Infomotions, Inc.Hero Tales and Legends of the Rhine / Spence, Lewis, 1874-1955

Author: Spence, Lewis, 1874-1955
Title: Hero Tales and Legends of the Rhine
Publisher: Project Gutenberg
Tag(s): hagen; rhine; siegfried; knight; castle; emperor
Contributor(s): Gosse, Edmund, 1849-1928 [Translator]
Versions: original; local mirror; HTML (this file); printable
Services: find in a library; evaluate using concordance
Rights: GNU General Public License
Size: 107,524 words (short) Grade range: 11-14 (high school) Readability score: 58 (average)
Identifier: etext16539
Delicious Bookmark this on Delicious

Discover what books you consider "great". Take the Great Books Survey.

Project Gutenberg's Hero Tales and Legends of the Rhine, by Lewis Spence

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at

Title: Hero Tales and Legends of the Rhine

Author: Lewis Spence

Release Date: August 17, 2005 [EBook #16539]

Language: English

Character set encoding: ASCII


Produced by Steve Pond


By Lewis Spence (1874-1955)

Originally published: Hero tales & legends of the Rhine.

London; New York:

George C. Harrap, 1915.




An abundance of literature exists on the subject of the Rhine and its
legends, but with few exceptions the works on it which are accessible
to English-speaking peoples are antiquated in spirit and verbiage, and
their authors have been content to accept the first version of such
legends and traditions as came their way without submitting them to
any critical examination. It is claimed for this book that much of its
matter was collected on the spot, or that at least most of the
tales here presented were perused in other works at the scene of the
occurrences related. This volume is thus something more than a
mere compilation, and when it is further stated that only the most
characteristic and original versions and variants of the many tales here
given have gained admittance to the collection, its value will become

It is, of course, no easy task to infuse a spirit of originality into
matter which has already achieved such a measure of celebrity as have
these wild and wondrous tales of Rhineland. But it is hoped that the
treatment to which these stories have been subjected is not without a
novelty of its own. One circumstance may be alluded to as characteristic
of the manner of their treatment in this work. In most English books
on Rhine legend the tales themselves are presented in a form so brief,
succinct, and uninspiring as to rob them entirely of that mysterious
glamour lacking which they become mere material by which to add to and
illustrate the guide-book. The absence of the romantic spirit in most
English and American compilations dealing with the Rhine legends is
noteworthy, and in writing this book the author's intention has been to
supply this striking defect by retaining as much of the atmosphere
of mystery so dear to the German heart as will convey to the
English-speaking reader a true conception of the spirit of German

But it is not contended that because greater space and freedom of
narrative scope than is usual has been taken by the author the volume
would not prove itself an acceptable companion upon a voyage on Rhine
waters undertaken in holiday times of peace. Indeed, every attempt has
been made so to arrange the legends that they will illustrate a Rhine
journey from sea to source--the manner in which the majority of visitors
to Germany will make the voyage--and to this end the tales have been
marshalled in such form that a reader sitting on the deck of a Rhine
steamer may be able to peruse the legends relating to the various
localities in their proper order as he passes them. There are included,
however, several tales relating to places which cannot be viewed from
the deck of a steamer, but which may be visited at the cost of a short
inland excursion. These are such as from their celebrity could not be
omitted from any work on the legends of Rhineland, but they are few in

The historical development, folklore, poetry, and art of the
Rhine-country have been dealt with in a special introductory chapter.
The history of the Rhine basin is a complicated and uneven one, chiefly
consisting in the rapid and perplexing rise and fall of dynasties and
the alternate confiscation of one or both banks of the devoted stream
to the empires of France or Germany. But the evolution of a reasoned
narrative has been attempted from this chaotic material, and, so far
as the author is aware, it is the only one existing in English. The
folklore and romance elements in Rhine legend have been carefully
examined, and the best poetic material upon the storied river has been
critically collected and reviewed. To those who may one day visit the
Rhine it is hoped that the volume may afford a suitable introduction to
a fascinating field of travel, while to such as have already viewed
its glories it may serve to renew old associations and awaken cherished
memories of a river without peer or parallel in its wealth of story, its
boundless mystery, and the hold which it has exercised upon all who
have lingered by the hero-trodden paths that wind among its mysterious
promontories and song-haunted strands.



There are many rivers whose celebrity is of much greater antiquity than
that of the Rhine. The Nile and the Ganges are intimately associated
with the early history of civilization and the mysterious beginnings
of wisdom; the Tiber is eloquent of that vanished Empire which was
the first to carry the torch of advancement into the dark places of
barbarian Europe; the name of the Jordan is sacred to thousands as that
first heard in infancy and linked with lives and memories divine. But,
universal as is the fame of these rivers, none of them has awakened in
the breasts of the dwellers on their banks such a fervent devotion,
such intense enthusiasm, or such a powerful patriotic appeal as has the
Rhine, at once the river, the frontier, and the palladium of the German

The Magic of the Rhine

But the appeal is wider, for the Rhine is peculiarly the home of a
legendary mysticism almost unique. Those whose lives are spent in their
creation and interpretation know that song and legend have a particular
affinity for water. Hogg, the friend of Shelley, was wont to tell how
the bright eyes of his comrade would dilate at the sight of even a
puddle by the roadside. Has water a hypnotic attraction for certain
minds? Be that as it may, there has crystallized round the great
waterways of the world a traditionary lore which preserves the thought
and feeling of the past, and retains many a circumstance of wonder and
marvel from olden epochs which the modern world could ill have spared.

Varied and valuable as are the traditional tales of other streams, none
possess that colour of intensity and mystery, that spell of ancient
profundity which belong to the legends of the Rhine. In perusing these
we feel our very souls plunged in darkness as that of the carven gloom
of some Gothic cathedral or the Cimmerian depths of some ancient forest
unpierced by sun-shafts. It is the Teutonic mystery which has us in
its grip, a thing as readily recognizable as the Celtic glamour or the
Egyptian gloom--a thing of the shadows of eld, stern, ancient, of a
ponderous fantasy, instinct with the spirit of nature, of dwarfs,
elves, kobolds, erlkings, the wraiths and shades of forest and flood, of
mountain and mere, of castled height and swift whirlpool, the denizens
of the deep valleys and mines, the bergs and heaths of this great
province of romance, this rich satrapy of Faery.

A Land of Legend

Nowhere is legend so thickly strewn as on the banks of the Rhine. Each
step is eloquent of tradition, each town, village, and valley. No hill,
no castle but has its story, true or legendary. The Teuton is easily the
world's master in the art of conserving local lore. As one speeds down
the broad breast of this wondrous river, gay with summer and flushed
with the laughter of early vineyards, so close is the network of legend
that the swiftly read or spoken tale of one locality is scarce over ere
the traveller is confronted by another. It is a surfeit of romance, an
inexhaustible hoard of the matter of marvel.

This noble stream with its wealth of tradition has made such a powerful
impression upon the national imagination that it has become intimate in
the soul of the people and commands a reverence and affection which
is not given by any other modern nation to its greatest and most
characteristic river. The Englishman has only a mitigated pride in the
Thames, as a great commercial asset or, its metropolitan borders once
passed, a river of peculiarly restful character; the Frenchman evinces
no very great enthusiasm toward the Seine; and if there are many Spanish
songs about the "chainless Guadalquivir," the dons have been content
to retain its Arabic name. But what German heart does not thrill at the
name of the Rhine? What German cheek does not flush at the sound of that
mighty thunder-hymn which tells of his determination to preserve the
river of his fathers at the cost of his best blood? Nay, what man of
patriotic temperament but feels a responsive chord awake within him
at the thought of that majestic song, so stern, so strong, "clad in
armour," vibrant with the clang of swords, instinct with the universal
accord of a united people? To those who have heard it sung by
multitudinous voices to the accompaniment of golden harps and silver
trumpets it is a thing which can never be forgotten, this world-song
that is at once a hymn of union, a song of the deepest love of country,
a defiance and an intimation of resistance to the death.

The Song of the 'Iron Chancellor'

How potent Die Wacht am Rhein is to stir the hearts of the children of
the Fatherland is proven abundantly by an apposite story regarding the
great Bismarck, the 'man of blood and iron.' The scene is the German
Reichstag, and the time is that curious juncture in history when the
Germans, having realized that union is strength, were beginning to weld
together the petty kingdoms and duchies of which their mighty empire
was once composed. Gradually this task was becoming accomplished, and
meanwhile Germany grew eager to assert her power in Europe, wherefore
her rulers commenced to create a vast army. But Bismarck was not
satisfied, and in his eyes Germany's safety was still unassured; so
he appealed to the Reichstag to augment largely their armaments. The
deputies looked at him askance, for a vast army meant ruinous taxation;
even von Moltke and von Roon shook their heads, well aware though they
were that a great European conflict might break out at any time; and,
in short, Bismarck's proposal was met by a determined negative from
the whole House. "Ach, mein Gott!" he cried, holding out his hands in a
superb gesture of despair. "Ach, mein Gott! but these soldiers we must
have." His hearers still demurred, reminding him that the people far and
near were groaning under the weight of taxation, and assuring him that
this could not possibly be increased, when he suddenly changed his
despairing gesture for a martial attitude, and with sublime eloquence
recited the lines:

     "Es braust ein Ruf wie Donnerhall,
     Wie Schwertgeklirr und Wogenprall;
     Zum Rhein, zum Rhein, zum deutschen Rhein,
     Wer will die Stroemes Hueter sein?
     Lieb Vaterland, magst ruhig sein,
     Fest steht und treu die Wacht am Rhein."

The effect was magical; the entire House resounded with cheers, and the
most unbounded enthusiasm prevailed. And ere the members dispersed
they had told Bismarck he might have, not ten thousand, but a hundred
thousand soldiers, such was the power of association awakened by this
famous hymn, such the spell it is capable of exercising on German

Topography of the Rhine

Ere we set sail upon the dark sea of legend before us it is necessary
that, like prudent mariners, we should know whence and whither we are
faring. To this end it will be well that we should glance briefly at
the topography of the great river we are about to explore, and that we
should sketch rapidly the most salient occurrences in the strange
and varied pageant of its history, in order that we may the better
appreciate the wondrous tales of worldwide renown which have found birth
on its banks.

Although the most German of rivers, the Rhine does not run its entire
course through German territory, but takes its rise in Switzerland and
finds the sea in Holland. For no less than 233 miles it flows through
Swiss country, rising in the mountains of the canton of Grisons, and
irrigates every canton of the Alpine republic save that of Geneva.
Indeed, it waters over 14,000 square miles of Swiss territory in the
flow of its two main branches, the Nearer Rhine and the Farther Rhine,
which unite at Reichenau, near Coire. The Nearer Rhine issues at the
height of over 7000 feet from the glaciers of the Rheinwaldhorn
group, and flows for some thirty-five miles, first in a north-easterly
direction through the Rheinwald Valley, then northward through the
Schams Valley, by way of the Via Mala gorge, and Tomleschg Valley, and
so to Reichenau, where it is joined by its sister stream, the Farther
Rhine. The latter, rising in the little Alpine lake of Toma near the
Pass of St. Gotthard, flows in a north-easterly direction to Reichenau.
The Nearer Rhine is generally considered to be the more important
branch, though the Farther Rhine is the longer by some seven miles. From
Reichenau the Rhine flows north-eastward to Coire, and thence northward
to the Lake of Constance, receiving on its way two tributaries, the
Landquart and the Ill, both on the right bank. Indeed, from source to
sea the Rhine receives a vast number of tributaries, amounting, with
their branches, to over 12,000. Leaving the Lake of Constance at the
town of that name, the river flows westward to Basel, having as
the principal towns on its banks Constance, Schaffhausen, Waldshut,
Laufenburg, Saeckingen, Rheinfelden, and Basel.

Not far from the town of Schaffhausen the river precipitates itself from
a height of 60 feet, in three leaps, forming the famous Falls of the
Rhine. At Coblentz a strange thing happens, for at this place the river
receives the waters of the Aar, swollen by the Reuss and the Limmat, and
of greater volume than the stream in which it loses itself.

It is at Basel that the Rhine, taking a northward trend, enters
Germany. By this time it has made a descent of nearly 7000 feet, and has
traversed about a third of its course. Between Basel and Mainz it flows
between the mountains of the Black Forest and the Vosges, the distance
between which forms a shallow valley of some width. Here and there it is
islanded, and its expanse averages about 1200 feet. The Taunus Mountains
divert it at Mainz, where it widens, and it flows westward for about
twenty miles, but at Bingen it once more takes its course northward, and
enters a narrow valley where the enclosing hills look down sheer upon
the water.

It is in this valley, probably one of the most romantic in the world,
that we find the legendary lore of the river packed in such richness
that every foot of its banks has its place in tradition. But that is not
to say that this portion of the Rhine is wanting in natural beauty. Here
are situated some of its sunniest vineyards, its most wildly romantic
heights, and its most picturesque ruins. This part of its course may be
said to end at the Siebengebirge, or 'Seven Mountains,' where the river
again widens and the banks become more bare and uninteresting. Passing
Bonn and Cologne, the bareness of the landscape is remarkable after the
variety of that from which we have just emerged, and henceforward the
river takes on what may be called a 'Dutch' appearance. After entering
Holland it divides into two branches, the Waal flowing to the west and
uniting with the Maas. The smaller branch to the right is still called
the Rhine, and throws off another branch, the Yssel, which flows into
the Zuider Zee. Once more the river bifurcates into insignificant
streams, one of which is called the Kromme Rijn, and beyond Utrecht, and
under the name of the Oude Rijn, or Old Rhine, it becomes so stagnant
that it requires the aid of a canal to drain it into the sea. Anciently
the Rhine at this part of its course was an abounding stream, but by the
ninth century the sands at Katwijk had silted it up, and it was only in
the beginning of last century that its way to the sea was made clear.

The Sunken City

More than six centuries ago Stavoren was one of the chief commercial
towns of Holland. Its merchants traded with all parts of the world, and
brought back their ships laden with rich cargoes, and the city became
ever more prosperous.

The majority of the people of Stavoren were well-to-do, and as their
wealth increased they became luxurious and dissipated, each striving to
outdo the others in the magnificence of their homes and the extravagance
of their hospitality.

Many of their houses, we are told, were like the palaces of princes,
built of white marble, furnished with the greatest sumptuousness, and
decorated with the costliest hangings and the rarest statuary.

But, says the legend, of all the Stavoren folk there was none
wealthier than young Richberta. This maiden owned a fleet of the finest
merchant-vessels of the city, and loved to ornament her palace with the
rich merchandise which these brought from foreign ports. With all her
jewels and gold and silver treasures, however, Richberta was not happy.
She gave gorgeous banquets to the other merchant-princes of the place,
each more magnificent than the last, not because she received any
pleasure from thus dispensing hospitality, but because she desired to
create envy and astonishment in the breasts of her guests.

On one occasion while such a feast was in progress Richberta was
informed that a stranger was waiting without who was desirous of
speaking with her. When she was told that the man had come all the way
from a distant land simply to admire her wonderful treasures, of which
he had heard so much, the maiden was highly flattered and gave orders
that he should be admitted without delay. An aged and decrepit man, clad
in a picturesque Eastern costume, was led into the room, and Richberta
bade him be seated at her side. He expected to receive from the young
lady the symbol of welcome--bread and salt. But no such common fare was
to be found on her table--all was rich and luxurious food.

The stranger seated himself in silence. At length he began to talk. He
had travelled in many lands, and now he told of his changing fortunes
in these far-off countries, always drawing a moral from his
adventures--that all things earthly were evanescent as the dews of
morning. The company listened attentively to the discourse of the sage;
all, that is, but their hostess, who was angry and disappointed that he
had said no word of the wealth and magnificence displayed in her palace,
the rich fare on her table, and all the signs of luxury with which he
was surrounded. At length she could conceal her chagrin no longer, and
asked the stranger directly whether he had ever seen such splendour in
his wanderings as that he now beheld.

"Tell me," she said, "is there to be found in the courts of your Eastern
kings such rare treasures as these of mine?"

"Nay," replied the sage, "they have no pearls and rich embroideries to
match thine. Nevertheless, there is one thing missing from your board,
and that the best and most valuable of all earthly gifts."

In vain Richberta begged that he would tell her what that most precious
of treasures might be. He answered all her inquiries in an evasive
manner, and at last, when her question could no longer be evaded, he
rose abruptly and left the room. And, seek as she might, Richberta could
find no trace of her mysterious visitor.

Richberta strove to discover the meaning of the old man's words. She was
rich--she possessed greater treasures than any in Stavoren, at a time
when that city was among the wealthiest in Europe--and yet she lacked
the most precious of earth's treasures. The memory of the words galled
her pride and excited her curiosity to an extraordinary pitch. In vain
she asked the wise men of her time--the priests and philosophers--to
read her the riddle of the mysterious traveller. None could name a
treasure that was not already hers.

In her anxiety to obtain the precious thing, whatever it might be,
Richberta sent all her ships to sea, telling the captain of each not
to return until he had found some treasure that she did not already
possess. The vessels were victualled for seven years, so that the
mariners might have ample time in which to pursue their quest. So their
commander sent one division of the fleet to the east, another to the
west, while he left his own vessel to the hazard of the winds, letting
it drift wheresoever the fates decreed. His ship as well as the others
was laden heavily with provisions, and during the first storm they
encountered it was necessary to cast a considerable portion of the food
overboard, so that the ship might right itself. As it was, the remaining
provisions were so damaged by the sea-water that they rotted in a few
days and became unfit for food. A pestilence would surely follow the use
of such unwholesome stuff, and consequently the entire cargo of bread
had to be cast into the sea.

The commander saw his crew ravaged by the dreaded scurvy, suffering from
the lack of bread. Then only did he begin to perceive the real meaning
of the sage's words. The most valuable of all earthly treasures was not
the pearls from the depths of the sea, gold or silver from the heart of
the mountains, nor the rich spices of the Indies. The most common of all
earth's, products, that which was to be found in every country, which
flourished in every clime, on which the lives of millions depended--this
was the greatest treasure, and its name was--bread.

Having reached this conclusion, the commander of Richberta's fleet set
sail for a Baltic port, where he took on board a cargo of corn, and
returned immediately to Stavoren.

Richberta was astonished and delighted to see that he had achieved his
purpose so soon, and bade him tell her of what the treasure consisted
which he had brought with him. The commander thereupon recounted his
adventures--the storm, the throwing overboard of their store of bread,
and the consequent sufferings of the crew--and told how he at length
discovered what was the greatest treasure on earth, the priceless
possession which the stranger had looked for in vain at her rich board.
It was bread, he said simply, and the cargo he had brought home was

Richberta was beside herself with passion. When she had recovered
herself sufficiently to speak she asked him:

"At which side of the ship did you take in the cargo?"

"At the right side," he replied.

"Then," she exclaimed angrily, "I order you to cast it into the sea from
the left side."

It was a cruel decision. Stavoren, like every other city, had its quota
of poor families, and these were in much distress at the time, many of
them dying from sheer starvation. The cargo of corn would have provided
bread for them throughout the whole winter, and the commander urged
Richberta to reconsider her decision. As a last resort he sent the
barefooted children of the city to her, thinking that their mute misery
would move her to alleviate their distress and give them the shipload
of corn. But all was in vain. Richberta remained adamantine, and in full
view of the starving multitude she had the precious cargo cast into the

But the curses of the despairing people had their effect. Far down in
the bed of the sea the grains of corn germinated, and a harvest of bare
stalks grew until it reached the surface of the water. The shifting
quicksands at the bottom of the sea were bound together by the
overspreading stalks into a mighty sand-bank which rose above the
surface in front of the town of Stavoren.

No longer were the merchant-vessels able to enter the harbour, for
it was blocked by the impassable bank. Nay, instead of finding refuge
there, many a ship was dashed to pieces by the fury of the breakers, and
Stavoren became a place of ill-fame to the mariner.

All the wealth and commerce of this proud city were at an end. Richberta
herself, whose wanton act had raised the sand-bank, had her ships
wrecked there one by one, and was reduced to begging for bread in the
city whose wealthiest inhabitant she had once been. Then, perhaps, she
could appreciate the words of the old traveller, that bread was the
greatest of earthly treasures.

At last the ocean, dashing against the huge mound with ever-increasing
fury, burst through the dyke which Richberta had raised, overwhelmed the
town, and buried it for ever under the waves.

And now the mariner, sailing on the Zuider Zee, passes above the
engulfed city and sees with wonderment the towers and spires of the
'Sunken Land.'

Historical Sketch

Like other world-rivers, the Rhine has attracted to its banks a
succession of races of widely divergent origin. Celt, Teuton, Slav, and
Roman have contested for the territories which it waters, and if the
most enduring of these races has finally achieved dominion over the
fairest river-province in Europe, who shall say that it has emerged from
the struggle as a homogeneous people, having absorbed none of the blood
of those with whom it strove for the lordship of this vine-clad valley?
He would indeed be a courageous ethnologist who would suggest a purely
Germanic origin for the Rhine race. As the historical period dawns upon
Middle Europe we find the Rhine basin in the possession of a people of
Celtic blood. As in Britain and France, this folk has left its indelible
mark upon the countryside in a wealth of place-names embodying its
characteristic titles for flood, village, and hill. In such prefixes and
terminations as magh, brig, dun, and etc we espy the influence of Celtic
occupants, and Maguntiacum, or Mainz, and Borbetomagus, or Worms, are
examples of that 'Gallic' idiom which has indelibly starred the map of
Western Europe.

Prehistoric Miners

The remains of this people which are unearthed from beneath the
superincumbent strata of their Teutonic successors in the country show
them to have been typical of their race. Like their kindred in Britain,
they had successfully exploited the mineral treasures of the country,
and their skill as miners is eloquently upheld by the mute witness of
age-old cinder-heaps by which are found the once busy bronze hammer and
the apparatus of the smelting-furnace, speaking of the slow but steady
smith-toil upon which the foundation of civilization arose. There was
scarcely a mineral beneath the loamy soil which masked the metalliferous
rock which they did not work. From Schoenebeck to Duerkheim lies an
immense bed of salt, and this the Celtic population of the district dug
and condensed by aid of fires fed by huge logs cut from the giant trees
of the vast and mysterious forests which have from time immemorial
shadowed the whole existence of the German race. The salt, moulded or
cut into blocks, was transported to Gaul as an article of commerce. But
the Celts of the Rhine achieved distinction in other arts of life, for
their pottery, weapons, and jewellery will bear comparison with those of
prehistoric peoples in any part of Europe.

As has been remarked, at the dawn of history we find the Rhine Celts
everywhere in full retreat before the rude and more virile Teutons.
They lingered latterly about the Moselle and in the district of Eifel,
offering a desperate resistance to the onrushing hordes of Germanic
warriors. In all likelihood they were outnumbered, if not outmatched
in skill and valour, and they melted away before the savage ferocity of
their foes, probably seeking asylum with their kindred in Gaul.

Probably the Teutonic tribes had already commenced to apply pressure to
the Celtic inhabitants of Rhine-land in the fourth century before the
Christian era. As was their wont, they displaced the original possessors
of the soil as much by a process of infiltration as by direct conquest.
The waves of emigration seem to have come from Rhaetia and Pannonia,
broad-headed folk, who were in a somewhat lower condition of barbarism
than the race whose territory they usurped, restless, assertive, and
irritable. Says Beddoe:[1]

[Footnote 1: The Anthropological History of Europe, p. 100.]

"The mass of tall, blond, vigorous barbarians multiplied, seethed,
and fretted behind the barrier thus imposed. Tacitus and several other
classic authors speak of the remarkable uniformity in their appearance;
how they were all tall and handsome, with fierce blue eyes and yellow
hair. Humboldt remarks the tendency we all have to see only the
single type in a strange foreign people, and to shut our eyes to the
differences among them. Thus some of us think sheep all alike, but the
shepherd knows better; and many think all Chinamen are alike, whereas
they differ, in reality, quite as much as we do, or rather more. But
with respect to the ancient Germans, there certainly was among them one
very prevalent form of head, and even the varieties of feature which
occur among the Marcomans--for example, on Marcus Aurelius' column--all
seem to oscillate round one central type.

The 'Graverow' Type

"This is the Graverow type of Ecker, the Hohberg type of His and
Rutimeyer, the Swiss anatomists. In it the head is long, narrow (say
from 70 to 76 in. breadth-index), as high or higher than it is broad,
with the upper part of the occiput very prominent, the forehead rather
high than broad, often dome-shaped, often receding, with prominent
brows, the nose long, narrow, and prominent, the cheek-bones narrow and
not prominent, the chin well marked, the mouth apt to be prominent in
women. In Germany persons with these characters have almost always light
eyes and hair.... This Graverow type is almost exclusively what is
found in the burying-places of the fifth, sixth, and seventh centuries,
whether of the Alemanni, the Bavarians, the Franks, the Saxons, or the
Burgundians. Schetelig dug out a graveyard in Southern Spain which is
attributed to the Visigoths. Still the same harmonious elliptic form,
the same indices, breadth 73, height 74."

Early German Society

Tacitus in his Germania gives a vivid if condensed picture of Teutonic
life in the latter part of the first century:

"The face of the country, though in some parts varied, presents a
cheerless scene, covered with the gloom of forests, or deformed with
wide-extended marshes; toward the boundaries of Gaul, moist and swampy;
on the side of Noricum and Pannonia, more exposed to the fury of the
winds. Vegetation thrives with sufficient vigour. The soil produces
grain, but is unkind to fruit-trees; well stocked with cattle, but of an
under-size, and deprived by nature of the usual growth and ornament of
the head. The pride of a German consists in the number of his flocks
and herds; they are his only riches, and in these he places his chief
delight. Gold and silver are withheld from them: is it by the favour or
the wrath of Heaven? I do not, however, mean to assert that in Germany
there are no veins of precious ore; for who has been a miner in these
regions? Certain it is they do not enjoy the possession and use of those
metals with our sensibility. There are, indeed, silver vessels to be
seen among them, but they were presents to their chiefs or ambassadors;
the Germans regard them in no better light than common earthenware.
It is, however, observable that near the borders of the empire the
inhabitants set a value upon gold and silver, finding them subservient
to the purposes of commerce. The Roman coin is known in those parts, and
some of our specie is not only current, but in request. In places more
remote the simplicity of ancient manners still prevails: commutation of
property is their only traffic. Where money passes in the way of barter
our old coin is the most acceptable, particularly that which is indented
at the edge, or stamped with the impression of a chariot and two horses,
called the Serrati and Bigati. Silver is preferred to gold, not from
caprice or fancy, but because the inferior metal is of more expeditious
use in the purchase of low-priced commodities.

Ancient German Weapons

"Iron does not abound in Germany, if we may judge from the weapons in
general use. Swords and large lances are seldom seen. The soldier
grasps his javelin, or, as it is called in their language, his fram--an
instrument tipped with a short and narrow piece of iron, sharply
pointed, and so commodious that, as occasion requires, he can manage
it in close engagement or in distant combat. With this and a shield the
cavalry are completely armed. The infantry have an addition of missive
weapons. Each man carries a considerable number, and being naked, or,
at least, not encumbered by his light mantle, he throws his weapon to a
distance almost incredible. A German pays no attention to the ornament
of his person; his shield is the object of his care, and this he
decorates with the liveliest colours. Breastplates are uncommon. In a
whole army you will not see more than one or two helmets. Their horses
have neither swiftness nor elegance, nor are they trained to the various
evolutions of the Roman cavalry. To advance in a direct line, or wheel
suddenly to the right, is the whole of their skill, and this they
perform in so compact a body that not one is thrown out of his rank.
According to the best estimate, the infantry comprise the national
strength, and, for that reason, always fight intermixed with the
cavalry. The flower of their youth, able by their vigour and activity
to keep pace with the movements of the horse, are selected for this
purpose, and placed in the front of the lines. The number of these is
fixed and certain: each canton sends a hundred, from that circumstance
called Hundreders by the army. The name was at first numerical only: it
is now a title of honour. Their order of battle presents the form of a
wedge. To give ground in the heat of action, provided you return to the
charge, is military skill, not fear or cowardice. In the most fierce and
obstinate engagement, even when the fortune of the day is doubtful, they
make it a point to carry off their slain. To abandon their shield is a
flagitious crime. The person guilty of it is interdicted from religious
rites and excluded from the assembly of the state. Many who survived
their honour on the day of battle have closed a life of ignominy by a

Teutonic Customs

The kings of this rude but warlike folk were elected by the suffrages of
the nobility, and their leaders in battle, as was inevitable with such
a people, were chosen by reason of their personal prowess. The legal
functions were exercised by the priesthood, and punishments were thus
held to be sanctioned by the gods. Among this barbaric people the female
sex was held as absolutely sacred, the functions of wife and mother
being accounted among the highest possible to humanity, and we observe
in ancient accounts of the race that typically Teutonic conception of
the woman as seer or prophetess which so strongly colours early Germanic
literature. Women, indeed, in later times, when Christianity had
nominally conquered Paganism, remained as the sole conservators of the
ancient Teutonic magico-religious lore, and in the curtained recesses of
dark-timbered halls whiled away the white hours of winter by the painful
spelling out of runic characters and the practice of arts which they
were destined to convey from the priests of Odin and Thor to the witches
of medieval days.

