Infomotions, Inc.Life and Death of Harriett Frean / Sinclair, May, 1863-1946



Author: Sinclair, May, 1863-1946
Title: Life and Death of Harriett Frean
Publisher: Project Gutenberg
Tag(s): harriett; prissie; robin; maggie; connie; priscilla; hatty; lizzie; harriett frean; mamma
Contributor(s): Bright, Mynors, 1818-1883 [Translator]
Versions: original; local mirror; HTML (this file); printable
Services: find in a library; evaluate using concordance
Rights: GNU General Public License
Size: 23,258 words (really short) Grade range: 6-8 (grade school) Readability score: 75 (easy)
Identifier: etext9298
Delicious Bookmark this on Delicious

Discover what books you consider "great". Take the Great Books Survey.

Project Gutenberg's Life and Death of Harriett Frean, by May Sinclair

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: Life and Death of Harriett Frean

Author: May Sinclair

Release Date: November, 2005 [EBook #9298]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on September 18, 2003]

Edition: 10

Language: English

Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK LIFE AND DEATH OF HARRIETT FREAN ***




Produced by Suzanne Shell, Richard Prairie and PG Distributed Proofreaders




                              LIFE AND DEATH

                                    OF

                              HARRIETT FREAN

                                   1922

                                    BY

                               MAY SINCLAIR



I


"Pussycat, Pussycat, where have you been?"
 "I've been to London, to see the Queen."
"Pussycat, Pussycat, what did you there?"
 "I caught a little mouse under the chair,"

Her mother said it three times. And each time the Baby Harriett laughed.
The sound of her laugh was so funny that she laughed again at that; she
kept on laughing, with shriller and shriller squeals.

"I wonder why she thinks it's funny," her mother said.

Her father considered it. "I don't know. The cat perhaps. The cat and the
Queen. But no; that isn't funny."

"She sees something in it we don't see, bless her," said her mother.

Each kissed her in turn, and the Baby Harriett stopped laughing suddenly.

"Mamma, _did_ Pussycat see the Queen?"

"No," said Mamma. "Just when the Queen was passing the little mouse came
out of its hole and ran under the chair. That's what Pussycat saw."

Every evening before bedtime she said the same rhyme, and Harriett asked
the same question.

When Nurse had gone she would lie still in her cot, waiting. The door
would open, the big pointed shadow would move over the ceiling, the
lattice shadow of the fireguard would fade and go away, and Mamma would
come in carrying the lighted candle. Her face shone white between her
long, hanging curls. She would stoop over the cot and lift Harriett up,
and her face would be hidden in curls. That was the kiss-me-to-sleep kiss.
And when she had gone Harriett lay still again, waiting. Presently Papa
would come in, large and dark in the firelight. He stooped and she leapt
up into his arms. That was the kiss-me-awake kiss; it was their secret.

Then they played. Papa was the Pussycat and she was the little mouse in
her hole under the bed-clothes. They played till Papa said, "_No_
more!" and tucked the blankets tight in.

"Now you're kissing like Mamma----"

Hours afterwards they would come again together and stoop over the cot and
she wouldn't see them; they would kiss her with soft, light kisses, and
she wouldn't know.

She thought: To-night I'll stay awake and see them. But she never did.
Only once she dreamed that she heard footsteps and saw the lighted candle,
going out of the room; going, going away.

The blue egg stood on the marble top of the cabinet where you could see it
from everywhere; it was supported by a gold waistband, by gold hoops and
gold legs, and it wore a gold ball with a frill round it like a crown. You
would never have guessed what was inside it. You touched a spring in its
waistband and it flew open, and then it was a workbox. Gold scissors and
thimble and stiletto sitting up in holes cut in white velvet.

The blue egg was the first thing she thought of when she came into the
room. There was nothing like that in Connie Hancock's Papa's house. It
belonged to Mamma.

Harriett thought: If only she could have a birthday and wake up and find
that the blue egg belonged to _her_----

Ida, the wax doll, sat on the drawing-room sofa, dressed ready for the
birthday. The darling had real person's eyes made of glass, and real
eyelashes and hair. Little finger and toenails were marked in the wax, and
she smelt of the lavender her clothes were laid in.

But Emily, the new birthday doll, smelt of composition and of gum and hay;
she had flat, painted hair and eyes, and a foolish look on her face, like
Nurse's aunt, Mrs. Spinker, when she said "Lawk-a-daisy!" Although Papa
had given her Emily, she could never feel for her the real, loving love
she felt for Ida.

And her mother had told her that she must lend Ida to Connie Hancock if
Connie wanted her.

Mamma couldn't see that such a thing was not possible.

"My darling, you mustn't be selfish. You must do what your little guest
wants."

"I can't."

But she had to; and she was sent out of the room because she cried. It was
much nicer upstairs in the nursery with Mimi, the Angora cat. Mimi knew
that something sorrowful had happened. He sat still, just lifting the root
of his tail as you stroked him. If only she could have stayed there with
Mimi; but in the end she had to go back to the drawing-room.

If only she could have told Mamma what it felt like to see Connie with Ida
in her arms, squeezing her tight to her chest and patting her as if Ida
had been _her_ child. She kept on saying to herself that Mamma didn't
know; she didn't know what she had done. And when it was all over she took
the wax doll and put her in the long narrow box she had come in, and
buried her in the bottom drawer in the spare-room wardrobe. She thought:
If I can't have her to myself I won't have her at all. I've got Emily. I
shall just have to pretend she's not an idiot.

She pretended Ida was dead; lying in her pasteboard coffin and buried in
the wardrobe cemetery.

It was hard work pretending that Emily didn't look like Mrs. Spinker.



II


She had a belief that her father's house was nicer than other people's
houses. It stood off from the high road, in Black's Lane, at the head of
the town. You came to it by a row of tall elms standing up along Mr.
Hancock's wall. Behind the last tree its slender white end went straight
up from the pavement, hanging out a green balcony like a bird cage above
the green door.

The lane turned sharp there and went on, and the long brown garden wall
went with it. Behind the wall the lawn flowed down from the white house
and the green veranda to the cedar tree at the bottom. Beyond the lawn was
the kitchen garden, and beyond the kitchen garden the orchard; little
crippled apple trees bending down in the long grass.

She was glad to come back to the house after the walk with Eliza, the
nurse, or Annie, the housemaid; to go through all the rooms looking for
Mimi; looking for Mamma, telling her what had happened.

"Mamma, the red-haired woman in the sweetie shop has got a little baby,
and its hair's red, too.... Some day I shall have a little baby. I shall
dress him in a long gown-----"

"Robe."

"Robe, with bands of lace all down it, as long as _that_; and a white
christening cloak sewn with white roses. Won't he look sweet?"

"Very sweet."

"He shall have lots of hair. I shan't love him if he hasn't."

"Oh, yes, you will."

"No. He must have thick, flossy hair like Mimi, so that I can stroke him.
Which would you rather have, a little girl or a little boy?"

"Well--what do you think----?"

"I think--perhaps I'd rather have a little girl."

She would be like Mamma, and her little girl would be like herself. She
couldn't think of it any other way.


The school-treat was held in Mr. Hancock's field. All afternoon she had
been with the children, playing Oranges and lemons, A ring, a ring of
roses, and Here we come gathering nuts in May, _nuts_ in May,
_nuts_ in May: over and over again. And she had helped her mother to
hand cake and buns at the infants' table.

The guest-children's tea was served last of all, up on the lawn under the
immense, brown brick, many windowed house. There wasn't room for everybody
at the table, so the girls sat down first and the boys waited for their
turn. Some of them were pushing and snatching.

She knew what she would have. She would begin with a bun, and go on
through two sorts of jam to Madeira cake, and end with raspberries and
cream. Or perhaps it would be safer to begin with raspberries and cream.
She kept her face very still, so as not to look greedy, and tried not to
stare at the Madeira cake lest people should see she was thinking of it.
Mrs. Hancock had given her somebody else's crumby plate. She thought: I'm
not greedy. I'm really and truly hungry. She could draw herself in at the
waist with a flat, exhausted feeling, like the two ends of a concertina
coming together.

She was doing this when she saw her mother standing on the other side of
the table, looking at her and making signs.

"If you've finished, Hatty, you'd better get up and let that little boy
have something."

They were all turning round and looking at her. And there was the crumby
plate before her. They were thinking: "That greedy little girl has gone on
and on eating." She got up suddenly, not speaking, and left the table, the
Madeira cake and the raspberries and cream. She could feel her skin all
hot and wet with shame.

And now she was sitting up in the drawing-room at home. Her mother had
brought her a piece of seed-cake and a cup of milk with the cream on it.
Mamma's soft eyes kissed her as they watched her eating her cake with
short crumbly bites, like a little cat. Mamma's eyes made her feel so
good, so good.

"Why didn't you tell me you hadn't finished?"

"Finished? I hadn't even begun"

"Oh-h, darling, why didn't you _tell_ me?"

"Because I--I don't know."

"Well, I'm glad my little girl didn't snatch and push. It's better to go
without than to take from other people. That's ugly."

Ugly. Being naughty was just that. Doing ugly things. Being good was being
beautiful like Mamma. She wanted to be like her mother. Sitting up there
and being good felt delicious. And the smooth cream with the milk running
under it, thin and cold, was delicious too.

Suddenly a thought came rushing at her. There was God and there was Jesus.
But even God and Jesus were not more beautiful than Mamma. They couldn't
be.

"You mustn't say things like that, Hatty; you mustn't, really. It might
make something happen."

"Oh, no, it won't. You don't suppose they're listening all the time."

Saying things like that made you feel good and at the same time naughty,
which was more exciting than only being one or the other. But Mamma's
frightened face spoiled it. What did she think--what did she think God
would do?

Red campion----

At the bottom of the orchard a door in the wall opened into Black's Lane,
below the three tall elms.

She couldn't believe she was really walking there by herself. It had come
all of a sudden, the thought that she _must_ do it, that she
_must_ go out into the lane; and when she found the door unlatched,
something seemed to take hold of her and push her out. She was forbidden
to go into Black's Lane; she was not even allowed to walk there with
Annie.

She kept on saying to herself: "I'm in the lane. I'm in the lane. I'm
disobeying Mamma."

Nothing could undo that. She had disobeyed by just standing outside the
orchard door. Disobedience was such a big and awful thing that it was
waste not to do something big and awful with it. So she went on, up and
up, past the three tall elms. She was a big girl, wearing black silk
aprons and learning French. Walking by herself. When she arched her back
and stuck her stomach out she felt like a tall lady in a crinoline and
shawl. She swung her hips and made her skirts fly out. That was her
grown-up crinoline, swing-swinging as she went.

At the turn the cow's parsley and rose campion began; on each side a long
trail of white froth with the red tops of the campion pricking through.
She made herself a nosegay.

Past the second turn you came to the waste ground covered with old boots
and rusted, crumpled tins. The little dirty brown house stood there behind
the rickety blue palings; narrow, like the piece of a house that has been
cut in two. It hid, stooping under the ivy bush on its roof. It was not
like the houses people live in; there was something queer, some secret,
frightening thing about it.

The man came out and went to the gate and stood there. _He_ was the
frightening thing. When he saw her he stepped back and crouched behind the
palings, ready to jump out.

She turned slowly, as if she had thought of something. She mustn't run.
She must _not_ run. If she ran he would come after her.

Her mother was coming down the garden walk, tall and beautiful in her
silver-gray gown with the bands of black velvet on the flounces and the
sleeves; her wide, hooped skirts swung, brushing the flower borders.

She ran up to her, crying, "Mamma, I went up the lane where you told me
not to."

"No, Hatty, no; you didn't."

You could see she wasn't angry. She was frightened.

"I did. I did."

Her mother took the bunch of flowers out of her hand and looked at it.
"Yes," she said, "that's where the dark-red campion grows."

She was holding the flowers up to her face. It was awful, for you could
see her mouth thicken and redden over its edges and shake. She hid it
behind the flowers. And somehow you knew it wasn't your naughtiness that
made her cry. There was something more.

She was saying in a thick, soft voice, "It was wrong of you, my darling."

Suddenly she bent her tall straightness. "Rose campion," she said, parting
the stems with her long, thin fingers. "Look, Hatty, how _beautiful_
they are. Run away and put the poor things in water."

She was so quiet, so quiet, and her quietness hurt far more than if she
had been angry.

She must have gone straight back into the house to Papa. Harriett knew,
because he sent for her. He was quiet, too.... That was the little, hiding
voice he told you secrets in.... She stood close up to him, between his
knees, and his arm went loosely round her to keep her there while he
looked into her eyes. You could smell tobacco, and the queer, clean man's
smell that came up out of him from his collar. He wasn't smiling; but
somehow his eyes looked kinder than if they had smiled.

"Why did you do it, Hatty?"

"Because--I wanted to see what it would feel like."

"You mustn't do it again. Do you hear?--you mustn't do it."

"Why?"

"Why? Because it makes your mother unhappy. That's enough why."

But there was something more. Mamma had been frightened. Something to do
with the frightening man in the lane.

"Why does it make her?"

She knew; she knew; but she wanted to see what he would say.

"I said that was enough.... Do you know what you've been guilty of?"

"Disobedience."

