Infomotions, Inc.Watchers of the Sky / Noyes, Alfred, 1880-1958



Author: Noyes, Alfred, 1880-1958
Title: Watchers of the Sky
Publisher: Project Gutenberg
Tag(s): tycho; tycho brahe; brahe; stars
Contributor(s): Garnett, Constance, 1861-1946 [Translator]
Versions: original; local mirror; HTML (this file); printable
Services: find in a library; evaluate using concordance
Rights: GNU General Public License
Size: 34,127 words (really short) Grade range: 9-12 (high school) Readability score: 67 (easy)
Identifier: etext6574
Delicious Bookmark this on Delicious

Discover what books you consider "great". Take the Great Books Survey.

The Project Gutenberg EBook of Watchers of the Sky, by Alfred Noyes

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: Watchers of the Sky

Author: Alfred Noyes

Release Date: September, 2004 [EBook #6574]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on December 28, 2002]

Edition: 10

Language: English

Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK WATCHERS OF THE SKY ***




Produced by Beth L. Constantine, Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team.




THE TORCH-BEARERS


WATCHERS OF THE SKY



BY

ALFRED NOYES




PREFATORY NOTE

This volume, while it is complete in itself, is also the first of a
trilogy, the scope of which is suggested in the prologue. The story of
scientific discovery has its own epic unity--a unity of purpose and
endeavour--the single torch passing from hand to hand through the
centuries; and the great moments of science when, after long labour,
the pioneers saw their accumulated facts falling into a significant
order--sometimes in the form of a law that revolutionised the whole
world of thought--have an intense human interest, and belong
essentially to the creative imagination of poetry. It is with these
moments that my poem is chiefly concerned, not with any impossible
attempt to cover the whole field or to make a new poetic system, after
the Lucretian model, out of modern science.

The theme has been in my mind for a good many years; and the first
volume, dealing with the "Watchers of the Sky," began to take definite
shape during what was to me an unforgettable experience--the night I
was privileged to spend on a summit of the Sierra Madre Mountains,
when the first trial was made of the new 100-inch telescope. The
prologue to this volume attempts to give a picture of that night, and
to elucidate my own purpose.

The first tale in this volume plunges into the middle of things, with
the revolution brought about by Copernicus; but, within the tale,
partly by means of an incidental lyric, there is an attempt to give a
bird's-eye view of what had gone before. The torch then passes to
Tycho Brahe, who, driven into exile with his tables of the stars, at
the very point of death hands them over to a young man named Kepler.
Kepler, with their help, arrives at his own great laws, and
corresponds with Galileo--the intensely human drama of whose life I
have endeavoured to depict with more historical accuracy than can be
attributed to much of the poetic literature that has gathered around
his name. Too many writers have succumbed to the temptation of the
cry, "e pur si muove!" It is, of course, rejected by every reliable
historian, and was first attributed to Galileo a hundred years after
his death. M. Ponsard, in his play on the subject, succumbed to the
extent of making his final scene end with Galileo "frappant du pied la
terre," and crying, "pourtant elle tourne." Galileo's recantation was
a far more subtle and tragically complicated affair than that. Even
Landor succumbed to the easy method of making him display his entirely
legendary scars to Milton. If these familiar pictures are not to be
found in my poem, it may be well for me to assure the hasty reader
that it is because I have endeavoured to present a more just picture.
I have tried to suggest the complications of motive in this section by
a series of letters passing between the characters chiefly concerned.
There was, of course, a certain poetic significance in the legend of
"e pur si muove"; and this significance I have endeavoured to retain
without violating historical truth.

In the year of Galileo's death Newton was born, and the subsequent
sections carry the story on to the modern observatory again. The form
I have adopted is a development from that of an earlier book,
"_Tales of the Mermaid Tavern_" where certain poets and
discoverers of another kind were brought together round a central
idea, and their stories told in a combination of narrative and lyrical
verse. "The Torch-Bearers" flowed all the more naturally into a
similar form in view of the fact that Tycho Brahe, Kepler, and many
other pioneers of science wrote a considerable number of poems.
Those imbedded in the works of Kepler--whose blazing and fantastic
genius was, indeed, primarily poetic--are of extraordinary interest. I
was helped, too, in the general scheme by those constant meetings
between science and poetry, of which the most famous and beautiful are
the visit of Sir Henry Wotton to Kepler, and the visit of Milton to
Galileo in prison.

Even if science and poetry were as deadly opposites as the shallow
often affirm, the method and scheme indicated above would at least
make it possible to convey something of the splendour of the long
battle for the light in its most human aspect. Poetry has its own
precision of expression and, in modern times, it has been seeking more
and more for truth, sometimes even at the expense of beauty. It may be
possible to carry that quest a stage farther, to the point where, in
the great rhythmical laws of the universe revealed by science, truth
and beauty are reunited. If poetry can do this, it will not be without
some value to science itself, and it will be playing its part in the
reconstruction of a shattered world.  The passing of the old order of
dogmatic religion has left the modern world in a strange chaos,
craving for something in which it can unfeignedly believe, and often
following will-o'-the-wisps. Forty years ago, Matthew Arnold
prophesied that it would be for poetry, "where it is worthy of its
high destinies," to help to carry on the purer fire, and to express in
new terms those eternal ideas which must ever be the only sure stay of
the human race. It is not within the province of science to attempt a
post-Copernican justification of the ways of God to man; but, in the
laws of nature revealed by science, and in "that grand sequence of
events which"--as Darwin affirmed--"the mind refuses to accept as the
result of blind chance," poetry may discover its own new grounds for
the attempt. It is easy to assume that all hope and faith are shallow.
It is even easier to practise a really shallow and devitalising
pessimism. The modern annunciation that there is a skeleton an inch
beneath the skin of man is neither new nor profound. Neither science
nor poetry can rest there; and if, in this poem, an attempt is made to
show that spiritual values are not diminished or overwhelmed by the
"fifteen hundred universes" that passed in review before the telescope
of Herschel, it is only after the opposite argument--so common and so
easy to-day--has been faced; and only after poetry has at least
endeavoured to follow the torch of science to its own deep-set
boundary-mark in that immense darkness of Space and Time.




CONTENTS


 Prologue

   I. Copernicus

  II. Tycho Brahe

 III. Kepler

  IV. Galileo

   V. Newton

  VI. William Herschel Conducts

 VII. Sir John Herschel Remembers

 Epilogue




PROLOGUE

THE OBSERVATORY


At noon, upon the mountain's purple height,
Above the pine-woods and the clouds it shone
No larger than the small white dome of shell
Left by the fledgling wren when wings are born.
By night it joined the company of heaven,
And, with its constant light, became a star.
A needle-point of light, minute, remote,
It sent a subtler message through the abyss,
Held more significance for the seeing eye
Than all the darkness that would blot it out,
Yet could not dwarf it.
                        High in heaven it shone,
Alive with all the thoughts, and hopes, and dreams
Of man's adventurous mind.
                           Up there, I knew
The explorers of the sky, the pioneers
Of science, now made ready to attack
That darkness once again, and win new worlds.
To-morrow night they hoped to crown the toil
Of twenty years, and turn upon the sky
The noblest weapon ever made by man.
War had delayed them. They had been drawn away
Designing darker weapons. But no gun
Could outrange this.

"To-morrow night"--so wrote their chief--"we try
Our great new telescope, the hundred-inch.
Your Milton's 'optic tube' has grown in power
Since Galileo, famous, blind, and old,
Talked with him, in that prison, of the sky.
We creep to power by inches. Europe trusts
Her 'giant forty' still. Even to-night
Our own old sixty has its work to do;
And now our hundred-inch . . . I hardly dare
To think what this new muzzle of ours may find.
Come up, and spend that night among the stars
Here, on our mountain-top. If all goes well,
Then, at the least, my friend, you'll see a moon
Stranger, but nearer, many a thousand mile
Than earth has ever seen her, even in dreams.
As for the stars, if seeing them were all,
Three thousand million new-found points of light
Is our rough guess. But never speak of this.
You know our press. They'd miss the one result
To flash 'three thousand millions' round the world."
To-morrow night! For more than twenty years,
They had thought and planned and worked. Ten years had gone,
One-fourth, or more, of man's brief working life,
Before they made those solid tons of glass,
Their hundred-inch reflector, the clear pool,
The polished flawless pool that it must be
To hold the perfect image of a star.
And, even now, some secret flaw--none knew
Until to-morrow's test--might waste it all.
Where was the gambler that would stake so much,--
Time, patience, treasure, on a single throw?
The cost of it,--they'd not find that again,
Either in gold or life-stuff! All their youth
Was fuel to the flame of this one work.
Once in a lifetime to the man of science,
Despite what fools believe his ice-cooled blood,
There comes this drama.
                        If he fails, he fails
Utterly. He at least will have no time
For fresh beginnings. Other men, no doubt,
Years hence, will use the footholes that he cut
In those precipitous cliffs, and reach the height,
But he will never see it."
                            So for me,
The light words of that letter seemed to hide
The passion of a lifetime, and I shared
The crowning moment of its hope and fear.
Next day, through whispering aisles of palm we rode
Up to the foot-hills, dreaming desert-hills
That to assuage their own delicious drought
Had set each tawny sun-kissed slope ablaze
With peach and orange orchards.
                                Up and up,
Along the thin white trail that wound and climbed
And zig-zagged through the grey-green mountain sage,
The car went crawling, till the shining plain
Below it, like an airman's map, unrolled.
Houses and orchards dwindled to white specks
In midget cubes and squares of tufted green.
Once, as we rounded one steep curve, that made
The head swim at the canyoned gulf below,
We saw through thirty miles of lucid air
Elvishly small, sharp as a crumpled petal
Blown from the stem, a yard away, a sail
Lazily drifting on the warm blue sea.
Up for nine miles along that spiral trail
Slowly we wound to reach the lucid height
Above the clouds, where that white dome of shell,
No wren's now, but an eagle's, took the flush
Of dying day. The sage-brush all died out,
And all the southern growths, and round us now,
Firs of the north, and strong, storm-rooted pines
Exhaled a keener fragrance; till, at last,
Reversing all the laws of lesser hills,
They towered like giants round us. Darkness fell
Before we reached the mountain's naked height.

Over us, like some great cathedral dome,
The observatory loomed against the sky;
And the dark mountain with its headlong gulfs
Had lost all memory of the world below;
For all those cloudless throngs of glittering stars
And all those glimmerings where the abyss of space
Is powdered with a milky dust, each grain
A burning sun, and every sun the lord
Of its own darkling planets,--all those lights
Met, in a darker deep, the lights of earth,
Lights on the sea, lights of invisible towns,
Trembling and indistinguishable from stars,
In those black gulfs around the mountain's feet.
Then, into the glimmering dome, with bated breath,
We entered, and, above us, in the gloom
Saw that majestic weapon of the light
Uptowering like the shaft of some huge gun
Through one arched rift of sky.
                                Dark at its base
With naked arms, the crew that all day long
Had sweated to make ready for this night
Waited their captain's word.
                             The switchboard shone
With elfin lamps of white and red, and keys
Whence, at a finger's touch, that monstrous tube
Moved like a creature dowered with life and will,
To peer from deep to deep.
                           Below it pulsed
The clock-machine that slowly, throb by throb,
Timed to the pace of the revolving earth,
Drove the titanic muzzle on and on,
Fixed to the chosen star that else would glide
Out of its field of vision.
                            So, set free
Balanced against the wheel of time, it swung,
Or rested, while, to find new realms of sky
The dome that housed it, like a moon revolved,
So smoothly that the watchers hardly knew
They moved within; till, through the glimmering doors,
They saw the dark procession of the pines
Like Indian warriors, quietly stealing by.

Then, at a word, the mighty weapon dipped
Its muzzle and aimed at one small point of light
One seeming insignificant star.
                                The chief,
Mounting the ladder, while we held our breath,
Looked through the eye-piece.
                              Then we heard him laugh
His thanks to God, and hide it in a jest.
"A prominence on Jupiter!"--
                             They laughed,
"What do you mean?"--"It's moving," cried the chief,
They laughed again, and watched his glimmering face
High overhead against that moving tower.
"Come up and see, then!"
                         One by one they went,
And, though each laughed as he returned to earth,
Their souls were in their eyes.
                                Then I, too, looked,
And saw that insignificant spark of light
Touched with new meaning, beautifully reborn,
A swimming world, a perfect rounded pearl,
Poised in the violet sky; and, as I gazed,
I saw a miracle,--right on its upmost edge
A tiny mound of white that slowly rose,
Then, like an exquisite seed-pearl, swung quite clear
And swam in heaven above its parent world
To greet its three bright sister-moons.
                                        A moon,
Of Jupiter, no more, but clearer far
Than mortal eyes had seen before from earth,
O, beautiful and clear beyond all dreams
Was that one silver phrase of the starry tune
Which Galileo's "old discoverer" first
Dimly revealed, dissolving into clouds
The imagined fabric of our universe.
_"Jupiter stands in heaven and will stand
Though all the sycophants bark at him,"_ he cried,
Hailing the truth before he, too, went down,
Whelmed in the cloudy wreckage of that dream.

So one by one we looked, the men who served
Urania, and the men from Vulcan's forge.
A beautiful eagerness in the darkness lit
The swarthy faces that too long had missed
A meaning in the dull mechanic maze
Of labour on this blind earth, but found it now.
Though only a moment's wandering melody
Hopelessly far above, it gave their toil
Its only consecration and its joy.
There, with dark-smouldering eyes and naked throats,
Blue-dungareed, red-shirted, grimed and smeared
With engine-grease and sweat, they gathered round
The foot of that dim ladder; each muttering low
As he came down, his wonder at what he saw
To those who waited,--a picture for the brush
Of Rembrandt, lighted only by the rift
Above them, where the giant muzzle thrust
Out through the dim arched roof, and slowly throbbed,
Against the slowly moving wheel of the earth,
Holding their chosen star.
                           There, like an elf,
Perched on the side of that dark slanting tower
The Italian mechanician watched the moons,
That Italy discovered.
                       One by one,
American, English, French, and Dutch, they climbed
To see the wonder that their own blind hands
Had helped to achieve.
                       At midnight while they paused
To adjust the clock-machine, I wandered out
Alone, into the silence of the night.
The silence? On that lonely height I heard
Eternal voices;
For, as I looked into the gulf beneath,
Whence almost all the lights had vanished now,
The whole dark mountain seemed to have lost its earth
And to be sailing like a ship through heaven.
All round it surged the mighty sea-like sound
Of soughing pine-woods, one vast ebb and flow
Of absolute peace, aloof from all earth's pain,
So calm, so quiet, it seemed the cradle-song,
The deep soft breathing of the universe
Over its youngest child, the soul of man.
And, as I listened, that Aeolian voice
Became an invocation and a prayer:
O you, that on your loftier mountain dwell
And move like light in light among the thoughts
Of heaven, translating our mortality
Into immortal song, is there not one
Among you that can turn to music now
This long dark fight for truth? Not one to touch
With beauty this long battle for the light,
This little victory of the spirit of man
Doomed to defeat--for what was all we saw
To that which neither eyes nor soul could see?--
Doomed to defeat and yet unconquerable,
Climbing its nine miles nearer to the stars.
Wars we have sung. The blind, blood-boltered kings
Move with an epic music to their thrones.
Have you no song, then, of that nobler war?
Of those who strove for light, but could not dream
Even of this victory that they helped to win,
Silent discoverers, lonely pioneers,
Prisoners and exiles, martyrs of the truth
Who handed on the fire, from age to age;
Of those who, step by step, drove back the night
And struggled, year on year, for one more glimpse
Among the stars, of sovran law, their guide;
Of those who searching inward, saw the rocks
Dissolving into a new abyss, and saw
Those planetary systems far within,
Atoms, electrons, whirling on their way
To build and to unbuild our solid world;
Of those who conquered, inch by difficult inch,
The freedom of this realm of law for man;
Dreamers of dreams, the builders of our hope,
The healers and the binders up of wounds,
Who, while the dynasts drenched the world with blood,
Would in the still small circle of a lamp
Wrestle with death like Heracles of old
To save one stricken child.
                            Is there no song
To touch this moving universe of law
With ultimate light, the glimmer of that great dawn
Which over our ruined altars yet shall break
In purer splendour, and restore mankind
From darker dreams than even Lucretius knew
To vision of that one Power which guides the world.
How should men find it? Only through those doors
Which, opening inward, in each separate soul
Give each man access to that Soul of all
Living within each life, not to be found
Or known, till, looking inward, each alone
Meets the unknowable and eternal God.

And there was one that moved like light in light
Before me there,--Love, human and divine,
That can exalt all weakness into power,--
Whispering, _Take this deathless torch of song_...
Whispering, but with such faith, that even I
Was humbled into thinking this might be
Through love, though all the wisdom of the world
Account it folly.
                  Let my breast be bared
To every shaft, then, so that Love be still
My one celestial guide the while I sing
Of those who caught the pure Promethean fire
One from another, each crying as he went down
To one that waited, crowned with youth and joy,--
_Take thou the splendour, carry it out of sight
Into the great new age I must not know,
Into the great new realm I must not tread_.




I

COPERNICUS


The neighbours gossiped idly at the door.
Copernicus lay dying overhead.
His little throng of friends, with startled eyes,
Whispered together, in that dark house of dreams,
From which by one dim crevice in the wall
He used to watch the stars.
                            "His book has come
From Nuremberg at last; but who would dare
To let him see it now?"--
                          "They have altered it!
Though Rome approved in full, this preface, look,
Declares that his discoveries are a dream!"--
"He has asked a thousand times if it has come;
Could we tear out those pages?"--
                                  "He'd suspect."--
"What shall be done, then?"--
                              "Hold it back awhile.
That was the priest's voice in the room above.
He may forget it. Those last sacraments
May set his mind at rest, and bring him peace."--
Then, stealing quietly to that upper door,
They opened it a little, and saw within
The lean white deathbed of Copernicus
Who made our world a world without an end.
There, in that narrow room, they saw his face
Grey, seamed with thought, lit by a single lamp;
They saw those glorious eyes
Closing, that once had looked beyond the spheres
And seen our ancient firmaments dissolve
Into a boundless night.
                        Beside him knelt
Two women, like bowed shadows. At his feet,
An old physician watched him. At his head,
The cowled Franciscan murmured, while the light
Shone faintly on the chalice.
                              All grew still.
The fragrance of the wine was like faint flowers,
The first breath of those far celestial fields....

Then, like a dying soldier, that must leave
His last command to others, while the fight
Is yet uncertain, and the victory far,
Copernicus whispered, in a fevered dream,
"Yes, it is Death. But you must hold him back,
There, in the doorway, for a little while,
Until I know the work is rightly done.
Use all your weapons, doctor. I must live
To see and touch one copy of my book.
Have they not brought it yet?
                              They promised me
It should be here by nightfall.
                                One of you go
And hasten it. I can hold back
Death till dawn.

Have they not brought it yet?--from Nuremberg.
Do not deceive me. I must know it safe,
Printed and safe, for other men to use.
I could die then. My use would be fulfilled.
What has delayed them? Will not some one go
And tell them that my strength is running out?
Tell them that book would be an angel's hand
In mine, an easier pillow for my head,
A little lantern in the engulfing dark.
You see, I hid its struggling light so long
Under too small a bushel, and I fear
It may go out forever. In the noon
Of life's brief day, I could not see the need
As now I see it, when the night shuts down.
I was afraid, perhaps, it might confuse
The lights that guide us for the souls of men.

But now I see three stages in our life.
At first, we bask contented in our sun
And take what daylight shows us for the truth.
Then we discover, in some midnight grief,
How all day long the sunlight blinded us
To depths beyond, where all our knowledge dies.
That's where men shrink, and lose their way in doubt.
Then, last, as death draws nearer, comes a night
In whose majestic shadow men see God,
Absolute Knowledge, reconciling all.
So, all my life I pondered on that scheme
Which makes this earth the centre of all worlds,
Lighted and wheeled around by sun and moon
And that great crystal sphere wherein men thought
Myriads of lesser stars were fixed like lamps,
Each in its place,--one mighty glittering wheel
Revolving round this dark abode of man.
Night after night, with even pace they moved.
Year after year, not altering by one point,
Their order, or their stations, those fixed stars
In that revolving firmament. The Plough
Still pointed to the Pole. Fixed in their sphere,
How else explain that vast unchanging wheel?
How, but by thinking all those lesser lights
Were huger suns, divided from our earth
By so immense a gulf that, if they moved
Ten thousand leagues an hour among themselves,
It would not seem one hair's-breadth to our eyes.
Utterly inconceivable, I know;
And yet we daily kneel to boundless Power
And build our hope on that Infinitude.

