Infomotions, Inc.Two Men of Sandy Bar; a drama / Harte, Bret, 1836-1902



Author: Harte, Bret, 1836-1902
Title: Two Men of Sandy Bar; a drama
Publisher: Project Gutenberg
Tag(s): oakhurst; jovita; starbottle; morton; don jose; concho; alexander morton; sandy; jose; old morton; dona jovita; miss mary; ged; diego; john oakhurst; alexander; sandy morton; mary; jackson; miss jovita; don alexandro; miss; exit; jose castro; aloud; aside
Contributor(s): Garnett, Constance, 1861-1946 [Translator]
Versions: original; local mirror; HTML (this file); printable
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Rights: GNU General Public License
Size: 33,910 words (really short) Grade range: 6-8 (grade school) Readability score: 69 (easy)
Identifier: etext2570
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Two Men of Sandy Bar

by Bret Harte

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TWO MEN OF SANDY BAR

by Bret Harte




DRAMATIS PERSONAE


The Prodigals.

  "SANDY" . . Son of Alexander Morton, sen.

  JOHN OAKHURST . . His former partner, personating the prodigal son,
    Sandy.


COL. STARBOTTLE . . Alexander Morton, sen.'s, legal adviser.

OLD MORTON . . Alexander Morton, sen.

DON JOSE . . Father of Jovita Castro.

CAPPER . . A detective.

CONCHO . . Major-domo of Don Jose's rancho.

YORK . . An old friend of Oakhurst.

PRITCHARD . . An Australian convict.

SOAPY & SILKY . . His pals.

JACKSON . . Confidential clerk of Alexander Morton, jun., and
  confederate of Pritchard.

HOP SING . . A Chinese laundryman.

SERVANT of Alexander Morton, sen.--POLICEMEN.

MISS MARY MORRIS . . The schoolmistress of Red Gulch, in love with
  Sandy, and cousin of Alexander Morton, sen.

DONA JOVITA CASTRO . . In love with John Oakhurst, and daughter of
  Don Jose.

THE DUCHESS . . Wife of Pritchard, illegally married to Sandy, and
  former "flame" of John Oakhurst.

MANUELA . . Servant of Castro, and maid to Dona Jovita.



ACT I

The Rancho of the Blessed Innocents, and House of Don Jose Castro.

ACT II

Red Gulch.

ACT III

The Banking-House of Morton & Son, San Francisco.

ACT IV

The Villa of Alexander Morton, sen., San Francisco.



COSTUMES

ALEXANDER MORTON ("SANDY").--First dress: Mexican vaquero; black
velvet trousers open from knee, over white trousers; laced black
velvet jacket, and broad white sombrero; large silver spurs.
Second dress: miner's white duck jumper, and white duck trousers;
(sailor's) straw hat.  Third dress: fashionable morning costume.
Fourth dress: full evening dress.

JOHN OAKHURST.--First dress: riding-dress, black, elegantly
fitting.  Second and third dress: fashionable.  Fourth dress: full
evening dress.

COL. STARBOTTLE.--First dress: blue double-breasted frock, and
white "strapped" trousers; white hat.  Second dress: same coat,
blue trousers, and black broad-brimmed felt hat; cane, semper;
ruffles, semper.  Third dress: the same.  Fourth dress: the same,
with pumps.

YORK.--Fashionable morning dress.

JACKSON.--Business suit.

CONCHO.--First dress: vaquero's dress.  Second dress: citizen's
dress.

HOP SING.--Dress of Chinese coolie: dark-blue blouse, and dark-blue
drawers gathered at ankles; straw conical hat, and wooden sabots.

DON JOSE.--First dress: serape, black, with gold embroidery.
Second class: fashionable black suit, with broad-brimmed black
stiff sombrero.

OLD MORTON.--First, second, third, and fourth dress: black, stiff,
with white cravat.

CAPPER.--Ordinary dress of period.

MISS MARY.--First dress: tasteful calico morning dress.  Second and
third dress: lady's walking costume--fashionable.  Fourth dress:
full dress.

DONA JOVITA.--First dress: handsome Spanish dress, with manta.
Second dress: more elaborate, same quality.

THE DUCHESS.--First dress: elaborate but extravagant fashionable
costume.  Second dress: traveling dress.

MANUELA.--The saya y manta; white waist, and white or black skirt,
with flowers.



TWO MEN OF SANDY BAR


ACT I

SCENE 1.--Courtyard and Corridors of the Rancho.


MANUELA (arranging supper-table in corridor L., solus).  There!
Tortillas, chocolate, olives, and--the whiskey of the Americans!
And supper's ready.  But why Don Jose chooses to-night, of all
nights, with this heretic fog lying over the Mission Hills like a
wet serape, to take his supper out here, the saints only know.
Perhaps it's some distrust of his madcap daughter, the Dona Jovita;
perhaps to watch her--who knows?  And now to find Diego.  Ah, here
he comes.  So!  The old story.  He is getting Dona Jovita's horse
ready for another madcap journey.  Ah!  (Retires to table.)

Enter cautiously from corridor, L., SANDY MORTON, carrying lady's
saddle and blanket; starts on observing MANUELA, and hastily hides
saddle and blanket in recess.

Sandy (aside).  She's alone.  I reckon the old man's at his siesta
yet.  Ef he'll only hang onto that snooze ten minutes longer, I'll
manage to let that gal Jovita slip out to that yer fandango, and no
questions asked.

Manuela (calling SANDY).  Diego!

Sandy (aside, without heeding her).  That's a sweet voice for a
serenade.  Round, full, high-shouldered, and calkilated to fetch a
man every time.  Only thar ain't, to my sartain knowledge, one o'
them chaps within a mile of the rancho.  (Laughs.)

Manuela.  Diego!

Sandy (aside).  Oh, go on!  That's the style o' them Greasers.
They'll stand rooted in their tracks, and yell for a chap without
knowin' whether he's in sight or sound.

Manuela (approaching SANDY impatiently).  Diego!

Sandy (starting, aside).  The devil!  Why, that's ME she's after.
(Laughs.)  I clean disremembered that when I kem yer I tole those
chaps my name was James,--James Smith (laughs), and thet they might
call me "Jim."  And De-a-go's their lingo for Jim.  (Aloud.)  Well,
my beauty, De-a-go it is.  Now, wot's up?

Manuela.  Eh? no sabe!

Sandy.  Wot's your little game.  (Embraces her.)

Manuela (aside, and recoiling coquettishly).  Mother of God!  He
must be drunk again.  These Americans have no time for love when
they are sober.  (Aloud and coquettishly.)  Let me go, Diego.  Don
Jose is coming.  He has sent for you.  He takes his supper to-night
on the corridor.  Listen, Diego.  He must not see you thus.  You
have been drinking again.  I will keep you from him.  I will say
you are not well.

Sandy.  Couldn't you, my darling, keep him from ME?  Couldn't you
make him think HE was sick?  Couldn't you say he's exposin' his
precious health by sittin' out thar to-night; thet ther's chills
and fever in every breath?  (Aside.)  Ef the old Don plants himself
in that chair, that gal's chances for goin' out to-night is gone up.

Manuela.  Never.  He would suspect at once.  Listen, Diego.  If Don
Jose does not know that his daughter steals away with you to meet
some caballero, some LOVER,--you understand, Diego,--it is because
he does not know, or would not SEEM to know, what every one else in
the rancho knows.  Have a care, foolish Diego!  If Don Jose is old
and blind, look you, friend, we are NOT.  You understand?

Sandy (aside).  What the devil does she expect?--money?  No!
(Aloud.)  Look yer, Manuela, you ain't goin' to blow on that young
gal!  (Putting his arm around her waist.)  Allowin' that she hez a
lover, thar ain't nothin' onnateral in thet, bein' a purty sort o'
gal.  Why, suppose somebody should see you and me together like
this, and should just let on to the old man.

Manuela.  Hush!  (Disengaging herself.)  Hush!  He is coming.  Let
me go, Diego.  It is Don Jose!

Enter Don Jose, who walks gravely to the table, and seats himself.
MANUELA retires to table.

Sandy (aside).  I wonder if he saw us.  I hope he did: it would
shut that Manuela's mouth for a month of Sundays.  (Laughs.)  God
forgive me for it!  I've done a heap of things for that young gal
Dona Jovita; but this yer gittin' soft on the Greaser maid-servant
to help out the misses is a little more than Sandy Morton bargained
fur.

Don Jose (to MANUELA).  You can retire.  Diego will attend me.
(Looks at DIEGO attentively.)  [Exit MANUELA.

Sandy (aside).  Diego will attend him!  Why, blast his yeller skin,
does he allow that Sandy Morton hired out as a purty waiter-gal?
Because I calkilated to feed his horses, it ain't no reason thet my
dooty to animals don't stop thar.  Pass his hash!  (Turns to follow
MANUELA, but stops.)  Hello, Sandy! wot are ye doin', eh?  You
ain't going back on Miss Jovita, and jest spile that gal's chances
to git out to-night, on'y to teach that God-forsaken old gov'ment
mule manners?  No!  I'll humor the old man, and keep one eye out
for the gal.  (Comes to table, and leans familiarly over the back
of DON JOSE'S chair.)

Don Jose (aside).  He seems insulted and annoyed.  His manner
strengthens my worst suspicions.  He has not expected this.
(Aloud.)  Chocolate, Diego.

Sandy (leaning over table carelessly).  Yes, I reckon it's somewhar
thar.

Don Jose (aside).  He is unused to menial labor.  If I should be
right in my suspicions! if he really were Dona Jovita's secret
lover!  This gallantry with the servants only a deceit!  Bueno!  I
will watch him.  (Aloud.)  Chocolate, Diego!

Sandy (aside).  I wonder if the old fool reckons I'll pour it out.
Well, seein's he's the oldest.  (Pours chocolate awkwardly, and
spills it on the table and DON JOSE.)

Don Jose (aside).  He IS embarrassed.  I am right. (Aloud.)  Diego!

Sandy (leaning confidentially over DON JOSE'S chair).  Well, old
man!

Don Jose.  Three months ago my daughter the Dona Jovita picked you
up, a wandering vagabond, in the streets of the Mission.  (Aside.)
He does not seem ashamed.  (Aloud.)  She--she--ahem!  The
aguardiente, Diego.

Sandy (aside).  That means the whiskey.  It's wonderful how quick a
man learns Spanish.  (Passes the bottle, fills DON JOSE'S glass,
and then his own.  DON JOSE recoils in astonishment.)  I looks
toward ye, ole man.  (Tosses off liquor.)

Don Jose (aside).  This familiarity!  He IS a gentleman.  Bueno!
(Aloud.)  She was thrown from her horse; her skirt caught in the
stirrup; she was dragged; you saved her life.  You--

Sandy (interrupting, confidentially drawing a chair to the table,
and seating himself).  Look yer!  I'll tell you all about it.  It
wasn't that gal's fault, ole man.  The hoss shied at me, lying
drunk in a ditch, you see; the hoss backed, the surcle broke; it
warn't in human natur for her to keep her seat, and that gal rides
like an angel; but the mustang throwed her.  Well, I sorter got in
the way o' thet hoss, and it stopped.  Hevin' bin the cause o' the
hoss shyin', for I reckon I didn't look much like an angel lyin' in
that ditch, it was about the only squar thing for me to waltz in
and help the gal.  Thar, thet's about the way the thing pints.
Now, don't you go and hold that agin her!

Don Jose.  Well, well!  She was grateful.  She has a strange
fondness for you Americans; and at her solicitation I gave you--
YOU, an unknown vagrant--employment here as groom.  You comprehend,
Diego.  I, Don Jose Castro, proprietor of this rancho, with an
hundred idle vaqueros on my hands,--I made a place for you.

Sandy (meditatively).  Umph.

Don Jose.  You said you would reform.  How have you kept your word?
You were drunk last Wednesday.

Sandy.  Thet's so.

Don Jose.  And again last Saturday.

Sandy (slowly).  Look yer, ole man, don't ye be too hard on me:
that was the same old drunk.

Don Jose.  I am in no mood for trifling.  Hark ye, friend Diego.
You have seen, perhaps,--who has not?--that I am a fond, an
indulgent father.  But even my consideration for my daughter's
strange tastes and follies has its limit.  Your conduct is a
disgrace to the rancho.  You must go.

Sandy (meditatively).  Well, I reckon, perhaps I'd better.

Don Jose (aside).  His coolness is suspicious.  Can it be that he
expects the girl will follow him?  Mother of God! perhaps it has
been already planned between them.  Good!  Thank Heaven I can end
it here.  (Aloud.)  Diego!

Sandy.  Old man.

Don Jose.  For my daughter's sake, you understand,--for her sake,--
I am willing to try you once more.  Hark ye!  My daughter is young,
foolish, and romantic.  I have reason to believe, from her conduct
lately, that she has contracted an intimacy with some Americano,
and that in her ignorance, her foolishness, she has allowed that
man to believe that he might aspire to her hand.  Good!  Now listen
to me.  You shall stay in her service.  You shall find out,--you
are in her confidence,--you shall find out this American, this
adventurer, this lover if you please, of the Dona Jovita my
daughter; and you will tell him this,--you will tell him that a
union with him is impossible, forbidden; that the hour she attempts
it, without my consent, she is PENNILESS; that this estate, this
rancho, passes into the hands of the Holy Church, where even your
laws cannot reach it.

Sandy (leaning familiarly over the table).  But suppose that he
sees that little bluff, and calls ye.

Don Jose.  I do not comprehend you (coldly).

Sandy.  Suppose he loves that gal, and will take her as she stands,
without a cent, or hide or hair of yer old cattle.

Don Jose (scornfully).  Suppose--a miracle!  Hark ye, Diego!  It is
now five years since I have known your countrymen, these smart
Americanos.  I have yet to know when love, sentiment, friendship,
was worth any more than a money value in your market.

Sandy (truculently and drunkenly).  You hev, hev ye?  Well, look
yar, ole man.  Suppose I REFUSE.  Suppose I'd rather go than act as
a spy on that young gal your darter!  Suppose that--hic--allowin'
she's my friend, I'd rather starve in the gutters of the Mission
than stand between her and the man she fancies.  Hey?  Suppose I
would--damn me!  Suppose I'd see you and your derned old rancho in--
t'other place--hic--damn me.  You hear me, ole man!  That's the
kind o' man I am--damn me.

Don Jose (aside, rising contemptuously).  It is as I suspected.
Traitor.  Ingrate!  Satisfied that his scheme has failed, he is
ready to abandon her.  And this--THIS is the man for whom she has
been ready to sacrifice everything,--her home, her father!  (Aloud,
coldly.)  Be it so, Diego: you shall go.

Sandy (soberly and seriously, after a pause.)  Well, I reckon I had
better.  (Rising.)  I've a few duds, old man, to put up.  It won't
take me long.  (Goes to L., and pauses.)

Don Jose (aside).  Ah! he hesitates!  He is changing his mind.
(SANDY returns slowly to table, pours out glass of liquor, nods to
DON JOSE, and drinks.)  I looks towards ye, ole man.  Adios!

[Exit SANDY.

Don Jose.  His coolness is perfect.  If these Americans are cayotes
in their advances, they are lions in retreat!  Bueno!  I begin to
respect him.  But it will be just as well to set Concho to track
him to the Mission; and I will see that he leaves the rancho alone.

[Exit Jose.

Enter hurriedly JOVITA CASTRO, in riding habit, with whip.

So!  Chiquita not yet saddled, and that spy Concho haunting the
plains for the last half-hour.  What an air of mystery!  Something
awful, something deliciously dreadful, has happened!  Either my
amiable drunkard has forgotten to despatch Concho on his usual
fool's errand, or he is himself lying helpless in some ditch.  Was
there ever a girl so persecuted?  With a father wrapped in mystery,
a lover nameless and shrouded in the obscurity of some Olympian
height, and her only confidant and messenger a Bacchus instead of a
Mercury!  Heigh ho!  And in another hour Don Juan--he told me I
might call him John--will be waiting for me outside the convent
wall!  What if Diego fails me?  To go there alone would be madness!
Who else would be as charmingly unconscious and inattentive as this
American vagabond!  (Goes to L.)  Ah, my saddle and blanket hidden!
He HAS been interrupted.  Some one has been watching.  This freak
of my father's means something.  And to-night, of all nights, the
night that Oakhurst was to disclose himself, and tell me all!  What
is to be done?  Hark! (DIEGO, without, singing.)


    "Oh, here's your aguardiente,
         Drink it down!"


Jovita.  It is Diego; and, Mother of God! drunk again!

Enter SANDY, carrying pack, intoxicated; staggers to centre, and,
observing JOVITA, takes off his hat respectfully.

Jovita (shaking him by the shoulders passionately).  Diego!  How
dare you!  And at such a time!

Sandy (with drunken solemnity).  Miss Jovita, did ye ever know me
to be drunk afore at such a time?

Jovita.  No.

Sandy.  Zachy so.  It's abnormal.  And it means--the game's up.

Jovita.  I do not understand.  For the love of God, Diego, be
plain!

Sandy (solemnly and drunkenly).  When I say your game's up, I mean
the old man knows it all.  You're blowed upon.  Hearken, miss.
(Seriously and soberly.)  Your father knows all that I know; but,
as it wasn't my business to interfere with, I hev sorter helped
along.  He knows that you meet a stranger, an American, in these
rides with me.

Jovita (passionately).  Ingrate!  You have not dared to tell him!
(Seizing him by the collar, and threatening him with the horsewhip.)

Sandy (rising with half-drunken, half-sober solemnity).  One minit,
miss! one minit!  Don't ye! don't ye do that!  Ef ye forget (and I
don't blame ye for it), ef ye forget that I'm a man, don't ye,
don't ye forget that you're a woman!  Sit ye down, sit ye down, so!
Now, ef ye'll kindly remember, miss, I never saw this yer man, yer
lover.  Ef ye'll recollect, miss, whenever you met him, I allers
hung back and waited round in the mission or in the fields beyond
for ye, and allowed ye to hev your own way, it bein' no business o'
mine.  Thar isn't a man on the ranch, who, ef he'd had a mind to
watch ye, wouldn't hev known more about yer lover than I do.

Jovita (aside).  He speaks truly.  He always kept in the
background.  Even Don Juan never knew that I had an attendant until
I told him.  (Aloud.)  I made a mistake, Diego.  I was hasty.  What
am I to do?  He is waiting for me even now.

Sandy.  Well (with drunken gravity), ef ye can't go to him, I
reckon it's the squar thing for him to come to ye.

Jovita.  Recollect yourself, Diego.  Be a man!

Sandy.  Fash jus war I say.  Let him be a man, and come to ye here.
Let him ride up to this ranch like a man, and call out to yer
father that he'll take ye jist as ye are, without the land.  And if
the old man allows, rather than hev ye marry that stranger, he'll
give this yer place to the church, why, let him do it, and be
damned.

Jovita (recoiling, aside).  So!  That is their plan.  Don Jose has
worked on the fears or the cupidity of this drunken ingrate.

Sandy (with drunken submission).  Ye was speaking to me, miss.  Ef
ye'll take my advice,--a drunken man's advice, miss,--ye'll say to
that lover of yours, ef he's afeard to come for ye here, to take ye
as ye stand, he ain't no man for ye.  And, ontil he does, ye'll do
as the ole man says.  Fur ef I do say it, miss,--and thar ain't no
love lost between us,--he's a good father to ye.  It ain't every
day that a gal kin afford to swap a father like that, as she DOES
KNOW, fur the husband that she DON'T!  He's a proud old fool, miss;
but to ye, to ye, he's clar grit all through.

Jovita (passionately, aside).  Tricked, fooled, like a child! and
through the means of this treacherous, drunken tool.  (Stamping her
foot.)  Ah! we shall see!  You are wise, you are wise, Don Jose;
but your daughter is not a novice, nor a helpless creature of the
Holy Church.  (Passionately.)  I'll--I'll become a Protestant
to-morrow!

Sandy (unheeding her passion, and becoming more earnest and self-
possessed).  Ef ye hed a father, miss, ez instead o' harkinin' to
your slightest wish, and surroundin' ye with luxury, hed made your
infancy a struggle for life among strangers, and your childhood a
disgrace and a temptation; ef he had left ye with no company but
want, with no companions but guilt, with no mother but suffering;
ef he had made your home, this home, so unhappy, so vile, so
terrible, so awful, that the crowded streets and gutters of a great
city was something to fly to for relief; ef he had made his
presence, his very name,--your name, miss, allowin' it was your
father,--ef he had made that presence so hateful, that name so
infamous, that exile, that flyin' to furrin' parts, that wanderin'
among strange folks ez didn't know ye, was the only way to make
life endurable; and ef he'd given ye,--I mean this good old man Don
Jose, miss,--ef he'd given ye as part of yer heritage a taint, a
weakness in yer very blood, a fondness for a poison, a poison that
soothed ye like a vampire bat and sucked yer life-blood (seizing
her arm) ez it soothed ye; ef this curse that hung over ye dragged
ye down day by day, till hating him, loathing him, ye saw yerself
day by day becoming more and more like him, till ye knew that his
fate was yours, and yours his,--why then, Miss Jovita (rising with
an hysterical, drunken laugh), why then, I'd run away with ye
myself,--I would, damn me!

Jovita (who has been withdrawing from him scornfully).  Well acted,
Diego.  Don Jose should have seen his pupil.  Trust me, my father
will reward you.  (Aside.)  And yet there were tears in his drunken
eyes.  Bah! it is the liquor: he is no longer sane.  And, either
hypocrite or imbecile, he is to be trusted no longer.  But where
and why is he going?  (Aloud.)  You are leaving us, Diego.

Sandy (quietly).  Well, the old man and me don't get on together.

Jovita (scornfully).  Bueno!  I see.  Then you abandon me.

Sandy (quickly).  To the old man, miss,--not the young one.  (Walks
to the table, and begins to pour out liquor.)

Jovita (angrily).  You would not dare to talk to me thus if John
Oakhurst--ah!  (Checking herself.)

Sandy (drops glass on table, hurries to centre, and seizes DONA
JOVITA).  Eh!  Wot name did you say?  (Looks at her amazed and
bewildered.)

Jovita (terrified, aside).  Mother of God!  What have I done?
Broken my sacred pledge to keep his name secret.  No!  No!  Diego
did not hear me!  Surely this wretched drunkard does not know him.
(Aloud.)  Nothing.  I said nothing: I mentioned no name.

Sandy (still amazed, frightened, and bewildered, passing his hand
over his forehead slowly).  Ye mentioned no name?  Surely.  I am
wild, crazed.  Tell me, miss--ye didn't,--I know ye didn't, but I
thought it sounded like it,--ye didn't mention the name of--of--of--
John Oakhurst?

Jovita (hurriedly).  No, of course not!  You terrify me, Diego.
You are wild.

Sandy (dropping her hand with a sigh of relief).  No, no!  In
course ye didn't.  I was wild, miss, wild; this drink has confused
me yer.  (Pointing to his head.)  There are times when I hear that
name, miss,--times when I see his face.  (Sadly.)  But it's when
I've took too much--too much.  I'll drink no more--no more!--
to-night--to-night!  (Drops his head slowly in his hands.)

Jovita (looking at DIEGO--aside).  Really, I'm feeling very
uncomfortable.  I'd like to ask a question of this maniac.  But
nonsense!  Don Juan gave me to understand Oakhurst wasn't his real
name; that is, he intimated there was something dreadful and
mysterious about it that mustn't be told,--something that would
frighten people.  HOLY VIRGIN! it has!  Why, this reckless vagabond
here is pale and agitated.  Don Juan shall explain this mystery to-
night.  But then, how shall I see him?  Ah, I have it.  The night
of the last festa, when I could not leave the rancho, he begged me
to show a light from the flat roof of the upper corridor, that he
might know I was thinking of him,--dear fellow!  He will linger to-
night at the Mission; he will see the light; he will know that I
have not forgotten.  He will approach the rancho; I shall manage to
slip away at midnight to the ruined Mission.  I shall--ah, it is my
father!  Holy Virgin, befriend me now with self-possession.
(Stands quietly at L., looking toward SANDY, who still remains
buried in thought, as)--

Enter DON JOSE; regards his daughter and DIEGO with a sarcastic
smile.

Don Jose (aside).  Bueno!  It is as I expected,--an explanation, an
explosion, a lover's quarrel, an end to romance.  From his looks I
should say she has been teaching the adventurer a lesson.  Good!  I
could embrace her.  (Crosses to SANDY--aloud.)  You still here!

Sandy (rising with a start).  Yes!  I--a--I was only taking leave
of Miss Jovita that hez bin kind to me.  She's a good gal, ole man,
and won't be any the worse when I'm gone.--Good-by, Miss Jovita
(extending his hand): I wish ye luck.