"More than that. Breaking trust. Meanness. It was mean and dishonorable of
you when you knew you wouldn't be punished."

"Isn't there to be a punishment?"

"No. People are punished to make them remember. We want you to forget."
His arm tightened, drawing her closer. And the kind, secret voice went on.
"Forget ugly things. Understand, Hatty, nothing is forbidden. We don't
forbid, because we trust you to do what we wish. To behave beautifully....
There, there."

She hid her face on his breast against his tickly coat, and cried.

She would always have to do what they wanted; the unhappiness of not doing
it was more than she could bear. All very well to say there would be no
punishment; _their_ unhappiness was the punishment.

It hurt more than anything. It kept on hurting when she thought about it.

The first minute of to-morrow she would begin behaving beautifully; as
beautifully as she could. They wanted you to; they wanted it more than
anything because they were so beautiful. So good. So wise.

But three years went before Harriett understood how wise they had been,
and why her mother took her again and again into Black's Lane to pick red
campion, so that it was always the red campion she remembered. They must
have known all the time about Black's Lane; Annie, the housemaid, used to
say it was a bad place; something had happened to a little girl there.
Annie hushed and reddened and wouldn't tell you what it was. Then one day,
when she was thirteen, standing by the apple tree, Connie Hancock told
her. A secret... Behind the dirty blue palings... She shut her eyes,
squeezing the lids down, frightened. But when she thought of the lane she
could see nothing but the green banks, the three tall elms, and the red
campion pricking through the white froth of the cow's parsley; her mother
stood on the garden walk in her wide, swinging gown; she was holding the
red and white flowers up to her face and saying, "Look, how
_beautiful_ they are."

She saw her all the time while Connie was telling her the secret. She
wanted to get up and go to her. Connie knew what it meant when you
stiffened suddenly and made yourself tall and cold and silent. The cold
silence would frighten her and she would go away. Then, Harriett thought,
she could get back to her mother and Longfellow.

Every afternoon, through the hours before her father came home, she sat in
the cool, green-lighted drawing-room reading _Evangeline_ aloud to
her mother. When they came to the beautiful places they looked at each
other and smiled.

She passed through her fourteenth year sedately, to the sound of
_Evangeline_. Her upright body, her lifted, delicately obstinate,
rather wistful face expressed her small, conscious determination to be
good. She was silent with emotion when Mrs. Hancock told her she was
growing like her mother.



III


Connie Hancock was her friend.

She had once been a slender, wide-mouthed child, top-heavy with her damp
clumps of hair. Now she was squaring and thickening and looking horrid,
like Mr. Hancock. Beside her Harriett felt tall and elegant and slender.

Mamma didn't know what Connie was really like; it was one of those things
you couldn't tell her. She said Connie would grow out of it. Meanwhile you
could see _he_ wouldn't. Mr. Hancock had red whiskers, and his face
squatted down in his collar, instead of rising nobly up out of it like
Papa's. It looked as if it was thinking things that made its eyes bulge
and its mouth curl over and slide like a drawn loop. When you talked about
Mr. Hancock, Papa gave a funny laugh as if he was something improper. He
said Connie ought to have red whiskers.

Mrs. Hancock, Connie's mother, was Mamma's dearest friend. That was why
there had always been Connie. She could remember her, squirming and
spluttering in her high nursery chair. And there had always been Mrs.
Hancock, refined and mournful, looking at you with gentle, disappointed
eyes.

She was glad that Connie hadn't been sent to her boarding-school, so that
nothing could come between her and Priscilla Heaven.


Priscilla was her real friend.

It had begun in her third term, when Priscilla first came to the school,
unhappy and shy, afraid of the new faces. Harriett took her to her room.

She was thin, thin, in her shabby black velvet jacket. She stood looking
at herself in the greenish glass over the yellow-painted chest of drawers.
Her heavy black hair had dragged the net and broken it. She put up her
thin arms, helpless.

"They'll never keep me," she said. "I'm so untidy."

"It wants more pins," said Harriett. "Ever so many more pins. If you put
them in head downwards they'll fall out. I'll show you."

Priscilla trembled with joy when Harriett asked her to walk with her; she
had been afraid of her at first because she behaved so beautifully.

Soon they were always together. They sat side by side at the dinner table
and in school, black head and golden brown leaning to each other over the
same book; they walked side by side in the packed procession, going two by
two. They slept in the same room, the two white beds drawn close together;
a white dimity curtain hung between; they drew it back so that they could
see each other lying there in the summer dusk and in the clear mornings
when they waked.

Harriett loved Priscilla's odd, dusk-white face; her long hound's nose,
seeking; her wide mouth, restless between her shallow, fragile jaws; her
eyes, black, cleared with spots of jade gray, prominent, showing white
rims when she was startled. She started at sudden noises; she quivered and
stared when you caught her dreaming; she cried when the organ burst out
triumphantly in church. You had to take care every minute that you didn't
hurt her.

She cried when term ended and she had to go home. Priscilla's home was
horrible. Her father drank, her mother fretted; they were poor; a rich
aunt paid for her schooling.

When the last midsummer holidays came she spent them with Harriett.

"Oh-h-h!" Prissie drew in her breath when she heard they were to sleep
together in the big bed in the spare room. She went about looking at
things, curious, touching them softly as if they were sacred. She loved
the two rough-coated china lambs on the chimney-piece, and "Oh--the dear
little china boxes with the flowers sitting up on them."

But when the bell rang she stood quivering in the doorway.

"I'm afraid of your father and mother, Hatty. They won't like me. I
_know_ they won't like me."

"They will. They'll love you," Hatty said.

And they did. They were sorry for the little white-faced, palpitating
thing.


It was their last night. Priscilla wasn't going back to school again. Her
aunt, she said, was only paying for a year. They lay together in the big
bed, dim, face to face, talking.

"Hatty--if you wanted to do something most awfully, more than anything
else in the world, and it was wrong, would you be able not to do it?"

"I hope so. I _think_ I would, because I'd know if I did it would
make Papa and Mamma unhappy."

"Yes, but suppose it was giving up something you wanted, something you
loved more than them--could you?"

"Yes. If it was wrong for me to have it. And I couldn't love anything more
than them."

"But if you did, you'd give it up."

"I'd have to."

"Hatty--I couldn't."

"Oh, yes, _you_ could if _I_ could."

"No. No...."

"How do you know you couldn't?"

"Because I haven't. I--I oughtn't to have gone on staying here. My
father's ill. They wanted me to go to them and I wouldn't go."

"Oh, Prissie----"

"There, you see. But I couldn't. I couldn't. I was so happy here with you.
I couldn't give it up."

"If your father had been like Papa you would have."

"Yes. I'd do anything for _him_, because he's your father. It's you I
couldn't give up."

"You'll have to some day."

"When--when?"

"When somebody else comes. When you're married."

"I shall never marry. Never. I shall never want anybody but you. If we
could always be together.... I can't think _why_ people marry,
Hatty."

"Still," Hatty said, "they do."

"It's because they haven't ever cared as you and me care.... Hatty, if I
don't marry anybody, _you_ won't, will you?"

"I'm not thinking of marrying anybody."

"No. But promise, promise on your honor you won't ever."

"I'd rather not _promise_. You see, I might. I shall love you all the
same, Priscilla, all my life."

"No, you won't. It'll all be different. I love you more than you love me.
But I shall love you all my life and it won't be different. I shall never
marry."

"Perhaps I shan't, either," Harriett said.

They exchanged gifts. Harriett gave Priscilla a rosewood writing desk
inlaid with mother-o'-pearl, and Priscilla gave Harriett a pocket-
handkerchief case she had made herself of fine gray canvas embroidered
with blue flowers like a sampler and lined with blue and white plaid silk.
On the top part you read "Pocket handkerchiefs" in blue lettering, and on
the bottom "Harriett Frean," and, tucked away in one corner, "Priscilla
Heaven: September, 1861."



IV


She remembered the conversation. Her father sitting, straight and slender,
in his chair, talking in that quiet voice of his that never went sharp or
deep or quavering, that paused now and then on an amused inflection, his
long lips straightening between the perpendicular grooves of his smile.
She loved his straight, slender face, clean-shaven, the straight, slightly
jutting jaw, the dark-blue flattish eyes under the black eyebrows, the
silver-grizzled hair that fitted close like a cap, curling in a silver
brim above his ears.

He was talking about his business as if more than anything it amused him.

"There's nothing gross and material about stock-broking. It's like pure
mathematics. You're dealing in abstractions, ideal values, all the time.
You calculate--in curves." His hand, holding the unlit cigar, drew a
curve, a long graceful one, in mid-air. "You know what's going to happen
all the time.

"... The excitement begins when you don't quite know and you risk it; when
it's getting dangerous.

"... The higher mathematics of the game. If you can afford them; if you
haven't a wife and family--I can see the fascination...."

He sat holding his cigar in one hand, looking at it without seeing it,
seeing the fascination and smiling at it, amused and secure.

And her mother, bending over her bead-work, smiled too, out of their
happiness, their security.

He would lean back, smoking his cigar and looking at them out of
contented, half-shut eyes, as they stitched, one at each end of the long
canvas fender stool. He was waiting, he said, for the moment when their
heads would come bumping together in the middle.

Sometimes they would sit like that, not exchanging ideas, exchanging only
the sense of each other's presence, a secure, profound satisfaction that
belonged as much to their bodies as their minds; it rippled on their faces
with their quiet smiling, it breathed with their breath. Sometimes she or
her mother read aloud, Mrs. Browning or Charles Dickens; or the biography
of some Great Man, sitting there in the velvet-curtained room or out on
the lawn under the cedar tree. A motionless communion broken by walks in
the sweet-smelling fields and deep, elm-screened lanes. And there were
short journeys into London to a lecture or a concert, and now and then the
surprise and excitement of the play.

One day her mother smoothed out her long, hanging curls and tucked them
away under a net. Harriett had a little shock of dismay and resentment,
hating change.

And the long, long Sundays spaced the weeks and the months, hushed and
sweet and rather enervating, yet with a sort of thrill in them as if
somewhere the music of the church organ went on vibrating. Her mother had
some secret: some happy sense of God that she gave to you and you took
from her as you took food and clothing, but not quite knowing what it was,
feeling that there was something more in it, some hidden gladness, some
perfection that you missed.

Her father had his secret too. She felt that it was harder, somehow,
darker and dangerous. He read dangerous books: Darwin and Huxley and
Herbert Spencer. Sometimes he talked about them.

"There's a sort of fascination in seeing how far you can go.... The
fascination of truth might be just that--the risk that, after all, it
mayn't be true, that you may have to go farther and farther, perhaps never
come back."

Her mother looked up with her bright, still eyes.

"I trust the truth. I know that, however far you go, you'll come back some
day."

"I believe you see all of them--Darwin and Huxley and Herbert Spencer--
coming back," he said.

"Yes, I do."

His eyes smiled, loving her. But you could see it amused him, too, to
think of them, all those reckless, courageous thinkers, coming back, to
share her secret. His thinking was just a dangerous game he played.

She looked at her father with a kind of awe as he sat there, reading his
book, in danger and yet safe.

She wanted to know what that fascination was. She took down Herbert
Spencer and tried to read him. She made a point of finishing every book
she had begun, for her pride couldn't bear being beaten. Her head grew hot
and heavy: she read the same sentences over and over again; they had no
meaning; she couldn't understand a single word of Herbert Spencer. He had
beaten her. As she put the book back in its place she said to herself: "I
mustn't. If I go on, if I get to the interesting part I may lose my
faith." And soon she made herself believe that this was really the reason
why she had given it up.


Besides Connie Hancock there were Lizzie Pierce and Sarah Barmby.

Exquisite pleasure to walk with Lizzie Pierce. Lizzie's walk was a
sliding, swooping dance of little pointed feet, always as if she were
going out to meet somebody, her sharp, black-eyed face darting and
turning.

"My _dear_, he kept on doing _this_" (Lizzie did it) "as if he
was trying to sit on himself to keep him from flying off into space like a
cork. Fancy proposing on three tumblers of soda water! I might have been
Mrs. Pennefather but for that."

Lizzie went about laughing, laughing at everybody, looking for something
to laugh at everywhere. Now and then she would stop suddenly to
contemplate the vision she had created.

"If Connie didn't wear a bustle--or, oh my dear, if Mr. Hancock did----"

"Mr. _Hancock!_" Clear, firm laughter, chiming and tinkling.

"Goodness! To think how many ridiculous people there are in the world!"

"I believe you see something ridiculous in me."

"Only when--only when----"

She swung her parasol in time to her sing-song. She wouldn't say when.

"Lizzie--not--_not_ when I'm in my black lace fichu and the little
round hat?"

"Oh, dear me--no. Not _then_."

The little round hat, Lizzie wore one like it herself, tilted forward,
perched on her chignon.

"Well, then----" she pleaded.

Lizzie's face darted its teasing, mysterious smile.

She loved Lizzie best of her friends after Priscilla. She loved her
mockery and her teasing wit.