This did not daunt me, then. Indeed, I saw
Light upon chaos. Many discordant dreams
Began to move in lucid music now.
For what could be more baffling than the thought
That those enormous heavens must circle earth
Diurnally--a journey that would need
Swiftness to which the lightning flash would seem
A white slug creeping on the walls of night;
While, if earth softly on her axle spun
One quiet revolution answered all.
It was our moving selves that made the sky
Seem to revolve. Have not all ages seen
A like illusion baffling half mankind
In life, thought, art? Men think, at every turn
Of their own souls, the very heavens have moved.

Light upon chaos, light, and yet more light;
For--as I watched the planets--Venus, Mars,
Appeared to wax and wane from month to month
As though they moved, now near, now far, from earth.
Earth could not be their centre. Was the sun
Their sovran lord then, as Pythagoras held?
Was this great earth, so 'stablished, so secure,
A planet also? Did it also move
Around the sun? If this were true, my friends,
No revolution in this world's affairs,
Not that blind maelstrom where imperial Rome
Went down into the dark, could so engulf
All that we thought we knew. We who believed
In our own majesty, we who walked with gods
As younger sons on this proud central stage,
Round which the whole bright firmament revolved
For our especial glory, must we creep
Like ants upon our midget ball of dust
Lost in immensity?
                   I could not take
That darkness lightly. I withheld my book
For many a year, until I clearly saw,
And Rome approved me--have they not brought it yet?--
That this tremendous music could not drown
The still supernal music of the soul,
Or quench the light that shone when Christ was born.
For who, if one lost star could lead the kings
To God's own Son, would shrink from following these
To His eternal throne?
                       This at the least
We know, the soul of man can soar through heaven.
It is our own wild wings that dwarf the world
To nothingness beneath us. Let the soul
Take courage, then. If its own thought be true,
Not all the immensities of little minds
Can ever quench its own celestial fire.
No. This new night was needed, that the soul
Might conquer its own kingdom and arise
To its full stature. So, in face of death,
I saw that I must speak the truth I knew.

Have they not brought it? What delays my book?
I am afraid. Tell me the truth, my friends.
At this last hour, the Church may yet withhold
Her sanction. Not the Church, but those who think
A little darkness helps her.
                             Were this true,
They would do well. If the poor light we win
Confuse or blind us, to the Light of lights,
Let all our wisdom perish. I affirm
A greater Darkness, where the one true Church
Shall after all her agonies of loss
And many an age of doubt, perhaps, to come,
See this processional host of splendours burn
Like tapers round her altar.
                             So I speak
Not for myself, but for the age unborn.
I caught the fire from those who went before,
The bearers of the torch who could not see
The goal to which they strained. I caught their fire,
And carried it, only a little way beyond;
But there are those that wait for it, I know,
Those who will carry it on to victory.
I dare not fail them. Looking back, I see
Those others,--fallen, with their arms outstretched
Dead, pointing to the future.
                              Far, far back,
Before the Egyptians built their pyramids
With those dark funnels pointing to the north,
Through which the Pharaohs from their desert tombs
Gaze all night long upon the Polar Star,
Some wandering Arab crept from death to life
Led by the Plough across those wastes of pearl....

Long, long ago--have they not brought it yet?
My book?--I finished it one summer's night,
And felt my blood all beating into song.
I meant to print those verses in my book,
A prelude, hinting at that deeper night
Which darkens all our knowledge. Then I thought
The measure moved too lightly.
                               Do you recall
Those verses, Elsa? They would pass the time.
How happy I was the night I wrote that song!"
Then, one of those bowed shadows raised her head
And, like a mother crooning to her child,
Murmured the words he wrote, so long ago.

In old Cathay, in far Cathay,
  Before the western world began,
They saw the moving fount of day
  Eclipsed, as by a shadowy fan;
They stood upon their Chinese wall.
  They saw his fire to ashes fade,
And felt the deeper slumber fall
  On domes of pearl and towers of jade.

With slim brown hands, in Araby,
  They traced, upon the desert sand,
Their Rams and Scorpions of the sky,
  And strove--and failed--to understand.
Before their footprints were effaced
  The shifting sand forgot their rune;
Their hieroglyphs were all erased,
  Their desert naked to the moon.

In Bagdad of the purple nights,
  Haroun Al Raschid built a tower,
Where sages watched a thousand lights
  And read their legends, for an hour.
The tower is down, the Caliph dead,
  Their astrolabes are wrecked with rust.
Orion glitters overhead,
  Aladdin's lamp is in the dust.

In Babylon, in Babylon,
  They baked their tablets of the clay;
And, year by year, inscribed thereon
  The dark eclipses of their day;
They saw the moving finger write
  Its _Mene, Mene_, on their sun.
A mightier shadow cloaks their light,
  And clay is clay in Babylon.

A shadow moved towards him from the door.
Copernicus, with a cry, upraised his head.
"The book, I cannot see it, let me feel
The lettering on the cover.
                            It is here!
Put out the lamp, now. Draw those curtains back,
And let me die with starlight on my face.
An angel's hand in mine . . . yes; I can say
My _nunc dimittis_ now . . . light, and more light
In that pure realm whose darkness is our peace."




II

TYCHO BRAKE


I


They thought him a magician, Tycho Brahe,
Who lived on that strange island in the Sound,
Nine miles from Elsinore.
                          His legend reached
The Mermaid Inn the year that Shakespeare died.
Fynes Moryson had brought his travellers' tales
Of Wheen, the heart-shaped isle where Tycho made
His great discoveries, and, with Jeppe, his dwarf,
And flaxen-haired Christine, the peasant girl,
Dreamed his great dreams for five-and-twenty years.
For there he lit that lanthorn of the law,
Uraniborg; that fortress of the truth,
With Pegasus flying above its loftiest tower,
While, in its roofs, like wide enchanted eyes
Watching, the brightest windows in the world,
Opened upon the stars.

Nine miles from Elsinore, with all those ghosts,
There's magic enough in that! But white-cliffed Wheen,
Six miles in girth, with crowds of hunchback waves
Crawling all round it, and those moonstruck windows,
Held its own magic, too; for Tycho Brahe
By his mysterious alchemy of dreams
Had so enriched the soil, that when the king
Of England wished to buy it, Denmark asked
A price too great for any king on earth.
"Give us," they said, "in scarlet cardinal's cloth
Enough to cover it, and, at every corner,
Of every piece, a right rose-noble too;
Then all that kings can buy of Wheen is yours.
Only," said they, "a merchant bought it once;
And, when he came to claim it, goblins flocked
All round him, from its forty goblin farms,
And mocked him, bidding him take away the stones
That he had bought, for nothing else was his."
These things were fables. They were also true.
They thought him a magician, Tycho Brahe,
The astrologer, who wore the mask of gold.
Perhaps he was. There's magic in the truth;
And only those who find and follow its laws
Can work its miracles.
                       Tycho sought the truth
From that strange year in boyhood when he heard
The great eclipse foretold; and, on the day
Appointed, at the very minute even,
Beheld the weirdly punctual shadow creep
Across the sun, bewildering all the birds
With thoughts of evening.
                          Picture him, on that day,
The boy at Copenhagen, with his mane
Of thick red hair, thrusting his freckled face
Out of his upper window, holding the piece
Of glass he blackened above his candle-flame
To watch that orange ember in the sky
Wane into smouldering ash.
                           He whispered there,
"So it is true. By searching in the heavens,
Men can foretell the future."
                              In the street
Below him, throngs were babbling of the plague
That might or might not follow.
                                He resolved
To make himself the master of that deep art
And know what might be known.
                              He bought the books
Of Stadius, with his tables of the stars.
Night after night, among the gabled roofs,
Climbing and creeping through a world unknown
Save to the roosting stork, he learned to find
The constellations, Cassiopeia's throne,
The Plough still pointing to the Polar Star,
The sword-belt of Orion. There he watched
The movements of the planets, hours on hours,
And wondered at the mystery of it all.
All this he did in secret, for his birth
Was noble, and such wonderings were a sign
Of low estate, when Tycho Brahe was young;
And all his kinsmen hoped that Tycho Brahe
Would live, serene as they, among his dogs
And horses; or, if honour must be won,
Let the superfluous glory flow from fields
Where blood might still be shed; or from those courts
Where statesmen lie. But Tycho sought the truth.
So, when they sent him in his tutor's charge
To Leipzig, for such studies as they held
More worthy of his princely blood, he searched
The Almagest; and, while his tutor slept,
Measured the delicate angles of the stars,
Out of his window, with his compasses,
His only instrument. Even with this rude aid
He found so many an ancient record wrong
That more and more he burned to find the truth.

One night at home, as Tycho searched the sky,
Out of his window, compasses in hand,
Fixing one point upon a planet, one
Upon some loftier star, a ripple of laughter
Startled him, from the garden walk below.
He lowered his compass, peered into the dark
And saw--Christine, the blue-eyed peasant girl,
With bare brown feet, standing among the flowers.
She held what seemed an apple in her hand;
And, in a voice that Aprilled all his blood,
The low soft voice of earth, drawing him down
From those cold heights to that warm breast of Spring,
A natural voice that had not learned to use
The false tones of the world, simple and clear
As a bird's voice, out of the fragrant darkness called,
"I saw it falling from your window-ledge!
I thought it was an apple, till it rolled
Over my foot.
              It's heavy. Shall I try
To throw it back to you?"
                          Tycho saw a stain
Of purple across one small arched glistening foot.
"Your foot Is bruised," he cried.
                                  "O no," she laughed,
And plucked the stain off. "Only a petal, see."
She showed it to him.
                      "But this--I wonder now
If I can throw it."
                    Twice she tried and failed;
Or Tycho failed to catch that slippery sphere.
He saw the supple body swaying below,
The ripe red lips that parted as she laughed,
And those deep eyes where all the stars were drowned.

At the third time he caught it; and she vanished,
Waving her hand, a little floating moth,
Between the pine-trees, into the warm dark night.
He turned into his room, and quickly thrust
Under his pillow that forbidden fruit;
For the door opened, and the hot red face
Of Otto Brahe, his father, glowered at him.
"What's this? What's this?"
                            The furious-eyed old man
Limped to the bedside, pulled the mystery out,
And stared upon the strangest apple of Eve
That ever troubled Eden,--heavy as bronze,
And delicately enchased with silver stars,
The small celestial globe that Tycho bought
In Leipzig.
            Then the storm burst on his head!
This moon-struck 'pothecary's-prentice  work,
These cheap-jack calendar-maker's gypsy tricks
Would damn the mother of any Knutsdorp squire,
And crown his father like a stag of ten.
Quarrel on quarrel followed from that night,
Till Tycho sickened of his ancient name;
And, wandering through the woods about his home,
Found on a hill-top, ringed with fragrant pines,
A little open glade of whispering ferns.
Thither, at night, he stole to watch the stars;
And there he told the oldest tale on earth
To one that watched beside him, one whose eyes
Shone with true love, more beautiful than the stars,
A daughter of earth, the peasant-girl, Christine.

They met there, in the dusk, on his last night
At home, before he went to Wittenberg.
They stood knee-deep among the whispering ferns,
And said good-bye.
                   "I shall return," he said,
"And shame them for their folly, who would set
Their pride above the stars, Christine, and you.
At Wittenberg or Rostoch I shall find
More chances and more knowledge. All those worlds
Are still to conquer. We know nothing yet;
The books are crammed with fables. They foretell
Here an eclipse, and there a dawning moon,
But most of them were out a month or more
On Jupiter and Saturn.
                       There's one way,
And only one, to knowledge of the law
Whereby the stars are steered, and so to read
The future, even perhaps the destinies
Of men and nations,--only one sure way,
And that's to watch them, watch them, and record
The truth we know, and not the lies we dream.
Dear, while I watch them, though the hills and sea
Divide us, every night our eyes can meet
Among those constant glories. Every night
Your eyes and mine, upraised to that bright realm,
Can, in one moment, speak across the world.
I shall come back with knowledge and with power,
And you--will wait for me?"
                            She answered him
In silence, with the starlight of her eyes.




II


He watched the skies at Wittenberg. The plague
Drove him to Rostoch, and he watched them there;
But, even there, the plague of little minds
Beset him. At a wedding-feast he met
His noble countryman, Manderup, who asked,
With mocking courtesy, whether Tycho Brahe
Was ready yet to practise his black art
At country fairs. The guests, and Tycho, laughed;
Whereat the swaggering Junker blandly sneered,
"If fortune-telling fail, Christine will dance,
Thus--tambourine on hip," he struck a pose.
"Her pretty feet will pack that booth of yours."
They fought, at midnight, in a wood, with swords.
And not a spark of light but those that leapt
Blue from the clashing blades. Tycho had lost
His moon and stars awhile, almost his life;
For, in one furious bout, his enemy's blade
Dashed like a scribble of lightning into the face
Of Tycho Brahe, and left him spluttering blood,
Groping through that dark wood with outstretched hands,
To fall in a death-black swoon.
                                They carried him back
To Rostoch; and when Tycho saw at last
That mirrored patch of mutilated flesh,
Seared as by fire, between the frank blue eyes
And firm young mouth where, like a living flower
Upon some stricken tree, youth lingered still,
He'd but one thought, Christine would shrink from him
In fear, or worse, in pity. An end had come
Worse than old age, to all the glory of youth.
Urania would not let her lover stray
Into a mortal's arms. He must remain
Her own, for ever; and for ever, alone.

Yet, as the days went by, to face the world,
He made himself a delicate mask of gold
And silver, shaped like those that minstrels wear
At carnival in Venice, or when love,
Disguising its disguise of mortal flesh,
Wooes as a nameless prince from far away.
And when this world's day, with its blaze and coil
Was ended, and the first white star awoke
In that pure realm where all our tumults die,
His eyes and hers, meeting on Hesperus,
Renewed their troth.
                     He seemed to see Christine,
Ringed by the pine-trees on that distant hill,
A small white figure, lost in space and time,
Yet gazing at the sky, and conquering all,
Height, depth, and heaven itself, by the sheer power
Of love at one with everlasting laws,
A love that shared the constancy of heaven,
And spoke to him across, above, the world.




III


Not till he crossed the Danube did he find
Among the fountains and the storied eaves
Of Augsburg, one to share his task with him.
Paul Hainzel, of that city, greatly loved
To talk with Tycho of the strange new dreams
Copernicus had kindled. Did this earth
Move? Was the sun the centre of our scheme?
And Tycho told him, there is but one way
To know the truth, and that's to sweep aside
All the dark cobwebs of old sophistry,
And watch and learn that moving alphabet,
Each smallest silver character inscribed
Upon the skies themselves, noting them down,
Till on a day we find them taking shape
In phrases, with a meaning; and, at last,
The hard-won beauty of that celestial book
With all its epic harmonies unfold
Like some great poet's universal song.

He was a great magician, Tycho Brahe.
"Hainzel," he said, "we have no magic wand,
But what the truth can give us. If we find
Even with a compass, through a bedroom window,
That half the glittering Almagest is wrong,
Think you, what noble conquests might be ours,
Had we but nobler instruments."
                                He showed
Quivering with eagerness, his first rude plan
For that great quadrant,--not the wooden toy
Of old Scultetus, but a kingly weapon,
Huge as a Roman battering-ram, and fine
In its divisions as any goldsmith's work.
"It could be built," said Tycho, "but the cost
Would buy a dozen culverin for your wars."
Then Hainzel, fired by Tycho's burning brain,
Answered, "We'll make it We've a war to wage
On Chaos, and his kingdoms of the night."
They chose the cunningest artists of the town,
Clock-makers, jewellers, carpenters, and smiths,
And, setting them all afire with Tycho's dream,
Within a month his dream was oak and brass.
Its beams were fourteen cubits, solid oak,
Banded with iron. Its arch was polished brass
Whereon five thousand exquisite divisions
Were marked to show the minutes of degrees.

So huge and heavy it was, a score of men,
Could hardly drag and fix it to its place
In Hainzel's garden.
                     Many a shining night,
Tycho and Hainzel, out of that maze of flowers,
Charted the stars, discovering point by point,
How all the records erred, until the fame
Of this new master, hovering above the schools
Like a strange hawk, threatened the creeping dreams
Of all the Aristotelians, and began
To set their mouse-holes twittering "Tycho Brahe!"

Then Tycho Brahe came home, to find Christine.
Up to that whispering glade of ferns he sped,
At the first wink of Hesperus.
                                He stood
In shadow, under the darkest pine, to hide
The little golden mask upon his face.
He wondered, will she shrink from me in fear
Or loathing? Will she even come at all?
And, as he wondered, like a light she moved
Before him.
            "Is it you?"--
                           "Christine! Christine,"
He whispered, "It is I, the mountebank,
Playing a jest upon you. It's only a mask!
Do not be frightened. I am here behind it."

Her red lips parted, and between them shone,
The little teeth like white pomegranate seeds.
He saw her frightened eyes.
                            Then, with a cry,
Her arms went round him, and her eyelids closed.
Lying against his heart, she set her lips
Against his lips, and claimed him for her own.




IV


One frosty night, as Tycho bent his way
Home to the dark old abbey, he upraised
His eyes, and saw a portent in the sky.
There, in its most familiar patch of blue,
Where Cassiopeia's five-fold glory burned,
An unknown brilliance quivered, a huge star
Unseen before, a strange new visitant
To heavens unchangeable, as the world believed,
Since the creation.
                    Could new stars be born?
Night after night he watched that miracle
Growing and changing colour as it grew;
White at the first, and large as Jupiter;
And, in the third month, yellow, and larger yet;
Red in the fifth month, like Aldebaran,
And larger even than Lyra. In the seventh,
Bluish like Saturn; whence it dulled and dwined
Little by little, till after eight months more
Into the dark abysmal blue of night,
Whence it arose, the wonder died away.
But, while it blazed above him, Tycho brought
Those delicate records of two hundred nights
To Copenhagen. There, in his golden mask,
At supper with Pratensis, who believed
Only what old books told him, Tycho met
Dancey, the French Ambassador, rainbow-gay
In satin hose and doublet, supple and thin,
Brown-eyed, and bearded with a soft black tuft
Neat as a blackbird's wing,--a spirit as keen
And swift as France on all the starry trails
Of thought.
            He saw the deep and simple fire,
The mystery of all genius in those eyes
Above that golden wizard.
                          Tycho raised
His wine-cup, brimming--they thought--with purple dreams;
And bade them drink to their triumphant Queen
Of all the Muses, to their Lady of Light
Urania, and the great new star.
                                They laughed,
Thinking the young astrologer's golden mask
Hid a sardonic jest.
                     "The skies are clear,"
Said Tycho Brahe, "and we have eyes to see.
Put out your candles. Open those windows there!"
The colder darkness breathed upon their brows,
And Tycho pointed, into the deep blue night.
There, in their most immutable height of heaven,
In _ipso caelo_, in the ethereal realm,
Beyond all planets, red as Mars it burned,
The one impossible glory.
                          "But it's true!"
Pratensis gasped; then, clutching the first straw,
"Now I recall how Pliny the Elder said,
Hipparchus also saw a strange new star,
Not where the comets, not where the _Rosae_ bloom
And fade, but in that solid crystal sphere
Where nothing changes."
                        Tycho smiled, and showed
The record of his watchings.
                             "But the world
Must know all this," cried Dancey. "You must print it."
"Print it?" said Tycho, turning that golden mask
On both his friends. "Could I, a noble, print
This trafficking with Urania in a book?
They'd hound me out of Denmark! This disgrace
Of work, with hands or brain, no matter why,
No matter how, in one who ought to dwell
Fixed to the solid upper sphere, my friends,
Would never be forgiven."
                          Dancey stared
In mute amazement, but that mask of gold
Outstared him, sphinx-like, and inscrutable.