Jovita (coldly).  Adios, friend Diego.  (Aside, hurriedly.)  You
will not expose my secret?

Sandy (aside).  It ain't in me, miss.  (To DON JOSE, going.)
Adios, ole man.  (Shouldering his pack.)

Don Jose.  Adios, friend Diego.  (Formally.)  May good luck attend
you!  (Aside.)  You understand, on your word as--as--as--A
GENTLEMAN!--you have no further communication with this rancho, or
aught that it contains.

Sandy (gravely).  I hear ye, ole man.  Adios.  (Goes to gateway,
but pauses at table, and begins to fill a glass of aguardiente.)

Don Jose (aside, looking at his daughter).  I could embrace her
now.  She is truly a Castro.  (Aloud to JOVITA.)  Hark ye, little
one!  I have news that will please you, and--who knows? perhaps
break up the monotony of the dull life of the rancho.  To-night
come to me two famous caballeros, Americanos, you understand: they
will be here soon, even now.  Retire, and make ready to receive
them.  [Exit JOVITA.

Don Jose (aside, looking at SANDY).  He lingers.  I shall not be
satisfied until Concho has seen him safely beyond the Mission wall.

Enter CONCHO.

Concho.  Two caballeros have dismounted in the corral, and seek the
honor of Don Jose's presence.

Don Jose.  Bueno!  (Aside.)  Follow that fellow beyond the Mission.
(Aloud.)  Admit the strangers.  Did they give their names?

Concho.  They did, Don Jose,--Col. Culpepper Starbottle and the Don
Alexandro Morton.

Sandy (dropping glass of aguardiente, and staggering stupidly to
the centre, confronting DON JOSE and CONCHO, still holding bottle).
Eh!  Wot?  Wot name did you say?  (Looks stupidly and amazedly at
CONCHO and DON JOSE, and then slowly passes his hand over his
forehead.  Then slowly and apologetically.)  I axes your pardon,
Don Jose, and yours, sir (to CONCHO), but I thought ye called me.
No!--that ez--I mean--I mean--I'm a little off color here (pointing
to his head).  I don't follow suit--I--eh--eh!  Oh!--ye'll pardon
me, sir, but thar's names--perhaps yer darter will remember that I
was took a bit ago on a name--thar's names sorter hangin' round me
yer (pointing to his head), that I thinks I hear--but bein' drunk--
I hopes ye'll excoos me.  Adios.  (Staggers to gateway, CONCHO
following.)

Concho (aside).  There is something more in this than Don Jose
would have known.  I'll watch Diego, and keep an eye on Miss Jovita
too.

Exit, following SANDY, who, in exit, jostles against COL. STARBOTTLE
entering, who stops and leans exhaustedly at the wall to get his
breath; following him closely, and oblivious of SANDY MORTON,
ALEXANDER MORTON, sen.  Enter COL. STARBOTTLE and ALEXANDER MORTON,
sen.


SCENE 2.--The Same.


Col. Starbottle (entering, to DON JOSE).  Overlooking the insult
of--er--inebriated individual, whose menial position in this--er--
er--household precludes a demand for personal satisfaction, sir, I
believe I have the honor of addressing Don Jose Castro.  Very good,
sir.  Permit me, sir, to introduce myself as Col. Culpepper
Starbottle--demn me! the legal adviser of Mr. Alexander Morton,
sen., and I may add, sir, the friend of that gentleman, and as
such, sir--er--er--personally--personally responsible.

Alexander Morton (puritanically and lugubriously).  As a God-
fearing man and forgiving Christian, Mr. Castro, I trust you will
overlook the habitual profanity of the erring but well-meaning man,
who, by the necessities of my situation, accompanies me.  I am the
person--a helpless sinner--mentioned in the letters which I believe
have preceded me.  As a professing member of the Cumberland
Presbyterian Church, I have ventured, in the interest of works
rather than faith, to overlook the plain doctrines of the church in
claiming sympathy of a superstitious Papist.

Starbottle (interrupting, aside to ALEXANDER MORTON).  Ahem! ahem!
(Aloud to DON JOSE.)  My friend's manner, sir, reminds me of--er--
er--Ram Bootgum Sing, first secretary of Turkish legation at
Washington in '45; most remarkable man--demn me--most remarkable--
and warm personal friend.  Challenged Tod Robinson for putting him
next to Hebrew banker at dinner, with remark--demn me--that they
were both believers in the profit! he, he!  Amusing, perhaps;
irreverent, certainly.  Fought with cimeters.  Second pass, Ram
divided Tod in two pieces--fact, sir--just here (pointing) in--er--
er--regions of moral emotions.  Upper half called to me,--said to
me warningly--last words--never forget it,--"Star,"--always called
me Star,--"Respect man's religious convictions."  Legs dead;
emotion confined to upper part of body--pathetic picture.  Ged,
sir, something to be remembered!

Don Jose (with grave Spanish courtesy).  You are welcome,
gentlemen, to the rancho of the Blessed Fisherman.  Your letters,
with their honorable report, are here.  Believe me, senores, in
your modesty you have forgotten to mention your strongest claim to
the hospitality of my house,--the royal right of strangers.

Morton.  Angels before this have been entertained as strangers,
says the Good Book; and that, I take it, is your authority for this
ceremoniousness which else were but lip-service and Papist airs.
But I am here in the performance of a duty, Mr. Castro,--the duty
of a Christian father.  I am seeking a prodigal son.  I am seeking
him in his wine-husks and among his harl--

Starbottle (interrupting).  A single moment.  (To DON JOSE.)
Permit me to--er--er--explain.  As my friend Mr. Morton states, we
are, in fact, at present engaged in--er--er--quest--er--pilgrimage
that possibly to some, unless deterred by considerations of
responsibility--personal responsibility--sir--Ged, sir, might be
looked upon as visionary, enthusiastic, sentimental, fanatical.  We
are seeking a son, or, as my friend tersely and scripturally
expresses it--er--er--prodigal son.  I say scripturally, sir, and
tersely, but not, you understand it, literally, nor I may add, sir,
legally.  Ged, sir, as a precedent, I admit we are wrong.  To the
best of my knowledge, sir, the--er--Prodigal Son sought his own
father.  To be frank, sir,--and Ged, sir, if Culpepper Starbottle
has a fault, it is frankness, sir.  As Nelse Buckthorne said to me
in Nashville, in '47, "You would infer, Col. Starbottle, that I
equivocate."  I replied, "I do, sir; and permit me to add that
equivocation has all the guilt of a lie, with cowardice superadded."
The next morning at nine o'clock, Ged, sir, he gasped to me--he was
lying on the ground, hole through his left lung just here
(illustrating with DON JOSE'S coat),--he gasped, "If you have a
merit, Star, above others, it is frankness!" his last words,
sir,--demn me. . . .  To be frank, sir, years ago, in the wild
exuberance of youth, the son of this gentleman left his--er--er--
er--boyhood's home, owing to an innocent but natural misunderstanding
with the legal protector of his youth--

Morton (interrupting gravely and demurely).  Driven from home by my
own sinful and then unregenerate hand--

Starbottle (quickly).  One moment, a simple moment.  We will not
weary you with--er--er--history, or the vagaries of youth.  He--er--
came to California in '49.  A year ago, touched by--er--er--
parental emotion and solicitude, my friend resolved to seek him
here.  Believing that the--er--er--lawlessness of--er--er--
untrammelled youth and boyish inexperience might have led him into
some trifling indiscretion, we have sought him successively in
hospitals, alms-houses, reformatories, State's prisons, lunatic and
inebriate asylums, and--er--er--even on the monumental inscriptions
of the--er--er--country churchyards.  We have thus far, I grieve to
say, although acquiring much and valuable information of a varied
character and interest, as far as the direct matter of our search,--
we have been, I think I may say, unsuccessful.  Our search has
been attended with the--er--disbursement of some capital under my--
er--er--direction, which, though large, represents quite inadequately
the--er--er--earnestness of our endeavors.

Enter MANUELA.

Manuela (to DON JOSE).  The Dona Jovita is waiting to receive you.

Don Jose (to MORTON).  You shall tell me further of your interesting
pilgrimage hereafter.  At present my daughter awaits us to place
this humble roof at your disposal.  I am a widower, Don Alexandro,
like yourself.  When I say that, like you, I have an only child, and
that I love her, you will understand how earnest is my sympathy.
This way, gentlemen.  (Leading to door in corridor, and awaiting
them.)

Starbottle (aside).  Umph! an interview with lovely woman means--
er--intoxication, but--er--er--no liquor.  It's evident that the
Don doesn't drink.  Eh!  (Catches sight of table in corridor, and
bottle.)  Oh, he does, but some absurd Spanish formality prevents
his doing the polite thing before dinner.  (Aloud, to DON JOSE.)
One moment, sir, one moment.  If you will--er--er--pardon the--er--
seeming discourtesy, for which I am, I admit--or--personally
responsible, I will for a few moments enjoy the--er--er--delicious
air of the courtyard, and the beauties of Nature as displayed in
the--er--sunset.  I will--er--rejoin you and the--er--er--ladies a
moment later.

Don Jose.  The house is your own, senor: do as you will.  This way,
Don Alexandro.  [Exit, in door L., DON JOSE and MORTON, sen.

Starbottle.  "Do as you will."  Well, I don't understand Spanish
ceremony, but that's certainly good English.  (Going to table.)
Eh!  (Smelling decanter.)  Robinson County whiskey!  Umph!  I have
observed that the spirit of American institutions, sir, are already
penetrating the--er--er--superstitions of--er--foreign and effete
civilizations.  (Pours out glass of whiskey, and drinks; pours
again, and observes MANUELA watching him respectfully.)  What the
Devil is that girl looking at?  Eh!  (Puts down glass.)

Manuela (aside).  He is fierce and warlike.  Mother of God!  But he
is not so awful as that gray-haired caballero, who looks like a
fasting St. Anthony.  And he loves aguardiente: he will pity poor
Diego the more.  (Aloud.)  Ahem!  Senor.  (Courtesies coquettishly.)

Col. Starbottle (aside).  Oh, I see.  Ged! not a bad-looking girl,--
a trifle dark, but Southern, and--er--tropical.  Ged, Star, Star,
this won't do, sir; no, sir.  The filial affections of Aeneas are
not to be sacrificed through the blandishments of--er--Dodo--I mean
a Dido.

Manuela.  O senor, you are kind, you are good.  You are an
Americano, one of a great nation.  You will feel sympathy for a
poor young man,--a mere muchacho,--one of your own race, who was a
vaquero here, senor.  He has been sent away from us here disgraced,
alone, hungry, perhaps penniless.  (Wipes her eyes.)

Col. Starbottle.  The Devil!  Another prodigal.  (Aloud.)  My dear,
the case you have just stated would appear to be the--er--er--
normal condition of the--er--youth of America.  But why was he
discharged?  (Pouring out liquor.)

Manuela (demurely glancing at the colonel).  He was drunk, senor.

Starbottle (potently).  Drunkenness, my child, which is--er--
weakness in the--er--er--gentleman, in the subordinate is a crime.
What--er--excites the social impulse and exhilarates the fancy of
the--er--master of the house, in the performance of his duty,
renders the servant unfit for his.  Legally it is a breach of
contract.  I should give it as my opinion,--for which I am
personally responsible,--that your friend Diego could not recover.
Ged!  (Aside.)  I wonder if this scapegoat could be our black
sheep.

Manuela.  But that was not all, senor.  It was an excuse only.  He
was sent away for helping our young lady to a cavalier.  He was
discharged because he would not be a traitor to her.  He was sent
away because he was too good, too honorable,--too--  (Bursts out
crying.)

Starbottle (aside).  Oh, the Devil! THIS is no Sandy Morton.
(Coming forward gravely.)  I have never yet analyzed the--er--er--
character of the young gentleman I have the honor to assist in
restoring to his family and society; but judging--er--calmly--er--
dispassionately, my knowledge of his own father--from what the old
gentleman must have been in his unregenerate state, and knowing
what he is now in his present reformed Christian condition, I
should say calmly and deliberately that the son must be the most
infernal and accomplished villain unhung.  Ged, I have a thought,
an inspiration.  (To MANUELA, tapping her under the chin.)  I see,
my dear; a lover, ha, ha!  Ah, you rogue!  Well, well, we will talk
of this again.  I will--er--er--interest myself in this Diego.
[Exit MANUELA.

Starbottle (solus).  How would it do to get up a prodigal?  Umph.
Something must be done soon: the old man grows languid in his
search.  My position as a sinecure is--er--in peril.  A prodigal
ready made!  But could I get a scoundrel bad enough to satisfy the
old man?  Ged, that's serious.  Let me see: he admits that he is
unable to recognize his own son in face, features, manner, or
speech.  Good!  If I could pick up some rascal whose--er--
irregularities didn't quite fill the bill, and could say--Ged!--
that he was reforming.  Reforming!  Ged, Star!  That very defect
would show the hereditary taint, demn me!  I must think of this
seriously.  Ged, Star! the idea is--an inspiration of humanity and
virtue.  Who knows? it might be the saving of the vagabond,--a
crown of glory to the old man's age.  Inspiration, did I say?  Ged,
Star, it's a DUTY,--a sacred, solemn duty, for which you are
responsible,--personally responsible.

Lights down half.  Enter from corridor L., MORTON, DON JOSE, the
DONA JOVITA, and MANUELA.

Dona Jovita (stepping forward with exaggerated Spanish courtesy).
A thousand graces await your Excellency, Commander Don--Don--

Starbottle (bowing to the ground with equal delight and exaggerated
courtesy).  Er--Coolpepero!

Dona Jovita.  Don Culpepero!  If we throw ourselves unasked at your
Excellency's feet (courtesy), if we appear unsought before the
light of your Excellency's eyes (courtesy), if we err in maidenly
decorum in thus seeking unbidden your Excellency's presence
(courtesy), believe us, it is the fear of some greater, some graver
indecorum in our conduct that has withdrawn your Excellency's
person from us since you have graced our roof with your company.
We know, Senor Commander, how superior are the charms of the
American ladies.  It is in no spirit of rivalry with them, but to
show--Mother of God!--that we are not absolutely ugly, that we
intrude upon your Excellency's solitude.  (Aside.)  I shall need
the old fool, and shall use him.

Col. Starbottle (who has been bowing and saluting with equal
extravagance, during this speech--aside).  Ged! she IS beautiful!
(Aloud.)  Permit me er--er--Dona Jovita, to correct--Ged, I must
say it, correct erroneous statements.  The man who should--er--
utter in my presence remarks disparaging those--er--charms it is my
privilege to behold, I should hold responsible,--Ged! personally
responsible.  You--er--remind me of er--incident, trifling perhaps,
but pleasing, Charleston in '52,--a reception at John C. Calhoun's.
A lady, one of the demnedest beautiful women you ever saw, said to
me, "Star!"--she always called me Star,--"you've avoided me, you
have, Star!  I fear you are no longer my friend."--"Your friend,
madam," I said.  "No, I've avoided you because I am your lover."
Ged, Miss Jovita, a fact--demn me.  Sensation.  Husband heard
garbled report.  He was old friend, but jealous, rash, indiscreet.
Fell at first fire--umph--January 5th.  Lady--beautiful woman--
never forgave: went into convent.  Sad affair.  And all a mistake--
demn me,--all a mistake, through perhaps extravagant gallantry and
compliment.  I lingered here, oblivious perhaps of--er--beauty, in
the enjoyment of Nature.

Dona Jovita.  Is there enough for your Excellency to share with me,
since it must be my rival?  See, the fog is clearing away: we shall
have moonlight.  (DON JOSE and MORTON seat themselves at table.)
Shall we not let these venerable caballeros enjoy their confidences
and experiences together?  (Aside.)  Don Jose watches me like a
fox, does not intend to lose sight of me.  How shall I show the
light three times from the courtyard roof?  I have it!  (Takes
STARBOTTLE'S arm.)  It is too pleasant to withdraw.  There is a
view from the courtyard wall your Excellency should see.  Will you
accompany me?  The ascent is easy.

Starbottle (bowing).  I will ascend, although, permit me to say,
Dona Jovita, it would be--er--impossible for me to be nearer--er--
heaven, than--er--at present.

Dona Jovita.  FLATTERER!  Come, you shall tell me about this sad
lady who died.  Ah, Don Culpepero, let me hope all your experiences
will not be so fatal to us!

[Exeunt DONA JOVITA and STARBOTTLE.

Morton (aside).  A froward daughter of Baal, and, if I mistake not,
even now concocting mischief for this foolish, indulgent, stiff-
necked father.  (Aloud.)  Your only daughter, I presume.

Don Jose.  My darling, Don Alexandro.  Motherless from her infancy.
A little wild, and inclined to gayety, but I hope not seeking for
more than these walls afford.  I have checked her but seldom, Don
Alexandro, and then I did not let her see my hand on the rein that
held her back.  I do not ask her confidence always: I only want her
to know that when the time comes it can be given to me without fear.

Morton.  Umph!

Don Jose (leaning forward confidentially).  To show that you have
not intrusted your confidence regarding your wayward son--whom may
the saints return to you!--to unsympathetic or inexperienced ears,
I will impart a secret.  A few weeks ago I detected an innocent
intimacy between this foolish girl and a vagabond vaquero in my
employ.  You understand, it was on her part romantic, visionary; on
his, calculating, shrewd, self-interested, for he expected to
become my heir.  I did not lock her up.  I did not tax her with it.
I humored it.  Today I satisfied the lover that his investment was
not profitable, that a marriage without my consent entailed the
loss of the property, and then left them together.  They parted in
tears, think you, Don Alexandro?  No, but mutually hating each
other.  The romance was over.  An American would have opposed the
girl, have driven her to secrecy, to an elopement perhaps.  Eh?

Morton (scornfully).  And you believe that they have abandoned
their plans?

Don Jose.  I am sure--hush! she is here!

Enter, on roof of corridor, STARBOTTLE and JOVITA.

Col. Starbottle.  Really, a superb landscape!  An admirable view of
the--er--fog--rolling over the Mission Hills, the plains below, and
the--er--er--single figure of--er--motionless horseman--

Dona Jovita (quickly).  Some belated vaquero.  Do you smoke, Senor
Commander?

Starbottle.  At times.

Dona Jovita.  With me.  I will light a cigarette for you: it is the
custom.

COL. STARBOTTLE draws match from his pocket, and is about to light,
but is stopped by DONA JOVITA.

Dona Jovita.  Pardon, your Excellency, but we cannot endure your
American matches.  There is a taper in the passage.

COL. STARBOTTLE brings taper: DONA JOVITA turns to light cigarette,
but manages to blow out candle.

Dona Jovita.  I must try your gallantry again.  That is once I have
failed.  (Significantly.)

COL. STARBOTTLE relights candle, business, same results.

Dona Jovita.  I am stupid and nervous to-night.  I have failed
twice.  (With emphasis.)

COL. STARBOTTLE repeats business with candle.  DONA JOVITA lights
cigarette, hands it to the colonel.

Dona Jovita.  Thrice, and I have succeeded.  (Blows out candle.)

Col. Starbottle.  A thousand thanks!  There is a--er--er--light on
the plain.

Dona Jovita (hastily).  It is the vaqueros returning.  My father
gives a festa to peons in honor of your arrival.  There will be a
dance.  You have been patient, Senor Commander: you shall have my
hand for a waltz.

Enter vaqueros, their wives and daughters.  A dance, during which
the "sembi canca" is danced by COL. STARBOTTLE and DONA JOVITA.
Business, during which the bell of Mission Church, faintly
illuminated beyond the wall, strikes twelve.  Dancers withdraw
hurriedly, leaving alone MANUELA, DONA JOVITA, COL. STARBOTTLE, DON
JOSE, and CONCHO.  CONCHO formally hands keys to Don Jose.

Don Jose (delivering keys to MORTON with stately impressiveness).
Take them, Don Alexandro Morton, and with them all that they unlock
for bliss or bale.  Take them, noble guest, and with them the
homage of this family,--to-night, Don Alexandro, your humble
servants.  Good-night, gentlemen.  May a thousand angels attend
you, O Don Alexandro and Don Culpepero!

Dona Jovita.  Good-night, Don Alexandro.  May your dreams to-night
see all your wishes fulfilled!  Good-night, O Senor Commander.  May
she you dream of be as happy as you!

Manuela and Concho (together).  Good-night, O senores and
illustrious gentlemen! may the Blessed Fisherman watch over you!
(Both parties retreat into opposite corridors, bowing.)

MANUELA,     CONCHO,    MORTON,
DON JOSE.    JOVITA.    STARBOTTLE.


SCENE 3.--The same.  Stage darkened.  Fog passing beyond wall
outside, and occasionally obscuring moonlit landscape beyond.
Enter JOVITA softly, from corridor L.  Her face is partly hidden by
Spanish mantilla.

Jovita.  All quiet at last; and, thanks to much aguardiente, my
warlike admirer snores peacefully above.  Yet I could swear I heard
the old Puritan's door creak as I descended!  Pshaw!  What matters!
(Goes to gateway, and tries gate.)  Locked!  Carramba!  I see it
now.  Under the pretext of reviving the old ceremony, Don Jose has
locked the gates, and placed me in the custody of his guest.  Stay!
There is a door leading to the corral from the passage by Concho's
room.  Bueno!  Don Jose shall see!  [Exit R.

Enter cautiously R. OLD MORTON.

Old Morton.  I was not mistaken!  It was the skirt of that Jezebel
daughter that whisked past my door a moment ago, and her figure
that flitted down that corridor.  So!  The lover driven out of the
house at four P. M., and at twelve o'clock at night the young lady
trying the gate secretly.  This may be Spanish resignation and
filial submission, but it looks very like Yankee disobedience and
forwardness.  Perhaps it's well that the keys are in my pocket.
This fond confiding Papist may find the heretic American father of
some service.  (Conceals himself behind pillar of corridor.)

After a pause the head of JOHN OAKHURST appears over the wall of
corridor: he climbs up to roof of corridor, and descends very
quietly and deliberately to stage.

Oakhurst (dusting his clothing with his handkerchief).  I never
knew before why these Spaniards covered their adobe walls with
whitewash.  (Leans against pillar in shadow.)

Re-enter JOVITA, hastily.

Jovita.  All is lost; the corral door is locked; the key is
outside, and Concho is gone,--gone where?  Madre di Dios! to
discover, perhaps to kill him.

Oakhurst (approaching her).  No.

Jovita.  Juan!  (Embracing him.)  But how did you get here?  This
is madness!

Oakhurst.  As you did not come to the mission, I came to the
rancho.  I found the gate locked--by the way, is not that a novelty
here?--I climbed the wall.  But you, Miss Castro, you are trembling!
Your little hands are cold!

Jovita (glancing around).  Nothing, nothing!  But you are running a
terrible risk.  At any moment we may be discovered.

Oakhurst.  I understand you: it would be bad for the discoverer.
Never fear, I will be patient.

Jovita.  But I feared that you might meet Concho.

Oakhurst.  Concho--Concho--(meditatively).  Let me see,--tall,
dark, long in the arm, weighs about one hundred and eighty, and
active.

Jovita.  Yes; tell me!  You have met him?

Oakhurst.  Possibly, possibly.  Was he a friend of yours?

Jovita.  No!

Oakhurst.  That's better.  Are his pursuits here sedentary, or
active?

Jovita.  He is my father's major-domo.

Oakhurst.  I see: a sinecure.  (Aside.)  Well, if he has to lay up
for a week or two, the rancho won't suffer.

Jovita.  Well?

Oakhurst.  Well!

Jovita (passionately).  There, having scaled the wall, at the risk
of being discovered--this is all you have to say!  (Turning away.)

Oakhurst (quietly).  Perhaps, Jovita (taking her hand with grave
earnestness), to a clandestine intimacy like ours there is but one
end.  It is not merely elopement, not merely marriage, it is
exposure!  Sooner or later you and I must face the eyes we now
shun.  What matters if tonight or later?

Jovita (quickly).  I am ready.  It was you who--

Oakhurst.  It was I who first demanded secrecy, but it was I who
told you when we last met that I would tell you why to-night.

Jovita.  I am ready; but hear me, Juan, nothing can change my faith
in you!

Oakhurst (sadly).  You know not what you say.  Listen, my child.  I
am a gambler.  Not the man who lavishes his fortune at the gaming-
table for excitement's sake; not the fanatic who stakes his own
earnings--perhaps the confided earnings of others--on a single
coup.  No, he is the man who loses,--whom the world deplores,
pities, and forgives.  I am the man who wins--whom the world hates
and despises.

Jovita.  I do not understand you, Juan.

