is, however, unfortunately wrapped in much obscurity. The use of letters
long preceded the invention of notes, and tradition in such a matter can
tell us but little.

The contest between Marsyas and Apollo is supposed by some to typify the
struggle between the Flute and the Lyre; Marsyas representing the archaic
Flute, Apollo the champion of the Lyre. The latter of course was
victorious: it sets the voice free, and the sound

  "Of music that is born of human breath
  Comes straighter to the soul than any strain
  The hand alone can make." [1]

Various myths have grown up to explain the origin of Music. One Greek
tradition was to the effect Grasshoppers were human beings themselves in a
world before the Muses; that when the Muses came, being ravished with
delight, they sang and sang and forgot to eat, until "they died of hunger
for the love of song. And they carry to heaven the report of those who
honor them on earth." [2]

The old writers and commentators tell us that Pythagoras, "as he was one
day meditating on the want of some rule to guide the ear, analogous to
what had been used to help the other senses, chanced to pass by a
blacksmith's shop, and observing that the hammers, which were four in
number, sounded very harmoniously, he had them weighed, and found them to
be in the proportion of six, eight, nine, and twelve. Upon this he
suspended four strings of equal length and thickness, etc., fastened
weights in the above-mentioned proportions to each of them respectively,
and found that they gave the same sounds that the hammers had done; viz.
the fourth, fifth, and octave to the gravest tone." [3] However this may
be, it would appear that the lyre had at first four strings only:
Terpander is said to have given it three more, and an eighth was
subsequently added.

We have unfortunately no specimens of Greek or Roman, or even of Early
Christian music. The Chinese indicated the notes by words or their
initials. The lowest was termed "Koung," or the Emperor, as being the
Foundation on which all were supported; the second was Tschang, the Prime
Minister; the third, the Subject; the fourth, Public Business; the fifth,
the Mirror of Heaven. [4] The Greeks also had a name for each note. The
so-called Gregorian notes were not invented until six hundred years after
Gregory's death. The Monastery of St. Gall possesses a copy of Gregory's
Antiphonary, made about the year 780 by a chorister who was sent from Rome
to Charlemagne to reform the Northern music, and in this the notes are
indicated by "pneumss," from which our notes were gradually developed, and
first arranged along one line, to which others were gradually added. But I
must not enlarge on this interesting subject.

In the matter of music Englishmen have certainly deserved well of the
world. Even as long ago as 1185 Giraldus Cambrensis, Bishop of St.
David's, says, "The Britons do not sing their tunes in unison like the
inhabitants of other countries, but in different parts. So that when a
company of singers meet to sing, as is usual in this country, as many
different parts are heard as there are singers." [5]

The most ancient known piece of music for several voices is an English
four men's song, "Summer is a coming in," which is considered to be at
least as early as 1240, and is now in the British Museum.

The Venetian Ambassador in the time of Henry VIII. said of our English
Church music: "The mass was sung by His Majesty's choristers, whose voices
are more heavenly than human; they did not chant like men, but like
angels."

Speaking of Purcell's anthem, "Be merciful to me, O God," Burney says it
is "throughout admirable. Indeed, to my conception there is no better
music existing of the kind than the opening of this anthem, in which the
verse 'I will praise God' and the last movement in C natural are, in
melody, harmony, and modulation, truly divine music."

Dr. Burney says that Purcell was "as much the pride of an Englishman in
music as Shakespeare in productions of the stage, Milton in epic poetry,
Locke in metaphysics, or Sir Isaac Newton in philosophy and mathematics;"
and yet Purcell's music is unfortunately but little known to us now, as
Macfarren says, "to our great loss."

The authors of some of the loveliest music, and even in some cases that of
comparatively recent times, are unknown to us. This is the case for
instance with the exquisite song "Drink to me only with thine eyes," the
words of which were taken by Jonson from Philostratus, and which has been
considered as the most beautiful of all "people's songs."

The music of "God save the Queen" has been adopted in more than half a
dozen other countries, and yet the authorship is a matter of doubt, being
attributed by some to Dr. John Bull, by others to Carey. It was apparently
first sung in a tavern in Cornhill.

Both the music and words of "O Death, rock me to sleep" are said to be by
Anne Boleyn: "Stay, Corydon" and "Sweet Honey-sucking Bees" by Wildye,
"the first of madrigal writers." "Rule Britannia" was composed by Arne,
and originally formed part of his Masque of _Alfred_, first performed in
1740 at Cliefden, near Maidenhead. To Arne we are also indebted for the
music of "Where the Bee sucks there lurk I." "The Vicar of Bray" is set to
a tune originally known as "A Country Garden." "Come unto these yellow
sands" we owe to Purcell; "Sigh no more, Ladies" to Stevens; "Home, Sweet
Home" to Bishop.

There is a curious melancholy in national music which is generally in the
minor key; indeed this holds good with the music of savage races
generally. They appear, moreover, to have no love Songs.

Herodotus tells us that during the whole time he was in Egypt he only
heard one song, and that was a sad one. My own experience there was the
same. Some tendency to melancholy seems indeed inherent in music, and
Jessica is not alone in the feeling

  "I am never merry when I hear sweet music."

The epitaphs on Musicians have been in some cases very well expressed.
Such, for instance, is the following:

  "Philips, whose touch harmonious could remove
  The pangs of guilty power and hapless love,
  Rest here, distressed by poverty no more;
  Here find that calm thou gav'st so oft before;
  Sleep, undisturbed, within this peaceful shrine,
  Till angels wake thee with a note like thine!"

Still more so that on Purcell, whose premature death was so irreparable a
loss to English music--

    "Here lies Henry Purcell, who left this life, and is gone to that
    blessed place, where only his harmony can be exceeded."

The histories of Music contain many curious anecdotes as to the
circumstances under which different works have been composed.

Rossini tells us that he wrote the overture to the "Gazza Ladra" on the
very day of the first performance, in the upper loft of the La Scala,
where he had been confined by the manager under the guard of four
scene-shifters, who threw the text out of the window to copyists bit by
bit as it was composed. Tartini is said to have composed "Il trillo del
Diavolo," considered to be his best work, in a dream. Rossini, speaking of
the chorus in G minor in his "Dal tuo stellato soglio," tells us: "While I
was writing the chorus in G minor I suddenly dipped my pen into a medicine
bottle instead of the ink. I made a blot, and when I dried this with the
sand it took the form of a natural, which instantly gave me the idea of
the effect the change from G minor to G major would make, and to this blot
is all the effect, if any, due." But these of course are exceptional
cases.

There are other forms of Music, which though not strictly entitled to the
name, are yet capable of giving intense pleasure. To the sportsman what
Music can excel that of the hounds themselves. The cawing of rooks has
been often quoted as a sound which has no actual beauty of its own, and
yet which is delightful from its associations.

There is, however, a true Music of Nature,--the song of birds, the whisper
of leaves, the ripple of waters upon a sandy shore, the wail of wind or
sea.

There was also an ancient impression that the Heavenly bodies give out
music as well as light: the Music of the Spheres is proverbial.

  "There's not the smallest orb which thou beholdest
  But in his motion like an angel sings,
  Still quiring to the young-eyed cherubims;
  Such harmony is in immortal souls
  But while this muddy vesture of decay
  Doth grossly close it in, we cannot hear it." [6]

Music indeed often seems as if it scarcely belonged to this material
universe, but was

                      "A tone
  Of some world far from ours,
  Where music, and moonlight, and feeling are one." [7]

There is Music in speech as well as in song. Not merely in the voice of
those we love, and the charm of association, but in actual melody; as
Milton says,

  "The Angel ended, and in Adam's ear
  So charming left his voice, that he awhile
  Thought him still speaking, still stood fixed to hear."

It is remarkable that more pains are not taken with the voice in
conversation as well as in singing, for

  "What plea so tainted and corrupt
  But, being seasoned with a gracious voice,
  Obscures the show of evil."

It may be true as a general rule that

  "The man that hath no Music in himself
  Nor is not moved with concord of sweet sounds
  Is fit for treasons, stratagems, and spoils;" [8]

but there are some notable exceptions. Dr. Johnson had no love of music.
On one occasion, hearing that a certain piece of music was very difficult,
he expressed his regret that it was not impossible.

Poets, as might have been expected, have sung most sweetly in praise of
song. They have, moreover, done so from the most opposite points of view.

Milton invokes it as a luxury--

    "And ever against eating cares
  Lap me in soft Lydian airs;
  Married to immortal verse
  Such as the meeting soul may pierce,
  In notes with many a winding bout
  Of linked sweetness long drawn out;
  With wanton heed, and giddy cunning,
  The melting voice through mazes running;
  Untwisting all the chains that tie
  The hidden soul of harmony."

Sometimes as a temptation; so Spenser says of Phaedria,

  "And she, more sweet than any bird on bough
    Would oftentimes amongst them bear a part,
  And strive to passe (as she could well enough)
    Their native musicke by her skilful art."

Or as an element of pure happiness--

  "There is in Souls a sympathy with sounds;
  And as the mind is pitched, the ear is pleased
  With melting airs or martial, brisk or grave;
  Some chord in unison with what we hear
  Is touched within us, and the heart replies.
  How soft the music of those village bells,
  Falling at intervals upon the ear
  In cadence sweet, now dying all away,
  Now pealing loud again and louder still
  Clear and sonorous, as the gale comes on." [9]

As touching the human heart--

  "The soul of music slumbers in the shell,
  Till waked and kindled by the master's spell,
  And feeling hearts--touch them but lightly--pour
  A thousand melodies unheard before." [10]

As an education--

  "I have sent books and music there, and all
  Those instruments with which high spirits call
  The future from its cradle, and the past
  Out of its grave, and make the present last
  In thoughts and joys which sleep, but cannot die,
  Folded within their own eternity." [11]

As an aid to religion--

  "As from the power of sacred lays
    The spheres began to move,
  And sung the great Creator's praise
    To all the blessed above,
  So when the last and dreadful hour
  This crumbling pageant shall devour,
  The trumpet shall be heard on high.
  The dead shall live, the living die,
  And music shall untune the sky." [12]

Or again--

  "Hark how it falls! and now It steals along,
    Like distant bells upon the lake at eve.
  When all is still; and now it grows more strong
    As when the choral train their dirges weave
  Mellow and many voiced; where every close
    O'er the old minster roof, in echoing waves reflows.
  Oh! I am rapt aloft. My spirit soars
    Beyond the skies, and leaves the stars behind;
  Lo! angels lead me to the happy shores,
    And floating paeans fill the buoyant wind.
  Farewell! base earth, farewell! my soul is freed."

The power of Music to sway the feelings of Man has never been more
cleverly portrayed than by Dryden in "The Feast of Alexander," though the
circumstances of the case precluded any reference to the influence of
Music in its noblest aspects.

Poets have always attributed to Music--and who would wish to deny it?--a
power even over the inanimate forces of Nature. Shakespeare accounts for
shooting stars by the attraction of Music:

  "The rude sea grew civil at her song,
  And certain stars shot madly from their spheres
  To hear the Sea-maid's music."

Prose writers have also been inspired by Music to their highest eloquence.
"Music," says Plato, "is a moral law. It gives a soul to the universe,
wings to the mind, flight to the imagination, a charm to sadness, gaiety
and life to everything. It is the essence of order, and leads to all that
is good, just, and beautiful, of which it is the invisible, but
nevertheless dazzling, passionate, and eternal form." "Music," said
Luther, "is a fair and glorious gift from God. I would not for the world
renounce my humble share in music." "Music," said Halevy, "is an art that
God has given us, in which the voices of all nations may unite their
prayers in one harmonious rhythm." Or Carlyle, "Music is a kind of
inarticulate, unfathomable speech, which leads us to the edge of the
infinite, and lets us for moments gaze into it."

Let me also quote Helmholtz, one of the profoundest exponents of modern
science. "Just as in the rolling ocean, this movement, rhythmically
repeated, and yet ever-varying, rivets our attention and hurries us along.
But whereas in the sea blind physical forces alone are at work, and hence
the final impression on the spectator's mind is nothing but solitude--in a
musical work of art the movement follows the outflow of the artist's own
emotions. Now gently gliding, now gracefully leaping, now violently
stirred, penetrated, or laboriously contending with the natural expression
of passion, the stream of sound, in primitive vivacity, bears over into
the hearer's soul unimagined moods which the artist has overheard from his
own, and finally raises him up to that repose of everlasting beauty of
which God has allowed but few of his elect favorites to be the heralds."

"There are but seven notes in the scale; make them fourteen," says Newman,
"yet what a slender outfit for so vast an enterprise! What science brings
so much out of so little? Out of what poor elements does some great master
in it create his new world! Shall we say that all this exuberant
inventiveness is a mere ingenuity or trick of art, like some game of
fashion of the day, without reality, without meaning?... Is it possible
that that inexhaustible evolution and disposition of notes, so rich yet so
simple, so intricate yet so regulated, so various yet so majestic, should
be a mere sound, which is gone and perishes? Can it be that those
mysterious stirrings of the heart, and keen emotions, and strange
yearnings after we know not what, and awful impressions from we know not
whence, should be wrought in us by what is unsubstantial, and comes and
goes, and begins and ends in itself? it is not so; it cannot be. No; they
have escaped from some higher sphere; they are the outpourings of eternal
harmony in the medium of created sound; they are echoes from our Home;
they are the voices of Angels, or the Magnificat of Saints, or the living
laws of Divine Governance, or the Divine Attributes; something are they
besides themselves, which we cannot compass, which we cannot utter, though
mortal man, and he perhaps not otherwise distinguished above his fellows,
has the gift of eliciting them."