Soon through all Europe, like the blinded moths,
Roused by a lantern in old palaces
Among the mouldering tapestries of thought,
Weird fables woke and fluttered to and fro,
And wild-eyed sages hunted them for truth.
The Italian, Frangipani, thought the star
The lost Electra, that had left her throne
Among the Pleiads, and plunged into the night
Like a veiled mourner, when Troy town was burned.
The German painter, Busch, of Erfurt, wrote,
"It was a comet, made of mortal sins;
A poisonous mist, touched by the wrath of God
To fire; from which there would descend on earth
All manner of evil--plagues and sudden death,
Frenchmen and famine."
                       Preachers thumped and raved.
Theodore Beza in Calvin's pulpit tore
His grim black gown, and vowed it was the Star
That led the Magi. It had now returned
To mark the world's end and the Judgment Day.
Then, in this hubbub, Dancey told the king
Of Denmark, "There is one who knows the truth--
Your subject Tycho Brahe, who, night by night,
Watched and recorded all that truth could see.
It would bring honour to all Denmark, sire,
If Tycho could forget his rank awhile,
And print these great discoveries in a book,
For all the world to read."
                            So Tycho Brahe
Received a letter in the king's own hand,
Urging him, "Truth is the one pure fountain-head
Of all nobility. Pray forget your rank."
His noble kinsmen echoed, "If you wish
To please His Majesty and ourselves, forget
Your rank."
            "I will," said Tycho Brahe;
"Your reasoning has convinced me. I will print
My book, '_De Nova Stella._' And to prove
All you have said concerning temporal rank
And this eternal truth you love so well,
I marry, to-day,"--they foamed, but all their mouths
Were stopped and stuffed and sealed with their own words,--
"I marry to-day my own true love, Christine."




V


They thought him a magician, Tycho Brahe.
Perhaps he was. There's magic all around us
In rocks and trees, and in the minds of men,
Deep hidden springs of magic.
                              He that strikes
The rock aright, may find them where he will.

And Tycho tasted happiness in his hour.
There was a prince in Denmark in those days;
And, when he heard how other kings desired
The secrets of this new astrology,
He said, "This man, in after years, will bring
Glory to Denmark, honour to her prince.
He is a Dane. Give him this isle of Wheen,
And let him make his great discoveries there.
Let him have gold to buy his instruments,
And build his house and his observatory."

So Tycho set this island where he lived
Whispering with wizardry; and, in its heart,
He lighted that strange lanthorn of the law,
And built himself that wonder of the world,
Uraniborg, a fortress for the truth,
A city of the heavens.
                       Around it ran
A mighty rampart twenty-two feet high,
And twenty feet in thickness at the base.
Its angles pointed north, south, east and west,
With gates and turrets; and, within this wall,
Were fruitful orchards, apple, and cherry, and pear;
And, sheltered in their midst from all but sun,
A garden, warm and busy with singing bees.
There, many an hour, his flaxen-haired Christine,
Sang to her child, her first-born, Magdalen,
Or watched her playing, a flower among the flowers.
Dark in the centre of that zone of bliss
Arose the magic towers of Tycho Brahe.
Two of them had great windows in their roofs
Opening upon the sky where'er he willed,
And under these observatories he made
A library of many a golden book;
Poets and sages of old Greece and Rome,
And many a mellow legend, many a dream
Of dawning truth in Egypt, or the dusk
Of Araby. Under all of these he made
A subterranean crypt for alchemy,
With sixteen furnaces; and, under this,
He sank a well, so deep, that Jeppe declared
He had tapped the central fountains of the world,
And drew his magic from those cold clear springs.
This was the very well, said Jeppe, the dwarf,
Where Truth was hidden; but, by Tycho Brahe
And his weird skill, the magic water flowed,
Through pipes, uphill, to all the house above:
The kitchen where his cooks could broil a trout
For sages or prepare a feast for kings;
The garrets for the students in the roof;
The guest-rooms, and the red room to the north,
The study and the blue room to the south;
The small octagonal yellow room that held
The sunlight like a jewel all day long,
And Magdalen, with her happy dreams, at night;
Then, facing to the west, one long green room,
The ceiling painted like the bower of Eve
With flowers and leaves, the windows opening wide
Through which Christine and Tycho Brahe at dawn
Could see the white sails drifting on the Sound
Like petals from their orchard.
                                To the north,
He built a printing house for noble books,
Poems, and those deep legends of the sky,
Still to be born at his Uraniborg.
Beyond the rampart to the north arose
A workshop for his instruments. To the south
A low thatched farm-house rambled round a yard
Alive with clucking hens; and, further yet
To southward on another hill, he made
A great house for his larger instruments,
And called it Stiernborg, mountain of the stars.

And, on his towers and turrets, Tycho set
Statues with golden verses in the praise
Of famous men, the bearers of the torch,
From Ptolemy to the new Copernicus.
Then, in that storm-proof mountain of the stars,
He set in all their splendour of new-made brass
His armouries for the assault of heaven,--
Circles in azimuth, armillary spheres,
Revolving zodiacs with great brazen rings;
Quadrants of solid brass, ten cubits broad,
Brass parallactic rules, made to revolve
In azimuth; clocks with wheels; an astrolabe;
And that large globe strengthened by oaken beams
He made at Augsburg.
                     All his gold he spent;
But Denmark had a prince in those great days;
And, in his brain, the dreams of Tycho Brahe
Kindled a thirst for glory. So he made
Tycho the Lord of sundry lands and rents,
And Keeper of the Chapel where the kings
Of Oldenburg were buried; for he said
"To whom could all these kings entrust their bones
More fitly than to him who read the stars,
And though a mortal, knew immortal laws;
And paced, at night, the silent halls of heaven."




VI


He was a great magician, Tycho Brahe.
There, on his island, for a score of years,
He watched the skies, recording star on star,
For future ages, and, by patient toil,
Perfected his great tables of the sun,
The moon, the planets.
                       There, too happy far
For any history, sons and daughters rose,
A little clan of love, around Christine;
And Tycho thought, when I am dead, my sons
Will rule and work in my Uraniborg.
And yet a doubt would trouble him, for he knew
The children of Christine would still be held
Ignoble, by the world.
                       Disciples came,
Young-eyed and swift, the bearers of the torch
From many a city to Uraniborg,
And Tycho Brahe received them like a king,
And bade them light their torches at his fire.
The King of Scotland came, with all his court,
And dwelt eight days in Tycho Brahe's domain,
Asking him many a riddle, deep and dark,
Whose answer, none the less, a king should know.
What boots it on this earth to be a king,
To rule a part of earth, and not to know
The worth of his own realm, whether he rule
As God's vice-gerent, and his realm be still
The centre of the centre of all worlds;
Or whether, as Copernicus proclaimed,
This earth itself be moving, a lost grain
Of dust among the innumerable stars?
For this would dwarf all glory but the soul,
In king or peasant, that can hail the truth,
Though truth should slay it.
                             So to Tycho Brahe,
The king became a subject for eight days.
But, in the crowded hall, when he had gone,
Jeppe raised his matted head, with a chuckle of glee,
Quiet as the gurgle of joy in a dark rock-pool,
When the first ripple and wash of the first spring-tide
Flows bubbling under the dry sun-blackened fringe
Of seaweed, setting it all afloat again,
In magical colours, like a merman's hair.
"Jeppe has a thought," the gay young students cried,
Thronging him round, for all believed that Jeppe
Was fey, and had strange visions of the truth.
"What is the thought, Jeppe?"
                              "I can think no thoughts,"
Croaked Jeppe. "But I have made myself a song."
"Silence," they cried, "for Jeppe the nightingale!
Sing, Jeppe!"
  And, wagging his great head to and fro
Before the fire, with deep dark eyes, he crooned:

    THE SONG OF JEPPE

"What!" said the king,
   "Is earth a bird or bee?
 Can this uncharted boundless realm of ours
Drone thro' the sky, with leagues of struggling sea,
  Forests, and hills, and towns, and palace-towers?"
 "Ay," said the dwarf,
   "I have watched from Stiernborg's crown
  Her far dark rim uplift against the sky;
But, while earth soars, men say the stars  go down;
  And, while earth sails, men say the stars go by."
An elvish tale!
    Ask Jeppe, the dwarf! _He_ knows.
  That's why his eyes look fey; for, chuckling deep,
Heels over head amongst the stars he goes,
  As all men go; but most are sound asleep.
King, saint, sage,
    Even those that count it true,
  Act as this miracle touched them not at all.
They are borne, undizzied, thro' the rushing blue,
  And build their empires on a sky-tossed ball.

Then said the king,
    "If earth so lightly move,
  What of my realm? O, what shall now stand sure?"
"Naught," said the dwarf, "in all this world, but love.
  All else is dream-stuff and shall not endure.
'Tis nearer now!
    Our universe hath no centre,
  Our shadowy earth and fleeting heavens no stay,
But that deep inward realm which each can enter,
  Even Jeppe, the dwarf, by his own secret way."

"Where?" said the king,
    "O, where? I have not found it!"
  "Here," said the dwarf, and music echoed "here."
"This infinite circle hath no line to bound it;
  Therefore that deep strange centre is everywhere.
Let the earth soar thro' heaven, that centre abideth;
  Or plunge to the pit, His covenant still holds true.
In the heart of a dying bird, the Master hideth;
  In the soul of a king," said the dwarf,
    "and in _my_ soul, too."




VII


Princes and courtiers came, a few to seek
A little knowledge, many more to gape
In wonder at Tycho's gold and silver mask;
Or when they saw the beauty of his towers,
Envy and hate him for them.
                            Thus arose
The small grey cloud upon the distant sky,
That broke in storm at last.
                             "Beware," croaked Jeppe,
Lifting his shaggy head beside the fire,
When guests like these had gone, "Master, beware!"
And Tycho of the frank blue eyes would laugh.
Even when he found Witichius playing him false
  His anger, like a momentary breeze,
Died on the dreaming deep; for Tycho Brahe
Turned to a nobler riddle,--"Have you thought,"
He asked his young disciples, "how the sea
Is moved to that strange rhythm we call the tides?
He that can answer this shall have his name
Honoured among the bearers of the torch
While Pegasus flies above Uraniborg.
I was delayed three hours or more to-day
By the neap-tide. The fishermen on the coast
Are never wrong. They time it by the moon.
_Post hoc_, perhaps, not _propter hoc_; and yet
Through all the changes of the sky and sea
That old white clock of ours with the battered face
Does seem infallible.
                      There's a love-song too,
The sailors on the coast of Sweden sing,
I have often pondered it. Your courtly poets
Upbraid the inconstant moon. But these men know
The moon and sea are lovers, and they move
In a most constant measure. Hear the words
And tell me, if you can, what silver chains
Bind them together." Then, in a voice as low
And rhythmical as the sea, he spoke that song:

    THE SHEPHERDESS OF THE SEA

  Reproach not yet our sails' delay;
  You cannot see the shoaling bay,
  The banks of sand, the fretful bars,
  That ebb left naked to the stars.
    The sea's white shepherdess, the moon,
    Shall lead us into harbour soon.

  Dear, when you see her glory shine
  Between your fragrant boughs of pine,
  Know there is but one hour to wait
  Before her hands unlock the gate,
    And the full flood of singing foam
    Follow her lovely footsteps home.

  Then waves like flocks of silver sheep
  Come rustling inland from the deep,
  And into rambling valleys press
  Behind their heavenly shepherdess.
    You cannot see them? Lift your eyes
    And see their mistress in the skies.
  She rises with her silver bow.

  I feel the tide begin to flow;
  And every thought and hope and dream
  Follow her call, and homeward stream.
  Borne on the universal tide,
  The wanderer hastens to his bride.
    The sea's white shepherdess, the moon,
    Shall lead him into harbour, soon.




VIII


He was a great magician, Tycho Brahe,
But not so great that he could read the heart
Or rule the hand of princes.
                             When his friend
King Frederick died, the young Prince Christian reigned;
And, round him, fool and knave made common cause
Against the magic that could pour their gold
Into a gulf of stars. This Tycho Brahe
Had grown too proud. He held them in contempt,
So they believed; for, when he spoke, their thoughts
Crept at his feet like spaniels. Junkerdom
Felt it was foolish, for he towered above it,
And so it hated him. Did he not spend
Gold that a fool could spend as quickly as he?
Were there not great estates bestowed upon him
In wisdom's name, that from the dawn of time
Had been the natural right of Junkerdom?
And would he not bequeath them to his heirs,
The children of Christine, an unfree woman?
"Why you, sire, even you," they told the king,
"He has made a laughing-stock. That horoscope
He read for you, the night when you were born,
Printed, and bound it in green velvet, too,--
Read it The whole world laughs at it. He said
That Venus was the star that ruled your fate,
And Venus would destroy you. Tycho Brahe
Inspired your royal father with the fear
That kept your youth so long in leading-strings,
The fear that every pretty hedgerow flower
Would be your Circe. So he thought to avenge
Our mockery of this peasant-girl Christine,
To whom, indeed, he plays the faithful swine,
Knowing full well his gold and silver nose
Would never win another."
                          Thus the sky
Darkened above Uraniborg, and those
Who dwelt within it, till one evil day,
One seeming happy day, when Tycho marked
The seven-hundredth star upon his chart,
Two pompous officers from Walchendorp,
The chancellor, knocked at Tycho's eastern gate.
"We are sent," they said, "to see and to report
What use you make of these estates of yours.
Your alchemy has turned more gold to lead
Than Denmark can approve. The uses now!
Show us the uses of this work of yours."
Then Tycho showed his tables of the stars,
Seven hundred stars, each noted in its place
With exquisite precision, the result
Of watching heaven for five-and-twenty years.
"And is this all?" they said.
                              They sought to invent
Some ground for damning him. The truth alone
Would serve them, as it seemed. For these were men
Who could not understand.
                          "Not all, I hope,"
Said Tycho, "for I think, before I die,
I shall have marked a thousand."
                                 "To what end?
When shall we reap the fruits of all this toil?
Show us its uses."
                   "In the time to come,"
Said Tycho Brahe, "perhaps a hundred years,
Perhaps a thousand, when our own poor names
Are quite forgotten, and our kingdoms dust,
On one sure certain day, the torch-bearers
Will, at some point of contact, see a light
Moving upon this chaos. Though our eyes
Be shut for ever in an iron sleep,
Their eyes shall see the kingdom of the law,
Our undiscovered cosmos. They shall see it--
A new creation rising from the deep,
Beautiful, whole.
                  We are like men that hear
Disjointed notes of some supernal choir.
Year after year, we patiently record
All we can gather. In that far-off time,
A people that we have not known shall hear them,
Moving like music to a single end."

They could not understand: this life that sought
Only to bear the torch and hand it on;
And so they made report that all the dreams
Of Tycho Brahe were fruitless; perilous, too,
Since he avowed that any fruit they bore
Would fall, in distant years, to alien hands.

Little by little, Walchendorp withdrew
His rents from Tycho Brahe, accusing him
Of gross neglects. The Chapel at Roskilde
Was falling into ruin. Tycho Brahe
Was Keeper of the Bones of Oldenburg.
He must rebuild the Chapel. All the gifts
That Frederick gave to help him in his task,
Were turned to stumbling-blocks; till, one dark day,
He called his young disciples round him there,
And in that mellow library of dreams,
Lit by the dying sunset, poured his heart
And mind before them, bidding them farewell.
Through the wide-open windows as he spoke
They heard the sorrowful whisper of the sea
Ebbing and flowing around Uraniborg.
"An end has come," he said, "to all we planned.
Uraniborg has drained her treasury dry.
Your Alma Mater now must close her gates
On you, her guests; on me; and, worst of all,
On one most dear, who made this place my home.
For you are young, your homes are all to win,
And you would all have gone your separate ways
In a brief while; and, though I think you love
Your college of the skies, it could not mean
All that it meant to those who called it 'home.'

You that have worked with me, for one brief year,
Will never quite forget Uraniborg.
This room, the sunset gilding all those books,
The star-charts and that old celestial globe,
The long bright evenings by the winter fire,
Of Tycho Brahe were fruitless; perilous
The talk that opened heaven, the songs you sung,
Yes, even, I think, the tricks you played with Jeppe,
Will somehow, when yourselves are growing old,
Be hallowed into beauty, touched with tears,
For you will wish they might be yours again.

These have been mine for five-and-twenty years,
And more than these,--the work, the dreams I shared
With you, and others here. My heart will break
To leave them. But the appointed time has come
As it must come to all men.
                            You and I
Have watched too many constant stars to dream
That heaven or earth, the destinies of men
Or nations, are the sport of chance. An end
Comes to us all through blindness, age, or death.
If mine must come in exile, it stall find me
Bearing the torch as far as I can bear it,
Until I fall at the feet of the young runner,
Who takes it from me, and carries it out of sight,
Into the great new age I shall not know,
Into the great new realms I must not tread.
Come, then, swift-footed, let me see you stand
Waiting before me, crowned with youth and joy,
At the next turning. Take it from my hand,
For I am almost ready now to fall.

Something I have achieved, yes, though I say it,
I have not loitered on that fiery way.
And if I front the judgment of the wise
In centuries to come, with more of dread
Than my destroyers, it is because this work
Will be of use, remembered and appraised,
When all their hate is dead.
                             I say the work,
Not the blind rumour, the glory or fame of it.
These observations of seven hundred stars
Are little enough in sight of those great hosts
Which nightly wheel around us, though I hope,
Yes, I still hope, in some more generous land
To make my thousand up before I die.
Little enough, I know,--a midget's work!
The men that follow me, with more delicate art
May add their tens of thousands; yet my sum
Will save them just that five-and-twenty years
Of patience, bring them sooner to their goal,
That kingdom of the law I shall not see.
We are on the verge of great discoveries.
I feel them as a dreamer feels the dawn
Before his eyes are opened. Many of you
Will see them. In that day you will recall
This, our last meeting at Uraniborg,
And how I told you that this work of ours
Would lead to victories for the coming age.
The victors may forget us. What of that?
Theirs be the palms, the shouting, and the praise.
Ours be the fathers' glory in the sons.
Ours the delight of giving, the deep joy
Of labouring, on the cliff's face, all night long,
Cutting them foot-holes in the solid rock,
Whereby they climb so gaily to the heights,
And gaze upon their new-discovered worlds.
You will not find me there. When you descend,
Look for me in the darkness at the foot
Of those high cliffs, under the drifted leaves.
That's where we hide at last, we pioneers,
For we are very proud, and must be sought
Before the world can find us, in our graves.
There have been compensations. I have seen
In darkness, more perhaps than eyes can see
When sunlight blinds them on the mountain-tops;
Guessed at a glory past our mortal range,
And only mine because the night was mine.

Of those three systems of the universe,
The Ptolemaic, held by all the schools,
May yet be proven false. We yet may find
This earth of ours is not the sovran lord
Of all those wheeling spheres. Ourselves have marked
Movements among the planets that forbid
Acceptance of it wholly. Some of these
Are moving round the sun, if we can trust
Our years of watching. There are stranger dreams.
This radical, Copernicus, the priest,
Of whom I often talked with you, declares
Ail of these movements can be reconciled,
If--a hypothesis only--we should take
The sun itself for centre, and assume
That this huge earth, so 'stablished, so secure
In its foundations, is a planet also,
And moves around the sun.
                          I cannot think it.
This leap of thought is yet too great for me.
I have no doubt that Ptolemy was wrong.
Some of his planets move around the sun.
Copernicus is nearer to the truth
In some things. But the planets we have watched
Still wander from the course that he assigned.
Therefore, my system, which includes the best
Of both, I hold may yet be proven true.
This earth of ours, as Jeppe declared one day,
So simply that we laughed, is 'much too big
To move,' so let it be the centre still,
And let the planets move around their sun;
But let the sun with all its planets move
Around our central earth.
                          This at the least
Accords with all we know, and saves mankind
From that enormous plunge into the night;
Saves them from voyaging for ten thousand years
Through boundless darkness without sight of land;
Saves them from all that agony of loss,
As one by one the beacon-fires of faith
Are drowned in blackness.
                          I beseech you, then,
Let me be proven wrong, before you take
That darkness lightly. If at last you find
The proven facts against me, take the plunge.
Launch out into that darkness. Let the lamps
Of heaven, the glowing hearth-fires that we knew
Die out behind you, while the freshening wind
Blows on your brows, and overhead you see
The stars of truth that lead you from your home.