Costume of the Early Teuton

The personal appearance of these barbarians was as rude and simple as
were their manners. Says Tacitus:

"The clothing in use is a loose mantle, made fast with a clasp, or, when
that cannot be had, with a thorn. Naked in other respects, they loiter
away whole days by the fireside. The rich wear a garment, not, indeed,
displayed and flowing, like the Parthians or the people of Sarmatia,
but drawn so tight that the form of the limbs is palpably expressed. The
skins of wild animals are also much in use. Near the frontier, on the
borders of the Rhine, the inhabitants wear them, but with an air of
neglect that shows them altogether indifferent about the choice, The
people who live more remote, near the northern seas, and have not
acquired by commerce a taste for new-fashioned apparel, are more curious
in the selection. They choose particular beasts and, having stripped
off the furs, clothe themselves with the spoil, decorated with
parti-coloured spots, or fragments taken from the skins of fish that
swim the ocean as yet unexplored by the Romans. In point of dress there
is no distinction between the sexes, except that the garment of the
women is frequently made of linen, adorned with purple stains, but
without sleeves, leaving the arms and part of the bosom uncovered."

The Germanic Tribes

It is also from Tacitus that we glean what were the names and
descriptions of those tribes who occupied the territory adjacent to the
Rhine. The basin of the river between Strassburg and Mainz was inhabited
by the Tribacci, Nemetes, and Vangiones, further south by the Matiacci
near Wiesbaden, and the Ubii in the district of Cologne. Further north
lay the Sugambri, and the delta of the river in the Low Countries was
the seat of the brave Batavii, from whom came the bulk of the legions by
means of which Agricola obtained a footing in far Caledonia. Before the
Roman invasion of their territories these tribes were constantly engaged
in internecine warfare, a condition of affairs not to be marvelled at
when we learn that at their tribal councils the warrior regarded as
an inspired speaker was he who was most powerfully affected by the
potations in which all habitually indulged to an extent which seemed to
the cultured Roman as bestial in the last degree. The constant bearing
of arms, added to their frequent addiction to powerful liquors, also
seemed to render the Germanic warriors quarrelsome to excess, and to
provoke intertribal strife.

The Romans in the Rhine Country

Caesar is the first Roman writer to give us any historical data
concerning the peoples who inhabited the basin of the Rhine. He
conquered the tribes on the left bank, and was followed a generation or
so later by Augustus, who established numerous fortified posts on the
river. But the Romans never succeeded in obtaining a firm occupancy of
the right bank. Their chief object in colonizing the Rhine territory
was to form an effective barrier between themselves and the restless
barbarian tribes of the Teutonic North, the constant menace of whose
invasion lay as a canker at the heart of rich and fruitful Italy. With
the terror of a barbarian inroad ever before their eyes, the cohorts of
the Imperial City constructed a formidable vallum, or earthen wall, from
the vicinity of Linz to Regensburg, on the Danube, a distance of three
hundred and fifty miles, for the purpose of raising a barrier against
the advance of the warlike men of the North. They further planted a
colony of veterans in the Black Forest neighbourhood in order that
invasion might be resisted from that side. But as the Empire began to
exhibit signs of decadence the barbarians were quick to recognize the
symptoms of weakness in those who barred their advance to the wealthy
South, the objective of their dreams, hurled themselves against the
boundary, now rendered feeble by reason of the withdrawal of its most
experienced defenders, and, despite a stern resistance, flooded the rich
valleys of the Rhine, swamped the colonies on the left bank which had
imbibed Roman civilization, and made all wholly Teutonic.

The Rebellion of the Barbarians

This was, however, a process of years, and by no means a speedy
conquest. The closing years of Augustus' reign were clouded by a general
rising of the Rhine peoples. Quintilius Varus, an officer who had been
entrusted with the government of the provinces beyond the Rhine, proved
totally unequal to curbing the bolder spirits among the Germans, who
under their chief, Arminius, boldly challenged the forces of this
short-sighted officer. Arminius belonged to the Cherusci. He had served
with the German horsemen in the Rhenish armies, and was conversant with
the Latin language. Observing that half, at least, of the Roman forces
were on leave, he incited the tribes of Lower Saxony to revolt. The weak
Varus, who had underestimated the influence of Arminius, attempted to
quell the rising, but without success, and the bank of the river was
the scene of a wholesale slaughter. Varus, completely losing his nerve,
attempted to separate the cavalry from the infantry and endeavoured to
escape with three squadrons of the former; but the Germans surrounded
them, and after a hand-to-hand struggle of three days the Roman army
was annihilated. The news of this disaster prompted the aged Emperor
to dispatch his son Tiberius to suppress what appeared to be a general
rising of the North. The Rhenish tribes, however, were too wary to meet
the powerful force now sent against them in the open field, and during
the remainder of the year Tiberius, left in peace, occupied himself in
strengthening the Rhine fortifications.

He was soon after recalled to Rome to assume the purple on the death of
Augustus. Germanicus, who had taken command of the legions on the Rhine,
became conscious of discontent among the soldiers, who threatened to
carry him into Rome and thrust him into the seat of empire. But he
soothed the passions of his soldiers by gifts and promises. A road was
opened from the Rhine into the German hinterland, and Germanicus led his
army into the heart of a country of which he knew but little to avenge
the disasters of the Varian legions. The forest folk eluded the invading
host, which now sought to return to headquarters; but ere they had
completed the journey they were assailed and suffered a severe reverse.

Numerous revolts occurred among the Gaulish legions in the service of
the Roman Empire in Germany. But the stubborn and trained resistance of
the Romans no less than the inexperience of the Gauls led to a cessation
of hostilities. The secret of Roman power in Rhenish territory lay in
the circumstance that the two great elements of German nationality, the
nobility and the priesthood, were becoming Romanized. But a rude culture
was beginning to blossom, and a desire arose among the barbarians for
unity. They wished to band themselves into a nation.

The Franks and Goths

The most dangerous enemies of Rome during the reigns of Valerian and
Gallienus were the Franks, the Alemanni, and the Goths, whose action
finally decided the conquest of the Rhenish provinces of Rome. The name
Frank, or Freedman, was given to a confederacy formed in A.D. 240 by the
old inhabitants of the Lower Rhine and the Weser. It consisted of the
Chauci, the Cherusci, and the Chatti, and of several other tribes of
greater or less renown. The Romans foresaw the power of this formidable
union and, by the presence of the Emperor himself and his son,
endeavoured to stem the invasion, which threatened their suzerainty. The
Franks, fond of liberty and imbued with a passion for conquest, crossed
the Rhine, in spite of its strong fortifications, and carried their
devastations to the foot of the Pyrenees. For twelve years Gallienus
attempted to stem the torrent thus freed.

The Alemanni, who belonged to the Upper Rhine, between the Main and the
Danube, were composed of many tribes, the most important of which
was the celebrated Suevi. This people, who had now become a permanent
nation, threatened the Empire with an invasion which was checked with
difficulty after they had fought their way to the gates of Rome itself.
In A.D. 271 Aurelian completely subdued the Rhenish peoples, numbers of
whom were dragged in his triumph through the streets of Rome; but after
his brief reign the old condition of things reasserted itself, until
Probus, who assumed the purple in 276, restored peace and order by the
construction of a massive wall between the Rhine and the Danube over two
hundred miles in length. The barbarians were driven beyond the river,
which had hitherto served as a boundary-line, even past the Elbe and the
Neckar. Finally, however, the internecine strife in the Imperial City
forced the Romans to return thence, and Rhineland was abandoned to the
will of its semi-barbarian inhabitants.

The early Christian centuries are full of the sound of conflict. In the
fourth century the principal tribes in Western Germany were the Franks
and the Alemanni, the former of whom maintained a constant strife with
the Saxons, who pressed heavily upon their rear. The Franks occupied the
lower portion of the river, near to its mouth, whilst the Alemanni dwelt
on the portion to the bounds of Helvetia and Switzerland. At this period
great racial upheavals appear to have been taking place further east.
By the beginning of the sixth century the Saxons seem to have penetrated
almost to the north-western Rhine, where the Franks were now supreme.

The Merovingians

In the middle of the fifth century arose the powerful dynasty of the
Merovingians, one of the most picturesque royal houses in the roll
of history. In their records we see the clash of barbarism with
advancement, the bizarre tints of a semi-civilization unequalled in rude
magnificence. Giant shadows of forgotten kings stalk across the canvas,
their royal purple intermingling with the shaggy fell of the bear
and wolf. One, Chilperic, a subtle grammarian and the inventor of new
alphabetic symbols, is yet the most implacable of his race, the murderer
of his wife, the heartless slayer of hundreds, to whom human life is as
that of cattle skilled in the administration of poison, a picturesque
cut-throat. Others are weaklings, faineants; but one, the most dread
woman in Frankish history, Fredegonda, the queen of Chilperic, towers
above all in this masque of slaughter and treachery.

Tradition makes claim that Andernach was the cradle of the Merovingian
dynasty. In proof of this are shown the extensive ruins of the palace
of these ancient Frankish kings. Merovig, from whom the race derived
its name, was said to be the son of Clodio, but legend relates far
otherwise. In name and origin he was literally a child of the Rhine, his
father being a water-monster who seized the wife of Clodio while bathing
in that river. In time she gave birth to a child, more monster than man,
the spine being covered with bristles, fingers and toes webbed, eyes
covered with a film, and thighs and legs horny with large shining
scales. Clodio, though aware of the real paternity of this creature,
adopted it as his own son, as did King Minos in the case of the
Minotaur, giving him the name Merovig from his piscatory origin. On
Clodio's death the demi-monster succeeded to the throne, and from him
sprang a long line of sovereigns, worthless and imbecile for the most

Childeric, the son and successor of Merovig, enraged his people to such
a degree by his excesses that they drove him from throne and country.
One friend alone remained to him, Winomadus, who, having no female
relations to suffer by the king's attentions, did not find the
friendship so irksome as others; indeed, had been a partner in his
licentious pleasures. He undertook to watch over the interests of
Childeric during his enforced absence in Thuringia at the court of
Basium, king of that country. The Franks had elected Aegidius, a Roman
general, to the sovereignty over them, but as he proved himself no
better than Childeric, whom they had deposed, they once more essayed
to choose another ruler. This was made known to Childeric through his
friend Winomadus. He rapidly returned to the shores of the Rhine and,
reinforcing his following as he proceeded on his march, appeared before
Andernach at the head of a formidable force, composed of many of his
former subjects, together with Thuringian auxiliaries. The people of
Andernach, unable to resist this overwhelming argument, again accepted
Childeric as their king.

Basina the Sorceress

While in Thuringia Childeric had seduced the affections of Basina, the
queen of his protector. When he regained his throne he induced her to
leave her husband, and made her his queen. Basina was a sorceress,
one who could divine the future and also bestow the gift upon others.
Through this she gained great influence over Childeric, who desired to
see and know what fate had in store for himself and his race. Basina
agreed to satisfy his curiosity, and one night, at the midnight hour,
they climbed together to the summit of the hill behind Andernach. There
she bade him stand and look out over the plain while she performed her
magical operations. After some lengthy incantations she bade him look
well and tell her what he saw.

In a trance-like voice the king replied:

"I see a great light upon the plain, although all around is blackest

He paused; then, at her bidding, proceeded again:

"I see an immense concourse of wild animals--the lion, the tiger,
the spotted pard, the elephant, the unicorn--ah! they are coming this
way--they will devour us!" and he turned to flee in great terror.

Basina bade him stay in peremptory tones and again to look out over the
plain. In a voice of alarm he cried out:

"I see bears and wolves, jackals and hyenas. Heaven help us, the others
are all gone!"

Heedless of his terror, the queen bade him look again and, for the last
time, tell her what he saw.

"I see now dogs and cats and little creatures of all kinds. But there is
one small animal--smaller than a mouse--who commands them all. Ah! he is
eating them up--swallowing them all--one after another."

As he looked the light, the plain, the animals all vanished, and
darkness fell. Basina then read to him the meaning of his vision.

"The first vision you saw indicated the character of our immediate
successors. They will be as bold as lions, terrible as tigers, strong
as elephants, uncommon as unicorns, beautiful as the pard. These are the
men of an age; for a century shall they rule over the land."

At this Childeric was delighted and ejaculated a fervent "Praise be to
the gods!"

"The second," pursued Basina, "are the men of the following century--our
more remote descendants--rude as the bear, fell as the wolf, fawning
as the jackal, cruel as the hyena--the curse of their people
and--themselves. The last one--the following century--they will be weak,
timid, irresolute--the prey of every base and low thing, the victims of
violence, deceit, and cunning; vanquished and destroyed at last by the
smallest of their own subjects."

Such was Childeric's vision and his queen's interpretation.

As she had predicted, the Merovingian dynasty lasted three hundred
years, when it was overturned by one Pepin of Heristal, the smallest man
of his day--at least, so tradition tells.

At the death of Clovis his sons split up the kingdom, and from that
epoch a deadly war was waged between the rival kingdoms of Neustria and
Austrasia, the west and the east.

The wars of Neustria and Austrasia (Ost Reich, the Eastern Kingdom,
which has, of course, no connexion with the modern Austria) are related
by Gregory of Tours in his Ecclesiastical History of the Franks, one of
the most brilliant pieces of historical and biographical writing to be
discovered among the literature of Europe in the Dark Ages. Metz was the
capital of this kingdom-province. Fredegonda, the queen of Chilperic of
Neustria, had a deadly blood-feud with her sister-in-law of Austrasia,
and in the event put her rival to death by having her torn asunder
by wild horses (A.D. 613). Later Austrasia became incorporated with
Franconia, which in 843 was included in the kingdom of Louis the German.

The Great Race of Charlemagne

The race of the Carolingians, whose greatest monarch was the famous
Charlemagne, or Karl der Grosse, sprang from a family of usurpers known
as the 'Mayors of the Palace,' who had snatched the crown from the rois
faineants, the last weakly shoots of the mighty line of Merovig. He was
the elder son of Pepin the Short, and succeeded, on the death of his
father in A.D. 768, to a kingdom which extended from the Low Countries
to the borders of Spain. His whole life was one prolonged war undertaken
against the forces of paganism, the Moors of Spain who harassed his
borders to the south, and the restless Saxon tribes dwelling between
the Rhine, Weser, and Elbe. Innumerable are the legends and romances
concerning this great, wise, and politic monarch and statesman,
who, surrounding himself with warriors of prowess whom he called his
paladins, unquestionably kept the light of Christianity and civilization
burning in Western Europe. He was, however, quite as great a legislator
as a warrior, and founded schools and hospitals in every part of his
kingdom. He died at Aix-la-Chapelle in 814, and was buried there.[1]

[Footnote 1: For numerous critical articles upon Charlemagne and
the epics or chansons des gestes connected with him see the author's
Dictionary of Medieval Romance.]

The 'Song of the Saxons'

One of the most stirring of the romances which tell of the wars of
Charlemagne in the Rhine country is the Song of the Saxons, fifth in
number of the Romans des Douze Pairs de France, and composed by Jean
Bodel, a poet of Artois, who flourished toward the middle of the
thirteenth century. Charles, sitting at table in Laon one Whitsuntide
with fourteen kings, receives news of an invasion of the Saxons, who
have taken Cologne, killed many Frankish nobles, and laid waste the
country. A racy epitome of the events which follow has been given
by Ludlow in his Popular Epics of the Middle Ages (1865) as follows:
"Charles invades Saxony, and reaches the banks of 'Rune the Deep,'
beyond which lies Guiteclin's palace of 'Tremoigne' (supposed to be
Dortmund, in Westphalia). The river is too deep to be crossed by the
army, although the two young knights, Baldwin and Berard, succeed in
doing so in quest of adventure. The Saxons will not attack, trusting
that the French will be destroyed by delay and the seasons. And, indeed,
after two years and four months, the barons represent to the Emperor
the sad plight of the host, and urge him to call upon the men of Herupe
(North-west France) for performance of their warlike service. This
is done accordingly, and the Herupe barons make all haste to their
sovereign's aid, and come up just after the Saxons have made an
unsuccessful attack. They send to ask where they are to lodge their
troops. The Emperor points them laughingly to the other side of the
Rune, where float the silken banners of the Saxons, but says that any
of his men shall give up their camping-place to them. The Herupe men,
however, determine to take him at his word and, whilst the Archbishop
of Sens blesses the water, boldly fling themselves in and cross it, and
end, after a tremendous struggle, in taking up the quarters assigned to
them; but when he sees their prowess the Emperor recalls them to his own
side of the river.

"A bridge is built, the army passes over it, the Saxons are discomfited
in a great battle, and Guiteclin is killed in single combat by
Charlemagne himself.

"By this time the slender vein of historic truth which runs through the
poem may be considered as quite exhausted. Yet the real epic interest
of the work centres in its wholly apocryphal conclusion, connected
essentially with its purely romantic side.

"Sebile, the wife of Guiteclin, is a peerless beauty, wise withal and
courteous; 'hair had she long and fair, more than the shining gold, a
brow polished and clear, eyes blue and laughing, a very well-made nose,
teeth small and white, a savourous mouth, more crimson than blood;
and in body and limbs so winning was she that God never made the man,
howsoever old and tottering, if he durst look at her, but was moved with

Fair Helissend, the daughter of the murdered Milo of Cologne, is her
captive at once and her favourite, and when the French host takes up its
position before the Rune, names and points out young Baldwin to her.

With her husband's sanction, Sebile has her tent pitched on the bank,
and establishes herself there with her ladies to act as decoys to the
Franks; for "fair lady's look makes men undertake folly." She is taken,
however, in her own toils; falls in love with Baldwin one summer's day
on seeing him ride forth with hawk on wrist, and makes Helissend invite
him over the river, under a very frank pledge that "she will be his,
for loss or gain." Their first meeting apparently takes place in the
presence of Sebile's ladies, and so little mystery is attached to their
love that, on Baldwin's return to the Frank host after killing and
despoiling of his armour a Saxon chief, he not only tells his adventure
publicly to the Emperor, but the latter promises in a twelvemonth to
have him crowned king of the country and to give him Sebile for wife,
forbidding him, however, to cross the river any more--a command which
Baldwin hears without meaning to obey. Nay, when Baldwin has once broken
this injunction and escaped with great difficulty from the Saxons, the
Emperor imposes on him the brutal penance of entering Sebile's tent to
kiss her in the sight of the Saxons, and bringing back her ring--which
Baldwin contrives to fulfil by putting on the armour of a Saxon knight
whom he kills. As in The Taking of Orange, it never seems to occur
to the poet that there can be any moral wrong in making love to a
"Saracen's" wife, or in promising her hand in her husband's lifetime;
and, strange to say, so benignant are these much-wronged paynim that
Guiteclin is not represented as offering or threatening the slightest
ill-treatment to his faithless queen, however wroth he may be against
her lover; nor, indeed, as having even the sense to make her pitch her
tent further from the bank. The drollest bit of sentimentality occurs,
however, after the victory of the Franks and Guiteclin's death, when
Sebile is taken prisoner. After having been bestowed in marriage
on Baldwin by the Emperor, she asks one boon of both, which is that
Guiteclin's body be sought for, lest the beasts should eat it--a request
the exceeding nobleness of which strikes the Emperor and the Frank
knights with astonishment. When the body is found and brought to Sebile,
"the water of her eyes falls down her chin. 'Ha, Guiteclin,' said she,
'so gentle a man were you, liberal and free-spending, and of noble
witness! If in heaven and on earth Mahomet has no power, even to pray
Him who made Lazarus, I pray and request Him to have mercy on
thee.'" The dead man is then placed in a great marble tomb; Sebile
is christened, marries her lover, and is crowned with him as Queen of
Saxony, Helissend being in like manner given to Berard.

"It is now that the truly tragical part of the poem commences. Charles
and his host depart, the Emperor warning his nephew to be courteous,
loyal, and generous, to keep true faith to his wife, yet not to spend
too much time in her arms, but to beware of the Saxons. The caution is
needed, for already the two sons of Guiteclin, with one hundred thousand
Russians and Bulgarians, and the giant Ferabras of Russia, a personage
twelve feet high, with light hair plaited together, reddish beard, and
flattened face, are within a day and a half's journey of 'Tremoigne,'
burning to avenge Guiteclin. One Thursday morning their invasion is
announced to the young king, who has but fifteen thousand men to oppose
to them. Sebile embraces her husband's knees, and entreats him to send
at once for help to his uncle; the barons whom he has called to counsel
favour her advice. 'Barons,' said Baldwin, 'I should fear the dishonour
of it. It is too soon to seek and pray for succour. We have not yet
unhorsed knights, cut arms from bodies, made bowels trail; we are
fifteen thousand young men untried, who should buy our praise and our
honour, and seize and acquire strange lands, and kill and shame and
grieve our enemies, cleave the bright helmets, pierce the shields, break
and tear the hauberks of mail, shed blood and make brains to fly. To
me a pleasure it seems to put on hauberk, watch long nights, fast long
days. Let us go strike upon them without more delay, that we may be
able to govern this kingdom.' The barons listen with an ill-will to this
speech; Baldwin himself, on viewing the paynim host, is staggered at
their numbers, and lets Sebile persuade him to send a messenger to his
uncle. However, with five thousand men he makes a vigorous attack on
the vanguard of the Saxons, consisting of twenty thousand, and ends
by putting them to flight. On the news of this repulse the two sons of
Guiteclin come out, apparently with the bulk of the army. The French
urge the young king to re-enter the city, but he refuses--Sebile
would hold him for a sleepy coward. He kills Ferabras, unhorses one of
Guiteclin's sons. But the disparity of numbers is too great; the French
are obliged to retreat, and shut themselves up in the city.

"Meanwhile the messenger had reached Charlemagne at Cologne with the
news of the renewal of the war. Whilst all his barons are summoned,
the Emperor starts in haste himself for Saxony with ten thousand men.
Baldwin was seated in his tower, looking out upon a league of hostile
tents, complaining to Sebile, who 'comforts him as a worthy lady,'
bidding him trust in his uncle's succour. She is the first to descry
the French host and to point it out to her husband. 'Ah, God!' said
Charles's nephew, 'fair Father Creator, yet will I avenge me of the
pagan people.' He goes down from his palace, and cries to his men, 'Arm
ye, knights! Charles is returned.'

"The besieged prepare at once for a sally. Sebile places the helmet
on her husband's head and kisses him, never to see him more alive.
The enemy are disarmed; three thousand of them are killed by the time
Baldwin cuts his way to his uncle, to whom, as his liege lord, he makes
complaint against the Saxons. The Emperor's answer contains little but
philosophic comfort: 'Fair nephew, so goes war; when your day comes,
know that you will die; your father died, you will not escape. Yonder
are your enemies, of whom you complain; I give you leave, go and strike
them.' Uncle and nephew both perform wonders. But Berard is killed
by Feramor, one of Guiteclin's sons, and the standard which he bore
disappears under him. Baldwin engages Feramor; each severely wounds the
other; the fight is so well contested that Baldwin offers to divide the
land with him if he will make peace. The Saxon spurns the offer, and is

"But 'Baldwin is wounded in the breast grievously; from thence to the
spur his body is bloody.' Saxons, Lusatians, Hungarians perceive that
his blows lessen and fall slow. 'Montjoie!' he cries many a time,
but the French hear him not. 'When Baldwin sees that he will have no
succour, as a boar he defends himself with his sword.... Who should have
seen the proud countenance of the king, how he bears and defends himself
against the paynim, great pity should surely take his heart.' Struck
with fifteen wounds, his horse killed under him, he offers battle on
foot. They dare not approach, but they fling their swords at him, and
then go and hide beneath a rock. Baldwin, feeling death approaching,
'from the fair eyes of his head begins to weep' for sorrow and rage. He
now addresses an elaborate last prayer to God; but whilst he is on
his knees, looking toward the East, a Saxon comes to cut off his head.
Baldwin, furious, seizes his sword, which had fallen from his hand
on the green grass, and with a last blow cleaves the Saxon to the
shoulders, then dies.

"The news is carried to the Emperor, who laments his ill fate. Rest
he has never had; the paynim folk have killed him the flower of his
friends, Roland at Roncevaux and now Baldwin. 'Ha, God! send me death,
without making long delay!' He draws his sword, and is about to kill
himself when Naymes of Bavaria restrains him and bids him avenge
his nephew's death. The old man, however, exposes his life with such
recklessness, the struggle is so unequal, that Naymes himself has to
persuade him to leave the battle and enter the city until the Herupe
nobles come to his aid. 'Dead is Count Roland and Count Oliver, and all
the twelve peers, who used to help in daunting that pride which makes us
bend so; no longer at your right hand is Baldwin the warrior; the paynim
have killed him and Berard the light; God has their souls.... If you are
killed ... in your death alone a hundred thousand will die.'

"They lead him away, unwilling, from the field. Baldwin's corpse is
carried by him on his shield. Sebile comes to meet the Emperor and asks
of her husband. Charles bids her look at him. She faints to the ground.
There is true pathos (though somewhat wire-drawn) in her lament, when
she comes to herself:

"'Sir King Baldwin, for God's sake, speak! I am your love, mistake me
not. If I have offended you in aught, it shall be made amends for wholly
to your pleasure; but speak to me. For you was my body baptized and
lifted; my heart leans on you, and all my affections, and if you fail
me, it will be ill done. Too soon it seems to me, if already you repent.
Baldwin, is it a trick? Are you deceiving me? Speak to me, friend, if
you can.... I see your garments dyed and bloody, but I do not believe
that you are killed; there is no man so bold or so outrageous who ever
could kill you; he durst not do so. But I think by such a will you wish
to try me, how I should behave if you were departed. Speak to me, for
God's sake who was born of virgin, and for that lady who kept chastity,
and for the holy cross whereon Jesus suffered! Try me no more, friend,
it is enough; I shall die now if you tarry longer,' 'Naymes,' says the
king, 'take this lady away; if I see her grief any more, I shall go

"That night he ate no bread nor drank wine, but had the city watched,
and rode the rounds himself, with helmet closed, his great buckler
hanging to his neck, his sword in his fist. All the night it rained and
blew; the water ran through the joints of his hauberk, and wetted his
ermine pelisse beneath. His beard swayed, whiter than flax, his long
moustache quivered; until dawn he lamented his nephew, and the twelve
peers, and all his next-of-kin who were dead. From the gate at morn a
Saxon, King Dyalas, defies the old man, swearing that he will wear his
crown in Paris. The Emperor has the gate opened, and sallies forth
to meet him. They engage in single combat; the old Emperor kills the
Saxon's horse, disarms him, and only spares his life on condition of his
embracing Christianity and yielding himself prisoner.

"The rest of the poem has comparatively little interest. Old Naymes in
turn kills his man--a brother of Guiteclin--in single combat, Dyalas,
the Emperor's new vassal, 'armed in French fashion,' performs wonders
in honour of his new allegiance. Finally the Herupese come up, and of
course overthrow the Saxons. An abbey is founded on the field of battle,
which Sebile enters; Dyalas, baptized as 'Guiteclin the convert,'
receives charge of the kingdom, and the Emperor returns, bearing with
him the bodies of Baldwin and Berard; after which 'well was France in
peace many a year and many a day; the Emperor found not any who should
make him wroth.'"

Fastrada: a Legend of Aix-la-Chapelle

Fastrada, we are told, was the fourth wife of the Emperor Charlemagne
and the best beloved. Historians have judged that the lady was by no
means worthy of the extraordinary affection bestowed upon her by her
husband, some maintaining that she practised the arts of sorcery,
others crediting her with political intrigues, and still others roundly
asserting that she was not so virtuous as she should have been.