Oakhurst.  So much the better, perhaps.  But you must hear me.  I
make a profession--an occupation more exacting, more wearying, more
laborious, than that of your meanest herdsman--of that which others
make a dissipation of the senses.  And yet, Jovita, there is not
the meanest vaquero in this ranch, who, playing against me, winning
or losing, is not held to be my superior.  I have no friends--only
confederates.  Even the woman who dares to pity me must do it in
secret.

Jovita.  But you will abandon this dreadful trade.  As the son of
the rich Don Jose, no one dare scorn you.  My father will relent.
I am his heiress.

Oakhurst.  No more, Jovita, no more.  If I were the man who could
purchase the world's respect through a woman's weakness for him, I
should not be here to-night.  I am not here to sue your father's
daughter with hopes of forgiveness, promises of reformation.
Reformation, in a man like me, means cowardice or self-interest.
(OLD MORTON, becoming excited, leans slowly out from the shadow of
the pillar) listening intently.)  I am here to take, by force if
necessary, a gambler's wife,--the woman who will share my fortunes,
my disgrace, my losses; who is willing to leave her old life of
indulgence, of luxury, of respectability, for mine.  You are
frightened, little dove: compose yourself (soothing her tenderly
and sadly); you are frightened at the cruel hawk who has chosen you
for a mate.

Old Morton (aside).  God in heaven!  This is like HIM! like me!--
like me, before the blessed Lord lifted me into regeneration.  If
it should be!  (Leans forward anxiously from pillar.)

Oakhurst (aside).  Still silent!  Poor dove, I can hear her foolish
heart flutter against mine.  Another moment decides our fate.
Another moment: John Oakhurst and freedom, or Red Gulch and--she is
moving.  (To JOVITA.)  I am harsh, little one, and cold.  Perhaps I
have had much to make me so.  But when (with feeling) I first met
you; when, lifting my eyes to the church-porch, I saw your
beautiful face; when, in sheer recklessness and bravado, I raised
my hat to you; when you--you, Jovita--lifted your brave eyes to
mine, and there, there in the sanctuary, returned my salute,--the
salutation of the gambler, the outcast, the reprobate,--then, then
I swore that you should be mine, if I tore you from the sanctuary.
Speak now, Jovita: if it was coquetry, speak now; I forgive you: if
it was sheer wantonness, speak now; I shall spare you: but if--

Jovita (throwing herself in his arms).  Love, Juan!  I am yours,
now and forever.  (Pause.)  But you have not told me all.  I will
go with you to-night--now.  I leave behind me all,--my home, my
father, my--(pause) my name.  You have forgotten, Juan, you have
not told me what I change THAT for: you have not told me YOURS.

OLD MORTON, in eager excitement, leans beyond shadow of pillar.

Oakhurst (embracing her tenderly, with a smile).  If I have not
told you who I am, it was because, darling, it was more important
that you should know what I am.  Now that you know that--why--
(embarrassedly) I have nothing more to tell.  I did not wish you to
repeat the name of Oakhurst--because--(aside) how the Devil shall I
tell her that Oakhurst was my real name, after all, and that I only
feared she might divulge it?--(aloud) because--because--
(determinedly) I doubted your ability to keep a secret.  My real
name is--(looks up, and sees MORTON leaning beyond pillar) is a
secret.  (Pause, in which OAKHURST slowly recovers his coolness.)
It will be given to the good priest who to-night joins our fate
forever, Jovita,--forever, in spite of calumny, opposition, or
SPIES! the padre whom we shall reach, if enough life remains in
your pulse and mine to clasp these hands together.  (After a
pause.)  Are you content?

Jovita.  I am.

Oakhurst.  Then there is not a moment to lose.  Retire, and prepare
yourself for a journey.  I will wait here.

Jovita.  I am ready now.

Oakhurst (looking toward pillar).  Pardon, my darling: there was a
bracelet--a mere trifle--I once gave you.  It is not on your wrist.
I am a trifle superstitious, perhaps: it was my first gift.  Bring
it with you.  I will wait.  Go!

[Exit JOVITA.

OAKHURST watches her exit, lounges indifferently toward gate; when
opposite pillar, suddenly seizes MORTON by the throat, and drags
him noiselessly to centre.

Oakhurst (hurriedly).  One outcry,--a single word,--and it is your
last.  I care not who YOU may be!--who I am,--you have heard enough
to know, at least, that you are in the grip of a desperate man.
(Keys fall from MORTON'S hand.  OAKHURST seizes them.)  Silence! on
your life.

Morton (struggling).  You would not dare! I command you--

Oakhurst (dragging him to gateway).  Out you must go.

Morton.  Stop, I command you.  I never turned MY father out of
doors!

Oakhurst (gazing at MORTON).  It is an OLD man!  I release you.  Do
as you will, only remember that that girl is mine forever, that
there is no power on earth will keep me from her.

Morton.  On conditions.

Oakhurst.  Who are you that make conditions?  You are not--her
father?

Morton.  No but I am YOURS!  Alexander Morton, I charge you to hear
me.

Oakhurst (starting in astonishment; aside).  Sandy Morton, my lost
partner's father!  This is fate.

Morton.  You are astonished; but I thought so.  Ay, you will hear
me now!  I am your father, Alexander Morton, who drove you, a
helpless boy, into disgrace and misery.  I know your shameless
life: for twenty years it was mine, and worse, until, by the grace
of God, I reformed, as you shall.  I have stopped you in a
disgraceful act.  Your mother--God forgive me!--left HER house, for
MY arms, as wickedly, as wantonly, as shamelessly--

Oakhurst.  Stop, old man!  Stop!  Another word (seizing him), and I
may forget your years.

Morton.  But not your blood.  No, Alexander Morton, I have come
thousands of miles for one sacred purpose,--to save you; and I
shall, with God's will, do it now.  Be it so, on one condition.
You shall have this girl; but lawfully, openly, with the sanction
of Heaven and your parents.

Oakhurst (aside).  I see a ray of hope.  This is Sandy's father;
the cold, insensate brute, who drove him into exile, the one bitter
memory of his life.  Sandy disappeared, irreclaimable, or living
alone, hating irrevocably the author of his misery; why should not
I--

Morton (continuing).  On one condition.  Hear me, Alexander Morton.
If within a year, you, abandoning your evil practices, your wayward
life, seek to reform beneath my roof, I will make this proud
Spanish Don glad to accept you as the more than equal of his
daughter.

Oakhurst (aside).  It would be an easy deception.  Sandy has given
me the details of his early life.  At least, before the imposition
was discovered I shall be--  (Aloud.)  I--I--  (Aside.)  Perdition!
SHE is coming!  There is a light moving in the upper chamber.  Don
Jose is awakened.  (Aloud.)  I--I--accept.

Morton.  It is well.  Take these keys, open yonder gate, and fly!
(As OAKHURST hesitates.)  Obey me.  I will meet your sweetheart,
and explain all.  You will come here at daylight in the morning,
and claim admittance, not as a vagabond, a housebreaker, but as my
son.  You hesitate.  Alexander Morton, I, your father, command you.
Go!

OAKHURST goes to the gate, opens it, as the sound of DIEGO'S voice,
singing in the fog, comes faintly in.


     O yer's your Sandy Morton,
                Drink him down!
     O yer's your Sandy Morton,
                Drink him down!
     O yer's your Sandy Morton,
     For he's drunk, and goin' a-courtin'.
     O yer's your Sandy Morton,
                Drink him down!


OAKHURST recoils against gate, MORTON hesitates, as window in
corridor opens, and DON JOSE calls from upper corridor.

Don Jose.  Concho!  (Pause.)  'Tis that vagabond Diego, lost his
way in the fog.  Strange that Concho should have overlooked him.  I
will descend.

Morton (to OAKHURST).  Do you hear?

Exit OAKHURST through gateway.  MORTON closes gate, and returns to
centre.  Enter JOVITA hurriedly.

Jovita.  I have it here.  Quick! there is a light in Don Jose's
chamber; my father is coming down.  (Sees MORTON, and screams.)

Morton (seizing her.)  Hush! for your own sake; for HIS; control
yourself.  He is gone, but he will return.  (To JOVITA, still
struggling.)  Hush, I beg, Miss Jovita.  I beg, I command you, my
daughter.  Hush!

Jovita (whispering).  His voice has changed.  What does this mean?
(Aloud.)  Where has he gone? and why are YOU here?

Morton (slowly and seriously).  He has left me here to answer the
unanswered question you asked him.  (Enter Don Jose and Col.
STARBOTTLE, R. and L.)  I am here to tell you that I am his father,
and that he is Alexander Morton.

TABLEAUX.

Curtain.

END OF ACT I.



ACT II.


SCENE 1.--Red Gulch.  Canyon of river, and distant view of Sierras,
snow-ravined.  Schoolhouse of logs in right middle distance.  Ledge
of rocks in centre.  On steps of schoolhouse two large bunches of
flowers.  Enter STARBOTTLE, slowly climbing rocks L., panting and
exhausted.  Seats himself on rock, foreground, and wipes his face
with his pocket-handkerchief.


Starbottle.  This is evidently the er--locality.  Here are the--er--
groves of Academus--the heights of er--Ida!  I should say that the
unwillingness which the--er--divine Shakespeare points out in the--
er--"whining schoolboy" is intensified in--er--climbing this
height, and the--er--alacrity of his departure must be in exact
ratio to his gravitation.  Good idea.  Ged! say it to schoolma'am.
Wonder what she's like?  Humph! the usual thin, weazened, hatchet-
faced Yankee spinster, with an indecent familiarity with Webster's
Dictionary!  And this is the woman, Star, you're expected to
discover, and bring back to affluence and plenty.  This is the new
fanaticism of Mr. Alexander Morton, sen.  Ged! not satisfied with
dragging his prodigal son out of merited obscurity, this miserable
old lunatic commissions ME to hunt up another of his abused
relatives; some forty-fifth cousin, whose mother he had frozen,
beaten, or starved to death!  And all this to please his prodigal!
Ged! if that prodigal hadn't presented himself that morning, I'd
have picked up--er--some--er--reduced gentleman--Ged, that knew how
to spend the old man's money to better advantage.  (Musing.)  If
this schoolmistress were barely good-looking, Star,--and she's sure
to have fifty thousand from the old man,--Ged, you might get even
with Alexander, sen., for betrothing his prodigal to Dona Jovita,
in spite of the--er--evident preference that the girl showed for
you.  Capital idea!  If she's not positively hideous I'll do it!
Ged! I'll reconnoitre first!  (Musing.)  I could stand one eye;
yes--er--single eye would not be positively objectionable in the--
er--present experiments of science toward the--er--the substitution
of glass.  Red hair, Star, is--er--Venetian,--the beauty of
Giorgione.  (Goes up to schoolhouse window, and looks in.)  Too
early!  Seven empty benches; seven desks splashed with ink.  The--
er--rostrum of the awful Minerva empty, but--er--adorned with
flowers, nosegays--demn me!  And here, here on the--er--very
threshold (looking down), floral tributes.  The--er--conceit of
these New England schoolma'ams, and their--er--evident Jesuitical
influence over the young, is fraught, sir, fraught with--er--darkly
political significance.  Eh, Ged! there's a caricature on the
blackboard.  (Laughing.)  Ha, ha!  Absurd chalk outline of
ridiculous fat person.  Evidently the schoolma'am's admirer.  Ged!
immensely funny!  Ah! boys will be boys.  Like you, Star, just like
you,--always up to tricks like that.  A sentence scrawled below the
figure seems to be--er--explanation.  Hem!  (Takes out eyeglass.)
Let's see (reading.)  "This is old"--old--er--old--demme, sir!--
"Starbottle!"  This is infamous.  I haven't been forty-eight hours
in the place, and to my certain knowledge haven't spoken to a
child.  Ged, sir, it's the--er--posting of a libel!  The woman,
the--er--female, who permits this kind of thing, should be made
responsible--er--personally responsible.  Eh, hush!  What have we
here?  (Retires to ledge of rocks.)

Enter MISS MARY L., reading letter.

Miss Mary.  Strange!  Is it all a dream?  No! here are the familiar
rocks, the distant snow-peaks, the schoolhouse, the spring below.
An hour ago I was the poor schoolmistress of Red Gulch, with no
ambition nor hope beyond this mountain wall; and now--oh, it must
be a dream!  But here is the letter.  Certainly this is no
delusion: it is too plain, formal, business-like.  (Reads.)


MY DEAR COUSIN--I address the only surviving child of my cousin
Mary and her husband John Morris, both deceased.  It is my duty as
a Christian relative to provide you with a home--to share with you
that wealth and those blessings that a kind providence has
vouchsafed me.  I am aware that my conduct to your father and
mother, while in my sinful and unregenerate state, is no warrantee
for my present promise; but my legal adviser, Col. Starbottle, who
is empowered to treat with you, will assure you of the sincerity of
my intention, and my legal ability to perform it.  He will conduct
you to my house; you will share its roof with me and my prodigal
son Alexander, now by the grace of God restored, and mindful of the
error of his ways.  I enclose a draft for one thousand dollars: if
you require more, draw upon me for the same.

Your cousin,

ALEXANDER MORTON, SEN.


My mother's cousin--so!  Cousin Alexander! a rich man, and reunited
to the son he drove into shameful exile.  Well! we will see this
confidential lawyer; and until then--until then--why, we are the
schoolmistress of Red Gulch, and responsible for its youthful
prodigals.  (Going to schoolhouse door.)

Miss Mary (stopping to examine flowers).  Poor, poor Sandy!
Another offering, and, as he fondly believes, unknown and
anonymous!  As if he were not visible in every petal and leaf!
The mariposa blossom of the plain.  The snowflower I longed for,
from those cool snowdrifts beyond the ridge.  And I really believe
he was sober when he arranged them.  Poor fellow!  I begin to think
that the dissipated portion of this community are the most
interesting.  Ah! some one behind the rock,--Sandy, I'll wager.
No! a stranger!

Col. Starbottle (aside, and advancing).  If I could make her think
I left those flowers!  (Aloud.)  When I state that--er--I am
perhaps--er--stranger--

Miss Mary (interrupting him coldly).  You explain, sir, your
appearance on a spot which the rude courtesy of even this rude
miner's camp has preserved from intrusion.

Starbottle (slightly abashed, but recovering himself).  Yes--Ged!--
that is, I--er--saw you admiring--er--tribute--er--humble tribute
of flowers.  I am myself passionately devoted to flowers.  Ged!
I've spent hours--in--er--bending over the--er--graceful sunflower,
in--er--plucking the timid violet from the overhanging but
reluctant bough, in collecting the--er--er--fauna--I mean the--er--
flora--of this--er--district.

Miss Mary (who has been regarding him intently).  Permit me to
leave you in uninterrupted admiration of them.  (Handing him
flowers.)  You will have ample time in your journey down the gulch
to indulge your curiosity!

Hands STARBOTTLE flowers, enters schoolhouse, and quietly closes
door on STARBOTTLE as SANDY MORTON enters cautiously and sheepishly
from left.  SANDY stops in astonishment on observing STARBOTTLE,
and remains by wing left.

Starbottle (smelling flowers, and not noticing MISS MARY'S absence).
Beautiful--er--exquisite.  (Looking up at closed door.) Ged!  Most
extraordinary disappearance!  (Looks around, and discovers SANDY;
examines him for a moment through his eyeglass, and then, after a
pause, inflates his chest, turns his back on SANDY, and advances to
schoolhouse door.  SANDY comes quickly, and, as STARBOTTLE raises
his cane to rap on door, seizes his arm.  Both men, regarding each
other fixedly, holding each other, retreat slowly and cautiously to
centre.  Then STARBOTTLE disengages his arm.)

Sandy (embarrassedly but determinedly).  Look yer, stranger.  By
the rules of this camp, this place is sacred to the schoolma'am and
her children.

Starbottle (with lofty severity).  It is!  Then--er--permit me to
ask, sir, what YOU are doing here.

Sandy (embarrassed, and dropping his head in confusion).  I was--
passing.  There is no school to-day.

Starbottle.  Then, sir, Ged! permit me to--er--DEMAND--DEMAND, sir--
an apology.  You have laid, sir, your hand upon my person--demn
me!  Not the first time, sir, either; for, if I am not mistaken,
you are the--er--inebriated menial, sir, who two months ago jostled
me, sir,--demn me,--as I entered the rancho of my friend Don Jose
Castro.

Sandy (starting, aside).  Don Jose!  (Aloud.)  Hush, hush!  She
will hear you.  No--that is--(stops, confused and embarrassed.
Aside.)  She will hear of my disgrace.  He will tell her the whole
story.

Starbottle.  I shall await your apology one hour.  At the end of
that time, if it is not forthcoming, I shall--er--er--waive your
menial antecedents, and expect the--er--satisfaction of a
gentleman.  Good-morning, sir.  (Turns to schoolhouse.)

Sandy.  No, no: you shall not go!

Starbottle.  Who will prevent me?

Sandy (grappling him).  I will.  (Appealingly.)  Look yer,
stranger, don't provoke me, I, a desperate man, desperate and
crazed with drink,--don't ye, don't ye do it!  For God's sake, take
your hands off me!  Ye don't know what ye do.  Ah!  (Wildly,
holding STARBOTTLE firmly, and forcing him backward to precipice
beyond ledge of rocks.)  Hear me.  Three years ago, in a moment
like this, I dragged a man--my friend--to this precipice.  I--I--
no! no!--don't anger me now!  (Sandy's grip on STARBOTTLE relaxes
slightly, and his head droops.)

Starbottle (coolly).  Permit me to remark, sir, that any reminiscence
of your--er--friend--or any other man is--er--at this moment,
irrelevant and impertinent.  Permit me to point out the--er--fact,
sir, that your hand is pressing heavily, demned heavily, on my
shoulder.

Sandy (fiercely).  You shall not go!

Starbottle (fiercely).  Shall not?

Struggle.  STARBOTTLE draws derringer from his breast-pocket, and
SANDY seizes his arm.  In this position both parties struggle to
ledge of rocks, and COL. STARBOTTLE is forced partly over.

Miss Mary (opening schoolhouse door).  I thought I heard voices.
(Looking toward ledge of rocks, where COL. STARBOTTLE and SANDY are
partly hidden by trees.  Both men relax grasp of each other at MISS
MARY'S voice.)

Col. Starbottle (aloud and with voice slightly raised, to SANDY).
By--er--leaning over this way a moment, a single moment, you will--
er--perceive the trail I speak of.  It follows the canyon to the
right.  It will bring you to--er--the settlement in an hour.  (To
MISS MARY, as if observing her for the first time.)  I believe I
am--er--right; but, being--er--more familiar with the locality, you
can direct the gentleman better.

SANDY slowly sinks on his knees beside rock, with his face averted
from schoolhouse, as COL. STARBOTTLE disengages himself, and
advances jauntily and gallantly to schoolhouse.

Col. Starbottle.  In--er--er--showing the stranger the--er--way, I
perhaps interrupted our interview.  The--er--observances of--er--
civility and humanity must not be foregone, even for--er--the
ladies.  I--er--believe I address Miss Mary Morris.  When I--er--
state that my name is Col. Starbottle, charged on mission of--er--
delicate nature, I believe I--er--explain MY intrusion.

MISS MARY bows, and motions to schoolhouse door; COL. STARBOTTLE,
bowing deeply, enters; but MISS MARY remains standing by door,
looking toward trees that hide SANDY.

Miss Mary (aside).  I am sure it was Sandy's voice!  But why does
he conceal himself?

Sandy (aside, rising slowly to his feet, with his back to
schoolhouse door).  Even this conceited bully overcomes me, and
shames me with his readiness and tact.  He was quick to spare her--
a stranger--the spectacle of two angry men.  I--I--must needs
wrangle before her very door!  Well, well! better out of her sight
forever, than an object of pity or terror.  [Exit slowly, and with
downcast eyes, right.

Miss Mary (watching the trail).  It WAS Sandy! and this concealment
means something more than bashfulness.  Perhaps the stranger can
explain.

[Enters schoolhouse, and closes door.


SCENE 2.--The same.  Enter CONCHO, lame, cautiously, from R.
Pauses at R., and then beckons to HOP SING, who follows R.

Concho (impatiently).  Well! you saw him?

Hop Sing.  Me see him.

Concho.  And you recognized him?

Hop Sing.  No shabe likoquize.

Concho (furiously).  You knew him, eh?  Carramba!  You KNEW him.

Hop Sing (slowly and sententiously).  Me shabe man you callee
Diego.  Me shabbee Led Gulchee call Sandy.  Me shabbee man Poker
Flat callee Alexandlee Molton.  Allee same, John!  Allee same!

Concho (rubbing his hands).  Bueno!  Good John! good John!  And you
knew he was called Alexander Morton?  And go on--good John--go on!

Hop Sing.  Me plentee washee shirtee--Melican man Poker Flat.  Me
plentee washee shirt Alexandlee Molton.  Always litee, litee on
shirt allee time.  (Pointing to tail of his blouse, and imitating
writing with finger.)  Alexandlee Molton.  Melican man tellee me--
shirt say Alexandlee Molton--shabbee?

Concho.  Bueno!  Excellent John.  Good John.  His linen marked
Alexander Morton.  The proofs are gathering! (crosses to C.)--the
letter I found in his pack, addressed to Alexander Morton, Poker
Flat, which first put me on his track; the story of his wife's
infidelity, and her flight with his partner to red Gulch, the
quarrel and fight that separated them, his flight to San Jose, his
wanderings to the mission of San Carmel, to the rancho of the Holy
Fisherman.  The record is complete!

Hop Sing.  Alexandlee Molton--

Concho (hurriedly returning to HOP SING).  Yes! good John; yes,
good John--go on.  Alexander Morton--

Hop Sing.  Alexandlee Molton.  Me washee shirt, Alexandlee Molton;
he no pay washee.  Me washee flowty dozen hep--four bittie dozen--
twenty dollar hep.  Alexandlee Molton no payee.  He say, "Go to
hellee!"  You pay me (extending his hand).

Concho.  Car--! (checking himself).   Poco tiempo, John!  In good
time, John.  Forty dollar--yes.  Fifty dollar!  Tomorrow, John.

Hop Sing.  Me no likee "to-mollow!"  Me no likee "nex time, John!"
Allee time Melican man say, "Chalkee up, John," "No smallee change,
John,"--umph.  Plenty foolee me!

Concho.  You shall have your money, John; but go now--you
comprehend.  Carramba! go!  (Pushes HOP SING to wing.)

Hop Sing (expostulating).  Flowty dozen, hep, John! twenty dollar,
John.  Sabe.  Flowty--twenty--(gesticulating with fingers).

[Exit HOP SING, pushed off by CONCHO.

Concho.  The pagan dolt!  But he is important.  Ah, if he were
wiser, I should not rid myself of him so quickly!  And now for the
schoolmistress,--the sweetheart of Sandy.  If these men have not
lied, he is in love with her; and, if he is, he has told her his
secret before now; and she will be swift to urge him to his rights.
If he has not told her--umph! (laughing) it will not be a DAY--an
HOUR--before she will find out if her lover is Alexander Morton,
the rich man's son, or "Sandy," the unknown vagabond.  Eh, friend
Sandy!  It was a woman that locked up your secret: it shall be a
woman, Madre di Dios! who shall unlock it.  Ha!  (Goes to door of
schoolhouse as door opens, and appears COL. STARBOTTLE.)

Concho (aside).  A thousand devils! the lawyer of the old man
Morton.  (Aloud.)  Pardon, pardon!  I am a stranger.  I have lost
my way on the mountain.  I am seeking a trail.  Senor, pardon!

Starbottle (aside).  Another man seeking the road!  Ged, I believe
he's lying too.  (Aloud.)  It is before you, sir, DOWN,--down the
mountain.

Concho.  A thousand thanks, senor.  (Aside.)  Perdition catch him!
(Aloud.)  Thanks, senor.  [Exit R.

Starbottle.  Ged, I've seen that face before.  Ged, it's Castro's
major-domo.  Demn me, but I believe all his domestics have fallen
in love with the pretty schoolma'am.

Enter MISS MARY from schoolhouse.

Miss Mary (slowly refolding letter).  You are aware, then, of the
contents of this note; and you are the friend of Alexander Morton,
sen.?

Col. Starbottle.  Permit me a moment, a single moment, to--er--er--
explain.  I am Mr. Morton's legal adviser.  There is--er--sense of--
er--responsibility,--er--personal responsibility, about the term
"friend," that at the--er--er--present moment I am not--er--
prepared to assume.  The substance of the letter is before you.  I
am here to--er--express its spirit.  I am here (with great
gallantry) to express the--er--yearnings of cousinly affection.  I
am aware--er--that OUR conduct,--if I may use the--er--the plural
of advocacy,--I am aware that--er--OUR conduct has not in the past
years been of--er--er--exemplary character.  I am aware that the--
er--death of our lamented cousin, your sainted mother, was--er--
hastened--I may--er--say--pre--cip--itated--by our--er--indiscretion
But we are hereto--er--confess judgment--with--er--er--costs.