And there was Lizzie's friend, Sarah Barmby, who lived in one of those
little shabby villas on the London road and looked after her father. She
moved about the villa in an unseeing, shambling way, hitting herself
against the furniture. Her face was heavy with a gentle, brooding
goodness, and she had little eyes that blinked and twinkled in the
heaviness, as if something amused her. At first you kept on wondering what
the joke was, till you saw it was only a habit Sarah had. She came when
she could spare time from her father.

Next to Lizzie, Harriett loved Sarah. She loved her goodness.

And Connie Hancock, bouncing about hospitably in the large, rich house.
Tea-parties and dances at the Hancocks'.

She wasn't sure that she liked dancing. There was something obscurely
dangerous about it. She was afraid of being lifted off her feet and swung
on and on, away from her safe, happy life. She was stiff and abrupt with
her partners, convinced that none of those men who liked Connie Hancock
could like her, and anxious to show them that she didn't expect them to.
She was afraid of what they were thinking. And she would slip away early,
running down the garden to the gate at the bottom of the lane where her
father waited for her. She loved the still coldness of the night under the
elms, and the strong, tight feel of her father's arm when she hung on it
leaning towards him, and his "There we are" as he drew her closer. Her
mother would look up from the sofa and ask always the same question,
"Well, did anything nice happen?"

Till at last she answered, "No. Did you think it would, Mamma?"

"You never know," said her mother.

"_I_ know everything."

"_Every_thing?"

"Everything that could happen at the Hancocks' dances."

Her mother shook her head at her. She knew that in secret Mamma was glad;
but she answered the reproof.

"It's mean of me to say that when I've eaten four of their ices. They were
strawberry, and chocolate and vanilla, all in one."

"Well, they won't last much longer."

"Not at that rate," her father said.

"I meant the dances," said her mother.

And sure enough, soon after Connie's engagement to young Mr. Pennefather,
they ceased.

And the three friends, Connie and Sarah and Lizzie, came and went. She
loved them; and yet when they were there they broke something, something
secret and precious between her and her father and mother, and when they
were gone she felt the stir, the happy movement of coming together again,
drawing in close, close, after the break.

"We only want each other." Nobody else really mattered, not even Priscilla
Heaven.

Year after year the same. Her mother parted her hair into two sleek wings;
she wore a rosette and lappets of black velvet and lace on a glistening
beetle-backed chignon. And Harriett felt again her shock of resentment.
She hated to think of her mother subject to change and time.

And Priscilla came year after year, still loving, still protesting that
she would never marry. Yet they were glad when even Priscilla had gone and
left them to each other. Only each other, year after year the same.



V


Priscilla's last visit was followed by another passionate vow that she
would never marry. Then within three weeks she wrote again, telling of her
engagement to Robin Lethbridge.

"... I haven't known him very long, and Mamma says it's too soon; but he
makes me feel as if I had known him all my life. I know I said I wouldn't,
but I couldn't tell; I didn't know it would be so different. I couldn't
have believed that anybody could be so happy. You won't mind, Hatty. We
can love each other just the same...."

Incredible that Priscilla, who could be so beaten down and crushed by
suffering, should have risen to such an ecstasy. Her letters had a
swinging lilt, a hurried beat, like a song bursting, a heart beating for
joy too fast.

It would have to be a long engagement. Robin was in a provincial bank, he
had his way to make. Then, a year later, Prissy wrote and told them that
Robin had got a post in Parson's Bank in the City. He didn't know a soul
in London. Would they be kind to him and let him come to them sometimes,
on Saturdays and Sundays?

He came one Sunday. Harriett had wondered what he would be like, and he
was tall, slender-waisted, wide-shouldered; he had a square, very white
forehead; his brown hair was parted on one side, half curling at the tips
above his ears. His eyes--thin, black crystal, shining, turning, showing
speckles of brown and gray; perfectly set under straight eyebrows laid
very black on the white skin. His round, pouting chin had a dent in it.
The face in between was thin and irregular; the nose straight and serious
and rather long in profile, with a dip and a rise at three-quarters; in
full face straight again but shortened. His eyes had another meaning,
deeper and steadier than his fine slender mouth; but it was the mouth that
made you look at him. One arch of the bow was higher than the other; now
and then it quivered with an uneven, sensitive movement of its own.

She noticed his mouth's little dragging droop at the corners and thought:
"Oh, you're cross. If you're cross with Prissie--if you make her unhappy"
--but when he caught her looking at him the cross lips drew back in a
sudden, white, confiding smile. And when he spoke she understood why he
had been irresistible to Priscilla.

He had come three Sundays now, four perhaps; she had lost count. They were
all sitting out on the lawn under the cedar. Suddenly, as if he had only
just thought of it, he said:

"It's extraordinarily good of you to have me."

"Oh, well," her mother said, "Prissie is Hatty's greatest friend."

"I supposed that was why you do it."

He didn't want it to be that. He wanted it to be himself. Himself. He was
proud. He didn't like to owe anything to other people, not even to
Prissie.

Her father smiled at him. "You must give us time."

He would never give it or take it. You could see him tearing at things in
his impatience, to know them, to make them give themselves up to him at
once. He came rushing to give himself up, all in a minute, to make himself
known.

"It isn't fair," he said. "I know you so much better than you know me.
Priscilla's always talking about you. But you don't know anything about
_me_."

"No. We've got all the excitement."

"And the risk, sir."

"And, of course, the risk." He liked him.

She could talk to Robin Lethbridge as she couldn't talk to Connie
Hancock's young men. She wasn't afraid of what he was thinking. She was
safe with him, he belonged to Priscilla Heaven. He liked her because he
loved Priscilla; but he wanted her to like him, not because of Priscilla,
but for himself.

She talked about Priscilla: "I never saw anybody so loving. It used to
frighten me; because you can hurt her so easily."

"Yes. Poor little Prissie, she's very vulnerable," he said.

When Priscilla came to stay it was almost painful. Her eyes clung to him,
and wouldn't let him go. If he left the room she was restless, unhappy
till he came back. She went out for long walks with him and returned
silent, with a tired, beaten look. She would lie on the sofa, and he would
hang over her, gazing at her with strained, unhappy eyes.

After she had gone he kept on coming more than ever, and he stayed
overnight. Harriett had to walk with him now. He wanted to talk, to talk
about himself, endlessly.

When she looked in the glass she saw a face she didn't know: bright-eyed,
flushed, pretty. The little arrogant lift had gone. As if it had been
somebody else's face she asked herself, in wonder, without rancor, why
nobody had ever cared for it. Why? Why? She could see her father looking
at her, intent, as if he wondered. And one day her mother said, "Do you
think you ought to see so much of Robin? Do you think it's quite fair to
Prissie?"

"Oh--_Mamma!_ ... I wouldn't. I haven't----"

"I know. You couldn't if you would, Hatty. You would always behave
beautifully. But are you so sure about Robin?"

"Oh, he _couldn't_ care for _anybody_ but Prissie. It's only
because he's so safe with me, because he knows I don't and he
doesn't----."

The wedding day was fixed for July. After all, they were going to risk it.
By the middle of June the wedding presents began to come in.

Harriett and Robin Lethbridge were walking up Black's Lane. The hedges
were a white bridal froth of cow's parsley. Every now and then she swerved
aside to pick the red campion.

He spoke suddenly. "Do you know what a dear little face you have, Hatty?
It's so clear and still and it behaves so beautifully."

"Does it?"

She thought of Prissie's face, dark and restless, never clear, never
still.

"You're not a bit like what I expected. Prissie doesn't know what you are.
You don't know yourself."

"I know what _she_ is."

His mouth's uneven quiver beat in and out like a pulse.

"Don't talk to me about Prissie!"

Then he got it out. He tore it out of himself. He loved her.

"Oh, Robin----" Her fingers loosened in her dismay; she went dropping red
campion.

It was no use, he said, to think about Prissie. He couldn't marry her. He
couldn't marry anybody but Hatty; Hatty must marry him.

"You can't say you don't love me, Hatty."

No. She couldn't say it; for it wouldn't be true.

"Well, then----"

"I can't. I'd be doing wrong, Robin. I feel all the time as if she
belonged to you; as if she were married to you."

"But she isn't. It isn't the same thing."

"To me it is. You can't undo it. It would be too dishonorable."

"Not half so dishonorable as marrying her when I don't love her."

"Yes. As long as she loves you. She hasn't anybody but you. She was so
happy. So happy. Think of the cruelty of it. Think what we should send her
back to."

"You think of Prissie. You don't think of me."

"Because it would _kill_ her."

"How about you?"

"It can't kill us, because we know we love each other. Nothing can take
that from us."

"But I couldn't be happy with her, Hatty. She wears me out. She's so
restless."

"_We_ couldn't be happy, Robin. We should always be thinking of what
we did to her. How could we be happy?"

"You know how."

"Well, even if we were, we've no right to get our happiness out of her
suffering."

"Oh, Hatty, why are you so good, so good?"

"I'm not good. It's only--there are some things you can't do. We couldn't.
We couldn't."

"No," he said at last. "I don't suppose we could. Whatever it's like I've
got to go through with it."

He didn't stay that night.


She was crouching on the floor beside her father, her arm thrown across
his knees. Her mother had left them there.

"Papa--do you know?"

"Your mother told me.... You've done the right thing."

"You don't think I've been cruel? He said I didn't think of him."

"Oh, no, you couldn't do anything else."

She couldn't. She couldn't. It was no use thinking about him. Yet night
after night, for weeks and months, she thought, and cried herself to
sleep.

By day she suffered from Lizzie's sharp eyes and Sarah's brooding pity and
Connie Pennefather's callous, married stare. Only with her father and
mother she had peace.



VI


Towards spring Harriett showed signs of depression, and they took her to
the south of France and to Bordighera and Rome. In Rome she recovered.
Rome was one of those places you ought to see; she had always been anxious
to do the right thing. In the little Pension in the Via Babuino she had a
sense of her own importance and the importance of her father and mother.
They were Mr. and Mrs. Hilton Frean, and Miss Harriett Frean, seeing Rome.

After their return in the summer he began to write his book, _The Social
Order_. There were things that had to be said; it did not much matter
who said them provided they were said plainly. He dreamed of a new Social
State, society governing itself without representatives. For a long time
they lived on the interest and excitement of the book, and when it came
out Harriett pasted all his reviews very neatly into an album. He had the
air of not taking them quite seriously; but he subscribed to _The
Spectator_, and sometimes an article appeared there understood to have
been written by Hilton Frean.

And they went abroad again every year. They went to Florence and came home
and read _Romola_ and Mrs. Browning and Dante and _The Spectator_; they
went to Assisi and read the _Little Flowers of Saint Francis;_ they went
to Venice and read Ruskin and _The Spectator;_ they went to Rome again and
read Gibbon's _Decline and Fall of the Roman Empire_. Harriett said, "We
should have enjoyed Rome more if we had read Gibbon," and her mother
replied that they would not have enjoyed Gibbon so much if they had not
seen Rome. Harriett did not really enjoy him; but she enjoyed the sound of
her own voice reading out the great sentences and the rolling Latin names.

She had brought back photographs of the Colosseum and the Forum and of
Botticelli's _Spring_, and a della Robbia Madonna in a shrine of
fruit and flowers, and hung them in the drawing-room. And when she saw the
blue egg in its gilt frame standing on the marble-topped table, she
wondered how she had ever loved it, and wished it were not there. It had
been one of Mamma's wedding presents. Mrs. Hancock had given it her; but
Mr. Hancock must have bought it.

Harriett's face had taken on again its arrogant lift. She esteemed herself
justly. She knew she was superior to the Hancocks and the Penne fathers
and to Lizzie Pierce and Sarah Barmby; even to Priscilla. When she thought
of Robin and how she had given him up she felt a thrill of pleasure in her
beautiful behavior, and a thrill of pride in remembering that he had loved
her more than Priscilla. Her mind refused to think of Robin married.

Two, three, five years passed, with a perceptible acceleration, and
Harriett was now thirty.


She had not seen them since the wedding day. Robin had gone back to his
own town; he was cashier in a big bank there. For four years Prissie's
letters came regularly every month or so, then ceased abruptly.

Then Robin wrote and told her of Prissie's illness. A mysterious
paralysis. It had begun with fits of giddiness in the street; Prissie
would turn round and round on the pavement; then falling fits; and now
both legs were paralyzed, but Robin thought she was gradually recovering
the use of her hands.

Harriett did not cry. The shock of it stopped her tears. She tried to see
it and couldn't. Poor little Prissie. How terrible. She kept on saying to
herself she couldn't bear to think of Prissie paralyzed. Poor little
Prissie.

And poor Robin----

Paralysis. She saw the paralysis coming between them, separating them, and
inside her the secret pain was soothed. She need not think of Robin
married any more.

She was going to stay with them. Robin had written the letter. He said
Prissie wanted her. When she met him on the platform she had a little
shock at seeing him changed. Changed. His face was fuller, and a dark
mustache hid the sensitive, uneven, pulsing lip. His mouth was dragged
down further at the corners. But he was the same Robin. In the cab, going
to the house, he sat silent, breathing hard; she felt the tremor of his
consciousness and knew that he still loved her; more than he loved
Priscilla. Poor little Prissie. How terrible!

Priscilla sat by the fireplace in a wheel chair. She became agitated when
she saw Harriett; her arms shook as she lifted them for the embrace.