History failing to account for Charlemagne's devotion to his fourth
wife, the task has devolved upon tradition. Once upon a time (so runs
the tale), when Charlemagne dwelt at Zurich, he had a pillar erected
before his house, and on the top of the pillar a bell was placed, so
that any one desiring justice had but to ring it to be immediately
conducted before the Emperor, there to have his case considered.

One day, just as Charlemagne was about to dine, the bell was rung
loudly. He at once dispatched his attendants to bring the importunate
claimant into his presence. A moment later they re-entered with the
assurance that no one waited outside. Even as they spoke the bell rang
again, and again the attendants withdrew at the bidding of their royal
master. Once more they returned with the information that none was to
be seen. When the bell rang for the third time the Emperor himself rose
from the table and went outside to satisfy himself as to the ringer's
identity. This time the mystery was solved; for twining round the pillar
was a great snake, which, before the astonished eyes of the Emperor and
his suite, was lustily pulling the bell-rope.

"Bring the snake before me," said Charlemagne. "Whether to man or beast,
I may not refuse justice."

Accordingly the snake was conducted with much ceremony into the
Emperor's presence, where it was distinctly observed to make a low
obeisance. The Kaiser addressed the animal courteously, as though it
were a human being, and inquired what it wanted. Whereupon the snake
made a sign which the company took to indicate that it desired the
Emperor to follow it. Charlemagne did not hesitate, but followed the
creature to the shores of the lake, attended by all his courtiers.
Straight to its nest went the snake, and there, among the eggs, was an
enormous toad, puffing out its bloated body and staring with glassy eyes
at the company. The reason for the snake's appeal was at once apparent.

"Take away that toad," said the Emperor, as gravely as though he were
pronouncing judgment in an important human case; "take away that toad
and burn it. It has taken unlawful possession of the snake's nest."

The court listened to the Emperor's decree in respectful silence, and
immediately carried out the sentence. The company thereupon re-entered
the royal abode, and thought no more of the incident.

On the following day, however, at about the same hour, the serpent
entered the chamber in which Charlemagne sat, and glided swiftly toward
the table. The attendants were somewhat astonished at the unexpected
appearance, but the Kaiser motioned to them to stand aside, for he was
very curious to see what the reptile would do. Raising itself till
its head was on a level with the table, it dropped into his plate a
magnificent diamond of the first water, gleaming with the purest light.
This done, the serpent bowed low, as on the previous occasion, and
quitted the room as silently as it had entered.

The diamond, set in a gold ring of exquisite workmanship, Charlemagne
presented to his wife, the beautiful Fastrada. But besides being a thing
of beauty and of great value, the diamond was also a charm, for
whoever received it from another received with it a wealth of personal
affection. So was it with Charlemagne and Fastrada. On presenting the
ring to his wife the Emperor straightway conceived for her a passion far
more intense than he had hitherto experienced. From that time to the day
of her death he was her devoted slave, blind and deaf to all her faults.
Nay, even when she died, he refused to quit the room in which she lay,
or permit the interment of her body; refused to see the approach of
corruption, which spares not youth or loveliness; seemed, in short, to
have lost all count of the passage of time in his grief for the beloved
Fastrada. At length he was approached by Turpin, Archbishop of Rheims,
who had learnt, by occult means, the reason for the Emperor's strange
infatuation. Going up to the dead Empress, he withdrew from her mouth a
large diamond. At the same moment Charlemagne regained his senses, made
arrangements for the burial of his wife, and left for the Castle of

The possessor of the ring was now the worthy archbishop, and to him the
magically inspired affections of Charlemagne were transferred, much to
the good man's annoyance. To rid himself of the unwelcome attentions
and fulsome flatteries of his sovereign, he cast the ring into the lake
which surrounded the castle. Once more the Emperor's affections changed
their object, and this time it was the town of Aix-la-Chapelle with
which he fell in love, and for which he retained a firm attachment all
through his life, finally directing that he should be buried there. And
so he was laid to rest in that wondrous old town in the church of St.
Mary. In the year 1000 his tomb was opened by the Emperor Otto III, but
the account that Otto found the body seated upon a throne with crown
on head and sceptre in hand is generally regarded as legendary. The
sarcophagus was once more opened by Frederick I in 1165, when the
remains were transferred from the princely marble where they had
hitherto rested and placed in a wooden coffin. Fifty years later,
however, Frederick II had them placed in a splendid shrine. The original
sarcophagus may still be seen at Aix, and the royal relics are exhibited
every six years.

Louis, Charlemagne's son, lived to see the division of his Empire,
brought about through his own weakness. His fair provinces were ravaged
by the Danes and the Normans. Teuton and Frank were now for ever
separated. Twice during Louis' reign his own sons dethroned him, but on
his death in 840 the Empire became more firmly established.

Lothair I (840-855) succeeded to the imperial title, while Germany fell
to the lot of his brother Louis. Charles the Bald ruled over France.
Lothair's portion was limited to Lorraine, Burgundy, Switzerland, and
Italy. Civil strife broke out, but Louis retained the whole of Germany
with the provinces on the left bank of the Rhine. Louis II (856-875)
ascended the throne as Roman Emperor, but died without any male issue,
while Charles the Fat, who succeeded him, was removed from the throne by
order of the Church on account of his insanity.

With Charles ended the Carolingian dynasty. From the death of the
illustrious Charlemagne the race had gradually but surely declined.
After the removal of Charles the Fat there came a lapse of seventy-four
years. Conrad I (911-919) founded the Gascon dynasty of Germany, and
was succeeded by Henry the Fowler (919-936). His son, Otto I, called the
Great (936-973), was crowned Roman Emperor in 962. In 936 his elevation
to the Germanic kingdom was a popular one. A portion of Gaul to the west
of the Rhine along the banks of the Meuse and the Moselle was ceded to
the Germans. Otto's supremacy between the Rhine, the Rhone, and the Alps
was acquired and held for his successors. With the sword he propagated
Christianity, subdued Italy, and delivered the Pope from his enemies,
who, to show his appreciation, invested him with the imperial title,
which ever after belonged to the Germanic nation. The German Emperors,
however, still continued to exercise the right of electing the Pope,
thereby reducing the Roman Church to a level of servitude.

Toward the close of the Carolingian dynasty France and Germany had
become irrevocably detached; both nations suffered from internecine
wars. The Slavonians penetrated into the Empire, even to the banks of
the Rhine. Feudal princes began to make war upon each other, and, within
their respective districts, were virtual sovereigns.

At the partition of the domains of Charlemagne in A.D. 843 the
Rhine formed the boundary between Germany and the middle kingdom of
Lotharingia, but by 870 the latter had been absorbed by the larger
country. For a period verging upon eight hundred years it remained the
frontier of the German Empire. In the early Middle Ages the heritage of
the ancient Roman civilization rendered it the most cultured portion of
Germany. By the time of Otto I (died 973) both banks of the Rhine had
become German, and the Rhenish territory was divided between the duchies
of Upper and Lower Lorraine, the one on the Moselle and the other on the
Meuse. But, like other German states, on the weakening of the central
power they split up into numerous petty independent principalities, each
with its special history.

The Palatinate

Chief among these was the state known as the Palatinate, from the German
word Pfalz, a name given generally to any district ruled by a count
palatine. It was bounded by Prussia on the north, on the east by Baden,
and on the south by Alsace-Lorraine. We first hear of a royal official
known as the Count Palatine of the Rhine in the tenth century. Although
the office was not originally an hereditary one, it seems to have been
held by the descendants of the first count, until the continuity of the
race of Hermann was broken by the election of Conrad, stepbrother of
the German king Frederick I, as Count Palatine. From that time till much
later in German history the Palatinate of the Rhine appears to have
been gifted during their lifetime to the nephews or sons-in-law of
the reigning Emperor, and by virtue of his occupancy of the office the
holder became an Elector, or voter in the election of an Emperor. The
office was held by a large number of able and statesmanlike princes, as
Frederick I, Frederick III, the champion of Protestantism, and Frederick
V. In the seventeenth century the Palatinate was first devastated and
then claimed by France, and later was disturbed by still more harassing
religious strife. In 1777 it was united with Bavaria upon the reigning
Elector falling heir to the Electorate of that state.

A Tale of the Palatine House

Throughout the Middle Ages the nobles of Rhineland were mostly notorious
for their wild savagery and predatory habits, and thus the modern
traveller on the famous river, admiring the many picturesque castles
built on summits overlooking its banks, is prone to think of these
places as having been the homes of men who were little better than
freebooters. And in general this idea is just; yet Walter Pater's
story, Duke Karl of Rosenwald--which tells how a medieval German baron
discovered in himself a keen love of art, and sought to gather artists
round him from France and Italy--may well have been culled from a
veracious historical source. For at least a few of the German petty
princes of the Middle Ages shared the aestheticism characterizing so
many of their contemporaries among the noblemen of the Latin races, and
it is interesting to find that among the old German courts where art
was loved in this isolated fashion was that of the Palatine house, which
ultimately became related by marriage to the Royal Stuarts, a dynasty as
eminently artistic as the Medicis themselves.

This Palatine house was regnant for many generations at Heidelberg
Castle, and there, at a remote medieval date, reigned a prince named
Louis III, who esteemed literature and painting. A fond parent he was
besides, devoted to his two sons, the elder called Louis and the younger
Frederick; and from the outset he attended carefully to the education of
the pair, choosing as their tutor a noted scholar, one Kenmat, while
he allowed this tutor's daughter Eugenia to be taught along with the
princely pupils, and he also admitted to the group an Italian boy,
Rafaello. These four children grew up together, and the Palatine prince
was pleased to mark that Frederick, though full of martial ardour,
showed intellectual tastes as well; yet the father did not live long to
watch the growth of the boy's predilection therein, and there came a day
when the crown of Louis III was acquired by his heir, Louis IV. Still
quite young, the latter was already affianced to Margaret of Savoy; and
this engagement had incensed various nobles of the Rhine, especially
the Count of Luzenstein. He was eager that his own house should become
affiliated with the Palatinate, and while he knew that there was little
hope of frustrating Louis' prospective wedding, this did not nullify his
ambitions. For was it not possible that the marriage might prove without
issue? And, as that would ultimately set Frederick on the Palatine
throne, Luzenstein determined that his daughter Leonora should wed the
younger of the two princes. She herself was equally eager for the union,
and though the affair was not definitely arranged in the meantime, it
was widely understood that at no very distant date Leonora's betrothal
would be announced.

At length there came a day when the noblesse of the Rhine assembled at
Heidelberg to celebrate the nuptials of Louis and Margaret. For a space
the rejoicings went forward merrily, but, as Louis scanned the faces of
his guests, he was surprised to find that Frederick was absent. Why was
this? he mused; and going in search he soon found his brother in one of
the smaller rooms of the castle, attended by Rafaello. Now the latter,
who was developing a rare gift for sculpture, had lately made a statue
to decorate this room; and on Louis entering Frederick was gazing with
passionate fondness at this new work of art. Louis was straightway
called upon to observe its loveliness, and even as Frederick was
descanting thus, a number of the guests who had remarked their host's
temporary absence trooped into the room, among them being Leonora of
Luzenstein. She was in ill-temper, for Frederick had not so much as
troubled to salute her on her arrival; and now, finding him deep in
admiration of a statue, its subject a beautiful girl, her rancour
deepened apace. But who was the girl? she wondered; and as divers other
guests were also inquisitive on this head, it soon transpired that
Rafaello's model had been Eugenia. Leonora knew that this girl had been
Frederick's playmate in youth, so her wrath turned to fierce malice, for
she suspected that in Eugenia she had a rival who might wreck all hopes
of the Luzensteins becoming united to the Palatine house.

But Frederick regarded Eugenia only as a sister. He knew that she and
the sculptor who had hewn her likeness loved one another, and he longed
to see their union brought about, his genuine affection for the young
Italian being the greater on account of Rafaello's blossoming talents
as an artist. Leonora, however, knew nothing of the real situation;
she fancied she had been insulted, and demanding of her father that he
should cease all negotiations regarding Frederick's suggested engagement
to her, she proceeded to take stronger measures. Readers of Sir Walter
Scott's Anne of Geierstein will recall the Vehmgericht, that 'Secret
Tribunal' whose deeds were notorious in medieval Germany, and it chanced
that the Luzensteins were in touch with this body. Its minions were
called upon to wreak vengeance on the younger Palatine prince. On
several occasions his life was attempted, and once he would certainly
have been killed had not Rafaello succoured him in the hour of need.

Meanwhile a son was born to Louis, and in celebration of the event a
tourney was held at Heidelberg, competitors coming from far and near,
all of them eager to win the golden sword which was promised to the man
who should prove champion. One after another they rode into the lists,
Frederick being among the number; and as each presented himself his name
was called aloud by the herald. At length there came one of whom this
functionary cried, "This is a nameless knight who bears a plain shield";
and at these words a murmur of disapproval rose from the crowd, while
everyone looked up to where Louis sat, awaiting his verdict on the
matter. But he signified that the mysterious aspirant should be allowed
to show his prowess, and a minute later, all who were to take part
being now assembled, Frederick and another competitor were stationed at
opposite ends of the lists, and the signal given them to charge. Forward
thundered their steeds, a fierce combat ensued; but Frederick proved
victor, and so another warrior came forward to meet him. He, too, was
worsted, and soon it appeared as though the young Palatine prince
would surely win the coveted golden sword; for foeman after foeman
he vanquished, and eventually only two remained to confront him--the
nameless knight and another who had entered the lists under a strange,
though less suspicious, pseudonym. The latter expressed his desire to
fight last of all, and so the nameless one galloped toward Frederick,
and their lances clashed together. The Palatine prince bore his
adversary to the ground, apparently conquering him with complete ease;
and fearing he had wounded him mortally, Frederick dismounted with
intent to succour him. But the speedy fall had been a feint, and as
the victor bent down the mysterious knight suddenly drew a dagger, with
intent to plunge it into the prince's heart. So stealthy a deed was
unknown in the history of the tourney. The crowd gazed as though
petrified, and Frederick's life would doubtless have been lost--for he
was weak after his many joustings--had not he who had asked to fight
last of all galloped forward instantly on marking the drawn weapon and
driven his lance into the body of the would-be murderer!

It was Rafaello who had rescued the Palatine prince once again, and it
was a member of the Luzenstein house who had sought to kill him thus.
A crafty device in truth, and thenceforth the name of Luzenstein became
abhorred throughout all Rhineland, while the brave Italian was honoured
by knighthood, and arrangements were made for his speedy union with
Eugenia. But, alas! the fates were untoward; for the 'Secret Tribunal,'
having been baulked again and again, began to direct their schemes
against the sculptor instead of his patron; and one evening, as Rafaello
was walking with his beloved one, a band of villains attacked and
murdered the pair. They were buried together at a place known for many
centuries after as 'The Lovers' Grave,' and here Frederick used to
loiter often, musing fondly on the dear sister who had been snatched
from him in this ruthless fashion, and dreaming of the lofty artistic
career which he had planned in vain for his beloved Rafaello.

Bishops, Barons, and Bourgeois

To trace the fortunes, divisions, and junctions of the lesser Rhine
principalities would be a work requiring a world of patience on the part
of the reader as well as an amount of space which would speedily surpass
the limits even of such an ample volume as the present. The constant
changes of boundary of these tiny lordships, the hazy character of the
powers possessed by their rulers, the multiplicity of free townships
yielding obedience to none but their own civic rulers, the brief but
none the less tyrannous rule of scores of robber barons who exercised
a regime of blood and iron within a radius of five miles of their
castellated eyries, render the tracing of the history of the Rhine
during the Middle Ages a task of almost unequalled complexity, robbed
of all the romance of history by reason of the necessity for constant
attention to the details of dynastic and territorial changes and the
petty squabblings and dreary scufflings of savage barons with their
neighbours or with the scarcely less brutal ecclesiastical dignitaries,
who, joining with gusto in the general melee of land-snatching, served
to swell the tumult with their loud-voiced claims for land and lordship.
Three of the Electors of Franconia, within the boundaries of which the
Palatinate was included, were archbishops, and these were foremost in
all dynastic and territorial bickerings.

The growth of German municipalities since the days of their founder,
Henry the Fowler, was not without effect upon the Empire. Distinctions
of class were modified. The freeman became empowered to reserve to
himself the right of going to war along with his lord. Imperial cities
began to spring up; these were governed by a lieutenant of the Emperor,
or by their own chief magistrate. They achieved confederation, thus
guarding themselves against imperial and feudal encroachments. The
'League of the Rhine' and that of the Hanse Towns emerged as the fruit
of this policy. The latter federation consisted of about four-score
cities of Germany which under their charter enjoyed a commercial
monopoly. This example succeeded so well that its promoter, Luebeck, had
the satisfaction of seeing all cities between the Rhine and the Vistula
thus connected. The clergy, jealous of this municipal power, besought
the Emperor to repress the magistrates who had been called into being
by the people, and who were closely allied to this commercial
confederation. But the monarch advised the prelates to return to their
churches lest their opulent friends became their enemies.

The Rhine Hanse Towns

The influence of the Hanseatic League of the Rhine district in the
fourteenth century extended over the whole commercial radius of Germany,
Prussia, Russia, the Netherlands, and Britain. It opened up new fields
of commerce, manufacture, and industry. It paved the way for culture,
it subdued the piracy which had existed in the Baltic, and it promoted
a universal peace. On the other hand, it created jealousy; it boycotted
the honest manufacturer and merchant who did not belong to the League,
and fostered luxury in the Rhenish cities, which did much to sap the
sturdy character of the people. The celebrity which many of these
municipalities attained through their magnificence can be gathered from
the historic buildings of Worms, Spires, Frankfort, Cologne, Augsburg,
and Nuremberg. The splendour of these edifices and the munificence of
their wealthy inhabitants could only be equalled in the maritime regions
of Italy. But in the fifteenth century the power of the League began to
decline. The Russian towns, under the leadership of Novgorod the Great,
commenced a crusade against the Hanse Towns' monopoly in that country.
The general rising in England, which was one of the great warehouses,
under Henry VI and Edward IV reflected upon them. The Netherlands
followed England's example. In the seventeenth century their existence
was confined to three German towns--Luebeck, Hamburg, and Bremen. These
no longer had the power to exercise their influence over the nation, and
soon the League dropped out of existence.

The Thirty Years' War

The protracted struggle known as the Thirty Years' War was most
prejudicial to the interests of the Rhine valley, which was overrun by
the troops of the several nationalities engaged. One phase of this most
disastrous struggle--the War of the Palatinate--carried the rapine and
slaughter to the banks of the Rhine, where, as has been said, they
were long remembered. During the reign of Ferdinand III (1637-1659) a
vigorous and protracted war broke out between France and Germany, the
former assisted by her ally Sweden. Germany, seeing that unless peace
were restored her ruin as a great power would be inevitable, entered
into negotiations with France, and in 1648 the claims of France
and Sweden were settled by the Peace of Westphalia. This treaty is
particularly notable in the present instance because it gave to the
former country the footing on the Rhine already mentioned as the
beginning of French encroachments. Germany was forced to give up Alsace,
on the left bank of the river. France, by the seizure of Strassburg,
confirmed by the Treaty of Ryswick in 1695, extended her boundaries
to the Rhine. At the beginning of the French Revolution Leopold II of
Germany and other German monarchs agreed to support the cause of French
royalty, a resolution which was disastrous to the Empire. In 1795
Prussia, for political reasons, withdrew from the struggle, ceding to
France, in the terms of the Treaty of Basel, all her possessions on the
left bank of the Rhine. In 1799 war again broke out; but in 1801 the
Treaty of Luneville gave to France the whole of the left bank of the
river. Thus the historic stream became the boundary between France and
Germany. In 1806 the humiliation of the latter country was complete, for
in that year a number of German princes joined the Confederation of
the Rhine, thus allying themselves with France and repudiating their
allegiance to the Empire. In 1815, at the Congress of Vienna, the whole
of the Lower Rhenish district was restored to Prussia, while Bavaria,
a separate state, was put in possession of the greater part of the
Palatinate on the left bank of the Rhine.

From that time onward the German national spirit flourished, but the
future of the Empire was uncertain till its fate was decided by the
Franco-Prussian War of 1870-71. In the great hall of the Palace of
Versailles in 1871 William I, King of Prussia, proclaimed, in the hour
of victory, the restoration of the confederated German Empire. The
French forfeited their Rhenish provinces, and once more the Rhine was
restored to Germany.

That the Thirty Years' War did not fail to linger in the folk-memory is
evidenced by the following gruesome legend of Oppenheim:

The Battle of Skeletons

The smoke and terror of the great struggle had surged over Oppenheim.
A battle had been fought there, and the Swedes and Spaniards who had
contested the field and had been slain lay buried in the old churchyard
hard by the confines of the town. At least many had been granted the
right of sepulture there, but in a number of cases the hasty manner in
which their corpses had received burial was all too noticeable, and a
stranger visiting the churchyard confines years after the combat could
not fail to be struck by the many uncoffined human relics which met his

But an artist who had journeyed from far to see the summer's sun upon
the Rhine water, and who came to Oppenheim in the golden dusk, was too
intent on the search for beauty to remember the grisly reputation of the
town. Moreover, on entering the place the first person by whom he had
been greeted was a beautiful young maiden, daughter of the innkeeper,
who modestly shrank back on hearing his confident tones and, curtsying
prettily, replied to his questions in something like a whisper.

"Can you recommend me to a comfortable hostelry, my pretty maid, where
the wine is good and the company jovial?"

"If the Herr can put up with a village inn, that of my father is as good
as any in the place," replied the maid.

"Good, my pretty," cried the bold painter, sending the ready blood to
her face with a glance from his bright black eyes. "Lead the way, and I
will follow. Or, better still, walk with me."

By the time they had reached the inn they felt like old friends. The
girl had skilfully but simply discovered the reason for the young
artist's sojourn in Oppenheim, and with glowing face and eyes that
had grown brighter with excitement, she clasped her hands together and
cried: "Oh, the Herr must paint my beloved Oppenheim. There is no such
place by moonlight, believe me, and you will be amply repaid by a visit
to the ruins of the old church to-night. See, a pale and splendid moon
has already risen, and will light your work as the sun never could."

"As you ask me so prettily, Fraeulein, I shall paint your beloved abbey,"
he replied. "But why not in sunlight, with your own sweet face in the

"No, no," cried the girl hastily. "That would rob the scene of all its

"As you will," said the artist. "But this, I take it, is your father's
inn, and I am ready for supper. Afterward--well, we shall see!"

Supper over, the painter sat for some time over his pipe and his wine,
and then, gathering together his sketching impedimenta, quitted the inn
and took his way toward the ruins of Oppenheim's ancient abbey. It was
a calm, windless night, and the silver moon sailed high in the heavens.
Not a sound broke the silence as the young man entered the churchyard.
Seating himself upon a flat tombstone, he proceeded to arrange his
canvas and sketching materials; but as he was busied thus his foot
struck something hard. Bending down to remove the obstacle, which he
took for a large stone, he found, to his horror, that it was a human
skull. With an ejaculation he cast the horrid relic away from him,
and to divert his mind from the grisly incident commenced to work
feverishly. Speedily his buoyant mind cast off the gloomy train of
thought awakened by the dreadful find, and for nearly a couple of hours
he sat sketching steadily, until he was suddenly startled to hear the
clock in the tower above him strike the hour of midnight.

He was gathering his things preparatory to departure, when a strange
rustling sound attracted his attention. Raising his eyes from his
task, he beheld a sight which made his flesh creep. The exposed and
half-buried bones of the dead warriors which littered the surface of the
churchyard drew together and formed skeletons. These reared themselves
from the graves and stood upright, and as they did so formed grisly
and dreadful battalions--Swedes formed with Swedes and Spaniards with
Spaniards. On a sudden hoarse words of command rang out on the midnight
air, and the two companies attacked one another.

The luckless beholder of the dreadful scene felt the warm blood grow
chill within his veins. Hotter and hotter became the fray, and many
skeletons sank to the ground as though slain in battle. One of them, he
whose skull the artist had kicked, sank down at the young man's feet. In
a hollow voice he commanded the youth to tell to the world how they were
forced to combat each other because they had been enemies in life, and
that they could obtain no rest until they had been buried.

Directly the clock struck one the battle ceased, and the bones once more
lay about in disorder. The artist (who, it need hardly be said, gave no
more thought to his picture) hastened back to the inn and in faltering
accents related his experiences. When the Seven Years' War broke out,
not long afterward, the people of Oppenheim declared that the apparition
of the skeletons had foretold the event.

The Robbers of the Rhine

For many hundreds of years the valley of the Rhine itself, and the
various valleys adjacent, were the haunt of numerous bodies of rapacious
and desperate banditti. The rugged, mountainous nature of the country
naturally made lawlessness the more easy there, and till so late as
the beginning of the nineteenth century these gangs of robbers were a
constant menace to the traveller in Rhineland. At the time of the French
Revolution, indeed, and for some decades thereafter, the district was
literally infested with thieves; for the unsettled state of Europe at
this date perforce tended to bring desperadoes from far and near, and
for a while the inhabitants of the different villages on the banks of
the Rhine endured a veritable reign of terror.

But almost from the outset the brigands realized that they would soon be
undone if they grew too numerous. They knew that, in that event, strong
military measures would probably be taken against them; so they made
every effort to practise that union which is proverbially strength,
and to prevent the enlisting in their ranks of anyone likely to prove
cowardly or perfidious. In some cases, too, they actually had a well
and capably organized system whereby one of their number could escape
quickly, if need be, from the scene of his crime; for, like the
French prisoners described in Stevenson's St. Ives, they had a line of
sanctuaries extending perhaps into Austria or Italy, the retreat in most
instances being an inn whose keeper was sworn to hide and protect
his robber guest at all costs. In short, there was honour among these
thieves, and even a certain spirit of freemasonry; while, more important
still, the captain of a band was very often in league with the few
police officials of the neighbourhood.

The great highwaymen of Stuart and Georgian England--for example, that
gallant Beau Brocade of whom Mr. Austin Dobson writes--were mostly
content with waylaying a chance passer-by; while their contemporaries
in France usually worked on this principle also, as witness the deeds of
the band who figure in Theophile Gautier's story Le Capitaine Fracasse.
But the robbers of the Rhine were of different mettle from these, and
often it was almost a predatory warfare rather than mere brigandage
which they carried on. Frequently they had an agent in each of the
villages on the river, this agent being usually a member of the
scattered remnant of Israel; and the business of this person was to
discover a house containing especial wealth, and then to inform the
robbers accordingly. Having gleaned the requisite information in this
wise, the gang would sally down from the mountains at dead of night; and
it was customary, as they drew near to their prey, for the captain
to call his henchmen to attention and see that each was ready for the
imminent fray. Then, having gagged the village watchman and muffled his
bell, they would proceed to surround the house they intended to rifle,
and, should resistance be offered, to batter in the door with a log or
other instrument. Sometimes it would transpire that the Jewish agent had
misinformed them, telling them of booty where booty there was little,
and woe betide him should this prove the state of affairs. Moreover,
unlike the brigands in Gil Blas, these scoundrels of the Rhine would not
be encumbered by prisoners, and they were wont to slay outright all who
were minded to show fight.

Yet to their own brotherhood the robbers were invariably loyal, seldom
failing to carry away with them such of their confreres as were wounded
in the assault; for each was sworn to support his fellows under all
circumstances, and awful was the fate of the marauder who violated this
compact. It is told of a band commanded by one Picard, a cruel but brave
leader, that one of its members chanced to be captured, and with a view
to purchasing his freedom he gave information about the whereabouts of
his chief. The next night, as the captive lay in his dungeon, a masked
face suddenly appeared at the barred window, and in awestruck tones the
prisoner asked the new-comer to declare his identity. "I am Picard, your
captain," came the answer. "As in duty bound, I have risked my life to
set you free," and having spoken thus, he proceeded to file through one
of the bars, which being accomplished, the reprobate was drawn out of
his cell by the aid of a rope. He breathed freely now, finding himself
once more among some of his old comrades, but a moment later Picard
addressed him again. "Traitor," he snarled, "do not think that your
perfidy has failed to reach our ears; you must pay the full penalty."

"Mercy," cried the unfortunate one; "at least let me die in action. Lead
on against some foe, and let me fall at their hands."