Miss Mary (interrupting).  In other words, your client, my cousin,
having ruined my father, having turned his own widowed relation out
of doors, and sent me, her daughter, among strangers to earn her
bread; having seen my mother sink and die in her struggle to keep
her family from want,--this man now seeks to condone his offences--
pardon me, sir, if I use your own legal phraseology--by offering me
a home; by giving me part of his ill-gotten wealth, the association
of his own hypocritical self, and the company of his shameless,
profligate son--

Starbottle (interrupting).  A moment, Miss Morris,--a single
moment!  The epithets you have used, the--er--vigorous
characterization of our--er--conduct, is--er--within the--er--
strict rules of legal advocacy, correct.  We are--er--rascals! we
are--er--scoundrels! we are--er--well, I am not--er--prepared to
say that we are not--er--demn me--hypocrites!  But the young man
you speak of--our son, whose past life (speaking as Col. Starbottle)
no one more sincerely deprecates than myself,--that young man has
reformed; has been for the past few months a miracle of sobriety,
decorum, and industry; has taken, thanks to the example of--er--
friends, a position of integrity in his father's business, of filial
obedience in his father's household; is, in short, a paragon; and,
demn me, I doubt if he's his father's son.

Miss Mary.  Enough, sir!  You are waiting for my answer.  There is
no reason why it should not be as precise, as brief, and as formal
as your message.  Go to my cousin; say that you saw the person
he claims as his relation; say that you found her, a poor
schoolmistress, in a rude mining camp, dependent for her bread on
the scant earnings of already impoverished men, dependent for her
honor on the rude chivalry of outcasts and vagabonds; and say that
then and there she repudiated your kinship, and respectfully
declined your invitation.

Starbottle (aside).  Ged! Star! this is the--er--female of your
species!  This is the woman--the--er--one woman--for whom you are
responsible, sir!--personally responsible!

Miss Mary (coldly).  You have my answer, sir.

Col. Starbottle.  Permit me--er--single moment,--a single moment!
Between the er--present moment, and that of my departure--there is
an--er--interval of twelve hours.  May I, at the close of that
interval--again present myself--without prejudice, for your final
answer?

Miss Mary (indifferently).  As you will, sir.  I shall be here.

Col. Starbottle.  Permit me.  (Takes her hand gallantly.)  Your
conduct and manner, Miss Morris, remind me--er--singularly--of--er
beautiful creature--one of the--er--first families.  (Observing MISS
MARY regarding him amusedly, becomes embarrassed.)  That is--er--I
mean--er--er--good morning, Miss Morris!  (Passes by schoolhouse
door, retreating and bowing, and picks up flowers from door-step.)
Good morning!

Miss Mary.  Excuse me, Col. Starbottle (with winning politeness),
but I fear I must rob you of those flowers.  I recognize them now
as the offering of one of my pupils.  I fear I must revoke my gift
(taking flowers from astonished colonel's hand), all except a
single one for your buttonhole.  Have you any choice, or shall I
(archly) choose for you?  Then it shall be this.  (Begins to place
flowers in buttonhole, COL. STARBOTTLE exhibiting extravagant
gratitude in dumb show.  Business prolonged through MISS MARY's
speech.)  If I am not wrong, colonel, the gentleman to whom you so
kindly pointed out the road this morning was not a stranger to you.
Ah! I am right.  There, one moment,--a sprig of green, a single
leaf, would set off the pink nicely.  Here he is known only as
"Sandy": you know the absurd habits of this camp.  Of course he has
another name.  There! (releasing the colonel) it is much prettier
now.

Col. Starbottle.  Ged, madam!  The rarest exotic--the Victoria
Regina--is not as--er--graceful--er--tribute!

Miss Mary.  And yet you refuse to satisfy my curiosity?

Col. Starbottle (with great embarrassment, which at last resolves
itself into increased dignity of manner).  What you ask is--er--er--
impossible!  You are right: the--er--gentleman you allude to is
known to me under--er--er--another name.  But honor--Miss Morris,
honor!--seals the lips of Col. Starbottle.  (Aside.)  If she should
know he was a menial!  No.  The position of the man you have
challenged, Star, must be equal to your own.  (Aloud.)  Anything,
Miss Morris, but--er--that!

Miss Mary (smiling).  Be it so.  Adios, Col. Starbottle.

Col. Starbottle (gallantly).  Au revoir, Miss Morris.  [Exit,
impressively, L.

Miss Mary.  So!  Sandy conceals another name, which he withholds
from Red Gulch.  Well!  Pshaw!  What is that to me?  The camp is
made up of refugees,--men who perhaps have good reason to hide a
name that may be infamous, the name that would publish a crime.
Nonsense!  Crime and Sandy!  No, shame and guilt do not hide
themselves in those honest but occasionally somewhat bloodshot
eyes.  Besides, goodness knows! the poor fellow's weakness is
palpable enough.  No, that is not the reason.  It is no guilt that
keeps his name hidden,--at least, not his.  (Seating herself, and
arranging flowers in her lap.)  Poor Sandy! he must have climbed
the eastern summit to get this.  See, the rosy sunrise still
lingers in its very petals; the dew is fresh upon it.  Dear little
mountain baby!  I really believe that fellow got up before
daylight, to climb that giddy height and secure its virgin
freshness.  And to think, in a moment of spite, I'd have given it
to that bombastic warrior!  (Pause.)  That was a fine offer you
refused just now, Miss Mary.  Think of it: a home of luxury, a
position of assured respect and homage; the life I once led, with
all its difficulties smoothed away, its uncertainty dispelled,--
think of it!  My poor mother's dream fulfilled,--I, her daughter,
the mistress of affluence, the queen of social power!  What a
temptation!  Ah, Miss Mary, WAS it a temptation?  Was there nothing
in your free life here that stiffened your courage, that steeled
the adamant of your refusal? or was it only the memory of your
mother's wrongs?  Luxury and wealth!  Could you command a dwelling
more charming than this?  Position and respect!  Is not the awful
admiration of these lawless men more fascinating than the perilous
flattery of gentlemen like Col. Starbottle? is not the devotion of
these outcasts more complimentary than the lip-service of perfumed
gallantry?  (Pause.)  It's very odd he doesn't come.  I wonder if
that conceited old fool said anything to him.  (Rises, and then
seats herself, smiling.)  He HAS COME.  He is dodging in and out of
the manganita bushes below the spring.  I suppose he imagines my
visitor still here.  The bashful fool!  If anybody should see him,
it would be enough to make a petty scandal!  I'll give him a
talking-to.  (Pause.)  I wonder if the ridiculous fool has gone to
sleep in those bushes.  (Rises.)  Well, let him: it will help him
to recover his senses from last night's dissipation; and you, Miss
Mary, it is high time you were preparing the lessons for to-morrow.
(Goes to schoolhouse, enters door, and slams it behind her; after a
moment reappears with empty bucket.)  Of course there's no water,
and I am dying of thirst.  (Goes slowly to left, and pauses
embarrassedly and bashfully, presently laughs,--then suddenly
frowns, and assumes an appearance of indignation.)  Miss Mary
Morris, have you become such an egregious fool that you dare not
satisfy the ordinary cravings of human nature, just because an
idle, dissipated, bashful blockhead--nonsense!  [Exit, brandishing
pail.


SCENE 3.--The Same.

(A pause.  SANDY'S voice, without.)  This way, miss: the trail is
easier.

(MISS MARY'S voice, without.)  Never mind me; look after the
bucket.

Enter SANDY, carrying bucket with water, followed by MISS MARY.
SANDY sets bucket down.

Miss Mary.  There, you've spilt half of it.  If it had been
whiskey, you'd have been more careful.

Sandy (submissively).  Yes, miss.

Miss Mary (aside).  "Yes, miss!  "The man will drive me crazy with
his saccharine imbecility.  (Aloud.)  I believe you would assent to
anything, even if I said you were--an impostor!

Sandy (amazedly).  An impostor, Miss Mary?

Miss Mary.  Well, I don't know what other term you use in Red Gulch
to express a man who conceals his real name under another.

Sandy (embarrassed, but facing MISS MARY).  Has anybody been
tellin' ye I was an impostor, miss?  Has thet derned old fool that
I saw ye with--

Miss Mary.  "That old fool," as you call him, was too honorable a
gentleman to disclose your secret, and too loyal a friend to
traduce you by an epithet.  Fear nothing, Mr. "Sandy": if you have
limited your confidence to ONE friend, it has not been misplaced.
But, dear me, don't think I wish to penetrate your secret.  No.
The little I learned was accidental.  Besides, his business was
with me: perhaps, as his friend, you already know it.

Sandy (meekly).  Perhaps, miss, he was too honorable a gentleman to
disclose YOUR secret.  His business was with me.

Miss Mary (aside).  He has taken a leaf out of my book!  He is not
so stupid, after all.  (Aloud.)  I have no secret.  Col. Starbottle
came here to make me an offer.

Sandy (recoiling).  An offer!

Miss Mary.  Of a home and independence.  (Aside.)  Poor fellow! how
pale he looks!  (Aloud.)  Well, you see, I am more trustful than
you.  I will tell you MY secret; and you shall aid me with your
counsel.  (They sit on ledge of rocks.)  Listen!  My mother had a
cousin once,--a cousin cruel, cowardly, selfish, and dissolute.
She loved him, as women are apt to love such men,--loved him so
that she beguiled her own husband to trust his fortunes in the
hands of this wretched profligate.  The husband was ruined,
disgraced.  The wife sought her cousin for help for her necessities.
He met her with insult, and proposed that she should fly with him.

Sandy.  One moment, miss: it wasn't his pardner--his pardner's
wife--eh?

Miss Mary (impatiently).  It was the helpless wife of his own
blood, I tell you.  The husband died broken-hearted.  The wife, my
mother, struggled in poverty, under the shadow of a proud name, to
give me an education, and died while I was still a girl.  To-day
this cousin,--this more than murderer of my parents,--old, rich,
self-satisfied, REFORMED, invites me, by virtue of that kinship he
violated and despised, to his home, his wealth, his--his family
roof-tree!  The man you saw was his agent.

Sandy.  And you--

Miss Mary.  Refused.

Sandy (passing his hand over his forehead).  You did wrong, Miss
Mary.

Miss Mary.  Wrong, sir?  (Rising.)

Sandy (humbly but firmly).  Sit ye down, Miss Mary.  It ain't for
ye to throw your bright young life away yer in this place.  It
ain't for such as ye to soil your fair young hands by raking in the
ashes to stir up the dead embers of a family wrong.  It ain't for
ye--ye'll pardon me, Miss Mary, for sayin' it--it ain't for ye to
allow when it's TOO LATE fur a man to reform, or to go back of his
reformation.  Don't ye do it, miss, fur God's sake,--don't ye do
it!  Harkin, Miss Mary.  If ye'll take my advice--a fool's advice,
maybe--ye'll go.  And when I tell ye that that advice, if ye take
it, will take the sunshine out of these hills, the color off them
trees, the freshness outer them flowers, the heart's-blood outer
me,--ye'll know that I ain't thinkin' o' myself, but of ye.  And I
wouldn't say this much to ye, Miss Mary; but you're goin' away.
There's a flower, miss, you're wearin' in your bosom,--a flower I
picked at daybreak this morning, five miles away in the snow.  The
wind was blowing chill around it, so that my hands that dug for it
were stiff and cold; but the roots were warm, Miss Mary, as they
are now in your bosom.  Ye'll keep that flower, Miss Mary, in
remembrance of my love for ye, that kept warm and blossomed through
the snow.  And, don't start, Miss Mary,--for ye'll leave behind ye,
as I did, the snow and rocks through which it bloomed.  I axes your
parding, miss: I'm hurtin' yer feelin's, sure.

Miss Mary (rising with agitation).  Nothing,--nothing; but climbing
these stupid rocks has made me giddy: that's all.  Your arm.  (To
SANDY impatiently).  Can't you give me your arm?  (SANDY supports
MISS MARY awkwardly toward schoolhouse.  At door MISS MARY pauses.)
But if reformation is so easy, so acceptable, why have you not
profited by it?  Why have you not reformed?  Why have I found you
here, a disgraced, dissipated, anonymous outcast, whom an honest
girl dare not know?  Why do you presume to preach to me?  Have you
a father?

Sandy.  Hush, Miss Mary, hush!  I had a father.  Harkin.  All that
you have suffered from a kinship even so far removed, I have known
from the hands of one who should have protected me.  MY father was--
but no matter.  You, Miss Mary, came out of your trials like gold
from the washing.  I was only the dirt and gravel to be thrown
away.  It is too late, Miss Mary, too late.  My father has never
sought me, would turn me from his doors had I sought him.  Perhaps
he is only right.

Miss Mary.  But why should he be so different from others?  Listen.
This very cousin whose offer I refused had a son,--wild, wayward,
by all report the most degraded of men.  It was part of my cousin's
reformation to save this son, and, if it were possible, snatch him
from that terrible fate which seemed to be his only inheritance.

Sandy (eagerly).  Yes, miss.

Miss Mary.  To restore him to a regenerated home.  With this idea
he followed his prodigal to California.  I, you understand, was
only an after-thought consequent upon his success.  He came to
California upon this pilgrimage two years ago.  He had no
recollection, so they tell me, by which he could recognize this
erring son; and at first his search was wild, profitless, and
almost hopeless.  But by degrees, and with a persistency that
seemed to increase with his hopelessness, he was rewarded by
finding some clew to him at--at--at--

Sandy (excitedly).  At Poker Flat?

Miss Mary.  Ah, perhaps you know the story,--at Poker Flat.  He
traced him to the Mission of San Carmel.

Sandy.  Yes, miss: go on.

Miss Mary.  He was more successful than he deserved, perhaps.  He
found him.  I see you know the story.

Sandy.  Found him!  Found him!  Miss, did you say found him?

Miss Mary.  Yes, found him.  And today Alexander Morton, the
reclaimed prodigal, is part of the household I am invited to join.
So you see, Mr. Sandy, there is still hope.  What has happened to
him is only a promise to you.  Eh!  Mr. Sandy--what is the matter?
Are you ill?  Your exertion this morning, perhaps.  Speak to me!
Gracious heavens, he is going mad!  No!  No!  Yes--it cannot be--it
is--he HAS broken his promise: he is drunk again.

Sandy (rising, excited and confused).  Excuse me, miss, I am a
little onsartain HERE (pointing to his head).  I can't--I
disremember--what you said jus' now: ye mentioned the name o' that
prodigal that was found.

Miss Mary.  Certainly: compose yourself,--my cousin's son,
Alexander Morton.  Listen, Sandy, you promised ME, you know, you
said for MY sake you would not touch a drop.  (Enter cautiously
toward schoolhouse the DUCHESS, stops on observing SANDY, and hides
behind rock.)

Sandy (still bewildered and incoherent).  I reckon.  Harkin, miss,
is that thar thing (pointing towards rock where DUCHESS is
concealed)--is that a tree, or--or--a woman?  Is it sorter movin'
this way?

Miss Mary (laying her hand on SANDY'S).  Recover your senses, for
Heaven's sake, Sandy,--for MY sake!  It is only a tree.

Sandy (rising).  Then, miss, I've broke my word with ye: I'm drunk.
P'r'aps I'd better be a-goin' (looking round confusedly) till I'm
sober.  (Going toward L.)

Miss Mary (seizing his hand).  But you'll see me again, Sandy:
you'll come here--before--before--I go?

Sandy.  Yes, miss,--before ye go.  (Staggers stupidly toward L.
Aside.)  Found him! found Alexander Morton!  It's a third time,
Sandy, the third time: it means--it means--you're mad!  (Laughs
wildly, and exit L.)

Miss Mary (springing to her feet).  There is a mystery behind all
this, Mary Morris, that you--you--must discover.  That man was NOT
drunk: he HAD NOT broken his promise to me.  What does it all mean?
I have it.  I will accept the offer of this Alexander Morton.  I
will tell him the story of this helpless man, this poor, poor,
reckless Sandy.  With the story of his own son before his eyes, he
cannot but interest himself in his fate.  He is rich: he will aid
me in my search for Sandy's father, for Sandy's secret.  At the
worst, I can only follow the advice of this wretched man,--an
advice so generous, so kind, so self-sacrificing.  Ah--


SCENE 4.--The same.  Enter the DUCHESS, showily and extravagantly
dressed.  Her manner at first is a mixture of alternate shyness and
bravado.

The Duchess.  I heerd tell that you was goin' down to 'Frisco to-
morrow, for your vacation; and I couldn't let ye go till I came to
thank ye for your kindness to my boy,--little Tommy.

Miss Mary (aside.  Rising abstractedly, and recalling herself with
an effort).  I see,--a poor outcast, the mother of my anonymous
pupil.  (Aloud.)  Tommy! a good boy,--a dear, good little boy.

Duchess.  Thankee, miss, thankee.  If I am his mother, thar ain't a
sweeter, dearer, better boy lives than him.  And, if I ain't much
as says it, thar ain't a sweeter, dearer, angeler teacher than he's
got.  It ain't for you to be complimented by me, miss; it ain't for
such as me to be comin' here in broad day to do it, either; but I
come to ask a favor,--not for me, miss, but for the darling boy.

Miss Mary (aside--abstractedly).  This poor, degraded creature will
kill me with her wearying gratitude.  Sandy will not return, of
course, while she is here.  (Aloud.)  Go on.  If I can help you or
yours, be assured I will.

The Duchess.  Thankee, miss.  You see, thar's no one the boy has
any claim on but me, and I ain't the proper person to bring him up.
I did allow to send him to 'Frisco, last year; but when I heerd
talk that a schoolma'am was comin' up, and you did, and he sorter
tuk to ye natril from the first, I guess I did well to keep him
yer.  For, oh, miss, he loves ye so much; and, if you could hear
him talk in his purty way, ye wouldn't refuse him anything.

Miss Mary (with fatigued politeness, and increasing impatience).  I
see, I see: pray go on.

The Duchess (with quiet persistency).  It's natril he should take
to ye, miss; for his father, when I first knowed him, miss, was a
gentleman like yourself; and the boy must forget me sooner or
later--and I ain't goin' to cry about THAT.

Miss Mary (impatiently).  Pray tell me how I can serve you.

The Duchess.  Yes, miss; you see, I came to ask you to take my
Tommy,--God bless him for the sweetest, bestest boy that lives!--to
take him with you.  I've money plenty; and it's all yours and his.
Put him in some good school, whar ye kin go and see, and sorter
help him to--forget---his mother.  Do with him what you like.  The
worst you can do will be kindness to what he would learn with me.
You will: I know you will; won't you?  You will make him as pure
and as good as yourself; and when he has grown up, and is a
gentleman, you will tell him his father's name,--the name that
hasn't passed my lips for years,--the name of Alexander Morton.

Miss Mary (aside).  Alexander Morton!  The prodigal!  Ah, I see,--
the ungathered husks of his idle harvest.

The Duchess.  You hesitate, Miss Mary.  (Seizing her.)  Do not take
your hand away.  You are smiling.  God bless you!  I know you will
take my boy.  Speak to me, Miss Mary.

Miss Mary (aloud).  I will take your child.  More than that, I will
take him to his father.

The Duchess.  No, no! for God's sake, no, Miss Mary!  He has never
seen him from his birth: he does not know him.  He will disown him.
He will curse him,--will curse me!

Miss Mary.  Why should he?  Surely his crime is worse than yours.

The Duchess.  Hear me, Miss Mary.  (Aside.)  How can I tell her?
(Aloud.)  One moment, miss.  I was once--ye may not believe it,
miss--as good, as pure, as you.  I had a husband, the father of
this child.  He was kind, good, easy, forgiving,--too good for me,
miss, too simple and unsuspecting.  He was what the world calls a
fool, miss: he loved me too well,--the kind o' crime, miss,--
beggin' your pardon, and all precepts to the contrairy,--the one
thing that women like me never forgives.  He had a pardner, miss,
that governed him as HE never governed me; that held him with the
stronger will, and maybe ME too.  I was young, miss,--no older than
yourself then; and I ran away with him,--left all, and ran away
with my husband's pardner.  My husband--nat'rally--took to drink.
I axes your pardin', miss; but ye'll see now, allowin' your
larnin', that Alexander Morton ain't the man as will take my child.

Miss Mary.  Nonsense.  You are wrong.  He has reformed; he has been
restored to his home,--your child's home, your home if you will but
claim it.  Do not fear: I will make that right.

Enter SANDY slowly and sheepishly, R.; stops on observing the
Duchess, and stands amazed and motionless.

Miss Mary (observing SANDY--aside).  He HAS returned.  Poor fellow!
How shall I get rid of this woman?  (Aloud.)  Enough.  If you are
sincere, I will take your child, and, God help me! bring him to his
home and yours.  Are you satisfied?

The Duchess.  Thank ye!  Thank ye, miss; but--but thar's a mistake
somewhar.  In course--it's natural--ye don't know the father of
that child, my boy Tommy, under the name o' Alexander Morton.
Ye're thinking, like as not, of another man.  The man I mean lives
yer, in this camp: they calls him Sandy, miss,--SANDY!

Miss Mary (after a pause, coming forward passionately).  Hush!  I
have given you my answer, be it Alexander Morton or Sandy.  Go now:
bring me the child this evening at my house.  I will meet you
there.  (Leads the DUCHESS to wing.  The DUCHESS endeavors to fall
at her feet.)

The Duchess.  God bless you, miss!

Miss Mary (hurriedly embracing her).  No more, no more--but go!

[Exit DUCHESS.  MISS MARY returns hurriedly to centre, confronting
SANDY.

Miss Mary (to SANDY, hurriedly and excitedly).  You have heard what
that woman said.  I do not ask you under what alias you are known
here: I only ask a single question.--Is SHE your wife? are you the
father of her child?

Sandy (sinking upon his knees before her, and covering his face
with his hands).  I am!

Miss Mary.  Enough!  (Taking flower from her bosom.)  Here, I give
you back the flower you gave me this morning.  It has faded and
died here upon my breast.  But I shall replace it with your
foundling,--the child of that woman, born like that flower in the
snow!  And I go now, Sandy, and leave behind me, as you said this
morning, the snow and rocks in which it bloomed.  Good-by!
Farewell, farewell--forever!  (Goes toward schoolhouse as--

Enter COL. STARBOTTLE.

Miss Mary (to STARBOTTLE).  You are here in season, sir.  You must
have come for an answer to your question.  You must first give me
one to mine.  Who is this man (pointing to SANDY), the man you met
upon the rocks this morning?

Col. Starbottle.  Ahem!  I am--er--now fully prepared and
responsible, I may say, miss--er--personally responsible, to answer
that question.  When you asked it this morning, the ordinary
courtesy of the--er--code of honor threw a--er--cloak around the--
er--antecedents of the--er--man whom I had--er--elected by a demand
for personal satisfaction, to the equality of myself, an--er--
gentleman!  That--er--cloak is now removed.  I have waited six
hours for an apology or a--er--reply to my demand.  I am now free
to confess that the--er--person you allude to was first known by
me, three months ago, as an inebriated menial,--a groom in the
household of my friend Don Jose Castro,--by the--er--simple name of
"Diego."

Miss Mary (slowly).  I am satisfied.  I accept my cousin's
invitation.

[Exit slowly, supported by COL. STARBOTTLE, R.

As STARBOTTLE and MISS MARY exeunt R., CONCHO and HOP SING enter
cautiously, L.  SANDY slowly rises to his feet, passes his hand
across his forehead, looks around toward exit of STARBOTTLE and
MISS MARY.

Sandy (slowly, but with more calmness of demeanor).  Gone, gone--
forever!  No: I am not mad, nor crazed with drink.  My hands no
longer tremble.  There is no confusion here.  (Feeling his
forehead).  I heard them all.  It was no dream.  I heard her every
word.  Alexander Morton, yes, they spoke of Alexander Morton.  She
is going to him, to my father.  She is going--she, Mary, my cousin--
she is going to my father.  He has been seeking me--has found--ah!
(Groans.)  No, no, Sandy!  Be patient, be calm: you are not crazy--
no, no, good Sandy, good old boy!  Be patient, be patient: it is
coming, it is coming.  Yes, I see: some one has leaped into my
place; some one has leaped into the old man's arms.  Some one will
creep into HER heart!  No! by God!  No!  I am Alexander Morton.
Yes, yes!  But how, how shall I prove it?--how?  Who (CONCHO steps
cautiously forward towards SANDY unobserved) will believe the
vagabond, the outcast--my God!--the crazy drunkard?

Concho (advancing, and laying his hand on SANDY).  I will!

Sandy (staggering back amazedly).  You!