"Hatty--you've hardly changed a bit." Her voice shook.

Poor little Prissie. She was thin, thinner than ever, and stiff as if she
had withered. Her face was sallow and dry, and the luster had gone from
her black hair. Her wide mouth twitched and wavered, wavered and twitched.
Though it was warm summer she sat by a blazing fire with the windows
behind her shut.

Through dinner Harriett and Robin were silent and constrained. She tried
not to see Prissie shaking and jerking and spilling soup down the front of
her gown. Robin's face was smooth and blank; he pretended to be absorbed
in his food, so as not to look at Prissie. It was as if Prissie's old
restlessness had grown into that ceaseless jerking and twitching. And her
eyes fastened on Robin; they clung to him and wouldn't let him go. She
kept on asking him to do things for her. "Robin, you might get me my
shawl;" and Robin would go and get the shawl and put it round her.
Whenever he did anything for her Prissie's face would settle down into a
quivering, deep content.

At nine o'clock he lifted her out of her wheel chair. Harriett saw his
stoop, and the taut, braced power of his back as he lifted. Prissie lay in
his arms with rigid limbs hanging from loose attachments, inert, like a
doll. As he carried her upstairs to bed her face had a queer, exalted look
of pleasure and of triumph.

Harriett and Robin sat alone together in his study.

"How long is it since we've seen each other?"

"Five years, Robin."

"It isn't. It can't be."

"It is."

"I suppose it is. But I can't believe it. I can't believe I'm married. I
can't believe Prissie's ill. It doesn't seem real with you sitting there."

"Nothing's changed, Robin, except that you're more serious."

"Nothing's changed, except that I'm more serious than ever.... Do you
still do the same things? Do you still sit in the curly chair, holding
your work up to your chin with your little pointed hands like a squirrel?
Do you still see the same people?"

"I don't make new friends, Robin."

He seemed to settle down after that, smiling at his own thoughts,
appeased....

Lying in her bed in the spare room, Harriett heard the opening and
shutting of Robin's door. She still thought of Prissie's paralysis as
separating them, still felt inside her a secret, unacknowledged
satisfaction. Poor little Prissie. How terrible. Her pity for Priscilla
went through and through her in wave after wave. Her pity was sad and
beautiful and at the same time it appeased her pain.


In the morning Priscilla told her about her illness. The doctors didn't
understand it. She ought to have had a stroke and she hadn't had one.
There was no reason why she shouldn't walk except that she couldn't. It
seemed to give her pleasure to go over it, from her first turning round
and round in the street (with helpless, shaking laughter at the queerness
of it), to the moment when Robin bought her the wheel chair.... Robin ...
Robin ...

"I minded most because of Robin. It's such an _awful_ illness, Hatty.
I can't move when I'm in bed. Robin has to get up and turn me a dozen
times in one night.... Robin's a perfect saint. He does everything for
me." Prissie's voice and her face softened and thickened with voluptuous
content.

"... Do you know, Hatty, I had a little baby. It died the day it was
born.... Perhaps some day I shall have another."

Harriett was aware of a sudden tightening of her heart, of a creeping
depression that weighed on her brain and worried it. She thought this was
her pity for Priscilla.


Her third night. All evening Robin had been moody and morose. He would
hardly speak to either Harriett or Priscilla. When Priscilla asked him to
do anything for her he got up heavily, pulling himself together with a
sigh, with a look of weary, irritated patience.

Prissie wheeled herself out of the study into the drawing-room, beckoning
Harriett to follow. She had the air of saving Robin from Harriett, of
intimating that his grumpiness was Harriett's fault. "He doesn't want to
be bothered," she said.

She sat up till eleven, so that Robin shouldn't be thrown with Harriett in
the last hours.

Half the night Harriett's thoughts ran on, now in a darkness, now in thin
flashes of light. "Supposing, after all, Robin wasn't happy? Supposing he
can't stand it? Supposing.... But why is he angry with _me?_" Then a
clear thought: "He's angry with me because he can't be angry with
Priscilla." And clearer. "He's angry with me because I made him marry
her."

She stopped the running and meditated with a steady, hard deliberation.
She thought of her deep, spiritual love for Robin; of Robin's deep
spiritual love for her; of his strength in shouldering his burden. It was
through her renunciation that he had grown so strong, so pure, so good.


Something had gone wrong with Prissie. Robin, coming home early on
Saturday afternoon, had taken Harriett for a walk. All evening and all
through Sunday it was Priscilla who sulked and snapped when Harriett spoke
to her.

On Monday morning she was ill, and Robin ordered her to stay in bed.
Monday was Harriett's last night. Priscilla stayed in bed till six
o'clock, when she heard Robin come in; then she insisted on being dressed
and carried downstairs. Harriett heard her calling to Robin, and Robin
saying, "I _told_ you you weren't to get up till to-morrow," and a
sound like Prissie crying.

At dinner she shook and jerked and spilt things worse than ever. Robin
gloomed at her. "You know you ought to be in bed. You'll go at nine."

"If I go, you'll go. You've got a headache."

"I should think I had, sitting in this furnace."

The heat of the dining room oppressed him, but they sat on there after
dinner because Prissie loved the heat. Robin's pale, blank face had a sick
look, a deadly smoothness. He had to lie down on the sofa in the window.

When the clock struck nine he sighed and got up, dragging himself as if
the weight of his body was more than he could bear. He stooped over
Prissie, and lifted her.

"Robin--you can't. You're dropping to pieces."

"I'm all right." He heaved her up with one tremendous, irritated effort,
and carried her upstairs, fast, as if he wanted to be done with it.
Through the open doors Harriett could hear Prissie's pleading whine, and
Robin's voice, hard and controlled. Presently he came back to her and they
went into his study. They could breathe there, he said.

They sat without speaking for a little time. The silence of Prissie's room
overhead came between them.

Robin spoke first. "I'm afraid it hasn't been very gay for you with poor
Prissie in this state."

"Poor Prissie? She's very happy, Robin."

He stared at her. His eyes, round and full and steady, taxed her with
falsehood, with hypocrisy.

"You don't suppose _I'm_ not, do you?"

"No." There was a movement in her throat as though she swallowed something
hard. "No. I want you to be happy."

"You don't. You want me to be rather miserable."

"_Robin!_" She contrived a sound like laughter. But Robin didn't
laugh; his eyes, morose and cynical, held her there.

"That's what you want.... At least I hope you do. If you didn't----"

She fenced off the danger. "Do _you_ want _me_ to be miserable,
then?"

At that he laughed out. "No. I don't. I don't care how happy you are."

She took the pain of it: the pain he meant to give her.

That evening he hung over Priscilla with a deliberate, exaggerated
tenderness.

"Dear.... Dearest...." He spoke the words to Priscilla, but he sent out
his voice to Harriett. She could feel its false precision, its intention,
its repulse of her.

She was glad to be gone.



VII


Eighteen seventy-nine: it was the year her father lost his money. Harriett
was nearly thirty-five.

She remembered the day, late in November, when they heard him coming home
from the office early. Her mother raised her head and said, "That's your
father, Harriett. He must be ill." She always thought of seventy-nine as
one continuous November.

Her father and mother were alone in the study for a long time; she
remembered Annie going in with the lamp and coming out and whispering that
they wanted her. She found them sitting in the lamplight alone, close
together, holding each other's hands; their faces had a strange, exalted
look.

"Harriett, my dear, I've lost every shilling I possessed, and here's your
mother saying she doesn't mind."

He began to explain in his quiet voice. "When all the creditors are paid
in full there'll be nothing but your mother's two hundred a year. And the
insurance money when I'm gone."

"Oh, Papa, how terrible----"

"Yes, Hatty."

"I mean the insurance. It's gambling with your life."

"My dear, if that was all I'd gambled with----"

It seemed that half his capital had gone in what he called "the higher
mathematics of the game." The creditors would get the rest.

"We shall be no worse off," her mother said, "than we were when we began.
We were very happy then."

"We. How about Harriett?"

"Harriett isn't going to mind."

"You're not--going--to mind.... We shall have to sell this house and live
in a smaller one. And I can't take my business up again."

"My dear, I'm glad and thankful you've done with that dreadful, dangerous
game."

"I'd no business to play it.... But, after holding myself in all those
years, there was a sort of fascination."

One of the creditors, Mr. Hichens, gave him work in his office. He was now
Mr. Hichens's clerk. He went to Mr. Hichens as he had gone to his own
great business, upright and alert, handsome in his dark-gray overcoat with
the black velvet collar, faintly amused at himself. You would never have
known that anything had happened.


Strange that at the same time Mr. Hancock should have lost money, a great
deal of money, more money than Papa. He seemed determined that everybody
should know it; you couldn't pass him in the road without knowing. He met
you with his swollen, red face hanging; ashamed and miserable, and angry
as if it had been your fault.

One day Harriett came in to her father and mother with the news. "Did you
know that Mr. Hancock's sold his horses? And he's going to give up the
house."

Her mother signed to her to be silent, frowning and shaking her head and
glancing at her father. He got up suddenly and left the room.

"He's worrying himself to death about Mr. Hancock," she said.

"I didn't know he cared for him like that, Mamma."

"Oh, well, he's known him thirty years, and it's a very dreadful thing he
should have to give up his house."

"It's not worse for him than it is for Papa."

"It's ever so much worse. He isn't like your father. He can't be happy
without his big house and his carriages and horses. He'll feel so small
and unimportant."

"Well, then, it serves him right."

"Don't say that. It _is_ what he cares for and he's lost it."

"He's no business to behave as if it was Papa's fault," said Harriett. She
had no patience with the odious little man. She thought of her father's
face, her father's body, straight and calm, and his soul so far above that
mean trouble of Mr. Hancock's, that vulgar shame.

Yet inside him he fretted. And, suddenly, he began to sink. He turned
faint after the least exertion and had to leave off going to Mr. Hichens.
And by the spring of eighteen eighty he was upstairs in his room, too ill
to be moved. That was just after Mr. Hichens had bought the house and
wanted to come into it. He lay, patient, in the big white bed, smiling his
faint, amused smile when he thought of Mr. Hichens.

It was awful to Harriett that her father should be ill, lying there at
their mercy. She couldn't get over her sense of his parenthood, his
authority. When he was obstinate, and insisted on exerting himself, she
gave in. She was a bad nurse, because she couldn't set herself against his
will. And when she had him under her hands to strip and wash him, she felt
that she was doing something outrageous and impious; she set about it with
a flaming face and fumbling hands. "Your mother does it better," he said
gently. But she could not get her mother's feeling of him as a helpless,
dependent thing.

Mr. Hichens called every week to inquire. "Poor man, he wants to know when
he can have his house. Why _will_ he always come on my good days? He
isn't giving himself a chance."

He still had good days, days when he could be helped out of bed to sit in
his chair. "This sort of game may go on for ever," he said. He began to
worry seriously about keeping Mr. Hichens out of his house. "It isn't
decent of me. It isn't decent."

Harriett was ill with the strain of it. She had to go away for a fortnight
with Lizzie Pierce, and Sarah Barmby stayed with her mother. Mrs. Barmby
had died the year before. When Harriett got back her father was making
plans for his removal.

"Why have you all made up your minds that it'll kill me to remove me? It
won't. The men can take everything out but me and my bed and that chair.
And when they've got all the things into the other house they can come
back for the chair and me. And I can sit in the chair while they're
bringing the bed. It's quite simple. It only wants a little system."

Then, while they wondered whether they might risk it, he got worse. He lay
propped up, rigid, his arms stretched out by his side, afraid to lift a
hand because of the violent movements of his heart. His face had a
patient, expectant look, as if he waited for them to do something.

They couldn't do anything. There would be no more rallies. He might die
any day now, the doctor said.


"He may die any minute. I certainly don't expect him to live through the
night."

Harriett followed her mother back into the room. He was sitting up in his
attitude of rigid expectancy; no movement but the quivering of his night-
shirt above his heart.

"The doctor's been gone a long time, hasn't he?" he said.

Harriett was silent. She didn't understand. Her mother was looking at her
with a serene comprehension and compassion.

"Poor Hatty," he said, "she can't tell a lie to save my life."

"Oh--Papa----"

He smiled as if he was thinking of something that amused him.

"You should consider other people, my dear. Not just your own selfish
feelings.... You ought to write and tell Mr. Hichens."

Her mother gave a short sobbing laugh. "Oh, you darling," she said.

He lay still. Then suddenly he began pressing hard on the mattress with
both hands, bracing himself up in the bed. Her mother leaned closer
towards him. He threw himself over slantways, and with his head bent as if
it was broken, dropped into her arms.

Harriett wondered why he was making that queer grating and coughing noise.
Three times.

Her mother called softly to her--"Harriett."

She began to tremble.



VIII


Her mother had some secret that she couldn't share. She was wonderful in
her pure, high serenity. Surely she had some secret. She said he was
closer to her now than he had ever been. And in her correct, precise
answers to the letters of condolence Harriett wrote: "I feel that he is
closer to us now than he ever was." But she didn't really feel it. She
only felt that to feel it was the beautiful and proper thing. She looked
for her mother's secret and couldn't find it.