"Cowards," retorted Picard, "deserve no such gallant fate," and with
these words he drove his sword deep into the heart of the traitor.

In general it was a point of honour among these bandits that none should
reveal to a woman anything about the doings of his band, and one story
relates how a young brigand, on the eve of setting out on his first
predatory expedition, was rash enough to inform his sweetheart whither
he and his mates were bound. Their commander was a Captain Jikjak,
reputed something of a wit; and betimes, after the brigands had marched
forward silently for a while, this worthy called upon them to halt. They
imagined it was but the usual inspection of arms which was about to
take place, but Jikjak, speaking in stentorian tones, told them that
a traitor was in their midst, and pointing to the culprit, he bade him
step forth. The young man pled his youth as an excuse for his fault, and
he told the captain that, could he but get a chance to show his prowess
once, they would soon see that he was as gallant a robber as any of
them. But Jikjak laughed scornfully, saying he was anxious to find out
which was stronger, the young man's legs or a pair of trees. The culprit
quailed on hearing the verdict, and implored a less ghastly fate; but
Jikjak was obdurate, and smiling blandly, he bade his followers bend a
couple of stout branches to the ground and tie their tops to the ankles
of the offender....

Such, then, were the robbers of the Rhine, and such the code of honour
which existed among them. A romantic institution they no doubt were,
yet it was a form of picturesqueness whose disappearance can scarcely be


Affinities of the Rhine Legends

A close perusal of the body of tradition known as the legends of the
Rhine displays one circumstance which is calculated to surprise
the collector of these narratives not a little. It is generally
represented--probably through ignorance of the real circumstances--that
these tales abound in the matter of folklore. This is, however, by no
means the case, and even a superficial examination of them will prove
most of them to be allied to the matter of romance in a much more
intimate way than they approach that of folklore. But this is not so
as regards all of them, and it will be interesting to look into the
character of those which present folklore affinities, whilst leaving
the consideration of their romantic aspect for a later portion of this

By right of precedence, among the legends of the Rhine which possess
folklore characteristics is the wonderful legend of the Lorelei, a word
derived from the old High German lur, to lurk, and lai, a rock. The
height from which the bewitching water-spirit sent her song floating
over the waves of the Rhine is situated near St. Goar, and possesses a
remarkable echo which may partly account for the legend.

The Lorelei

Many are the legends which cluster round the name of the Lorelei. In
some of the earlier traditions she is represented as an undine, combing
her hair on the Lorelei-berg and singing bewitching strains wherewith
to lure mariners to their death, and one such legend relates how an old
soldier named Diether undertook to capture her.

Graf Ludwig, son of the Prince Palatine, had been caught in her toils,
his frail barque wrecked, and he himself caught in the whirlpool and
drowned. The prince, grievously stricken at the melancholy occurrence,
longed to avenge his son's death on the evil enchantress who had wrought
such havoc. Among his retainers there was but one who would undertake
the venture--a captain of the guard named Diether--and the sole reward
he craved was permission to cast the Lorelei into the depths she haunted
should he succeed in capturing her.

Diether and his little band of warriors ascended the Lorelei's rock in
such a way as to cut off all retreat on the landward side. Just as they
reached the summit the moon sailed out from behind a cloud, and behold,
the spirit of the whirlpool was seen sitting on the very verge of the
precipice, binding her wet hair with a band of gleaming jewels.

"What wouldst thou with me?" she cried, starting to her feet.

"To cast thee into the Rhine, sorceress," said Diether roughly, "where
thou hast drowned our prince."

"Nay," returned the maid, "I drowned him not. 'Twas his own folly which
cost him his life."

As she stood on the brink of the precipice, her lips smiling, her eyes
gleaming softly, her wet dark hair streaming over her shoulders, some
strange, unearthly quality in her beauty, a potent spell fell upon the
little company, so that even Diether himself could neither move nor

"And wouldst thou cast me in the Rhine, Diether?" she pursued, smiling
at the helpless warrior. "'Tis not I who go to the Rhine, but the Rhine
that will come to me."

Then loosening the jewelled band from her hair, she flung it on the
water and cried aloud: "Father, send me thy white steeds, that I may
cross the river in safety."

Instantly, as at her bidding, a wild storm arose, and the river,
overflowing its banks, foamed right up to the summit of the Lorelei
Rock. Three white-crested waves, resembling three white horses, mounted
the steep, and into the hollowed trough behind them the Lorelei stepped
as into a chariot, to be whirled out into the stream. Meanwhile Diether
and his companions were almost overwhelmed by the floods, yet they were
unable to stir hand or foot. In mid-stream the undine sank beneath the
waves: the spell was broken, the waters subsided, and the captain and
his men were free to return home.

Nevermore, they vowed, would they seek to capture the Lorelei.

The Forsaken Bride

There is a later and more popular legend of the Lorelei than the

According to this tale Lorelei was a maiden of surpassing beauty who
dwelt in the town of Bacharach in medieval times. So potent were her
attractions that every gallant on whom her eye rested fell hopelessly in
love with her, while her ever-widening fame drew suitors in plenty from
all parts of the country. The dismissed lovers wandered disconsolately
in the neighbouring forests, vowing to take their lives rather than
suffer the pangs of unrequited passion; while occasionally the threat
was fulfilled, and a brave knight would cast himself into the Rhine and
perish for love of the cold and cruel maid. Thus her fatal beauty played
havoc among the flower of German chivalry. But she, dowered with virtue
and goodness, as well as with more transient charms, trembled when
she saw the effect of her attractions on her many lovers, and secluded
herself as closely as possible.

The truth was, she had given her heart into the keeping of a young
knight who, after plighting his troth with her, had ridden away to the
wars, his military ardour and desire for glory triumphing over his love.
Years had gone by, yet he did not return, and Lorelei thought that he
had perished on the field of battle, or had taken another bride and
forgotten her. But she remained true to him in spite of his long
silence, and spent her days in tears and prayers for his safety.

Meanwhile she was besieged by an ever-increasing band of suitors, to
whom her retiring disposition and sorrowful mien but made her the more
desirable. Then it began to be rumoured abroad that she was a sorceress,
who won the hearts of men by magic art and with the aid of the Evil One.
The rumour was spread broadcast by jealous and disappointed women who
saw their menfolk succumb to the fatal charms of the Maid of Bacharach.
Mothers noticed their sons grow pale and woe-begone because of her;
maids their erstwhile lovers sighing out a hopeless passion for the
beautiful Lorelei; so they brought against her accusations of sorcery,
which in those days generally led to the death of the victim by burning.
So grievously did these malign whispers add to the already heavy burden
of the maid that she surrendered herself to be tried, hardly caring
whether or not she were found guilty. She was summoned before the
criminal court held at Rhens by the Archbishop of Cologne, and charged
with practising the black art in order to ensnare men's affections.

However, when she appeared before the court her beauty so impressed the
assembly, and even the old Archbishop himself, that none could believe
her guilty. Her lovely face bore the imprint of innocence, her grief
touched every heart, and on all sides she was treated with the greatest
respect and kindness. The old prelate assured her that she would not
be judged harshly, but begged to hear from her own lips that she was
innocent of the foul charge brought against her. This assurance she
gave with artless simplicity, and a murmur of approval went up from
the crowd. The sympathy of those present--for even her accusers were
melted--and the kindness of the aged Churchman who was her judge moved
her to confess her unhappy love-story.

"I pray thee," she concluded wearily, "I pray thee, my lord, let me die.
I know, alas! that many true knights have died for love of me, and now I
fain would die for the sake of one who hath forsaken me."

The prelate, moved almost to tears by the pathetic story, laid his hand
on the head of the weeping maid.

"Thou shalt not die, fair maiden," he said. "I will send thee to a
convent, where thou mayst live in peace." And calling to his side three
trusty old knights, he bade them conduct Lorelei to the convent
across the river, and charge the abbess to treat her with the greatest
kindness. Having blessed the maid once more, he bade them go. On their
way to the convent they must needs pass the rock since known as the
Lorelei-berg, and the girl, who had maintained a pensive silence all the
way, now observed that she would fain ascend the rock and look for the
last time at the castle of her betrothed knight.

Her escort would have courteously assisted her, but she, with the
agility of youth, easily outstripped them, and stood alone on the
summit, surveying the fair scene before her. A light barque was sailing
up the river, and as she gazed on it Lorelei uttered a loud cry, for
there in the bow stood her truant lover! The knight and his train heard
the shriek and beheld with horror the maiden standing with outstretched
arms on the very edge of the precipice. The steering of the boat was
forgotten for the moment, and the frail craft ran on the rocks. Lorelei
saw her lover's peril and, calling his name, leapt into the tide.

Nothing more was seen of the lovers; together they sleep the sleep of
death beneath the waters of the Rhine.

A Blending of Legends

In these legends we observe how the tradition of a mere water-nymph has
developed into a story concerning a hapless damsel. The first applies to
the Lorelei as a water-spirit pure and simple, but legends which refer
to beings originally water-spirits have a knack of becoming associated
in later times with stories of distressed ladies. Indeed, one such came
to the writer's knowledge only a few months ago. The mansion of Caroline
Park, near Edinburgh, dating from the end of the seventeenth century,
has in its vicinity a well which is reputed to be inhabited by a 'Green
Lady,' who emerges from her watery dwelling at twilight and rings the
great bell of the old manor-house. On visiting the vicinity for the
purpose of verifying the legend information was gleaned respecting
another story of a captured lady who had been incarcerated in a room in
the mansion and had written some verses to her lover with her diamond
ring on a window-pane. The strange thing is that these stories, though
obviously of different origin, appear now to have become fused in the
popular imagination: the 'Green Lady' and the verse-writing damsel
become one and the same, thus affording a case in point of the fusion of
a mythological tale with a later and probably verifiable incident. The
Lorelei is of course a water-spirit of the siren type, one who lures
heedless mariners to their destruction. In Scotland and the north of
England we find her congener in the water-kelpie, who lurks in pools
lying in wait for victims. But the kelpie is usually represented in the
form of a horse and not in that of a beauteous maiden.

The Nixie

Another water-spirit not unlike the Lorelei is the nixie, which is both
male and female, the male appearing like any human being, but, as in the
case of the water-spirits of the Slavonic peoples and England, Scotland,
and Central America, being possessed of green teeth. The male is called
nix, the female nixie, the generic term for both being nicker, from a
root which perhaps means 'to wash.' There is perhaps some truth in the
statement which would derive the Satanic patronymic of 'Old Nick' from
these beings, as spirits extremely familiar to the Teutonic mind. On
fine sunny days the nixies may be seen sitting on the banks of rivers,
or on the branches of trees, combing their long golden locks. Previous
to a drowning accident the nixies can be seen dancing on the surface of
the water. Like all sea and river spirits, their subaqueous abode is of
a magnificence unparalleled upon earth, and to this they often convey
mortals, who, however, complain that the splendours of the nixies'
palaces are altogether spoiled for them by the circumstance that their
banquets are served without salt.

     Where on the marshes boometh the bittern,
     Nicker the Soulless sits with his ghittern;
     Sits inconsolable, friendless and foeless,
     Bewailing his destiny, Nicker the Soulless.

The Nixie of the Mummel-lake

The legend of the nixie of Seebach is one of gloom and tragedy, albeit
as charming as most of the Rhine tales.

It was the custom among the young people of Seebach to assemble of an
evening in the spinning-room, which on the occasion about to be dealt
with was in the house of the richest and most distinguished family in
the country. The girls spun and laughed and chatted, while the youths
hung about their chairs and cracked jokes with them. One evening while
they were thus employed there came among them a stranger, a young lady
beautifully clad and carrying an ivory spinning-wheel. With becoming
modesty she asked to be allowed to join the company, which permission
the simple youths and maidens readily accorded. None was more eager to
do honour to the new-comer than the son of their host. While the others
were still gaping in awestruck fashion, he quietly fetched her a
chair and performed various little services for her. She received his
attentions so graciously that a warmer feeling than courtesy sprang up
in his heart for the fair spinner.

He was in truth a handsome lad, whose attentions any maid might have
been proud to receive. Well-built and slender, he bore himself with a
proud carriage, and the expression on his delicate features was grave
and thoughtful beyond his years. When at length the fair visitor
departed, he loitered disconsolate and restless, listening to the idle
surmises of the peasant youths concerning the identity of the lady, but
offering no opinion himself. On the following day at the same hour she
again appeared and, seeing her cavalier of the previous day, smiled
and bowed to him. The young man glowed with pleasure, and diffidently
renewed his attentions. Day after day the lady of the spinning-wheel
joined the company, and it was noted that the girls were brighter and
more diligent, and the young men more gentle and courteous, for her
coming. It was whispered among them that she was a nixie from the
Mummel-lake far under the mountains, for never mortal was so richly
endowed with beauty and grace. As time went on the son of the house grew
more and more melancholy as his love for the fair unknown became deeper.
Only during the brief hour of her visit would he show any cheerfulness.
All the rest of the day he would mope in silent wretchedness. His
friends saw with distress the change which had come over him, but they
were powerless to alter matters. The lady could not be persuaded to
remain beyond her usual hour, nor to give any hint of her identity.

One day, thinking to prolong her visit, the young man put back the hands
of the clock. When the hour drew near for her to depart, he slipped out
of the house so that he might follow her and find out where she lived.
When the hour struck, the lady, who seemed to have feared that she was
late, walked hastily from the house in the direction of the lake. So
quickly did she walk that the youth following in her path could scarcely
keep pace with her. She did not pause when she reached the shore, but
plunged directly into the water. A low, moaning sound rose from the
waves, which boiled and bubbled furiously, and the young man, fearing
that some evil had befallen the maid, sprang in after her, but the cruel
currents dragged him down, and he sank out of sight.

Next day his body was found floating on the lake by some woodcutters,
and the nixie of the Mummel-lake was seen no more.

The Wild Huntsman

One of the most interesting Rhine myths is that concerning the Wild
Huntsman, which is known all over Rhineland, and which is connected
with many of its localities. The tale goes that on windy nights the Wild
Huntsman, with his yelling pack of hounds, sweeps through the air, his
prey departing souls. The huntsman is, of course, Odin, who in some of
his aspects was a hunter-god. The English legend of Herne the Hunter,
who haunts Windsor Park, is allied to this, and there can be little
doubt that Herne is Odin. Indeed, it is here suggested that the name
Herne may in some way be connected with one of Odin's titles, Hari,
the High One. It was the legend of the Wild Huntsman that inspired Sir
Walter Scott to write one of his finest ballads of the mysterious. An
Edinburgh friend had perused a ballad by Burger, entitled Lenore, but
all he could remember of it were the following four lines: Tramp, tramp,
across the land they ride; Splash, splash, across the sea. Hurrah! the
dead can ride apace, Dost fear to ride with me?

This verse fired Scott's imagination. He liked this sort of thing, and
could do it very well himself. So on reaching home he sat down to
the composition of the following ballad, of which we give the most
outstanding verses:


     The Wildgrave winds his bugle horn:
     To horse, to horse, haloo, haloo!
     His fiery courser sniffs the morn,
     And thronging serfs their lord pursue.

     The eager pack, from couples freed,
     Dash through the bush, the brier, the brake
     While answering hound, and horn, and steed,
     The mountain echoes startling wake.

     The beams of God's own hallowed day
     Had painted yonder spire with gold,
     And, calling sinful men to pray,
     Loud, long, and deep the bell hath tolled.

     But still the Wildgrave onward rides;
     Haloo, haloo, and hark again!
     When, spurring from opposing sides,
     Two stranger horsemen join the train.

     Who was each stranger, left and right?
     Well may I guess, but dare not tell.
     The right-hand steed was silver-white;
     The left, the swarthy hue of hell.

     The right-hand horseman, young and fair,
     His smile was like the morn of May;
     The left, from eye of tawny glare,
     Shot midnight lightning's lurid ray.

     He waved his huntsman's cap on high,
     Cried, "Welcome, welcome, noble lord!
     What sport can earth, or sea, or sky,
     To match the princely chase, afford?"

     "Cease thy loud bugle's clanging knell,"
     Cried the fair youth with silver voice;
     "And for devotion's choral swell,
     Exchange the rude, unhallowed noise.

     "To-day th' ill-omened chase forbear;
     Yon bell yet summons to the fane:
     To-day the warning spirit hear,
     To-morrow thou mayst mourn in vain."

     The Wildgrave spurred his ardent steed
     And, launching forward with a bound,
     "Who for thy drowsy priestlike rede
     Would leave the jovial horn and hound?

     "Hence, if our manly sport offend:
     With pious fools go chant and pray.
     Well hast thou spoke, my dark-brown friend,
     Haloo, haloo, and hark away!"

     The Wildgrave spurred his courser light,
     O'er moss and moor, o'er holt and hill,
     And on the left and on the right
     Each stranger horseman followed still.

     Up springs, from yonder tangled thorn,
     A stag more white than mountain snow;
     And louder rung the Wildgrave's horn--
     "Hark forward, forward! holla, ho!"

     A heedless wretch has crossed the way--
     He grasps the thundering hoofs below;
     But, live who can, or die who may,
     Still forward, forward! on they go.

     See where yon simple fences meet,
     A field with autumn's blessings crowned;
     See, prostrate at the Wildgrave's feet,
     A husbandman with toil embrowned.

     "Oh, mercy! mercy! noble lord;
     Spare the poor's pittance," was his cry;
     "Earned by the sweat these brows have poured
     In scorching hours of fierce July."

     "Away, thou hound, so basely born,
     Or dread the scourge's echoing blow!"
     Then loudly rung his bugle horn,
     "Hark forward, forward! holla, ho!"

     So said, so done--a single bound
     Clears the poor labourer's humble pale:
     Wild follows man, and horse, and hound,
     Like dark December's stormy gale.

     And man, and horse, and hound, and horn
     Destructive sweep the field along,
     While joying o'er the wasted corn
     Fell famine marks the madd'ning throng.

     Full lowly did the herdsman fall:
     "Oh, spare, thou noble baron, spare;
     These herds, a widow's little all;
     These flocks, an orphan's fleecy care."

     "Unmannered dog! To stop my sport
     Vain were thy cant and beggar whine,
     Though human spirits of thy sort
     Were tenants of these carrion kine!"

     Again he winds his bugle horn,
     "Hark forward, forward! holla, ho!"
     And through the herd in ruthless scorn
     He cheers his furious hounds to go.

     In heaps the throttled victims fall;
     Down sinks their mangled herdsman near;
     The murd'rous cries the stag appal,
     Again he starts, new-nerved by fear.

     With blood besmeared, and white with foam,
     While big the tears of anguish pour,
     He seeks, amid the forest's gloom,
     The humble hermit's hallowed bow'r.

     All mild, amid the route profane,
     The holy hermit poured his prayer:
     "Forbear with blood God's house to stain:
     Revere His altar, and forbear!

     "The meanest brute has rights to plead,
     Which, wronged by cruelty or pride,
     Draw vengeance on the ruthless head;
     Be warned at length, and turn aside."

     Still the fair horseman anxious pleads;
     The black, wild whooping, points the prey.
     Alas! the Earl no warning heeds,
     But frantic keeps the forward way.

     "Holy or not, or right or wrong,
     Thy altar and its rights I spurn;
     Not sainted martyrs' sacred song,
     Not God Himself shall make me turn."

     He spurs his horse, he winds his horn,
     "Hark forward, forward! holla, ho!"
     But off, on whirlwind's pinions borne,
     The stag, the hut, the hermit, go.

     And horse and man, and horn and hound,
     The clamour of the chase was gone;
     For hoofs, and howls, and bugle sound,
     A deadly silence reigned alone.

     Wild gazed the affrighted Earl around;
     He strove in vain to wake his horn,
     In vain to call; for not a sound
     Could from his anxious lips be borne.

     High o'er the sinner's humbled head
     At length the solemn silence broke;
     And from a cloud of swarthy red
     The awful voice of thunder spoke:

     "Oppressor of creation fair!
     Apostate spirits' hardened tool!
     Scorner of God! Scourge of the poor!
     The measure of thy cup is full.

     "Be chased for ever through the wood,
     For ever roam the affrighted wild;
     And let thy fate instruct the proud,
     God's meanest creature is His child."

     'Twas hushed: one flash of sombre glare
     With yellow tinged the forest's brown;
     Up rose the Wildgrave's bristling hair,
     And horror chilled each nerve and bone.

     Earth heard the call--her entrails rend;
     From yawning rifts, with many a yell,
     Mixed with sulphureous flames, ascend
     The misbegotten dogs of hell.

     What ghastly huntsman next arose,
     Well may I guess, but dare not tell:
     His eye like midnight lightning glows,
     His steed the swarthy hue of hell.

     The Wildgrave flies o'er bush and thorn,
     With many a shriek of hapless woe;
     Behind him hound, and horse, and horn,
     And hark away, and holla, ho!

     With wild despair's reverted eye,
     Close, close behind, he marks the throng;
     With bloody fangs, and eager cry,
     In frantic fear he scours along.

     Still, still shall last the dreadful chase,
     Till time itself shall have an end;
     By day, they scour earth's caverned space;
     At midnight's witching hour, ascend.

     This is the horn, and hound, and horse,
     That oft the 'lated peasant hears;
     Appalled, he signs the frequent cross,
     When the wild din invades his ears.

Dwarfs and Gnomes

Beings of the dwarf race swarmed on the banks of Rhine. First and
foremost among these are the gnomes, who guard the subterranean
treasures, but who on occasion reveal them to mortals. We meet with
these very frequently under different guises, as, for instance, in the
case of the 'Cooper of Auerbach,' and the Yellow Dwarf who appears in
the legend of Elfeld. The Heldenbuch, the ancient book in which are
collected the deeds of the German heroes of old, says that "God gave the
dwarfs being because the land on the mountains was altogether waste and
uncultivated, and there was much store of silver and gold and precious
stones and pearls still in the mountains. Wherefore God made the dwarfs
very artful and wise, that they might know good and evil right well, and
for what everything was good. Some stones give great strength, some make
those who carry them about them invisible. That is called a mist-cap,
and therefore did God give the dwarfs skill and wisdom. Therefore they
built handsome hollow-hills, and God gave them riches."

Keightley, in his celebrated Fairy Mythology, tells of a class of dwarfs
called Heinzelmaennchen, who used to live and perform their exploits
in Cologne. These were obviously of the same class as the brownies of
Scotland, Teutonic house-spirits who attached themselves to the owners
of certain dwellings, and Keightley culled the following anecdote
regarding them from a Cologne publication issued in 1826:

"In the time that the Heinzelmaennchen were still there, there was in
Cologne many a baker who kept no man, for the little people used always
to make, overnight, as much black and white bread as the baker wanted
for his shop. In many houses they used to wash and do all their work for
the maids.

"Now, about this time, there was an expert tailor to whom they appeared
to have taken a great fancy, for when he married he found in his house,
on the wedding-day, the finest victuals and the most beautiful utensils,
which the little folk had stolen elsewhere and brought to their
favourite. When, with time, his family increased, the little ones used
to give the tailor's wife considerable aid in her household affairs;
they washed for her, and on holidays and festival times they scoured the
copper and tin, and the house from the garret to the cellar. If at any
time the tailor had a press of work, he was sure to find it all ready
done for him in the morning by the Heinzelmaennchen.

"But curiosity began now to torment the tailor's wife, and she was dying
to get one sight of the Heinzelmaennchen, but do what she would she could
never compass it. She one time strewed peas all down the stairs that
they might fall and hurt themselves, and that so she might see them
next morning. But this project missed, and since that time the
Heinzelmaennchen have totally disappeared, as has been everywhere the
case, owing to the curiosity of people, which has at all times been the
destruction of so much of what was beautiful in the world.

"The Heinzelmaennchen, in consequence of this, went off all in a body out
of the town, with music playing, but people could only hear the music,
for no one could see the mannikins themselves, who forthwith got into a
ship and went away, whither no one knows. The good times, however, are
said to have disappeared from Cologne along with the Heinzelmaennchen."

St. Ursula

One of the most interesting figures in connexion with Rhenish mythology
is that of St. Ursula, whose legend is as follows:

Just two centuries after the birth of Christ, Vionest was king of
Britain. Happy in his realm, his subjects were prosperous and contented,
but care was in the heart of the monarch, for he was childless. At
length his consort, Daria, bore him a daughter, who as she grew up in
years increased in holiness, until all men regarded her as a saint,
and she, devoting herself to a religious life, refused all offers of
marriage, to the great grief of her parents, who were again troubled by
the thought that their dynasty would fail for want of an heir. Charmed
with the rumour of her virtues, a German prince, Agrippus, asked her
as a wife for his son, but the suit was declined by the maiden until
an angel appeared to her in a dream and said that the nuptials ought to
take place. In obedience to this heavenly mentor, St. Ursula no longer
urged her former scruples, and her father hastened to make preparations
of suitable magnificence for her departure to the Rhine, on whose banks
her future home was to be. Eleven thousand virgins were selected from
the noblest families of Britain to accompany their princess, who,
marshalling them on the seashore, bade them sing a hymn to the Most
High and dismiss all fears of the ocean, for she had been gifted with a
divine knowledge of navigation and would guide them safely on their way.

Accordingly St. Ursula dismissed all the seamen, and standing on the
deck of the principal vessel, she gave orders to her eleven thousand
maiden followers, who, under the influence of inspiration, flitted over
the ships dressed in virgin white, now tending the sails, now fixing the
ropes, now guiding the helm, until they reached the mouth of the Rhine,
up which they sailed in saintly procession to Cologne. Here they were
received with great honours by the Roman governor of the place; but soon
they left the city to ascend the stream to Basel on their way to Rome,
to which holy city St. Ursula had determined upon making a pilgrimage.
Wherever upon their journey they met the officers of state they were
received as befitted their heavenly mission, and from Basel were
accompanied by Pantulus, who was afterward canonized, and whose portrait
is to be seen in the church of St. Ursula. Once at Rome Pope Cyriacus
himself was so affected by their devoted piety that, after praying
with them at the tombs of the apostles, he determined on abdicating the
pontifical office to accompany them on their return down the Rhine to

At Mayence they were joined by Prince Coman, the son of Agrippus, who
for love of his betrothed at once forsook the errors of his pagan
faith and was baptized. The eleven thousand virgins, with their sainted
leader, her husband, and Pope Cyriacus, passed rapidly to Cologne,
where, however, they were not long destined to live in peace. A horde
of barbarians from the North invaded the place, and having gained
possession of the city, they slew the virgin retinue of St. Ursula,
the venerable Pope, the saint herself, and her spouse Coman, after
inflicting the most horrible tortures upon them. Some were nailed living
to the cross; some were burned; others stoned; but the most refined
cruelties were reserved for the most distinguished victims. Look on
the walls of the church of St. Ursula and you will see depicted the
sufferings of the young martyr and of her youthful husband. Her chapel
yet contains her effigy with a dove at her feet--fit emblem of her
purity and faith and loving-kindness; while the devout may, in the same
church, behold the religiously preserved bones of the eleven thousand

Saint or Goddess?

The sainthood of St. Ursula is distinctly doubtful, and the number of
her retinue, eleven thousand, has been proved to be an error in monkish
calligraphy. St. Ursula is, indeed, the Teutonic goddess Ursa, or
Hoersel. In many parts of Germany a custom existed during the Middle Ages
of rolling about a ship on wheels, much to the scandal of the clergy,
and this undoubtedly points to moon-worship, the worship of Holda, or
Ursula, whom German poets of old regarded as sailing over the deep
blue of the heavens in her silver boat. A great company of maidens,
the stars, follow in her train. She is supposed, her nightly pilgrimage
over, to enter certain hills.

Thus in the later guise of Venus she entered the Hoerselberg in
Thuringia, in which she imprisoned the enchanted Tannhaeuser, and there
is good reason to believe that she also presided over the Ercildoune,
or Hill of Ursula, in the south of Scotland, the modern Earlston, after
which Thomas the Rhymer took his territorial designation, and whose
story later became fused with her myth in the old Scottish ballad of
Thomas the Rhymer. Thus we observe how it is possible for a pagan myth
to become an incident in Christian hagiology.