Concho.  Yes,--I, I,--Concho!  You know me, Diego, you know me,--
Concho, the major-domo of the Blessed Innocents.  Ha!  You know me
now.  Yes, I have come to save you.  I have come to make you
strong.  So--I have come to help you strip the Judas that has
stepped into your place,--the sham prodigal that has had the fatted
calf and the ring,--ah! ah!

Sandy.  You?  You do not know me!

Concho.  Ah! you think, you think, eh?  Listen: Since you left I
have tracked HIM--THE IMPOSTOR, this Judas, this coyote--step by
step, until his tracks crossed yours; and then I sought you out.  I
know all.  I found a letter you had dropped; that brought me to
Poker Flat.  Ah, you start!  I have seen those who knew you as
Alexander Morton.  You see!  Ah, I am wise.

Sandy (aside).  It is true.  (Aloud.)  But (suspiciously) why have
you done this?  You, Concho?--you were not my friend.

Concho.  No, but HE is my enemy.  Ah, you start!  Look at me,
Alexander Morton, Sandy, Diego!  You knew a man, strong, active,
like yourself.  Eh!  Look at me now!  Look at me, a cripple!  Eh!
lame and crushed here (pointing to his leg), broken and crushed
here (pointing to his heart), by him,--the impostor!  Listen,
Diego.  The night I was sent to track you from the rancho, he--this
man--struck me from the wall, dashed me to the earth, and made MY
BODY, broken and bruised, a stepping-stone to leap the wall into
your place, Diego,--into your father's heart,--into my master's
home.  They found me dead, they thought,--no, not dead, Diego!  It
was sad, they said,--unfortunate.  They nursed me; they talked of
money--eh, Diego!--money!  They would have pensioned me to hush
scandal--eh!  I was a dog, a foreigner, a Greaser!  Eh!  That is
why I am here.  No!  I love you not, Diego; you are of his race;
but I hate--Mother of God!--I HATE him!

Sandy (rising to his feet, aside).  Good!  I begin to feel my
courage return: my nerves are stronger.  Courage, Sandy!  (Aloud.)
Be it so, Concho: there is my hand!  We will help each other,--you
to my birthright, I to your revenge!  Hark ye!  (SANDY'S manner
becomes more calm and serious.)  This impostor is NO craven, NO
coyote.  Whoever he is, he must be strong.  He has most plausible
evidences.  We must have rigid proofs.  I will go with you to Poker
Flat.  There is one man, if he be living, knows me better than any
man who lives.  He has done me wrong,--a great wrong, Concho,--but
I will forgive him.  I will do more,--I will ask his forgiveness.
He will be a witness no man dare gainsay--my partner--God help him
and forgive him as I do!--John Oakhurst.

Concho.  Oakhurst your partner!

Sandy (angrily).  Yes.  Look ye, Concho, he has wronged me in a
private way: that is MY business, not YOURS; but he was MY partner,
no one shall abuse him before me.

Concho.  Be it so.  Then sink here!  Rot here!  Go back to your
husks, O prodigal! wallow in the ditches of this camp, and see your
birthright sold for a dram of aguardiente!  Lie here, dog and
coyote that you are, with your mistress under the protection of
your destroyer!  For I tell you--I, Concho, the cripple--that the
man who struck me down, the man who stepped into your birthright,
the man who to-morrow welcomes your sweetheart in his arms, who
holds the custody of your child, is your partner,--John Oakhurst.

Sandy (who has been sinking under CONCHO'S words, rising
convulsively to his feet).  God be merciful to me a sinner!
(Faints.)

Concho (standing over his prostrate body exultingly).  I am right.
You are wise, Concho, you are wise!  You have found Alexander
Morton!

Hop Sing (advancing slowly to SANDY'S side, and extending open
palm).  Me washee shirt flo you, flowty dozen hab.  You no payee
me.  Me wantee twenty dollar hep.  Sabe!

Curtain.

END OF ACT II.


ACT III.


SCENE 1.--The bank parlor of Morton & Son, San Francisco.  Room
richly furnished; two square library desks, left and right.  At
right, safe in wall; at left, same with practicable doors.  Folding
door in flat C., leading to counting-room.  Door in left to private
room of ALEXANDER MORTON, sen.; door in right to private room of
MORTON, jun.  ALEXANDER MORTON, sen., discovered at desk R.,
opening and reading letters.

Morton, sen.  (laying down letter).  Well, well, the usual story;
letters from all sorts of people, who have done or intend to do all
sorts of things for my reclaimed prodigal.  (Reads.)  "Dear Sir:
five years ago I loaned some money to a stranger who answers the
description of your recovered son.  He will remember Jim Parker,--
Limping Jim, of Poker Flat.  Being at present short of funds,
please send twenty dollars, amount loaned, by return mail.  If not
convenient, five dollars will do as instalment."  Pshaw!  (Throws
letter aside, and takes up another.)  "Dear Sir: I invite your
attention to enclosed circular for a proposed Home for Dissipated
and Anonymous Gold-Miners.  Your well-known reputation for
liberality, and your late valuable experience in the reformation of
your son, will naturally enlist your broadest sympathies.  We
enclose a draft for five thousand dollars, for your signature."  We
shall see!  Another: "Dear Sir: the Society for the Formation of
Bible Classes in the Upper Stanislaus acknowledge your recent
munificent gift of five hundred dollars to the cause.  Last Sabbath
Brother Hawkins of Poker Flat related with touching effect the
story of your prodigal to an assemblage of over two hundred miners.
Owing to unusual expenses, we regret to be compelled to draw upon
you for five hundred dollars more."  So!  (Putting down letter.)
If we were given to pride and vainglory, we might well be puffed up
with the fame of our works and the contagion of our example: yet I
fear that, with the worldly-minded, this praise of charity to
others is only the prayerful expectation of some personal
application to the praiser.  (Rings hand-bell.)

Enter JACKSON.

(To JACKSON.)  File these letters (handing letters) with the
others.  There is no answer.  Has young Mr. Alexander come in yet?

Jackson.  He only left here an hour ago.  It was steamer day
yesterday: he was up all night, sir.

Old Morton (aside).  True.  And the night before he travelled all
night, riding two hours ahead of one of our defaulting agents, and
saved the bank a hundred thousand dollars.  Certainly his devotion
to business is unremitting.  (Aloud.)  Any news from Col. Starbottle?

Jackson.  He left this note, sir, early this morning.

Old Morton (takes it, and reads).  "I think I may say, on my own
personal responsibility, that the mission is successful.  Miss
Morris will arrive to-night with a female attendant and child."
(To JACKSON.)  That is all, sir.  Stop!  Has any one been smoking
here?

Jackson.  Not to my knowledge, sir.

Old Morton.  There was a flavor of stale tobacco smoke in the room
this morning when I entered, and ashes on the carpet.  I KNOW that
young Mr. Alexander has abandoned the pernicious habit.  See that
it does not occur again.

Jackson.  Yes, sir.  (Aside.)  I must warn Mr. Alexander that his
friends must be more careful; and yet those ashes were good for a
deposit of fifty thousand.

Old Morton.  Is any one waiting?

Jackson.  Yes, sir,--Don Jose Castro and Mr. Capper.

Old Morton.  Show in the Don: the policeman can wait.

Jackson.  Yes, sir.  [Exit.

Old Morton (taking up STARBOTTLE'S note).  "Miss Morris will arrive
to-night."  And yet he saw her only yesterday.  This is not like
her mother: no.  She would never have forgiven and forgotten so
quickly.  Perhaps she knew not my sin and her mother's wrongs;
perhaps she has--has--CHRISTIAN forgiveness (sarcastically);
perhaps, like my prodigal, she will be immaculately perfect.  Well,
well: at least her presence will make my home less lonely.  "An
attendant and child."  A child!  Ah, if HE, my boy, my Alexander,
were still a child, I might warm this cold, cold heart in his
sunshine!  Strange that I cannot reconstruct from this dutiful,
submissive, obedient, industrious Alexander,--this redeemed
outcast, this son who shares my life, my fortunes, my heart,--the
foolish, wilful, thoughtless, idle boy, that once defied me.  I
remember (musing, with a smile) how the little rascal, ha, ha! once
struck me,--STRUCK ME!--when I corrected him: ha, ha!  (Rubbing his
hands with amusement, and then suddenly becoming grave and
lugubrious.)  No, no.  These are the whisperings of the flesh.  Why
should I find fault with him for being all that a righteous
conversion demands,--all that I asked and prayed for?  No,
Alexander Morton: it is you, YOU, who are not yet regenerate.  It
is YOU who are ungrateful to Him who blessed you, to Him whose
guiding hand led you to--

Enter JACKSON.

Jackson.  Don Jose Castro.

Enter DON JOSE.

Don Jose.  A thousand pardons, senor, for interrupting you in the
hours of business; but it is--it is of business I would speak.
(Looking around.)

Old Morton (to JACKSON).  You can retire.  (Exit JACKSON.)  Be
seated, Mr. Castro: I am at your service.

Don Jose.  It is of your--your son--

Old Morton.  Our firm is Morton & Son: in business we are one, Mr.
Castro.

Don Jose.  Bueno!  Then to you as to him I will speak.  Here is a
letter I received yesterday.  It has significance, importance
perhaps.  But, whatever it is, it is something for you, not me, to
know.  If I am wronged much, Don Alexandro, you, you, are wronged
still more.  Shall I read it?  Good.  (Reads.)  "The man to whom
you have affianced your daughter is not the son of Alexander
Morton.  Have a care.  If I do not prove him an impostor at the end
of six days, believe me one, and not your true friend and servant,
Concho."  In six days, Don Alexandro, the year of probation is
over, and I have promised my daughter's hand to your son.  (Hands
letter to MORTON.)

Old Morton (ringing bell).  Is that all, Mr. Castro?

Don Jose.  All, Mr. Castro?  Carramba! is it not enough?

Enter JACKSON.

Old Morton (to JACKSON).  You have kept a record of this business
during the last eighteen months.  Look at this letter.  (Handing
letter.)  Is the handwriting familiar?

Jackson (taking letter).  Can't say, sir.  The form is the old one.

Old Morton.  How many such letters have you received?

Jackson.  Four hundred and forty-one, sir.  This is the four
hundred and forty-second application for your son's position, sir.

Don Jose.  Pardon.  This is not an application: it is only
information or caution.

Old Morton (to JACKSON).  How many letters of information or
caution have we received?

Jackson.  This makes seven hundred and eighty-one, sir.

Old Morton.  How, sir!  (Quickly.)  There were but seven hundred
and seventy-nine last night.

Jackson.  Beg pardon, sir!  The gentleman who carried Mr. Alexander's
valise from the boat was the seven hundred and eightieth.

Old Morton.  Explain yourself, sir.

Jackson.  He imparted to me, while receiving his stipend, the fact
that he did not believe young Mr. Alexander was your son.  An hour
later, sir, he also imparted to me confidentially that he believed
you were his father, and requested the loan of five dollars, to be
repaid by you, to enable him to purchase a clean shirt, and appear
before you in respectable condition.  He waited for you an hour,
and expressed some indignation that he had not an equal show with
others to throw himself into your arms.

Don Jose (rising, aside, and uplifting his hands).  Carramba!
These Americanos are of the Devil!  (Aloud.)  Enough, Don Alexandro!
Then you think this letter is only worth--

Old Morton.  One moment.  I can perhaps tell you exactly its market
value.  (To JACKSON.)  Go on, sir.

Jackson.  At half-past ten, sir, then being slightly under the
influence of liquor, he accepted the price of a deck passage to
Stockton.

Old Morton.  How much was that, sir?

Jackson.  Fifty cents.

Old Morton.  Exactly so!  There you have, sir (to DON JOSE), the
market value of the information you have received.  I would advise
you, as a business matter, not to pay more.  As a business matter,
you can at any time draw upon us for the amount.  (To JACKSON.)
Admit Mr. Capper.  [Exit JACKSON.

Don Jose (rising with dignity).  This is an insult, Don Alexandro.

Old Morton.  You are wrong, Mr. Castro: it is BUSINESS; sought, I
believe, by yourself.  Now that it is transacted, I beg you to dine
with me to-morrow to meet my niece.  No offence, sir, no offence.
Come, come!  Business, you know, business.

Don Jose (relaxing).  Be it so!  I will come.  (Aside.)  These
Americanos, these Americanos, are of the Devil!  (Aloud.)  Adios.
(Going.)  I hear, by report, that you have met with the misfortune
of a serious loss by robbery?

Old Morton (aside).  So our mishap is known everywhere.  (Aloud.)
No serious misfortune, Mr. Castro, even if we do not recover the
money.  Adios.

[Exit Don Jose.

Old Morton.  The stiff-necked Papist!  That he should dare, for the
sake of his black-browed, froward daughter, to--question the faith
on which I have pinned my future!  Well, with God's blessing, I
gave him some wholesome discipline.  If it were not for my covenant
with Alexander--and nobly he has fulfilled his part,--I should
forbid his alliance with the blood of this spying Jesuit.

Enter Mr. JACKSON, leading in CAPPER.

Jackson.  Policeman, sir.	[Exit.

Capper (turning sharply).  Who's that man?

Old Morton.  Jackson, clerk.

Capper. Umph!  Been here long?

Old Morton.  A year.  He was appointed by my son.

Capper.  Know anything of his previous life?

Old Morton (stiffly).  I have already told you he is an appointee
of my son's.

Capper.  Yes!  (Aside.)  "Like master, like man."  (Aloud.)  Well,
to business.  We have worked up the robbery.  We have reached two
conclusions,--one, that the work was not done by professionals; the
other, consequent upon this, that you can't recover the money.

Old Morton.  Excuse me, sir, but I do not see the last conclusion.

Capper.  Then listen.  The professional thief has only one or two
ways of disposing of his plunder, and these ways are always well
known to us.  Good!  Your stolen coin has not been disposed of in
the regular way, through the usual hands which we could at any time
seize.  Of this we are satisfied.

Old Morton.  How do you know it?

Capper.  In this way.  The only clew we have to the identification
of the missing money were two boxes of Mexican doubloons.

Old Morton (aside).  Mr. Castro's special deposit!  He may have
reason for his interest.  (Aloud.)  Go on.

Capper.  It is a coin rare in circulation in the interior.  The
night after the robbery, the dealer of a monte-table in Sacramento
paid out five thousand dollars in doubloons.  He declared it was
taken in at the table, and could not identify the players.  Of
course, OF COURSE!  So far, you see, you are helpless.  We have
only established one fact, that the robber is--is--(significantly)
a gambler.

Old Morton (quietly).  The regular trade of the thief seems to me
to be of little importance if you cannot identify him, or recover
my money.  But go on, sir, go on: or is this all?

Capper (aside).  The old fool is blind.  That is natural.  (Aloud.)
It is not all.  The crime will doubtless be repeated.  The man who
has access to your vaults, who has taken only thirty thousand
dollars when he could have secured half a million,--this man, who
has already gambled that thirty thousand away,--will not stop
there.  He will in a day or two, perhaps to-day, try to retrieve
his losses out of YOUR capital.  I am here to prevent it.

Old Morton (becoming interested).  How?

Capper.  Give me, for forty-eight hours, free access to this
building.  Let me conceal myself somewhere, anywhere, within these
walls.  Let it be without the knowledge of your clerks, even of
YOUR SON!

Old Morton (proudly).  Mr. Alexander Morton is absent to-day.
There is no other reason why he should not be here to consent to
the acts of his partner and father.

Capper (quickly).  Very good.  It is only to insure absolute
secrecy.

Old Morton (aside).  Another robbery might excite a suspicion,
worse for our credit than our actual loss.  There is a significant
earnestness about this man, that awakens my fears.  If Alexander
were only here.  (Aloud.)  I accept.  (CAPPER has been trying doors
R. and L.)

Capper.  What room is this?  (At R.)

Old Morton.  My son's: I would prefer--

Capper.  And this?  (At L.)

Old Morton.  Mine, sir; if you choose--

Capper (locking door, and putting key in his pocket).  This will
do.  Oblige me by making the necessary arrangements in your
counting-room.

Old Morton (hesitating and aside).  He is right: perhaps it is only
prudence, and I am saving Alexander additional care and annoyance.
[Exit.

Enter MR. SHADOW cautiously, C.

Shadow (in a lisping whisper to CAPPER).  I've got the litht of the
clerkth complete.

Capper (triumphantly).  Put it in your pocket, Shadow.  We don't
care for the lackeys now: we are after the master.

Shadow.  Eh! the mathter?

Capper.  Yes: the master,--the young master, the reclaimed son, the
reformed prodigal! ha, ha!--the young man who compensates himself
for all this austere devotion to business and principle by dipping
into the old man's vaults when he wants a pasear: eh, Shadow?
That's the man we're after.  Look here!  I never took any stock in
that young man's reformation.  Ye don't teach old sports like him
new tricks.  They're a bad lot, father and son,--eh, Shadow?--and
he's a chip of the old block.  I spotted him before this robbery,
before we were ever called in here professionally.  I've had my eye
on Alexander Morton, alias John Oakhurst; and, when I found the old
man's doubloons raked over a monte-table at Sacramento, I knew
where to look for the thief.  Eh, Shadow?

Shadow (aside).  He ith enormouth, thith Mithter Capper.

Enter OLD MORTON.

Old Morton.  I have arranged everything.  You will not be disturbed
or suspected here in my private office.  Eh!  (Looking at SHADOW.)
Who has slipped in here?

Capper.  Only my Shadow, Mr. Morton; but I can rid myself even of
that.  (Crosses to SHADOW.)  Take this card to the office, and wait
for further orders.  Vanish, Shadow!  [Exit SHADOW.

Enter JACKSON.

Jackson.  Mr. Alexander has come in, sir.  (OLD MORTON and CAPPER
start.)

Old Morton.  Where is he?

Jackson.  In his private room, sir.

Old Morton.  Enough: you can go.

[Exit JACKSON.

Capper (crossing to MORTON).  Remember, you have given your pledge
of secrecy.  Beware!  Your honor, your property, the credit and
reputation of your bank, are at stake.

Old Morton (after a pause of hesitation, with dignity).  I gave you
my word, sir, while my son was not present.  I shall save myself
from breaking my word with you, or concealing anything from him, by
withdrawing myself.  For the next twenty-four hours, this room
(pointing to private room R.) is yours.

Each regards the other.  Exit OLD MORTON C., as CAPPER exit in
private room R.  After a pause, door of room L. opens, and HARRY
YORK appears, slightly intoxicated, followed by JOHN OAKHURST.

Harry York (looking around).  By Jove!  Morton, but you've got
things in style here.  And this yer's the gov'nor's desk; and here
old Praise god Barebones sits opposite ye.  Look yer, old boy
(throwing himself in chair), I kin allow how it comes easy for ye
to run this bank, for it's about as exciting, these times, as faro
was to ye in '49, when I first knew ye as Jack Oakhurst; but how
the Devil you can sit opposite that stiff embodiment of all the Ten
Commandments, day by day, damn it! that's wot GETS me!  Why, the
first day I came here on business, the old man froze me so that I
couldn't thaw a deposit out of my pocket.  It chills me to think of
it.

Oakhurst (hastily).  I suppose I am accustomed to him.  But come,
Harry: let me warm you.  (Opens door of safe L., and discovers
cupboard, decanter, and glasses.)

York (laughing).  By Jove! under the old man's very nose.  Jack,
this is like you.  (Takes a drink.)  Well, old boy, this is like
old times.  But you don't drink?

Oakhurst.  No, nor smoke.  The fact is, Harry, I've taken a year's
pledge.  I've six days still to run; after that (gloomily), why
(with a reckless laugh), I shall be Jack Oakhurst again.

York.  Lord! to think of your turning out to be anybody's son,
Jack!--least of all, HIS!  (Pointing to chair.)

Oakhurst (laughing recklessly).  Not more strange than that I
should find Harry York, the spendthrift of Poker Flat, the rich and
respected Mr. York, produce merchant of San Francisco.

York.  Yes; but, my boy, you see I didn't strike it--in a rich
father.  I gave up gambling, married, and settled down, saved my
money, invested a little here and there, and--worked for it, Jack,
damn me,--worked for it like a damned horse!

Oakhurst (aside).  True, this is not work.

York.  But that ain't my business with ye now, old boy: it's this.
You've had some trials and troubles in the bank lately,--a
defalcation of agents one day, a robbery next.  It's luck, my boy,
luck! but ye know people will talk.  You don't mind my sayin' that
there's rumors 'round.  The old man's mighty unpopular because he's
a saint; and folks don't entirely fancy you because you used to be
the reverse.  Well, Jack, it amounts to 'bout this: I've withdrawn
my account from Parkinson's, in Sacramento, and I've got a pretty
heavy balance on hand--nigh on two hundred thousand--in bonds and
certificates here; and if it will help you over the rough places,
old boy, as a deposit, yer it is (drawing pocket-book.)

Oakhurst (greatly affected, but endeavoring to conceal it).  Thank
you, Harry, old fellow--but--

York (quickly).  I know: I'll take the risk, a business risk.
You'll stand by me all you can, old boy; you'll make it pay all you
can; and if you lose it--why--all right!

Oakhurst (embarrassed).  As a deposit with Morton & Son, drawing
two per cent monthly interest--

York.  Damn Morton & Son!  I'll back it with Jack Oakhurst, the man
I know.

Oakhurst (advancing slowly).  I'll take it, Harry.

York (extending his hand).  It's a square game, Jack!

Oakhurst (seizing his hand with repressed emotion).  It's a square
game, Harry York, if I live.

York.  Then I'll travel.  Good-night, old boy.  I'll send my clerk
around in the morning to put things right.  Good-night (going).

Oakhurst (grasping YORK'S hand).  One moment--no--nothing!  Good-
night.  [Exit YORK.

OAKHURST follows him to door, and then returns to desk, throwing
himself in chair, and burying his face in his hands.

Oakhurst (with deep feeling).  It needed but this to fill the
measure of my degradation.  I have borne the suspicions of the old
man's enemies, the half-pitying, half-contemptuous sympathy of his
friends, even his own cold, heartless, fanatical fulfilment of his
sense of duty; but THIS--this confidence from one who had most
reason to scorn me, this trust from one who knew me as I WAS,--this
is the hardest burden.  And he, too, in time will know me to be an
impostor.  He too--a reformed man; but he has honorably retraced
his steps, and won the position I hold by a trick, an imposture.
And what is all my labor beside his honest sincerity?  I have
fought against the chances that might discover my deception,
against the enemies who would overthrow me, against the fate that
put me here; and I have been successful--yes, a successful
impostor!  I have even fought against the human instinct that told
this fierce, foolish old man that I was an alien to his house, to
his blood; I have even felt him scan my face eagerly for some
reflection of his long-lost boy, for some realization of his dream;
and I have seen him turn away, cold, heartsick, and despairing.
What matters that I have been to him devoted, untiring, submissive,
ay, a better son to him than his own weak flesh and blood would
have been?  He would to-morrow cast me forth to welcome the
outcast, Sandy Morton.  Well, what matters?  (Recklessly.)
Nothing.  In six days it will be over; in six days the year of my
probation will have passed; in six days I will disclose to him the
deceit I have practised, and will face the world again as John
Oakhurst, the gambler, who staked and lost ALL on a single cast.
And Jovita!  Well, well!--the game is made: it is too late to draw
out now.  (Rings bell.  Enter JACKSON.)  Who has been here?

Jackson.  Only Don Jose, and Mr. Capper, the detective.

Oakhurst.  The detective?  What for?

Jackson.  To work up the robbery, sir.

Oakhurst.  True!  Capper, Capper, yes!  A man of wild and ridiculous
theories, but well-meaning, brave, and honest.  (Aside.)  This is
the old man's idea.  He does not know that I was on the trail of
the thieves an hour before the police were notified.  (Aloud.)
Well, sir?

Jackson.  He told your father he thought the recovery of the money
hopeless, but he came to caution us against a second attempt.

Oakhurst (aside, starting).  True!  I had not thought of that.
(Excitedly.)  The success of their first attempt will incite them
to another; the money they have stolen is gone by this time.
(Aloud.)  Jackson, I will stay here to-night and to-morrow night,
and relieve your regular watchman.  You will, of course, say
nothing of my intention.

Jackson.  Yes, sir.  (Lingering.)

Oakhurst (after a pause).  That is all, Mr. Jackson.

Jackson.  Beg your pardon, Mr. Morton; but Col. Starbottle, with
two ladies, was here half an hour ago, and said they would come
again when you were alone.

Oakhurst.  Very well: admit them.

Jackson.  Beg pardon, sir; but they seemed to avoid seeing your
father until they had seen you.  It looked mysterious, and I
thought I would tell you first.