Meanwhile Mr. Hichens had given them six weeks. They had to decide where
they would go: into Devonshire or into a cottage at Hampstead where Sarah
Barmby lived now.

Her mother said, "Do you think you'd like to live in Sidmouth, near Aunt
Harriett?"

They had stayed one summer at Sidmouth with Aunt Harriett. She remembered
the red cliffs, the sea, and Aunt Harriett's garden stuffed with flowers.
They had been happy there. She thought she would love that: the sea and
the red cliffs and a garden like Aunt Harriett's.

But she was not sure whether it was what her mother really wanted. Mamma
would never say. She would have to find out somehow.

"Well--what do you think?"

"It would be leaving all your friends, Hatty."

"My friends--yes. But----"

Lizzie and Sarah and Connie Pennefather. She could live without them. "Oh,
there's Mrs. Hancock."

"Well----" Her mother's voice suggested that if she were put to it she
could live without Mrs. Hancock.

And Harriett thought: She does want to go to Sidmouth then.

"It would be very nice to be near Aunt Harriett."

She was afraid to say more than that lest she should show her own wish
before she knew her mother's.

"Aunt Harriett. Yes.... But it's very far away, Hatty. We should be cut
off from everything. Lectures and concerts. We couldn't afford to come up
and down."

"No. We couldn't."

She could see that Mamma did not really want to live in Sidmouth; she
didn't want to be near Aunt Harriett; she wanted the cottage at Hampstead
and all the things of their familiar, intellectual life going on and on.
After all, that was the way to keep near to Papa, to go on doing the
things they had done together.

Her mother agreed that it was the way.

"I can't help feeling," Harriett said, "it's what he would have wished."

Her mother's face was quiet and content. She hadn't guessed.


They left the white house with the green balcony hung out like a
birdcage at the side, and turned into the cottage at Hampstead. The
rooms were small and rather dark, and the furniture they had brought had
a squeezed-up, unhappy look. The blue egg on the marble-topped table was
conspicuous and hateful as it had never been in the Black's Lane
drawing-room. Harriett and her mother looked at it.

"Must it stay there?"

"I think so. Fanny Hancock gave it me."

"Mamma--you know you don't like it."

"No. But after all these years I couldn't turn the poor thing away."

Her mother was an old woman, clinging with an old, stubborn fidelity to
the little things of her past. But Harriett denied it. "She's not old,"
she said to herself. "Not really old."

"Harriett," her mother said one day. "I think you ought to do the
housekeeping."

"Oh, Mamma, why?" She hated the idea of this change.

"Because you'll have to do it some day."

She obeyed. But as she went her rounds and gave her orders she felt that
she was doing something not quite real, playing at being her mother as she
had played when she was a child. Then her mother had another thought.

"Harriett, I think you ought to see more of your friends, dear."

"Why?"

"Because you'll want them after I'm gone."

"I shall never _want_ anybody but you."

And their time went as it had gone before: in sewing together, reading
together, listening to lectures and concerts together. They had told Sarah
that they didn't want anybody to call. They were Hilton Frean's wife and
daughter. "After our wonderful life with him," they said, "you'll
understand, Sarah, that we don't want people." And if Harriett was
introduced to any stranger she accounted for herself arrogantly: "My
father was Hilton Frean."

They were collecting his _Remains_ for publication.

Months passed, years passed, going each one a little quicker than the
last. And Harriett was thirty-nine.


One evening, coming out of church, her mother fainted. That was the
beginning of her illness, February, eighteen eighty-three. First came the
long months of weakness; then the months and months of sickness; then the
pain; the pain she had been hiding, that she couldn't hide any more.

They knew what it was now: that horrible thing that even the doctors were
afraid to name. They called it "something malignant." When the friends--
Mrs. Hancock, Connie Pennefather, Lizzie, and Sarah--called to inquire,
Harriett wouldn't tell them what it was; she pretended that she didn't
know, that the doctors weren't sure; she covered it up from them as if it
had been a secret shame. And they pretended that they didn't know. But
they knew.

They were talking now about an operation. There was one chance for her in
a hundred if they had Sir James Pargeter: one chance. She might die of it;
she might die under the anaesthetic; she might die of shock; she was so old
and weak. Still, there was that one chance, if only she would take it.

But her mother wouldn't listen. "My dear, it would cost a hundred pounds."

"How do you know what it would cost?"

"Oh," she said, "I know." She was smiling above the sheet that was tucked
close up, tight under her chin, shutting it all down.

Sir James Pargeter would cost a hundred pounds. Harriett couldn't lay her
hands on the money or on half of it or a quarter. "That doesn't matter if
they think it'll save you."

"They _think;_ they think. But I _know._ I know better than all
the doctors."

"But Mamma, darling----"

She urged the operation. Just because it would be so difficult to raise
the hundred pounds she urged it. She wanted to feel that she had done
everything that could be done, that she had let nothing stand in the way,
that she had shrunk from no sacrifice. One chance in a hundred. What was a
hundred pounds weighed against that one chance? If it had been one in a
thousand she would have said the same.

"It would be no good, Hatty. I know it wouldn't. They just love to try
experiments, those doctors. They're dying to get their knives into me.
Don't _let_ them."

Gradually, day by day, Harriett weakened. Her mother's frightened voice
tore at her, broke her down. Supposing she really died under the
operation? Supposing---- It was cruel to excite and upset her just for
that; it made the pain worse.

Either the operation or the pain, going on and on, stabbing with sharper
and sharper knives; cutting in deeper; all their care, the antiseptics,
the restoratives, dragging it out, giving it more time to torture her.

When the three friends came, Harriett said, "I shall be glad and thankful
when it's all over. I couldn't want to keep her with me, just for this."

Yet she did want it. She was thankful every morning that she came to her
mother's bed and found her alive, lying there, looking at her with her
wonderful smile. She was glad because she still had her.

And now they were giving her morphia. Under the torpor of the drug her
face changed; the muscles loosened, the flesh sagged, the widened, swollen
mouth hung open; only the broad beautiful forehead, the beautiful calm
eyebrows were the same; the face, sallow white, half imbecile, was a mask
flung aside. She couldn't bear to look at it; it wasn't her mother's face;
her mother had died already under the morphia. She had a shock every time
she came in and found it still there.

On the day her mother died she told herself she was glad and thankful. She
met her friends with a little quiet, composed face, saying, "I'm glad and
thankful she's at peace." But she wasn't thankful; she wasn't glad. She
wanted her back again. And she reproached herself, one minute for having
been glad, and the next for wanting her.

She consoled herself by thinking of the sacrifices she had made, how she
had given up Sidmouth, and how willingly she would have paid the hundred
pounds.


"I sometimes think, Hatty," said Mrs. Hancock, melancholy and condoling,
"that it would have been very different if your poor mother could have had
her wish."

"What--what wish?"

"Her wish to live in Sidmouth, near your Aunt Harriett."

And Sarah Barmby, sympathizing heavily, stopping short and brooding,
trying to think of something to say: "If the operation had only been done
three years ago when they _knew_ it would save her----"

"Three years ago? But we didn't know anything about it then."

"_She_ did.... Don't you remember? It was when I stayed with her....
Oh, Hatty, didn't she tell you?"

"She never said a word."

"Oh, well, she wouldn't hear of it, even then when they didn't give her
two years to live."

Three years? She had had it three years ago. She had known about it all
that time. Three years ago the operation would have saved her; she would
have been here now. Why had she refused it when she knew it would save
her?

She had been thinking of the hundred pounds.

To have known about it three years and said nothing--to have gone
believing she hadn't two years to live----

_That_ was her secret. That was why she had been so calm when Papa
died. She had known she would have him again so soon. Not two years----

"If I'd been them," Lizzie was saying, "I'd have bitten my tongue out
before I told you. It's no use worrying, Hatty. You did everything that
could be done."

"I know. I know."

She held up her face against them; but to herself she said that everything
had not been done. Her mother had never had her wish. And she had died in
agony, so that she, Harriett, might keep her hundred pounds.



IX


In all her previsions of the event she had seen herself surviving as the
same Harriett Frean with the addition of an overwhelming grief. She was
horrified at this image of herself persisting beside her mother's place
empty in space and time.

But she was not there. Through her absorption in her mother, some large,
essential part of herself had gone. It had not been so when her father
died; what he had absorbed was given back to her, transferred to her
mother. All her memories of her mother were joined to the memory of this
now irrecoverable self.

She tried to reinstate herself through grief; she sheltered behind her
bereavement, affecting a more profound seclusion, abhorring strangers; she
was more than ever the reserved, fastidious daughter of Hilton Frean. She
had always thought of herself as different from Connie and Sarah, living
with a superior, intellectual life. She turned to the books she had read
with her mother, Dante, Browning, Carlyle, and Ruskin, the biographies of
Great Men, trying to retrace the footsteps of her lost self, to revive the
forgotten thrill. But it was no use. One day she found herself reading the
Dedication of _The Ring and the Book_ over and over again, without
taking in its meaning, without any remembrance of its poignant secret.
"'And all a wonder and a wild desire'--Mamma loved that." She thought she
loved it too; but what she loved was the dark-green book she had seen in
her mother's long, white hands, and the sound of her mother's voice
reading. She had followed her mother's mind with strained attention and
anxiety, smiling when she smiled, but with no delight and no admiration of
her own.

If only she could have remembered. It was only through memory that she
could reinstate herself.

She had a horror of the empty house. Her friends advised her to leave it,
but she had a horror of removal, of change. She loved the rooms that had
held her mother, the chair she had sat on, the white, fluted cup she had
drunk from in her illness. She clung to the image of her mother; and
always beside it, shadowy and pathetic, she discerned the image of her
lost self.

When the horror of emptiness came over her, she dressed herself in her
black, with delicate care and precision, and visited her friends. Even in
moments of no intention she would find herself knocking at Lizzie's door
or Sarah's or Connie Pennefather's. If they were not in she would call
again and again, till she found them. She would sit for hours, talking,
spinning out the time.

She began to look forward to these visits.

Wonderful. The sweet peas she had planted had come up.

Hitherto Harriett had looked on the house and garden as parts of the space
that contained her without belonging to her. She had had no sense of
possession. This morning she was arrested by the thought that the plot she
had planted was hers. The house and garden were hers. She began to take an
interest in them. She found that by a system of punctual movements she
could give to her existence the reasonable appearance of an aim.

Next spring, a year after her mother's death, she felt the vague stirring
of her individual soul. She was free to choose her own vicar; she left her
mother's Dr. Braithwaite, who was broad and twice married, and went to
Canon Wrench, who was unmarried and high. There was something stimulating
in the short, happy service, the rich music, the incense, and the
processions. She made new covers for the drawing-room, in cretonne, a gay
pattern of pomegranate and blue-green leaves. And as she had always had
the cutlets broiled plain because her mother liked them that way, now she
had them breaded.

And Mrs. Hancock wanted to know _why_ Harriett had forsaken her dear
mother's church; and when Connie Pennefather saw the covers she told
Harriett she was lucky to be able to afford new cretonne. It was more than
_she_ could; she seemed to think Harriett had no business to afford
it. As for the breaded cutlets, Hannah opened her eyes and said, "That was
how the mistress always had them, ma'am, when you was away."

One day she took the blue egg out of the drawing-room and stuck it on the
chimney-piece in the spare room. When she remembered how she used to love
it she felt that she had done something cruel and iniquitous, but
necessary to the soul.


She was taking out novels from the circulating library now. Not, she
explained, for her serious reading. Her serious reading, her Dante, her
Browning, her Great Man, lay always on the table ready to her hand (beside
a copy of _The Social Order_ and the _Remains_ of Hilton Frean)
while secretly and half-ashamed she played with some frivolous tale. She
was satisfied with anything that ended happily and had nothing in it that
was unpleasant, or difficult, demanding thought. She exalted her
preferences into high canons. A novel _ought_ to conform to her
requirements. A novelist (she thought of him with some asperity) had no
right to be obscure, or depressing, or to add needless unpleasantness to
the unpleasantness that had to be. The Great Men didn't _do_ it.

She spoke of George Eliot and Dickens and Mr. Thackeray.

Lizzie Pierce had a provoking way of smiling at Harriett, as if she found
her ridiculous. And Harriett had no patience with Lizzie's affectation in
wanting to be modern, her vanity in trying to be young, her middle-aged
raptures over the work--often unpleasant--of writers too young to be worth
serious consideration. They had long arguments in which Harriett, beaten,
retired behind _The Social Order_ and the _Remains_.

"It's silly," Lizzie said, "not to be able to look at a new thing because
it's new. That's the way you grow old."

"It's sillier," Harriett said, "to be always running after new things
because you think that's the way to look young. I've no wish to appear
younger than I am."

"I've no wish to appear suffering from senile decay."

"There _is_ a standard." Harriett lifted her obstinate and arrogant
chin. "You forget that I'm Hilton Frean's daughter."

"I'm William Pierce's, but that hasn't prevented my being myself."

Lizzie's mind had grown keener in her sharp middle age. As it played about
her, Harriett cowered; it was like being exposed, naked, to a cutting
wind. Her mind ran back to her father and mother, longing, like a child,
for their shelter and support, for the blessed assurance of herself.

At her worst she could still think with pleasure of the beauty of the act
which had given Robin to Priscilla.