Satan in Rhine Story

In the legends of the Rhine the picturesque figure of his Satanic
majesty is frequently presented, as in the legends of 'The Sword-slipper
of Solingen,' 'The Architect of Cologne Cathedral,' and several other
tales. The circumstances of his appearance are distinctly Teutonic
in character, and are such as to make one doubt that the Devil of the
German peoples has evolved from the classical satyr. May it not be that
the Teutonic folk possessed some nature-spirit from which they evolved
a Satanic figure of their own? Against this, of course, could be quoted
the fact that the medieval conception of the Devil was sophisticated by
the Church, which in turn was strongly influenced by classical types.

Affinity of the Rhine Legends with Romance

But on the whole the legends of the Rhine exhibit much more affinity
with medieval romance than with myth or folklore.[1] A large number of
them are based upon plots which can be shown to be almost universal,
and which occur again and again in French and British story. One of the
commonest of these concerns the crusader who, rejected by his lady-love,
spends hopeless years in the East, or, having married before setting
out for the Orient, returns to find his bride the wife of another. The
crusader exercised a strong influence upon the literature of medieval
Europe, and that influence we find in a very marked degree in the
legends of the Rhine. Again, a number of these tales undoubtedly consist
of older materials not necessarily mythical in origin, over which a
later medieval colour has been cast. Unhappily many of these beautiful
old legends have been greatly marred by the absurd sentimentality of
the German writers of the early nineteenth century, and their dramatis
personae, instead of exhibiting the characteristics of sturdy medieval
German folk, possess the mincing and lackadaisical manners which
mark the Franco-German novel of a century ago. This contrasts most
ludicrously in many cases with the simple, almost childlike, honesty
which is typical of all early Teutonic literature. Had a Charles Lamb,
a Leigh Hunt, or an Edgar Allan Poe recast these tales, how different
would have been their treatment! Before the time of Schiller and Goethe
French models prevailed in German literature. These wizards of the pen
recovered the German spirit of mystery, and brought back to their haunts
gnomes, kobolds, and water-sprites. But the mischief had been done ere
they dawned upon the horizon, and there were other parts of Germany
which appeared to them more suitable for literary presentment than the
Rhine, save perhaps in drama. Moreover, the inherent sentimentality
of the German character, however fitted to bring out the mysterious
atmosphere which clings to these legends, has weakened them

[Footnote 1: See author's Dictionary of Medieval Romance (London, 1913),
preface, and article 'Romance, Rise and Origin of.']

The Poetry of the Rhine

Robert Louis Stevenson, exiled in the South Pacific islands, used to
speak with passionate fondness of the rivers of his native Scotland, the
country he loved so dearly, but which the jealous fates forbade him to
visit during fully half his life. Garry and Tummel, Tweed and Tay--he
used to think of these as of something almost sacred; while even the
name of that insignificant stream, the Water of Leith, sounded on his
ear like sweet music, evoking a strangely tender and pathetic emotion.
And this emotion, crystallized so beautifully by Stevenson in one of
his essays in Memories and Portraits, must have been felt, too, by many
other exiles wandering in foreign parts; for surely an analogous feeling
has been experienced sometimes by every traveller of sensitive and
imaginative temperament, particularly the traveller exiled irrevocably
from his home and longing passionately to see it. Horatius, about to
plunge into the Tiber, addressed it as his father and god, charging it
to care well for his life and fortunes--fortunes in which those of all
Rome were involved for the time being. Ecce Tiber! was the glad cry of
the Romans on beholding the Tay--a cry which shows once again with what
ardent devotion they thought of the river which passed by their native
city; while Naaman the Syrian, told that his sickness would be cured
would he but lave his leprous limbs in the Jordan, exclaimed aghast
against a prescription which appeared to him nothing short of
sacrilegious and insulting, and declared that there were better and
nobler streams in his own land. Even the deadly complaint with which he
was smitten could not shake his fidelity to these, could not alter his
conviction that they were superior to alien streams; and the truth is
that nearly every great river--perhaps because its perpetual motion
makes it seem verily a living thing--has a way of establishing itself in
the hearts of those who dwell by its banks.

The Rhine is no exception to this rule; on the contrary, it is a notable
illustration thereof. From time immemorial the name of the mighty stream
has been sacred to the Germans, while gradually a halo of romantic
glamour has wound itself about the river, a halo which appeals potently
even to many who have never seen the Vaterland. Am Rhein!--is there not
magic in the words? And how they call up dreams of robber barons, each
with his strange castle built on the edge of a precipice overlooking
the rushing stream; fiends of glade and dell, sprites of the river and
whirlpool, weird huntsmen, and all the dramatis personae of legend and

The Rhine has ever held a wide fame in the domain of literature. For
there is scarcely a place on the river's banks but has its legend which
has been enshrined in song, and some of these songs are so old that the
names of their makers have long since been forgotten. Yes, we have to go
very far back indeed would we study the poetry of the Rhine adequately;
we have to penetrate deeply into the Middle Ages, dim and mysterious.
And looking back thus, and pondering on these legendary and anonymous
writings, a poem which soon drifts into recollection is one whose scene
is laid near the little town of Lorch, or Lordch. Hard by this town is a
mountain, known to geographers as Kedrich, but hailed popularly as 'the
Devil's Ladder.' Nor is the name altogether misplaced or undeserved,
the mountain being exceeding precipitous, and its beetling, rocky sides
seeming well-nigh inaccessible. This steepness, however, did not daunt
the hero of the poem in question, a certain Sir Hilchen von Lorch. A
saddle, said to have belonged to him, is still preserved in the town;
but on what manner of steed he was wont to ride is not told explicitly,
and truly it must have been a veritable Bucephalus. For the nameless
poet relates that Sir Hilchen, being enamoured of a lady whom angry
gnomes had carried to the top of Kedrich and imprisoned there, rode at
full gallop right up the side of the mountain, and rescued the fair one!

     "Though my lady-love to a tower be ta'en,
     Whose top the eagle might fail to gain,
     Nor portal of iron nor battlement's height
     Shall bar me out from her presence bright:
     Why has Love wings but that he may fly
     Over the walls, be they never so high?"

So the tale begins, while at the end the knight is represented exulting
in his doughty action:

     "Hurrah, hurrah! 'Tis gallantly done!
     The spell is broken, the bride is won!
     From the magic hold of the mountain-sprite
     Down she comes with her dauntless knight!
     Holy St. Bernard, shield us all
     From the wrath of the elves of the Whisper-Thal."


There are several different versions of this legend, each of them just
as extraordinary as the foregoing. It is evident, moreover, that matter
of this sort appealed very keenly to the medieval dwellers by the Rhine,
much of the further legendary lore encircling the river being concerned
with deeds no less amazing than this of Sir Hilchen's; and among things
which recount such events a notable instance is a poem consecrated to
the castle of Andernach. Here, once upon a time, dwelt a count bearing
the now famous name of Siegfried, and being of a religious disposition,
he threw in his lot with a band of crusaders. For a long while, in
consequence, he was absent from his ancestral domain; and at length,
returning thither, he was told by various lying tongues that his
beautiful wife, Genofeva, had been unfaithful to him in his absence,
the chief bearer of the fell news being one Golo. This slanderer induced
Siegfried to banish Genofeva straightway, and so the lady fled from the
castle to the neighbouring forest of Laach, where a little later she
gave birth to a boy. Thenceforth mother and son lived together in the
wilds, and though these were infested by wild robbers, and full of
wolves and other ravening beasts, the pair of exiles contrived to go
unscathed year after year, while, more wonderful still, they managed
to find daily sustenance. And now romance reached a happy moment; for
behold, Count Siegfried went hunting one day in the remoter parts of
the forest, and fortuitously he passed by the very place where the two
wanderers were living--his wife and the child whom he had never seen.

     'Tis in the woody vales of Laach the hunter's horn is wound,
     And fairly flies the falcon, and deeply bays the hound;
     But little recks Count Siegfried for hawk or quarry now:
     A weight is on his noble heart, a gloom is on his brow.
     Oh! he hath driven from his home--he cannot from his mind--
     A lady, ah! the loveliest of all her lovely kind;
     His wife, his Genofeva!--and at the word of one,
     The blackest traitor ever looked upon the blessed sun.
     He hath let the hunters hurry by, and turned his steed aside,
     And ridden where the blue lake spreads its waters calm and wide,
     And lo! beneath a linden-tree, there sits a lady fair,
     But like some savage maiden clad in sylvan pageant rare.
     Her kirtle's of the dappled skin of the rapid mountain roe;
     A quiver at her back she bears, beside her lies a bow;
     Her feet are bare, her golden hair adown her shoulders streams,
     And in her lap a rosy child is smiling in its dreams.

The count had never thought to see his wife again. He imagined that she
had long since starved to death or been devoured; and now, finding her
alive, his pulses quicken. He knows well that only a miracle could have
preserved her during all this period of estrangement, and reflects that
on behalf of the virtuous alone are miracles worked. Seeing herein ample
proof of Genofeva's innocence, he welcomes her back to his arms and with
beating heart bears her to the castle:

     Oh! there was joy in Andernach upon that happy night:
     The palace rang with revelry, the city blazed with light:
     And when the moon her paler beams upon the turrets shed,
     Above the Roman gate was seen the traitor Golo's head.

The Brothers

Doubtless it was the thaumaturgic element in this pretty romance
which chiefly made it popular among its pristine audiences, yet it was
probably the pathos with which it is coloured that granted it longevity,
causing it to be handed down from generation to generation long before
the advent of the printing-press.

Pathos, of course, figures largely in all folk-literature, and the story
of Count Siegfried is by no means the only tale of a touching nature
embodied in the early poetry of the Rhine, another similar work which
belongs to this category being a poem associated with Liebenstein and
Sterrenberg, two castles not far from each other. These places, so goes
the tale, once belonged to a nobleman who chanced to have as his ward
a young lady of singular loveliness. He had also two sons, of whom the
elder was heir to Liebenstein, while the younger was destined to inherit
Sterrenberg. These brothers were fast friends, and this partitioning of
the paternal estates never begot so much as an angry word between
them; but, alas! in an evil day they both fell in love with the same
woman--their father's ward. Such events have happened often, and usually
they have ended in bitter strife; but the elder of the young men was
of magnanimous temperament, and, convinced that the lady favoured the
other's advances more than his, he left him to woo and win her, and so
in due course it was announced that the younger brother and she were
affianced. Anon the date fixed for their nuptials drew near, but it
happened that, in the interim, the young knight of Sterrenberg had
become infected with a desire to join a crusade; and now, despite
the entreaties of his fiancee and his father, he mustered a troop of
men-at-arms, led them to join the Emperor Conrad at Frankfort, and set
off for the Holy Land. Year after year went by; still the warrior was
absent, and betimes his friends and relations began to lose all hope of
ever seeing him again, imagining that he must have fallen at the hands
of the infidel. Yet this suspicion was never actually confirmed, and the
elder brother, far from taking the advantage which the strange situation
offered, continued to eschew paying any addresses to his brother's
intended bride, and invariably treated her simply as a beloved sister.
Sometimes, no doubt, it occurred to him that he might win her yet;
but of a sudden his horizon was changed totally, and changed in a most
unexpected fashion. The rover came back! And lo! it was not merely
a tale of war that he brought with him, for it transpired that while
abroad he had proved false to his vows and taken to himself a wife, a
damsel of Grecian birth who was even now in his train. The knight of
Liebenstein was bitterly incensed on hearing the news, and sent his
brother a fierce challenge to meet him in single combat; but scarcely
had they met and drawn swords ere the injured lady intervened. She
reminded the young men of their sacred bond of fraternity; she implored
them to desist from the crime of bloodshed. Then, having averted this,
she experienced a great longing to renounce all earthly things, and
took the veil in a neighbouring convent, thus shattering for ever the
rekindled hopes of her elder suitor. But he, the hero of the drama, was
not the only sufferer, for his brother was not to go unpunished for his
perfidy. A strange tale went forth, a scandalous tale to the effect that
the Grecian damsel was unfaithful to her spouse. Sterrenberg began to
rue his ill-timed marriage, and ultimately was forced to banish his wife
altogether. And so, each in his wind-swept castle--for their father was
now dead--the two knights lived on, brooding often on the curious events
of which their lives had been composed. The elder never married, and the
younger had no inclination to take that step a second time.

     They never entered court or town,
     Nor looked on woman's face;
     But childless to the grave went down,
     The last of all their race.
     And still upon the mountain fair
     Are seen two castles grey,
     That, like their lords, together there
     Sink slowly to decay.

     The gust that shakes the tottering stone
     On one burg's battlement,
     Upon the other's rampart lone
     Hath equal fury spent.
     And when through Sternberg's shattered wall
     The misty moonbeams shine,
     Upon the crumbling walls they fall
     Of dreary Liebenstein.

This legend is recounted here to illustrate the poetry of the Rhine. A
variant of it is given on p. 171.


But the warriors who flit across the lore of Rhineland were not all so
unfortunate, and one who fared better was Sir Dietrich of Schwarzenbeck.
Marching by the Rhine on his way to join a band of crusaders, this
Dietrich chanced to pass a few days at the castle of Argenfels, whose
owner was the father of two daughters. The younger of the pair, Bertha
by name, soon fell in love with the guest, while he, too, was deeply
impressed by her charm; but silken dalliance was not for him at
present--for was he not under a vow to try to redeem the Holy
Sepulchre?--and so he resumed his journey to Palestine. Here an arduous
campaign awaited him. In the course of a fierce battle he was wounded
sorely, and while trying to escape from the field he was taken prisoner.
This was a terrible fate, a far worse fate than death, for the Saracens
usually sold their captives as slaves; and Sir Dietrich as he languished
in captivity, wondering whether he was destined to spend the rest of
his days serving the infidel in some menial capacity, vowed that if he
should ever regain his native Germany he would build there a chapel to
St. Peter. Nor did his piety go unrewarded, for shortly afterward a body
of his compatriots came to his aid, worsted his foes, and set him free.
A joyful day was this for the crusader, but it was not his pious vow
that he thought of first; he made for Argenfels, eager to see again the
bright eyes of the lady who had enchanted him. Day and night he rode,
and as he drew nearer to the castle his passion grew stronger within
him; but, alas! on reaching his destination his hopes were suddenly
dashed to the ground. War had meantime been waged in the neighbourhood
of Bertha's home; her father had been involved, his castle burnt to the
ground, and the two daughters had disappeared. Peradventure they had
perished, surmised the knight; but he swore he would leave nothing
undone which might lead to the restoration of his beloved. Making
inquiries far and near throughout the country, he heard at last from
an old shepherd that two ladies of gentle birth were sequestering
themselves in a disused hermitage near the summit of a mountain called
Stromberg. "Is it indeed they?" thought Sir Dietrich. He clambered up
the rocky steep leading to the hermitage and a wistful sound greeted
his ears, the sound of maidens' voices offering up vespers. "Ave Maria,
stella maris," they sang, and in the coolness of the evening the notes
vibrated with a new, strange loveliness, for the lover knew that he had
not climbed the Stromberg in vain. He returned, bringing Bertha with
him, and in due course she became his bride. Yet the fairest rose has
its thorns, and the happiness of the pair was not to be wholly undimmed
by clouds. For Bertha's sister, showing a curious perversity, expressed
a desire to remain in the abode which had sheltered her of late, and
nothing could induce her to alter this decision. Sir Dietrich pleaded
with her again and again, and of a sudden, while thus engaged, he
thought of the vow he had made while a captive--the vow he had not kept.
Here, possibly--here in this shadow darkening the joy of his bridal--was
a message from on high! So straightway he built his chapel, choosing as
situation therefor a spot hard by the windswept hermitage, and in this
shrine to St. Peter dwelt Bertha's sister to the end of her days. Was
it, mayhap, jealousy and a dart from Cupid's bow which kept her there;
and was she, too, enamoured of Sir Dietrich? Well, the poet who tells
the story certainly thought so!

Drinking Songs of the Rhine

It were a lengthy matter to recount the many other poems of Rhineland
akin to those mustered above, and enough has been said to indicate
their general characteristics; while an ancient Rhine classic of yet a
different kind, The Mouse Tower, given elsewhere, is so familiar owing
to Southey's English version that it were superfluous to offer any
synopsis or criticism of it here. Then a class of poems of which the
great river's early literature is naturally replete are those concerned
with the growing of the vine and the making of Rhenish, prominent among
these being one consecrated to Bacharach, a town which was a famous
centre of the wine industry in the Middle Ages. Near Bacharach there
is a huge stone in the Rhine which, known as 'the Altar of Bacchus,'
is visible only on rare occasions, when the river chances to be
particularly low; and in olden times, whenever this stone was seen,
the event was hailed by the townsfolk as an omen that their next grape
harvest would be an exceptionally successful one. It is with this 'Altar
of Bacchus' that the poem in question deals. But coming to modern times,
many of the Rhine drinking songs are also concerned to some extent with
patriotism--an element which seems to go hand in hand with the
bacchanal the world over!--and a typical item in this category is
the Rheinweinlied of Georg Hervegh, a poet of the first half of the
nineteenth century. A better patriotic song of Rhine-land, however,
is one by a slightly earlier poet, Wolfgang Mueller, a native of
Koenigswinter, near Bonn, who sings with passionate devotion of the great
river, dwelling lovingly on its natural beauties, and exalting it above
all other streams. His song appears to have been composed when the
writer was undergoing a temporary period of exile from the Vaterland,
for a somewhat pathetic and plaintive air pervades each verse, and the
poet refers to the Rhine as a memory rather than as something actually
before his eyes. But very different is another fine patriotic song of
which it behoves to speak, the work of August Kopisch, a contemporary of
Mueller. This latter song treats of an incident in the Napoleonic wars,
and Bluecher and his forces are represented as encamped on the Rhine and
as debating whether to march forward against their French foes. Nor is
it necessary to add, perhaps, that they decide to do so, for otherwise
no German singer would have handled the theme!

But what, asks someone, is really the brightest gem of Rhineland poetry?
while someone else adds that the majority of the writers cited above are
but little known, and inquires whether none of the great German authors
were ever inspired to song by their beloved river. The name of Heinrich
Heine naturally comes to mind in this relation--comes to mind instantly
on account of what is surely his masterpiece, Die Lorelei--a poem
already dealt with.

But Heine's version far transcends all others, and pondering on its
beauty, we think first of its gentle, andante music, a music which
steals through the senses like a subtle perfume:

     Ich weiss nicht was soll es bedeuten,
     Dass ich so traurig bin;
     Ein Maerchen aus alten Zeiten,
     Das kommt mir nicht aus dem Sinn.

There, surely, is a sound as lovely as the fateful maiden herself ever
sang; and here, again, is a verse which is a tour de force in the craft
of landscape-painting; for not only are the externals of the scene
summoned vividly before the reader's eyes, but some of the mystery and
strangely wistful appeal of nature are likewise found in the lines:

     Die Luft ist kuehl und es dunkelt
     Und ruhig fliesst der Rhein;
     Der Gipfel des Berges funkelt
     Im Abendsonneaschein.



The tale or myth of the Knight of the Swan who came to the succour
of the youthful Duchess of Brabant is based upon motives more or less
common in folklore--the enchantment of human beings into swans, and the
taboo whereby, as in the case of Cupid and Psyche, the husband forbids
the wife to question him as to his identity or to look upon him. The
myth has been treated by both French and German romancers, but the
latter attached it loosely to the Grail legend, thus turning it to
mystical use.

As a purely German story it is found at the conclusion of Wolfram von
Eschenbach's Parzival,[1] from which the following version is drawn.
The name of the hero as written by Wolfram (Loherangrin) may possibly
be traced to Garin le Loherin or Garin of Lorraine. Wagner's version is
taken from the same source, but the mighty master of melody altered many
of the details for dramatic and other reasons.

[Footnote 1: See my Dictionary of Medieval Romance, articles 'Grail,'
'Parzival,' 'Perceval,' and 'Garin.']

The principal French versions of the romance are Le Chevalier au Cygne
and Helyas, and there are medieval English forms of these.[2]

[Footnote 2: Op. cit.]

The Knight of the Swan

In a dungeon in the castle of Cleves lay Elsa of Brabant, languishing
in captivity. Her father, the Duke of Brabant, had ere he died appointed
his most powerful vassal, one Frederick of Telramund, to be her
guardian; but he, seeking only the advancement of his own ends,
shamefully abused the confidence of his lord. Using his authority as
Elsa's guardian, he sought to compel her to become his wife, and threw
her into prison to await the wedding-day, knowing well that none would
dare to dispute his action.

An appeal was made on Elsa's behalf to the Emperor, Henry I, who decreed
that she should choose a champion, so that the matter might be settled
by combat. But, alas! there was not a knight who would venture to match
his skill against that of Frederick, who was a giant in stature and an
expert in sword-play. In accordance with the Emperor's decree Telramund
sent out a herald at stated times to proclaim his readiness to do battle
with any who would champion the cause of Elsa.

Time passed, yet the challenge was not accepted, and at length the
day was fixed for the bridal. Behind her prison bars the lady wept
ceaselessly, and called upon the Virgin to save her from the threatened
fate. In her despair she beat her breast with her chaplet, whereon was
hung a tiny silver bell. Now this little bell was possessed of magic
properties, for when it was rung the sound, small at first as the
tinkling of a fairy lure, grew in volume the further it travelled till
it resembled the swelling of a mighty chorus. Rarely was its tone heard,
and never save when its owner was in dire straits, as on the present
occasion. When Elsa beat her breast with it, therefore, its magical
qualities responded to her distress, and its faint, sweet tinkle fell on
her ear.

Far away over hill and dale went the sound of the bell, growing ever
richer and louder, till at length it reached the temple where Parsifal
and his knights guarded the Holy Grail. To them it seemed that the
swelling notes contained an appeal for help directed to the Holy Vessel
over which they kept vigil. While they debated thereon a loud and
mysterious voice was heard bidding Parsifal send his son Lohengrin
to the rescue of Elsa of Brabant, whom he must take for his wife, yet
without revealing to her his identity.

The awed knights recognized the voice as that of the Holy Grail, and
Lohengrin at once set out, bound he knew not whither. When he reached
the shores of the Rhine he found awaiting him a boat drawn by a stately
swan. Taking it as a sign from Heaven, he stepped into the little boat
and was carried up the Rhine, to the sound of the most exquisite music.

It was the day on which Elsa was to be wedded to her tyrant. She had
spent the night in tears and bitter lamentations, and now, weary and
distraught, too hopeless even for tears, she looked out from the bars of
her prison with dull, despairing eyes. Suddenly she heard the melodious
strains and a moment later saw the approach of a swan-drawn boat,
wherein lay a sleeping knight. Hope leapt within her, for she remembered
the prophecy of an old nun, long since dead, that a sleeping knight
would rescue her from grave peril. Directly he stepped ashore the youth
made his way to the place of her confinement and, espying her face at
the heavily barred window, knelt before her and begged that she would
take him for her champion.

At that moment the blast of a trumpet was heard, followed by the voice
of the herald as, for the last time, he challenged any knight to take
up arms on behalf of Elsa of Brabant. Lohengrin boldly accepted the
challenge, and Telramund, when the news reached him of the unexpected
opposition, on the very day he had appointed for his wedding, was
surprised and enraged beyond measure, yet he dared not refuse to do
battle with the stranger knight, because of the Emperor's decree. So it
was arranged that the combat should take place immediately. News of it
reached the people of Cleves, and a great concourse gathered to witness
the spectacle, all of them secretly in sympathy with the persecuted
maiden, though these feelings were carefully concealed from the ruthless

Fierce indeed was the combat, for Lohengrin, though less powerfully
built than his gigantic opponent, was nevertheless tall and strong, and
well versed in the arts of war. At length he laid his enemy in the dust
with a well-aimed sword-stroke, and the crowd broke into cheers. The
combat was over, and Elsa was free!

Heeding not the acclamations of the people, Lohengrin strode toward
Elsa and again knelt at her feet. The blushing maiden bade him name his
reward, whereupon the knight begged her hand in marriage, confessing,
however, that he might only remain with her so long as she did not
question him with regard to his identity. It seemed a small condition
to Elsa, who willingly promised to restrain any curiosity she might feel
concerning his name and place of abode. The cheers of the populace were
redoubled when they learned that Elsa was to bestow her hand on the Swan

In a few weeks the couple were married, and henceforth for a good many
years they lived together very happily. Three sons were born to them,
who grew in time to be handsome and chivalrous lads, of noble bearing
and knightly disposition. Then it was that Elsa, who had hitherto
faithfully kept her promise to her husband, began to fancy that she and
her sons had a grievance in that the latter were not permitted to bear
their father's name.

For a time she brooded in silence over her grievance, but at length it
was fanned into open rebellion by a breath of outside suspicion. Some of
the people looked askance at the knight whose name no one knew. So Elsa
openly reproached her husband with his secrecy, and begged that for the
benefit of their sons he would reveal his name and station. Even the
children of humble parents, the children of the peasants, of their own
retainers, had a right to their father's name, and why not her sons

Lohengrin paled at her foolish words, for to him they were the sign that
he must leave his wife and family and betake himself once more to the
temple of the Holy Grail.

"Oh, Elsa," he said sorrowfully, "thou knowest not what thou hast done.
Thy promise is broken, and to-day I must leave thee for ever." And with
that he blew a blast on his silver horn.

Elsa had already repented her rash words, and right earnestly she
besought him to remain by her side. But, alas! her tears and pleadings
were in vain, for, even as her entreaties were uttered, she heard
the exquisite strains of music which had first heralded her lover's
approach, while from the window of the castle she espied the swan-boat
rapidly drawing toward the shore.

With grave tenderness Lohengrin bade farewell to his wife and family,
first, however, revealing to them his identity, and commending them to
the care of some of his trusty followers.

Tradition tells that Elsa did not long survive the loss of her beloved
husband, but her sons became brave knights, well worthy of the proud
name they bore.

A Legend of Liege

A legend of Liege! and is not Liege itself now almost legendary? Its
venerable church, its world-famous library replete with the priceless
treasures of the past, "with records stored of deeds long since forgot,"
where are they?--but crumbling clusters of ruins fired by the barbarian
torch whose glow, we were told, was to enlighten an ignorant and
uncultured Europe! But one gem remains: the wonderful Hotel de Ville,
type of the Renaissance spirit in Flanders. Liege may be laid in ruins,
but the memory of what it was can never die:

     Athens in death is nobler far
     Than breathing cities of the West;

and the same may be said of those splendours in stone, those wonders
of medieval architecture, even the blackened walls of which possess a
dignity and beauty which will ever assist the imagination to re-create
the picture of what has been.

Liege is a city of the Middle Ages. Time was when the place boasted but
a single forge; and though bucklers were heaped beside the anvil, and
swords and spears lay waiting for repair, the blacksmith leant against
his door-post, gazing idly up the hill-side. Gradually he was aware of
a figure, which seemed to have grown into shape from a furze-bush, or
to have risen from behind a stone; and as it descended the slope he eyed
curiously the grimy face, long beard, and squat form of what he was
half unwilling to recognize as a human being. Hobbling awkwardly, and
shrugging his shoulders as though cold, the man came in time to the
smithy door.

"What! Jacques Perron--idle when work is to be done? Idle smith! idle
smith! The horse lacks the bit, and the rider the spur.

     'Ill fares the hide when the buckler wants mending;
     Ill fares the plough when the coulter wants tending.'

Idle smith! idle smith!"

"Idle enough," quoth Jacques. "I'm as idle as you are ugly; but I can't
get charcoal any more than you can get beauty, so I must stand still,
and you be content with your face, though I'd fain earn a loaf and a cup
full enough for both of us this winter morning."

Though the strange man must have known he was horribly ugly--that is,
if he ever bent to drink of the clear bright waters of the lovely Meuse,
which reflected in those days every lily-bell and every grass-blade
which grew upon its banks, and gave a faithful portraiture in its cool
waters of every creature that leant over them--though he was certainly
the most frightful creature that had ever met the blacksmith's sight, it
was evident enough that he did not like being called Ugly-face. But when
the honest, good-natured smith spoke of earning a draught for his new
acquaintance as well as himself, he smacked his ugly lips and twisted
out a sort of smile which made him still more hideous.

"Ah, ah!" said he, "wine's good in winter weather, wine's good in winter
weather. Listen, listen! Jacques Perron! listen, listen! Go you up the
hill-side--yonder, yonder!" and he pointed with a yellow finger, which
seemed to stretch out longer and longer as the smith strained his
eyes up the slope, until the digit looked quite as long as the tallest
chimney that smoked over Liege. "Listen, listen!" and he sang in a voice
like the breath of a huge bellows:

     "'Wine's good in winter weather;
     Up the hill-side near the heather
     Go and gather the black earth,
     It shall give your fire birth.
     Ill fares the hide when the buckler wants mending;
     Ill fares the plough when the coulter wants tending:
     Go! Go!'