I love this island,--every little glen,
Hazel-wood, brook, and fish-pond; every bough
And blossom in that garden; and I hoped
To die here. But it is not chance, I know,
That sends me wandering through the world again.
My use perhaps is ended; and the power
That made me, breaks me."
                          As he spoke, they saw
The tears upon his face. He bowed his head
And left them silent in the darkened room.
They saw his face no more.
                           The self-same hour,
Tycho, Christine, and all their children, left
Their island-home for even In their ship
They took a few of the smaller instruments,
And that most precious record of the stars,
His legacy to the future. Into the night
They vanished, leaving on the ghostly cliffs
Only one dark, distorted, dog-like shape
To watch them, sobbing, under its matted hair,
"Master, have you forgotten Jeppe, your dwarf?"




IX


He was a great magician, Tycho Brahe,
And yet his magic, under changing skies,
Could never change his heart, or touch the hills
Of those far countries with the tints of home.
And, after many a month of wandering,
He came to Prague; and, though with open hands
Rodolphe received him, like an exiled king,
A new Aeneas, exiled for the truth
(For so they called him), none could heal the wounds
That bled within, or lull his grief to sleep
With that familiar whisper of the waves,
Ebbing and flowing around Uraniborg.

Doggedly still he laboured; point by point,
Crept on, with aching heart and burning brain,
Until his table of the stars had reached
The thousand that he hoped, to crown his toil.
But Christine heard him murmuring in the night,
"The work, the work! Not to have lived in vain!
Into whose hands can I entrust it all?
I thought to find him standing by the way,
Waiting to seize the splendour from my hand,
The swift, young-eyed runner with the torch.
Let me not live in vain, let me not fall
Before I yield it to the appointed soul."
And yet the Power that made and broke him heard:
For, on a certain day, to Tycho came
Another exile, guided through the dark
Of Europe by the starlight in his eyes,
Or that invisible hand which guides the world.
He asked him, as the runner with the torch
Alone could ask, asked as a natural right
For Tycho's hard-won life-work, those results,
His tables of the stars. He gave his name
Almost as one who told him, _It is I;_
And yet unconscious that he told; a name
Not famous yet, though truth had marked him out
Already, by his exile, as her own,--
The name of Johann Kepler.
                           "It was strange,"
Wrote Kepler, not long after, "for I asked
Unheard-of things, and yet he gave them to me
As if I were his son. When first I saw him,
We seemed to have known each other years ago
In some forgotten world. I could not guess
That Tycho Brahe was dying. He was quick
Of temper, and we quarrelled now and then,
Only to find ourselves more closely bound
Than ever. I believe that Tycho died
Simply of heartache for his native land.
For though he always met me with a smile,
Or jest upon his lips, he could not sleep
Or work, and often unawares I caught
Odd little whispered phrases on his lips
As if he talked to himself, in a kind of dream.
Yet I believe the clouds dispersed a little
Around his death-bed, and with that strange joy
Which comes in death, he saw the unchanging stars.
Christine was there. She held him in her arms.
I think, too, that he knew his work was safe.
An hour before he died, he smiled at me,
And whispered,--what he meant I hardly know--
Perhaps a broken echo from the past,
A fragment of some old familiar thought,
And yet I seemed to know. It haunts me still:
_'Come then, swift-footed, let me see you stand,
Waiting before me, crowned with youth and joy;
This is the turning. Take it from my hand.
For I am ready, ready now, to fall.'"_




III

KEPLER


John Kepler, from the chimney corner, watched
His wife Susannah, with her sleeves rolled back
Making a salad in a big blue bowl.
The thick tufts of his black rebellious hair
Brushed into sleek submission; his trim beard
Snug as the soft round body of a thrush
Between the white wings of his fan-shaped ruff
(His best, with the fine lace border) spoke of guests
Expected; and his quick grey humorous eyes,
His firm red whimsical pleasure-loving mouth,
And all those elvish twinklings of his face,
Were lit with eagerness. Only between his brows,
Perplexed beneath that subtle load of dreams,
Two delicate shadows brooded.
                              "What does it mean?
Sir Henry Wotton's letter breathed a hint
That Italy is prohibiting my book,"
He muttered. "Then, if Austria damns it too,
Susannah mine, we may be forced to choose
Between the truth and exile. When he comes,
He'll tell me more. Ambassadors, I suppose,
Can only write in cipher, while our world
Is steered to heaven by murderers and thieves;
But, if he'd wrapped his friendly warnings up
In a verse or two, I might have done more work
These last three days, eh, Sue?"
                                 "Look, John," said she,
"What beautiful hearts of lettuce! Tell me now
How shall I mix it? Will your English guest
Turn up his nose at dandelion leaves
As crisp and young as these? They've just the tang
Of bitterness in their milk that gives a relish
And makes all sweet; and that's philosophy, John.
Now--these spring onions! Would his Excellency
Like sugared rose-leaves better?"
                                  "He's a poet,
Not an ambassador only, so I think
He'll like a cottage salad."
                             "A poet, John!
I hate their arrogant little insect ways!
I'll put a toadstool in."
                          "Poets, dear heart,
Can be divided into two clear kinds,--
One that, by virtue of a half-grown brain,
Lives in a silly world of his own making,
A bubble, blown by himself, in which he flits
And dizzily bombinates, chanting 'I, I, I,'
For there is nothing in the heavens above
Or the earth, or hell beneath, but goes to swell
His personal pronoun. Bring him some dreadful news
His dearest friend is burned to death,--You'll see
The monstrous insect strike an attitude
And shape himself into one capital I,
A rubric, with red eyes. You'll see him use
The coffin for his pedestal, hear him mouth
His 'I, I, I' instructing haggard grief
Concerning his odd ego. Does he chirp
Of love, it's 'I, I, I' Narcissus, love,
Myself, Narcissus, imaged in those eyes;
For all the love-notes that he sounds are made
After the fashion of passionate grasshoppers,
By grating one hind-leg across another.
Nor does he learn to sound that mellower 'You,'
Until his bubble bursts and leaves him drowned,
An insect in a soap-sud.
But there's another kind, whose mind still moves
In vital concord with the soul of things;
So that it thinks in music, and its thoughts
Pulse into natural song. A separate voice,
And yet caught up by the surrounding choirs,
There, in the harmonies of the Universe,
Losing himself, he saves his soul alive."
"John, I'm afraid!"--
                      "Afraid of what, Susannah?"--
"Afraid to put those Ducklings on to roast.
Your friend may miss his road; and, if he's late,
My little part of the music will be spoiled."--
"He won't, Susannah. Bad poets are always late.
Good poets, at times, delay a note or two;
But all the great are punctual as the sun.
What's that? He's early! That's his knock, I think!"--
"The Lord have mercy, John, there's nothing ready!
Take him into your study and talk to him,
Talk hard. He's come an hour before his time;
And I've to change my dress. I'll into the kitchen!"

Then, in a moment, all the cottage rang
With greetings; hand grasped hand; his Excellency
Forgot the careful prologue he'd prepared,
And made an end of mystery. He had brought
A message from his wisdom-loving king
Who, hearing of new menaces to the light
In Europe, urged the illustrious Kepler now
To make his home in England. There, his thought
And speech would both be free.
                               "My friend," said Wotton,
"I have moved in those old strongholds of the night,
And heard strange mutterings. It is not many years
Since Bruno burned. There's trouble brewing too,
For one you know, I think,--the Florentine
Who made that curious optic tube."--
                                     "You mean
The man at Padua, Galileo?"--
                              "Yes."
"They will not dare or need. Proof or disproof
Rests with their eyes."--
                          "Kepler, have you not heard
Of those who, fifteen hundred years ago,
Had eyes and would not see? Eyes quickly close
When souls prefer the dark."--
"So be it. Other and younger eyes will see.
Perhaps that's why God gave the young a spice
Of devilry. They'll go look, while elders gasp;
And, when the Devil and Truth go hand in hand,
God help their enemies. You will send my thanks,
My grateful thanks, Sir Henry, to your king.
To-day I cannot answer you. I must think.
It would be very difficult My wife
Would find it hard to leave her native land.
Say nothing yet before her."
                             Then, to hide
Their secret from Susannah, Kepler poured
His mind out, and the world's dead branches bloomed.
For, when he talked, another spring began
To which our May was winter; and, in the boughs
Of his delicious thoughts, like feathered choirs,
Bits of old rhyme, scraps from the Sabine farm,
Celestial phrases from the Shepherd King,
And fluttering morsels from Catullus sang.
Much was fantastic. All was touched with light
That only genius knows to steal from heaven.
He spoke of poetry, as the "flowering time
Of knowledge," called it "thought in passionate tune
With those great rhythms that steer the moon and sun;
Thought in such concord with the soul of things
That it can only move, like tides and stars,
And man's own beating heart, and the wings of birds,
In law, whose service only sets them free."
Therefore it often leaps to the truth we seek,
Clasping it, as a lover clasps his bride
In darkness, ere the sage can light his lamp.
And so, in music, men might find the road
To truth, at many a point, where sages grope.
One day, a greater Plato would arise
To write a new philosophy, he said,
Showing how music is the golden clue
To all the windings of the world's dark maze.
Himself had used it, partly proved it, too,
In his own book,--_the Harmonies of the World._
'All that the years discover points one way
To this great ordered harmony," he said,
"Revealed on earth by music. Planets move
In subtle accord like notes of one great song
Audible only to the Artificer,
The Eternal Artist. There's no grief, no pain,
But music--follow it simply as a clue,
A microcosmic pattern of the whole--
Can show you, somewhere in its golden scheme,
The use of all such discords; and, at last,
Their exquisite solution. Then darkness breaks
Into diviner light, love's agony climbs
Through death to life, and evil builds up heaven.
Have you not heard, in some great symphony,
Those golden mathematics making clear
The victory of the soul? Have you not heard
The very heavens opening?
                          Do those fools
Who thought me an infidel then, still smile at me
For trying to read the stars in terms of song,
Discern their orbits, measure their distances,
By musical proportions? Let them smile,
My folly at least revealed those three great laws;
Gave me the golden vases of the Egyptians,
To set in the great new temple of my God
Beyond the bounds of Egypt.
                            They will forget
My methods, doubtless, as the years go by,
And the world's wisdom shuts its music out.
The dust will gather on all my harmonies;
Or scholars turn my pages listlessly,
Glance at the musical phrases, and pass on,
Not troubling even to read one Latin page.
Yet they'll accept those great results as mine.
I call them mine. How can I help exulting,
Who climbed my ladder of music to the skies
And found, by accident, let them call it so,
Or by the inspiration of that Power
Which built His world of music, those three laws:--
First, how the speed of planets round the sun
Bears a proportion, beautifully precise
As music, to their silver distances;
Next, that although they seem to swerve aside
From those plain circles of old Copernicus
Their paths were not less rhythmical and exact,
But followed always that most exquisite curve
In its most perfect form, the pure ellipse;
Third, that although their speed from point to point
Appeared to change, their radii always moved
Through equal fields of space in equal times.
Was this my infidelity, was this
Less full of beauty, less divine in truth,
Than their dull chaos? You, the poet will know
How, as those dark perplexities grew clear,
And old anomalous discords changed to song,
My whole soul bowed and cried, _Almighty God
These are Thy thoughts, I am thinking after Thee!_
I hope that Tycho knows. I owed so much
To Tycho Brahe; for it was he who built
The towers from which I hailed those three great laws.
How strange and far away it all seems now.
The thistles grow upon that little isle
Where Tycho's great Uraniborg once was.
Yet, for a few sad years, before it fell
Into decay and ruin, there was one
Who crept about its crumbling corridors,
And lit the fire of memory on its hearth."--
Wotton looked quickly up, "I think I have heard
Something of that. You mean poor Jeppe, his dwarf.
Fynes Moryson, at the Mermaid Inn one night
Showed a most curious manuscript, a scrawl
On yellow parchment, crusted here and there
With sea-salt, or the salt of those thick tears
Creatures like Jeppe, the crooked dwarf, could weep.
It had been found, clasped in a crooked hand,
Under the cliffs of Wheen, a crooked hand
That many a time had beckoned to passing ships,
Hoping to find some voyager who would take
A letter to its master.
                        The sailors laughed
And jeered at him, till Jeppe threw stones at them.
And now Jeppe, too, was dead, and one who knew
Fynes Moryson, had found him, and brought home
That curious crooked scrawl. Fynes Englished it
Out of its barbarous Danish. Thus it ran:
'Master, have you forgotten Jeppe, your dwarf,
Who used to lie beside the big log-fire
And feed from your own hand? The hall is dark,
There are no voices now,--only the wind
And the sea-gulls crying round Uraniborg.
I too am crying, Master, even I,
Because there is no fire upon the hearth,
No light in any window. It is night,
And all the faces that I knew are gone.

Master, I watched you leaving us. I saw
The white sails dwindling into sea-gull's wings,
Then melting into foam, and all was dark.
I lay among the wild flowers on the cliff
And dug my nails into the stiff white chalk
And called you, Tycho Brahe. You did not hear;
But gulls and jackdaws, wheeling round my head,
Mocked me with _Tycho Brahe_, and _Tycho Brahe_!

You were a great magician, Tycho Brahe;
And, now that they have driven you away,
I, that am only Jeppe,--the crooked dwarf,
You used to laugh at for his matted hair,
And head too big and heavy--take your pen
Here in your study. I will write it down
And send it by a sailor to the King
Of Scotland, and who knows, the mouse that gnawed
The lion free, may save you, Tycho Brahe.'"
"He is free now," said Kepler, "had he lived
He would have sent for Jeppe to join him there
At Prague. But death forestalled him, and your King.
The years in which he watched that planet Mars,
His patient notes and records, all were mine;
And, mark you, had he clipped or trimmed one fact
By even a hair's-breadth, so that his results
Made a pure circle of that planet's path
It might have baffled us for an age and drowned
All our new light in darkness. But he held
To what he saw. He might so easily,
So comfortably have said, 'My instruments
Are crude and fallible. In so fine a point
Eyes may have erred, too. Why not acquiesce?
Why mar the tune, why dislocate a world,
For one slight clash of seeming fact with faith?'
But no, though stars might swerve, he held his course,
Recording only what his eyes could see
Until death closed them.
                         Then, to his results,
I added mine and saw, in one wild gleam,
Strange as the light of day to one born blind,
A subtler concord ruling them and heard
Profounder tones of harmony resolve
Those broken melodies into song again."--
"Faintly and far away, I, too, have seen
In music, and in verse, that golden clue
Whereof you speak," said Wotton. "In all true song,
There is a hidden logic. Even the rhyme
That, in bad poets, wrings the neck of thought,
Is like a subtle calculus to the true,
An instrument of discovery. It reveals
New harmonies, new analogies. It links
Far things and near, not in unnatural chains,
But in those true accords which still escape
The plodding reason, yet unify the world.
I caught some glimpses of this mystic power
In verses of your own, that elegy
On Tycho, and that great quatrain of yours--
I cannot quite recall the Latin words,
But made it roughly mine in words like these:

_'I know that I am dust, and daily die;
  Yet, as I trace those rhythmic spheres at night,
I stand before the Thunderer's throne on high
  And feast on nectar in the halls of light.'_

My version lacks the glory of your lines
But..."
        "Mine too was a version,"
  Kepler laughed,
"Turned into Latin from old Ptolemy's Greek;
For, even in verse, half of the joy, I think,
Is just to pass the torch from hand to hand
An undimmed splendour. But, last night, I tried
Some music all my own. I had a dream
That I was wandering in some distant world.
I have often dreamed it Once it was the moon.
I wrote that down in prose. When I am dead,
It may be printed. This was a fairer dream:
For I was walking in a far-off spring
Upon the planet, Venus. Only verse
Could spread true wings for that delicious world;
And so I wrote it--for no eyes but mine,
Or 'twould be seized on, doubtless, as fresh proof
Of poor old Kepler's madness."--
                                 "Let me hear,
Madman to madman; for I, too, write verse."
Then Kepler, in a rhythmic murmur, breathed
His rich enchanted memories of that dream:

"Beauty burned before me
   Swinging a lanthorn through that fragrant night.
 I followed a distant singing,
   And a dreaming light
 How she led me, I cannot tell
   To that strange world afar,
 Nor how I walked, in that wild glen
   Upon the sunset star.

 Winged creatures floated
   Under those rose-red boughs of violet bloom,
 With delicate forms unknown on Earth
   'Twixt irised plume and plume;
 Human-hearted, angel-eyed,
   And crowned with unknown flowers;
 For nothing in that enchanted world
   Followed the way of ours.

 Only I saw that Beauty,
   On Hesper, as on earth, still held command;
 And though, as one in slumber,
   I roamed that radiant land,
 With all these earth-born senses sealed
   To what the Hesperians knew,
 The faithful lanthorn of her law
   Was mine on Hesper too.

 Then, half at home with wonder,
   I saw strange flocks of flowers like birds take flight;
 Great trees that burned like opals
   To lure their loves at night;
 Dark beings that could move in realms
   No dream of ours has known.
 Till these became as common things
   As men account their own.

 Yet, when that lanthorn led me
   Back to the world where once I thought me wise;
 I saw, on this my planet,
   What souls, with awful eyes.
 Hardly I dared to walk her fields
   As in that strange re-birth
 I looked on those wild miracles
   The birds and flowers of earth."

Silence a moment held them, loth to break
The spell of that strange dream,
                                 "One proof the more"
Said Wotton at last, "that songs can mount and fly
To truth; for this fantastic vision of yours
Of life in other spheres, awakes in me,
Either that slumbering knowledge of Socrates,
Or some strange premonition that the years
Will prove it true. This music leads us far
From all our creeds, except that faith in law.
Your quest for knowledge--how it rests on that!
How sure the soul is that if truth destroy
The temple, in three days the truth will build
A nobler temple; and that order reigns
In all things. Even your atheist builds his doubt
On that strange faith; destroys his heaven and God
In absolute faith that his own thought is true
To law, God's lanthorn to our stumbling feet;
And so, despite himself, he worships God,
For where true souls are, there are God and heaven."--

"It is an ancient wisdom. Long ago,"
Said Kepler, "under the glittering Eastern sky,
The shepherd king looked up at those great stars,
Those ordered hosts, and cried _Caeli narrant
Gloriam Dei!_
                 Though there be some to-day
Who'd ape Lucretius, and believe themselves
Epicureans, little they know of him
Who, even in utter darkness, bowed his head,
To something nobler than the gods of Rome
Reigning beyond the darkness.
                              They accept
The law, the music of these ordered worlds;
And straight deny the law's first postulate,
That out of nothingness nothing can be born,
Nor greater things from less. Can music rise
By chance from chaos, as they said that star
In Serpentarius rose? I told them, then,
That when I was a boy, with time to spare,
I played at anagrams. Out of my Latin name
_Johannes Keplerus_ came that sinister phrase
_Serpens in akuleo_. Struck by this,
I tried again, but trusted it to chance.
I took some playing cards, and wrote on each
One letter of my name. Then I began
To shuffle them; and, at every shuffle, I read
The letters, in their order, as they came,
To see what meaning chance might give to them.
Wotton, the gods and goddesses must have laughed
To see the weeks I lost in studying chance;
For had I scattered those cards into the black
Epicurean eternity, I'll swear
They'd still be playing at leap-frog in the dark,
And show no glimmer of sense. And yet--to hear
Those wittols talk, you'd think you'd but to mix
A bushel of good Greek letters in a sack
And shake them roundly for an age or so,
To pour the Odyssey out.
                         At last, I told,
Those disputants what my wife had said. One night
When I was tired and all my mind a-dust
With pondering on their atoms, I was called
To supper, and she placed before me there
A most delicious salad. 'It would appear,'
I thought aloud, 'that if these pewter dishes,
Green hearts of lettuce, tarragon, slips of thyme,
Slices of hard boiled egg, and grains of salt.
With drops of water, vinegar and oil,
Had in a bottomless gulf been flying about
From all eternity, one sure certain day
The sweet invisible hand of Happy Chance
Would serve them as a salad.'
                              'Likely enough,'
My wife replied, 'but not so good as mine,
Nor so well dressed.'"
                       They laughed. Susannah's voice
Broke in, "I've made a better one. The receipt
Came from the _Golden Lion_. I have dished
Ducklings and peas and all. Come, John, say grace."