Poetry and Music unite in song. From the earliest ages song has been the
sweet companion of labor. The rude chant of the boatman floats upon the
water, the shepherd sings upon the hill, the milkmaid in the dairy, the
ploughman at the plough. Every trade, every occupation, every act and
scene of life, has long had its own especial music. The bride went to her
marriage, the laborer to his work, the old man to his last long rest, each
with appropriate and immemorial music.

Music has been truly described as the mother of sympathy, the handmaid of
Religion, and will never exercise its full effect, as the Emperor Charles
VI. said to Farinelli, unless it aims not merely to charm the ear, but to
touch the heart.

There are many who consider that our life at present is peculiarly prosaic
and mercenary. I greatly doubt whether that be the case, but if so our
need for Music is all the more imperative.

Much as Music has already done for man, we may hope even more from it in
the future.

It is, moreover, a joy for all. To appreciate Science or Art requires some
training, and no doubt the cultivated ear will more and more appreciate
the beauties of Music; but though there are exceptional individuals, and
even races, almost devoid of any love of Music, still they are happily but
rare.

Good Music, moreover, does not necessarily involve any considerable
outlay; it is even now no mere luxury of the rich, and we may hope that as
time goes on, it will become more and more the comfort and solace of the
poor.

[1] Morris.

[2] Plato.

[3] Crowest.

[4] _Rowbotham, History of Music_.

[5] Wakefield.

[6] Shakespeare.

[7] Swinburne.

[8] Shakespeare.

[9] Cowper.

[10] Rogers.

[11] Shelley.

[12] Dryden.




CHAPTER VIII.

THE BEAUTIES OF NATURE.


    "Speak to the earth and it shall teach thee."

    JOB.


    "And this our life, exempt from public haunt,
    Finds tongues in trees, books in the running brooks,
    Sermons in stones, and good in everything."

    SHAKESPEARE.




CHAPTER VIII.

THE BEAUTIES OF NATURE.


We are told in the first chapter of Genesis that at the close of the sixth
day "God saw every thing that he had made, and, behold, it was very good."
Not merely good, but very good. Yet how few of us appreciate the beautiful
world in which we live!

In preceding chapters I have incidentally, though only incidentally,
referred to the Beauties of Nature; but any attempt, however imperfect, to
sketch the blessings of life must contain some special reference to this
lovely world itself, which the Greeks happily called [Greek: chosmos]
--beauty.

Hamerton, in his charming work on _Landscape_, says, "There are, I
believe, four new experiences for which no description ever adequately
prepares us, the first sight of the sea, the first journey in the desert,
the sight of flowing molten lava, and a walk on a great glacier. We feel
in each case that the strange thing is pure nature, as much nature as a
familiar English moor, yet so extraordinary that we might be in another
planet." But it would, I think, be easier to enumerate the Wonders of
Nature for which description can prepare us, than those which are
altogether beyond the power of language.

Many of us, however, walk through the world like ghosts, as if we were in
it, but not of it. We have "eyes and see not, ears and hear not." To look
is much less easy than to overlook, and to be able to see what we do see,
is a great gift. Ruskin maintains that "The greatest thing a human soul
ever does in this world is to see something, and tell what it saw in a
plain way." I do not suppose that his eyes are better than ours, but how
much more he sees with them!

We must look before we can expect to see. "To the attentive eye," says
Emerson, "each moment of the year has its own beauty; and in the same
field it beholds every hour a picture that was never seen before, and
shall never be seen again. The heavens change every moment and reflect
their glory or gloom on the plains beneath."

The love of Nature is a great gift, and if it is frozen or crushed out,
the character can hardly fail to suffer from the loss. I will not, indeed,
say that a person who does not love Nature is necessarily bad; or that one
who does, is necessarily good; but it is to most minds a great help. Many,
as Miss Cobbe says, enter the Temple through the gate called Beautiful.

There are doubtless some to whom none of the beautiful wonders of Nature;
neither the glories of the rising or setting sun; the magnificent
spectacle of the boundless ocean, sometimes so grand in its peaceful
tranquillity, at others so majestic in its mighty power; the forests
agitated by the storm, or alive with the song of birds; nor the glaciers
and mountains--there are doubtless some whom none of these magnificent
spectacles can move, whom "all the glories of heaven and earth may pass in
daily succession without touching their hearts or elevating their
minds." [1]

Such men are indeed pitiable. But, happily, they are exceptions. If we can
none of us as yet fully appreciate the beauties of Nature, we are
beginning to do so more and more.

For most of us the early summer has a special charm. The very life is
luxury. The air is full of scent, and sound, and sunshine, of the song of
birds and the murmur of insects; the meadows gleam with golden buttercups,
it almost seems as if one could see the grass grow and the buds open; the
bees hum for very joy, and the air is full of a thousand scents, above all
perhaps that of new-mown hay.

The exquisite beauty and delight of a fine summer day in the country has
never perhaps been more truly, and therefore more beautifully, described
than by Jefferies in his "Pageant of Summer." "I linger,'" he says, "in
the midst of the long grass, the luxury of the leaves, and the song in the
very air. I seem as if I could feel all the glowing life the sunshine
gives and the south wind calls to being. The endless grass, the endless
leaves, the immense strength of the oak expanding, the unalloyed joy of
finch and blackbird; from all of them I receive a little.... In the
blackbird's melody one note is mine; in the dance of the leaf shadows the
formed maze is for me, though the motion is theirs; the flowers with a
thousand faces have collected the kisses of the morning. Feeling with
them, I receive some, at least, of their fulness of life. Never could I
have enough; never stay long enough.... The hours when the mind is
absorbed by beauty are the only hours when we really live, so that the
longer we can stay among these things so much the more is snatched from
inevitable Time.... These are the only hours that are not wasted-these
hours that absorb the soul and fill it with beauty. This is real life, and
all else is illusion, or mere endurance. To be beautiful and to be calm,
without mental fear, is the ideal of Nature. If I cannot achieve it, at
least I can think it."

This chapter is already so long that I cannot touch on the contrast and
variety of the seasons, each with its own special charm and interest, as

  "The daughters of the year
  Dance into light and die into the shade." [2]

Our countrymen derive great pleasure from the animal kingdom, in hunting,
shooting, and fishing, thus obtaining fresh air and exercise, and being
led into much varied and beautiful scenery. Still it will probably ere
long be recognized that even from a purely selfish point of view, killing
animals is not the way to get the greatest enjoyment from them. How much
more interesting would every walk in the country be, if Man would but
treat other animals with kindness, so that they might approach us without
fear, and we might have the constant pleasure of watching their winning
ways. Their origin and history, structure and habits, senses and
intelligence, offer an endless field of interest and wonder.

The richness of life is wonderful. Any one who will sit down quietly on
the grass and watch a little will be indeed surprised at the number and
variety of living beings, every one with a special history of its own,
every one offering endless problems of great interest.

"If indeed thy heart were right, then would every creature be to thee a
mirror of lifer and a book of holy doctrine." [3]

The study of Natural History has the special advantage of carrying us into
the country and the open air.

Not but what towns are beautiful too. They teem with human interest and
historical associations.

Wordsworth was an intense lover of nature; yet does he not tell us, in
lines which every Londoner will appreciate, that he knew nothing in nature
more fair, no calm more deep, than the city of London at early dawn?

  "Earth has not anything to show more fair;
  Dull would he be of soul who could pass by
  A sight so touching in its majesty:
  This City now doth, like a garment, wear
  The beauty of the morning; silent, bare,
  Ships, towers, domes, theatres, and temples lie
  Open unto the fields, and to the sky;
  All bright and glittering in the smokeless air.
  Never did sun more beautifully steep
  In his first splendor, valley, rock, or hill;
  Ne'er saw I, never felt, a calm so deep!
  The river glideth at its own sweet will:
  Dear God! the very houses seem asleep;
  And all that mighty heart is lying still!"

Milton also described London as

  "Too blest abode, no loveliness we see
  In all the earth, but it abounds in thee."

But after being some time in a great city, one feels a longing for the
country.

  "The meanest floweret of the vale,
  The simplest note that swells the gale,
  The common sun, the air, the skies,
  To him are opening paradise." [4]

Here Gray justly places flowers in the first place, for when in any great
town we think of the country, flowers seem first to suggest themselves.

"Flowers," says Ruskin, "seem intended for the solace of ordinary
humanity. Children love them; quiet, tender, contented, ordinary people
love them as they grow; luxurious and disorderly people rejoice in them
gathered. They are the cottager's treasure; and in the crowded town mark,
as with a little broken fragment of rainbow the windows of the workers in
whose heart rest the covenant of peace." But in the crowded street, or
even in the formal garden, flowers always seem, to me at least, as if they
were pining for the freedom of the woods and fields, where they can live
and grow as they please.

There are flowers for almost all seasons and all places. Flowers for
spring, summer, and autumn, while even in the very depth of winter here
and there one makes its appearance. There are flowers of the fields and
woods and hedgerows, of the seashore and the lake's margin, of the
mountain-side up to the very edge of the eternal snow.

And what an infinite variety they present.

  "Daffodils,
  That come before the swallow dares, and take
  The winds of March with beauty; violets, dim,
  But sweeter than the lids of Juno's eyes,
  Or Cytherea's breath; pale primroses,
  That die unmarried, ere they can behold
  Bright Phoebus in his strength, a malady
  Most incident to maids; bold oxlips and
  The crown imperial; lilies of all kinds,
  The flower-de-luce being one." [5]

Nor are they mere delights to the eye; they are full of mystery and
suggestions. They almost seem like enchanted princesses waiting for some
princely deliverer. Wordsworth tells us that

  "To me the meanest flower that blows can give
  Thoughts that do often lie too deep for tears."

Every color again, every variety of form, has some purpose and
explanation.

And yet, lovely as Flowers are, Leaves add even more to the Beauty of
Nature. Trees in our northern latitudes seldom own large flowers; and
though of course there are notable exceptions, such as the Horse-chestnut,
still even in these cases the flowers live only a few days, while the
leaves last for months. Every tree indeed is a picture in itself: The
gnarled and rugged Oak, the symbol and source of our navy, sacred to the
memory of the Druids, the type of strength, the sovereign of British
trees; the Chestnut, with its beautiful, tapering, and rich green, glossy
leaves, its delicious fruit, and to the durability of which we owe the
grand and historic roof of Westminster Abbey.

The Birch is the queen of trees, with her feathery foliage, scarcely
visible in spring but turning to leaves of gold in autumn; the pendulous
twigs tinged with purple, and silver stems so brilliantly marked with
black and white.

The Elm forms grand masses of foliage which turn a beautiful golden yellow
in autumn; and the Black Poplar with its perpendicular leaves, rustling
and trembling with every breath of wind, towers over most other forest
trees.

The Beech enlivens the country by its tender green in spring, rich green
in summer, and glorious gold and orange in autumn, set off by the graceful
gray stems; and has moreover, such a wealth of leaves that in autumn there
are enough not only to clothe the tree itself but to cover the grass
underneath.

If the Beech owes much to its delicate gray stem, even more beautiful is
the reddish crimson of the Scotch Pines, in such charming contrast with
the rich green of the foliage, by which it is shown off rather than
hidden; and, with the green spires of the Firs, they keep the woods warm
in winter.

Nor must I overlook the smaller trees: the Yew with its thick green
foliage; the wild Guelder rose, which lights up the woods in autumn with
translucent glossy berries and many-tinted leaves; or the Bryonies, the
Briar, the Traveler's Joy, and many another plant, even humbler perhaps,
and yet each with some exquisite beauty and grace of its own, so that we
must all have sometimes felt our hearts overflowing with gladness and
gratitude, as if the woods were full of music--as if

  "The woods were filled so full with song
  There seemed no room for sense of wrong." [6]

On the whole no doubt, woodlands are less beautiful in the winter: yet
even then the delicate tracery of the branches, which cannot be so well
seen when they are clothed with leaves, has a special beauty of its own;
while every now and then hoar frost or snow settles like silver on every
branch and twig, lighting up the forest as if by enchantment in
preparation for some fairy festival.

I feel with Jefferies that "by day or by night, summer or winter, beneath
trees the heart feels nearer to that depth of life which the far sky
means. The rest of spirit found only in beauty, ideal and pure, comes
there because the distance seems within touch of thought."