"Mind my cup of wine--mind my cup of wine!" As he ended this rude chant
Jacques saw the long finger run back into the shrivelled hand, as a
telescope slips back into its case, and then the hand was wrapped up in
the dingy garment, and with a dreadful shiver, and a chattering of teeth
as loud as the noise of the anvils now heard on the same spot, the ugly
man was wafted away round the corner of the building like a thick gust
of smoke from a newly fed furnace.

"Mind my cup of wine--mind my cup of wine!" rang again in the ears of
the startled Jacques, and after running several times round his house in
vain pursuit of the voice, he sat down on the cold anvil to scratch his
head and think. It was quite certain he had work to do, and it was as
certain as half a score searches could make it that he had not a single
coin in his pouch to buy charcoal to do it with. He was reflecting that
the old man was a very strange creature--he was more than half afraid to
think who he might be--when in the midst of his cogitation he heard
his three children calling out for their morning meal. Not a loaf
had Jacques in store, and twisting his hide apron round his loins, he
muttered, "Demon or no demon, I'll go," and strode out of the smithy and
up the hill-side as fast as though he feared that if he went slowly his
courage would not carry him as far up as the heather-bush which the long
yellow finger had pointed out.

When the young wife of Jacques came to look for her husband, she saw
him returning with his apron full of black morsels of shining stone. She
smiled at him; but when he threw them on the furnace and went to get a
brand to set them alight, she looked solemn enough, for she thought he
had left his wits on the hill-top. Great was her surprise when she saw
the stones burn! But her joy was greater than her surprise when she
heard her husband's hammer ring merrily, and found the wage of the
smith all spared for home use, instead of being set aside for the
charcoal-burner. That night Jacques had two full wine-cups and, setting
them on the anvil, had scarcely said to himself, "I wonder whether
He'll come!" when in walked the Old Man and, nodding familiarly, seated
himself on the head of the big hammer. Jacques was a bold and grateful
as well as a good-natured fellow, and in a few minutes he and his
visitor were on excellent terms. No more shivering or chattering of
teeth was seen or heard in the smithy that night. The black stones
burned away merrily on the hearth, and the bright flames shone on the
honest face of the smith as he hobnobbed with his companion, and looked
as though he really thought the stranger as handsome as he certainly had
been useful. He sang his best songs and told his best stories, and when
the wine had melted his soul he told his new friend how dearly he loved
his wife and what charming, dear creatures his children were. "Demon
or no demon," he swore the stranger was a good fellow, and though the
visitor spoke but little, he seemed to enjoy his company very much.
He laughed at the jokes, smiled at the songs, and once rather startled
Jacques by letting out again his long telescope arm to pat him on his
shoulder when, with a mouth full of praises of his wife, a tear sparkled
in his eye as he told over again how dearly he loved his little ones.

Day broke before the wine was exhausted or their hearts flagged, and
when the voice of the early cock woke the swan that tended her callow
brood amongst the sedges of the Meuse the Old Man departed. Jacques
never saw him again, although he often looked in all directions when he
went to the hill for a supply of fuel; but from that day Liege grew up
in industry, riches, and power. Jacques had found coal, and thus became
the benefactor of his native country, and the hero of this favourite
Legend of the Liegeois.

The Sword-slipper of Solingen

In Solingen, where the forges rang to the making of sword-blades, many
smiths had essayed to imitate the falchions of Damascus, their trenchant
keenness and their wondrous golden inlaying. But numerous as were the
attempts made to recapture the ancient secret of the East, they all
signally failed, and brought about the ruin of many masters of the
sword-slipper's art.

Among these was old Ruthard, a smith grown grey in the practice of his
trade. He had laid aside sufficient savings to permit himself a year's
experiment in the manufacture of Damascus blades, but to no purpose. As
the months wore on he saw his hard-earned gold melting steadily away.
The wrinkles deepened on his brow, and his only daughter, Martha,
watched the change coming over him in sorrowful silence.

One evening--the evening of all evenings, the holy Christmas eve--Martha
entered the forge and saw the old man still hard at work. She gently
remonstrated with him, asking him why he toiled on such an occasion.

"You work, my father, as if you feared that to-morrow we might not
have bread," she said. "Why toil on this holy evening? Have you not
sufficient for the future? You must have laid by enough for your old
age. Then why fatigue yourself when others are spending the time by
their own hearths in cheerful converse?"

The old smith's only reply was to shake his head in a melancholy manner,
take some pieces of broken food in his hands, and leave the house. At
that moment Wilhelm, the smith's head apprentice, entered the room.
He seemed pale and disturbed, and related to Martha, to whom he was
betrothed, that he had asked Ruthard for her hand. The old man had
firmly told him that he could not consent to their union until he
had discovered the secret of making Damascus blades. This he felt was
hopeless to expect, and he had come to say "good-bye" ere he set out on
a quest from which he might never return. At the news Martha was greatly
perturbed. She rose and clung to the young man, her wild grief venting
itself in heartrending sobs. She begged him not to depart. But his mind
was fully made up, and, notwithstanding her tears and caresses, he tore
himself away and quitted the house and the town.

For nearly a fortnight the youth tramped over hill and valley with
little in his pouch and without much hope that the slender means of
which he was possessed would bring him to the land of the Saracens,
where alone he could hope to learn the great art of tempering the blades
of Damascus. One evening he entered the solitary mountain country of
Spessart and, unacquainted with the labyrinths of the road, lost himself
in an adjoining forest. By this time night had fallen, and he cast about
for a place in which to lay his head. But the inhospitable forest showed
no sign of human habitation. After wandering on, however, stumbling and
falling in the darkness, he at length saw a light burning brightly at a
distance. Quickly he made for it and found that it came from the window
of a cottage, at the door of which he knocked loudly. He had not long to
wait for an answer, for an old woman speedily opened and inquired what
he wanted at so late an hour. He told her that he desired food and
lodging, for which he could pay, and he was at once admitted. She told
him, however, that she expected another visitor. Whilst she cooked his
supper Wilhelm detailed to her the circumstances of his journey. After
he had eaten he retired to rest, but, tired as he was, he could not
sleep. Later a dreadful storm arose, through the din of which he heard
a loud noise, as if someone had entered the house by way of the chimney.
Peering through the keyhole into the next room, he perceived a man
seated at the table opposite his hostess whose appearance filled him
with misgiving. He had not much leisure for a detailed examination of
this person, however, for the witch--for such she was--came to the door
of his room, entered, and bade him come and be introduced to a stranger
from the East who could tell him the secret of forging Damascus blades.
Wilhelm followed the old woman into the other room and beheld there a
swarthy man seated, wrapped in a flame-coloured mantle. For a long time
the stranger regarded him steadily, then demanded what he wanted from
him. Wilhelm told him the circumstances of his quest, and when he
had finished the story the man laughed and, drawing from his pocket a
document, requested the youth to sign it. Wilhelm perceived that it was
of the nature of a pact with Satan, by which he was to surrender
his soul in return for the coveted secret. Nevertheless, he set his
signature to the manuscript and returned to his couch--but not to sleep.
The consequences of his terrible act haunted him, and when morning
came he set off on his homeward journey with a fearful heart, carefully
guarding a well-sealed letter which the mysterious stranger had put into
his hand.

Without further adventure he reached Solingen, and having acquainted
Ruthard with what had transpired, he handed him the letter. But the good
old man refused to unseal it.

"You must keep this until your own son and my grandson can open it," he
said to Wilhelm, "for over his infant soul the enemy can have no power."

And so it happened. Wilhelm married Martha, and in the course of a few
years a little son was born to them, who in due time found the letter,
opened it, and mastered the Satanic secret, and from that time the
blades of Solingen have had a world-wide renown.

The Architect of Cologne Cathedral

Travellers on the Rhine usually make a halt at Cologne to see the
cathedral, and many inquire the name of its creator. Was the plan the
work of a single architect? they ask; or did the cathedral, like many
another in Europe, acquire its present form by slow degrees, being
augmented and duly embellished in divers successive ages? These
questions are perfectly reasonable and natural, yet, strange to relate,
are invariably answered in evasive fashion, the truth being that the
name of the artist in stone who planned Cologne Cathedral is unknown.
The legend concerning him, however, is of world-wide celebrity, for the
tale associated with the founding of the famous edifice is replete with
that grisly element which has always delighted the Germans, and figures
largely in their medieval literature, and more especially in the works
of their early painters--for example, Duerer, Lucas Cranach, and Albrecht

It was about the time of the last-named master that a Bishop of Cologne,
Conrad von Hochsteden, formed the resolve of increasing the pecuniary
value of his diocese. He was already rich, but other neighbouring
bishops were richer, each of them being blest with just what Conrad
lacked--a shrine sufficiently famous to attract large numbers of wealthy
pilgrims able to make generous offerings. The result of his jealous
musing was that the crafty bishop vowed he would build a cathedral whose
like had not been seen in all Germany. By this means, he thought,
he would surely contrive to bring rich men to his diocese. His first
thought was to summon an architect from Italy, in those days the country
where beautiful building was chiefly carried on; but he found that this
would cost a far larger sum than he was capable of raising; so, hearing
that a gifted young German architect had lately taken up his abode at
Cologne itself, Conrad sent for him and offered him a rich reward should
he accomplish the work satisfactorily. The young man was overjoyed, for
as yet he had received no commissions of great importance, and he set
to work at once. He made drawing after drawing, but, being in a state of
feverish excitement, found that his hand had lost its cunning. None
of his designs pleased him in the least; the bishop, he felt, would be
equally disappointed; and thinking that a walk in the fresh air might
clear his brain, he threw his drawing-board aside and repaired to the
banks of the Rhine. Yet even here peace did not come to him; he was
tormented by endless visions of groined arches, pediments, pilasters,
and the like, and having a stick in his hand, he made an effort to trace
some on the sand. But this new effort pleased him no better than any
of its predecessors. Fame and fortune were within his reach, yet he was
incapable of grasping them; and he groaned aloud, cursing the day he was

As the young man uttered his fierce malediction he was surprised to
hear a loud "Amen" pronounced; he looked round, wondering from whom
this insolence came, and beheld an individual whose approach he had not
noticed. He, too, was engaged in drawing on the sand, and deeming that
the person, whoever he was, intended to mock his attempts at a plan for
the projected cathedral, the architect strode up to him with an angry
expression on his face. He stopped short, however, on nearing the rival
draughtsman; for he was repelled by his sinister aspect, while at the
same time he was thunderstruck by the excellence of his drawing. It was
indeed a thaumaturgic design, just such a one as the architect himself
had dreamt of, but had been unable to execute; and while he gazed at it
eagerly the stranger hailed him in an ugly, rasping voice. "A cunning
device, this of mine," he said sharply; and the architect was bound to
agree, despite the jealousy he felt. Surely, he thought, only the Evil
One could draw in this wise. Scarcely had the thought crossed his mind
ere his suspicion was confirmed, for now he marked the stranger's tail,
artfully concealed hitherto. Yet he was incapable of withholding his
gaze from the plan drawn so wondrously on the sand, and the foul fiend,
seeing that the moment for his triumph was come, declared his identity
without shame, and added that, would the architect but agree to renounce
all hopes of salvation in the next world, the peerless design would be
his to do with as he pleased.

The young man shuddered on receiving the momentous offer, but continued
to gaze fixedly at the cunning workmanship, and again the Evil One
addressed him, bidding him repair that very night to a certain place on
a blasted heath, where, if he would sign a document consigning his soul
to everlasting damnation, he would be presented with the plan duly
drawn on parchment. The architect still wavered, now eager to accept the
offer, and now vowing that the stipulated price was too frightful. In
the end he was given time wherein to come to a decision, and he hurried
from the place at hot speed as the tempter vanished from his sight.

On reaching his dwelling the architect flung himself upon his bed and
burst into a paroxysm of weeping. The good woman who tended him observed
this with great surprise, for he was not given to showing his emotions
thus; and wondering what terrible sorrow had come to him, she proceeded
to make kindly inquiries. At first these were met with silence, but,
feeling a need for sympathy, the architect eventually confessed the
truth; and the good dame, horrified at what she heard, hurried off to
impart the story to her father-confessor. He, too, was shocked, but he
was as anxious as Bishop Conrad that the proposed cathedral should be
duly built, and he came quickly to the architect's presence. "Here," he
told him, "is a piece of our Lord's cross. This will preserve you. Go,
therefore, as the fiend directed you, take the drawing from him, and
brandish the sacred relic in his accursed face the moment you have
received it."

When evening drew near the architect hurried to the rendezvous, where
he found the Devil waiting impatiently. But a leer soon spread over his
visage, and he was evidently overjoyed at the prospect of wrecking a
soul. He quickly produced a weird document, commanding his victim
to affix his signature at a certain place. "But the beautiful plan,"
whispered the young man; "I must see it first; I must be assured that
the drawing on the sand has been faithfully copied." "Fear nothing."
The Devil handed over the precious piece of vellum; and glancing at it
swiftly, and finding it in order, the architect whipped it under his
doublet. "Aha! you cannot outwit me," shrieked the fiend; but as he was
laying hands upon the architect the young man brought forth the talisman
he carried. "A priest has told you of this, for no one else would have
thought of it," cried the Devil, breathing flame from his nostrils. But
his wrath availed him naught; he was forced to retreat before the sacred
relic, yet as he stepped backward he uttered a deadly curse. "You have
deceived me," he hissed; "but know that fame will never come to you;
your name will be forgotten for evermore."

And behold, the fiend's prophecy was fulfilled. The cathedral was
scarcely completed ere the young architect's name became irrevocably
forgotten, and now this grisly tale is all that is known concerning his

Cologne Cathedral: Its Erection

There are several other tales to account for the belief prevalent at
one time that Cologne Cathedral would never be completed. The following
legend attributes the unfinished state of the edifice to the curse of
a jealous architect. At the time the building was commenced a rival
architect was engaged in planning an aqueduct to convey to the city a
supply of water purer than that of the Rhine. He was in this difficulty,
however: he had been unable to discover the exact position of the spring
from which the water was to be drawn. Tidings of the proposed structure
reached the ears of the builder of the cathedral, a man of strong
passions and jealous disposition, and in time the other architect asked
his opinion of the plans for the aqueduct.

Now it so happened that the architect of the cathedral alone had known
the situation of the spring, and he had communicated it to his wife, but
to no other living creature; so he replied boastfully:

"Speak not to me of your aqueduct. My cathedral, mighty as it will be,
shall be completed before your little aqueduct." And he clinched his
vainglorious assertion with an oath.

Indeed, it seemed as though his boast would be justified, for the
building of the sacred edifice proceeded apace, while the aqueduct was
not even begun, because of the difficulty of finding the spring. The
second architect was in despair, for of a certainty his professional
reputation was destroyed, his hopes of fame for ever dashed, were he
unable to finish the task he had undertaken.

His faithful wife strove to lighten his despondency, and at last,
setting her woman's wit to work, hit on a plan whereby the threatened
calamity might be averted. She set out to visit the wife of the
rival architect, with whom she was intimate. The hostess greeted her
effusively, and the ladies had a long chat over bygone times. More and
more confidential did they become under the influence of old memories
and cherry wine. Skilfully the guest led the conversation round to the
subject of the hidden spring, and her friend, after exacting a promise
of the strictest secrecy, told her its exact situation. It lay under the
great tower of the cathedral, covered by the massive stone known as the
'Devil's Stone.'

"Let me have your assurance again," said the anxious lady, "that you
will never tell anyone, not even your husband. For I do not know what
would become of me if my husband learnt that I had told it to you." The
other renewed her promises of secrecy and took her leave. On her return
home she promptly told her husband all that had passed, and he as
promptly set to work, sunk a well at the spot indicated, and found the
spring. The foundations of the aqueduct were laid and the structure
itself soon sprang up. The architect of the cathedral saw with dismay
that his secret was discovered. As the building of the aqueduct
progressed he lost all interest in his own work; envy and anger filled
his thoughts and at last overcame him. It is said that he died of a
broken heart, cursing with his latest breath the cathedral which he had

The Wager

An alternative story is that of the Devil's wager with the architect of
the cathedral. The Evil One was much irritated at the good progress
made in the erection of the building and resolved, by means of a cunning
artifice, to stop that progress. To this end he paid a visit to the
architect, travelling incognito to avoid unpleasant attentions.

The architect was a man of wit and good sense, as courteous as he was
clever; but he had one outstanding failing--a love of wagering. Satan,
who ever loves to find the joints in an opponent's armour, chose this
one weak spot as a point of attack. His host offered him meat and drink,
which the Devil declined as not being sufficiently high-seasoned for his

"I have come on a matter of business," said he briskly. "I have heard of
you as a sporting fellow, a man who loves his wager. Is that correct?"

The architect indicated that it was, and was all eagerness and attention
in a moment.

"Well," said the other, "I have come, in a word, to make a bet with you
concerning the cathedral."

"And what is your wager?"

"Why, I'll wager that I bring a stream from Treves to Cologne before you
finish the cathedral, and I'll work single-handed, too."

"Done!" said the delighted architect. "But what's the wager?"

"If I win, your soul passes into my possession; if you win, you may have
anything you choose." And with that he was gone.

Next day the architect procured the services of all the builders that
were to be had on such short notice, and set them to work in real
earnest. Very soon the whole town was in a state of excitement because
of the unusual bustle. The architect took to dreaming of the wealth, or
the fame, or the honour he should ask as his due when the stakes were
won. Employing his imagination thus, he one day climbed to the top of
the highest tower, which by this time was completed, and as he feasted
his eyes on the beautiful landscape spread before him he happened to
turn toward the town of Treves, and lo! a shining stream was threading
its way to Cologne. In a very short time it would reach the latter city.

The Devil had won!

With a laugh of defiance the architect cast himself from the high tower
and was instantly killed. Satan, in the form of a black hound, sprang
upon him, but was too late to find him alive.

But his death stopped for many years the progress of the cathedral;
it long stood at the same stage of completion as when the brook first
flowed from Treves to Cologne.

The Fire-bell of Cologne

In one of the grand towers of Cologne Cathedral hangs a massive bell,
some 25,000 lb. in weight. No mellow call to prayer issues from its
brazen throat, no joyous chimes peal forth on gala-days; only in times
of disaster, of storm and stress and fire, it flings out a warning in
tones so loud and clamorous, so full of dire threatenings, that the
stoutest hearts quail beneath the sound. Because its awful note is only
to be heard in time of terror it is known as the Fire-bell, and a weird
tradition relates the story of its founding and the reason for its
unearthly sound.

Long ago, when bell-founding was looked upon as an art of the highest
importance, and especially so among the Germans, the civic authorities
of Cologne made it known that the cathedral was in need of a new bell.
There was no lack of aspirants for the honour of casting the bell, and
more than one exponent of the art imagined his handiwork swinging in the
grand tower of the cathedral, a lasting and melodious monument to its
creator's skill.

Among those whose ambitious souls were stirred by the statement of the
city fathers was one, a bell-founder named Wolf, a man of evil passions
and overbearing disposition, whose heart was firmly set on achieving
success. In those days, let it be said, the casting of a bell was
a solemn, and even a religious, performance, attended by elaborate
ceremonies and benedictions. On the day which Wolf had appointed for
the operation it seemed as though the entire populace had turned out to
witness the spectacle. Wolf, having prepared the mould, made ready to
pour into it the molten metal. The silence was almost oppressive, and
on it fell distinctly the solemn words of the bell-founder, as in God's
name he released the metal. The bright stream gushed into the mould,
and a cheer broke from the waiting crowd, who, indeed, could scarce be
restrained till the bell had cooled, such was their curiosity to see the
result. At last the earthy mould was removed, they surged round eagerly,
and lo! from crown to rim of the mighty bell stretched a gaping crack!

Expressions of disappointment burst from the lips of the people, and to
Wolf himself the failure was indeed galling. But his ambitious
spirit was not yet completely crushed. "I am not beaten yet," he said
boastfully. "I shall make another, and success shall yet be mine."

Another mould was made, once more the people came forth to see the
casting of the bell, once more the solemn invocation of God's name
fell on awed ears. The glowing metal filled the mould, cooled, and was
withdrawn from its earthy prison. Once more cries of disappointment were
heard from the crowd; again the massive bell was completely riven!

Wolf was beside himself. His eyes glowed with fury, and he thrust aside
the consolations of his friends. "If God will not aid me," he said
fiercely, "then the Devil will!"

The crowd shrank back from the impious words; nevertheless on the third
occasion they attended in even greater numbers than before.

Again was all made ready for the casting of the huge bell. The mould
was fashioned as carefully as on the previous occasions, the metal was
heated in the great furnace, and Wolf, pale and sullen, stood ready to
release it. But when he spoke a murmur of astonishment, of horror, ran
through the crowd. For the familiar words "In the name of God!" he had
substituted "In the name of the Devil!" With fascinated eyes the people
watched the bright, rushing metal, and, later, the removal of the mould.

And behold! the bell was flawless, perfect in shape and form, and
beautiful to look upon!

Wolf, having achieved the summit of his ambition, cared little for the
means by which he had ascended. From among a host of competitors he was
chosen as the most successful. His bell was to hang in the belfry
of Cologne Cathedral, for the envy of other bell-founders and the
admiration of future generations.

The bell was borne in triumph through the streets and fixed high in the
tower. Wolf requested that he might be the first to try its tone, and
his request was granted. He ascended into the tower and took the rope in
his hands; the mighty bell swung forth, but ah! what a sound was that!
The people pressed their hands over their ears and shuddered; those in
the streets hurried to their homes; all were filled with deadly fear as
the diabolical bell flung its awful tones over the startled city. This,
then, was the result of Wolf's invocation of the Devil.

Wolf himself, high in the cathedral tower, was overcome with the brazen
horror of the sound, and, driven mad with remorse and terror, flung
himself from the tower and fell, a crushed and shapeless mass, on the
ground below.

Henceforth the bell was used only to convey warning in times of danger,
to carry a message of terror far and wide across the city, and to remind
the wicked at all times of the danger of trafficking with the Evil One.

The Archbishop's Lion

In 957 Cologne was constituted an imperial free city, having as its
nominal prince the archbishop of the see, but possessing the right to
govern its own affairs. The good bishop of that time acquiesced in the
arrangement, but his successors were not content to be princes in name
only, and strove hard to obtain a real influence over the citizens.
Being for the most part men of unscrupulous disposition, they did not
hesitate to rouse commonalty and aristocracy against each other, hoping
to step in and reap the benefits of such internecine warfare as might
ensue. And, indeed, the continual strife was not conducive to the
prosperity of the burghers, but rather tended to sap their independence,
and one by one their civil liberties were surrendered. Thus the scheming
archbishops increased their power and influence in the city of Cologne.
There came a time, however, in the civic history when the limit was
overstepped. In the thirteenth century Archbishop Engelbert, more daring
and ambitious than any of his predecessors, demanded that the municipal
treasure should be given up to him. Not content with taking away the
privileges of the burghers, he wished to lay his hands on the public
purse as well. This was indeed the last straw, and the sluggish blood of
the burghers was at length roused to revolt.

At this time the Burgomaster of Cologne, Hermann Grein by name, was an
honest, far-seeing, and diplomatic citizen, who had seen with dismay the
ancient liberties of his beloved city destroyed by the cunning of the
Archbishop. The latter's bold attempt at further encroachments gave him
the opportunity he sought, and with the skill of a born leader Hermann
Grein united nobles and commons in the determination to resist their
mutual enemy. Feuds were for the time being forgotten, and with a
gallant effort the galling yoke of the Archbishop-prince was thrown off,
and the people of Cologne were once more free.

Grein performed his civic duties so firmly, albeit so smoothly and
gently, that he won the love and respect of all sections of the
populace. Old and young hailed him in their hearts as the deliverer of
their city from ecclesiastical tyranny. Only Engelbert hated him with
a deadly hatred, and swore to be revenged; nor was his resolve weakened
when a later attempt to subdue the city was frustrated by the foresight
of Grein. It became obvious to the Archbishop that force was unavailing,
for the majority of all classes were on the side of liberty, and were
likely to remain so while Hermann Grein was at their head. So he made
up his mind to accomplish by means of strategy the death of the good old

Now there were in the monastery close by Cologne two canons who shared
Engelbert's hatred of Grein, and who were only too willing to share in
his revenge. And the plan was indeed a cunning one. Belonging to a small
collection of animals attached to the monastery was a fierce lion, which
had more than once proved a convenient mode of removing the Church's
enemies. So it was arranged that the Burgomaster should be asked to
meet the Archbishop there. The latter sent a suave message to his enemy
saying that he desired to treat with him on matters connected with the
civic privileges, which he was disposed to restore to the city, with a
few small exceptions. This being the case, would the Burgomaster consent
to dine with him at the monastery on a certain date?

The Burgomaster consented heartily, for he was a man to whom treachery
was entirely foreign, and therefore not prone to suspect that vice in
others; nevertheless he took the simple precautions of arming himself
and making his destination known to his friends before he set out.
When he arrived at the monastery resplendent in the rich garments
countenanced by the fashion of the time, he was told that the Archbishop
was in the garden.

"Will you walk in our humble garden with his Highness?" the canons asked
the Burgomaster, and he, a lover of nature, bade them lead the way.

The garden was truly a lovely spot, gay with all manner of flowers and
fruit; but Grein looked in vain for his host. "His Highness," said the
wily canons, "is in the private garden, where only the heads of the
Church and their most honoured guests are admitted. Ah, here we are!
Enter, noble Burgomaster; we may go no farther."

With that they stopped before a strong iron-bound door, opened it, and
thrust the old man inside. In a moment the heavy door had swung to with
a crash, and Grein found himself in a narrow, paved court, with high,
unscalable walls on every side. And from a dark corner there bounded
forth to meet him a huge lion! With a pious prayer for help the
Burgomaster drew his sword, wrapped his rich Spanish mantle round his
left arm, and prepared to defend himself against his adversary. With a
roar the lion was upon him, but with wonderful agility the old man leapt
to one side. Again the great beast sprang, endeavouring to get the man's
head between its jaws. Again and again Grein thrust valiantly, and in
one of these efforts his weapon reached the lion's heart and it rolled
over, dead. Weak and exhausted from loss of blood, the Burgomaster lost

Ere long he was roused from his swoon by the awe-inspiring tones of the
alarm-bell and the sound of a multitude of voices. A moment later he
recalled his terrible struggle with the lion, and uttered a devout
thanksgiving for his escape from death.

Meanwhile the people, growing anxious at his prolonged absence, and
fearing that some ill had befallen him, had hastened to the monastery.
The two canons, seeing the approaching crowd, ran out to meet them,
wringing their hands and exclaiming that the Burgomaster had strayed
into the lion's den and there met his death. The angry crowd, in nowise
deceived by their pretences, demanded to be shown the lion's den.
Arrived there, they broke down the door and, to their great joy, found
Grein alive, though wounded and much shaken. They bore him triumphantly
through the town, first crowning his hastily improvised litter with
flowers and laurels.

As for the monks, their priestly garb could not protect their persons
from the wrath of the mob, and they were hanged at the gate of the
monastery, which thereafter became known as the 'Priests' Gate.'

The White Horses

The year 1440 was a memorable one throughout Germany, for the great
plague raged with fearful violence, leaving blanks in many families
hitherto unvisited by death. Among the victims was Richmodis, the
beloved wife of Sir Aducht of Cologne, who deeply mourned her loss.
The lady was buried with a valuable ring--her husband's gift--upon
her finger; this excited the cupidity of the sextons, who, resolved to
obtain possession of it, opened the tomb in the night and wrenched off
the coffin-lid. Their difficulties, however, were not at an end, for
when they tried to possess themselves of the ring it resolutely adhered
to the finger of the corpse.

Suddenly, to their horror, the dead body gently raised itself, with
a deep sigh, as though the soul of Richmodis regarded this symbol of
wifely duty as sacred, and would resist the efforts of the thieves to
take it from her.

The dark and hollow eyes opened and met those of the desecrators, and
a threatening light seemed to come from them. At this ghastly sight the
terrified sextons fled in abject panic.