IV

GALILEO


I


(_Celeste, in the Convent at Arcetri, writes to her old lover at
Rome._)

My friend, my dearest friend, my own dear love,
I, who am dead to love, and see around me
The funeral tapers lighted, send this cry
Out of my heart to yours, before the end.
You told me once you would endure the rack
To save my heart one pang. O, save it now!
Last night there came a dreadful word from Rome
For my dear lord and father, summoning him
Before the inquisitors there, to take his trial
At threescore years and ten. There is a threat
Of torture, if his lips will not deny
The truth his eyes have seen.
                              You know my father,
You know me, too. You never will believe
That he and I are enemies of the faith.
Could I, who put away all earthly love,
Deny the Cross to which I nailed this flesh?
Could he, who, on the night when all those heavens
Opened above us, with their circling worlds,
Knelt with me, crushed beneath that weight of glory,
Forget the Maker of that glory now?
You'll not believe it. Neither would the Church,
Had not his enemies poisoned all the springs
And fountain-heads of truth. It is not Rome
That summons him, but Magini, Sizy, Scheiner,
Lorini, all the blind, pedantic crew
That envy him his fame, and hate his works
For dwarfing theirs.
                     Must such things always be
When truth is born?
Only five nights ago we walked together,
My father and I, here in the Convent garden;
And, as the dusk turned everything to dreams,
We dreamed together of his work well done
And happiness to be. We did not dream
That even then, muttering above his book,
His enemies, those enemies whom the truth
Stings into hate, were plotting to destroy him.
Yet something shadowed him. I recall his words--
"The grapes are ripening. See, Celeste, how black
And heavy. We shall have good wine this year,"--
"Yes, all grows ripe," I said, "your life-work, too,
Dear father. Are you happy now to know
Your book is printed, and the new world born?"
He shook his head, a little sadly, I thought.
"Autumn's too full of endings. Fruits grow ripe
And fall, and then comes winter."
                                  "Not for you!
Never," I said, "for those who write their names
In heaven. Think, father, through all ages now
No one can ever watch that starry sky
Without remembering you. Your fame ..."
                                         And there
He stopped me, laid his hand upon my arm,
And standing in the darkness with dead leaves
Drifting around him, and his bare grey head
Bowed in complete humility, his voice
Shaken and low, he said like one in prayer,
"Celeste, beware of that. Say truth, not fame.
If there be any happiness on earth,
It springs from truth alone, the truth we live
In act and thought. I have looked up there and seen
Too many worlds to talk of fame on earth.
Fame, on this grain of dust among the stars,
The trumpet of a gnat that thinks to halt
The great sun-clusters moving on their way
In silence! Yes, that's fame, but truth, Celeste,
Truth and its laws are constant, even up there;
That's where one man may face and fight the world.
His weakness turns to strength. He is made one
With universal forces, and he holds
The password to eternity.
Gate after gate swings back through all the heavens.
No sentry halts him, and no flaming sword.
Say truth, Celeste, not fame."
                               "No, for I'll say
A better word," I told him. "I'll say love."
He took my face between his hands and said--
His face all dark between me and the stars--
"What's love, Celeste, but this dear face of truth
Upturned to heaven."
                     He left me, and I heard,
Some twelve hours later, that this man whose soul
Was dedicate to Truth, was threatened now
With torture, if his lips did not deny
The truth he loved.
                    I tell you all these things
Because to help him, you must understand him;
And even you may doubt him, if you hear
Only those plausible outside witnesses
Who never heard his heart-beats as have I.
So let me tell you all--his quest for truth,
And how this hate began.
                         Even from the first,
He made his enemies of those almost-minds
Who chanced upon some new thing in the dark
And could not see its meaning, for he saw,
Always, the law illumining it within.
So when he heard of that strange optic-glass
Which brought the distance near, he thought it out
By reason, where that other hit upon it
Only by chance. He made his telescope;
And O, how vividly that day comes back,
When in their gorgeous robes the Senate stood
Beside him on that high Venetian tower,
Scanning the bare blue sea that showed no speck
Of sail. Then, one by one, he bade them look;
And one by one they gasped, "a miracle."
Brown sails and red, a fleet of fishing boats,
See how the bright foam bursts around their bows!
See how the bare-legged sailors walk the decks!
Then, quickly looking up, as if to catch
The vision, ere it tricked them, all they saw
Was empty sea again.
                     Many believed
That all was trickery, but he bade them note
The colours of the boats, and count their sails.
Then, in a little while, the naked eye
Saw on the sky-line certain specks that grew,
Took form and colour; and, within an hour,
Their magic fleet came foaming into port.
Whereat old senators, wagging their white beards,
And plucking at golden chains with stiff old claws
Too feeble for the sword-hilt, squeaked at once:
"This glass will give us great advantages
In time of war."
                 War, war, O God of love,
Even amidst their wonder at Thy world,
Dazed with new beauty, gifted with new powers,
These old men dreamed of blood. This was the thought
To which all else must pander, if he hoped
Even for one hour to see those dull eyes blaze
At his discoveries.
                    "Wolves," he called them, "wolves";
And yet he humoured them. He stooped to them.
Promised them more advantages, and talked
As elders do to children. You may call it
Weakness, and yet could any man do more,
Alone, against a world, with such a trust
To guard for future ages? All his life
He has had some weanling truth to guard, has fought
Desperately to defend it, taking cover
Wherever he could, behind old fallen trees
Of superstition, or ruins of old thought.
He has read horoscopes to keep his work
Among the stars in favour with his prince,
I tell you this that you may understand
What seems inconstant in him. It may be
That he was wrong in these things, and must pay
A dreadful penalty. But you must explore
His mind's great ranges, plains and lonely peaks
Before you know him, as I know him now.
How could he talk to children, but in words
That children understand? Have not some said
That God Himself has made His glory dark
For men to bear it. In his human sphere
My father has done this.
                         War was the dream
That filmed those old men's eyes. They did not hear
My father, when he hinted at his hope
Of opening up the heavens for mankind
With that new power of bringing far things near.
My heart burned as I heard him; but they blinked
Like owls at noonday. Then I saw him turn,
Desperately, to humour them, from thoughts
Of heaven to thoughts of warfare.
                                  Late that night
My own dear lord and father came to me
And whispered, with a glory in his face
As one who has looked on things too beautiful
To breathe aloud, "Come out, Celeste, and see
A miracle."
            I followed him. He showed me,
Looking along his outstretched hand, a star,
A point of light above our olive-trees.
It was the star called Jupiter. And then
He bade me look again, but through his glass.
I feared to look at first, lest I should see
Some wonder never meant for mortal eyes.
He too, had felt the same, not fear, but awe,
As if his hand were laid upon the veil
Between this world and heaven.
                               Then . . . I, too, saw,
Small as the smallest bead of mist that clings
To a spider's thread at dawn, the floating disk
Of what had been a star, a planet now,
And near it, with no disk that eyes could see,
Four needle-points of light, unseen before.
"The moons of Jupiter," he whispered low,
"I have watched them as they moved, from night to night;
A system like our own, although the world
Their fourfold lights and shadows make so strange
Must--as I think--be mightier than we dreamed,
A Titan planet. Earth begins to fade
And dwindle; yes, the heavens are opening now.
Perhaps up there, this night, some lonely soul
Gazes at earth, watches our dawning moon,
And wonders, as we wonder."
                            In that dark
We knelt together . . .
                        Very strange to see
The vanity and fickleness of princes.
Before his enemies had provoked the wrath
Of Rome against him, he had given the name
Of Medicean stars to those four moons
In honour of Prince Cosmo. This aroused
The court of France to seek a lasting place
Upon the map of heaven. A letter came
Beseeching him to find another star
Even more brilliant, and to call it _Henri_
After the reigning and most brilliant prince
Of France. They did not wish the family name
Of Bourbon. This would dissipate the glory.
No, they preferred his proper name of Henri.
We read it together in the garden here,
Weeping with laughter, never dreaming then
That this, this, this, could stir the little hearts
Of men to envy.
                O, but afterwards,
The blindness of the men who thought themselves
His enemies. The men who never knew him,
The men that had set up a thing of straw
And called it by his name, and wished to burn
Their image and himself in one wild fire.
Men? Were they men or children? They refused
Even to look through Galileo's glass,
Lest seeing might persuade them. Even that sage,
That great Aristotelian, Julius Libri,
Holding his breath there, like a fractious child
Until his cheeks grew purple, and the veins
Were bursting on his brow, swore he would die
Sooner than look.
                  And that poor monstrous babe
Not long thereafter, kept his word and died,
Died of his own pent rage, as I have heard.
Whereat my lord and father shook his head
And, smiling, somewhat sadly--oh, you know
That smile of his, more deadly to the false
Than even his reasoning--murmured, _"Libri, dead,
Who called the moons of Jupiter absurd!
He swore he would not look at them from earth,
I hope he saw them on his way to heaven."_
Welser in Augsburg, Clavius at Rome,
Scoffed at the fabled moons of Jupiter,
It was a trick, they said. He had made a glass
To fool the world with false appearances.
Perhaps the lens was flawed. Perhaps his wits
Were wandering. Anything rather than the truth
Which might disturb the mighty in their seat.
"Let Galileo hold his own opinions.
I, Clavius, will hold mine."
                             He wrote to Kepler;
"You, Kepler, are the first, whose open mind
And lofty genius could accept for truth
The things which I have seen. With you for friend,
The abuse of the multitude will not trouble me.
Jupiter stands in heaven and will stand,
Though all the sycophants bark at him.
                                       In Pisa,
Florence, Bologna, Venice, Padua,
Many have seen the moons. These witnesses
Are silent and uncertain. Do you wonder?
Most of them could not, even when they saw them,
Distinguish Mars from Jupiter. Shall we side
With Heraclitus or Democritus?
I think, my Kepler, we will only laugh
At this immeasurable stupidity.
Picture the leaders of our college here.
A thousand times I have offered them the proof
Of their own eyes. They sleep here, like gorged snakes,
Refusing even to look at planets, moons,
Or telescope. They think philosophy
Is all in books, and that the truth is found
Neither in nature, nor the Universe,
But in comparing texts. How you would laugh
Had you but heard our first philosopher
Before the Grand Duke, trying to tear down
And argue the new planets out of heaven,
Now by his own weird logic and closed eyes
And now by magic spells."
                          How could he help
Despising them a little? It's an error
Even for a giant to despise a midge;
For, when the giant reels beneath some stroke
Of fate, the buzzing clouds will swoop upon him,
Cluster and feed upon his bleeding wounds,
And do what midges can to sting him blind.
These human midges have not missed their chance.
They have missed no smallest spot upon that sun.
My mother was not married--they have found--
To my dear father. All his children, then,
And doubtless all their thoughts are evil, too;
But who that judged him ever sought to know
Whether, as evil sometimes wears the cloak
Of virtue, nobler virtue in this man
Might wear that outward semblance of a sin?
Yes, even you who love me, may believe
These thoughts are born of my own tainted heart;
And yet I write them, kneeling in my cell
And whisper them to One who blesses me
Here, from His Cross, upon the bare grey wall.
So, if you love me, bless me also, you,
By helping him. Make plain to all you meet
What part his enemies have played in this.
How some one, somehow, altered the command
Laid on him all those years ago, by Rome,
So that it reads to-day as if he vowed
Never to think or breathe that this round earth
Moves with its sister-planets round the sun.
'Tis true he promised not to write or speak
As if this truth were 'stablished equally
With God's eternal laws; and so he wrote
His Dialogues, reasoning for it, and against,
And gave the last word to Simplicio,
Saying that human reason must bow down
Before the power of God.
                         And even this
His enemies have twisted to a sneer
Against the Pope, and cunningly declared
Simplicio to be Urban.
                       Why, my friend,
There were three dolphins on the titlepage,
Each with the tail of another in its mouth.
The censor had not seen this, and they swore
It held some hidden meaning. Then they found
The same three dolphins sprawled on all the books
Landini printed at his Florence press.
They tried another charge.
                           I am not afraid
Of any truth that they can bring against him;
But, O, my friend, I more than fear their lies.
I do not fear the justice of our God;
But I do fear the vanity of men;
Even of Urban; not His Holiness,
But Urban, the weak man, who may resent,
And in resentment rush half-way to meet
This cunning lie with credence. Vanity!
O, half the wrongs on earth arise from that!
Greed, and war's pomp, all envy, and most hate,
Are born of that; while one dear humble heart,
Beating with love for man, between two thieves,
Proves more than all His wounds and miracles
Our Crucified to be the Son of God.
Say that I long to see him; that my prayers
Knock at the gates of mercy, night and day.
Urge him to leave the judgment now with God
And strive no more.
                    If he be right, the stars
Fight for him in their courses. Let him bow
His poor, dishonoured, glorious, old grey head
Before this storm, and then come home to me.
O, quickly, or I fear 'twill be too late;
For I am dying. Do not tell him this;
But I must live to hold his hands again,
And know that he is safe.
I dare not leave him, helpless and half blind,
Half father and half child, to rack and cord.
By all the Christ within you, save him, you;
And, though you may have ceased to love me now,
One faithful shadow in your own last hour
Shall watch beside you till all shadows die,
And heaven unfold to bless you where I failed.




II


(_Scheiner writes to Castelli, after the Trial._)

What think you of your Galileo now,
Your hero that like Ajax should defy
The lightning? Yesterday I saw him stand
Trembling before our court of Cardinals,
Trembling before the colour of their robes
As sheep, before the slaughter, at the sight
And smell of blood. His lips could hardly speak,
And--mark you--neither rack, nor cord had touched him.
Out of the Inquisition's five degrees
Of rigor: first, the public threat of torture;
Second, the repetition of the threat
Within the torture-chamber, where we show
The instruments of torture to the accused;
Third, the undressing and the binding; fourth,
Laying him on the rack; then, fifth and last,
Torture, _territio realis_; out of these,
Your Galileo reached the second only,
When, clapping both his hands against his sides,
He whined about a rupture that forbade
These extreme courses. Great heroic soul
Dropped like a cur into a sea of terror,
He sank right under. Then he came up gasping,
Ready to swear, deny, abjure, recant,
Anything, everything! Foolish, weak, old man,
Who had been so proud of his discoveries,
And dared to teach his betters. How we grinned
To see him kneeling there and whispering, thus,
Through his white lips, bending his old grey head:
_"I, Galileo Galilei, born
A Florentine, now seventy years of age,
Kneeling before you, having before mine eyes,
And touching with my hands the Holy Gospels,
Swear that I always have believed, do now,
And always will believe what Holy Church
Has held and preached and taught me to believe;
And now, whereas I rightly am accused,
Of heresy, having falsely held the sun
To be the centre of our Universe,
And also that this earth is not the centre,
But moves;
I most illogically desire
Completely to expunge this dark suspicion,
So reasonably conceived. I now abjure,
Detest and curse these errors; and I swear
That should I know another, friend or foe,
Holding the selfsame heresy as myself,
I will denounce him to the Inquisitor
In whatsoever place I chance to be.
So help me God, and these His Holy Gospels,
Which with my hands I touch!"_
                                  You will observe
His promise to denounce. Beware, Castelli!
What think you of your Galileo now?




III


_(Castelli writes, enclosing Schemer's letter, to Campanella.)_

What think I? This,--that he has laid his hands
Like Samson on the pillars of our world,
And one more trembling utterance such as this
Will overwhelm us all.
                       O, Campanella,
You know that I am loyal to our faith,
As Galileo too has always been.
You know that I believe, as he believes,
In the one Catholic Apostolic Church;
Yet there are many times when I could wish
That some blind Samson would indeed tear down
All this proud temporal fabric, made with hands,
And that, once more, we suffered with our Lord,
Were persecuted, crucified with Him.
I tell you, Campanella, on that day
When Galileo faced our Cardinals,
A veil was rent for me. There, in one flash,
I saw the eternal tragedy, transformed
Into new terms. I saw the Christ once more,
Before the court of Pilate. Peter there
Denied Him once again; and, as for me,
Never has all my soul so humbly knelt
To God in Christ, as when that sad old man
Bowed his grey head, and knelt--at seventy years--
To acquiesce, and shake the world with shame.
_He shall not strive or cry_! Strange, is it not,
How nearly Scheiner--even amidst his hate--
Quoted the Prophets? Do we think this world
So greatly bettered, that the ancient cry,
"_Despised, rejected_," hails our God no more?




IV


(_Celeste writes to her father in his imprisonment at Siena_.)

Dear father, it will seem a thousand years
Until I see you home again and well.
I would not have you doubt that all this time
I have prayed for you continually. I saw
A copy of your sentence. I was grieved;
And yet it gladdened me, for I found a way
To be of use, by taking on myself
Your penance. Therefore, if you fail in this,
If you forget it--and indeed, to save you
The trouble of remembering it--your child
Will do it for you.
                    Ah, could she do more!
How willingly would your Celeste endure
A straiter prison than she lives in now
To set you free.
                 "A prison," I have said;
And yet, if you were here, 'twould not be so.
When you were pent in Rome, I used to say,
"Would he were at Siena!" God fulfilled
That wish. You are at Siena; and I now say
Would he were at Arcctri.
                          So perhaps
Little by little, angels can be wooed
Each day, by some new prayer of mine or yours,
To bring you wholly back to me, and save
Some few of the flying days that yet remain.
You see, these other Nuns have each their friend,
Their patron Saint, their ever near _devoto_,
To whom they tell their joys and griefs; but I
Have only you, dear father, and if you
Were only near me, I could want no more.
Your garden looks as if it missed your love.
The unpruned branches lean against the wall
To look for you. The walks run wild with flowers.
Even your watch-tower seems to wait for you;
And, though the fruit is not so good this year
(The vines were hurt by hail, I think, and thieves
Have climbed the wall too often for the pears),
The crop of peas is good, and only waits
Your hand to gather it.
                        In the dovecote, too,
You'll find some plump young pigeons. We must make
A feast for your return.
                         In my small plot,
Here at the Convent, better watched than yours,
I raised a little harvest. With the price
I got for it, I had three Masses said
For my dear father's sake.




V


_(Galileo writes to his friend Castelli, after his return to
Arcetri.) _

Castelli, O Castelli, she is dead.
I found her driving death back with her soul
Till I should come.
                    I could not even see
Her face.--These useless eyes had spent their power
On distant worlds, and lost that last faint look
Of love on earth.
                  I am in the dark, Castelli,
Utterly and irreparably blind.
The Universe which once these outworn eyes
Enlarged so far beyond its ancient bounds
Is henceforth shrunk into that narrow space
Which I myself inhabit.
                        Yet I found
Even in the dark, her tears against my face,
Her thin soft childish arms around my neck,
And her voice whispering ... love, undying love;
Asking me, at this last, to tell her true,
If we should meet again.
                         Her trust in me
Had shaken her faith in what my judges held;
And, as I felt her fingers clutch my hand,
Like a child drowning, "Tell me the truth," she said,
"Before I lose the light of your dear face"--
It seemed so strange that dying she could see me
While I had lost her,--"tell me, before I go."
"Believe in Love," was all my soul could breathe.
I heard no answer. Only I felt her hand
Clasp mine and hold it tighter. Then she died,
And left me to my darkness. Could I guess
At unseen glories, in this deeper night,
Make new discoveries of profounder realms,
Within the soul? O, could I find Him there,
Rise to Him through His harmonies of law
And make His will my own!
                          This much, at least,
I know already, that--in some strange way--
His law implies His love; for, failing that
All grows discordant, and the primal Power
Ignobler than His children.
                            So I trust
One day to find her, waiting for me still,
When all things are made new.
                              I raise this torch
Of knowledge. It is one with my right hand,
And the dark sap that keeps it burning flows
Out of my heart; and yet, for all my faith,
It shows me only darkness.
                           Was I wrong?
Did I forget the subtler truth of Rome
And, in my pride, obscure the world's one light?
Did I subordinate to this moving earth
Our swiftlier-moving God?
                          O, my Celeste,
Once, once at least, you knew far more than I;
And she is dead, Castelli, she is dead.