Oakhurst (laughing).  Admit them, Mr. Jackson.  (Exit JACKSON.)
This poor fellow's devotion is increasing.  He, too, believes that
his old associate in dissipation, John Oakhurst, IS the son of
Alexander Morton.  He, too, will have to share in the disgrace of
the impostor.  Ladies! umph!  (Looking down at his clothes.)  I'm
afraid the reform of Alexander Morton hasn't improved the usual
neatness of John Oakhurst.  I haven't slept, nor changed my
clothes, for three days.  (Goes to door of MORTON, sen.'s, room.)
Locked, and the key on the inside!  That's strange.  Nonsense! the
old man has locked his door and gone out through the private
entrance.  Well, I'll find means of making my toilet here.  [Exit
into private room L.

Enter JACKSON, leading in COL. STARBOTTLE, MISS MARY, the DUCHESS,
and child of three years.

Jackson.  Mr. Alexander Morton, jun., is in his private room.  He
will be here in a moment.  [Exit JACKSON.

Starbottle.  One moment, a single moment, Miss Mary.  Permit me to--
er--if I may so express myself, to--er--group the party, to--er--
place the--er--present company into position.  I have--er--observed
as part of my--er--legal experience, that in cases of moral
illustration a great, I may say--er--tremendous, effect on the--er--
jury, I mean the--er--guilty party, has been produced by the
attitude of the--er--victim and martyr.  You, madam, as the--er--
injured wife (placing her), shall stand here, firm yet expectant,
protecting your child, yet looking hopefully for assistance toward
its natural protector.  You, Miss Mary, shall stand here (placing
her), as Moral Retribution, leaning toward and slightly appealing
to me, the image of--er--er--Inflexible Justice!  (Inflates his
chest, puts his hand in his bosom, and strikes an attitude.)

Door of young Morton's room opens, and discloses MR. OAKHURST
gazing at the group.  He starts slightly on observing the DUCHESS,
but instantly recovers himself, and faces the company coldly.  The
DUCHESS starts on observing OAKHURST, and struggles in confusion
towards the door, dragging with her the child and MISS MARY, who
endeavors to re-assure her.  COL. STARBOTTLE looks in astonishment
from one to the other, and advances to front.

Col. Starbottle (aside).  The--er--tableau, although striking in
moral force, is apparently--er--deficient in moral stamina.

Miss Mary (angrily to the DUCHESS).  I'm ashamed of you!  (To
OAKHURST, advancing.)  I don't ask pardon for my intrusion.  If you
are Alexander Morton, you are my kinsman, and you will know that I
cannot introduce myself better than as the protector of an injured
woman.  Come here!  (To the DUCHESS, dragging her towards OAKHURST.
To OAKHURST.)  Look upon this woman: she claims to be--

Starbottle (stepping between MISS MARY and the DUCHESS).  A moment,
Miss Mary, a single moment!  Permit me to--er--explain.  The whole
thing, the--er--situation reminds me, demn me, of most amusing
incident at Sacramento in '52.  Large party at Hank Suedecois: know
Hank?  Confirmed old bach of sixty.  Dinner for forty.  Everything
in style, first families, Ged,--Judge Beeswinger, Mat Boompointer,
and Maje Blodgett of Ahlabam: know old Maje Blodgett?  Well, Maje
was there.  Ged, sir, delay,--everybody waiting.  I went to Hank.
"Hank," I says, "what's matter? why delay?"--"Star," he says,--
always called me Star,--"Star,--it's cook!"--"Demn cook," I says:
"discharge cook,--only a black mulatto anyway!"--"Can't, Star," he
says: "impossible!"--"Can't?" says I.--"No," says he.  "Listen,
Star," he says, "family secret!  Honor!  Can't discharge cook,
because cook--demn it--'s MY wife!"  Fact, sir, fact--showed
marriage certificate--married privately seven years!  Fact, sir--

The Duchess (to MISS MARY).  Some other time, miss, let us go now.
There's a mistake, miss, I can't explain.  Some other time, miss!
See, miss, how cold and stern he looks! another time, miss!
(Struggling.)  For God's sake, miss, let me go!

Miss Mary.  No!  This mystery must be cleared up now, before I
enter HIS house,--before I accept the charge of this--

Starbottle (interrupting, and crossing before MISS MARY).  A
moment--a single moment, miss.  (To OAKHURST.)  Mr. Morton, you
will pardon the exuberance, and perhaps, under the circumstances,
somewhat natural impulsiveness, of the--er--sex, for which I am
perhaps responsible; I may say--er--personally, sir,--personally
responsible--

Oakhurst (coldly).  Go on, sir.

Starbottle.  The lady on my right is--er--the niece of your
father,--your cousin.  The lady on my left, engaged in soothing
the--er--bashful timidity of infancy, is--er--that is--er--claims
to be, the mother of the child of Alexander Morton.

Oakhurst (calmly).  She is right.

Miss Mary (rushing forward).  Then you are--

Oakhurst (gently restraining her).  You have another question to
ask: you hesitate: let me ask it.  (Crossing to the DUCHESS.)  You
have heard my answer.  Madam, are you the legal wife of Alexander
Morton?

The Duchess (sinking upon her knees, and dropping her face in her
hands).  No!

Oakhurst.  Enough: I will take the child.  Pardon me, Miss Morris,
but you have heard enough to know that your mission is accomplished,
but what else passes between this woman and myself becomes no
stranger to hear.  (Motions toward room L.)

Miss Mary (aside).  It is HIS son.  I am satisfied (going).  Come,
colonel.

[Exeunt into room L., STARBOTTLE and MISS MARY.

The Duchess (crossing to OAKHURST, and falling at his feet).
Forgive me, Jack, forgive me!  It was no fault of mine.  I did not
know that you were here.  I did not know that you had taken his
name!

Oakhurst.  Hush--on your life!

The Duchess.  Hear me, Jack!  I was anxious only for a home for my
child.  I came to HER--the schoolmistress of Red Gulch--for aid.  I
told her the name of my boy's father.  She--she brought me here.
Oh, forgive me, Jack!  I have offended you!

Oakhurst.  How can I believe you?  You have deceived HIM.  You have
deceived me.  Listen!  When I said, a moment ago, you were not the
wife of Alexander Morton, it was because I knew that your first
husband--the Australian convict Pritchard--was still living; that
you had deceived Sandy Morton as you had deceived me.  That was why
I left you.  Tell me, have you deceived me also about him, as you
did about the other?  Is HE living, and with you; or dead, as you
declared.

The Duchess (aside).  He will kill me if I tell him.  (Aloud.)  No,
no.  He is gone--is dead these three years.

Oakhurst.  You swear!

The Duchess (hesitates, gasps, and looks around for her child; then
seizing it, and drawing it toward her).  I--swear.

Oakhurst.  Enough.  Seek not to know why I am here, and under his
name.  Enough for you that it has saved your child's future, and
secured him his heritage past all revocation.  Yet remember! a word
from you within the next few days destroys it all.  After that, I
care not what you say.

The Duchess.  Jack!  One word, Jack, before I go.  I never thought
to bring my shame to you!--to HIM!

Oakhurst.  It was no trick, then, no contrivance, that brought her
here.  No: it was fate.  And at least I shall save his child.

Re-enter STARBOTTLE, MISS MARY, and DUCHESS.

Col. Starbottle (impressively).  Permit me, Mr. Alexander Morton,
as the friend of my--er--principal to declare that we have
received--honorable--honorable--satisfaction.  Allow me, sir, to
grasp the hand, the--er--cherished hand of a gentleman who, demn
me! has fulfilled all his duties to--er--society and gentlemen.
And allow me to add, sir, should any invidious criticism of the
present--er--settlement be uttered in my presence, I shall hold
that critic responsible, sir--er--personally responsible!

Miss Mary (sweeping truculently and aggressively up to JOHN
OAKHURST).  And permit ME to add, sir, that, if you can see your
way clearly out of this wretched muddle, it's more than I can.
This arrangement may be according to the Californian code of
morality, but it doesn't accord with my Eastern ideas of right and
wrong.  If this foolish, wretched creature chooses to abandon all
claim upon you, chooses to run away from you,--why, I suppose, as a
GENTLEMAN, according to your laws of honor, you are absolved.
Good-night, Mr. Alexander Morton.  (Goes to door C., and exit,
pushing out STARBOTTLE, the DUCHESS, and child.  MR. OAKHURST sinks
into chair at desk, burying his face in his hands.  Re-enter slowly
and embarrassedly, MISS MARY: looks toward OAKHURST, and comes
slowly down stage.)

Miss Mary (aside).  I was too hard on him.  I was not so hard on
Sandy when I thought that he--he--was the father of her child.  And
he's my own flesh and blood, too; and--he's crying.  (Aloud.)  Mr.
Morton.

Oakhurst (slowly lifting his head).  Yes; Miss Mary.

Miss Mary.  I spoke hastily just then.  I--I--thought--you see--I--
(angrily and passionately) I mean this.  I'm a stranger.  I don't
understand your Californian ways, and I don't want to.  But I
believe you've done what you thought was right, according to a
MAN'S idea of right; and--there's my hand.  Take it, take it; for
it's a novelty, Mr. Morton: it's the hand of an honest girl!

Oakhurst (hesitates, then rises, sinks on one knee, and raises MISS
MARY'S fingers to his lips).  God bless you, miss!  God bless you!

Miss Mary (retreating to centre door).  Good-night, good-night
(slowly),--cousin--Alexander.  [Exit.  Dark stage.

Oakhurst (rising swiftly).  No, no: it is false!  Ah!  She's gone.
Another moment, and I would have told her all.  Pshaw! courage,
man!  It is only six days more, and you are free, and this year's
shame and agony forever ended.

Enter JACKSON.

Jackson.  As you ordered, sir, the night watchman has been relieved,
and has just gone.

Oakhurst.  Very good, sir; and you?

Jackson.  I relieved the porter, sir; and I shall bunk on two
chairs in the counting-room.  You'll find me handy if you want me,
sir.  Good-night, sir.  [Exit C.

Oakhurst.  I fear these rascals will not dare to make their second
attempt to-night.  A quiet scrimmage with them, enough to keep me
awake or from thinking, would be a good fortune.  No, no! no such
luck for you to-night, John Oakhurst!  You are playing a losing
game. . . .  Yet the robbery was a bold one.  At eleven o'clock,
while the bank was yet lighted, and Mr. Jackson and another clerk
were at work here, three well-dressed men pick the lock of the
counting-house door, enter, and turn the key on the clerks in this
parlor, and carry away a box of doubloons not yet placed in the
vaults by the porter; and all this done so cautiously that the
clerks within knew nothing of it until notified of the open street
door by the private watchman, and so boldly that the watchman,
seeing them here, believed them clerks of the bank, and let them go
unmolested.  No: this was the coincidence of good luck, not of bold
premeditation.  There will be no second attempt.  (Yawns.)  If they
don't come soon I shall fall asleep.  Four nights without rest will
tell on a man, unless he has some excitement to back him.  (Nods.)
Hallo!  What was that?  Oh! Jackson in the counting-room getting to
bed.  I'll look at that front door myself.  (Takes revolver from
desk and goes to door C., tries lock, comes down stage with
revolver, examines it, and lays it down.)

Oakhurst (slowly and quietly.)  The door is locked on the outside:
that may have been an accident.  The caps are taken from my pistol:
THAT was not!  Well, here is the vault, and here is John Oakhurst:
to reach the one, they must pass the other.

(Takes off his coat, seizes poker from grate, and approaches safe.)
Ha! some one is moving in the old man's room.  (Approaches door of
room R. as--

Enter noiselessly and cautiously from room L., PRITCHARD, SILKY,
and SOAPY.  PRITCHARD and his confederates approach OAKHURST from
behind, carrying lariat, or slip-noose.

Oakhurst (listening at door R.)  Good.  At least I know from what
quarter to expect the attack.  Ah!

PRITCHARD throws slip-noose over OAKHURST from behind; OAKHURST
puts his hand in his breast as the slip-noose is drawn across his
bosom, pinioning one arm over his breast, and the other at his
side.  SILKY and SOAPY, directed by PRITCHARD, drag OAKHURST to
chair facing front, and pinion his legs.  PRITCHARD, C., regarding
him.

Oakhurst (very coolly).  You have left me my voice, I suppose,
because it is useless.

Pritchard.  That's so, pard.  'Twon't be no help to ye.

Oakhurst.  Then you have killed Jackson.

Pritchard.  Lord love ye, no!  That ain't like us, pard!  Jackson's
tendin' door for us, and kinder lookin' out gin'rally for the boys.
Thar's nothin' mean about Jackson.

Soapy.  No!  Jackson's a squar man.  Eh, Silky?

Silky.  Ez white a man ez they is, pard!

Oakhurst (aside).  The traitor!  (Aloud.)  Well!

Pritchard.  Well, you want ter know our business.  Call upon a
business man in business hours.  Our little game is this, Mr. Jack
Morton Alexander Oakhurst.  When we was here the other night, we
was wantin' a key to that theer lock (pointing to vault), and we
sorter dropped in passin' to get it.

Oakhurst.  And suppose I refuse to give it up?

Pritchard.  We were kalkilatin' on yer bein' even that impolite:
wasn't we, boys?

Silky and Soapy.  We was that.

Pritchard.  And so we got Mr. Jackson to take an impression of it
in wax.  Oh, he's a squar man--is Mr. Jackson!

Silky.  Jackson is a white man, Soapy!

Soapy.  They don't make no better men nor Jackson, Silky.

Pritchard.  And we've got a duplicate key here.  But we don't want
any differences, pard: we only want a squar game.  It seemed to us--
some of your old pards as knew ye, Jack--that ye had a rather soft
thing here, reformin'; and we thought ye was kinder throwin' off on
the boys, not givin' 'em any hand in the game.  But thar ain't
anythin' mean about us.  Eh, boys?

Soapy.  We is allers ready to chip in ekal in the game.  Eh, Silky?

Silky.  That's me, Soapy.

Pritchard.  Ye see, the boys is free and open-handed, Jack.  And so
the proposition we wanter make to ye, Jack, is this.  It's reg'lar
on the squar.  We reckon, takin' Mr. Jackson's word,--and thar
ain't no man's word ez is better nor Jackson's,--that there's nigh
on to two millions in that vault, not to speak of a little speshil
deposit o' York's, ez we learn from that accommodatin' friend, Mr.
Jackson.  We propose to share it with ye, on ekil terms--us five--
countin' Jackson, a square man.  In course, we takes the risk o'
packin' it away to-night comfortable.  Ez your friends, Jack, we
allow this yer little arrangement to be a deuced sight easier for
you than playin' Sandy Morton on a riglar salary, with the chance
o' the real Sandy poppin' in upon ye any night.

Oakkurst.  It's a lie.  Sandy is dead.

Pritchard.  In course, in course; that is your little game!  But we
kalkilated, Jack, even on that, on yer bein' rambunktious and
contrary; and so we went ter Red Gulch, and found Sandy.  Ye know I
take a kind o' interest in Sandy: he's the second husband of my
wife, the woman you run away with, pard.  But thar's nothin' mean
about me! eh, boys?

Silky.  No! he's the forgivingest kind of a man, is Pritchard.

Soapy.  That's so, Silky.

Pritchard.  And, thinkin' ye might be dubious, we filled Sandy
about full o' rye whiskey, and brought him along; and one of our
pards is preambulatin' the streets with him, ready to bring him on
call.

Oakhurst.  It's a lie, Pritchard,--a cowardly lie!

Pritchard.  Is it?  Hush!

Sandy (without, singing),--


     Oh, yer's yer Sandy Morton,
           Drink him down!
     Oh, yer's yer Sandy Morton,
           Drink him down!
     Oh, yer's yer Sandy Morton,
           All alive and just a-snortin'!
     Oh, yer's yer Sandy Morton,
           Drink him down!


Pritchard.  We don't propose to run him in yer, cept we're took, or
yer unaccommodatin' to the boys.

Oakhurst.  And if I refuse?

Pritchard.  Why, we'll take what we can get; and we'll leave Sandy
Morton with you yer, to sorter alleviate the old man's feelin's
over the loss of his money.  There's nothin' mean about us; no! eh,
boys?  (Going toward safe.)

Oakhurst.  Hear me a moment, Henry Pritchard.  (PRITCHARD stops
abreast of OAKHURST.)  Four years ago you were assaulted in the
Arcade Saloon in Sacramento.  You would have been killed, but your
assailant suddenly fell dead by a pistol-shot fired from some
unknown hand.  I stood twenty feet from you with folded arms; but
that shot was fired by me,--me, Henry Pritchard,--through my
clothes, from a derringer hidden in my waistcoat!  Understand me, I
do not ask your gratitude now.  But that pistol is in my right
hand, and now covers you.  Make a single motion,--of a muscle,--and
it is your last.

Pritchard (motionless, but excitedly).  You dare not fire!  No,
dare not!  A shot here will bring my pal and Sandy Morton to
confront you.  You will have killed me to save exposure, have added
murder to imposture!  You have no witness to this attempt!

Capper (opening door of room L., at the same moment that two
policemen appear at door C., and two at room R).  You are wrong: he
has five (crossing to SILKY and SOAPY, and laying his hands on
their shoulders); and, if I mistake not, he has two more in these
gentlemen, whom I know, and who will be quite as willing to furnish
the necessary State's evidence of the robbery, as of the fact that
they never knew any other Alexander Morton than the gentleman who
sits in that chair.

Soapy.  That's so, Silky.

Silky.  That's so, Soapy.

Capper (to policemen).  Take them away.

[Exit policemen with PRITCHARD, SOAPY, and SILKY.  CAPPER unbinds
OAKHURST.

Oakhurst.  Then I have to thank you, Mr. C.

Capper.  Yes!  "A man of ridiculous theories, but well-meaning,
brave, and honest."  No, sir; don't apologize: you were right, Mr.
Oakhurst.  It is I who owe you an apology.  I came here, believing
YOU were the robber, having no faith in you or your reformation,
expecting,--yes, sir,--hoping, to detect you in the act.  Hear me!
From the hour you first entered the bank, I have shadowed your
every movement, I have been the silent witness of all that has
passed in this room.  You have played a desperate game, Mr.
Oakhurst; but I'll see you through it.  If you are true to your
resolve, for the next six days, I will hold these wretches silent.
I will protect your imposture with the strong arm of the law.  I
don't like YOUR theories, sir; but I believe you to be well-
meaning, and I know you to be brave and honest.

Oakhurst (grasping his hand).  I shall not forget this.  But Sandy--

Capper.  I will put my men on his track, and have him brought
quietly here.  I can give you no aid beyond that.  As an honorable
man, I need not tell you your duty.  Settle it with him as best you
can.

Oakhurst.  You are right; I WILL see him.  (Aside.)  Unless he has
changed, he will listen to me, he will obey me.

Capper.  Hush!  (Blows out candle.)  Stand here!

CAPPER and OAKHURST retreat to wing L., as enter MORTON, sen., from
room R.

Morton.  The private door open, the room dark, and Capper gone.  I
don't like this.  The more I think of the mystery of that man's
manner this morning, the more it seems to hide some terrible secret
I must fathom!  There are matches here.  (Strikes a light, as
CAPPER draws OAKHURST, struggling, back into shadow.)  What's this?
(Picking up key.)  The key of the vault.  A chair overturned.
(Touches bell.)  No answer!  Jackson gone!  My God!  A terrible
suspicion haunts me!  No.  Hush!  (Retreats to private room R., as
door of L. opens and--

Enter SANDY.

Sandy (drunkenly).  Shoo! Shoo! boys, whar are ye, boys, eh?
Pritchard, Silky, Soapy!  Whar are ye, boys?

Morton (aside).  A crime has been committed, and here is one of the
gang.  God has delivered him in my hands.  (Draws revolver, and
fires, as OAKHURST breaks from CAPPER, and strikes up MORTON'S
pistol.  CAPPER at same moment seizes SANDY, and drags him in room
L.  MORTON and OAKHURST struggle to centre.)

Morton (relaxing hold of OAKHURST).  Alexander!  Good God!  Why are
you here?  Why have you stepped between me and retribution?  You
hesitate.  God in heaven!  Speak, Alexander, my son, speak for
God's sake!  Tell me--tell me that this detective's suspicions are
not true.  Tell me that you are not--not--no, I cannot say it.
Speak, Alexander Morton, I command you!  Who is this man you have
saved?  Is it--is it--your accomplice?

Oakhurst (sinking at his feet).  Don't ask me!  You know not what
you ask!  I implore you--

Capper (appearing quietly from room L., and locking the door behind
him).  Your son has acted under MY orders.  The man he has saved,
as he has saved you, was a decoy,--one of my policemen.

TABLEAU.

CAPPER, MORTON, OAKHURST.

Curtain.

END OF ACT III.



ACT IV.


SCENE 1.--MR. MORTON'S villa, Russian Hill, Night.  OAKHURST'S
bedroom.  Sofa in alcove C., door in flat left of C.  SANDY MORTON
discovered, unconscious, lying on sofa; OAKHURST standing at his
head, two policemen at his feet.  Candles on table L.

Oakhurst.  That will do.  You are sure he was unconscious as you
brought him in?

First Policeman.  Sure, sir?  He hasn't known anything since we
picked him up on the sidewalk outside the bank.

Oakhurst.  Good!  You have fulfilled your orders well, and your
chief shall know it.  Go now.  Be as cautious in going out as you
were on entering.  Here is the private staircase.  (Opens door L.)
[Exit policeman.

Oakhurst (listening).  Gone! and without disturbing any one.  So
far, luck has befriended me.  He will sleep to-night beneath his
father's roof.  His father! umph! would the old man recognize him
here?  Would he take to his heart this drunken outcast, picked from
the gutters of the street, and brought here by the strong arm of
the law?  Hush!  (A knock without.)  Ah, it is the colonel: he is
prompt to the hour.  (Opens door cautiously, and admits COL.
STARBOTTLE.)

Starbottle (looking around, and overlooking SANDY).  I presume the
other--er--principal is not yet on the ground?

Oakhurst (motioning to sofa).  He IS!

Starbottle (starting as he looks towards sofa).  Ged, you don't
mean to say it's all OVER, without witnesses, without my--er--
presence?

Oakhurst.  Pardon me, Col. Starbottle; but, if you look again, you
will perceive that the gentleman is only drunk.

Starbottle.  Eh?  Ged! not uncommon, sir, not uncommon!  I remember
singular incident at--er--Louisville in '47.  Old Judge Tollim--
know old Judge Tolly?--Ged! he came to ground drunk, sir; couldn't
stand!  Demn me, sir, had to put him into position with kitchen
poker down his back, and two sections of lightning-rod in his--er--
trousers, demn me!  Firm, sir, firm, you understand, here (striking
his breast), but--here (striking his legs)--er--er--wobbly!  No,
sir!  Intoxication of principal not a bar, sir, to personal
satisfaction!  (Goes towards sofa with eyeglass.)  Good Ged! why,
it's Diego!  (Returning stifly to OAKHURST.)  Excuse me, sir, but
this is a case in which I cannot act.  Cannot, sir,--impossible!
absurd! pre--post--or--ous!  I recogmze in the--er--inebriated
menial on yonder sofa a person, sir, who, having already declined
my personal challenge, is--er--excluded from the consideration of
gentlemen.  The person who lies there, sir, is Diego,--a menial of
Don Jose Castro,---alias "Sandy," the vagabond of Red Gulch.

Oakhurst.  You have omitted one title, his true one.  He is
Alexander Morton, the son of the master of this house.

Starbottle (starting in bewilderment).  Alexander Morton!  (Aside.)
Ged! my first suspicions were correct.  Star, you have lost the
opportunity of making your fortune as a scoundrel; but you have at
a pecuniary sacrifice, preserved your honor.

Oakhurst.  Yes.  Hear me, Col. Starbottle.  I have summoned you
here to-night, as I have already intimated, on an affair of honor.
I have sought you as my father's legal counsel, as a disinterested
witness, as a gentleman of honor.  The man who lies before you was
once my friend and partner.  I have wronged him doubly.  As his
partner, I ran away with the woman he believed, and still believes,
to be his wife; as his friend, I have for a twelvemonth kept him
from the enjoyment of his home, his patrimony, by a shameful
deception.  I have summoned you to-night to witness my confession;
as a lawyer, to arrange those details necessary to restore to him
his property; as a man of honor, to receive from me whatever
retribution he demands.  You will be a witness to our interview.
Whatever befalls me here, you will explain to Mr. Morton--to
Jovita--that I accepted it as a man, and did not avoid, here or
elsewhere, the penalty of my crime.  (Folding his arms.)