Richmodis recovered by degrees, and gradually realizing where she was,
she concluded that she must have been buried while alive. In her terror
she cried aloud for help. But nobody could hear her; it was the lone
hour of midnight, when all nature reposes.

Summoning strength, she resolved to make an effort to go to the husband
who had placed the ring upon her finger, and getting out of the coffin,
she made her way shivering toward their home.

The wind moaned dismally through the trees, and their foliage cast dark,
spectral shadows that swayed fitfully to and fro in the weird light of
the waning moon as Richmodis staggered along feebly, absorbed in the
melancholy thoughts which her terrible experience suggested.

Not a sound, save the soughing of the wind, was heard within God's
peaceful acre, for over the wrecks of Time Silence lay motionless in the
arms of Death.

The moon's pale rays illumined the buildings when Richmodis arrived
at her house in the New Market. She knocked repeatedly, but at first
received no response to her summons. After a time Sir Aducht opened the
window and looked out, annoyed at the disturbance at such an hour.

He was about to speak angrily when the apparition looked up at him with
a tender regard of love and asked him to descend quickly and open the
door to receive his wife, nearly exhausted by cold and terror. The
bereaved husband refused to believe that the wife whom he had just
buried had come back to him, and he declared that he would as soon
expect his horses to climb upstairs as believe that his dead wife could
return to him alive.

He had hardly uttered the words when the trampling of his two horses on
the staircase was distinctly heard. A moment or two later he looked from
the casement and saw the steeds at an upper window, and he could doubt
no longer. Rushing to the door, he received his shivering wife into his
arms. The ring she still wore would have removed all doubts had there
been room for such.

Husband and wife spent many years together in domestic happiness, and in
memory of that remarkable night Sir Aducht fixed wooden effigies of two
horses' heads to the outside of the window, where they still remain for
all to see.

The Magic Banquet

Another interesting tale of Cologne deals with the famous magician and
alchemist, Albertus Magnus, who at one time dwelt in the convent of the
Dominicans, not far from that city. It is recorded that on one occasion,
in the depth of winter, Albertus invited William of Holland to a feast
which was to be held in the convent garden. The recipients of the
curious invitation, William and his courtiers, were naturally much
amazed at the terms thereof, but decided not to lose the opportunity of
attending such a novel banquet.

In due course they arrived at the monastery, where all was in readiness
for the feast, the tables being laid amid the snow. The guests had
fortified themselves against the severe weather by wearing their warmest
clothing and furs. No sooner had they taken their seats, however, than
Albertus, exercising the magic powers he possessed, turned the wintry
garden into a scene of summer bloom and loveliness. The heavy furs were
laid aside, and the guests were glad to seek the shade of the spreading
foliage. Iced drinks were brought to allay their thirst, and a sumptuous
banquet was provided by their hosts; thus the hours passed unheeded,
till the Ave Maria was rung by the convent-bell. Immediately the
spell was broken, and once more snow and ice dominated the scene. The
courtiers, who had rid themselves of as much of their clothing as court
etiquette would permit, shivered in the bitter blast, and looked the
very picture of blank amazement--so much so that William forgot his own
suffering and laughed heartily at the discomfiture of his train.

This story has a quaint sequel. To show his approval of the magic feat
William granted to the convent a piece of land of considerable extent in
the neighbourhood of Cologne, and sent some of his courtiers to present
the deed of gift. The hospitable prior, anxious that the members of the
deputation should be suitably entertained, drew from the well-furnished
cellars of the monastery some choice Rhenish, which so pleased the
palates of the courtiers that they drank and drank and did not seem
to know when to stop. At length the prior, beholding with dismay the
disappearance of his finest vintage, privately begged the magician
to put a stop to this drain on the resources of his cellar. Albertus
consented, and once more the wine-cups were replenished. Imagine the
horror of the courtiers when each beheld ghastly flames issuing from his
cup! In their dismay they seized hold of one another and would not let

Only when the phenomenon had disappeared did they discover that each
held his neighbour by the nose! and such was their chagrin at being seen
in this unconventional pose that they quitted the monastery without a
word, and never entered it again.


At a place called Truenfels, near the Oelberg, and not very far from
Cologne, there lived at one time in the Middle Ages a knight named Sir
Balther. His schloss was known as The Mount, and there dwelt with him
here his only daughter, Liba, whose great beauty had won for her a vast
entourage of suitors. Each was equally importunate, but only one was in
any way favoured, Sir Sibert Ulenthal, and at the time the story opens
this Sir Sibert had lately become affianced to Sir Balther's daughter.

Now Sir Balther felt an ardent aversion to one of his neighbours, the
Bishop of Cologne, and his hatred of this prelate was shared abundantly
by various other knights and nobles of the district. One evening it
chanced a body of these were gathered together at The Mount; and after
Rhenish had circulated freely among them and loosened their tongues,
one and all began to vent wrath on the ill-starred Churchman, talking
volubly of his avarice and misdeeds in general. But why, cried one of
them, should they be content with so tame a thing as scurrilous speech?
Were not men of the sword more doughty than men of the robe? he added;
and thereupon a wild shout was raised by the revellers, and they swore
that they would sally forth instantly and slay him whom they all loathed
so passionately.

It happened that, even as they set out, the bishop was returning from
a visit to a remote part of his diocese; and being wholly unprepared
to cope with a gang of desperadoes like these, he fell an easy prey to
their attack. But the Church in medieval days did not take acts of this
sort passively, and the matter being investigated, and it transpiring
that The Mount had been the rallying ground of the murderers, a band of
troops was sent to raze Sir Balther's castle and slay its inmates. The
news, meanwhile, reached the fair Liba's fiance, Sir Sibert, and knowing
well that, in the event of The Mount being stormed by the avenging
party, death or an equally terrible fate might befall his betrothed,
the lover felt sad indeed. He hastened to the King and implored his
intervention; on this being refused, he proposed that he himself should
join the besiegers, at the same time carrying with him a royal pardon
for Liba, for what concern had she with her father's crimes? His Majesty
was persuaded to give the requisite document to Sir Sibert, who then
hied him at full speed to The Mount, there to find the siege going
forward. The walls of the castle were strong, and as yet the inmates
were showing a good fight; but as day after day went past their strength
and resources began to wane, and anon it seemed as though they could
not possibly hold out longer. Accordingly the soldiers redoubled their
efforts to effect a breach, which being compassed ultimately, they
rushed upon the little garrison; and now picture the consternation of
Liba when she found that her own lover was among the assailants of her
home! Amid the din of battle he called to her loudly, once and again,
telling her that he carried a royal pardon for her, and that all she had
to do was to forsake her father and follow her betrothed instead. But in
the din of battle she did not hear, or mistook the tenor of his words;
and ere he could make himself understood the garrison of the castle
began to yield, and a moment later the building was in flames. Many of
the besieged were burnt to death, but Liba and her father hastened to
a little chamber at the base of the schloss, and thence they won to a
subterranean passage which was known only to themselves, and which led
to a distant place in the surrounding wilds.

Gazing at the blackened ruins, Sir Sibert felt as though henceforth the
world held for him no joy whatsoever. He refused to be comforted, so
convinced was he that Liba had perished in the terrible fray; but
one stormy evening, wandering in the neighbourhood of the castle,
he perceived two figures who seemed to him familiar. True, both were
haggard and tattered, but as he drew near to them the knight's pulses
quickened of a sudden, for he knew that his beloved stood before him.
Would she listen to him now? he wondered; or would she still imagine him
perfidious, and scorn the aid which he offered? While he was debating
with himself the storm increased, and the great peals of thunder
sounding overhead made the lover's heart beat faster. He drew the
all-important document from within his doublet and approached the pair.
"Heart of my heart" ... the words faltered to Sir Sibert's lips, but he
got no further; a great flash of lightning descended from on high, and
lo! Sir Balther and Liba lay stricken in death.

The broken-hearted lover built a chapel on the spot where his betrothed
had fallen, and here he dwelt till the end of his days. It would seem,
nevertheless, that those pious exercises wherewith hermits chiefly
occupy themselves were not his only occupation; for long after the
chapel itself had become a ruin its sight was marked by a great stone
which bore an inscription in rude characters--the single word "Liba."
Doubtless Sir Sibert had hewn this epitaph with his own hands.

Rolandseck and Nonnenwerth

The castle of Rolandseck stands opposite Drachenfels. Below them, on an
island in the Rhine, is the convent of Nonnenwerth.

Roland, Charlemagne's nephew, whose fame had spread throughout the
world, while riding one day on the banks of the Rhine, sought the
hospitality of the Lord of Drachenfels. Honoured at receiving such a
distinguished guest, the lord of the castle hastened to welcome him.

The ladies gave the brave knight as cordial a reception as their
lord, whose charming daughter seemed deeply impressed by the visitor's
knightly deportment. Roland's admiring glances lingered lovingly on the
fair maid, who blushed in sweet confusion, and whose tender looks alone
betrayed the presence of Cupid, who but waited for an opportunity to
manifest his power.

At his host's bidding Roland put off his armour, but even in his own
room a vision of maidenly beauty haunted him, thereby showing how subtly
the young girl's charms had wound themselves around the knight's heart.

Roland remained for some time with the Lord of Drachenfels, fascinated
more and more by the grace and beauty of his winsome daughter. Besides
being beautiful, she was a clever needlewoman, and he admired the
dexterity with which she embroidered ornamental designs on damask.

Only when asked by her to relate some deeds of daring, or describe the
wondrous countries through which he had travelled, would Roland become
eloquent. Then he grew enthusiastic, his cheeks glowed, his eyes
sparkled, and the enamoured maid would regard her hero with admiration.
She evinced a lively interest in his exploits, their eyes would meet,
then with a throbbing breast she would resume her work by his side. From
this blissful dream Roland was summoned to the wars again.

The brave soldier prepared to depart, but he realized the joys he must
renounce. Once more he visited the favourite haunts where they had spent
such happy moments. The sound of someone weeping aroused him from
his reverie, and he beheld his lady-love seated in an arbour, sobbing
bitterly. Each knew the grief which separation must bring. Roland
consoled the maiden by promising to return soon, nevermore to part. Only
her tears betrayed how deeply the arrow of the winged god had sunk into
her heart.

A few days later they were betrothed, after which Roland departed in
quest of glory. Many victories were gained by him, and soon the enemy
was vanquished. Rejoicings were held to celebrate the event.

But at Drachenfels Castle sad faces and tearful eyes told a tale of
sorrow, for it had been announced that Roland was dead. The maid's rosy
cheeks grew pale with grief; nothing could console her; for was not her
hero departed from her for ever?

In the intensity of her anguish she sought relief in prayer and found a
refuge in religion. She entered the convent at Nonnenwerth, resolved to
dedicate her life to Heaven, since the joys of earth had fled.

Her afflicted parents reluctantly acquiesced in this proposal. Daily
they beheld their daughter waving her hand to them as she entered the

Suddenly there appeared before the gates of Drachenfels a troop of
cavaliers, whose armour shone brilliantly in the sun. Roland had
returned home from the wars, crowned with glory, to claim his bride. But
when he heard that she had taken the veil his buoyant spirits sank. The
Lord of Drachenfels told him that they had believed the report of his
death to be true.

A cry of despair broke from the hero of a hundred fights. He crossed
the Rhine to the castle of Rolandseck, where he remained for many weeks,
abandoned to grief.

Frequently he looked toward the convent which held his beloved. One
evening he heard the bells tolling and saw a funeral procession of nuns
carrying a coffin to the chapel. His page told him that his love was
dead, but Roland had already divined that she who had mourned his
supposed death had died through grief for him who was still alive to
mourn her death.

Time rolled on and Roland went again to the wars and achieved greater
conquests, but at length he fell fighting against the Moors at
Roncevaux, dying on the battlefield as he had wished. His valorous
deeds and his glorious death were sung by minstrels throughout all
Christendom, and his fame will never die.


Aix-la-Chapelle was the ancient seat of the Empire of Charlemagne,
and many legends cluster around it, several of which have already been
noticed in connexion with its great founder. The following legends,
however, deal with the town itself, and not with any circumstance
connected with the mighty Karl.

The Hunchbacked Musician

In Aix-la-Chapelle dwelt two hunchbacked musicians. Friedel was a lively
fellow with a pleasant face and an engaging manner. Heinz had red hair,
green eyes, and a malevolent expression. Friedel was a better player
than Heinz; that, combined with his agreeable looks, made him a general

Friedel loved Agathe, the daughter of a rich wine-merchant. The lovers'
prospects were not encouraging, for Agathe's father sought a son-in-law
from higher circles. The poor musician's plight was rendered desperate
by the wine-merchant compelling his daughter to accept a rich but
dissipated young man. When the hunchback approached the merchant to
declare his feelings toward the maiden, he was met with derision and
insult. Full of bitterness, he wandered about, till midnight found him
in the fish-market, where the Witches' Sabbath was about to take place.
A weird light was cast over everything, and a crowd of female figures
quickly gathered. A lady who seemed to be at the head of the party
offered the hunchback refreshment, and others handed him a violin,
desiring him to play for them. Friedel played, and the witches danced;
faster and faster, for the violin was bewitched. At last the violinist
fell exhausted, and the dancing ceased. The lady now commanded him to
kneel and receive the thanks of the company for his beautiful playing.
Then she muttered strange words over the kneeling hunchback.

When Friedel arose his hump was gone.

Just then the clock struck one, everything vanished, and the musician
found himself alone in the market-place. Next morning his looking-glass
showed him that he had not been dreaming, and in his pocket he found a
large sum of money, which made him the equal of the richest in the town.
Overjoyed at the transformation, he lost no time in seeking Agathe's
house. The sight of his gold turned the scale in his favour, and the
wine-merchant consented to his suit.

Now Heinz was inflamed with jealousy, and tried to calumniate his
companion by spreading evil stories. Friedel's strange adventure leaked
abroad, and Heinz determined to try his fortune likewise. So at the
next witch-meeting he hastened to the fish-market, where at the outset
everything happened in exactly the same manner. Heinz was requested to
play, but his avaricious gaze was fixed on the golden vessels on
the table, and his thoughts were with the large reward he would ask.
Consequently his playing became so discordant that the indignant dancers
made him cease.

Kneeling down to receive his reward, he demanded the valuable
drinking-cups, whereupon with scornful and mocking words the lady who
was the leader of the band fixed on his breast the hump she had taken
from Friedel. Immediately the clock struck one, and all disappeared. The
poor man's rage was boundless, for he found himself now saddled with
two humps. He became an object of ridicule to the townsfolk, but Friedel
pitied him, and maintained him ever after.

The Legend of the Cathedral of Aix-la-Chapelle

In former times the zealous and devout inhabitants of Aix-la-Chapelle
determined to build a cathedral. For six months the clang of the hammer
and axe resounded with wonderful activity, but, alas! the money
which had been supplied by pious Christians for this holy work became
exhausted, the wages of the masons were perforce suspended, and with
them their desire to hew and hammer, for, after all, men must have money
wherewith to feed their families.

Thus the cathedral stood, half finished, resembling a falling ruin.
Moss, grass, and wild parsley flourished in the cracks of the walls,
screech-owls already discovered convenient places for their nests, and
amorous sparrows hopped lovingly about where holy priests should have
been teaching lessons of chastity.

The builders were confounded. They endeavoured to borrow here and there,
but no rich man could be induced to advance the large sum required. The
collections from house to house produced little, so that instead of the
much-wished-for golden coins nothing was found in the boxes but copper.
When the magistracy received this report they were out of humour, and
looked with desponding countenances toward the cathedral walls, as
fathers look upon the remains of favourite children.

At this moment a stranger of commanding figure and something of pride
in his voice and bearing entered the council chamber and exclaimed: "Bon
Dieu! it is said that you are out of spirits. Hem! if nothing but money
is wanting, you may console yourselves, gentlemen. I possess mines of
gold and silver, and both can and will most willingly supply you with a
ton of them."

The astounded magistrates sat like a row of pillars, measuring the
stranger from head to foot. The Burgomaster first found his tongue. "Who
are you, noble lord," said he, "that thus, entirely unknown, speak of
tons of gold as though they were sacks of beans? Tell us your name, your
rank in this world, and whether you are sent from the regions above to
assist us."

"I have not the honour to reside there," replied the stranger, "and,
between ourselves, I beg most particularly to be no longer troubled with
questions concerning who and what I am. Suffice it to say I have gold
plentiful as summer hay!" Then, drawing forth a leathern pouch, he
proceeded: "This little purse contains the tenth of what I'll give. The
rest shall soon be forthcoming. Now listen, my masters," continued he,
clinking the coin; "all this trumpery is and shall remain yours if you
promise to give me the first little soul that enters the door of the new
temple when it is consecrated."

The astonished magistrates sprang from their seats as if they had been
shot up by an earthquake and rushed pell-mell into the farthest corner
of the room, where they rolled and clung to each other like lambs
frightened at flashes of lightning. Only one of the party had not
entirely lost his wits, and he collected his remaining senses and,
drawing his head out of the heap, uttered boldly: "Avaunt, thou wicked

But the stranger, who was no less a person than Master Urian, laughed at
them. "What's all this outcry about?" said he at length. "Is my offence
so heinous that you are all become like children? It is I that may
suffer from this business, not you. With my hundreds and thousands I
have not far to run to buy a score of souls. Of you I ask but one in
exchange for all my money. What are you picking at straws for? One
may plainly see you are a mere set of humbugs! For the good of the
commonwealth (which high-sounding name is often borrowed for all sorts
of purposes) many a prince would instantly conduct a whole army to be
butchered, and you refuse one single man for that purpose! Fie! I am
ashamed, O overwise counsellors, to hear you reason thus absurdly and
citizen-like. What, do you think to deprive yourselves of the kernel of
your people by granting my wish? Oh, no; there your wisdom is quite
at fault, for, depend on it, hypocrites are always the earliest church

By degrees, as the cunning fiend thus spoke, the magistrates took
courage and whispered in each other's ears: "What is the use of our
resisting? The grim lion will only show his teeth once. If we don't
assent, we shall infallibly be packed off ourselves. It is better,
therefore, to quiet him directly."

Scarcely had they given effect to this new disposition and concluded
the bargain when a swarm of purses flew into the room through doors and
windows. Urian now took leave, but he stopped at the door and called out
with a grim leer: "Count it over again for fear I may have cheated you."

The hellish gold was piously expended in finishing the cathedral, but
nevertheless, when the building was completed, splendid though it was,
the whole town was filled with fear and alarm at the sight of it. The
fact was that, although the magistrates had promised by bond and oath
not to trust the secret to anybody, one had prated to his wife, and she
had made it a market-place tale, so that one and all declared they would
never set foot within the walls. The terrified council now consulted the
clergy, but the good priests hung their heads. At last a monk cried
out: "A thought strikes me. The wolf which has so long ravaged the
neighbourhood of our town was this morning caught alive. This will be a
well-merited punishment for the destroyer of our flocks; let him be cast
to the devil in the fiery gulf. 'Tis possible the arch hell-hound may
not relish this breakfast, yet, nolens volens, he must swallow it. You
promised him certainly a soul, but whose was not decidedly specified."

The monk's plan was plausible, and the magistrates determined to put the
cunning trick into execution. The day of consecration arrived. Orders
were given to bring the wolf to the principal entrance of the cathedral,
and just as the bells began to ring, the trap-door of the cage was
opened and the savage beast darted out into the nave of the
empty church. Master Urian from his lurking-place beheld this
consecration-offering with the utmost fury; burning with choler at
being thus deceived, he raged like a tempest, and finally rushed forth,
slamming the brass gate so violently after him that the ring cracked in

This fissure commemorates the priest's victory over the devices of the
Devil, and is still exhibited to travellers who visit the cathedral.

A Legend of Bonn

The city of Bonn is one of the most beautiful of all those situated on
the banks of the Rhine, and being the birthplace of no less celebrated
a composer than Beethoven, it naturally attracts a goodly number of
pilgrims every year, these coming from many distant lands to do homage
at the shrine of genius. But Bonn and its neighbourhood have older
associations than this--associations which carry the mind of the
traveller far into the Middle Ages--for hard by the town is Rolandseck;
while a feature of the district is the Siebengebirge (Seven Mountains),
a fine serried range of peaks which present a very imposing appearance
when viewed from any of the heights overlooking Bonn itself, and which
recall a justly famous legend.

This story tells that in the thirteenth century there lived at a castle
in the heart of these mountains a nobleman called Wolfram Herzog von
Bergendorf; and being no freebooter like most of the other German barons
of the time, but a man of very pious disposition, he was moved during
the prime of his life to forsake his home and join a body of crusaders.
Reaching Palestine after a protracted journey, these remained there for
a long time, Wolfram fighting gallantly in every fray and making his
name a terror to the Saracens. But the brave crusader was wounded
eventually, and now he set out for Germany, thirsting all the way for
a sight of his beloved Siebengebirge, and dreaming of the wind-swept
schloss which was his home. As he drew nearer to it he pictured the
welcome which his fond Herzogin would give him, but scarcely had the
drawbridge been lowered to admit him to his castle ere a fell piece of
news was imparted to him. In short, it transpired that his wife Elise
had been unfaithful to him during his absence and, on hearing that
he was returning, had fled precipitately with her infant son. It was
rumoured that she had found refuge in a convent, but Wolfram was quite
unable to ascertain his wife's whereabouts, the doors of all nunneries
being impassable to men; while even the joy of revenge was denied him,
for, try as he might, he could not find out the name of the person who
had wronged him. So the Herzog was broken-hearted, and he vowed that
henceforth he would live a solitary life within his castle, spending his
time in prayer and seeing only his own retainers.

For many years this vow was piously observed, and Wolfram never stirred
abroad. In course of time, however, he began to chafe at the restraint,
feeling it the more acutely because he was an old soldier and had known
the excitement of warfare; and so it came about that he revoked his
decision and began to travel about the country as of old. It seemed
also, to some of his henchmen, that he was gradually becoming more like
his former self, and they sometimes said among themselves that he would
marry again and had quite forgotten his wrongs. But the very reverse was
the truth, and if Wolfram was growing more cheerful, it was because new
hopes of retribution were springing up in his heart. The chance would
come, he often told himself; surely the fates would one day confront him
with his wife's lover! And one day, as he rode through the village of
Gudesburg, these revengeful thoughts were uppermost in his mind. They
engrossed him wholly, and he took little heed of the passers-by; but an
unexpected stumble on the part of his horse caused him to look up, and
of a sudden his eyes blazed like live coals. Here, walking only a few
yards away from him, was a youth who bore an unmistakable resemblance to
the unfaithful Elise; and dismounting instantly, the Herzog strode up
to the stranger, hailed him loudly, and proceeded to question him
concerning his identity. The youth was surprised at the anger expressed
on the elder man's countenance; and being overawed, he answered all
questions without hesitation, unfolding the little he knew about his
parentage. Nor had Wolfram's instincts deceived him; the tale he heard
confirmed his suspicions, and drawing his sword, he slew the youth in
cold blood, denying him even a moment in which to repeat a paternoster.

A rude iron cross, still standing by the road at Gudesburg, is said to
mark the place where the ill-starred and unoffending young man met his
doom. Possibly this cross was erected by Wolfram himself because he
experienced remorse, and felt that he had been unduly hasty in taking
life; but be that as it may, the story concludes by asserting that
the Herzog once more vowed that he would spend the rest of his days in
solitude and prayer, and that henceforth to the end his vow remained

The Treasure-seeker

This is a picturesque tale of the consequences of wealth attained by
the aid of the supernatural which hangs about the ancient village of
Endenich, near Bonn, where at the end of the seventeenth century there
dwelt a certain sheriff and his son, Konrad, who was a locksmith by
trade. They were poor and had lost everything in the recent wars, which
had also ruined Heribert, another sheriff, who with his daughter, the
beautiful Gretchen, eked out a frugal but peaceful existence in the same
neighbourhood. The two young people fell in love with each other, but
Gretchen's father, becoming suddenly and mysteriously very rich and
arrogant withal, desired a wealthy or highly placed official as his
son-in-law and not a poor lad with no expectations such as Konrad, the
locksmith. The lovers were therefore compelled to meet in secret, and it
was on one of these occasions that Heribert, surprising them together,
attacked Konrad and felled him to the ground in his rage that he should
dare to approach his daughter.

Spurred by his love and knowing that he could never hope to win Gretchen
without wealth, the unhappy youth decided to barter for gold the only
possession left to him--his soul.

Now there lived in the churchyard a Lapp wizard who made such bargains;
so in the dead of night Konrad took his way to this dreadful and
unfrequented spot and exhorted the sorcerer to come forth. At the third
cry a terrible apparition appeared and demanded to know his wishes,
to which the terrified Konrad could only reply: "Gold." Thereupon the
sorcerer led the way deep into a forest and, pointing mysteriously to
a certain spot, disappeared. At this spot Konrad found a chest full
of gold and silver coins, and returning to Bonn, he bought a house
the splendour of which surpassed that of Heribert, who could no longer
refuse his daughter to so wealthy a suitor.

The young wife tried all her arts to solve the mystery of her husband's
wealth, and he was at length about to reveal it to her when he was
suddenly arrested and thrown into prison. Here he was put to torture
by the authorities, who suspected him of robbery, and at length he
confessed that he had found a treasure, while to his wife he confided
the gruesome details, all of which were overheard by his jailers.

He was released, but almost immediately re-arrested on the suspicion
that he had killed a Jew named Abraham, who had amassed great sums
during the wars as a spy. Tortured again, in his extremity he confessed
to the murder and named Heribert as his accomplice, whereupon both men
were sentenced to be hanged. Just as this doom was about to be carried
out a Jew who had arrived from a far country hurriedly forced his way
through the crowd. It was Abraham, who had returned in time to save the

But his sin did not pass unpunished, for Konrad died childless; he
bequeathed his wealth to the Church and charities, in expiation of his
sin of having attained wealth by the aid of an evil spirit.

The Miller's Maid of Udorf

Udorf is a little village on the left bank of the Rhine, not far from
the town of Bonn, and at no great distance from it stands a lonely
mill, to which attaches the following story of a woman's courage and

Haennchen was the miller's servant-maid, a buxom young woman who had been
in his service for a number of years, and of whose faithfulness both he
and his wife were assured.

One Sunday morning the miller and his wife had gone with their elder
children to attend mass at the neighbouring village of Hersel, leaving
Haennchen at the mill in charge of the youngest child, a boy of about
five years of age.

On the departure of the family for church Haennchen busied herself in
preparing dinner, but had scarcely commenced her task ere a visitor
entered the kitchen. This was no other than her sweetheart, Heinrich,
whom she had not seen for some time. Indeed, he had earned so bad a
reputation as a loafer and an idle good-for-nothing that the miller, as
much on Haennchen's account as on his own, had forbidden him the house.
Haennchen, however, received her lover with undisguised pleasure,
straightway set food before him, and sat down beside him for a chat,
judging that the miller's dinner was of small consequence compared with
her ill-used Heinrich! The latter ate heartily, and toward the end of
the meal dropped his knife, as though by accident.

"Pick that up, my girl," said he.

Haennchen protested good-humouredly, but obeyed none the less. As she
stooped to the floor Heinrich seized her by the neck and held another
knife to her throat. "Now, girl, show me where your master keeps his
money," he growled hoarsely. "If you value your life, make haste."

"Let me go and I'll tell you," gasped Haennchen; and when he had loosened
his grip on her throat she looked at him calmly.

"Don't make such a fuss about it, Heinrich," she said pleasantly. "If
you take my master's money, you must take me too, for this will be no
place for me. Will you take me with you, Heinrich?"

The hulking fellow was taken completely off his guard by her apparent
acquiescence, and touched by her desire to accompany him, which
he attributed, with the conceit of his kind, to his own personal

"If I find the money, you shall come with me, Haennchen," he conceded
graciously. "But if you play me false--" The sentence ended with an
expressive motion of his knife.

"Very well, then," said the maid. "The money is in master's room. Come
and I will show you where it is concealed."

She led him to the miller's room, showed him the massive coffer in which
lay her master's wealth, and gave him a piece of iron wherewith to prise
it open.

"I will go to my own room," she said, "and get my little savings, and
then we shall be ready to go."

So she slipped away, and her erstwhile sweetheart set to work on the
miller's coffer.

"The villain!" said Haennchen to herself when she was outside the room.
"Now I know that master was right when he said that Heinrich was no fit
suitor to come courting me."