VI


(_Viviani, many years later, writes to a friend in England_)

I was his last disciple, as you say
I went to him, at seventeen years of age,
And offered him my hands and eyes to use,
When, voicing the true mind and heart of Rome,
Father Castelli, his most faithful friend,
Wrote, for my master, that compassionate plea;
_The noblest eye that Nature ever made
Is darkened; one so exquisitely dowered,
So delicate in power that it beheld
More than all other eyes in ages gone
And opened the eyes of all that are to come._
But, out of England, even then, there shone
The first ethereal promise of light
That crowns my master dead. Well I recall
That day of days. There was no faintest breath
Among his garden cypress-trees. They dreamed
Dark, on a sky too beautiful for tears,
And the first star was trembling overhead,
When, quietly as a messenger from heaven,
Moving unseen, through his own purer realm,
Amongst the shadows of our mortal world,
A young man, with a strange light on his face
Knocked at the door of Galileo's house.
His name was Milton.
                     By the hand of God,
He, the one living soul on earth with power
To read the starry soul of this blind man,
Was led through Italy to his prison door.
He looked on Galileo, touched his hand ...
_O, dark, dark, dark, amid the blaze of noon,
Irrecoverably dark .... _
                             In after days,
He wrote it; but it pulsed within him then;
And Galileo rising to his feet
And turning on him those unseeing eyes
That had searched heaven and seen so many worlds,
Said to him, "You have found me."
Often he told me in those last sad months
Of how your grave young island poet brought
Peace to him, with the knowledge that, far off,
In other lands, the truth he had proclaimed
Was gathering power.
                     Soon after, death unlocked
His prison, and the city that he loved,
Florence, his town of flowers, whose gates in life
He was forbid to pass, received him dead.

You write to me from England, that his name
Is now among the mightiest in the world,
And in his name I thank you.
                             I am old;
And I was very young when, long ago,
I stood beside his poor dishonoured grave
Where hate denied him even an epitaph;
And I have seen, slowly and silently,
His purer fame arising, like a moon
In marble on the twilight of those aisles
At Santa Croce, where the dread decree
Was read against him.
                      Now, against two wrongs,
Let me defend two victims: first, the Church
Whom many have vilified for my master's doom;
And second, Galileo, whom they reproach
Because they think that in his blind old age
He might with one great eagle's glance have cowed
His judges, played the hero, raised his hands
Above his head, and posturing like a mummer
Cried (as one empty rumour now declares)
After his recantation--_yet, it moves_!
Out of this wild confusion, fourfold wrongs
Are heaped on both sides.--I would fain bring peace,
The peace of truth to both before I die;
And, as I hope, rest at my master's feet.
It was not Rome that tried to murder truth;
But the blind hate and vanity of man.
Had Galileo but concealed the smile
With which, like Socrates, he answered fools,
They would not, in the name of Christ, have mixed
This hemlock in his chalice.
                             O pitiful
Pitiful human hearts that must deny
Their own unfolding heavens, for one light word
Twisted by whispering malice.
                              Did he mean
Simplicio, in his dialogues, for the Pope?
Doubtful enough--the name was borrowed straight
From older dialogues.
                      If he gave one thought
Of Urban's to Simplicio--you know well
How composite are all characters in books,
How authors find their colours here and there,
And paint both saints and villains from themselves.
No matter. This was Urban. Make it clear.
Simplicio means a simpleton. The saints
Are aroused by ridicule to most human wrath.
Urban was once his friend. This hint of ours
Kills all of that. And so we mortals close
The doors of Love and Knowledge on the world.
And so, for many an age, the name of Christ
Has been misused by man to mask man's hate.
How should the Church escape, then? I who loved
My master, know he had no truer friend
Than many of those true servants of the Church,
Fathers and priests who, in their lowlier sphere,
Moved nearer than her cardinals to the Christ.
These were the very Rome, and held her keys.
Those who charge Rome with hatred of the light
Would charge the sun with darkness, and accuse
This dome of sky for all the blood-red wrongs
That men commit beneath it. Art and song
That found her once in Europe their sole shrine
And sanctuary absolve her from that stain.

But there's this other charge against my friend,
And master, Galileo. It is brought
By friends, made sharper by their pity and grief,
The charge that he refused his martyrdom
And so denied his own high faith.
                                  Whose faith,--
His friends', his Protestant followers', or his own?
Faced by the torture, that sublime old man
Was still a faithful Catholic, and his thought
Plunged deeper than his Protestant followers knew.
His aim was not to strike a blow at Rome
But to confound his enemies. He believed
As humbly as Castelli or Celeste
That there is nothing absolute but that Power
With which his Church confronted him. To this
He bowed his head, acknowledging that his light
Was darkness; but affirming, all the more,
That Ptolemy's light was even darker yet.
Read your own Protestant Milton, who derived
His mighty argument from my master's lips:
_"Whether the sun predominant in heaven
Rise on the earth, or earth rise on the sun;
Leave them to God above; Him serve and fear."_
Just as in boyhood, when my master watched
The swinging lamp in the cathedral there
At Pisa; and, by one finger on his pulse,
Found that, although the great bronze miracle swung
Through ever-shortening spaces, yet it moved
More slowly, and so still swung in equal times;
He straight devised another boon to man,
Those pulse-clocks which by many a fevered bed
Our doctors use; dreamed of that timepiece, too,
Whose punctual swinging pendulum on earth
Measures the starry periods, and to-day
Talks peacefully to children by the fire
Like an old grandad full of ancient tales,
Remembering endless ages, and foretelling
Eternities to come; but, all the while
There, in the dim cathedral, he knew well,
That dreaming youngster, with his tawny mane
Of red-gold hair, and deep ethereal eyes,
What odorous clouds of incense round him rose;
Was conscious in the dimness, of great throngs
Kneeling around him; shared in his own heart
The music and the silence and the cry,
_O, salutaris hostia!_--so now,
There was no mortal conflict in his mind
Between his dream-clocks and things absolute,
And one far voice, most absolute of all,
Feeble with suffering, calling night and day
"_Return, return_;" the voice of his Celeste.
All these things co-existed, and the less
Were comprehended, like the swinging lamp,
Within that great cathedral of his soul.
Often he bade me, in that desolate house
_Il Giojello_, of old a jewel of light,
Read to him one sad letter, till he knew
The most of it by heart, and while he walked
His garden, leaning on my arm, at times
I think he quite forgot that I was there;
For he would quietly murmur it to himself,
As if she had sent it, half an hour ago:
"Now, with this little winter's gift of fruit
I send you, father, from our southward wall,
Our convent's rarest flower, a Christmas rose.
At this cold season, it should please you much,
Seeing how rare it is; but, with the rose,
You must accept its thorns, which bring to mind
Our Lord's own bitter Passion. Its green leaves
Image the hope that through His Passion we,
After this winter of our mortal life,
May find the beauty of an eternal spring
In heaven."
Praise me the martyr, out of whose agonies
Some great new hope is born, but not the fool
Who starves his heart to prove what eyes can see
And intellect confirm throughout the world.
Why must he follow the idiot schoolboy code,
Torture his soul to reinforce the sight
Of those that closed their eyes and would not see.
To your own men of science, fifty turns
Of the thumbscrew would not prove that earth revolved.
Call it Italian subtlety if you will,
I say his intricate cause could not be won
By blind heroics. Much that his enemies challenged
Was not yet wholly proven, though his mind
Had leapt to a certainty. He must leave the rest
To those that should come after, swift and young,--
Those runners with the torch for whom he longed
As his deliverers. Had he chosen death
Before his hour, his proofs had been obscured
For many a year. His respite gave him time
To push new pawns out, in the blindfold play
Of those last months, and checkmate, not the Church
But those that hid behind her. He believed
His truth was all harmonious with her own.
How could he choose between them? Must he die
To affirm a discord that himself denied?
On many a point, he was less sure than we:
But surer far of much that we forget
The movements that he saw he could but judge
By some fixed point in space. He chose the sun.
Could this be absolute? Could he then be sure
That this great sun did not with all its worlds
Move round a deeper centre? What became
Of your Copernicus then? Could he be sure
Of any unchanging centre, whence to judge
This myriad-marching universe, but one--
The absolute throne of God.
                            Affirming this
Eternal Rock, his own uncertainties
Became more certain, and although his lips
Breathed not a syllable of it, though he stood
Silent as earth that also seemed so still,
The very silence thundered, _yet it moves_!

He held to what he knew, secured his work
Through feeble hands like mine, in other lands,
Not least in England, as I think you know.
For, partly through your poet, as I believe,
When his great music rolled upon your skies,
New thoughts were kindled in the general mind.
'Twas at Arcetri that your Milton gained
The first great glimpse of his celestial realm.
Picture him,--still a prisoner of our light,
Closing his glorious eyes--that in the dark,
He might behold this wheeling universe,--
The planets gilding their ethereal horns
With sun-fire. Many a pure immortal phrase
In his own work, as I have pondered it,
Lived first upon the lips of him whose eyes
Were darkened first,--in whom, too, Milton found
That Samson Agonistes, not himself,
As many have thought, but my dear master dead.
These are a part of England's memories now,
The music blown upon her sea-bright air
When, in the year of Galileo's death,
Newton, the mightiest of the sons of light,
Was born to lift the splendour of this torch
And carry it, as I heard that Tycho said
Long since to Kepler, "carry it out of sight,
Into the great new age I must not know,
Into the great new realm I must not tread."




V

NEWTON


I


If I saw farther, 'twas because I stood
On giant shoulders," wrote the king of thought,
Too proud of his great line to slight the toils
Of his forebears. He turned to their dim past,
Their fading victories and their fond defeats,
And knelt as at an altar, drawing all
Their strengths into his own; and so went forth
With all their glory shining in his face,
To win new victories for the age to come.
So, where Copernicus had destroyed the dream
We called our world; where Galileo watched
Those ancient firmaments melt, a thin blue smoke
Into a vaster night; where Kepler heard
Only stray fragments, isolated chords
Of that tremendous music which should bind
All things anew in one, Newton arose
And carried on their fire.
                           Around him reeled
Through lingering fumes of hate and clouds of doubt,
Lit by the afterglow of the Civil War,
The dissolute throngs of that Walpurgis night
Where all the cynical spirits that deny
Danced with the vicious lusts that drown the soul
In flesh too gross for Circe or her swine.
But, in his heart, he heard one instant voice.
_"On with the torch once more, make all things new,
Build the new heaven and earth, and save the world."_

Ah, but the infinite patience, the long months
Lavished on tasks that, to the common eye,
Were insignificant, never to be crowned
With great results, or even with earth's rewards.
Could Rembrandt but have painted him, in those hours
Making his first analysis of light
Alone, there, in his darkened Cambridge room
At Trinity! Could he have painted, too,
The secret glow, the mystery, and the power,
The sense of all the thoughts and unseen spires
That soared to heaven around him!
                                  He stood there,
Obscure, unknown, the shadow of a man
In darkness, like a grey dishevelled ghost,
--Bare-throated, down at heel, his last night's supper
Littering his desk, untouched; his glimmering face,
Under his tangled hair, intent and still,--
Preparing our new universe.
                            He caught
The sunbeam striking through that bullet-hole
In his closed shutter--a round white spot of light
Upon a small dark screen.
                          He interposed
A prism of glass. He saw the sunbeam break
And spread upon the screen its rainbow band
Of disentangled colours, all in scale
Like notes in music; first, the violet ray,
Then indigo, trembling softly into blue;
Then green and yellow, quivering side by side;
Then orange, mellowing richly into red.
Then, in the screen, he made a small, round hole
Like to the first; and through it passed once more
Each separate coloured ray. He let it strike
Another prism of glass, and saw each hue
Bent at a different angle from its path,
The red the least, the violet ray the most;
But all in scale and order, all precise
As notes in music. Last, he took a lens,
And, passing through it all those coloured rays,
Drew them together again, remerging all
On that dark screen, in one white spot of light.

So, watching, testing, proving, he resolved
The seeming random glories of our day
Into a constant harmony, and found
How in the whiteness of the sunlight sleep
Compounded, all the colours of the world.
He saw how raindrops in the clouds of heaven
Breaking the light, revealed that sevenfold arch
Of colours, ranged as on his own dark screen,
Though now they spanned the mountains and wild seas.
Then, where that old-world order had gone down
Beneath a darker deluge, he beheld
Gleams of the great new order and recalled
--Fraught with new meaning and a deeper hope--
That covenant which God made with all mankind
Throughout all generations: _I will set
My bow in the cloud, that henceforth ye may know
How deeper than the wreckage of your dreams
Abides My law, in beauty and in power. _




II


Yet for that exquisite balance of the mind,
He, too, must pay the price. He stood alone
Bewildered, at the sudden assault of fools
On this, his first discovery.
                              "I have lost
The most substantial blessing of my quiet
To follow a vain shadow.
                         I would fain
Attempt no more. So few can understand,
Or read one thought. So many are ready at once
To swoop and sting. Indeed I would withdraw
For ever from philosophy." So he wrote
In grief, the mightiest mind of that new age.
Let those who'd stone the Roman Curia
For all the griefs that Galileo knew
Remember the dark hours that well-nigh quenched
The splendour of that spirit. He could not sleep.
Yet, with that patience of the God in man
That still must seek the Splendour whence it came,
Through midnight hours of mockery and defeat,
In loneliness and hopelessness and tears,
He laboured on. He had no power to see
How, after many years, when he was dead,
Out of this new discovery men should make
An instrument to explore the farthest stars
And, delicately dividing their white rays,
Divine what metals in their beauty burned,
Extort red secrets from the heart of Mars,
Or measure the molten iron in the sun.
He bent himself to nearer, lowlier, tasks;
And seeing, first, that those deflected rays,
Though it were only by the faintest bloom
Of colour, imperceptible to our eyes,
Must dim the vision of Galileo's glass,
He made his own new weapon of the sky,--
That first reflecting telescope which should hold
In its deep mirror, as in a breathless pool
The undistorted image of a star.




III


In that deep night where Galileo groped
Like a blind giant in dreams to find what power
Held moons and planets to their constant road
Through vastness, ordered like a moving fleet;
What law so married them that they could not clash
Or sunder, but still kept their rhythmic pace
As if those ancient tales indeed were true
And some great angel helmed each gliding sphere;
Many had sought an answer. Many had caught
Gleams of the truth; and yet, as when a torch
Is waved above a multitude at night,
And shows wild streams of faces, all confused,
But not the single law that knits them all
Into an ordered nation, so our skies
For all those fragmentary glimpses, whirled
In chaos, till one eagle-spirit soared,
Found the one law that bound them all in one,
And through that awful unity upraised
The soul to That which made and guides them all.

Did Newton, dreaming in his orchard there
Beside the dreaming Witham, see the moon
Burn like a huge gold apple in the boughs
And wonder why should moons not fall like fruit?
Or did he see as those old tales declare
(Those fairy-tales that gather form and fire
Till, in one jewel, they pack the whole bright world)
A ripe fruit fall from some immortal tree
Of knowledge, while he wondered at what height
Would this earth-magnet lose its darkling power?
Would not the fruit fall earthward, though it grew
High o'er the hills as yonder brightening cloud?
Would not the selfsame power that plucked the fruit
Draw the white moon, then, sailing in the blue?
Then, in one flash, as light and song are born,
And the soul wakes, he saw it--this dark earth
Holding the moon that else would fly through space
To her sure orbit, as a stone is held
In a whirled sling; and, by the selfsame power,
Her sister planets guiding all their moons;
While, exquisitely balanced and controlled
In one vast system, moons and planets wheeled
Around one sovran majesty, the sun.




IV


Light and more light! The spark from heaven was there,
The flash of that reintegrating fire
Flung from heaven's altars, where all light is born,
To feed the imagination of mankind
With vision, and reveal all worlds in one.
But let no dreamer dream that his great work
Sprang, armed, like Pallas from the Thunderer's brain.
With infinite patience he must test and prove
His vision now, in those clear courts of Truth
Whose absolute laws (bemocked by shallower minds
As less than dreams, less than the faithless faith
That fears the Truth, lest Truth should slay the dream)
Are man's one guide to his transcendent heaven;
For there's no wandering splendour in the soul,
But in the highest heaven of all is one
With absolute reality. None can climb
Back to that Fount of Beauty but through pain.
Long, long he toiled, comparing first the curves
Traced by the cannon-ball as it soared and fell
With that great curving road across the sky
Traced by the sailing moon.
                            Was earth a loadstone
Holding them to their paths by that dark force
Whose mystery men have cloaked beneath a name?
Yet, when he came to test and prove, he found
That all the great deflections of the moon,
Her shining cadences from the path direct,
Were utterly inharmonious with the law
Of that dark force, at such a distance acting,
Measured from earth's own centre....
For three long years, Newton withheld his hope
Until that day when light was brought from France,
New light, new hope, in one small glistening fact,
Clear-cut as any diamond; and to him
Loaded with all significance, like the point
Of light that shows where constellations burn.
Picard in France--all glory to her name
Who is herself a light among all lands--
Had measured earth's diameter once more
With exquisite precision.
                          To the throng,
Those few corrected ciphers, his results,
Were less than nothing; yet they changed the world.
For Newton seized them and, with trembling hands,
Began to work his problem out anew.
Then, then, as on the page those figures turned
To hieroglyphs of heaven, and he beheld
The moving moon, with awful cadences
Falling into the path his law ordained,
Even to the foot and second, his hand shook
And dropped the pencil.
                        "Work it out for me,"
He cried to those around him; for the weight
Of that celestial music overwhelmed him;
And, on his page, those burning hieroglyphs
Were Thrones and Principalities and Powers...
For far beyond, immeasurably far
Beyond our sun, he saw that river of suns
We call the Milky Way, that glittering host
Powdering the night, each grain of solar blaze
Divided from its neighbour by a gulf
Too wide for thought to measure; each a sun
Huger than ours, with its own fleet of worlds,
Visible and invisible. Those bright throngs
That seemed dispersed like a defeated host
Through blindly wandering skies, now, at the word
Of one great dreamer, height o'er height revealed
Hints of a vaster order, and moved on
In boundless intricacies of harmony
Around one centre, deeper than all suns,
The burning throne of God.





V


He could not sleep. That intellect, whose wings
Dared the cold ultimate heights of Space and Time
Sank, like a wounded eagle, with dazed eyes
Back, headlong through the clouds to throb on earth.
What shaft had pierced him? That which also pierced
His great forebears--the hate of little men.
They flocked around him, and they flung their dust
Into the sensitive eyes and laughed to see
How dust could blind them.
                           If one prickling grain
Could so put out his vision and so torment
That delicate brain, what weakness! How the mind
That seemed to dwarf us, dwindles! Is he mad?
So buzzed the fools, whose ponderous mental wheels
Nor dust, nor grit, nor stones, nor rocks could irk
Even for an instant.
                     Newton could not sleep,
But all that careful malice could design
Was blindly fostered by well-meaning folly,
And great sane folk like Mr. Samuel Pepys
Canvassed his weakness and slept sound all night.
For little Samuel with his rosy face
Came chirping into a coffee-house one day
Like a plump robin, "Sir, the unhappy state
Of Mr. Isaac Newton grieves me much.
Last week I had a letter from him, filled
With strange complainings, very curious hints,
Such as, I grieve to say, are common signs
--I have observed it often--of worse to come.
He said that he could neither eat nor sleep
Because of all the embroilments he was in,
Hinting at nameless enemies. Then he begged
My pardon, very strangely. I believe
Physicians would confirm me in my fears.
'Tis very sad.... Only last night, I found
Among my papers certain lines composed
By--whom d'you think?--My lord of Halifax
(Or so dear Mrs. Porterhouse assured me)
Expressing, sir, the uttermost satisfaction
In Mr. Newton's talent. Sir, he wrote
Answering the charge that science would put out
The light of beauty, these very handsome lines:

 'When Newton walked by Witham stream
    There fell no chilling shade
  To blight the drifting naiad's dream
    Or make her garland fade.

  The mist of sun was not less bright
    That crowned Urania's hair.
  He robbed it of its colder light,
    But left the rainbow there.'

They are very neat and handsome, you'll agree.
Solid in sense as Dryden at his best,
And smooth as Waller, but with something more,--
That touch of grace, that airier elegance
Which only rank can give.
                          'Tis very sad
That one so nobly praised should--well, no matter!--
I am told, sir, that these troubles all began
At Cambridge, when his manuscripts were burned.
He had been working, in his curious way,
All through the night; and, in the morning greyness
Went down to chapel, leaving on his desk
A lighted candle. You can imagine it,--
A sadly sloven altar to his Muse,
Littered with papers, cups, and greasy plates
Of untouched food. I am told that he would eat
His Monday's breakfast, sir, on Tuesday morning,
Such was his absent way!
                         When he returned,
He found that Diamond (his little dog
Named Diamond, for a black patch near his tail)
Had overturned the candle. All his work
Was burned to ashes.
                     It struck him to the quick,
Though, when his terrier fawned about his feet,
He showed no anger. He was heard to say,
'O Diamond, Diamond, little do you know...'
But, from that hour, ah well, we'll say no more."