Slarbottle.  Umph!  The case is, as you say, a delicate one, but
not--not--peculiar.  No, sir!  Ged, sir, I remember Tom Marshall--
know Tom Marshall of Kentucky?--said to me, "Star!"--always calls
me Star,--"how in blank, sir, can you remember the REAL names of
your clients?"--"Why," says I, "Tom," always called him Tom,--
"yesterday I was called to make will--most distinguished family of
Virginia--as lawyer and gentleman, you understand: can't mention
name.  Waited for signature--most distinguished name: Ged, sir, man
signed Bloggins,--Peter Bloggins.  Fact, demme!  'Mistake,' I
said,--'excitement; exaltation of fever.  Non compos.  Compose
yourself, Bob.'--'Star,' he said,--always called me Star,--'for
forty-seven years I have been an impostor!'--his very words, sir.
'I am not'--you understand: 'I AM Peter Bloggins!'"

Oakhurst.  But, my dear colonel, I--

Starbottle (loftily).  Say no more, sir!  I accept the--er
position.  Let us see!  The gentleman will, on recognition,
probably make a personal attack.  You are armed.  Ah, no?  Umph!
On reflection I would not permit him to strike a single blow: I
would anticipate it.  It will provoke the challenge from him,
leaving YOU, sir, the--er--choice of weapons.

Oakhurst.  Hush! he is moving!  Take your stand here, in this
alcove.  Remember, as a gentleman, and a man of honor, Col.
Starbottle, I trust you not to interfere between the injured man
and--justice!  (Pushes COL. STARBOTTLE into alcove behind couch,
and approaches SANDY.)

Sandy (waking slowly--and incoherently).  Hush, Silky! hush!  Eh?
Oh, hush yourself!  (Sings.)


     Oh, yer's yer Sandy Morton,
           Drink him down!


Eh!  Oh!  (Half sits up on couch.)  Eh!  (Looking around him.)
Where the devil am I?

Oakhurst (advancing and leaning over SANDY'S couch).  In the house
of your father, Alexander Morton.

Sandy (recoiling in astonishment).  His voice, John Oakhurst!
What--ah!  (Rises, and rushes towards OAKHURST with uplifted hand.)

Starbottle (gesticulating in whisper).  A blow! a single blow would
be sufficient.

Sandy (looking at OAKHURST, who regards him calmly).  I--eh!  I--
eh!  Ha, ha!  I'm glad to see--old pard!  I'm glad to see ye!
(COL. STARBOTTLE lifts his hand in amazement.)

Oakhurst (declining his hand).  Do you understand me, Sandy Morton?
Listen.  I am John Oakhurst,--the man who has deceived your father,
who has deceived you.

Sandy (without heeding his words, but regarding him affectionately).
To think of it--Jack Oakhurst!  It's like him, like Jack.  He was
allers onsartain, the darned little cuss!  Jack!  Look at him, will
ye, boys? look at him!  Growed too, and dressed to kill, and sittin'
in this yer house as natril as a jaybird!  (Looking around.)  Nasty,
ain't it, Jack? and this yer's your house--the old man's house--eh?
Why, this is--this is where she came.  Jack, Jack!  (Eagerly.)  Tell
me, pard, where is she?

Starbottle (aside, rubbing his hands).  We shall have it now!

Oakhurst.  She has gone,--gone!  But hear me.  She had deceived you
as she has me.  She has gone,--gone with her first husband, Henry
Pritchard.

Sandy (stupefied).  Gone!  Her first husband!  Pritchard!

Oakhurst.  Ay, your wife!

Sandy.  Oh, damn my wife!  I'm talking of Mary,--Miss Mary,--the
little schoolma'am, Jack; the little rose of Poker Flat.  Oh!  I
see--ye didn't know her, Jack,--the pertiest, sweetest little--

Oakhurst (turning away coldly).  Ay, ay!  She is here!

Sandy (looking after him affectionately).  Look at him, boys!
Allers the same,--high-toned, cold, even to his pardner!  That's
him,--Jack Oakhurst!  But Jack, Jack, you're goin' to shake hands,
ain't ye?  (Extends his hand, after a pause.  OAKHURST takes it
gloomily.)

Col. Starbottle (who has been regarding interview with visible
scorn and disgust, advancing to OAKHURST).  You will--er--pardon me
if, under the--er--circumstances, I withdraw from this--er--
disgraceful proceeding.  The condonation, by that man, of two of
the most tremendous offences to society and to the code, without
apology or satisfaction, Ged, sir, is--er--er--of itself an insult
to the spectator.  I go, sir--

Oakhurst.  But, Col. Starbottle--

Starbottle.  Permit me to say, sir, that I hold myself for this,
sir, responsible, sir,--personally responsible.

[Exit STARBOTTLE, glancing furiously at SANDY, who sinks on sofa
laughing.

Oakhurst (aside).  He will change his mind in half an hour.  But,
in the mean time, time is precious.  (Aloud.)  Sandy, come!

Sandy (rising with alacrity).  Yes, Jack, I'm ready.

Oakhurst.  We are going (slowly and solemnly)--we are going to see
your father.

Sandy (dropping back with bashful embarrassment, and struggling to
release his arm from OAKHURST).  No, Jack!  Not just yet, Jack; in
a little while, ole boy! in about six months, or mebbe--a year,
Jack! not now, not now!  I ain't feelin' exactly well, Jack,--I
ain't.

Oakhurst.  Nonsense, Sandy!  Consider your duty and my honor.

Sandy (regaining his seat).  That's all very well, Jack; but ye
see, pard, you've known the old man for nigh on a year, and it's
twenty-five since I met him.  No, Jack; you don't play any ole man
on to me to-night, Jack.  No, you and me'll just drop out for a
pasear.  Jack, eh?  (Taking OAKHURST'S arm.)  Come!

Oakhurst.  Impossible!  Hush!  (Listening.)  It is HE passing
through the corridor.  (Goes to wing R., and listens.)

Sandy (crowding hastily behind OAKHURST in alarm).  But, I say,
Jack! he won't come in here?  He's goin' to bed, you know.  Eh?  It
ain't right for a man o' his years--and he must be goin' on ninety,
Jack--to be up like this.  It ain't healthy.

Oakhurst.  You know him not.  He seems to need no rest (sadly).
Night after night, long after the servants are abed, and the house
is still, I hear that step slowly pacing the corridor.  It is the
last sound as I close my eyes, the first challenge of the morning.

Sandy.  The ol' scound--(checking himself)--I mean, Jack, the ol'
man has suthin' on his mind.  But, Jack (in great alarm), he don't
waltz in upon ye, Jack?  He don't p'int them feet in yer, Jack?  Ye
ain't got to put up with that, Jack, along o' yer other trials?

Oakhurst.  He often seeks me here.  Ah--yes--he is coming this way
now.

Sandy (in ludicrous terror).  Jack, pard, quick I hide me
somewhere, Jack!

Oakhurst (opening door R.).  In there, quick!  Not a sound, as you
value your future!  [Exit SANDY hurriedly R.


SCENE 2.--The same.  Enter door R., OLD MORTON, in dressing-gown,
with candle.

Old Morton.  Not abed yet, Alexander?  Well, well, I don't blame
you, my son it has been for you a trying, trying night.  Yes, I
see: like me, you are a little nervous and wakeful.  (Slowly takes
chair, and comfortably composes himself.)

Oakhurst (aside).  He is in for a midnight gossip.  How shall I
dispose of Sandy?

Old Morton.  Yes (meditatively),--yes, you have overworked lately.
Never mind.  In a day or two more you shall have a vacation, sir,--
a vacation!

Oakhurst (aside).  He knows not how truly he speaks.  (Aloud.)
Yes, sir, I was still up.  I have only just now dismissed the
policemen.

Old Morton.  Ay.  I heard voices, and saw a light in your window.
I came to tell you, Alexander, Capper has explained all about--
about the decoy!  More; he has told me of your courage and your
invaluable assistance.  For a moment, sir,--I don't mind telling
you now in confidence,--I doubted YOU--

Oakhurst (in feigned deprecation).  Oh, sir!

Old Morton.  Only for a moment.  You will find, Alexander, that
even that doubt shall have full apology when the year of your
probation has expired.  Besides, sir.  I know all.

Oakhurst (starting).  All!

Old Morton.  Yes, the story about the Duchess and your child.  You
are surprised.  Col. Starbottle told me all.  I forgive you,
Alexander, for the sake of your boy.

Oakhurst.  My boy, sir!

Old Morton.  Yes, your boy.  And let me tell you, sir, he's a fine
young fellow.  Looks like you,--looks as you did when YOU were a
boy.  He's a Morton too, every inch of him, there's no denying
that.  No, sir.  You may have changed; but he--he--is the living
image of my little Alexander.  He took to me, too,--lifted his
little arms--and--and--  (Becomes affected, and leans his head in
his hands.)

Oakhurst (rising).  You are not well, sir.  Let me lead you to your
room.

Old Morton.  No! it is nothing: a glass of water, Alexander!

Oakhurst (aside).  He is very pale.  The agitation of the night has
overcome him.  (Goes to table R.)  A little spirits will revive
him.  (Pours from decanter in glass, and returns to MORTON.)

Old Morton (after drinking).  There was spirits in that water,
Alexander.  Five years ago, I vowed at your mother's grave to
abandon the use of intoxicating liquors.

Oakhurst.  Believe me, sir, my mother will forgive you.

Old Morton.  Doubtless.  It has revived me.  I am getting to be an
old man, Aleck.  (Holds out his glass half-unconsciously, and
OAKHURST replenishes it from decanter.)  Yes, an old man, Aleck;
but the boy,--ah, I live again in him.  The little rascal!  He
asked me, Aleck, for a "chaw tobacker!" and wanted to know if I was
the "ol' duffer."  Ha, ha!  He did.  Ha, ha!  Come, come, don't be
despondent.  I was like you once, damn it,--ahem--it's all for the
best, my boy, all for the best.  I'll take the young rascal
(aside)--damn it, he's already taken me--(aloud) on equal terms.
There, Aleck, what do you say?

Oakhurst.  Really, sir, this forbearance,--this kindness--(aside) I
see a ray of light.

Old Morton.  Nonsense!  I'll take the boy, I tell you, and do well
for him,--the little rascal!--as if he were the legal heir.  But, I
say, Aleck (laughing), ha, ha!--what about--ha, ha!--what about
Dona Jovita, eh? and what about Don Jose Castro, eh?  How will the
lady like a ready-made family, eh?  (Poking OAKHURST in the ribs.)
What will the Don say to the family succession?  Ha, ha!

Oakhurst (proudly).  Really, sir, I care but little.

Old Morton (aside).  Oh, ho!  I'll sound him.  (Aloud.)  Look ye,
Alexander, I have given my word to you and Don Jose Castro, and
I'll keep it.  But if you can do any better, eh--if--eh?--the
schoolma'am's a mighty pretty girl and a bright one, eh, Aleck?
And it's all in the family--eh?  And she thinks well of you; and I
will say, for a girl brought up as she's been, and knowin' your
relations with the Duchess and the boy, to say a kind word for ye,
Aleck, is a good sign,--you follow me, Aleck,--if you think--why,
old Don Jose might whistle for a son-in-law, eh?

Oakhurst (interrupting indignantly).  Sir!  (Aside.)  Stop!
(Aloud.)  Do you mean to say, sir, that if I should consent to
this--suggestion--that, if the lady were willing, YOU would offer
no impediment?

Old Morton.  Impediment, my dear boy! you should have my blessing.

Oakhurst.  Pardon me a moment.  You have in the last year, sir,
taught me the importance of business formality in all the relations
of life.  Following that idea, the conditions of my engagement with
Jovita Castro were drawn up with your hand.  Are you willing to
make this recantation as formal, this new contract as businesslike
and valid?

Old Morton (eagerly).  I am.

Oakhurst.  Then sit here, and write at my dictation.  (Pointing to
table L.  OLD MORTON takes seat at table.)  "In view of the evident
preferences of my son Alexander Morton, and of certain family
interests, I hereby revoke my consent to his marriage with the Dona
Jovita Castro, and accord him full permission to woo and win his
cousin, Miss Mary Morris, promising him the same aid and assistance
previously offered in his suit with Miss Castro."

Old Morton (signing).  Alexander Morton, sen.  There, Aleck!  You
have forgotten one legal formality.  We have no witness.  Ha, ha!

Oakhurst (significantly).  I will be a sufficient witness.

Old Morton.  Ha, ha!  (Fills glass from decanter, after which
OAKHURST quietly removes decanter beyond his reach.)  Very good!
Aleck, I've been thinking of a plan,--I've been thinking of
retiring from the bank.  I'm getting old, and my ways are not the
popular ways of business here.  I've been thinking of you, you
dog,--of leaving the bank to you,--to you, sir, eh--the day--the
day you marry the schoolma'am--eh.  I'll stay home and take care of
the boy--eh--hic!  The little rascal!--lifted his arms to me--did,
Aleck! by God!  (Incoherently.)  Eh!

Oakhurst.  Hush!  (Aside.)  Sandy will overhear him, and appear.

Old Morton (greatly affected by liquor.)  Hush! eh!--of course--
shoo! shoo!  (The actor will here endeavor to reproduce in OLD
MORTON'S drunken behavior, without exactly imitating him, the
general characteristics of his son's intoxication.)  Eh!--I say,
Aleck, old boy! what will the Don say? eh?  Ha, ha, ha!  And
Jovita, that firebrand, how will she--hic--like it, eh?  (Laughs
immoderately.)

Oakhurst.  Hush!  We will be overheard!  The servants, sir!

Old Morton.  Damn the servants!  Don't I--hic--pay them wages--eh?

Oakhurst.  Let me lead you to your own room.  You are nervously
excited.  A little rest, sir, will do you good.  (Taking his arm.)

Old Morton.  No shir, no shir, 'm nerrer goin' to bed any more.
Bed's bad habit!--hic--drunken habit.  Lesh stay up all ni, Aleck!
You and me!  Lesh nev'r--go--bed any more!  Whar's whiskey--eh?
(Staggers to the table for decanter as OAKHURST seizes him,
struggle up stage, and then OLD MORTON, in struggle, falls
helplessly on sofa, in same attitude as SANDY was discovered.)

Enter SANDY cautiously from door L.

Sandy (to OAKHURST).  Jack!  Eh, Jack--

Oakhurst.  Hush!  Go!  I will follow you in a moment.  (Pushes him
back to door L.)

Sandy (catching sight of OLD MORTON).  Hallo!  What's up?

Oakhurst.  Nothing.  He was overtaken with a sudden faintness.  He
will revive presently: go!

Sandy (hesitating).  I say, Jack, he wasn't taken sick along o' me,
eh, Jack?

Oakhurst.  No!  No!  But go (pushing him toward door).

Sandy.  Hold on: I'm going.  But, Jack, I've got a kind of
faintness yer, too.  (Goes to side-table, and takes up decanter.)
And thar's nothing reaches that faintness like whiskey.  (Fills
glass.)  Old Morton (drunkenly and half-consciously from couch).
Whiskey--who shed--whiskey--eh?  Eh--O--gimme some, Aleck--Aleck,
my son,--my son!--my old prodigal--Old Proddy, my boy--gimme--
whiskey--(sings)--


     Oh, yer's yer good old whiskey,
           Drink it down!


Eh?  I com--mand you,--pass the whiskey!

SANDY, at first panic-stricken, and then remorsefully conscious,
throws glass down, with gesture of fear and loathing.  OAKHURST
advances to his side hurriedly.

Oakhurst (in hurried whisper).  Give him the whiskey, quick!  It
will keep him quiet.  (Is about to take decanter when SANDY seizes
it: struggle with OAKHURST.)

Sandy (with feeling).  No, no, Jack, no!  (Suddenly with great
strength and determination, breaks from him, and throws decanter
from window.)  No, NEVER!

Old Morton (struggling drunkenly to his feet).  Eh--who sh'd never?
(OAKHURST shoves SANDY in room L., and follows him, closing door.)
Eh, Aleck?  (Groping.)  Eh, where'sh light?  All gone.  (Lapses on
sofa again, after an ineffectual struggle to get up, and then
resumes his old attitude.)

(Change scene quickly.)


SCENE 3.--Ante-room in MR. MORTON'S villa.  Front scene.  Enter DON
JOSE CASTRO and CONCHO, preceded by SERVANT, L.

Servant.  This way, gentlemen.

Don Jose.  Carry this card to Alexander Morton, sen.

Servant.  Beg pardon, sir, but there's only one name here, sir
(looking at CONCHO).

Don Jose (proudly).  That is my servant, sir.  [Exit SERVANT.

Don Jose (aside).  I don't half like this business.  But my money
locked up in his bank, and my daughter's hand bound to his son,
demand it.  (Aloud.)  This is no child's play, Concho, you
understand.

Concho.  Ah! I am wise.  Believe me, if I have not proofs which
shall blanch the cheek of this old man, I am a fool, Don Jose!

Re-enter SERVANT.

Servant.  Mr. Morton, sen., passed a bad night, and has left word
not to be disturbed this morning.  But Mr. Morton, jun., will
attend you, sir.

Concho (aside).  So the impostor will face it out.  Well, let him
come.

Don Jose (to SERVANT) I wait his pleasure.  [Exit SERVANT.

Don Jose.  You hear, Concho?  You shall face this man.  I shall
repeat to him all you have told me.  If you fail to make good your
charge, on your head rests the consequences.

Concho.  He will of course deny.  He is a desperate man: he will
perhaps attack me.  Eh!  Ah!  (Drawing revolver.)

Don Jose.  Put up your foolish weapon.  The sight of the father he
has deceived will be more terrible to him than the pistol of the
spy.

Enter COL. STARBOTTLE, C.

Starbottle.  Mr. Alexander Morton, Jun., will be with you in a
moment.  (Takes attitude by door, puts his hand in his breast, and
inflates himself.)

Concho (to DON JOSE, aside).  It is the bullying lawyer.  They will
try to outface us, my patron; but we shall triumph.  (Aloud.)  He
comes, eh!--Mr. Alexander Morton, gentlemen!  I will show you a
cheat, an impostor!

Enter, in correct, precise morning dress, SANDY MORTON.  There is
in his make-up and manner a suggestion of the father.

Concho (recoiling, aside).  Diego!  The real son.  (Aloud,
furiously.)  It is a trick to defeat justice,--eh!--a miserable
trick!  But it shall fail, it shall fail!

Col. Starbottle.  Permit me, a moment,--a single moment.  (To
Concho.)  You have--er--er--characterized my introduction of this--
er--gentleman as a "cheat" and an "imposture."  Are you prepared to
deny that this is Alexander Morton?

Don Jose (astonished, aside).  These Americanos are of the Devil!
(Aloud and sternly.)  Answer him, Concho, I command you.

Concho (in half-insane rage).  It is Alexander Morton; but it is a
trick,--a cowardly trick!  Where is the other impostor, this Mr.
John Oakhurst?

Sandy (advancing with dignity and something of his father's cold
manner).  He will answer for himself, when called for.  (To DON
JOSE.)  You have asked for me, sir: may I inquire your business?

Concho.  Eh!  It is a trick,--a trick!

Don Jose (to CONCHO).  Silence, sir!  (To SANDY, with dignity.)  I
know not the meaning of this masquerade.  I only know that you are
NOT the gentleman hitherto known to me as the son of Alexander
Morton.  I am here, sir, to demand my rights as a man of property
and a father.  I have received this morning a check from the house
of Morton & Son, for the amount of my deposit with them.  So far--
in view of this complication--it is well.  Who knows?  Bueno!  But
the signature of Morton & Son to the check is not in the handwriting
I have known.  Look at it, sir.  (To SANDY, handing check.)

Sandy (examining check).  It is my handwriting, sir, and was signed
this morning.  Has it been refused?

Don Jose.  Pardon me, sir.  It has not been presented.  With this
doubt in my mind, I preferred to submit it first to you.

Starbottle.  A moment, a single moment, sir.  While as a--er--
gentleman and a man of honor, I--er--appreciate your motives,
permit me to say, sir, as a lawyer, that your visit is premature.
On the testimony of your own witness, the identification of Mr.
Alexander Morton, jun., is--er--complete; he has admitted the
signature as his own; you have not yet presented the check to the
bank.

Don Jose.  Pardon me, Col. Starbottle.  It is not all.  (To SANDY.)
By a written agreement with Alexander Morton, sen., the hand of my
daughter is promised to his son, who now stands before me, as my
former servant, dismissed from my service for drunkenness.

Sandy.  That agreement is revoked.

Don Jose.  Revoked!

Sandy (handing paper).  Cast your eyes over that paper.  At least
you will recognize THAT signature.

Don Jose (reads).  "In view of the evident preferences of my son,
Alexander Morton, and of certain family interests, I hereby revoke
my consent to his marriage with the Dona Jovita Castro, and accord
him full permission to woo and win his cousin, Miss Mary Morris;
promising him the same aid and assistance previously offered in his
suit with Miss Castro.--ALEXANDER MORTON, SEN."

Concho.  Ah!  Carramba!  Do you not see the trick,--eh, the
conspiracy?  It was this man, as Diego, your daughter's groom,
helped his friend Mr. Oakhurst to the heiress.  Ah, you comprehend!
It was an old trick!  You shall see, you shall see!  Ah! I am wise,
I am wise!

Don Jose (aside).  Could I have been deceived?  But no!  This paper
that releases HIM gives the impostor no claim.

Sandy (resuming his old easy manner, dropping his formality, and
placing his hand on DON JOSE'S shoulder).  Look yar, ole man: I
didn't allow to ever see ye agin, and this yer ain't none o' MY
seekin'.  But, since yer here, I don't mind tellin' ye that but for
me that gal of yours would have run away a year ago, and married an
unknown lover.  And I don't mind adding, that, hed I known that
unknown lover was my friend John Oakhurst, I'd have helped her do
it.  (Going.)  Good-morning, Don Jose.

Don Jose.  Insolent!  I shall expect an account for this from your--
father, sir.

Sandy.  Adios, Don Jose.  [Exit C.

Concho.  It is a trick--I told you.  Ah, I am wise.  (Going to DON
JOSE.)

Don Jose (throwing him off).  Fool!  [Exit DON JOSE.

Concho (infuriated).  Eh!  Fool yourself--dotard!  No matter: I
will expose all--ah!  I will see Jovita;--I will revenge myself on
this impostor!  (Is about to follow, when COL. STARBOTTLE leaves
his position by the door, and touches CONCHO on the shoulder.)

Starbottle.  Excuse me.

Concho.  Eh?

Starbottle.  You have forgotten something.

Conhho.  Something?

Starbottle.  An apology, sir.  You were good enough to express--er--
incredulity--when I presented Mr. Morton: you were kind enough to
characterize the conduct of my er--principal by--an epithet.  You
have alluded to me, sir,--ME--

Concho (wrathfully).  Bully!  (Aside.)  I have heard that this
pomposo, this braggart, is a Yankee trick too; that he has the
front of a lion, the liver of the chicken.  (Aloud.)  Yes, I have
said, you hear I have said, I, Concho (striking his breast), have
said you are a--bully!

Starbottle (coolly).  Then you are prepared to give me satisfaction,
sir,--personal satisfaction.

Concho (raging).  Yes, sir, now--you understand, now (taking out
pistol), anywhere, here!  Yes, here.  Ah! you start,--yes, here and
now!  Face to face, you understand, without seconds,--face to face.
So.  (Presenting pistol.)

Starbottle (quietly).  Permit me to--er--apologize.

Concho.  Ah!  It is too late!

Starbottle (interrupting).  Excuse me, but I feared you would not
honor me so completely and satisfactorily.  Ged, sir, I begin to
respect you!  I accede to all your propositions of time and
position.  The pistol you hold in your hand is a derringer, I
presume, loaded.  Ah--er--I am right.  The one I now produce
(showing pistol) is--er--as you will perceive the same size and
pattern, and--er--unloaded.  We will place them both, so, under the
cloth of this table.  You shall draw one pistol, I will take the
other.  I will put that clock at ten minutes to nine, when we will
take our positions across this table; as you--er--happily express
it, "face to face."  As the clock strikes the hour, we will fire on
the second stroke.

Concho (aside).  It is a trick, a Yankee trick!  (Aloud.)  I am
ready.  Now--at once!

Starbottle (gravely).  Permit me, sir, to thank you.  Your conduct,
sir, reminds me of singular incident--

Concho (angrily interrupting).  Come, come!  It is no child's play.
We have much of this talk, eh!  It is action, eh, you comprehend,--
action.

STARBOTTLE places pistols under the cloth, and sets clock.  CONCHO
draws pistol from cloth; STARBOTTLE takes remaining pistol.  Both
men assume position, presenting their weapons; STARBOTTLE pompously
but seriously, CONCHO angrily and nervously.)

Starbottle (after a pause).  One moment, a single moment--

Concho.  Ah, a trick!  Coward! you cannot destroy my aim.