The general effect of forests in tropical regions must be very different
from that of those in our latitudes. Kingsley describes it as one of
helplessness, confusion, awe, all but terror. The trunks are very lofty
and straight, and rising to a great height without a branch, so that the
wood seems at first comparatively open. In Brazilian forests, for
instance, the trees struggle upward, and the foliage forms an unbroken
canopy, perhaps a hundred feet overhead. Here, indeed, high up in the air
is the real life of the forest. Everything seems to climb, to the light.
The quadrupeds climb, birds climb, reptiles climb, and the variety of
climbing plants is far greater than anything to which we are accustomed.

Many savage nations worship trees, and I really think my first feeling
would be one of delight and interest rather than of surprise, if some day
when I am alone in a wood one of the trees were to speak to me. Even by
day there is something mysterious in a forest, and this is much more the
case at night.

With wood, water seems to be naturally associated. Without water no
landscape is complete, while overhead the clouds add beauty to the heavens
themselves. The spring and the rivulet, the brook, the river, and the
lake, seem to give life to Nature, and were indeed regarded by our
ancestors as living entities themselves. Water is beautiful in the morning
mist, in the broad lake, in the glancing stream or the river pool, in the
wide ocean, beautiful in all its varied moods. Water nourishes vegetation;
it clothes the lowlands with green and the mountains with snow. It
sculptures the rocks and excavates the valleys, in most cases acting
mainly through the soft rain, though our harder rocks are still grooved by
the ice-chisel of bygone ages.

The refreshing pour of water upon the earth is scarcely greater than that
which it exercises on the mind of man. After a long spell of work how
delightful it is to sit by a lake or river, or on the seashore, and enjoy

  "A little murmur in mine ear,
  A little ripple at my feet." [7]

Every Englishman loves the sight of the Sea We feel that it is to us a
second home. It seems to vivify the very atmosphere, so that Sea air is
proverbial as a tonic, and makes the blood dance in our veins. The Ocean
gives an impression of freedom and grandeur more intense perhaps than the
aspect of the heavens themselves. A poor woman from Manchester, on being
taken to the seaside, is said to have expressed her delight on seeing for
the first time something of which there was enough for everybody. The sea
coast is always interesting. When we think of the cliff sections with
their histories of bygone ages; the shore itself teeming with seaweeds and
animals, waiting for the return of the tide, or thrown up from deeper
water by the waves; the weird cries of seabirds; the delightful feeling
that with every breath we are laying in a store of fresh life, and health,
and energy, it is impossible to over-estimate all we owe to the sea.

It is, moreover, always changing. We went for our holiday this year to
Lyme Regis. Let me attempt to describe the changes in the view from our
windows during a single day. Our sitting-room opened on to a little lawn,
beyond which the ground drops suddenly to the sea, while over about two
miles of water were the hills of the Dorsetshire coast--Golden Cap, with
its bright crest of yellow sand, and the dark blue Lias Cliff of Black
Ven. When I came early down in the morning the sun was rising opposite,
shining into the room over a calm sea, along an avenue of light; by
degrees, as it rose, the whole sea was gilt with light, and the hills
bathed in a violet mist. By breakfast-time all color had faded from the
sea--it was like silver passing on each side into gray; the sky was blue,
flecked with fleecy clouds; while, on the gentler slopes of the coast
opposite, fields and woods, and quarries and lines of stratification begin
to show themselves, though the cliffs are still in shadow, and the more
distant headlands still a mere succession of ghosts, each one fainter than
the one before it. As the morning advances the sea becomes blue, the dark
woods, green meadows, and golden cornfields of the opposite coast more
distinct, and the details of the cliffs come gradually into view, and
fishing-boats with dark sails begin to appear.

Gradually the sun rises higher, a yellow line of shore appears under the
opposite cliffs, and the sea changes its color, mapping itself out as it
were, the shallower parts turquoise blue, almost green; the deeper ones
deep violet.

This does not last long--a thunderstorm comes up. The wind mutters
overhead, the rain patters on the leaves, the coast opposite seems to
shrink into itself, as if it would fly from the storm. The sea grows dark
and rough, and white horses appear here and there.

But the storm is soon over. The clouds break, the rain stops, the sun
shines once more, the hills opposite come out again. They are divided now
not only into fields and woods, but into sunshine and shadow. The sky
clears, and as the sun begins to descend westwards the sea becomes one
beautiful clear uniform azure, changing again soon to pale blue in front
and dark violet beyond: and once more as clouds begin to gather again,
into an archipelago of bright blue sea and deep islands of ultramarine. As
the sun travels westward, the opposite hills change again. They scarcely
seem like the same country. What was in sun is now in shade, and what was
in shade now lies bright in the sunshine. The sea once more becomes a
uniform solid blue, only flecked in places by scuds of wind, and becoming
paler towards evening as the sun sinks, the cliffs which catch his setting
rays losing their deep color and in some places looking almost as white as
chalk, while at sunset they light up again for a moment with a golden
glow, the sea at the same time sinking to a cold gray. But soon the hills
grow cold too, Golden Cap holding out bravely to the last, and the shades
of evening settle over cliff and wood, cornfield and meadow.

These are but a part, and a very small part, of the changes of a single
day. And scarce any two days are alike. At times a sea-fog covers
everything. Again the sea which sleeps to-day so peacefully sometimes
rages, and the very existence of the bay itself bears witness to its
force.

The night, again, varies like the day. Sometimes shrouded by a canopy of
darkness, sometimes lit up by millions of brilliant worlds, sometimes
bathed in the light of a moon, which never retains the same form for two
nights together.

If Lakes are less grand than the sea, they are in some respects even more
lovely. The seashore is comparatively bare. The banks of Lakes are often
richly clothed with vegetation which comes close down to the water's edge,
sometimes hanging even into the water itself. They are often studded with
well-wooded islands. They are sometimes fringed with green meadows,
sometimes bounded by rocky promontories rising directly from comparatively
deep water, while the calm bright surface is often fretted by a delicate
pattern of interlacing ripples, or reflects a second, softened, and
inverted landscape.

To water again we owe the marvellous spectacle of the rainbow--"God's bow
in the clouds." It is indeed truly a heavenly messenger, and so unlike
anything else that it scarcely seems to belong to this world.

Many things are colored, but the rainbow seems to be color itself.

    "First the flaming red
  Sprang vivid forth; the tawny orange next,
  And next delicious yellow; by whose side
  Fell the kind beams of all-refreshing green.
  Then the pure blue that swells autumnal skies,
  Ethereal play'd; and then, of sadder hue
  Emerged the deeper indigo (as when
  The heavy-skirted evening droops with frost),
  While the last gleamings of refracted light
  Died in the fainting violet away." [8]

We do not, I think, sufficiently realize how wonderful is the blessing of
color. It would have been possible, it would even seem more probable, that
though light might have enabled us to perceive objects, this could only
have been by shade and form. How we perceive color it is very difficult to
comprehend, and yet when we speak of beauty, among the ideas which come to
us most naturally are those of birds and butterflies, flowers and shells,
precious stones, skies, and rainbows.

Our minds might have been constituted exactly as they are, we might have
been capable of comprehending the highest and sublimest truths, and yet,
but for a small organ in the head, the world of sound would have been shut
out from us; we should have lost the sounds of nature, the charms of
music, the conversation of friends, and have been condemned to perpetual
silence: and yet a slight alteration in the retina, which is not thicker
than a sheet of paper, not larger than a finger nail,--and the glorious
spectacle of this beautiful world, the exquisite variety of form, the
glory and play of color, the variety of scenery, of woods and fields, and
lakes and hills, seas and mountains, the glory of the sky alike by day and
night, would all have been lost to us.

Mountains, again, "seem to have been built for the human race, as at once
their schools and cathedrals; full of treasures of illuminated manuscript
for the scholar, kindly in simple lessons for the worker, quiet in pale
cloisters for the thinker, glorious in holiness for the worshipper. And of
these great cathedrals of the earth, with their gates of rock, pavements
of cloud, choirs of stream and stone, altars of snow, and vaults of purple
traversed by the continual stars." [9]

All these beauties are comprised in Tennyson's exquisite description of
Oenone's vale--the city, flowers, trees, river, and mountains.

  "There is a vale in Ida, lovelier
  Than all the valleys of Ionian hills.
  The swimming vapor slopes athwart the glen,
  Puts forth an arm, and creeps from pine to pine,
  And loiters, slowly drawn. On either hand
  The lawns and meadow-ledges midway down
  Hang rich in flowers, and far below them roars
  The long brook falling thro' the clov'n ravine
  In cataract after cataract to the sea.
  Behind the valley topmost Gargarus
  Stands up and takes the morning; but in front
  The gorges, opening wide apart, reveal
  Troas and Ilion's column'd citadel,
  The crown of Troas."

And when we raise our eyes from earth, who has not sometimes felt "the
witchery of the soft blue sky;" who has not watched a cloud floating
upward as if on its way to heaven, or when

  "Sunbeam proof, I hang like a roof
  The mountain its columns be." [10]

And yet "if, in our moments of utter idleness and insipidity, we turn to
the sky as a last resource, which of its phenomena do we speak of? One
says, it has been wet; and another, it has been windy; and another, it has
been warm. Who, among the whole chattering crowd, can tell me of the forms
and the precipices of the chain of tall white mountains that girded the
horizon at noon yesterday? Who saw the narrow sunbeam that came out of the
south, and smote upon their summits until they melted and mouldered away
in a dust of blue rain? Who saw the dance of the dead clouds when the
sunlight left them last night, and the west wind blew them before it like
withered leaves? All has passed, unregretted as unseen; or if the apathy
be ever shaken off, even for an instant, it is only by what is gross, or
what is extraordinary; and yet it is not in the broad and fierce
manifestations of the elemental energies, not in the clash of the hail,
nor the drift of the whirlwind, that the highest characters of the sublime
are developed." [11]

But exquisitely lovely as is the blue arch of the midday sky, with its
inexhaustible variety of clouds, "there is yet a light which the eye
invariably seeks with a deeper feeling of the beautiful, the light of the
declining or breaking day, and the flakes of scarlet cloud burning like
watch-fires in the green sky of the horizon." [12] The evening colors
indeed soon fade away, but as night comes on,

    "How glorious the firmament
  With living sapphires! Hesperus that led
  The starry host, rode brightest; till the moon
  Rising in clouded majesty, at length,
  Apparent queen, unveiled her peerless light,
  And o'er the dark her silver mantle threw." [13]

We generally speak of a beautiful night when it is calm and clear, and the
stars shine brightly overhead; but how grand also are the wild ways of
Nature, how magnificent when the lightning flashes, "between gloom and
glory;" when

  "From peak to peak, the rattling crags among
  Leaps the live thunder." [14]

In the words of Ossian--

  "Ghosts ride in the tempest to-night;
  Sweet is their voice between the gusts of wind,
  Their songs are of other worlds."

Nor are the wonders and beauties of the heavens limited by the clouds and
the blue sky, lovely as they are. In the heavenly bodies we have before us
"the perpetual presence of the sublime." They are so immense and so far
away, and yet on soft summer nights "they seem leaning down to whisper in
the ear of our souls." [15]

"A man can hardly lift up his eyes toward the heavens," says Seneca,
"without wonder and veneration, to see so many millions of radiant lights,
and to observe their courses and revolutions, even without any respect to
the common good of the Universe."

Who does not sympathize with the feelings of Dante as he rose from his
visit to the lower regions, until, he says,

  "On our view the beautiful lights of heaven
  Dawned through a circular opening in the cave,
  Thence issuing, we again beheld the stars."

As we watch the stars at night they seem so still and motionless that we
can hardly realize that all the time they are rushing on with a velocity
far far exceeding any that man has ever accomplished.

Like the sands of the sea, the stars of heaven have ever been used as an
appropriate symbol of number, and we know that there are some 75,000,000,
many, no doubt, with planets of their own. But this is by no means all.
The floor of heaven is not only "thick inlaid with patines of bright
gold," but is studded also with extinct stars, once probably as brilliant
as our own sun, but now dead and cold, as Helmholtz tells us our sun
itself will be some seventeen millions of years hence. Then, again, there
are the comets, which, though but few are visible to us at once, are even
more numerous than the stars; there are the nebulae, and the countless
minor bodies circulating in space, and occasionally visible as meteors.

Nor is it only the number of the heavenly bodies which is so overwhelming;
their magnitude and distances are almost more impressive. The ocean is so
deep and broad as to be almost infinite, and indeed in so far as our
imagination is the limit, so it may be. Yet what is the ocean compared to
the sky? Our globe is little compared to the giant orbs of Jupiter and
Saturn, which again sink into insignificance by the side of the sun. The
sun itself is almost as nothing compared with the dimensions of the solar
system. Sirius is calculated to be a thousand times as great as the Sun,
and a million times as far away. The solar system itself travels in one
region of space, sailing between worlds and worlds, and is surrounded by
many other systems as great and complex as itself; and we know that even
then we have not reached the limits of the Universe itself.