Halley was there that day, and spoke up sharply,
"Sir, there are hints and hints! Do you _mean_ more?"
--"I do, sir," chirruped Samuel, mightily pleased
To find all eyes, for once, on his fat face.
"I fear his intellects are disordered, sir."
--"Good! That's an answer! I can deal with that.
But tell me first," quoth Halley, "why he wrote
That letter, a week ago, to Mr. Pepys."
--"Why, sir," piped Samuel, innocent of the trap,
"I had an argument in this coffee-house
Last week, with certain gentlemen, on the laws
Of chance, and what fair hopes a man might have
Of throwing six at dice. I happened to say
That Mr. Isaac Newton was my friend,
And promised I would sound him."
                                 "Sir," said Halley,
"You'll pardon me, but I forgot to tell you
I heard, a minute since, outside these doors,
A very modish woman of the town,
Or else a most delicious lady of fashion,
A melting creature with a bold black eye,
A bosom like twin doves; and, sir, a mouth
Like a Turk's dream of Paradise. She cooed,
'Is Mr. Pepys within?' I greatly fear
That they denied you to her!"
                              Off ran Pepys!
"A hint's a hint," laughed Halley, "and so to bed.
But, as for Isaac Newton, let me say,
Whatever his embroilments were, he solved
With just one hour of thought, not long ago
The problem set by Leibnitz as a challenge
To all of Europe. He published his result
Anonymously, but Leibnitz, when he saw it,
Cried out, at once, old enemy as he was,
'That's Newton, none but Newton! From this claw
I know the old lion, in his midnight lair.'"




VI


(_Sir Isaac Newton writes to Mrs. Vincent at Woolthorpe._)


Your letter, on my eightieth birthday, wakes
Memories, like violets, in this London gloom.
You have never failed, for more than three-score years
To send these annual greetings from the haunts
Where you and I were boy and girl together.
A day must come-it cannot now be far--
When I shall have no power to thank you for them,
So let me tell you now that, all my life,
They have come to me with healing in their wings
Like birds from home, birds from the happy woods
Above the Witham, where you walked with me
When you and I were young.
                           Do you remember
Old Barley--how he tried to teach us drawing?
He found some promise, I believe, in you,
But quite despaired of me.
                           I treasure all
Those little sketches that you sent to me
Each Christmas, carrying each some glimpse of home.
There's one I love that shows the narrow lane
Behind the schoolhouse, where I had that bout
Of schoolboy fisticuffs. I have never known
More pleasure, I believe, than when I beat
That black-haired bully and won, for my reward,
Those April smiles from you.
                             I see you still
Standing among the fox-gloves in the hedge;
And just behind you, in the field, I know
There was a patch of aromatic flowers,--
Rest-harrow, was it? Yes; their tangled roots
Pluck at the harrow; halt the sharp harrow of thought,
Even in old age. I never breathe their scent
But I am back in boyhood, dreaming there
Over some book, among the diligent bees,
Until you join me, and we dream together.
They called me lazy, then. Oddly enough
It was that fight that stirred my mind to beat
My bully at his books, and head the school;
Blind rivalry, at first. By such fond tricks
The invisible Power that shapes us--not ourselves--
Punishes, teaches, leads us gently on
Like children, all our lives, until we grasp
A sudden meaning and are born, through death
Into full knowledge that our Guide was Love.
Another picture shows those woods of ours,
Around whose warm dark edges in the spring
Primroses, knots of living sunlight, woke;
And, always, you, their radiant shepherdess
From Elfland, lead them rambling back for me,
The dew still clinging to their golden fleece,
Through these grey memory-mists.
                                 Another shows
My old sun-dial. You say that it is known
As "Isaac's dial" still. I took great pains
To set it rightly. If it has not shifted
'Twill mark the time long after I am gone;
Not like those curious water-clocks I made.
Do you remember? They worked well at first;
But the least particles in the water clogged
The holes through which it dripped; and so, one day,
We two came home so late that we were sent
Supperless to our beds; and suffered much
From the world's harshness, as we thought it then.
Would God that we might taste that harshness now.

I cannot send you what you've sent to me;
And so I wish you'll never thank me more
For those poor gifts I have sent from year to year.
I send another, and hope that you can use it
To buy yourself those comforts which you need
This Christmas-time.
                     How strange it is to wake
And find that half a century has gone by,
With all our endless youth.
                            They talk to me
Of my discoveries, prate of undying fame
Too late to help me. Anything I achieved
Was done through work and patience; and the men
Who sought quick roads to glory for themselves
Were capable of neither. So I won
Their hatred, and it often hampered me,
Because it vexed my mind.
                          This world of ours
Would give me all, now I have ceased to want it;
For I sit here, alone, a sad old man,
Sipping his orange-water, nodding to sleep,
Not caring any more for aught they say,
Not caring any more for praise or blame;
But dreaming-things we dreamed of, long ago,
In childhood.
              You and I had laughed away
That boy and girl affair. We were too poor
For anything but laughter.
                           I am old;
And you, twice wedded and twice widowed, still
Retain, through all your nearer joys and griefs,
The old affection. Vaguely our blind old hands
Grope for each other in this growing dark
And deepening loneliness,--to say "good-bye."
Would that my words could tell you all my heart;
But even my words grow old.
                            Perhaps these lines,
Written not long ago, may tell you more.
I have no skill in verse, despite the praise
Your kindness gave me, once; but since I wrote
Thinking of you, among the woods of home,
My heart was in them. Let them turn to yours:

  _Give me, for friends, my own true folk
  Who kept the very word they spoke;
    Whose quiet prayers, from day to day,
    Have brought the heavens about my way.

  Not those whose intellectual pride
  Would quench the only lights that guide;
    Confuse the lines 'twixt good and ill
    Then throne their own capricious will;

  Not those whose eyes in mockery scan
  The simpler hopes and dreams of man;
    Not those keen wits, so quick to hurt,
    So swift to trip you in the dirt.

  Not those who'd pluck your mystery out,
  Yet never saw your last redoubt;
    Whose cleverness would kill the song
    Dead at your heart, then prove you wrong.

  Give me those eyes I used to know
  Where thoughts like angels come and go;
   --Not glittering eyes, nor dimmed by books,
    But eyes through which the deep soul looks.

  Give me the quiet hands and face
  That never strove for fame and place;
    The soul whose love, so many a day
    Has brought the heavens about my way._




VII


_Was it a dream, that low dim-lighted room
With that dark periwigged phantom of Dean Swift
Writing, beside a fire, to one he loved,--
Beautiful Catherine Barton, once the light
Of Newton's house, and his half-sister's child?_
Yes, Catherine Barton, I am brave enough
To face this pale, unhappy, wistful ghost
Of our departed friendship.
                            It was I
Savage and mad, a snarling kennel of sins,
"Your Holiness," as you called me, with that smile
Which even your ghost would quietly turn on me--
Who raised it up. It has no terrors, dear.
And I shall never lay it while I live.
You write to me. You think I have the power
To shield the fame of Newton from a lie.
Poor little ghost! You think I hold the keys
Not only of Parnassus, then, but hell.

There is a tale abroad that Newton owed
His public office to Lord Halifax,
Your secret lover. Coarseness, as you know,
Is my peculiar privilege. I'll be plain,
And let them wince who are whispering in the dark.
They are hinting that he gained his public post
Through you, his flesh and blood; and that he knew
You were his patron's mistress!
                                Yes, I know
The coffee-house that hatched it--to be scotched,
Nay, killed, before one snuff-box could say "snap,"
Had not one cold malevolent face been there
Listening,--that crystal-minded lover of truth,
That lucid enemy of all lies,--Voltaire.
I am told he is doing much to spread the light
Of Newton's great discoveries, there, in France.
There's little fear that France, whose clear keen eyes
Have missed no morning in the realm of thought,
Would fail to see it; and smaller need to lift
A brand from hell to illume the light from heaven.
You fear he'll print his lie. No doubt of that.
I can foresee the phrase, as Halley saw
The advent of his comet,--_jolie niece,
Assez amiable,_ ... then he'll give your name
As _Madame Conduit_, adding just that spice
Of infidelity that the dates admit
To none but these truth-lovers. It will be best
Not to enlighten him, or he'll change his tale
And make an answer difficult. Let him print
This truth as he conceives it, and you'll need
No more defence.
All history then shall damn his death-cold lie
And show you for the laughing child you were
When Newton won his office.
                            For yourself
You say you have no fear. Your only thought
Is that they'll soil his fame. Ah yes, they'll try,
But they'll not hurt it. For all time to come
It stands there, firm as marble and as pure.
They can do nothing that the sun and rain
Will not erase at last. Not even Voltaire
Can hurt that noble memory. Think of him
As of a viper writhing at the base
Of some great statue. Let the venomous tongue
Flicker against that marble as it may
It cannot wound it.
                    I am far more grieved
For you, who sit there wondering now, too late,
If it were some suspicion, some dark hint
Newton had heard that robbed him of his sleep,
And almost broke his mind up. I recall
How the town buzzed that Newton had gone mad.
You copy me that sad letter which he wrote
To Locke, wherein he begs him to forgive
The hard words he had spoken, thinking Locke
Had tried to embroil him, as he says, with women;
A piteous, humble letter.
                          Had he heard
Some hint of scandal that he could not breathe
To you, because he honoured you too well?
I cannot tell. His mind was greatly troubled
With other things. At least, you need not fear
That Newton thought it true. He walked aloof,
Treading a deeper stranger world than ours.
Have you not told me how he would forget
Even to eat and drink, when he was wrapt
In those miraculous new discoveries
And, under this wild maze of shadow and sun
Beheld--though not the Master Player's hand--
The keys from which His organ music rolls,
Those visible symphonies of wild cloud and light
Which clothe the invisible world for mortal eyes.
I have heard that Leibnitz whispered to the court
That Newton was an "atheist." Leibnitz knew
His audience. He could stoop to it.
                                    Fools have said
That knowledge drives out wonder from the world;
They'll say it still, though all the dust's ablaze
With miracles at their feet; while Newton's laws
Foretell that knowledge one day shall be song,
And those whom Truth has taken to her heart
Find that it beats in music.
                             Even this age
Has glimmerings of it. Newton never saw
His own full victory; but at least he knew
That all the world was linked in one again;
And, if men found new worlds in years to come,
These too must join the universal song.
That's why true poets love him; and you'll find
Their love will cancel all that hate can do.
They are the sentinels of the House of Fame;
And that quick challenging couplet from the pen
Of Alexander Pope is answer enough
To all those whisperers round the outer doors.
There's Addison, too. The very spirit and thought
Of Newton moved to music when he wrote
_The Spacious Firmament_. Some keen-eyed age to come
Will say, though Newton seldom wrote a verse,
That music was his own and speaks his faith.

And, last, for those who doubt his faith in God
And man's immortal destiny, there remains
The granite monument of his own great work,
That dark cathedral of man's intellect,
The vast "Principia," pointing to the skies,
Wherein our intellectual king proclaimed
The task of science,--through this wilderness
Of Time and Space and false appearances,
To make the path straight from effect to cause,
Until we come to that First Cause of all,
The Power, above, beyond the blind machine,
The Primal Power, the originating Power,
Which cannot be mechanical. He affirmed it
With absolute certainty. Whence arises all
This order, this unbroken chain of law,
This human will, this death-defying love?
Whence, but from some divine transcendent Power,
Not less, but infinitely more than these,
Because it is their Fountain and their Guide.
Fools in their hearts have said, "Whence comes this Power,
Why throw the riddle back this one stage more?"
And Newton, from a height above all worlds
Answered and answers still:
                            "This universe
Exists, and by that one impossible fact
Declares itself a miracle; postulates
An infinite Power within itself, a Whole
Greater than any part, a Unity
Sustaining all, binding all worlds in one.
This is the mystery, palpable here and now.
'Tis not the lack of links within the chain
From cause to cause, but that the chain exists.
That's the unfathomable mystery,
The one unquestioned miracle that we _know_,
Implying every attribute of God,
The ultimate, absolute, omnipresent Power,
In its own being, deep and high as heaven.
But men still trace the greater to the less,
Account for soul with flesh and dreams with dust,
Forgetting in their manifold world the One,
In whom for every splendour shining here
Abides an equal power behind the veil.
Was the eye contrived by blindly moving atoms,
Or the still-listening ear fulfilled with music
By forces without knowledge of sweet sounds?
Are nerves and brain so sensitively fashioned
That they convey these pictures of the world
Into the very substance of our life,
While That from which we came, the Power that made us,
Is drowned in blank unconsciousness of all?
Does it not from the things we know appear
That there exists a Being, incorporeal,
Living, intelligent, who in infinite space,
As in His infinite sensory, perceives
Things in themselves, by His immediate presence
Everywhere? Of which things, we see no more
Than images only, flashed through nerves and brain
To our small sensories?
                        What is all science then
But pure religion, seeking everywhere
The true commandments, and through many forms
The eternal power that binds all worlds in one?
It is man's age-long struggle to draw near
His Maker, learn His thoughts, discern His law,--
A boundless task, in whose infinitude,
As in the unfolding light and law of love.
Abides our hope, and our eternal joy.
I know not how my work may seem to others--"
So wrote our mightiest mind--"But to myself
I seem a child that wandering all day long
Upon the sea-shore, gathers here a shell,
And there a pebble, coloured by the wave,
While the great ocean of truth, from sky to sky
Stretches before him, boundless, unexplored."

He has explored it now, and needs of me
Neither defence nor tribute. His own work
Remains his monument He rose at last so near
The Power divine that none can nearer go;
None in this age! To carry on his fire
We must await a mightier age to come.




VI

WILLIAM HERSCHEL CONDUCTS


_Was it a dream?--that crowded concert-room
In Bath; that sea of ruffles and laced coats;
And William Herschel, in his powdered wig,
Waiting upon the platform, to conduct
His choir and Linley's orchestra? He stood
Tapping his music-rest, lost in his own thoughts
And (did I hear or dream them?) all were mine:_

My periwig's askew, my ruffle stained
With grease from my new telescope!
                                   Ach, to-morrow
How Caroline will be vexed, although she grows
Almost as bad as I, who cannot leave
My work-shop for one evening.
                              I must give
One last recital at St. Margaret's,
And then--farewell to music.
                             Who can lead
Two lives at once?
                   Yet--it has taught me much,
Thrown curious lights upon our world, to pass
From one life to another. Much that I took
For substance turns to shadow. I shall see
No throngs like this again; wring no more praise
Out of their hearts; forego that instant joy
--Let those who have not known it count it vain--
When human souls at once respond to yours.
Here, on the brink of fortune and of fame,
As men account these things, the moment comes
When I must choose between them and the stars;
And I have chosen.
                   Handel, good old friend,
We part to-night. Hereafter, I must watch
That other wand, to which the worlds keep time.

What has decided me? That marvelous night
When--ah, how difficult it will be to guide,
With all these wonders whirling through my brain!--
After a Pump-room concert I came home
Hot-foot, out of the fluttering sea of fans,
Coquelicot-ribboned belles and periwigged beaux,
To my Newtonian telescope.
                           The design
Was his; but more than half the joy my own,
Because it was the work of my own hand,
A new one, with an eye six inches wide,
Better than even the best that Newton made.
Then, as I turned it on the _Gemini_,
And the deep stillness of those constant lights,
Castor and Pollux, lucid pilot-stars,
Began to calm the fever of my blood,
I saw, O, first of all mankind I saw
The disk of my new planet gliding there
Beyond our tumults, in that realm of peace.

What will they christen it? Ach--not _Herschel_, no!
Nor _Georgium Sidus_, as I once proposed;
Although he scarce could lose it, as he lost
That world in 'seventy-six.
                           Indeed, so far
From trying to tax it, he has granted me
How much?--two hundred golden pounds a year,
In the great name of science,--half the cost
Of one state-coach, with all those worlds to win!
Well--well--we must be grateful. This mad king
Has done far more than all the worldly-wise,
Who'll charge even this to madness.
                                    I believe
One day he'll have me pardoned for that...crime,
When I escaped--deserted, some would say--
From those drill-sergeants in my native land;
Deserted drill for music, as I now
Desert my music for the orchestral spheres.
No. This new planet is only new to man.
His majesty has done much. Yet, as my friend
Declared last night, "Never did monarch buy
Honour so cheaply"; and--he has not bought it.
I think that it should bear some ancient name,
And wear it like a crown; some deep, dark name,
Like _Uranus_, known to remoter gods.

How strange it seems--this buzzing concert-room!
There's Doctor Burney bowing and, behind him,
His fox-eyed daughter Fanny.
                             Is it a dream,
These crowding midgets, dense as clustering bees
In some great bee-skep?
                        Now, as I lift my wand,
A silence grips them, and the strings begin,
Throbbing. The faint lights flicker in gusts of sound.
Before me, glimmering like a crescent moon,
The dim half circle of the choir awaits
Its own appointed time.
                        Beside me now,
Watching my wand, plump and immaculate
From buckled shoes to that white bunch of lace
Under his chin, the midget tenor rises,
Music in hand, a linnet and a king.
The bullfinch bass, that other emperor,
Leans back indifferently, and clears his throat
As if to say, "This prelude leads to _Me_!"
While, on their own proud thrones, on either hand,
The sumptuously bosomed midget queens,
Contralto and soprano, jealously eye
Each other's plumage.
                      Round me the music throbs
With an immortal passion. I grow aware
Of an appalling mystery.... We, this throng
Of midgets, playing, listening, tense and still,
Are sailing on a midget ball of dust
We call our planet; will have sailed through space
Ten thousand leagues before this music ends.
What does it mean? Oh, God, what _can_ it mean?--
This weird hushed ant-hill with a thousand eyes;
These midget periwigs; all those little blurs,
Tier over tier, of faces, masks of flesh,
Corruptible, hiding each its hopes and dreams,
Its tragi-comic dreams.
                        And all this throng
Will be forgotten, mixed with dust, crushed out,
Before this book of music is outworn
Or that tall organ crumbles. Violins
Outlast their players. Other hands may touch
That harpsichord; but ere this planet makes
Another threescore journeys round its sun,
These breathing listeners will have vanished. Whither?
I watch my moving hands, and they grow strange!
What is it moves this body? What am I?
How came I here, a ghost, to hear that voice
Of infinite compassion, far away,
Above the throbbing strings, hark! _Comfort ye_...

If music lead us to a cry like this,
I think I shall not lose it in the skies.
I do but follow its own secret law
As long ago I sought to understand
Its golden mathematics; taught myself
The way to lay one stone upon another,
Before I dared to dream that I might build
My Holy City of Song. I gave myself
To all its branches. How they stared at me,
Those men of "sensibility," when I said
That algebra, conic sections, fluxions, all
Pertained to music. Let them stare again.
Old Kepler knew, by instinct, what I now
Desire to learn. I have resolved to leave
No tract of heaven unvisited.
                              To-night
--The music carries me back to it again!--
I see beyond this island universe,
Beyond our sun, and all those other suns
That throng the Milky Way, far, far beyond,
A thousand little wisps, faint nebulae,
Luminous fans and milky streaks of fire;
Some like soft brushes of electric mist
Streaming from one bright point; others that spread
And branch, like growing systems; others discrete,
Keen, ripe, with stars in clusters; others drawn back
By central forces into one dense death,
Thence to be kindled into fire, reborn,
And scattered abroad once more in a delicate spray
Faint as the mist by one bright dewdrop breathed
At dawn, and yet a universe like our own;
Each wisp a universe, a vast galaxy
Wide as our night of stars.
                            The Milky Way
In which our sun is drowned, to these would seem
Less than to us their faintest drift of haze;
Yet we, who are borne on one dark grain of dust
Around one indistinguishable spark
Of star-mist, lost in one lost feather of light,
Can by the strength of our own thought, ascend
Through universe after universe; trace their growth
Through boundless time, their glory, their decay;
And, on the invisible road of law, more firm
Than granite, range through all their length and breadth,
Their height and depth, past, present and to come.
So, those who follow the great Work-master's law
From small things up to great, may one day learn
The structure of the heavens, discern the whole
Within the part, as men through Love see God.
Oh, holy night, deep night of stars, whose peace
Descends upon the troubled mind like dew,
Healing it with the sense of that pure reign
Of constant law, enduring through all change;
Shall I not, one day, after faithful years,
Find that thy heavens are built on music, too,
And hear, once more, above thy throbbing worlds
This voice of all compassion, _Comfort ye,--_
Yes--_comfort ye, my people, saith your God?_




VII

SIR JOHN HERSCHEL REMEMBERS


True type of all, from his own father's hand
He caught the fire; and, though he carried it far
Into new regions; and, from southern fields
Of yellow lupin, added host on host
To those bright armies which his father knew,
Surely the crowning hour of all his life
Was when, his task accomplished, he returned
A lonely pilgrim to the twilit shrine
Of first beginnings and his father's youth.
There, in the Octagon Chapel, with bared head
Grey, honoured for his father and himself,
He touched the glimmering keyboard, touched the books
Those dear lost hands had touched so long ago.