X


"My dear Harriett: Thank you for your kind letter of sympathy. Although we
had expected the end for many weeks poor Prissie's death came to us as a
great shock. But for her it was a blessed release, and we can only be
thankful. You who knew her will realize the depth and extent of my
bereavement. I have lost the dearest and most loving wife man ever
had...."


Poor little Prissie. She couldn't bear to think she would never see her
again.


Six months later Robin wrote again, from Sidmouth.


"Dear Harriett: Priscilla left you this locket in her will as a
remembrance. I would have sent it before but that I couldn't bear to part
with her things all at once.

"I take this opportunity of telling you that I am going to be married
again----"

Her heart heaved and closed. She could never have believed she could have
felt such a pang.

"The lady is Miss Beatrice Walker, the devoted nurse who was with my dear
wife all through her last illness. This step may seem strange and
precipitate, coming so soon after her death; but I am urged to do it by
the precarious state of my own health and by the knowledge that we are
fulfilling poor Prissie's dying wish...."

Poor Prissie's dying wish. After what she had done for Prissie, if she
_had_ a dying wish--But neither of them had thought of her. Robin had
forgotten her.... Forgotten.... Forgotten.

But no. Priscilla had remembered. She had left her the locket with his
hair in it. She had remembered and she had been afraid; jealous of her.
She couldn't bear to think that Robin might marry her, even after she was
dead. She had made him marry this Walker woman so that he shouldn't----

Oh, but he wouldn't. Not after twenty years.

"I didn't really think he would."

She was forty-five, her face was lined and pitted and her hair was dust
color, streaked with gray: and she could only think of Robin as she had
last seen him, young: a young face; a young body; young, shining eyes. He
would want to marry a young woman. He had been in love with this Walker
woman, and Prissie had known it. She could see Prissie lying in her bed,
helpless, looking at them over the edge of the white sheet. She had known
that as soon as she was dead, before the sods closed over her grave, they
would marry. Nothing could stop them. And she had tried to make herself
believe it was her wish, her doing, not theirs. Poor little Prissie.

She understood that Robin had been staying in Sidmouth for his health.

A year later, Harriett, run down, was ordered to the seaside. She went to
Sidmouth. She told herself that she wanted to see the place where she had
been so happy with her mother, where poor Aunt Harriett had died.

Looking through the local paper she found in the list of residents:
Sidcote--Mr. and Mrs. Robert Lethbridge and Miss Walker. She wrote to
Robin and asked if she might call on his wife.

A mile of hot road through the town and inland brought her to a door in a
lane and a thatched cottage with a little lawn behind it. From the
doorstep she could see two figures, a man and a woman, lying back in
garden chairs. Inside the house she heard the persistent, energetic sound
of hammering. The woman got up and came to her. She was young, pink-faced
and golden-haired, and she said she was Miss Walker, Mrs. Lethbridge's
sister.

A tall, lean, gray man rose from the garden chair, slowly, dragging
himself with an invalid air. His eyes stared, groping, blurred films that
trembled between the pouch and droop of the lids; long cheeks, deep
grooved, dropped to the infirm mouth that sagged under the limp mustache.
That was Robin.

He became agitated when he saw her. "Poor Robin," she thought. "All these
years, and it's too much for him, seeing me." Presently he dragged himself
from the lawn to the house and disappeared through the French window where
the hammering came from.

"Have I frightened him away?" she said.

"Oh, no, he's always like that when he sees strange faces."

"My face isn't exactly strange."

"Well, he must have thought it was."

A sudden chill crept through her.

"He'll be all right when he gets used to you," Miss Walker said.

The strange face of Miss Walker chilled her. A strange young woman, living
close to Robin, protecting him, explaining Robin's ways.

The sound of hammering ceased. Through the long, open window she saw a
woman rise up from the floor and shed a white apron. She came down the
lawn to them, with raised arms, patting disordered hair; large, a full,
firm figure clipped in blue linen. A full-blown face, bluish pink; thick
gray eyes slightly protruding; a thick mouth, solid and firm and kind.
That was Robin's wife. Her sister was slighter, fresher, a good ten years
younger, Harriett thought.

"Excuse me, we're only just settling in. I was nailing down the carpet in
Robin's study."

Her lips were so thick that they moved stiffly when she spoke or smiled.
She panted a little as if from extreme exertion.

When they were all seated Mrs. Lethbridge addressed her sister. "Robin was
quite right. It looks _much_ better turned the other way."

"Do you mean to say he made you take it all up and put it down again?
Well----"

"What's the use?... Miss Frean, you don't know what it is to have a
husband who _will_ have things just so."

"She had to mow the lawn this morning because Robin can't bear to see one
blade of grass higher than another."

"Is he as particular as all that?"

"I assure you, Miss Frean, he is," Miss Walker informed her.

"He wasn't when I knew him," Harriett said.

"Ah--my sister spoils him."

Mrs. Lethbridge wondered why he hadn't come out again.

"I think," Harriett said, "perhaps he'll come if I go."

"Oh, you mustn't go. It's good for him to see people. Takes him out of
himself."

"He'll turn up all right," Miss Walker said, "when he hears the teacups."

And at four o'clock when the teacups came, Robin turned up, dragging
himself slowly from the house to the lawn. He blinked and quivered with
agitation; Harriett saw he was annoyed, not with her, and not with Miss
Walker, but with his wife.

"Beatrice, what have you done with my new bottle of medicine?"

"Nothing, dear."

"You've done nothing, when you know you poured out my last dose at
twelve?"

"Why, hasn't it come?"

"No. It hasn't."

"But Cissy ordered it this morning."

"I didn't," Cissy said. "I forgot."

"Oh, Cissy----"

"You needn't blame Cissy. You ought to have seen to it yourself.... She
was a good nurse, Harriett, before she was my wife."

"My dear, your nurse had nothing else to do. Your wife has to clean and
mend for you, and cook your dinner and mow the lawn and nail the carpets
down." While she said it she looked at Robin as if she adored him.

All through tea time he talked about his health and about the sanitary
dustbin they hadn't got. Something had happened to him. It wasn't like him
to be wrapped up in himself and to talk about dustbins. He spoke to his
wife as if she had been his valet. He didn't see that she was perspiring,
worn out by her struggle with the carpet.

"Just go and fetch me another cushion, Beatrice."

She rose with tired patience.

"You might let her have her tea in peace," Miss Walker said, but she was
gone before they could stop her.

When Harriett left she went with her to the garden gate, panting as she
walked. Harriett noticed pale, blurred lines on the edges of her lips. She
thought: She isn't a bit strong. She praised the garden.

Mrs. Lethbridge smiled. "Robin loves it.... But you should have seen it at
five o'clock this morning."

"Five o'clock?"

"Yes. I always get up at five to make Robin a cup of tea."


Harriett's last evening. She was dining at Sidcote. On her way there she
had overtaken Robin's wife wheeling Robin in a bath chair. Beatrice had
panted and perspired and had made mute signs to Harriett not to take any
notice. She had had to go and lie down till Robin sent for her to find his
cigarette case. Now she was in the kitchen cooking Robin's part of the
dinner while he lay down in his study. Harriett talked to Miss Walker in
the garden.

"It's been very kind of you to have us so much."

"Oh, but we've loved having you. It's so good for Beatie. Gives her a rest
from Robin.... I don't mean that she wants a rest. But, you see, she's not
well. She looks a big, strong, bouncing thing, but she isn't. Her heart's
weak. She oughtn't to be doing what she does."

"Doesn't Robin see it?"

"He doesn't see anything. He never knows when she's tired or got a
headache. She'll drop dead before he'll see it. He's utterly selfish, Miss
Frean. Wrapt up in himself and his horrid little ailments. Whatever
happens to Beatie he must have his sweetbread, and his soup at eleven and
his tea at five in the morning..

"... I suppose you think I might help more?"

"Well----" Harriett did think it.

"Well, I just won't. I won't encourage Robin. He ought to get her a proper
servant and a man for the garden and the bath chair. I wish you'd give him
a hint. Tell him she isn't strong. I can't. She'd snap my head off. Would
you mind?"

Harriett didn't mind. She didn't mind what she said. She wouldn't be
saying it to Robin, but to the contemptible thing that had taken Robin's
place. She still saw Robin as a young man, with young, shining eyes, who
came rushing to give himself up at once, to make himself known. She had no
affection for this selfish invalid, this weak, peevish bully.

Poor Beatrice. She was sorry for Beatrice. She resented his behavior to
Beatrice. She told herself she wouldn't be Beatrice, she wouldn't be
Robin's wife for the world. Her pity for Beatrice gave her a secret
pleasure and satisfaction.

After dinner she sat out in the garden talking to Robin's wife, while
Cissy Walker played draughts with Robin in his study, giving Beatrice a
rest from him. They talked about Robin.

"You knew him when he was young, didn't you? What was he like?"

She didn't want to tell her. She wanted to keep the young, shining Robin
to herself. She also wanted to show that she had known him, that she had
known a Robin that Beatrice would never know. Therefore she told her.

"My poor Robin." Beatrice gazed wistfully, trying to see this Robin that
Priscilla had taken from her, that Harriett had known. Then she turned her
back.

"It doesn't matter. I've married the man I wanted." She let herself go.
"Cissy says I've spoiled him. That isn't true. It was his first wife who
spoiled him. She made a nervous wreck of him."

"He was devoted to her."

"Yes. And he's paying for his devotion now. She wore him out.... Cissy
says he's selfish. If he is, it's because he's used up all his
unselfishness. He was living on his moral capital.... I feel as if I
couldn't do too much for him after what he did. Cissy doesn't know how
awful his life was with Priscilla. She was the most exacting----"

"She was my friend."

"Wasn't Robin your friend, too?"

"Yes. But poor Prissie, she was paralyzed."

"It wasn't paralysis."

"What was it then?"

"Pure hysteria. Robin wasn't in love with her, and she knew it. She
developed that illness so that she might have a hold on him, get his
attention fastened on her somehow. I don't say she could help it. She
couldn't. But that's what it was."

"Well, she died of it."

"No. She died of pneumonia after influenza. I'm not blaming Prissie. She
was pitiable. But he ought never to have married her."

"I don't think you ought to say that."

"You know what he was," said Robin's wife. "And look at him now."

But Harriett's mind refused, obstinately, to connect the two Robins and
Priscilla.

She remembered that she had to speak to Robin. They went together into his
study. Cissy sent her a look, a signal, and rose; she stood by the
doorway.

"Beatie, you might come here a minute."

Harriett was alone with Robin.

"Well, Harriett, we haven't been able to do much for you. In my beastly
state----"

"You'll get better."

"Never. I'm done for, Harriett. I don't complain."

"You've got a devoted wife, Robin."

"Yes. Poor girl, she does what she can."

"She does too much."

"My dear woman, she wouldn't be happy if she didn't."

"It isn't good for her. Does it never strike you that she's not strong?"

"Not strong? She's--she's almost indecently robust. What wouldn't I give
to have her strength!"

She looked at him, at the lean figure sunk in the armchair, at the
dragged, infirm face, the blurred, owlish eyes, the expression of abject
self-pity, of self-absorption.  That was Robin.

The awful thing was that she couldn't love him, couldn't go on being
faithful. This injured her self-esteem.



XI


Her old servant, Hannah, had gone, and her new servant, Maggie, had had a
baby.

After the first shock and three months' loss of Maggie, it occurred to
Harriett that the beautiful thing would be to take Maggie back and let her
have the baby with her, since she couldn't leave it.

The baby lay in his cradle in the kitchen, black-eyed and rosy, doubling
up his fat, naked knees, smiling his crooked smile, and saying things to
himself. Harriett had to see him every time she came into the kitchen.
Sometimes she heard him cry, an intolerable cry, tearing the nerves and
heart. And sometimes she saw Maggie unbutton her black gown in a hurry and
put out her white, rose-pointed breast to still his cry.

Harriett couldn't bear it. She could not bear it.

She decided that Maggie must go. Maggie was not doing her work properly.
Harriett found flue under the bed.

"I'm sure," Maggie said, "I'm doing no worse than I did, ma'am, and you
usedn't to complain."

"No worse isn't good enough, Maggie. I think you might have tried to
please me. It isn't every one who would have taken you in the
circumstances."

"If you think that, ma'am, it's very cruel and unkind of you to send me
away."

"You've only yourself to thank. There's no more to be said."

"No, ma'am. I understand why I'm leaving. It's because of Baby. You don't
want to 'ave 'im, and I think you might have said so before."

That day month Maggie packed her brown-painted wooden box and the cradle
and the perambulator. The greengrocer took them away on a handcart.
Through the drawing-room window Harriett saw Maggie going away, carrying
the baby, pink and round in his white-knitted cap, his fat hips bulging
over her arm under his white shawl. The gate fell to behind them. The
click struck at Harriett's heart.

Three months later Maggie turned up again in a black hat and gown for
best, red-eyed and humble.

"I came to see, ma'am, whether you'd take me back, as I 'aven't got Baby
now."

"You haven't got him?"

"'E died, ma'am, last month. I'd put him with a woman in the country. She
was highly recommended to me. Very highly recommended she was, and I paid
her six shillings a week. But I think she must 'ave done something she
shouldn't."