There are stars so distant that their light, though traveling 180,000
miles in a second, yet takes years to reach us; and beyond all these are
other systems of stars which are so far away that they cannot be perceived
singly, but even in our most powerful telescopes appear only as minute
clouds or nebulae. It is, indeed, but a feeble expression of the truth to
say that the infinities revealed to us by Science,--the infinitely great
in the one direction, and the infinitely small in the other,--go far
beyond anything which had occurred to the unaided imagination of Man, and
are not only a never-failing source of pleasure and interest, but seem to
lift us out of the petty troubles and sorrows of life.

[1] Beattie.

[2] Tennyson.

[3] Thomas a Kempis.

[4] Gray.

[5] Shakespeare.

[6] Tennyson.

[7] Trench.

[8] Thomson.

[9] Ruskin.

[10] Shelley.

[11] Ruskin.

[12] _Ibid_.

[13] Wordsworth.

[14] Swinburne.

[15] Symonds.




CHAPTER IX.

THE TROUBLES OF LIFE.




CHAPTER IX.

THE TROUBLES OF LIFE.


We have in life many troubles, and troubles are of many kinds. Some
sorrows, alas, are real enough, especially those we bring on ourselves,
but others, and by no means the least numerous, are mere ghosts of
troubles: if we face them boldly, we find that they have no substance or
reality, but are mere creations of our own morbid imagination, and that it
is as true now as in the time of David that "Man disquieteth himself in a
vain shadow."

Some, indeed, of our troubles are evils, but not real; while others are
real, but not evils.

"And yet, into how unfathomable a gulf the mind rushes when the troubles
of this world agitate it. If it then forget its own light, which is
eternal joy, and rush into the outer darkness, which are the cares of this
world, as the mind now does, it knows nothing else but lamentations." [1]

"Athens," said Epictetus, "is a good place,--but happiness is much better;
to be free from passions, free from disturbance."

We should endeavor to maintain ourselves in

               "That blessed mood
  In which the burden of the mystery,
  In which the heavy and the weary weight,
  Of all this unintelligible world
  Is lightened." [2]

So shall we fear "neither the exile of Aristides, nor the prison of
Anaxagoras, nor the poverty of Socrates, nor the condemnation of Phocion,
but think virtue worthy our love even under such trials." [3] We should
then be, to a great extent, independent of external circumstances, for

  "Stone walls do not a prison make,
    Nor iron bars a cage,
  Minds innocent and quiet take
    That for a hermitage.

  "If I have freedom in my love,
    And in my soul am free;
  Angels alone that soar above
    Enjoy such liberty." [4]

Happiness indeed depends much more on what is within than without us. When
Hamlet says the world is "a goodly prison; in which there are many
confines, wards, and dungeons; Denmark being one of the worst," and
Rosencrantz differs from him, he rejoins wisely, "Why then, 'tis none to
you: for there is nothing either good or bad, but thinking makes it so: to
me it is a prison." "All is opinion," said Marcus Aurelius. "That which
does not make a man worse, how can it make his life worse? But death
certainly, and life, honor and dishonor, pain and pleasure, all these
things happen equally to good men and bad, being things which make us
neither better nor worse."

"The greatest evils," says Jeremy Taylor, "are from within us; and from
ourselves also we must look for our greatest good."

"The mind," says Milton,

             "is its own place, and in itself
  Can make a Heaven of Hell, a Hell of Heaven."

Milton indeed in his blindness saw more beautiful visions, and Beethoven
in his deafness heard more heavenly music, than most of us can ever hope
to enjoy.

We are all apt, when we know not what may happen, to fear the worst. When
we know the full extent of any danger, it is half over. Hence, we dread
ghosts more than robbers, not only without reason, but against reason; for
even if ghosts existed, how could they hurt us? and in ghost stories, few,
even those who say that they have seen a ghost, ever profess or pretend to
have felt one.

Milton, in his description of death, dwells on this characteristic of
obscurity:

                                 "The other shape,
  If shape it might be call'd that shape had none
  Distinguishable, in member, joint, or limb;
  Or substance might be call'd that shadow seem'd,
  For each seem'd either; black he stood as night;
  Fierce as ten furies; terrible as hell;
  And shook a deadly dart. What seem'd his head
  The likeness of a kingly crown had on."

The effect of darkness and night in enhancing terrors is dwelt on in one
of the sublimest passages in Job--

  "In thoughts from the visions of the night,
  When deep sleep falleth on men,
  Fear came upon me, and trembling,
  Which made all my bones to shake.
  Then a spirit passed before my face;
  The hair of my flesh stood up.
  It stood still, an image was before mine eyes.
  There was silence; and I heard a voice saying
  Shall mortal man be more just than God?"

Thus was the terror turned into a lesson of comfort and of mercy.

We often magnify troubles and difficulties, and look at them till they
seem much greater than they really are.

"Dangers are no more light, if they once seem light; and more dangers have
deceived men than forced them: nay, it were better to meet some dangers
half way, though they come nothing near, than to keep too long a watch
upon their approaches; for if a man watch too long, it is odds he will
fall asleep." [5]

Foresight is very wise, but foresorrow is very foolish; and castles are at
any rate better than dungeons, in the air.

Some of our troubles, no doubt, are real enough, but yet are not evils.

It happens, unfortunately too often, that by some false step, intentional
or unintentional, we have missed the right road, and gone wrong. Can we
then retrace our steps? can we recover what is lost? This may be done. It
is too gloomy a view to affirm that

  "A word too much, or a kiss too long,
  And the world is never the same again."

There are two noble sayings of Socrates, that to do evil is more to be
avoided than to suffer it; and that when a man has done evil, it is better
for him to be punished than to be unpunished.

We generally speak of selfishness as a fault, and as if it interfered with
the general happiness. But this is not altogether correct.

The pity is that so many people are foolishly selfish: that they pursue a
course of action which neither makes themselves nor any one else happy.

"Every man," says Goethe, "ought to begin with himself, and make his own
happiness first, from which the happiness of the whole world would at last
unquestionably follow." It is easy to say that this is too broadly stated,
and of course exceptions might be pointed out: but if every one would
avoid excess, and take care of his own health; would keep himself strong
and cheerful; would make his home happy, and give no cause for the petty
vexations which embitter domestic life; would attend to his own affairs
and keep himself sober and solvent; would, in the words of the Chinese
proverb, "sweep away the snow from before his own door, and never mind the
frost upon his neighbor's tiles;" though it might not be the noblest
course of conduct; still, how well it would be for their family,
relations, and friends. But, unfortunately,

  "Look round the habitable world, how few
  Know their own good, or, knowing it, pursue." [6]

It would be a great thing if people could be brought to realize that they
can never add to the sum of their happiness by doing wrong. In the case of
children, indeed, we recognize this; we perceive that a spoilt child is
not a happy one; that it would have been far better for him to have been
punished at first and thus saved from greater suffering in after life.

It is a beautiful idea that every man has with him a Guardian Angel; and
it is true too: for Conscience is ever on the watch, ever ready to warn us
of danger.

We often feel disposed to complain, and yet it is most ungrateful:

                          "For who would lose,
  Though full of pain, this intellectual being,
  Those thoughts that wander through Eternity;
  To perish rather, swallowed up, and lost
  In the wide womb of uncreated thought." [7]

But perhaps it will be said that we are sent here in preparation for
another and a better world. Well, then, why should we complain of what is
but a preparation for future happiness?

We ought to

  "Count each affliction, whether light or grave,
    God's messenger sent down to thee; do thou
    With courtesy receive him; rise and bow;
  And, ere his shadow pass thy threshold, crave
  Permission first his heavenly feet to lave;
    Then lay before him all thou hast; allow
    No cloud of passion to usurp thy brow,
  Or mar thy hospitality; no wave
  Of mortal tumult to obliterate
    The soul's marmoreal calmness: Grief shall be
  Like joy, majestic, equable, sedate;
    Confirming, cleansing, raising, making free;
  Strong to consume small troubles; to commend
  Great thoughts, grave thoughts, thoughts lasting to the end." [8]

Some persons are like the waters of Siloam, and require to be troubled
before they can exercise their virtue.

"We shall get more contentedness," says Plutarch, "from the presence of
all these blessings if we fancy them as absent, and remember from time to
time how people when ill yearn for health, and people in war for peace,
and strangers and unknown in a great city for reputation and friends, and
how painful it is to be deprived of all these when one has once had them.
For then each of these blessings will not appear to us only great and
valuable when it is lost, and of no value when we have it.... And yet it
makes much for contentedness of mind to look for the most part at home and
to our own condition; or if not, to look at the case of people worse off
than ourselves, and not, as people do, to compare ourselves with those who
are better off.... But you will find others, Chians, or Galatians, or
Bithynians, not content with the share of glory or power they have among
their fellow-citizens, but weeping because they do not wear senators'
shoes; or, if they have them, that they cannot be praetors of Rome; or if
they get that office, that they are not consuls; or if they are consuls,
that they are only proclaimed second and not first.... Whenever, then, you
admire any one carried by in his litter as a greater man than yourself,
lower your eyes and look at those that bear the litter." And again, "I am
very taken with Diogenes' remark to a stranger at Lacedaemon, who was
dressing with much display for a feast, 'Does not a good man consider
every day a feast?' ... Seeing then that life is the most complete
initiation into all these things, it ought to be full of ease of mind and
joy; and if properly understood, would enable us to acquiesce in the
present without repining, to remember the past with thankfulness, and to
meet the future hopefully and cheerfully without fear of suspicion."

[1] King Alfred's translations of the _Consolations of Boethius_.

[2] Wordsworth.

[3] Plutarch.

[4] Lovelace.

[5] Bacon.

[6] Dryden.

[7] Milton.

[8] Aubrey de Vere.




CHAPTER X.

LABOR AND REST.


    "Through labor to rest, through combat to victory."

    THOMAS A KEMPIS.




CHAPTER X.

LABOR AND REST.


Among the troubles of life I do not, of course, reckon the necessity of
labor.

Work indeed, and hard work, if only it is in moderation, is in itself a
rich source of happiness. We all know how quickly time passes when we are
well employed, while the moments hang heavily on the hands of the idle.
Occupation drives away care and all the small troubles of life. The busy
man has no time to brood or to fret.

  "From toil he wins his spirits light,
  From busy day the peaceful night;
  Rich, from the very want of wealth,
  In Heaven's best treasures, peace and health." [1]

This applies especially to the labor of the field and the workshop. Humble
it may be, but if it does not dazzle with the promise of fame, it gives
the satisfaction of duty fulfilled, and the inestimable blessing of
health. As Emerson reminds those entering life, "The angels that live with
them, and are weaving laurels of life for their youthful brows, are toil
and truth and mutual faith."

Labor was truly said by the ancients to be the price which the gods set
upon everything worth having. We all admit, though we often forget, the
marvellous power of perseverance, and yet all Nature, down to Bruce's
spider, is continually impressing this lesson on us.

Hard writing, it has been said, makes easy reading; Plato is said to have
rewritten the first page of the _Republic_ thirteen times; and Carlo
Maratti, we are told, sketched the head of Antinoues three hundred times
before he wrought it to his satisfaction.

It is better to wear out than to rust out, and there is "a dust which
settles on the heart, as well as that which rests upon the ledge." [2]

But though labor is good for man, it may be, and unfortunately often is,
carried to excess. Many are wearily asking themselves

                  "Ah why
  Should life all labor be?" [3]

There is a time for all things, says Solomon, a time to work and a time to
play: we shall work all the better for reasonable change, and one reward
of work is to secure leisure.

It is a good saying that where there's a will there's a way; but while it
is all very well to wish, wishes must not take the place of work.

In whatever sphere his duty lies every man must rely mainly on himself.
Others can help us, but we must make ourselves. No one else can see for
us. To profit by our advantages we must learn to use for ourselves

  "The dark lantern of the spirit
  Which none can see by, but he who bears it."

It is hardly an exaggeration to say that honest work is never thrown away.
If we do not find the imaginary treasure, at any rate we enrich the
vineyard.

"Work," says Nature to man, "in every hour, paid or unpaid; see only that
thou work, and thou canst not escape the reward: whether thy work be fine
or coarse, planting corn or writing epics, so only it be honest work, done
to thine own approbation, it shall earn a reward to the senses as well as
to the thought: no matter how often defeated, you are born to victory. The
reward of a thing well done is to have done it." [4]

Nor can any work, however persevering, or any success, however great,
exhaust the prizes of life.

The most studious, the most successful, must recognize that there yet
remain

  "So much to do that is not e'en begun,
  So much to hope for that we cannot see,
  So much to win, so many things to be." [5]

At the present time, though there may be some special drawbacks, still we
come to our work with many advantages which were not enjoyed in olden
times. We live in much greater security ourselves, and are less liable to
have the fruits of our labor torn violently from us.

In olden times the difficulties of study were far greater than they are
now. Books were expensive and cumbersome, in many cases moreover chained
to the desks on which they were kept. The greatest scholars have often
been very poor. Erasmus used to read by moonlight because he could not
afford a candle, and "begged a penny, not for the love of charity, but for
the love of learning." [6]

Want of time is no excuse for idleness. "Our life," says Jeremy Taylor,
"is too short to serve the ambition of a haughty prince or a usurping
rebel; too little time to purchase great wealth, to satisfy the pride of a
vainglorious fool, to trample upon all the enemies of our just or unjust
interest: but for the obtaining virtue, for the purchase of sobriety and
modesty, for the actions of religion, God gives us time sufficient, if we
make the outgoings of the morning and evening, that is our infancy and old
age, to be taken into the computations of a man."