"Strange that these poor inanimate things outlast
The life that used them.
                         Yes. I should like to try
This good old friend of his. You'll leave me here
An hour or so?"
                His hands explored the stops;
And, while the music breathed what else were mute,
His mind through many thoughts and memories ranged.
Picture on picture passed before him there
In living colours, painted on the gloom:
Not what the world acclaimed, the great work crowned,
But all that went before, the years of toil;
The years of infinite patience, hope, despair.
He saw the little house where all began,
His father's first resolve to explore the sky,
His first defeat, when telescopes were found
Too costly for a music-master's purse;
And then that dogged and all-conquering will
Declaring, "Be it so. I'll make my own,
A better than even the best that Newton made."
He saw his first rude telescope--a tube
Of pasteboard, with a lens at either end;
And then,--that arduous growth to size and power
With each new instrument, as his knowledge grew;
And, to reward each growth, a deeper heaven.
He saw the good Aunt Caroline's dismay
When her trim drawing-room, as by wizardry, turned
Into a workshop, where her brother's hands
Cut, ground and burnished, hour on aching hour,
Month after month, new mirrors of the sky.

Yet, while from dawn to dark her brother moved
Around some new-cut mirror, burnishing it,
Knowing that if he once removed his hands
The surface would be dimmed and must forego
Its heaven for ever, her quiet hands would raise
Food to his lips; or, with that musical voice
Which once--for she, too, offered her sacrifice--
Had promised her fame, she whiled away the hours
Reading how, long ago, Aladdin raised
The djinns, by burnishing that old battered lamp;
Or, from Cervantes, how one crazy soul
Tilting at windmills, challenged a purblind world.

He saw her seized at last by that same fire,
Burning to help, a sleepless Vestal, dowered
With lightning-quickness, rushing from desk to clock,
Or measuring distances at dead of night
Between the lamp-micrometer and his eyes.

He saw her in mid-winter, hurrying out,
A slim shawled figure through the drifted snow,
To help him; saw her fall with a stifled cry,
Gashing herself upon that buried hook,
And struggling up, out of the blood-stained drift,
To greet him with a smile.
                           "For any soldier,
This wound," the surgeon muttered, "would have meant
Six weeks in hospital."
                        Not six days for her!
"I am glad these nights were cloudy, and we lost
So little," was all she said.
                             Sir John pulled out
Another stop. A little ironical march
Of flutes began to goose-step through the gloom.
He saw that first "success"! Ay, call it so!
The royal command,--the court desires to see
The planet Saturn and his marvellous rings
On Friday night. The skies, on Friday night,
Were black with clouds. "Canute me no Canutes,"
Muttered their new magician, and unpacked
His telescope. "You shall see what you can see."
He levelled it through a window; and they saw
"Wonderful! Marvellous! Glorious! Eh, what, what!"
A planet of paper, with a paper ring,
Lit by a lamp, in a hollow of Windsor Park,
Among the ferns, where Herne the Hunter walks,
And Falstaff found that fairies live on cheese.
Thus all were satisfied; while, above the clouds--
The thunder of the pedals reaffirmed--
The Titan planet, every minute, rolled
Three hundred leagues upon his awful way.
Then, through that night, the _vox humana_spoke
With deeper longing than Lucretius knew
When, in his great third book, the somber chant
Kindled and soared on those exultant wings,
Praising the master's hand from which he, too,
--Father, discoverer, hero--caught the fire.
It spoke of those vast labours, incomplete,
But, through their incompletion, infinite
In beauty, and in hope; the task bequeathed
From dying hand to hand.
                         Close to his grave
Like a _memento mori_ stood the hulk
Of that great weapon rusted and outworn,
Which once broke down the barriers of the sky.
_"Perrupit claustra"_; yes, and bridged their gulfs;
For, far beyond our solar scheme, it showed
The law that bound our planets binding still
Those coupled suns which year by year he watched
Around each other circling.
                            Had our own
Some distant comrade, lost among the stars?
Should we not, one day, just as Kepler drew
His planetary music and its laws
From all those faithful records Tycho made,
Discern at last what vaster music rules
The vaster drift of stars from deep to deep;
Around what awful Poles, those wisps of light
Those fifteen hundred universes move?
One signal, even now, across the dark,
Declared their worlds confederate with our own;
For, carrying many secrets, which we now
Slowly decipher, one swift messenger comes
Across the abyss...
The light that, flashing through the immeasurable,
From universe to universe proclaims
The single reign of law that binds them all.
We shall break up those rays and, in their lines
And colours, read the history of their stars.
Year after year, the slow sure records grow.
Awaiting their interpreter. They shall see it,
Our sons, in that far day, the swift, the strong,
The triumphing young-eyed runners with the torch.

No deep-set boundary-mark in Space or Time
Shall halt or daunt them. Who that once has seen
How truth leads on to truth, shall ever dare
To set a bound to knowledge?
                             "Would that he knew"
--So thought the visitant at that shadowy shrine--
"Even as the maker of a song can hear
With the soul's ear, far off, the unstricken chords
To which, by its own inner law, it climbs,
Would that my father knew how younger hands
Completed his own planetary tune;
How from the planet that his own eyes found
The mind of man would plunge into the dark,
And, blindfold, find without the help of eyes
A mightier planet, in the depths beyond."

Then, while the reeds, with quiet melodious pace
Followed the dream, as in a picture passed,
Adams, the boy at Cambridge, making his vow
By that still lamp, alone in that deep night,
Beneath the crumbling battlements of St. John's,
To know why Uranus, uttermost planet known,
Moved in a rhythm delicately astray
From all the golden harmonies ordained
By those known measures of its sister-worlds.
Was there an unknown planet, far beyond,
Sailing through unimaginable deeps
And drawing it from its path?
                              Then challenging chords
Echoed the prophecy that Sir John had made,
Guided by his own faith in Newton's law:
_We have not found it, but we feel it trembling
Along the lines of our analysis now
As once Columbus, from the shores of Spain,
Felt the new continent._
                            Then, in swift fugues, began
A race between two nations for the prize
Of that new world.
                   Le Verrier in France,
Adams in England, each of them unaware
Of his own rival, at the selfsame hour
Resolved to find it.
                     Not by the telescope now!
Skies might be swept for aeons ere one spark
Among those myriads were both found and seen
To move, at that vast distance round our sun.
They worked by faith in law alone. They knew
The wanderings of great Uranus, and they knew
The law of Newton.
                   By the midnight lamp,
Pencil in hand, shut in a four-walled room,
Each by pure thought must work his problem out,--
Given that law, to find the mass and place
Of that which drew their planet from his course.

There were no throngs to applaud them. Each alone,
Without the heat of conflict laboured on,
Consuming brain and nerve; for throngs applaud
Only the flash and tinsel of their day,
Never the quiet runners with the torch.
Night after night they laboured. Line on line
Of intricate figures, moving all in law,
They marshalled. Their long columns formed and marched
From battle to battle, and no sound was heard
Of victory or defeat. They marched through snows
Bleak as the drifts that broke Napoleon's pride
And through a vaster desert. They drilled their hosts
With that divine precision of the mind
To which one second's error in a year
Were anarchy, that precision which is felt
Throbbing through music.
                         Month on month they toiled,
With worlds for ciphers. One rich autumn night
Brooding over his figures there alone
In Cambridge, Adams found them moving all
To one solution. To the unseeing eye
His long neat pages had no more to tell
Than any merchant's ledger, yet they shone
With epic splendour, and like trumpets pealed;
_Three hundred million leagues beyond the path
Of our remotest planet, drowned in night
Another and a mightier planet rolls;
In volume, fifty times more vast than earth,
And of so huge an orbit that its year
Wellnigh outlasts our nations. Though it moves
A thousand leagues an hour, it has not ranged
Thrice through its seasons since Columbus sailed,
Or more than once since Galileo died._

He took his proofs to Greenwich. "Sweep the skies
Within this limited region now," he said.
"You'll find your moving planet. I'm not more
Than one degree in error."
                           He left his proofs;
But Airy, king of Greenwich, looked askance
At unofficial genius in the young,
And pigeon-holed that music of the spheres.
Nine months he waited till Le Verrier, too,
Pointed to that same region of the sky.
Then Airy, opening his big sleepy lids,
Bade Challis use his telescope,--too late,
To make that honour all his country's own;
For all Le Verrier's proofs were now with Galle
Who, being German, had his star-charts ready
And, in that region, found one needlepoint
Had moved. A monster planet!
                             Honour to France!
Honour to England, too, the cry began,
Who found it also, though she drowsed at Greenwich.
So--as the French said, with some sting in it--
"We gave the name of Neptune to our prize
Because our neighbour England rules the sea."
"Honour to all," say we; for, in these wars,
Whoever wins a battle wins for all.
But, most of all, honour to him who found
The law that was a lantern to their feet,--
Newton, the first whose thought could soar beyond
The bounds of human vision and declare,
"Thus saith the law of Nature and of God
Concerning things invisible."
                              This new world
What was it but one harmony the more
In that great music which himself had heard,--
The chant of those reintegrated spheres
Moving around their sun, while all things moved
Around one deeper Light, revealed by law,
Beyond all vision, past all understanding.
Yet darkly shadowed forth for dreaming men
On earth in music...
                     Music, all comes back
To music in the end.
                     Then, in the gloom
Of the Octagon Chapel, the dreamer lifted up
His face, as if to all those great forebears.
The quivering organ rolled upon the dusk
His dream of that new symphony,--the sun
Chanting to all his planets on their way
While, stop to stop replying, height o'er height,
His planets answered, voices of a dream:

THE SUN

  Light, on the far faint planets that attend me!
    Light! But for me-the fury and the fire.
  My white-hot maelstroms, the red storms that rend me
    Can yield them still the harvest they desire,

  I kiss with light their sunward-lifted faces.
    With dew-drenched flowers I crown their dusky brows.
  They praise me, lightly, from their pleasant places.
    Their birds belaud me, lightly, from their boughs.

  And men, on lute and lyre, have breathed their pleasure.
    They have watched Apollo's golden chariot roll;
  Hymned his bright wheels, but never mine that measure
    A million leagues of flame from Pole to Pole.

  Like harbour-lights the stars grow wide before me,
    I draw my worlds ten thousand leagues a day.
  Their far blue seas like April eyes adore me.
    They follow, dreaming, on my soundless way.

  How should they know, who wheel around my burning,
    What torments bore them, or what power am I,
  I, that with all those worlds around me turning,
    Sail, every hour, from sky to unplumbed sky?

  My planets, these live embers of my passion,
    These children of my hurricanes of flame,
  Flung thro' the night, for midnight to refashion,
    Praise, and forget, the splendour whence they came.


THE EARTH

  _Was it a dream that, in those bright dominions,
    Are other worlds that sing, with lives like mine,
  Lives that with beating hearts and broken pinions
    Aspire and fall, half-mortal, half-divine?

  A grain of dust among those glittering legions--
    Am I, I only, touched with joy and tears?
  0, silver sisters, from your azure regions,
    Breathe, once again, your music of the spheres:--_


VENUS

  A nearer sun, a rose of light arises,
    To clothe my glens with richer clouds of flowers,
  To paint my clouds with ever new surprises
    And wreathe with mist my rosier domes and towers;

  Where now, to praise their gods, a throng assembles
    Whose hopes and dreams no sphere but mine has known.
  On other worlds the same warm sunlight trembles;
    But life, love, worship, these are mine alone.


MARS

  And now, as dewdrops in the dawn-light glisten,
    Remote and cold--see--Earth and Venus roll.
  We signalled them--in music! Did they listen?
    Could they not hear those whispers of the soul?

  May not their flesh have sealed that fount of glory,
    That pure ninth sense which told us of mankind?
  Can some deep sleep bereave them of our story
    As darkness hides all colours from the blind?


JUPITER

  I that am sailing deeper skies and dimmer,
    Twelve million leagues beyond the path of Mars,
  Salute the sun, that cloudy pearl, whose glimmer
    Renews my spring and steers me through the stars.

  Think not that I by distances am darkened.
    My months are years; yet light is in mine eyes.
  Mine eyes are not as yours. Mine ears have hearkened
    To sounds from earth. Five moons enchant my skies.


SATURN

  And deeper yet, like molten opal shining
    My belt of rainbow glory softly streams.
  And seven white moons around me intertwining
    Hide my vast beauty in a mist of dreams.

  Huge is my orbit; and your flickering planet
    A mote that flecks your sun, that faint white star;
  Yet, in my magic pools, I still can scan it;
    For I have ways to look on worlds afar.


URANUS

  And deeper yet--twelve million leagues of twilight
    Divide mine empire even from Saturn's ken.
  Is there a world whose light is not as my light,
    A midget world of light-imprisoned men?

  Shut from this inner vision that hath found me,
    They hunt bright shadows, painted to betray;
  And know not that, because their night hath drowned me,
    My giants walk with gods in boundless day.


NEPTUNE

  Plunge through immensity anew and find me.
    Though scarce I see your sun,--that dying spark--
  Across a myriad leagues it still can bind me
    To my sure path, and steer me through the dark.

  I sail through vastness, and its rhythms hold me,
    Though threescore earths could in my volume sleep!
  Whose are the might and music that enfold me?
    Whose is the law that guides me thro' the Deep?


THE SUN

  _I hear their song. They wheel around my burning!
    I know their orbits; but what path have I?
  I that with all those worlds around me turning
    Sail, every hour, ten thousand leagues of sky?_

  _My planets, these live embers of my passion,
    And I, too, filled with music and with flame.
  Flung thro' the night, for midnight to refashion,
    Praise and forget the Splendour whence we came._




EPILOGUE


Once more upon the mountain's lonely height
I woke, and round me heard the sea-like sound
Of pine-woods, as the solemn night-wind washed
Through the long canyons and precipitous gorges
Where coyotes moaned and eagles made their nest.
Once more, far, far below, I saw the lights
Of distant cities, at the mountain's feet,
Clustered like constellations.. .
Over me, like the dome of some strange shrine,
Housing our great new weapon of the sky,
And moving on its axis like a moon
Glimmered the new Uraniborg.
                             Shadows passed
Like monks, between it and the low grey walls
That lodged them, like a fortress in the rocks,
Their monastery of thought.
                            A shadow neared me.
I heard, once more, an eager living voice:

"Year after year, the slow sure records grow.
I wish that old Copernicus could see
How, through his truth, that once dispelled a dream,
Broke the false axle-trees of heaven, destroyed
All central certainty in the universe,
And seemed to dwarf mankind, the spirit of man
Laid hold on law, that Jacob's-ladder of light,
And mounting, slowly, surely, step by step,
Entered into its kingdom and its power.
For just as Tycho's tables of the stars
Within the bound of our own galaxy
Led Kepler to the music of his laws,
So, father and son, the Herschels, with their charts
Of all those fire-mists, those faint nebulae,
Those hosts of drifting universes, led
Our new discoverers to yet mightier laws
Enthroned above all worlds.
                            We have not found them,
And yet--only the intellectual fool
Dreams in his heart that even his brain can tick
In isolated measure, a centre of law,
Amidst the whirl of universal chaos.
For law descends from law. Though all the spheres
Through all the abysmal depths of Space were blown
Like dust before a colder darker wind
Than even Lucretius dreamed, yet if one thought,
One gleam of law within the mind of man,
Lighten our darkness, there's a law beyond;
And even that tempest of destruction moves
To a lighter music, shatters its myriad worlds
Only to gather them up, as a shattered wave
Is gathered again into a rhythmic sea,
Whose ebb and flow are but the pulse of Life,
In its creative passion.
                         The records grow
Unceasingly, and each new grain of truth
Is packed, like radium, with whole worlds of light.
The eclipses timed in Babylon help us now
To clock that gradual quickening of the moon,
Ten seconds in a century.
                          Who that wrote
On those clay tablets could foresee his gift
To future ages; dreamed that the groping mind,
Dowered with so brief a life, could ever range
With that divine precision through the abyss?
Who, when that good Dutch spectacle-maker set
Two lenses in a tube, to read the time
Upon the distant clock-tower of his church,
Could dream of this, our hundred-inch, that shows
The snow upon the polar caps of Mars
Whitening and darkening as the seasons change?
Or who could dream when Galileo watched
His moons of Jupiter, that from their eclipses
And from that change in their appointed times,
Now late, now early, as the watching earth
Farther or nearer on its orbit rolled,
The immeasurable speed of light at last
Should be reduced to measure?
                              Could Newton dream
When, through his prism, he broke the pure white shaft
Into that rainbow band, how men should gather
And disentangle ray by delicate ray
The colours of the stars,--not only those
That burn in heaven, but those that long since perished,
Those vanished suns that eyes can still behold,
The strange lost stars whose light still reaches earth
Although they died ten thousand years ago.
Here, night by night, the innumerable heavens
Speak to an eye more sensitive than man's,
Write on the camera's delicate retina
A thousand messages, lines of dark and bright
That speak of elements unknown on earth.
How shall men doubt, who thus can read the Book
Of Judgment, and transcend both Space and Time,
Analyse worlds that long since passed away,
And scan the future, how shall they doubt His power
From whom their power and all creation came?"

I think that, when the second Herschel tried
Those great hexameters in our English tongue,
A nobler shield than ever Achilles knew
Shone through the song and made his
echoes live:

_"There he depicted the earth, and the canopied sky, and the
      sea-waves,
There the unwearied sun, and the full-orbed moon in their courses,
All the configured stars that gem the circuit of heaven,
Pleiads and Hyads were there and the giant force of Orion,
There the revolving Bear, which the Wain they call, was ensculptured,
Circling on high, and in all his courses regarding Orion,
Sole of the starry train that descends not to bathe in the ocean!"_

A nobler shield for us, a deeper sky;
But even to us who know how far away
Those constellations burn, the wonder bides
That each vast sun can speed through the abyss
Age after age more swiftly than an eagle,
Each on its different road, alone like ours
With its own satellites; yet, since Homer sang,
Their aspect has not altered! All their flight
Has not yet changed the old pattern of the Wain.
The sword-belt of Orion is not sundered.
Nor has one fugitive splendour broken yet
From Cassiopeia's throne.
                          A thousand years
Are but as yesterday, even unto these.
How shall men doubt His empery over time
Whose dwelling is a deep so absolute
That we can only find Him in our souls.
For there, despite Copernicus, each may find
The centre of all things. There He lives and reigns.
There infinite distance into nearness grows,
And infinite majesty stoops to dust again;
All things in little, infinite love in man . . .
Oh, beating wings, descend to earth once more,
And hear, reborn, the desert singer's cry:
_When I consider the heavens, the work of Thy fingers,
The sun and the moon and the stars which Thou hast ordained,
Though man be as dust I know Thou art mindful of him;
And, through Thy law, Thy light still visiteth him._




THE END





End of the Project Gutenberg EBook of Watchers of the Sky, by Alfred Noyes

*** END OF THE PROJECT GUTENBERG EBOOK WATCHERS OF THE SKY ***

This file should be named wtcsk10.txt or wtcsk10.zip
Corrected EDITIONS of our eBooks get a new NUMBER, wtcsk11.txt
VERSIONS based on separate sources get new LETTER, wtcsk10a.txt

Produced by Beth L. Constantine, Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*


Colophon

This file was acquired from Project Gutenberg, and it is in the public domain. It is re-distributed here as a part of the Alex Catalogue of Electronic Texts (http://infomotions.com/alex/) by Eric Lease Morgan (Infomotions, Inc.) for the purpose of freely sharing, distributing, and making available works of great literature. Its Infomotions unique identifier is etext6574, and it should be available from the following URL:

http://infomotions.com/etexts/id/etext6574



Infomotions, Inc.

Infomotions Man says, "Give back to the 'Net."