"Oh, Maggie, you don't mean she was cruel to him?"

"No, ma'am. She was very fond of him. Everybody was fond of Baby. But
whether it was the food she gave him or what, 'e was that wasted you
wouldn't have known him. You remember what he was like when he was here."

"I remember."

She remembered. She remembered. Fat and round in his white shawl and
knitted cap when Maggie carried him down the garden path.

"I should think she'd a done something, shouldn't you, ma'am?"

She thought: No. No. It was I who did it when I sent him away.

"I don't know, Maggie. I'm afraid it's been very terrible for you."

"Yes, ma'am.... I wondered whether you'd give me another trial, ma'am."

"Are you quite sure you want to come to me, Maggie?"

"Yes'm.... I'm sure you'd a kept him if you could have borne to see him
about."

"You know, Maggie, that was _not_ the reason why you left. If I take
you back you must try not to be careless and forgetful."

"I shan't 'ave nothing to make me. Before, it was first Baby's father and
then 'im."

She could see that Maggie didn't hold her responsible. After all, why
should she? If Maggie had made bad arrangements for her baby, Maggie was
responsible.

She went round to Lizzie and Sarah to see what they thought. Sarah
thought: Well--it was rather a difficult question, and Harriett resented
her hesitation.

"Not at all. It rested with Maggie to go or stay. If she was incompetent I
wasn't bound to keep her just because she'd had a baby. At that rate I
should have been completely in her power."

Lizzie said she thought Maggie's baby would have died in any case, and
they both hoped that Harriett wasn't going to be morbid about it.

Harriett felt sustained. She wasn't going to be morbid. All the same, the
episode left her with a feeling of insecurity.



XII


The young girl, Robin's niece, had come again, bright-eyed, eager, and
hungry, grateful for Sunday supper.

Harriett was getting used to these appearances, spread over three years,
since Robin's wife had asked her to be kind to Mona Floyd. Mona had come
this time to tell her of her engagement to Geoffrey Carter. The news
shocked Harriett intensely.

"But, my dear, you told me he was going to marry your little friend, Amy--
Amy Lambert. What does Amy say to it?"

"What _can_ she say? I know it's a bit rough on her----"

"You know, and yet you'll take your happiness at the poor child's
expense."

"We've got to. We can't do anything else."

"Oh, my dear----" If she could stop it.... An inspiration came. "I knew a
girl once who might have done what you're doing, only she wouldn't. She
gave the man up rather than hurt her friend. She _couldn't do anything
else_."

"How much was he in love with her?"

"I don't know _how much_. He was never in love with any other woman."

"Then she was a fool. A silly fool. Didn't she think of _him?_"

"Didn't she think!"

"No. She didn't. She thought of herself. Of her own moral beauty. She was
a selfish fool."

"She asked the best and wisest man she knew, and he told her she couldn't
do anything else."

"The best and wisest man--oh, Lord!"

"That was my own father, Mona, Hilton Frean."

"Then it was you. You and Uncle Robin and Aunt Prissie."

Harriett's face smiled its straight, thin-lipped smile, the worn, grooved
chin arrogantly lifted.

"How could you?"

"I could because I was brought up not to think of myself before other
people."

"Then it wasn't even your own idea. You sacrificed him to somebody else's.
You made three people miserable just for that. Four, if you count Aunt
Beatie."

"There was Prissie. I did it for her."

"What did you do for her? You insulted Aunt Prissie."

"Insulted her? My dear Mona!"

"It was an insult, handing her over to a man who couldn't love her even
with his body. Aunt Prissie was the miserablest of the lot. Do you suppose
he didn't take it out of her?"

"He never let her know."

"Oh, didn't he! She knew all right. That's how she got her illness. And
it's how he got his. And he'll kill Aunt Beatie. He's taking it out of
_her_ now. Look at the awful suffering. And you can go on
sentimentalizing about it."

The young girl rose, flinging her scarf over her shoulders with a violent
gesture.

"There's no common sense in it."

"No _common_ sense, perhaps."

"It's a jolly sight better than sentiment when it comes to marrying."

They kissed. Mona turned at the doorway.

"I say--did he go on caring for you?"

"Sometimes I think he did. Sometimes I think he hated me."

"Of course he hated you, after what you'd let him in for." She paused.
"You don't _mind_ my telling you the truth, do you?"

... Harriett sat a long time, her hands folded on her lap, her eyes
staring into the room, trying to see the truth. She saw the girl, Robin's
niece, in her young indignation, her tender brilliance suddenly hard,
suddenly cruel, flashing out the truth. Was it true that she had
sacrificed Robin and Priscilla and Beatrice to her parents' idea of moral
beauty? Was it true that this idea had been all wrong? That she might have
married Robin and been happy and been right?

"I don't care. If it was to be done again to-morrow I'd do it."

But the beauty of that unique act no longer appeared to her as it once
was, uplifting, consoling, incorruptible.


The years passed. They went with an incredible rapidity, and Harriett was
now fifty.

The feeling of insecurity had grown on her. It had something to do with
Mona, with Maggie and Maggie's baby. She had no clear illumination, only a
mournful acquiescence in her own futility, an almost physical sense of
shrinkage, the crumbling away, bit by bit, of her beautiful and honorable
self, dying with the objects of its three profound affections: her father,
her mother, Robin. Gradually the image of the middle-aged Robin had
effaced his youth.

She read more and more novels from the circulating libraries, of a kind
demanding less and less effort of attention. And always her inability to
concentrate appeared to her as a just demand for clarity: "The man has no
_business_ to write so that I can't understand him."

She laid in a weekly stock of opinions from _The Spectator_, and by
this means contrived a semblance of intellectual life.

She was appeased more and more by the rhythm of the seasons, of the weeks,
of day and night, by the first coming up of the pink and wine-brown velvet
primulas, by the pungent, burnt smell of her morning coffee, the smell of
a midday stew, of hot cakes baking for tea time; by the lighting of the
lamp, the lighting of autumn fires, the round of her visits. She waited
with a strained, expectant desire for the moment when it would be time to
see Lizzie or Sarah or Connie Pennefather again.

Seeing them was a habit she couldn't get over. But it no longer gave her
keen pleasure. She told herself that her three friends were deteriorating
in their middle age. Lizzie's sharp face darted malice; her tongue was
whipcord; she knew where to flick; the small gleam of her eyes, the snap
of her nutcracker jaws irritated Harriett. Sarah was slow; slow. She took
no care of her face and figure. As Lizzie put it, Sarah's appearance was
an outrage on her contemporaries. "She makes us feel so old."

And Connie--the very rucking of Connie's coat about her broad hips
irritated Harriett. She had a way of staring over her fat cheeks at
Harriett's old suits, mistaking them for new ones, and saying the same
exasperating thing. "You're lucky to be able to afford it. _I_
can't."

Harriett's irritation mounted up and up.

And one day she quarreled with Connie.

Connie had been telling one of her stories; leaning a little sideways, her
skirt stretched tight between her fat, parted knees, the broad roll of her
smile sliding greasily. She had "grown out of it" in her young womanhood,
and now in her middle age she had come back to it again. She was just like
her father.

"Connie, how can you be so coarse?"

"I beg pardon. I forgot you were always better than everybody else."

"I'm not better than everybody else. I've only been brought up better than
some people. My father would have died rather than have told a story like
that."

"I suppose that's a dig at my parents."

"I never said anything about your parents."

"I know the things you think about my father."

"Well--I daresay he thinks things about me."

"He thinks you were always an incurable old maid, my dear."

"Did he think my father was an old maid?"

"I never heard him say one unkind word about your father."

"I should hope not, indeed."

"Unkind things were said. Not by him. Though he might have been
forgiven----"

"I don't know what you mean. But all my father's creditors were paid in
full. You know that."

"I didn't know it."

"You know it now. Was your father one of them?"

"No. It was as bad for him as if he had been, though."

"How do you make that out?"

"Well, my dear, if he hadn't taken your father's advice he might have been
a rich man now instead of a poor one.... He invested all his money as he
told him."

"In my father's things?"

"In things he was interested in. And he lost it."

"It shows how he must have trusted him."

"He wasn't the only one who was ruined by his trust."

Harriett blinked. Her mind swerved from the blow. "I think you must be
mistaken," she said.

"I'm less likely to be mistaken than you, my dear, though he _was_
your father."

Harriett sat up, straight and stiff. "Well, _your_ father's alive,
and _he's_ dead."

"I don't see what that has to do with it."

"Don't you? If it had happened the other way about, your father wouldn't
have died."

Connie stared stupidly at Harriett, not taking it in. Presently she got up
and left her. She moved clumsily, her broad hips shaking.

Harriett put on her hat and went round to Lizzie and Sarah in turn. They
would know whether it were true or not. They would know whether Mr.
Hancock had been ruined by his own fault or Papa's.

Sarah was sorry. She picked up a fold of her skirt and crumpled it in her
fingers, and said over and over again, "She oughtn't to have told you."
But she didn't say it wasn't true. Neither did Lizzie, though her tongue
was a whip for Connie.

"Because you can't stand her dirty stories she goes and tells you this. It
shows what Connie is."

It showed her father as he was, too. Not wise. Not wise all the time.
Courageous, always, loving danger, intolerant of security, wild under all
his quietness and gentleness, taking madder and madder risks, playing his
game with an awful, cool recklessness. Then letting other people in;
ruining Mr. Hancock, the little man he used to laugh at. And it had killed
him. He hadn't been sorry for Mamma, because he knew she was glad the mad
game was over; but he had thought and thought about him, the little dirty
man, until he had died of thinking.



XIII


New people had come to the house next door. Harriett saw a pretty girl
going in and out. She had not called; she was not going to call. Their cat
came over the garden wall and bit off the blades of the irises. When he
sat down on the mignonette Harriett sent a note round by Maggie: "Miss
Frean presents her compliments to the lady next door and would be glad if
she would restrain her cat."

Five minutes later the pretty girl appeared with the cat in her arms.

"I've brought Mimi," she said. "I want you to see what a darling he is."

Mimi, a Persian, all orange on the top and snow white underneath, climbed
her breast to hang flattened out against her shoulder, long, the great
plume of his tail fanning her. She swung round to show the innocence of
his amber eyes and the pink arch of his mouth supporting his pink nose.

"I want you to see my mignonette," said Harriett. They stood together by
the crushed ring where Mimi had made his bed.

The pretty girl said she was sorry. "But, you see, we _can't_
restrain him. I don't know what's to be done.... Unless you kept a cat
yourself; then you won't mind."

"But," Harriett said, "I don't like cats."

"Oh, why not?"

Harriett knew why. A cat was a compromise, a substitute, a subterfuge. Her
pride couldn't stoop. She was afraid of Mimi, of his enchanting play, and
the soft white fur of his stomach. Maggie's baby. So she said, "Because
they destroy the beds. And they kill birds."

The pretty girl's chin burrowed in Mimi's neck. "You _won't_ throw
stones at him?" she said.

"No, I wouldn't _hurt_ him.... What did you say his name was?"

"Mimi."

Harriett softened. She remembered. "When I was a little girl I had a cat
called Mimi. White Angora. Very handsome. And your name is----"

"Brailsford. I'm Dorothy."

Next time, when Mimi jumped on the lupins and broke them down, Dorothy
came again and said she was sorry. And she stayed to tea. Harriett
revealed herself.

"My father was Hilton Frean." She had noticed for the last fifteen years
that people showed no interest when she told them that. They even stared
as though she had said something that had no sense in it. Dorothy said,
"How nice."

_"Nice?"_

"I mean it must have been nice to have him for your father.... You don't
mind my coming into your garden last thing to catch Mimi?"

Harriett felt a sudden yearning for Dorothy. She saw a pleasure, a
happiness, in her coming. She wasn't going to call, but she sent little
notes in to Dorothy asking her to come to tea.

Dorothy declined.

But every evening, towards bedtime, she came into the garden to catch
Mimi. Through the window Harriett could hear her calling: "Mimi! Mimi!"
She could see her in her white frock, moving about, hovering, ready to
pounce as Mimi dashed from the bushes. She thought: "She walks into my
garden as if it was her own. But she won't make a friend of me. She's
young, and I'm old."

She had a piece of wire netting put up along the wall to keep Mimi out.

"That's the end of it," she said. She could never think of the young girl
without a pang of sadness and resentment.


Fifty-five. Sixty.

In her sixty-second year Harriett had her first bad illness.

It was so like Sarah Barmby. Sarah got influenza and regarded it as a
common cold and gave it to Harriett who regarded it as a common cold and
got pleurisy.

When the pain was over she enjoyed her illness, the peace and rest of
lying there, supported by the bed, holding out her lean arms to be washed
by Maggie; closing her eyes in bliss while Maggie combed and brushed and
plaited her fine gray hair. She liked having the same food at the same
hours. She would look up, smiling weakly, when Maggie came at bedtime with
the little tray. "What have you brought me _now_, Maggie?"

"Benger's Food, ma'am."

She wanted it to be always Benger's Food at bedtime. She lived by habit,
by the punctual fulfillment of her expectation. She loved the doctor's
visits at twelve o'clock, his air of brooding absorption in her case, his
consultations with Maggie, the seriousness and sanctity he attached to the
humblest details of her existence.