Work is so much a necessity of existence, that it is less a question
whether, than how, we shall work. An old proverb tells us that the Devil
finds work for those who do not make it for themselves.

If we Englishmen have succeeded as a race, it has been due in no small
measure to the fact that we have worked hard. Not only so, but we have
induced the forces of Nature to work for us. "Steam," says Emerson, "is
almost an Englishman."

The power of work has especially characterized our greatest men. Cecil
said of Sir W. Raleigh that he "could toil terribly."

We are most of us proud of belonging to the greatest Empire the world has
ever seen. It may be said of us with especial truth in Wordsworth's words
that

  "The world is too much with us; late and soon
  Getting and spending, we lay waste our powers."

Yes, but what world? The world will be with us sure enough, and whether we
please or not. But what sort of world it will be for us will depend
greatly on ourselves.

We are told to pray not to be taken out of the world, but to be kept from
the evil.

There are various ways of working. Quickness may be good, but haste is
bad.

  "Wie das Gestirn
  Ohne Hast
  Ohne Rast
  Drehe sich Jeder
  Um die eigne Last." [7]

"Like a star, without haste, without rest, let every one fulfil his own
hest."

Newton is reported to have described as his mode of working that "I keep
the subject constantly before me, and wait till the first dawnings open
slowly by little and little into a full and clear light."

"The secret of genius," says Emerson, "is to suffer no fiction to exist
for us; to realize all that we know; in the high refinement of modern
life, in Arts, in Sciences, in books, in men, to exact good faith,
reality, and a purpose; and first, last, midst, and without end, to honor
every truth by use."

Lastly, work secures the rich reward of rest, we must rest to be able to
work well, and work to be able to enjoy rest.

"We must no doubt beware that our rest become not the rest of stones,
which so long as they are torrent-tossed and thunder-stricken maintain
their majesty; but when the stream is silent, and the storm past, suffer
the grass to cover them, and the lichen to feed on them, and are ploughed
down into the dust.... The rest which is glorious is of the chamois
couched breathless in its granite bed, not of the stalled ox over his
fodder." [8]

When we have done our best we may wait the result without anxiety.

"What hinders a man, who has clearly comprehended these things, from
living with a light heart and bearing easily the reins; quietly expecting
everything which can happen, and enduring that which has already happened?
Would you have me to bear poverty? Come and you will know what poverty is
when it has found one who can act well the part of a poor man. Would you
have me to possess power? Let me have the power, and also the trouble of
it. Well, banishment? Wherever I shall go, there it will be well with
me." [9]

The Buddhists believe in many forms of future punishment; but the highest
reward of virtue is Nirvana--the final and eternal rest.

Very touching is the appeal of Ashmanezer to be left in peace, which was
engraved on his Sarcophagus at Sidon,--now in Paris.

"In the month of Bul, the fourteenth year of my reign, I, King Ashmanezer,
King of the Sidonians, son of King Tabuith, King of the Sidonians, spake,
saying: 'I have been stolen away before my time--a son of the flood of
days. The whilom great is dumb; the son of gods is dead. And I rest in
this grave, even in this tomb, in the place which I have built. My
adjuration to all the Ruling Powers and all men: Let no one open this
resting-place, nor search for treasure, for there is no treasure with us;
and let him not bear away the couch of my rest, and not trouble us in this
resting-place by disturbing the couch of my slumbers.... For all men who
should open the tomb of my rest, or any man who should carry away the
couch of my rest, or any one who trouble me on this couch: unto them there
shall be no rest with the departed: they shall not be buried in a grave,
and there shall be to them neither son nor seed.... There shall be to them
neither root below nor fruit above, nor honor among the living under the
sun.'" [10]

The idle man does not know what it is to rest. Hard work, moreover, tends
not only to give us rest for the body, but, what is even more important,
peace to the mind. If we have done our best to do, and to be, we can rest
in peace.

"En la sua voluntade e nostra pace." [11] In His will is our peace; and in
such peace the mind will find its truest delight, for

  "When care sleeps, the soul wakes."

In youth, as is right enough, the idea of exertion, and of struggles, is
inspiriting and delightful; but as years advance the hope and prospect of
peace and of rest gain ground gradually, and

  "When the last dawns are fallen on gray,
    And all life's toils and ease complete,
  They know who work, not they who play,
    If rest is sweet." [12]

[1] Gray.

[2] Jefferies.

[3] Tennyson.

[4] Emerson.

[5] Morris.

[6] Coleridge.

[7] Goethe.

[8] Ruskin.

[9] Epictetus.

[10] From Sir M. S. Grant Duff's _A Winter in Syria_.

[11] Dante.

[12] Symonds.




CHAPTER XI.

RELIGION.


    "For what doth the Lord require of thee, but to do justly, to love
    mercy, and to walk humbly with thy God."--MICAH.


    "Pure religion and undefiled is this, to visit the fatherless and
    widows in their affliction, and to keep himself unspotted from the
    world."--JAMES I.


    "The letter killeth, but the spirit giveth life."

    2 CORINTHIANS.




CHAPTER XI.

RELIGION.


It would be quite out of place here to enter into any discussion of
theological problems or to advocate any particular doctrines. Nevertheless
I could not omit what is to most so great a comfort and support in sorrow
and suffering, and a source of the purest happiness.

We commonly, however, bring together under this term two things which are
yet very different: the religion of the heart, and that of the head. The
first deals with conduct, and the duties of Man; the second with the
nature of the supernatural and the future of the soul, being in fact a
branch of knowledge.

Religion should be a strength, guide, and comfort, not a source of
intellectual anxiety or angry argument. To persecute for religion's sake
implies belief in a jealous, cruel, and unjust Deity. If we have done our
best to arrive at the truth, to torment oneself about the result is to
doubt the goodness of God, and, in the words of Bacon, "to bring down the
Holy Ghost, instead of the likeness of a dove, in the shape of a raven."
"The letter killeth, but the spirit giveth life," and the first duty of
religion is to form the highest possible conception of God.

Many a man, however, and still more many a woman, render themselves
miserable on entering life by theological doubts and difficulties. These
have reference, in ninety-nine cases out of a hundred, not to what we
should do, but to what we should think. As regards action, conscience is
generally a ready guide; to follow it is the real difficulty. Theology, on
the other hand, is a most abstruse science; but as long as we honestly
wish to arrive at truth we need not fear that we shall be punished for
unintentional error. "For what," says Micah, "doth the Lord require of
thee, but to do justly, to love mercy, and to walk humbly with thy God."
There is very little theology in the Sermon on the Mount, or indeed in any
part of the Gospels; and the differences which keep us apart have their
origin rather in the study than the Church. Religion was intended to bring
peace on earth and goodwill toward men, and whatever tends to hatred and
persecution, however correct in the letter, must be utterly wrong in the
spirit.

How much misery would have been saved to Europe if Christians had been
satisfied with the Sermon on the Mount!

Bokhara is said to have contained more than three hundred colleges, all
occupied with theology, but ignorant of everything else, and it was
probably one of the most bigoted and uncharitable cities in the world.
"Knowledge puffeth up, but charity edifieth."

We must not forget that

  "He prayeth best who loveth best
    All things both great and small."

Theologians too often appear to agree that

  "The awful shadow of some unseen power
    Floats, though unseen, among us"; [1]

and in the days of the Inquisition many must have sighed for the cheerful
child-like religion of the Greeks, if they could but have had the Nymphs
and Nereids, the Fays and Faeries, with Destiny and Fate, but without
Jupiter and Mars.

Sects are the work of Sectarians. No truly great religious teacher, as
Carlyle said, ever intended to found a new Sect.

Diversity of worship, says a Persian proverb, "has divided the human race
into seventy-two nations." From among all their dogmas I have selected
one--"Divine Love." And again, "He needs no other rosary whose thread of
life is strung with the beads of love and thought."

There is more true Christianity in some pagan Philosophers than in certain
Christian theologians. Take, for instance, Plato, Marcus Aurelius,
Epictetus, and Plutarch.

"Now I, Callicles," says Socrates, "am persuaded of the truth of these
things, and I consider how I shall present my soul whole and undefiled
before the judge in that day. Renouncing the honors at which the world
aims, I desire only to know the truth, and to live as well as I can, and,
when the time comes, to die. And, to the utmost of my power, I exhort all
other men to do the same. And in return for your exhortation of me, I
exhort you also to take part in the great combat, which is the combat of
life, and greater than every other earthly conflict."

"As to piety toward the Gods," says Epictetus, "you must know that this is
the chief thing, to have right opinions about them, to think that they
exist, and that they administer the All well and justly; and you must fix
yourself in this principle (duty), to obey them, and to yield to them in
everything which happens, and voluntarily to follow it as being
accomplished by the wisest intelligence."

"Do not act," says Marcus Aurelius, "as if thou wert going to live ten
thousand years. Death hangs over thee. While thou livest, while it is in
thy power, be good....

"Since it is possible that thou mayest depart from life this very moment,
regulate every act and thought accordingly. But to go away from among men,
if there be gods, is not a thing to be afraid of, for the gods will not
involve thee in evil; but if indeed they do not exist, or if they have no
concern about human affairs, what is it to me to live in a universe devoid
of gods, or devoid of Providence. But in truth they do exist, and they do
care for human things, and they have put all the means in man's power to
enable him not to fall into real evils. And as for the rest, if there was
anything evil, they would have provided for this also, that it should be
altogether in a man's power not to fall into it."

And Plutarch: "The Godhead is not blessed by reason of his silver and
gold, nor yet Almighty through his thunder and lightnings, but on account
of knowledge and intelligence."

It is no doubt very difficult to arrive at the exact teaching of Eastern
Moralists, but the same spirit runs through Oriental Literature. For
instance, in the _Toy Cart_, when the wicked Prince wishes Vita to murder
the Heroine, and says that no one would see him, Vita declares "All nature
would behold the crime--the Genii of the Grove, the Sun, the Moon, the
Winds, the Vault of Heaven, the firm-set Earth, the mighty Yama who judges
the dead, and the conscious Soul."

Take even the most extreme type of difference. Is the man, says Plutarch,
"a criminal who holds there are no gods; and is not he that holds them to
be such as the superstitious believe them, is he not possessed with
notions infinitely more atrocious? I for my part would much rather have
men say of me that there never was a Plutarch at all, nor is now, than to
say that Plutarch is a man inconstant, fickle, easily moved to anger,
revengeful for trifling provocations, vexed at small things."

There is no doubt a tone of doubting sadness in Roman moralists, as in
Hadrian's dying lines to his soul--

  "Animula, vagula, blandula
  Hospes, comesque corporis
  Qua nunc abibis in loca:
  Pallidula, rigida, nudula,
  Nec, ut soles, dabis jocos."

The same spirit indeed is expressed in the epitaph on the tomb of the Duke
of Buckingham in Westminster Abbey--

  "Dubius non improbus vixi
  Incertus morior, non perturbatus;
  Humanum est nescire et errare,
    Deo confido
  Omnipotenti benevolentissimo:
  Ens entium miserere mei."

Many things have been mistaken for religion, selfishness especially, but
also fear, hope, love of music, of art, of pomp; scruples often take the
place of love, and the glory of heaven is sometimes made to depend upon
precious stones and jewelry. Many, as has been well said, run after
Christ, not for the miracles, but for the loaves.

In many cases religious differences are mainly verbal. There is an Eastern
tale of four men, an Arab, a Persian, a Turk, and a Greek, who agreed to
club together for an evening meal, but when they had done so they
quarrelled as to what it should be. The Turk proposed Azum, the Arab Aneb,
the Persian Anghur, while the Greek insisted on Stapylion. While they were
disputing

  "Before their eyes did pass,
  Laden with grapes, a gardener's ass.
  Sprang to his feet each man, and showed,
  With eager hand, that purple load.
  'See Azum,' said the Turk; and 'see
  Anghur,' the Persian; 'what should be
  Better.' 'Nay Aneb, Aneb 'tis,'
  The Arab cried. The Greek said, 'This
  Is my Stapylion.' Then they bought
  Their grapes in peace.
  Hence be ye taught." [2]

It is said that on one occasion, when Dean Stanley had been explaining his
views to Lord Beaconsfield, the latter replied, "Ah! Mr. Dean, that is all
very well, but you must remember,--No dogmas, no Deans." To lose such
Deans as Stanley would indeed be a great misfortune; but does it follow?
Religions, far from being really built on Dogmas, are too often weighed
down and crushed by them. No one can doubt that Stanley has done much to
strengthen the Church of England.

We may not always agree with Spinoza, but is he not right when he says,
"The first precept of the divine law, therefore, indeed its sum and
substance, is to love God unconditionally as the supreme
good--unconditionally, I say, and not from any love or fear of aught
besides"? And again, that the very essence of religion is belief in "a
Supreme Being who delights in justice and mercy, whom all who would be
saved are bound to obey, and whose worship consists in the practice of
justice and charity toward our neighbors"?