Starbottle.  I overlook the--er--epithet.  I wished only to ask, if
you should be--er--unfortunate, if there was anything I could say
to your--er--friends.

Concho.  You cannot make the fool of me, coward.  No!

Starbottle.  My object was only precautionary.  Owing to the
position in which you--er--persist in holding your weapon, in a
line with my right eye, I perceive that a ray of light enters the
nipple, and--er--illuminates the barrel.  I judge from this that
you have been unfortunate enough to draw the--er--er--unloaded
pistol.

Concho (tremulously lowering weapon).  Eh!  Ah!  This is murder!
(Drops pistol.)  Murder!--eh--help (retreating), help!

[Exit hurriedly door C., as clock strikes.  COL. STARBOTTLE lowers
his pistol, and moves with great pomposity to the other side of the
table, taking up pistol.

Starbottle (examining pistol).  Ah!  (Lifts it, and discharges it.)
It seems that I am mistaken.  (Going.)  The pistol WAS--er--loaded!
[Exit.


SCENE 4.--Front scene.  Room in villa.  Enter MISS MARY and JOVITA.

Miss Mary.  I tell you, you are wrong, you are not only
misunderstanding your lover, which is a woman's privilege, but you
are abusing my cousin, which, as his relative, I won't put up with.

Jovita (passionately).  But hear me, Miss Mary.  It is a year since
we were betrothed; and such a betrothal!  Why, I was signed,
sealed, and delivered to him, on conditions, as if I were a part of
the rancho; and the very night, too, I had engaged to run away with
him!  And during that year I have seen the gentleman twice,--yes,
twice!

Miss Mary.  But he has written?

Jovita.  Mother of God!  Yes,--letters delivered by my father, sent
to HIS CARE, read by him first, of course; letters hoping that I
was well, and obeying my father's commands; letters assuring me of
his unaltered devotion; letters that, compared with the ones he
used to hide in the confessional of the ruined mission church, were
as ice to fire, were as that snow-flower you value so much, Mary,
to this mariposa blossom I wear in my hair.  And then to think that
this man--this John Oakhurst, as I knew him; this man who used to
ride twenty miles for a smile from me on the church porch; this Don
Juan who leaped that garden wall (fifteen feet, Mary, if it is an
inch), and made old Concho his stepping-stone; this man, who daily
perilled death for my sake--is changed into this formal, methodical
man of business--is--is--I tell you there's a WOMAN at the bottom
of it!  I know it sure!

Miss Mary (aside).  How can I tell her about the Duchess?  I won't!
(Aloud.)  But listen, my dear Jovita.  You know he is under
probation for you, Jovita.  All this is for you.  His father is
cold, methodical, unsympathetic.  HE looks only to his bond with
this son,--this son that he treats, even in matters of the heart,
as a BUSINESS partner.  Remember, on his complete reformation, and
subjection to his father's will, depends your hand.  Remember the
agreement!

Jovita.  The agreement; yes!  It is the agreement, always the
agreement!  May the Devil fly away with the agreement!  Look you,
Miss Mary, I, Dona Jovita, didn't fall in love with an agreement:
it was with a man!  Why, I might have married a dozen agreements--
yes, of a shorter limitation than this!  (Crossing.)

Miss Mary.  Yes.  But what if your lover had failed to keep those
promises by which he was to gain your hand? what if he were a man
incapable of self-control? what if he were--a--a drunkard?

Jovita (musing).  A drunkard!  (Aside.)  There was Diego, he was a
drunkard; but he was faithless.  (Aloud.)  You mean a weak,
faithless drunkard?

Miss Mary.  No!  (Sadly.)  Faithless only to himself, but devoted--
yes, devoted to YOU.

Jovita.  Miss Mary, I have found that one big vice in a man is apt
to keep out a great many smaller ones.

Miss Mary.  Yes; but if he were a slave to liquor?

Jovita.  My dear, I should try to change his mistress.  Oh, give me
a man that is capable of a devotion to anything, rather than a
cold, calculating average of all the virtues!

Miss Mary (aside).  I, who aspire to be her teacher, am only her
pupil.  (Aloud.)  But what if, in this very drunkenness, this
recklessness, he had once loved and worshipped another woman?  What
if you discovered all this after--after--he had won your heart?

Jovita.  I should adore him!  Ah, Miss Mary!  Love differs from all
the other contagious diseases: the last time a man is exposed to
it, he takes it most readily, and has it the worst!  But you, YOU
cannot sympathize with me.  You have some lover, the ideal of the
virtues; some man as correct, as well regulated, as calm as--
yourself; some one who addresses you in the fixed morality and
severe penmanship of the copy-books.  He will never precipitate
himself over a garden wall or through a window.  Your Jacob will
wait for you through seven years, and receive you from the hands of
your cousin and guardian--as a reward of merit!  No, you could not
love a vagabond.

Miss Mary (very slowly and quietly).  No?

Jovita.  No!  (Passionately.)  No, it is impossible.  Forgive me,
Miss Mary: you are good; a better girl than I am.  But think of me!
A year ago my lover leaped a wall at midnight to fly with me:
today, the day that gives me to him, he writes a few cold lines,
saying that he has business, BUSINESS--you understand--business,
and that he shall not see me until we meet in the presence of--of--
of--our fathers.

Miss Mary.  Yes; but you will see him at least, perhaps alone.
Listen: it is no formal meeting, but one of festivity.  My guardian
has told me, in his quaint scriptural way, it is the killing of the
fatted calf, over his long-lost prodigal.  Have patience, little
one.  Ah!  Jovita, we are of a different race, but we are of one
sex; and as a woman I know how to accept another woman's abuse of
her lover.  Come, come!  [Exeunt MISS MARY and JOVITA.


SCENE 5.--The drawing-room of MR. MORTON'S villa.  Large open arch
in centre, leading to veranda, looking on distant view of San
Francisco; richly furnished,--sofas, arm-chairs, and tete-a-tetes.
Enter COL. STARBOTTLE, C., carrying bouquet, preceded by SERVANT,
bowing.

Starbottle.  Take my kyard to Miss Morris.  [Exit SERVANT.

Starbottle.  Star!  This is the momentous epoch of your life!  It
is a moment for which you--are--I may say alone responsible,--
personally responsible!  She will be naturally gratified by the--
er--flowers.  She will at once recognize this bouquet as a delicate
souvenir of Red Gulch, and will appreciate your recollection.  And
the fact, the crushing fact, that you have overlooked the--er--
ungentlemanly conduct of her OWN cousin Sandy, the real Alexander
Morton, that you have--er--assisted to restore the ex-vaquero to
his rights, will--er--er--at once open the door to--er--mutual
confidence and--er--a continuance of that--er--prepossession I have
already noticed.  Ahem! here she is.

Enter MISS MARY in full dress.

Miss Mary.  You are early, Col. Starbottle.  This promptitude does
honor to our poor occasion.

Col. Starbottle.  Ged, Miss Mary, promptness with a lady and an
adversary is the first duty of--er--gentleman.  I wished that--er--
the morning dew might still be--er--fresh in these flowers.  I
gathered them myself (presenting bouquet) at--er--er--flower-stand
in the--er--California market.

Miss Mary (aside).  Flowers!  I needed no such reminder of poor
Sandy.  (Aloud.)  I thank you, colonel.

Starbattle.  Ged, ma'am, I am repaid doubly.  Your conduct, Miss
Mary, reminds me of little incident that occurred at Richmond, in
'58.  Dinner party--came early--but obliged to go--as now--on
important business, before dessert--before dessert.  Lady sat next
to me--beautiful woman--excuse me if I don't mention names--said to
me, "Star,"--always called me Star,--"Star, you remind me of the
month of May."--"Ged, madam,"--I said, "delighted, proud; but
why?"--"Because," she said, "you come in with the--er--oysters."--
No!  Ged, pardon me--ridiculous mistake!  I mean--er--"you come in
with the--er--flowers, and go before the--er--fruits."

Miss Mary.  Ah, colonel!  I appreciate her disappointment.  Let us
hope, however, that some day you may find that happy woman who will
be able to keep you through the whole dinner and the whole season,
until December and the ices!

Starbottle.  Ged! excellent!  Capital!  (seriously.)  Miss Mary!
(Suddenly inflating his chest, striking attitude, and gazing on
MISS MARY with languishing eyes.)  There is--er such a woman!

Miss Mary (aside).  What can he mean?

Starbottle (taking seat beside her).  Allow me, Miss Mary, a few
moments of confidential--er--confidential disclosure.  To-day is,
as you are aware--the day on which, according to--er--agreement
between parties, my friend and client, Mr. Morton, sen.,--formally
accepts his prodigal son.  It is my--er--duty to state that--er--
the gentleman who has for the past year occupied that position has
behaved with great discretion, and--er--fulfilled his part of the--
er--agreement.  But it would--er--appear that there has been a--er--
slight delusion regarding the identity of that prodigal,--a
delusion shared by all the parties except, perhaps, myself.  I have
to prepare you for a shock.  The gentleman whom you have recently
known as Alexander Morton, jun., is not the prodigal son; is not
your--er--cousin; is, in fact, no relation to you.  Prepare
yourself, Miss Mary, for a little disappointment,--for--er--
degradation.  The genuine son has been--er--discovered in the
person of--er--low menial--or--vagabond,--"Sandy," the--er--outcast
of Red Gulch!

Miss Mary (rising in astonishment).  Sandy!  Then he was right.
(Aside.)  The child is his! and that woman--

Starbottle.  Compose yourself, Miss Mary.  I know the--er--effect
of--er--revelation like this upon--er--proud and aristocratic
nature.  Ged!  My own, I assure you, beats in--er--responsive
indignation.  You can never consent to remain beneath this roof,
and--er--receive a--er--vagabond and--er--menial on equal terms.
The--er--necessities of my--er--profession may--er--compel me; but
you--er--never!  Holding myself--er--er--responsible for having
introduced you here, it is my--er--duty to provide you with--
another home!  It is my--er--duty to protect--

Miss Mary (aside).  Sandy here, and beneath this roof!  Why has he
not sought me?  Ah, I know too well: he dare not face me with his
child!

Starbottle (aside).  She turns away! it is maiden coyness.  (Aloud.)
If, Miss Mary, the--er--devotion of a life-time; if the--er--
chivalrous and respectful adoration of a man--er--whose record
is--er--not unknown in the Court of Honor (dropping on one knee
with excessive gallantry); if the--er--measure--

Miss Mary (oblivious of COL. STARBOTTLE).  I WILL--I MUST see him!
Ah! (looking L.) he is coming!

Enter SANDY.

Starbottle (rising with great readiness and tact).  I have found it
(presenting flower).  It had fallen beneath the sofa.

Sandy (to MISS MARY, stopping short in embarrassment).  I did not
know you--I--I--thought there was no one here.

Miss Mary (to STARBOTTLE).  May I ask you to excuse me for a
moment?  I have a few words to say to--to my COUSIN!

STARBOTTLE bows gallantly to MISS MARY, and stiffly to SANDY, and
exit R.  A long pause; MISS MARY remains seated pulling flowers,
SANDY remains standing by wing, foolish and embarrassed.  Business.

Miss Mary (impatiently).  Well?

Sandy (slowly).  I axes your pardon, miss; but you told THAT
gentleman you had a few words--to say to me.

Miss Mary (passionately, aside).  Fool!  (Aloud.)  I had; but I am
waiting to first answer your inquiries about your--your--child.  I
have fulfilled my trust, sir.

Sandy.  You have, Miss Mary, and I thank you.

Miss Mary.  I might perhaps have expected that this revelation of
our kinship would have come from other lips than a stranger's; but--
no matter!  I wish you joy, sir, of your heritage.  (Going.)  You
have found a home, sir, at last, for yourself and--and--your child.
Good-day, sir.

Sandy.  Miss Mary!

Miss Mary.  I must make ready to receive your father's guests.  It
is his orders: I am only his poor relation.  Good-by, sir.  [Exit L.

Sandy (watching her).  She is gone!--gone!  No!  She has dropped on
the sofa in the ante-room, and is crying.  Crying!  I promised Jack
I wouldn't speak until the time came.  I'll go back.  (Hesitating,
and looking toward L.)  Poor girl!  How she must hate me!  I might
just say a word, one word to thank her for her kindness to Johnny,--
only one word, and then go away.  I--I--can keep from liquor.  I
swore I would to Jack, that night I saw the old man--drunk,--and I
have.  But--I can't keep--from--her!  No--damn it!  (Going toward
L.)  No!--I'll go!  [Exit L.

Enter hurriedly and excitedly JOVITA, R., followed by MANUELA.

Jovita.  Where is she?  Where is HE?--the traitor!

Manuela (entreatingly).  Compose yourself, Dona Jovita, for the
love of God!  This is madness: believe me, there is some mistake.
It is some trick of an enemy,--of that ingrate, that coyote,
Concho, who hates the Don Alexandro.

Jovita.  A trick!  Call you this a trick?  Look at this paper, put
into my hands by my father a moment ago.  Read it.  Ah! listen.
(Reads.)  "In view of the EVIDENT PREFERENCES of my son, Alexander
Morton, I hereby revoke my consent to his marriage with the Dona
Jovita Castro, and accord him full permission to woo and win his
cousin, Miss Mary Morris!"  Call you this a trick, eh?  No, it is
their perfidy!  This is why SHE was brought here on the eve of my
betrothal.  This accounts for his silence, his absence.  Oh, I
shall go mad!

Manuela.  Compose yourself, miss.  If I am not deceived, there is
one here who will aid us,--who will expose this deceit.  Listen: an
hour ago, as I passed through the hall, I saw Diego, our old
Diego,--your friend and confidant, Diego.

Jovita.  The drunkard--the faithless Diego!

Manuela.  Never, Miss Jovita; not drunken!  For, as he passed
before me, he was as straight, as upright, as fine as your lover.
Come, miss, we will seek him.

Jovita.  Never!  He, too, is a traitor.

Manuela.  Believe me, no!  Come, Miss Jovita.  (Looking toward L.)
See, he is there.  Some one is with him.

Jovita (looking).  You are right; and it is she--SHE, Miss Mary!
What? he is kissing her hand! and she--SHE, the double traitress--
drops her head upon his shoulder!  Oh, this is infamy!

Manuela.  Hush!  Some one is coming.  The guests are arriving.
They must not see you thus.  This way, Miss Jovita,--this way.
After a little, a little, the mystery will be explained.  (Taking
JOVITA'S hand, and leading her R.)

Jovita (going).  And this was the correct schoolmistress, the
preceptress and example of all the virtues! ha! (laughing
hysterically) ha!

[Exeunt JOVITA and MANUELA.


SCENE 6.--The same.  Enter SERVANT; opens folding doors C.,
revealing veranda and view of distant city beyond.  Stage, fog
effect from without.  Enter STARBOTTLE and OAKHURST, R., in full
evening dress.

Starbottle (walking towards veranda).  A foggy evening for our
anniversary.

Oakhurst.  Yes.  (Aside.)  It was such a night as this I first
stepped into Sandy's place, I first met the old man.  Well, it will
be soon over.  (Aloud.)  You have the papers and transfers all
ready?

Starbottle.  In my--er--pocket.  Mr. Morton, sen., should be here
to receive his guests.

Oakhurst.  He will be here presently: until then the duty devolves
on me.  He has secluded himself even from me!  (Aside.)  Perhaps it
is in very shame for his recent weakness.

Enter SERVANT.

Servant.  Don Jose Castro, Miss Castro, and Miss Morris.

Enter DON JOSE with JOVITA and MISS MARY on either arm.  All
formally salute MR. OAKHURST, except MISS JOVITA, who turns coldly
away, taking seat remotely on sofa.  COL. STARBOTTLE gallantly
approaches MISS MARY, and takes seat beside her.

Oakhurst (aside).  They are here to see my punishment.  There is no
sympathy even in her eyes.

Enter SERVANT.

Servant.  Mr. Concepcion Garcia and Mr. Capper.

Concho (approaching OAKHURST, rubbing his hands).  I wish you joy,
Mr. Alexander Morton!

Oakhurst (excitedly, aside).  Shall I throw him from the window!
The dog!--even he!

Capper (approaching MR. OAKHURST).  You have done well.  Be bold.
I will see you through.  As for THAT man (pointing to CONCHO),
leave him to ME!  (Lays his hand on Concho's shoulder, and leads
him to sofa R.  OAKHURST takes seat in chair L. as SANDY enters
quietly from door L., and stands leaning upon his chair.)

Starbottle (rising).  Ladies and gentlemen, we are waiting only for
the presence of Mr. Alexander Morton, sen.  I regret to say that
for the last twenty-four hours--he has been--er--exceedingly
preoccupied with the momentous cares of the--er--occasion.  You who
know the austere habits of my friend and--er--client will probably
understand that he may be at this very moment engaged in prayerful
and Christian meditation, invoking the Throne of Grace, previous to
the solemn duties of--er--er--tonight.

Enter SERVANT.

Servant.  Mr. Alexander Morton, sen.

Enter OLD MORTON, drunk, in evening costume, cravat awry, coat
half-buttoned up, and half-surly, half-idiotic manner.  All rise in
astonishment.  SANDY starts forward.  OAKHURST pulls him back.

Morton (thickly).  Don't rish!  Don't rish!  We'll all sit down!
How do you do, sir?  I wish ye well, miss.  (Goes around and
laboriously shakes hands with everybody.)  Now lesh all take a
drink! lesh you take a drink, and you take a drink, and you take a
drink!

Starbottle.  Permit me, ladies and gentlemen, to--er--explain: our
friend is--er--evidently laboring under--er--er--accident of
hospitality!  In a moment he will be himself.

Old Morton.  Hush up!  Dry up--yourself--old turkey-cock!  Eh!

Sandy (despairingly).  He will not understand us!  (To STARBOTTLE.)
He will not know me!  What is to be done?

Old Morton.  Give me some whishkey.  Lesh all take a drink!  (Enter
SERVANT with decanter and glasses.)

Old Morton (starting forward).  Lesh all take a drink!

Sandy.  Stop!

Old Morton (recovering himself slightly).  Who says stop?  Who
dares countermand my orderish?

Concho (coming forward).  Who?  I will tell you: eh! eh!  Diego--
dismissed from the rancho of Don Jose for drunkenness!  Sandy--the
vagabond of Red Gulch!

Sandy (passionately seizing OLD MORTON'S arm).  Yes, Diego--Sandy--
the outcast--but, God help me! no longer the drunkard.  I forbid
you to touch that glass!--I, your son, Alexander Morton!  Yes, look
at me, father: I, with drunkenness in my blood, planted by you,
fostered by you--I whom you sought to save--I--I stand here to save
you!  Go!  (To SERVANT.)  Go!  While he is thus, I--I, am master
here!

Old Morton (cowed and frightened).  That voice!  (Passing his hand
over his forehead.)  Am I dreaming Aleck, where are you?  Alexander,
speak, I command you: is this the truth?

Oakhurst (slowly).  It is!

Starbottle.  One moment--a single moment: permit me to--er--er--
explain.  The gentleman who has just--er--dismissed the refreshment
is, to the best of my legal knowledge, your son.  The gentleman who
for the past year has so admirably filled the functions of that
office is--er--prepared to admit this.  The proofs are--er--
conclusive.  It is with the--er--intention of offering them, and--
er--returning your lawful heir, that we--er--are here to-night.

Old Morton (rising to his feet).  And renounce you both!  Out of my
house, out of my sight, out of my heart, forever!  Go! liars,
swindlers, confederates!  Drunk--

Oakhurst (retiring slowly with SANDY).  We are going, sir!

Old Morton.  Go! open the doors there WIDE, wide enough for such a
breadth of infamy!  Do you hear me?  I am master here!

Stands erect, as OAKHURST and SANDY, hand in hand, slowly retreat
backward to centre,--then suddenly utters a cry, and falls heavily
on sofa.  Both pause: OAKHURST remains quiet and motionless; SANDY,
after a moment's hesitation, rushes forward, and falls at his feet.

Sandy.  Father, forgive me!

Old Morton (putting his hand round SANDY'S neck, and motioning him
to door).  Go! both of you, both of you!  (Resisting SANDY'S
attempt to rise.)  Did you hear me?  Go!

Starbottle.  Permit me to--explain.  Your conduct, Mr. Morton,
reminds me of sing'lar incident in '47--

Old Morton.  Silence!

Oakhurst.  One word, Mr. Morton!  Shamed and disgraced as I am, I
leave this roof more gladly than I entered it.  How I came here,
you best know.  How I yielded madly to the temptation, the promise
of a better life; how I fell, through the hope of reformation,--no
one should know better than you, sir, the reformer.  I do not ask
your pardon.  You know that I did my duty to you as your presumed
son.  Your real son will bear witness, that, from the hour I knew
of his existence, I did my duty equally to him.  Col. Starbottle
has all the legal transfers and papers necessary to make the
restoration of your son--the integrity of your business name--
complete.  I take nothing out of this life that I did not bring in
it,--except my self-respect!  I go--as I came--alone!

Jovita (rushing towards him).  No! no!  You shall take ME!  I have
wronged you, Jack, cruelly; I have doubted you; but you shall not
go alone.  I care not for this contract!  You are more to me, by
your own right, Jack, than by any kinship with such as these!

Oakhurst (raising her gently).  I thank you, darling.  But it is
too late now.  To be more worthy of you, to win YOU, I waived the
title I had to you in my own manhood, to borrow another's more
legal claim.  I who would not win you as a gambler, cannot make you
now the wife of a convicted impostor.  No!  Hear me, darling! do
not make my disgrace greater than it is.  In the years to come,
Jovita, think of me as one who loved you well enough to go through
shame to win you, but too well to ask you to share with him that
shame.  Farewell, darling, farewell!  (Releases himself from
JOVITA'S arms, who falls beside him.)

Concho (rubbing his hands, and standing before him).  Oho!  Mr.
John Oakhurst--eh--was it for this, eh--you leaped the garden wall,
eh? was it for this you struck me down, eh?  You are not wise, eh?
You should have run away with the Dona when you could--ah, ah,
impostor!

Sandy (leaping to his feet).  Jack, you shall not go!  I will go
with you!

Oakhurst.  No!  Your place is there.  (Pointing to old MORTON,
whose head has sunk drunkenly on his breast.)  Heed not this man;
his tongue carries only the borrowed lash of his master.

Concho.  Eh! you are bold now--bold; but I said I would have
revenge--ah, revenge!

Sandy (rushing toward him).  Coward!

Don Jose.  Hold your hand, sir!  Hold!  I allow no one to correct
my menials but myself.  Concho, order my carriage!

Concho.  It is ready, sir.

Don Jose.  Then lead the way to it, for my daughter and her
husband, John Oakhurst.--Good-night, Mr. Morton, I can sympathize
with you; for we have both found a son.  I am willing to exchange
my dismissed servant for your dismissed PARTNER.

Starbottle (advancing).  Ged, sir, I respect you!  Ged, sir, permit
me, sir, to grasp that honorable hand!

Old Morton (excitedly).  He is right, my partner.  What have I
done!  The house of Morton & Son dissolved.  The man known as my
partner--a fugitive!  No, Alexander!

Starbottle.  One moment--a single moment!  As a lawyer, permit me
to say, sir, that the whole complication may be settled, sir, by
the--er--addition of--er--single letter!  The house of Morton & Son
shall hereafter read Morton & Sons.  The papers for the legal
adoption of Mr. Oakhurst are--er--in my pocket.

Old Morton (more soberly).  Have it your own way, sir!  Morton &
Sons be it.  Hark ye, Don Jose!  We are equal at last.  But--hark
ye, Aleck!  How about the boy, eh?--my grandson, eh?  Is this one
of the sons by adoption?

Sandy (embarrassedly).  It is my own, sir.

Capper (advancing).  He can with safety claim it; for the mother is
on her way to Australia with her husband.

Old Morton.  And the schoolma'am, eh?

Miss Mary.  She will claim the usual year of probation for your
prodigal, and then--

Sandy.  God bless ye, Miss Mary!

Old Morton.  I am in a dream!  But the world--my friends--my
patrons--how can I explain?

Starbottle.  I will--er--explain.  (Advancing slowly to front--to
audience.)  One moment--er--a single moment!  If anything that has--
er--transpired this evening--might seem to you, ladies and
gentlemen--er--morally or--er--legally--or honorably to require--
er--apology--or--er--explanation--permit me to say--that I--Col.
Culpepper Starbottle, hold myself responsible--er--personally
responsible.

Capper.  Concho.

Old Morton.  Sandy.  Miss Mary.  Don Jose.  Jovita.  Oakhurst.

Col. Starbottle.

Curtain.





End of The Project Gutenberg Etext Two Men of Sandy Bar, by Bret Harte


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