Above all she loved the comfort and protection of Maggie, the sight of
Maggie's broad, tender face as it bent over her, the feeling of Maggie's
strong arms as they supported her, the hovering pressure of the firm,
broad body in the clean white apron and the cap. Her eyes rested on it
with affection; she found shelter in Maggie as she had found it in her
mother.

One day she said, "Why did you come to me, Maggie? Couldn't you have found
a better place?"

"There was many wanted me. But I came to you, ma'am, because you seemed to
sort of need me most. I dearly love looking after people. Old ladies and
children. And gentlemen, if they're ill enough," Maggie said.

"You're a good girl, Maggie."

She had forgotten. The image of Maggie's baby was dead, hidden, buried
deep down in her mind. She closed her eyes. Her head was thrown back,
motionless, ecstatic under Maggie's flickering fingers as they plaited her
thin wisps of hair.

Out of the peace of illness she entered on the misery and long labor of
convalescence. The first time Maggie left her to dress herself she wept.
She didn't want to get well. She could see nothing in recovery but the end
of privilege and prestige, the obligation to return to a task she was
tired of, a difficult and terrifying task.

By summer she was up and (tremulously) about again.



XIV


She was aware of her drowsy, supine dependence on Maggie. At first her
perishing self asserted itself in an increased reserve and arrogance. Thus
she protected herself from her own censure. She had still a feeling of
satisfaction in her exclusiveness, her power not to call on new people.

"I think," Lizzie Pierce said, "you might have called on the Brailsfords."

"Why should I? I should have nothing in common with such people."

"Well, considering that Mr. Brailsford writes in _The Spectator_----"

Harriett called. She put on her gray silk and her soft white mohair shawl,
and her wide black hat tied under her chin, and called. It was on a
Saturday. The Brailsfords' room was full of visitors, men and women,
talking excitedly. Dorothy was not there--Dorothy was married. Mimi was
not there--Mimi was dead.

Harriett made her way between the chairs, dim-eyed, upright, and stiff in
her white shawl. She apologized for having waited seven years before
calling.... "Never go anywhere.... Quite a recluse since my father's
death. He was Hilton Frean."

"Yes?" Mrs. Brailsford's eyes were sweetly interrogative.

"But as we are such near neighbors I felt that I must break my rule."

Mrs. Brailsford smiled in vague benevolence; yet as if she thought that
Miss Frean's feeling and her action were unnecessary. After seven years.
And presently Harriett found herself alone in her corner.

She tried to talk to Mr. Brailsford when he handed her the tea and bread
and butter. "My father," she said, "was connected with _The
Spectator_ for many years. He was Hilton Frean."

"Indeed? I'm afraid I--don't remember."

She could get nothing out of him, out of his lean, ironical face, his eyes
screwed up behind his glasses, benevolent, amused at her. She was nobody
in that roomful of keen, intellectual people; nobody; nothing but an
unnecessary little old lady who had come there uninvited.

Her second call was not returned. She heard that the Brailsfords were
exclusive; they wouldn't know anybody out of their own set. Harriett
explained her position thus: "No. I didn't keep it up. We have nothing in
common."

She was old--old. She had nothing in common with youth, nothing in common
with middle age, with intellectual, exclusive people connected with _The
Spectator_. She said, "_The Spectator_ is not what it used to be
in my father's time."


Harriett Frean was not what she used to be. She was aware of the creeping
fret, the poisons and obstructions of decay. It was as if she had parted
with her own light, elastic body, and succeeded to somebody else's that
was all bone, heavy, stiff, irresponsive to her will. Her brain felt
swollen and brittle, she had a feeling of tiredness in her face, of
infirmity about her mouth. Her looking-glass showed her the fallen yellow
skin, the furrowed lines of age.

Her head dropped, drowsy, giddy over the week's accounts. She gave up even
the semblance of her housekeeping, and became permanently dependent on
Maggie. She was happy in the surrender of her responsibility, of the
grown-up self she had maintained with so much effort, clinging to Maggie,
submitting to Maggie, as she had clung and submitted to her mother.

Her affection concentrated on two objects, the house and Maggie, Maggie
and the house. The house had become a part of herself, an extension of her
body, a protective shell. She was uneasy when away from it. The thought of
it drew her with passion: the low brown wall with the railing, the flagged
path from the little green gate to the front door. The square brown front;
the two oblong, white-framed windows, the dark-green trellis porch
between; the three windows above. And the clipped privet bush by the
trellis and the may tree by the gate.

She no longer enjoyed visiting her friends. She set out in peevish
resignation, leaving her house, and when she had sat half an hour with
Lizzie or Sarah or Connie she would begin to fidget, miserable till she
got back to it again; to the house and Maggie.

She was glad enough when Lizzie came to her; she still liked Lizzie best.
They would sit together, one on each side of the fireplace, talking.
Harriett's voice came thinly through her thin lips, precise yet plaintive,
Lizzie's finished with a snap of the bent-in jaws.

"Do you remember those little round hats we used to wear? You had one
exactly like mine. Connie couldn't wear them."

"We were wild young things," said Lizzie.  "I was wilder than you.... A
little audacious thing."

"And look at us now--we couldn't say 'Bo' to a goose.... Well, we may be
thankful we haven't gone stout like Connie Pennefather."

"Or poor Sarah. That stoop."

They drew themselves up. Their straight, slender shoulders rebuked
Connie's obesity, and Sarah's bent back, her bodice stretched hump-wise
from the stuck-out ridges of her stays.

Harriett was glad when Lizzie went and left her to Maggie and the house.
She always hoped she wouldn't stay for tea, so that Maggie might not have
an extra cup and plate to wash.

The years passed: the sixty-third, sixty-fourth, sixty-fifth; their
monotony mitigated by long spells of torpor and the sheer rapidity of
time. Her mind was carried on, empty, in empty, flying time. She had a
feeling of dryness and distension in all her being, and a sort of
crepitation in her brain, irritating her to yawning fits. After meals,
sitting in her armchair, her book would drop from her hands and her mind
would slip from drowsiness into stupor. There was something voluptuous
about the beginning of this state; she would give herself up to it with an
animal pleasure and content.

Sometimes, for long periods, her mind would go backwards, returning,
always returning, to the house in Black's Lane. She would see the row of
elms and the white wall at the end with the green balcony hung out like a
birdcage above the green door. She would see herself, a girl wearing a big
chignon and a little round hat; or sitting in the curly chair with her
feet on the white rug; and her father, slender and straight, smiling half-
amused, while her mother read aloud to them. Or she was a child in a black
silk apron going up Black's Lane. Little audacious thing. She had a
fondness and admiration for this child and her audacity. And always she
saw her mother, with her sweet face between the long, hanging curls,
coming down the garden path, in a wide silver-gray gown trimmed with
narrow bands of black velvet. And she would wake up, surprised to find
herself sitting in a strange room, dressed in a gown with strange sleeves
that ended in old wrinkled hands; for the book that lay in her lap was
Longfellow, open at _Evangeline_.

One day she made Maggie pull off the old, washed-out cretonne covers,
exposing the faded blue rep. She was back in the drawing-room of her
youth. Only one thing was missing. She went upstairs and took the blue egg
out of the spare room and set it in its place on the marble-topped table.
She sat gazing at it a long time in happy, child-like satisfaction. The
blue egg gave reality to her return.

When she saw Maggie coming in with the tea and buttered scones she thought
of her mother.


Three more years. Harriett was sixty-eight. She had a faint recollection
of having given Maggie notice, long ago, there, in the dining room. Maggie
had stood on the hearthrug, in her large white apron, crying. She was
crying now.

She said she must leave and go and take care of her mother. "Mother's
getting very feeble now."

"I'm getting very feeble, too, Maggie. It's cruel and unkind of you to
leave me."

"I'm sorry, ma'am. I can't help it."

She moved about the room, sniffing and sobbing as she dusted. Harriett
couldn't bear it any more. "If you can't control yourself," she said, "go
into the kitchen." Maggie went.

Harriett sat before the fire in her chair, straight and stiff, making no
sound. Now and then her eyelids shook, fluttered red rims; slow, scanty
tears oozed and fell, their trail glistening in the long furrows of her
cheeks.



XV


The door of the specialist's house had shut behind them with a soft,
respectful click.

Lizzie Pierce and Harriett sat in the taxicab, holding each other's hands.
Harriett spoke.

"He says I've got what Mamma had."

Lizzie blinked away her tears; her hand loosened and tightened on
Harriett's with a nervous clutch.

Harriett felt nothing but a strange, solemn excitement and exaltation. She
was raised to her mother's eminence in pain. With every stab she would
live again in her mother. She had what her mother had.

Only she would have an operation. This different thing was what she
dreaded, the thing her mother hadn't had, and the going away into the
hospital, to live exposed in the free ward among other people. That was
what she minded most. That and leaving her house, and Maggie's leaving.

She cried when she saw Maggie standing at the gate in her white apron as
the taxicab took her away. She thought, "When I come back again she won't
be there." Yet somehow she felt that it wouldn't happen; it was impossible
that she should come back and not find Maggie there.


She lay in her white bed in the white-curtained cubicle. Lizzie was paying
for the cubicle. Kind Lizzie. Kind. Kind.

She wasn't afraid of the operation. It would happen in the morning. Only
one thing worried her. Something Connie had told her. Under the anaesthetic
you said things. Shocking, indecent things. But there wasn't anything she
could say. She didn't know anything.... Yes. She did. There were Connie's
stories. And Black's Lane. Behind the dirty blue palings in Black's Lane.

The nurses comforted her. They said if you kept your mouth tight shut, up
to the last minute before the operation, if you didn't say one word you
were all right.

She thought about it after she woke in the morning. For a whole hour
before the operation she refused to speak, nodding and shaking her head,
communicating by gestures. She walked down the wide corridor of the ward
on her way to the theatre, very upright in her white flannel dressing
gown, with her chin held high and a look of exaltation on her face. There
were convalescents in the corridor. They saw her. The curtains before some
of the cubicles were parted; the patients saw her; they knew what she was
going to. Her exaltation mounted.

She came into the theatre. It was all white. White. White tiles. Rows of
little slender knives on a glass shelf, under glass, shining. A white sink
in the corner. A mixed smell of iodine and ether. The surgeon wore a white
coat. Harriett made her tight lips tighter.

She climbed on to the white enamel table, and lay down, drawing her
dressing gown straight about her knees. She had not said one word.

       *       *       *       *       *

She had behaved beautifully.


The pain in her body came up, wave after wave, burning. It swelled,
tightening, stretching out her wounded flesh.

She knew that the little man they called the doctor was really Mr.
Hancock. They oughtn't to have let him in. She cried out. "Take him away.
Don't let him touch me;" but nobody took any notice.

"It isn't right," she said. "He oughtn't to do it. Not to _any_
woman. If it was known he would be punished."

And there was Maggie by the curtain, crying.

"That's Maggie. She's crying because she thinks I killed her baby."

The ice bag laid across her body stirred like a live thing as the ice
melted, then it settled and was still. She put her hand down and felt the
smooth, cold oilskin distended with water.

"There's a dead baby in the bed. Red hair. They ought to have taken it
away," she said. "Maggie had a baby once. She took it up the lane to the
place where the man is; and they put it behind the palings. Dirty blue
palings.

"...Pussycat. Pussycat, what did you there? Pussy. Prissie. Prissiecat.
Poor Prissie. She never goes to bed. She can't get up out of the chair."

A figure in white, with a stiff white cap, stood by the bed. She named it,
fixed it in her mind. Nurse. Nurse--that was what it was. She spoke to it.
"It's sad--sad to go through so much pain and then to have a dead baby."


The white curtain walls of the cubicle contracted, closed in on her. She
was lying at the bottom of her white-curtained nursery cot. She felt weak
and diminished, small, like a very little child.

The front curtains parted, showing the blond light of the corridor beyond.
She saw the nursery door open and the light from the candle moved across
the ceiling. The gap was filled by the heavy form, the obscene yet
sorrowful face of Connie Pennefather.

Harriett looked at it. She smiled with a sudden ecstatic wonder and
recognition.

"Mamma----"






End of Project Gutenberg's Life and Death of Harriett Frean, by May Sinclair

*** END OF THE PROJECT GUTENBERG EBOOK LIFE AND DEATH OF HARRIETT FREAN ***

This file should be named 7fren10.txt or 7fren10.zip
Corrected EDITIONS of our eBooks get a new NUMBER, 7fren11.txt
VERSIONS based on separate sources get new LETTER, 7fren10a.txt

Produced by Suzanne Shell, Richard Prairie and PG Distributed Proofreaders

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*


Colophon

This file was acquired from Project Gutenberg, and it is in the public domain. It is re-distributed here as a part of the Alex Catalogue of Electronic Texts (http://infomotions.com/alex/) by Eric Lease Morgan (Infomotions, Inc.) for the purpose of freely sharing, distributing, and making available works of great literature. Its Infomotions unique identifier is etext9298, and it should be available from the following URL:

http://infomotions.com/etexts/id/etext9298



Infomotions, Inc.

Infomotions Man says, "Give back to the 'Net."