Doubt is of two natures, and we often confuse a wise suspension of
judgment with the weakness of hesitation. To profess an opinion for which
we have no sufficient reason is clearly illogical, but when it is
necessary to act we must do so on the best evidence available, however
slight that may be. Herein lies the importance of common sense, the
instincts of a General, the sagacity of a Statesman. Pyrrho, the
recognized representative of doubt, was often wise in suspending his
judgment, however foolish in hesitating to act, and in apologizing when,
after resisting all the arguments of philosophy, an angry dog drove him
from his position.

Collect from the Bible all that Christ thought necessary for his
disciples, and how little Dogma there is. "Pure religion and undefiled is
this, to visit the fatherless and widows in their affliction, and to keep
himself unspotted from the world." "By this shall all men know that ye are
my disciples, if ye have love one to another." "Suffer little children to
come unto me." And one lesson which little children have to teach us is
that religion is an affair of the heart and not of the mind only.

Why should we expect Religion to solve questions with reference to the
origin and destiny of the Universe? We do not expect the most elaborate
treatise to tell us the origin of electricity or of heat. Natural History
throws no light on the origin of life. Has Biology ever professed to
explain existence?

"Simonides was asked at Syracuse by Hiero, who or what God was, when he
requested a day's time to think of his answer. On subsequent days he
always doubled the period required for deliberation; and when Hiero
inquired the reason, he replied that the longer he considered the subject,
the more obscure it appeared."

The Vedas say, "In the midst of the sun is the light, in the midst of
light is truth, and in the midst of truth is the imperishable being."
Deity has been defined as a circle whose centre is everywhere, and whose
circumference is nowhere, but the "God is love" of St. John appeals more
forcibly to the human soul.

The Church is not a place for study or speculation. Few but can sympathize
with Eugenie de Gurein in her tender affection for the little Chapel at
Cahuze where she tells us she left "tant de miseres."

Doubt does not exclude Faith.

  "Perplexed in faith, but pure in deeds
  At last he beat his music out.
  There lies more faith in honest doubt,
  Believe me, than in half the creeds." [3]

And if we must admit that many points are still, and probably long will be
involved in obscurity, we may be pardoned if we indulge ourselves in
various speculations both as to our beginning and our end.

  "Our birth is but a sleep and a forgetting;
  The soul that rises with us, our life's star
  Hath had elsewhere its setting,
  And cometh from afar;
  Not in entire forgetfulness,
  And not in utter nakedness,
  But trailing clouds of glory do we come
  From God who is our home." [4]

Unfortunately many have attempted to compound for wickedness in life by
purity of belief, a vain and fruitless effort. To do right is the sure
ladder which leads up to Heaven, though the true faith will help us to
find and to climb it.

  "It is my duty to have loved the highest,
  It surely was my profit had I known,
  It would have been my pleasure had I seen."

But though religious truth can justify no bitterness, it is well worth any
amount of thought and study.

I hope I shall not be supposed to depreciate any honest effort to arrive
at truth, or to undervalue the devotion of those who have died for their
religion. But surely it is a mistake to regard martyrdom as a merit, when
from their own point of view it was in reality a privilege.

Let every man be persuaded in his own mind

  "Truth is the highest thing that man may keep." [5]

To arrive at truth we should spare ourselves no pain, but certainly
inflict none on others.

We may be sure that quarrels will never advance religion, and that to
persecute is no way to convert. No doubt those who consider that all who
do not agree with them will suffer eternal torments, seem logically
justified in persecution even unto death. Such a course, if carried out
consistently, might stamp out a particular sect, and any sufferings which
could be inflicted here would on this hypothesis be as nothing in
comparison with the pains of Hell. Only it must be admitted that such a
view of religion is incompatible with any faith in the goodness of God,
and seems quite irreconcilable with the teaching of Christ.

Moreover, the Inquisition has even from its own point of view proved
generally a failure. The blood of the martyrs is the seed of the Church.

"In obedience to the order of the Council of Constance (1415) the remains
of Wickliffe were exhumed and burnt to ashes, and these cast into the
Swift, a neighboring brook running hard by, and thus this brook hath
conveyed his ashes into Avon; Avon into Severn; Severn into the narrow
seas; they into the main ocean. And thus the ashes of Wickliffe are the
emblem of his doctrine, which now is dispersed all the world over." [6]

The Talmud says that when a man once asked Shamai to teach him the Law in
one lesson, Shamai drove him away in anger. He then went to Hillel with
the same request. Hillel said, "Do unto others as you would have others do
unto you. This is the whole Law; the rest, merely Commentaries upon it."

The Religion of the lower races is almost as a rule one of terror and of
dread. Their deities are jealous and revengeful, cruel, merciless, and
selfish, hateful and yet childish. They require to be propitiated by
feasts and offerings, often even by human sacrifices. They are not only
exacting, but so capricious that, with the best intentions, it is often
impossible to be sure of pleasing them. From such evil beings Sorcerers
and Witches derived their hellish powers. No one was safe. No one knew
where danger lurked. Actions apparently the most trifling might be fraught
with serious risk: objects apparently the most innocent might be fatal.

In many cases there are supposed to be deities of Crime, of Misfortunes,
of Disease. These wicked Spirits naturally encourage evil rather than
good. An energetic friend of mine was sent to a district in India where
smallpox was specially prevalent, and where one of the principal Temples
was dedicated to the Goddess of that disease. He had the people
vaccinated, in spite of some opposition, and the disease disappeared, much
to the astonishment of the natives. But the priests of the Deity of
Smallpox were not disconcerted; only they deposed the Image of their
discomfited Goddess, and petitioned my friend for some emblem of himself
which they might install in her stead.

We who are fortunate enough to live in this comparatively enlightened
century hardly realize how our ancestors suffered from their belief in the
existence of mysterious and malevolent beings; how their life was
embittered and overshadowed by these awful apprehensions.

As men, however, have risen in civilization, their religion has risen with
them; they have by degrees acquired higher and purer conceptions of divine
power.

We are only just beginning to realize that a loving and merciful Father
would not resent honest error, not even perhaps the attribution to him of
such odious injustice. Yet what can be clearer than Christ's teaching on
this point. He impressed it over and over again on his disciples. "The
letter killeth, but the spirit giveth life."

"If," says Ruskin, "for every rebuke that we titter of men's vices, we put
forth a claim upon their hearts; if, for every assertion of God's demands
from them, we should substitute a display of His kindness to them; if side
by side, with every warning of death, we could exhibit proofs and promises
of immortality; if, in fine, instead of assuming the being of an awful
Deity, which men, though they cannot and dare not deny, are always
unwilling, sometimes unable, to conceive; we were to show them a near,
visible, inevitable, out all-beneficent Deity, whose presence makes the
earth itself a heaven, I think there would be fewer deaf children sitting
in the market-place."

But it must not be supposed that those who doubt whether the ultimate
truth of the Universe can be expressed in human words, or whether, even if
it could, we should be able to comprehend it, undervalue the importance of
religious study. Quite the contrary. Their doubts arise not from pride,
but from humility: not because they do not appreciate divine truth, but on
the contrary they doubt whether we can appreciate it sufficiently, and are
sceptical whether the infinite can be reduced to the finite.

We may be sure that whatever may be right about religion, to quarrel over
it must be wrong. "Let others wrangle," said St. Augustine, "I will
wonder."

Those who suspend their judgment are not on that account sceptics, and it
is often those who think they know most, who are especially troubled by
doubts and anxiety.

It was Wordsworth who wrote

      "Great God, I had rather be
    A Pagan suckled in some creed outworn;
  So might I, standing on this pleasant lea,
    Have glimpses that would make me less forlorn."

In religion, as with children at night, it is darkness and ignorance which
create dread; light and love cast out fear.

In looking forward to the future we may fairly hope with Ruskin that "the
charities of more and more widely extended peace are preparing the way for
a Christian Church which shall depend neither on ignorance for its
continuance, nor on controversy for its progress, but shall reign at once
in light and love."

[1] Shelley.

[2] Arnold. _Pearls of the Faith_.

[3] Tennyson.

[4] Wordsworth.

[5] Chaucer.

[6] Fuller.




CHAPTER XII.

THE HOPE OF PROGRESS.


    "To what then may we not look forward, when a spirit of scientific
    inquiry shall have spread through those vast regions in which the
    progress of civilization, its sure precursor, is actually commenced
    and in active progress? And what may we not expect from the exertions
    of powerful minds called into action under circumstances totally
    different from any which have yet existed in the world, and over an
    extent of territory far surpassing that which has hitherto produced
    the whole harvest of human intellect."

    HERSCHEL.




CHAPTER XII.

THE HOPE OF PROGRESS.


There are two lines, if not more, in which we may look forward with hope
to progress in the future. In the first place, increased knowledge of
nature, of the properties of matter, and of the phenomena which surround
us, may afford to our children advantages far greater even than those
which we ourselves enjoy. Secondly, the extension and improvement of
education, the increasing influence of Science and Art, of Poetry and
Music, of Literature and Religion,--of all the powers which are tending to
good, will, we may reasonably hope, raise man and make him more master of
himself, more able to appreciate and enjoy his advantages, and to realize
the truth of the Italian proverb, that wherever light is, there is joy.

One consideration which has greatly tended to retard progress has been the
floating idea that there was some sort of ingratitude, and even impiety,
in attempting to improve on what Divine Providence had arranged for us.
Thus Prometheus was said to have incurred the wrath of Jove for bestowing
on mortals the use of fire; and other improvements only escaped similar
punishment when the ingenuity of priests attributed them to the special
favor of some particular deity. This feeling has not even yet quite died
out. Even I can remember the time when many excellent persons had a
scruple or prejudice against the use of chloroform, because they fancied
that pain was ordained under certain circumstances.

We are told that in early Saxon days Edwin, King of Northumbria, called
his nobles and his priests around him, to discuss whether a certain
missionary should be heard or not. The king was doubtful. At last there
rose an old chief, and said:--"You know, O King, how, on a winter evening,
when you are sitting at supper in your hall, with your company around you,
when the night is dark and dreary, when the rain and the snow rage
outside, when the hall inside is lighted and warm with a blazing fire,
sometimes it happens that a sparrow flies into the bright hall out of the
dark night, flies through the hall and then flies out at the other end
into the dark night again. We see him for a few moments, but we know not
whence he came nor whither he goes in the blackness of the storm outside.
So is the life of man. It appears for a short space in the warmth and
brightness of this life, but what came before this life, or what is to
follow this life, we know not. If, therefore, these new teachers can
enlighten us as to the darkness that went before, and the darkness that is
to come after, let us hear what they have to teach us."

It is often said, however, that great and unexpected as recent discoveries
have been, there are certain ultimate problems which must ever remain
unsolved. For my part, I would prefer to abstain from laying down any such
limitations. When Park asked the Arabs what became of the sun at night,
and whether the sun was always the same, or new each day, they replied
that such a question was foolish, being entirely beyond the reach of human
investigation.

M. Comte, in his _Cours de Philosophie Positive_, as recently as 1842,
laid it down as an axiom regarding the heavenly bodies, "We may hope to
determine their forms, distances, magnitude, and movements, but we shall
never by any means be able to study their chemical composition or
mineralogical structure." Yet within a few years this supposed
impossibility has been actually accomplished, showing how unsafe it is to
limit the possibilities of science. [1]

It is, indeed, as true now as in the time of Newton, that the great ocean
of truth lies undiscovered before us. I often wish that some President of
the Royal Society, or of the British Association, would take for the theme
of his annual address "The things we do not know." Who can say on the
verge of what discoveries we are perhaps even now standing! It is
extraordinary how slight a margin may stand for years between Man and some
important improvement. Take the case of the electric light, for instance.
It had been known for years that if a carbon rod be placed in an exhausted
glass receiver, and a current of electricity be passed through it the
carbon glowed with an intense light, but on the other hand it became so
hot that the glass burst. The light, therefore, was useless, because the
lamp burst as soon as it was lighted. Edison hit on the idea that if you
made the carbon filament fine enough, you would get rid of the heat and
yet have abundance of light. Edison's right to his patent has been
contested on this very ground. It has been said that the mere introduction
of so small a difference as the replacement of a thin rod by a fine
filament was so slight an item that it could not be patented. The
improvements by Swan, Lane Fox, and others, though so important as a
whole, have been made step by step.

Or take again the discovery of anaesthetics. At the beginning of the
century Sir Humphrey discovered laughing gas, as it was then called. He
found that it produced complete insensibility to pain and yet did not
injure health. A tooth was actually taken out under its influence, and of
course without suffering. These facts were known to our chemists, they
were explained to the students in our great hospitals, and yet for half a
century the obvious application occurred to no one. Operations continued
to be performed as before, patients suffered the same horrible tortures,
and yet the beneficent element was in our hands, its divine properties
were known, but it never occurred to any one to make use of it.

I may give one more illustration. Printing is generally said to have been
discovered in the fifteenth century; and so it was for all practical
purposes. But in fact printing was known long before. The Romans used
stamps; on the monuments of Assyrian kings the name of the reigning
monarch may be found duly printed. What then is the difference? One
little, but all-important step. The real inventor of printing was the man
into whose mind flashed the fruitful idea of having separate stamps for
each letter, instead of for separate words. How slight seems the
difference, and yet for 3000 years the thought occurred to no one. Who can
tell what other discoveries, as simple and yet as far-reaching, lie at
this very moment under our very eyes!

Archimedes said that if you would give him room to stand on, he would move
the earth. One truth leads to another; each discovery renders possible
another, and, what is more, a higher.

We are but beginning to realize the marvelous range and complexity of
Nature. I have elsewhere called attention to this with special reference
to the problematical organs of sense possessed by many animals. [2]

There is every reason to hope that future studies will throw much light on
these interesting structures. We may, no doubt, expect much from the
improvement in our microscopes, the use of new re-agents, and of
mechanical appliances; but the ultimate atoms of which matter is composed
are so infinitesimally minute, that it is difficult to foresee any manner
in which we may hope for a final solution of these problems.

Loschmidt, who has since been confirmed by Stoney and Sir W. Thomson,
calculates that each of the ultimate atoms of matter is at most 1/50000000
of an inch in diameter. Under these circumstances we cannot, it would
seem, hope at present for any great increase of our knowledge of atoms by
improvements in the microscope. With our present instruments we can
perceive lines ruled on glass which are 1/90000 of an inch apart; but
owing to the properties of light itself, it would appear that we cannot
hope to be able to perceive objects which are much less than 1/100000 of
an inch in diameter. Our microscopes may, no doubt, be improved, but the
limitation lies not in the imperfection of our optical appliances, but in
the nature of light itself.

It has been calculated that a particle of albumen 1/80000 of an inch in
diameter contains no less than 125,000,000 of molecules. In a simpler
compound the number would be much greater; in water, for instance, no less
than 8,000,000,000. Even then, if we could construct microscopes far more
powerful than any which we now possess, they could not enable us to obtain
by direct vision any idea of the ultimate organization of matter. The
smallest sphere of organic matter which could be clearly defined with our
most powerful microscopes may be, in reality, very complex; may be built
up of many millions of molecules, and it follows that there may be an
almost infinite number of structural characters in organic tissues which
we can at present foresee no mode of examining. [3]

Again, it has been shown that animals hear sounds which are beyond the
range of our hearing, and I have proved they can perceive the ultra-violet
rays, which are invisible to our eyes. [4]

Now, as every ray of homogeneous light which we can perceive at all,
appears to us as a distinct color, it becomes probable that these
ultra-violet rays must make themselves apparent to animals as a distinct
and separate color (of which we can form no idea), but as different from
the rest as red is from yellow, or green from violet. The question also
arises whether white light to these creatures would differ from our white
light in containing this additional color.

These considerations cannot but raise the reflection how different the
world may--I was going to say must--appear to other animals from what it
does to us. Sound is the sensation produced on us when the vibrations of
the air strike on the drum of our ear. When they are few, the sound is
deep; as they increase in number, it becomes shriller and shriller; but
when they reach 40,000 in a second, they cease to be audible. Light is the
effect produced on us when waves of light strike on the eye. When 400
millions of millions of vibrations of ether strike the retina in a second,
they produce red, and as the number increases the color passes into
orange, then yellow, green, blue, and violet. But between 40,000
vibrations in a second and 400 millions of millions we have no organ of
sense capable of receiving the impression. Yet between these limits any
number of sensations may exist. We have five senses, and sometimes fancy
that no others are possible. But it is obvious that we cannot measure the
infinite by our own narrow limitations.

Moreover, looking at the question from the other side, we find in animals
complex organs of sense, richly supplied with nerves, but the function of
which we are as yet powerless to explain. There may be fifty other senses
as different from ours as sound is from sight; and even within the
boundaries of our own senses there may be endless sounds which we cannot
hear, and colors, as different as red from green, of which we have no
conception. These and a thousand other questions remain for solution. The
familiar world which surrounds us may be a totally different place to
other animals. To them it may be full of music which we cannot hear, of
color which we cannot see, of sensations which we cannot conceive. To
place stuffed birds and beasts in glass cases, to arrange insects in
cabinets, and dried plants in drawers, is merely the drudgery and
preliminary of study; to watch their habits, to understand their relations
to one another, to study their instincts and intelligence, to ascertain
their adaptations and their relations to the forces of Nature, to realize
what the world appears to them; these constitute, as it seems to me at
least, the true interest of natural history, and may even give us the clue
to senses and perceptions of which at present we have no conception. [5]

From this point of view the possibilities of progress seem to me to be
almost unlimited.

So far again as the actual condition of man is concerned, the fact that
there has been some advance cannot, I think, be questioned.

In the Middle Ages, for instance, culture and refinement scarcely existed
beyond the limits of courts, and by no means always there. The life in
English, French, and German castles was rough and almost barbarous. Mr.
Galton has expressed the opinion, which I am not prepared to question,
that the population of Athens, taken as a whole, was as superior to us as
we are to Australian savages. But even if that be so, our civilization,
such as it is, is more diffused, so that unquestionably the general
European level is much higher.

Much, no doubt, is owing to the greater facility of access to the
literature of our country, to that literature, in the words of Macaulay,
"the brightest, the purest, the most durable of all the glories of our
country; to that Literature, so rich in precious truth and precious
fiction; to that Literature which boasts of the prince of all poets, and
of the prince of all philosophers; to that Literature which has exercised
an influence wider than that of our commerce, and mightier than that of
our arms."

Few of us make the most of our minds. The body ceases to grow in a few
years; but the mind, if we will let it, may grow as long as life lasts.

The onward progress of the future will not, we may be sure, be confined to
mere material discoveries. We feel that we are on the road to higher
mental powers; that problems which now seem to us beyond the range of
human thought will receive their solution, and open the way to still
further advance. Progress, moreover, we may hope, will be not merely
material, not merely mental, but moral also.

It is natural that we should feel a pride in the beauty of England, in the
size of our cities, the magnitude of our commerce, the wealth of our
country, the vastness of our Empire. But the true glory of a nation does
not consist in the extent of its dominion, in the fertility of the soil,
or the beauty of Nature, but rather in the moral and intellectual
pre-eminence of the people.

And yet how few of us, rich or poor, have made ourselves all we might be.
If he does his best, as Shakespeare says, "What a piece of work is man!
How noble in reason! How infinite in faculty! in form and movement, how
express and admirable!" Few indeed, as yet, can be said to reach this high
ideal.

The Hindoos have a theory that after death animals live again in a
different form; those that have done well in a higher, those that have
done ill in a lower grade. To realize this is, they find, a powerful
incentive to a virtuous life. But whether it be true of a future life or
not, it is certainly true of our present existence. If we do our best for
a day, the next morning we shall rise to a higher life; while if we give
way to our passions and temptations, we take with equal certainty a step
downward toward a lower nature.

It is an interesting illustration of the Unity of Man, and an
encouragement to those of us who have no claims to genius, that, though of
course there have been exceptions, still on the whole, periods of progress
have generally been those when a nation has worked and felt together; the
advance has been due not entirely to the efforts of a few great men, but
also of a thousand little men; not to a single genius, but to a national
effort.

Think, indeed, what might be.

           "Ah! when shall all men's good
  Be each man's rule, and universal Peace
  Lie like a shaft of light across the land,
  And like a lane of beams athwart the sea,
  Thro' all the circle of the golden year." [6]

Our life is surrounded with mystery, our very world is a speck in
boundless space; and not only the period of our own individual life, but
that of the whole human race is, as it were, but a moment in the eternity
of time. We cannot imagine any origin, nor foresee the conclusion.

But though we may not as yet perceive any line of research which can give
us a clue to the solution, in another sense we may hold that every
addition to our knowledge is one small step toward the great revelation.

Progress may be more slow, or more rapid. It may come to others and not to
us. It will not come to us if we do not strive to deserve it. But come it
surely will.

  "Yet one thing is there that ye shall not slay,
  Even thought, that fire nor iron can affright." [7]

The future of man is full of hope, and who can foresee the limits of his
destiny?

[1] Lubbock. _Fifty Years of Science_.

[2] _The Senses of Animals_.

[3] Lubbock. _Fifty Years of Science_.

[4] _Ants, Bees, and Wasps_.

[5] Lubbock. _The Senses of Animals_.

[6] Tennyson.

[7] Swinburne.




CHAPTER XIII.

THE DESTINY OF MAN.


    "For I reckon that the sufferings of this present time are not worthy
    to be compared with the glory which shall be revealed in us."--ROMANS
    viii. 18.




CHAPTER XIII.

THE DESTINY OF MAN.


But though we have thus a sure and certain hope of progress for the race,
still, as far as man is individually concerned, with advancing years we
gradually care less and less, for many things which gave us the greatest
pleasure in youth. On the other hand, if our time has been well used, if
we have warmed both hands wisely "before the fire of life," we may gain
even more than we lose. If our strength becomes less, we feel also the
less necessity for exertion. Hope is gradually replaced by memory: and
whether this adds to our happiness or not depends on what our life has
been.

There are of course some lives which diminish in value as old age
advances, in which one pleasure fades after another, and even those which
remain gradually lose their zest; but there are others which gain in
richness and peace all, and more, than that of which time robs them.

The pleasures of youth may excel in keenness and in zest, but they have at
the best a tinge of anxiety and unrest; they cannot have the fulness and
depth which may accompany the consolations of age, and are amongst the
richest rewards of an unselfish life.

For as with the close of the day, so with that of life; there may be
clouds, and yet if the horizon is clear, the evening may be beautiful.

Old age has a rich store of memories. Life is full of

  "Joys too exquisite to last,
  And yet more exquisite when past." [1]

Swedenborg imagines that in heaven the angels are advancing continually to
the spring-time of their youth, so that those who have lived longest are
really the youngest; and have we not all had friends who seem to fulfil
this idea? who are in reality--that is in mind--as fresh as a child: of
whom it may be said with more truth than of Cleopatra that

  "Age cannot wither nor custom stale
  Their infinite variety."

"When I consider old age," says Cicero, "I find four causes why it is
thought miserable: one, that it calls us away from the transaction of
affairs; the second, that it renders the body more feeble; the third, that
it deprives us of almost all pleasures; the fourth, that it is not very
far from death. Of these causes let us see, if you please, how great and
how reasonable each of them is."

To be released from the absorbing affairs of life, to feel that one has
earned a claim to leisure and repose, is surely in itself no evil.

To the second complaint against old age, I have already referred in
speaking of Health.

The third is that it has no passions. "O noble privilege of age! if indeed
it takes from us that which is in youth our greatest defect." But the
higher feelings of our nature are not necessarily weakened; or rather,
they may become all the brighter, being purified from the grosser elements
of our lower nature.

Then, indeed, it might be said that "Man is the sun of the world; more
than the real sun. The fire of his wonderful heart is the only light and
heat worth gauge or measure." [2]

"Single," says Manu, "is each man born into the world; single he dies;
single he receives the rewards of his good deeds; and single the
punishment of his sins. When he dies his body lies like a fallen tree upon
the earth, but his virtue accompanies his soul. Wherefore let Man harvest
and garner virtue, that so he may have an inseparable companion in that
gloom which all must pass through, and which it is so hard to traverse."

Is it not extraordinary that many men will deliberately take a road which
they know is, to say the least, not that of happiness? That they prefer to
make others miserable, rather than themselves happy?

Plato, in the Phaedrus, explains this by describing Man as a Composite
Being, having three natures, and compares him to a pair of winged horses
and a charioteer. "Of the two horses one is noble and of noble origin, the
other ignoble and of ignoble origin; and the driving, as might be
expected, is no easy matter." The noble steed endeavors to raise the
chariot, but the ignoble one struggles to drag it down.

"Man," says Shelly, "is an instrument over which a series of external and
internal impressions are driven, like the alternations of an ever-changing
wind over an Aeolian lyre, which move it by their motion to ever-changing
melody."

Cicero mentions the approach of death as the fourth drawback of old age.
To many minds the shadow of the end is ever present, like the coffin in
the Egyptian feast, and overclouds all the sunshine of life. But ought we
so to regard death?

Shelly's beautiful lines,

  "Life, like a Dome of many-colored glass,
  Stains the white radiance of Eternity,
  Until death tramples it to fragments,"

contain, as it seems to me at least, a double error. Life need not stain
the white radiance of eternity; nor does death necessarily trample it to
fragments.

Man has, says Coleridge,

              "Three treasures,--love and light
  And calm thoughts, regular as infants' breath;
  And three firm friends, more sure than day and night,
  Himself, his Maker, and the Angel Death."

Death is "the end of all, the remedy of many, the wish of divers men,
deserving better of no men than of those to whom she came before she was
called." [3]

It is often assumed that the journey to

  "The undiscovered country from whose bourne
  No traveler returns"

must be one of pain and suffering. But this is not so. Death is often
peaceful and almost painless.

Bede during his late illness was translating St. John's Gospel into
Anglo-Saxon, and the morning of his death his secretary, observing his
weakness, said, "There remains now only one chapter, and it seems
difficult to you to speak." "It is easy," said Bede; "take your pen and
write as fast as you can," At the close of the chapter the scribe said,
"It is finished," to which he replied, "Thou hast said the truth,
_consummatum est_." He then divided his little property among the
brethren, having done which he asked to be placed opposite to the place
where he usually prayed, said "Glory be to the Father, and to the Son, and
to the Holy Ghost," and as he pronounced the last words he expired.

Goethe died without any apparent suffering, having just prepared himself
to write, and expressed his delight at the return of spring.

We are told of Mozart's death that "the unfinished requiem lay upon the
bed, and his last efforts were to imitate some peculiar instrumental
effects, as he breathed out his life in the arms of his wife and their
friend Suessmaier."

Plato died in the act of writing; Lucan while reciting part of his book on
the war of Pharsalus; Blake died singing; Wagner in sleep with his head on
his wife's shoulder. Many have passed away in their sleep. Various high
medical authorities have expressed their surprise that the dying seldom
feel either dismay or regret. And even those who perish by violence, as
for instance in battle, feel, it is probable, but little suffering.

But what of the future? There may be said to be now two principal views.
There are some who believe indeed in the immortality of the soul, but not
of the individual soul: that our life is continued in that of our children
would seem indeed to be the natural deduction from the simile of St. Paul,
as that of the grain of wheat is carried on in the plant of the following
year.

So long indeed as happiness exists it is selfish to dwell too much on our
own share in it. Admit that the soul is immortal, but that in the future
state of existence there is a break in the continuity of memory, that one
does not remember the present life, and from this point of view is not the
importance of identity involved in that of continuous memory? But however
this may be according to the general view, the soul, though detached from
the body, will retain its conscious identity, and will awake from death,
as it does from sleep; so that if we cannot affirm that

  "Millions of spiritual creatures walk the Earth,
  Unseen, both when we wake, and when we sleep," [4]

at any rate they exist somewhere else in space, and we are indeed looking
at them when we gaze at the stars, though to our eyes they are as yet
invisible.

In neither case, however, can death be regarded as an evil. To wish that
youth and strength were unaffected by time might be a different matter.

"But if we are not destined to be immortal, yet it is a desirable thing
for a man to expire at his fit time. For, as nature prescribes a boundary
to all other things, so does she also to life. Now old age is the
consummation of life, just as of a play: from the fatigue of which we
ought to escape, especially when satiety is super-added." [5]

From this point of view, then, we need

  "Weep not for death,
    'Tis but a fever stilled,
  A pain suppressed,--a fear at rest,
    A solemn hope fulfilled.
  The moonshine on the slumbering deep
  Is scarcely calmer. Wherefore weep?"

  "Weep not for death!
    The fount of tears is sealed,
  Who knows how bright the inward light
    To those closed eyes revealed?
  Who knows what holy love may fill
  The heart that seems so cold and still."

Many a weary soul will have recurred with comfort to the thought that

  "A few more years shall roll,
    A few more seasons come,
  And we shall be with those that rest
    Asleep within the tomb.

  "A few more struggles here,
    A few more partings o'er,
  A few more toils, a few more tears,
    And we shall weep no more."

By no one has this, however, been more grandly expressed than by Shelley.

  "Peace, peace! he is not dead, he doth not sleep!
    He hath awakened from the dream of life.
  'Tis we who, lost in stormy visions, keep
    With phantoms an unprofitable strife,
  He has outsoared the shadows of our night.
    Envy and calumny, and hate and pain,
  And that unrest which men miscall delight,
    Can touch him not and torture not again.
    From the contagion of the world's slow stain
  He is secure, and now can never mourn
    A heart grown cold, a head grown gray, in vain--"

Most men, however, decline to believe that

  "We are such stuff
  As dreams are made of, and our little life
  Is rounded with a sleep." [6]

According to the more general view death frees the soul from the
encumbrance of the spirit, and summons us to the seat of judgment. In
fact,

  "There is no Death! What seems so is transition;
    This life of mortal breath
  Is but a suburb of the life elysian,
    Whose portal we call Death." [7]

We have bodies, "we are spirits." "I am a soul," said Epictetus, "dragging
about a corpse." The body is the mere perishable form of the immortal
essence. Plato concluded that if the ways of God are to be justified,
there must be a future life.

To the aged in either case death is a release. The Bible dwells most
forcibly on the blessing of peace. "My peace I give unto you: not as the
world giveth, give I unto you." Heaven is described as a place where the
wicked cease from troubling, and the weary are at rest.

But I suppose every one must have asked himself in what can the pleasures
of heaven consist.

                    "For all we know
  Of what the blessed do above
  Is that they sing, and that they love." [8]

It would indeed accord with few men's ideal that there should be any
"struggle for existence" in heaven. We should then be little better off
than we are now. This world is very beautiful, if we could only enjoy it
in peace. And yet mere passive existence--mere vegetation--would in itself
offer few attractions. It would indeed be almost intolerable.

Again, the anxiety of change seems inconsistent with perfect happiness;
and yet a wearisome, interminable monotony, the same thing over and over
again forever and ever without relief or variety, suggests dulness rather
than bliss.

I feel that to me, said Greg, "God has promised not the heaven of the
ascetic temper, or the dogmatic theologian, or of the subtle mystic, or of
the stern martyr ready alike to inflict and bear; but a heaven of purified
and permanent affections--of a book of knowledge with eternal leaves, and
unbounded capacities to read it--of those we love ever round us, never
misconceiving us, or being harassed by us--of glorious work to do, and
adequate faculties to do it--a world of solved problems, as well as of
realized ideals."

  "For still the doubt came back,--Can God provide
    For the large heart of man what shall not pall,
  Nor through eternal ages' endless tide
    On tired spirits fall?

  "These make him say,--If God has so arrayed
    A fading world that quickly passes by,
  Such rich provision of delight has made
    For every human eye,

  "What shall the eyes that wait for him survey
    When his own presence gloriously appears
  In worlds that were not founded for a day,
    But for eternal years?" [9]

Here science seems to suggest a possible answer: the solution of problems
which have puzzled us here; the acquisition of new ideas; the unrolling
the history of the past; the world of animals and plants; the secrets of
space; the wonders of the stars and of the regions beyond the stars. To
become acquainted with all the beautiful and interesting spots of our own
world would indeed be something to look forward to, and our world is but
one of many millions. I sometimes wonder as I look away to the stars at
night whether it will ever be my privilege as a disembodied spirit to
visit and explore them. When we had made the great tour fresh interests
would have arisen, and we might well begin again.

Here there is an infinity of interest without anxiety. So that at last the
only doubt may be

  "Lest an eternity should not suffice
    To take the measure and the breadth and height
  Of what there is reserved in Paradise
    Its ever-new delight." [10]

Cicero surely did not exaggerate when he said, "O glorious day! when I
shall depart to that divine company and assemblage of spirits, and quit
this troubled and polluted scene. For I shall go not only to those great
men of whom I have spoken before, but also to my son Cato, than whom never
was better man born, nor more distinguished for pious affection; whose
body was burned by me, whereas, on the contrary, it was fitting that mine
should be burned by him. But his soul not deserting me, but oft looking
back, no doubt departed to these regions whither it saw that I myself was
destined to come. Which, though a distress to me, I seemed patiently to
endure: not that I bore it with indifference, but I comforted myself with
the recollection that the separation and distance between us would not
continue long. For these reasons, O Scipio (since you said that you with
Laelius were accustomed to wonder at this), old age is tolerable to me,
and not only not irksome, but even delightful. And if I am wrong in this,
that I believe the souls of men to be immortal, I willingly delude myself:
nor do I desire that this mistake, in which I take pleasure, should be
wrested from me as long as I live; but if I, when dead, shall have no
consciousness, as some narrow-minded philosophers imagine, I do not fear
lest dead philosophers should ridicule this my delusion."

Nor can I omit the striking passage in the _Apology_, when pleading before
the people of Athens, Socrates says, "Let us reflect in another way, and
we shall see that there is great reason to hope that death is a good; for
one of two things--either death is a state of nothingness and utter
unconsciousness, or, as men say, there is a change and migration of the
soul from this world to another. Now if you suppose that there is no
consciousness, but a sleep like the sleep of him who is undisturbed even
by the sight of dreams, death will be an unspeakable gain. For if a person
were to select the night in which his sleep was undisturbed even by
dreams, and were to compare with this the other days and nights of his
life, and then were to tell us how many days and nights he had passed in
the course of his life better and more pleasantly than this one, I think
that any man, I will not say a private man, but even the great king will
not find many such days or nights, when compared with the others. Now, if
death is like this, I say that to die is gain; for eternity is then only a
single night. But if death is the journey to another place, and there, as
men say, all the dead are, what good, O my friends and judges, can be
greater than this?

"If, indeed, when the pilgrim arrives in the world below, he is delivered
from the professors of justice in this world, and finds the true judges,
who are said to give judgment there,--Minos, and Rhadamanthus, and Aeacus,
and Triptolemus, and other sons of God who were righteous in their own
life,--that pilgrimage will be worth making. What would not a man give if
he might converse with Orpheus, and Musaeus, and Hesiod, and Homer? Nay,
if this be true, let me die again and again. I myself, too, shall have a
wonderful interest in there meeting and conversing with Palamedes, and
Ajax the son of Telamon, and other heroes of old, who have suffered death
through an unjust judgment; and there will be no small pleasure, as I
think, in comparing my own sufferings with theirs. Above all, I shall then
be able to continue my search into true and false knowledge; as in this
world, so also in that; and I shall find out who is wise, and who pretends
to be wise, and is not. What would not a man give, O judges, to be able to
examine the leader of the great Trojan expedition; or Odysseus or
Sisyphus, or numberless others, men and women too! What infinite delight
would there be in conversing with them and asking them questions. In
another world they do not put a man to death for asking questions;
assuredly not. For besides being happier in that world than in this, they
will be immortal, if what is said be true.

"Wherefore, O judges, be of good cheer about death, and know of a
certainty that no evil can happen to a good man, either in life or after
death. He and his are not neglected by the gods; nor has my own
approaching end happened by mere chance. But I see clearly that to die and
be released was better for me; and therefore the oracle gave no sign. For
which reason, also, I am not angry with my condemners, or with my
accusers; they have done me no harm, although they did not mean to do me
any good; and for this I may gently blame them. The hour of departure has
arrived, and we go our ways--I to die and you to live. Which is better God
only knows."

In the _Wisdom of Solomon_ we are promised that--

"The souls of the righteous are in the hand of God, and there shall no
torment touch them.

"In the sight of the unwise they seemed to die; and their departure is
taken for misery.

"And their going from us to be utter destruction; but they are in peace.

"For though they be punished in the sight of men, yet is their hope full
of immortality.

"And having been a little chastised, they shall be greatly rewarded: for
God proved them, and found them worthy for himself."

And assuredly, if in the hour of death the conscience is at peace, the
mind need not be troubled. The future is full of doubt, indeed, but fuller
still of hope.

If we are entering upon a rest after the struggles of life,

  "Where the wicked cease from troubling,
  And the weary are at rest,"

that to many a weary soul will be a welcome bourne, and even then we may
say,

  "O Death! where is thy sting?
  O Grave! where is thy victory?"

On the other hand, if we are entering on a new sphere of existence, where
we may look forward to meet not only those of whom we have heard so often,
those whose works we have read and admired, and to whom we owe so much,
but those also whom we have loved and lost; when we shall leave behind us
the bonds of the flesh and the limitations of our earthly existence; when
we shall join the Angels, and Archangels, and all the company of
Heaven,--then, indeed, we may cherish a sure and certain hope that the
interests and pleasures of this world are as nothing compared to those of
the life that awaits us in our Eternal Home.

[1] Montgomery.

[2] Emerson.

[3] Seneca.

[4] Milton.

[5] Cicero.

[6] Shakespeare.

[7] Longfellow.

[8] Waller.

[9] Trench.

[10] Trench.




*** END OF THE PROJECT GUTENBERG EBOOK, THE PLEASURES OF LIFE ***

This file should be named 7pllf10.txt or 7pllf10.zip
Corrected EDITIONS of our eBooks get a new NUMBER, 7pllf11.txt
VERSIONS based on separate sources get new LETTER, 7pllf10a.txt

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext05 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext05

Or /etext04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92,
91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

 PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION
 809 North 1500 West
 Salt Lake City, UT 84116

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*


Colophon

This file was acquired from Project Gutenberg, and it is in the public domain. It is re-distributed here as a part of the Alex Catalogue of Electronic Texts (http://infomotions.com/alex/) by Eric Lease Morgan (Infomotions, Inc.) for the purpose of freely sharing, distributing, and making available works of great literature. Its Infomotions unique identifier is etext7952, and it should be available from the following URL:

http://infomotions.com/etexts/id/etext7952



Infomotions, Inc.

Infomotions Man says, "Give back to the 'Net."