With that she slammed the door to and turned the key, shutting the thief
in a room as secure as any prison-cell. He threatened and implored her,
but Haennchen was deaf to oaths and entreaties alike. Outside she found
the miller's son playing happily, and called him to her. "Go to father
as quickly as you can," she said, putting him on the road to Hersel.
"You will meet him down there. Tell him there is a thief in the mill."

The child ran as fast as his little legs would carry him, but ere he had
gone many yards a shrill whistle sounded from the barred window behind
which Heinrich was imprisoned.

"Diether," shouted the robber to an accomplice in hiding, "catch the
child and come and stop this wench's mouth." Haennchen looked around
for the person thus addressed, but no one was in sight. A moment later,
however, Diether sprang up from a ditch, seized the frightened boy,
and ran back toward the mill. The girl had but little time in which to
decide on a course of action. If she barricaded herself in the mill,
might not the ruffian slay the child? On the other hand, if she waited
to meet him, she had no assurance that he would not kill them both. So
she retired to the mill, locked the door, and awaited what fate had in
store for her. In vain the robber threatened to kill the child and burn
the mill over her head if she would not open to him at once. Seeing that
his threats had no effect, he cast about for some means of entering the
mill. His quick eye noted one unprotected point, an opening in the wall
connected with the big mill-wheel, a by no means easy mode of ingress.
But, finding no other way, he threw the frightened child on the grass
and slipped through the aperture.

Meanwhile Haennchen, who from the position of her upper window could not
see what was going on, was pondering how she could attract the attention
of the miller or any of their neighbours. At last she hit upon a plan.

It was Sunday and the mill was at rest. If she were to set the machinery
in motion, the unusual sight of a mill at work on the day of rest would
surely point to some untoward happening. Hardly had the idea entered her
head ere the huge sails were revolving. At that very moment Diether
had reached the interior of the great drum-wheel, and his surprise and
horror were unbounded when it commenced to rotate. It was useless to
attempt to stop the machinery; useless, also, to appeal to Haennchen.
Round and round he went, till at last he fell unconscious on the
bottom of the engine, and still he went on rotating. As Haennchen had
anticipated, the miller and his family were vastly astonished to see the
mill in motion, and hastened home from church to learn the reason for
this departure from custom. Some of their neighbours accompanied them.
In a few words Haennchen told them all that had occurred; then her
courage forsook her and she fainted in the arms of the miller's eldest
son, who had long been in love with her, and whom she afterward married.

The robbers were taken in chains to Bonn, where for their many crimes
they suffered the extreme penalty of the law.

Rosebach and its Legend

The quiet and peaceful valley of Hammerstein is one of the most
beautiful in all Rhineland, yet, like many another lovely stretch of
country, this valley harbours some gruesome tales, and among such
there is one, its scene the village of Rosebach, which is of particular
interest, as it is typical of the Middle Ages, and casts a light on
the manner of life and thought common in those days. For many centuries
there stood at this village of Rosebach a monastery, which no longer
exists, and it was probably one of its early abbots who first wrote down
the legend, for it is concerned primarily with the strange events which
led to the founding and endowment of this religious house, and its whole
tenor suggests the pen of a medieval cleric.

In a remote and shadowy time there lived at Schloss Rosebach a certain
Otto, Count of Reuss-Marlinberg of Hammerstein; and this Count's evil
deeds had made him notorious far and near, while equally ill-famed was
his favourite henchman, Riguenbach by name, a man who had borne arms in
the Crusades and had long since renounced all belief in religion. This
ruffian was constantly in attendance on his master, Otto; and one day,
when the pair were riding along the high-road together, they chanced
to espy a bewitching maiden who was making her way from a neighbouring
village to the convent of Walsdorf, being minded to enter the novitiate
there and eventually take the veil. The Count doffed his hat to the
prospective nun, less because he wished to be courteous than because it
was his habit to salute every wayfarer he encountered on his domain; and
Riguenbach, much amused by Otto's civility to one of low degree, burst
into a loud laugh of derision and called after the maiden, telling her
to come back. She obeyed his behest, and thereupon the two horsemen
drew rein and asked the damsel whither she was bound. "To Walsdorf," she
replied; and though Otto himself would have let her go forward as
she pleased, the crafty Riguenbach was not so minded. "There are many
dangers in the way," he said to the girl; "if you push on now that
evening is drawing near you may fall a prey to robbers or wolves, so
you had better come to the castle with us, spend the night there, and
continue your journey on the morrow." Pleased by the apparently friendly
offer, and never dreaming of the fate in store for her, the girl
willingly accepted the invitation. That night the people around Schloss
Rosebach heard piercing screams and wondered what new villainy was on
foot. But the massive stone walls kept their secret, and the luckless
maiden never again emerged from the castle.

For a time the Count's crime went unpunished, and about a year later he
commenced paying his addresses to Eldegarda, a lady of noble birth.
In due course the nuptials of the pair were celebrated. The bride had
little idea what manner of man she had espoused, but she was destined
to learn this shortly; for on the very night of their marriage an
apparition rose between the two.

"Otto," cried the ghost in weird, sepulchral tones, "I alone am thy
lawful spouse; through thee I lost all hopes of Heaven, and now I am
come to reward thee for thy evil deeds." The Count turned livid with
fear, and the blush on Eldegarda's cheek faded to an ashen hue; but the
spectre remained with them throughout the night. And night after night
she came to them thus, till at last Otto grew desperate and summoned to
his aid a Churchman who happened to be in the neighbourhood, the Abbot
Bernard of Clairvaux.

Now this Bernard enjoyed no small fame as a worker of miracles, but when
Otto unfolded his case to him the Abbot declared straightway that no
miracle would be justifiable in the present instance, and that only by
repentance and by complete renunciation of the world might the Count
be released from his nightly menace. Otto hung his head on hearing this
verdict, and as he stood hesitating, pondering whether it were possible
for him to forgo all earthly joys, his old henchman, Riguenbach, chanced
to enter, and learning his master's quandary, he laughed loudly
and advised the Count to eject Bernard forcibly. The Abbot met the
retainer's mirth with a look of great severity, and on Riguenbach
showing that he was still bent on insolence, the Churchman cried to
him: "Get thee behind me, Satan"; whereupon a flame of lightning darted
suddenly across the chamber, and the man who had long aided and abetted
the Count's wickedness was consumed to ashes.

For a moment Otto stood aghast at the awful fate of his retainer; and
now, beholding how terrible a thing is divine vengeance, he began at
last to feel truly repentant. He consented to have his marriage annulled
without delay, and even declared that he himself would become a monk. At
the same time he counselled his wife to take the veil, and they parted,
thinking never to see each other again. But one night, ere either of
them had taken the irrevocable vows, the Virgin Mary appeared to Abbot
Bernard and told him he had acted unwisely in parting the bride and
bridegroom in this wise, for was not Eldegarda wholly innocent? The
Churchman instantly returned to Otto's presence, and on the following
day the Count and his wife were duly remarried. The newly found piety
of the penitent found expression in the building and endowment of a
religious edifice upon his domains.

So it was, then, that the Abbey of Rosebach was founded, and though
the ruthless hand of time has levelled its walls, the strange events to
which they owed their being long ago are still remembered and recited in
the lovely vale of Hammerstein; for, though all human things must needs
perish, a good story long outlives them all.

The Dancers of Ramersdorf

At Ramersdorf every Sunday afternoon the lads and lasses of the hamlet
gathered on the village green and danced gaily through the sunny hours.
But wild prophecies of the coming end of the world, when the year 1000
should break, were spreading throughout the countryside, and the spirit
of fear haunted the people, so that music died away from their hearts
and there was no more dancing on the village green. Instead they spent
the hours praying in the church for divine mercy, and the Abbot of
Loewenburg was well pleased.

The dreaded year came and went, yet the world had not ceased; the sun
still rose and set, life went on just the same. So fear passed from the
hearts of the people, and because they were happy again the young folk
once more assembled to dance the Sundays away on the village green. But
the abbot was wroth at this. When the music began he appeared among
the villagers, commanding them to cease from their revels and bethink
themselves of the House of God. But the lads and lasses laughed, and the
music went on as they footed it gaily. Then the abbot was angered; he
raised his hands to heaven and cursed the thoughtless crowd, condemning
the villagers to dance there unceasingly for a year and a day.

As they heard the dreadful words the young folk tried to stop, but their
feet must needs go on to the endless music. Faster and faster in giddy
round they went, day and night, rain and shine, throughout the changing
seasons, until the last hours of the extra day, when they fell in a
senseless heap in the hollow worn by their unresting feet. When they
awoke to consciousness all reason had passed from them. To the day of
their death they remained helpless idiots. Henceforth the village green
was deserted; no more were seen the lads and lasses dancing there on the
Sabbath day.

The Loewenburg

Tradition asserts that on the summit of this mountain once stood a
castle, of which, however, not the slightest trace can be found at the
present day. There is also a story of the lord who dwelt there, Hermann
von Heinsberg, with whom, for his sins, the direct line of the family
became extinct.

Graf Hermann was possessed by one overmastering passion, that of the
chase. The greater part of his life was spent in the dense forests which
clothed the valleys and mountains about his castle. Every other interest
must, perforce, stand aside. The cornfields, vineyards, and gardens of
his vassals were oftentimes devastated in his sport, to the utter ruin
of many. If any dared complain he laughed at or reviled them; but if he
were in angry mood he set his hounds on them and hunted his vassals as
quarry, either killing them outright or leaving them terribly injured.
Needless to say, he was well hated by these people, also by his own
class, for his character was too fierce and overbearing even for their
tolerance. To crown his unpopularity, he was under the ban of the
all-powerful Church, for saints' days and Lord's Day alike he hunted
to his heart's content, and once, on receiving a remonstrance, had
threatened to hunt the Abbot of Heisterbach himself. So he lived,
isolated, except for his troop of jaegers, from the rest of mankind. The
forest was his world, his only friends the hounds.

Once, on the eve of a holy festival, Hermann set out to hunt in the
ancient forest about the base of the Loewenburg. In the excitement of
the chase he outstripped his followers, his quarry disappeared, and,
overtaken by night, his surroundings, in the dim light, took on such an
unfamiliar aspect that he completely lost all sense of direction. Up and
down he paced in unrestrained yet impotent anger, feeling that he was
under some evil spell. Maddened by this idea, he endeavoured to hack
his way through the thick undergrowth, but the matted boughs and dense
foliage were as effectual as prison bars. He was trapped, he told
himself, in some enchanted forest, for the place seemed more and more
unfamiliar. He strove to bring back some recollection of the spot,
which surely he must have passed a thousand times. But no--he could not
distinguish any feature that seemed familiar. His spirits sank lower and
lower, his strength seemed on the point of failing, his brain seemed to
be on fire. Round and round he went like some trapped animal; then he
threw himself madly upon a mass of tangled underwood and succeeded in
breaking through to a more open space. This also seemed unfamiliar,
and in the dim light of the stars the tall trees shut him in as if with
towers of impenetrable shadow; silence seemed to lay everything under a
spell of terror, ominous of coming evil.

Wearied in body and mind, Hermann flung himself down on the sward and
quickly fell asleep. But suddenly a plunging in the brushwood aroused
him, and with the instinct of the huntsman he sprang up instantly,
seizing his spear and whistling to his dogs, which, however, crouched
nearer to the earth, their hair bristling and eyes red with fear.
Again their master called, but they refused to stir, whining, with eyes
strained and fixed on the undergrowth. Then Graf Hermann went forward
alone to the spot whence proceeded the ominous sound, his spear poised,
ready to strike.

He was about to penetrate into the brushwood when suddenly there emerged
from it a majestic-looking man, who seemed as if hotly pursued. He was
dressed in ancient garb, carrying a large crossbow in his right hand. A
curved hunting-horn hung at his side, and an old-fashioned hunting-knife
was stuck in his girdle.

With a stately motion of the hand he waved Hermann aside, then he raised
the horn to his lips and blew upon it a terrible blast so unearthly in
sound that the forest and mountains sent back echoes like the cry of
the lost, to which the hounds gave tongue with a howl of fear. As if
in answer to the echoes, there suddenly appeared hundreds of skeleton
stags, of enormous size, each bestridden by a skeleton hunter. With one
accord the ghostly riders spurred on their steeds, which with lowered
antlers advanced upon the stranger, who, with a scream for mercy, sought
frenziedly for some means of evading his grisly pursuers.

For the space of an hour the dreadful chase went on, Graf Hermann rooted
to the spot with horror, overcome by a sense of helplessness. There in
the centre he stood, the pivot round which circled the infernal hunt,
unable to stay the relentless riders as with bony hands rattling against
their skeleton steeds they encouraged them to charge, gore, and trample
the hapless stranger, whose cries of agony were drowned by shrieks of
fiendish glee and the incessant cracking of whips. Overcome at last by
terror, the count fell senseless, his eyes dazed by the still whirling
spectres and their flying quarry. When at last he slowly awaked from his
swoon he looked around, fearing to see again the hideous spectacle. All
but the stranger, however, had vanished. Graf Hermann shuddered as he
looked upon him, and only with difficulty could he summon sufficient
courage to address him. Indeed, it was only after the unwonted action of
crossing himself that he could speak.

"Who and what are you?" he asked in a hushed tone. But the stranger made
no reply, except to sigh mournfully. Again the count asked the question,
and again received but a sigh for answer.

"Then in the name of the Most High God I conjure you, speak!" he said
the third time.

The stranger turned to him, as if suddenly released from bonds.

"By the power of God's holy name the spell is broken at last. Listen now
to me!"

He beckoned Hermann to his side and in strange, stern tones he related
the following:

"I am your ancestor. Like you, I loved the chase beyond everything in
life--beyond our holy faith or the welfare of any human being, man,
woman, or child. To all that stood in my path I showed no mercy. There
came a time when famine visited the land. The harvest was destroyed by
blight and the people starved. In their extremity they broke into my
forests; famished with hunger, they destroyed and carried off the game.
Beside myself with rage, I swore that they should suffer for it--that
for every head of game destroyed I would exact a human life. I kept
my oath. Arming my retainers, servants, and huntsmen, I seized my
presumptuous vassals in the dead of night, and dragging them to the
castle, I flung them into the deepest dungeons. There for three days
I let them starve--for three days also I kept my hounds without food.
Meantime my huntsmen had caught a great number of the largest and
strongest deer in the forests. At the end of three days the unfortunate
wretches were brought out, diminished now by a full hundred. My ready
retainers bound them naked to the stags. My best steeds were saddled.
Then the kennels were thrown open and the famished hounds rushed forth
like a host of demons. Off went the deer like the wind, each with his
human burden, the dogs following, and then the horsemen, shouting with
glee at the new sport. By nightfall not a stag or his rider was left
alive. The hounds in their fury worried and tore at both man and beast,
and the last unfortunate wretch met a hideous death on this spot where
we now stand."

He paused as if overcome by the memory of his crime.

"God avenged that dreadful deed. That night I died, and I am now
suffering the tortures of the damned. Every night I am hunted by my
victims, as you have seen. I am now the quarry, hunted from the castle
court, on through the forest, to this hidden and haunted spot. Thousands
and thousands of times I have suffered this: I endure all the agonies
I made them suffer. I am doomed to undergo this to the last day, when I
shall be hunted over the wastes of hell by legions of demons."

Again he paused, his eyes terrible with the anguish of a lost soul. He
resumed in a sterner tone:

"Take warning by my fate. Providence, kinder to you than to me, has
guided you hither to-night that you might learn of my punishment. While
you still have time repent of your crimes and endeavour to make amends
for the suffering you have inflicted. Remember--the wages of sin is
death. Remember me--and my fate!"

The next moment the phantom had faded from view.

Only the hounds were crouching near the count, panting fearfully. All
else was silent gloom and night. After a terrible vigil the morning
came, and Graf Hermann, now a changed man, returned to his castle in
silence, and henceforth endeavoured to profit by the warning and follow
the advice of his unhappy ancestor.


The Dragon's Rock

Among the many legends invented by the early Christian monks to advance
their faith, there are few more beautiful than that attached to the
Drachenfels, the Dragon's Rock, a rugged and picturesque mass of
volcanic porphyry rising above the Rhine on its right bank. Half-way up
one of its pointed crags is a dark cavern known as the 'Dragon's Cave,'
which was at one time, in that misty past to which all legends belong,
the habitation of a hideous monster, half-beast and half-reptile. The
peasants of the surrounding district held the creature in superstitious
awe, worshipped him, and offered up sacrifices of human beings at the
instigation of their pagan priests. Foremost among the worshippers of
the dragon were two warrior princes, Rinbod and Horsrik, who frequently
made an onslaught on the Christian people dwelling on the opposite bank
of the Rhine, carrying off many captives to be offered as sacrifices to
the dragon.

On one such occasion, while, according to their custom, they were
dividing their prisoners, the pagan princes quarrelled over one of their
captives, a Christian maiden, whose beauty and helpless innocence won
the hearts of her fierce captors, so that each desired to possess her,
and neither was inclined to renounce his claim. The quarrel became so
bitter at length that the princes seized their weapons and were about to
fight for the fair spoil. But at this juncture their priests intervened.
"It is not meet," said they, "that two noble princes should come to
blows over a mere Christian maid. Tomorrow she shall be offered to the
dragon, in thanksgiving for your victory." And they felt that they had
done well, for had they not averted the impending quarrel, and at the
same time gained a victim for their cruel rites? But the heart of Rinbod
was heavy indeed, for he truly loved the young Christian maid, and would
have given his life to save her from the horrible fate that awaited her.
However, the decree of the priests was irrevocable, and no pleadings of
his could avail. The girl was informed of the cruel destiny that was to
befall her on the morrow, and with a calm mind she sought consolation
from Heaven to enable her to meet her fate with courage befitting a

Early on the following morning she was led with much ceremony to a
spot before the Dragon's Cave and there bound to an oak, to await the
approach of the monster, whose custom it was to sally forth at sunrise
in search of prey. The procession of priests, warriors, and peasants
who had followed the victim to the place of sacrifice now climbed to
the summit of the crag and watched eagerly for the coming of the
dragon. Rinbod watched also, but it was with eyes full of anguish and
apprehension. The Christian maid seemed to him more like a spirit than a
human being, so calmly, so steadfastly did she bear herself.

Suddenly a stifled cry broke from the lips of the watchers--the hideous
monster was seen dragging its heavy coils from the cavern, fire issuing
from its mouth and nostrils. At its mighty roar even the bravest
trembled. But the Christian maid alone showed no sign of fear; she
awaited the oncoming of the dreadful creature with a hymn of praise
on her lips. Nearer and nearer came the dragon, and at length, with a
horrible roar, it sprang at its prey. But even as it did so the maiden
held out her crucifix before her, and the dragon was checked in its
onrush. A moment later it turned aside and plunged into the Rhine. The
people on the crag were filled with awe at the miraculous power of the
strange symbol which had overcome their idol and, descending,
hastened to free the young girl from her bonds. When they learned the
significance of the cross they begged that she would send them teachers
that they might learn about the new religion. In vain their priests
endeavoured to dissuade them. They had seen the power of the crucifix,
and their renunciation of their pagan creed was complete.

Among the first to adopt the Christian religion was Rinbod; he married
the beautiful captive and built a castle for her on the Drachenfels,
whose ruins remain to this day.

It seems a pity that such a beautiful legend should have doubts cast
upon its authenticity, but it has been conjectured that the word
Drachenfels has a geological rather than a romantic significance--being,
in fact, derived from Trachyt-fels, meaning 'Trachyte-rock.' This view
is supported by the fact that there is another Drachenfels near Mannheim
of a similar geological construction, but without the legend. However,
it is unlikely that the people of antiquity would bestow a geological
name upon any locality.

Okkenfels: A Rash Oath

On a rugged crag overlooking the Rhine above the town of Linz stands
the ruined stronghold of Okkenfels. History tells us little or nothing
concerning this ancient fortress, but legend covers the deficiency with
the tale of the Baron's Rash Oath.

Rheinhard von Renneberg, according to the story, flourished about the
beginning of the eleventh century, when the Schloss Okkenfels was a
favourite rendezvous with the rude nobility of the surrounding district.
Though they were none of them distinguished for their manners, by far
the most rugged and uncouth was the Baron von Renneberg himself. Rough
in appearance, abrupt in conversation, and inclined to harshness in all
his dealings, he inspired in the breast of his only daughter a feeling
more akin to awe than affection.

The gentle Etelina grew up to be a maiden of singular beauty, of
delicate form and feature, and under the careful tutelage of the castle
chaplain she became as good as she was beautiful. Lovers she had in
plenty, for the charms of Etelina and the wealth of her noble father,
whose sole heiress she was, formed a combination quite irresistible in
the eyes of the young gallants who frequented the castle. But none loved
her more sincerely than one of the baron's retainers, a young knight of
Linz, Rudolph by name.

On one occasion Rheinhard was obliged to set out with his troop to join
the wars in Italy, and ere he departed he confided his daughter to the
care of the venerable chaplain, while his castle and lands he left in
charge of Sir Rudolph. As may be supposed, the knight and the maiden
frequently met, and ere long it became evident that Rudolph's passion
was returned. The worthy chaplain, who loved the youth as a son, did not
seek to interfere with the course of his wooing, and so in due time the
lovers were betrothed.

At the end of a year the alarming news reached them that the baron was
returning from the wars, bringing in his train a noble bridegroom for
Etelina. In despair the lovers sought the old chaplain and begged
his advice. They knew only too well that the baron would not brook
resistance to his will; for he had ever dealt ruthlessly with
opposition. Yet both were determined that nothing should part them.

"I would rather die with Rudolph than marry another," cried the
grief-stricken maiden. And indeed it seemed that one or other of these
alternatives would soon fall to her lot.

But the wise old priest was planning a way of escape.

"Ye were meant for one another, my children," he said philosophically;
"therefore it is not for man to separate you. I will marry you at once,
and I know a place where you may safely hide for a season."

It was nearing midnight on the eve of the day fixed for Rheinhard's
return, so there was no time to be lost. The three repaired to the
chapel, where the marriage was at once solemnized. Taking a basket of
bread, meat, and wine, a lamp, and some other necessaries, the old man
conducted the newly married pair through a subterranean passage to
a cavern in the rock whereon the castle stood, a place known only to
himself. Then, having blessed them, he withdrew.

Early on the following morning came the baron and his train, with the
noble knight chosen as a husband for Etelina.

Rheinhard looked in vain for his daughter among the crowd of retainers
who waited to welcome him. "Where is my little maid?" he asked.

The chaplain answered evasively. The damsel was ill abed, he replied.
When the noble lord had refreshed himself he should see her.

Directly the repast was over he hastened to his daughter's apartment,
only to find her flown! Dismayed and angry, he rushed to the chaplain
and demanded an explanation. The good old man, after a vain attempt
to soothe his irate patron, revealed all--all, that is, save the place
where the fugitives were concealed, and that he firmly refused to
divulge. The priest was committed to the lowest dungeon, a vile den to
which access could only be got by means of a trap-door and a rope.

With his own hands the baron swung to the massive trap, swearing a deep

"If I forgive my daughter, or any of her accomplices, may I die suddenly
where I now stand, and may my soul perish for ever!"

The disappointed bridegroom soon returned to his own land, and the
baron, whose increasing moroseness made him cordially hated by his
attendants, was left to the bitterness of his thoughts.

Meanwhile Rudolph and his bride had escaped unseen from the castle rock
and now dwelt in the forests skirting the Seven Mountains. While the
summer lasted all went well with them; they, and the little son who was
born to them, were content with the sustenance the forest afforded. But
in the winter all was changed. Starvation stared them in the face. More
and more pitiful became their condition, till at length Rudolph resolved
to seek the baron, and give his life, if need be, to save his wife and

That very day Rheinhard was out hunting in the forest. Imagine his
surprise when a gaunt figure, clad in a bearskin, stepped from the
undergrowth and bade him follow, if he wished to see his daughter alive.
The startled old man obeyed the summons, and arrived at length before
a spacious cavern, which his guide motioned him to enter. Within, on
a pile of damp leaves, lay Etelina and her child, both half-dead with
starvation. Rheinhard's anger speedily melted at the pathetic sight, and
he freely forgave his daughter and Rudolph, his hitherto unrecognized
guide, and bade them return with him to Okkenfels.

Etelina's first request was for a pardon for the old chaplain, and
Rheinhard himself went to raise the heavy trap-door. While peering
into the gloom, however, he stumbled and fell headlong into the dungeon
below. "A judgment!" he shrieked as he fell, then all was silence.

The bruised remains of the proud baron were interred in the parish
church of Linz, and henceforth Etelina and her husband lived happily
at Okkenfels. But both they and the old chaplain offered many a pious
prayer for the soul of the unhappy Baron Rheinhard.


In the middle of the Rhine, a little above Coblentz, lies the island
of Oberwoerth, where at one time stood a famous nunnery. Included in the
traditional lore of the neighbourhood is a tragic tale of the beautiful
Ida, daughter of the Freiherr von Metternich, who died within its walls
in the fourteenth century.

Von Metternich, who dwelt at Coblentz, was a wealthy and powerful noble,
exceedingly proud of his fair daughter, and firmly convinced that none
but the highest in the land was fit mate for her. But Ida had other
views, and had already bestowed her heart on a young squire in her
father's train. It is true that Gerbert was a high-born youth, of
stainless life, pleasing appearance, and gentle manners, and, moreover,
one who was likely at no distant date to win his spurs. Nevertheless
the lovers instinctively concealed their mutual affection from von
Metternich, and plighted their troth in secret.

But so ardent an affection could not long remain hidden.

The time came when the nobleman discovered how matters stood between
his daughter and Gerbert, and with angry frowns and muttered oaths he
resolved to exercise his paternal authority. "My daughter shall go to
a nunnery," he said to himself. "And as for that jackanapes, he must be
got rid of at once." He pondered how he might conveniently rid himself
of the audacious squire.

That night he dispatched Gerbert on a mission to the grand prior of
the Knights-Templars, who had his abode at the neighbouring castle of
Lahneck. The unsuspecting squire took the sealed missive and set out,
thinking as he rode along how rich he was in possessing so sweet a love
as Ida, and dreaming of the time when his valour and prowess should
have made their marriage possible. But his dreams would have been rudely
disturbed had he seen what was passing at Coblentz. For his betrothed,
in spite of her tears and pleadings, was being secretly conveyed to the
nunnery of Oberwoerth, there to remain until she should have forgotten
her lover--as though the stone walls of a convent could shut out the
imaginings of a maid! However, Gerbert knew nothing of this, and he
rode along in leisurely fashion, until at length he came to the Schloss
Lahneck, where he was at once conducted into the presence of the grand
prior of the Knights-Templars.

The grand prior was a man of middle age, with an expression of settled
melancholy on his swarthy features. Gerbert approached him with becoming
reverence, bent his knee, and presented the missive.

The prior turned his gaze so earnestly on the young man's face that
Gerbert dropped his eyes in confusion. A moment later the prior broke
the seal and hastily scanned the letter.

"Who mayest thou be, youth?" he asked abruptly.

"Gerbert von Isenburg, sir."

"And thy mother?"

"Guba von Isenburg," was the astonished Gerbert's reply.

The prior seemed to be struggling with deep emotion.

"Knowest thou the purport of this missive?" he said at last.

"It concerns me not," answered Gerbert simply.

"Nay, my son," said the prior, "it doth concern thee, and deeply, too.
Know that it is thy death-warrant, boy! The Freiherr has requested me to
send thee to the wars in Palestine, and so to place thee that death will
be a certainty. This he asks in the name of our ancient friendship
and for the sake of our order, to which he has ever shown himself well

Seeing the dismay and incredulity which were depicted in his listener's
face, the prior hastened to read aloud a passage describing von
Metternich's discovery of his daughter's love for the humble squire, and
Gerbert could no longer doubt that his fate was sealed.

The prior looked at him kindly.

"Gerbert," he said, "I am not going to put the cruel order into
execution. Though I lose friendship, the honour of our order, life
itself, the son of Guba von Isenburg shall not suffer at my hands.
I sympathize with thy passion for the fair Ida. I myself loved thy
mother." The impetuous Gerbert started to his feet, hand on sword, at
the mention of his mother, whose good name he set before all else; but
with a dignified gesture the prior motioned him to his seat.

Then in terse, passionate phrases the elder man told how he had loved
the gentle Guba for years, always hesitating to declare his passion lest
the lady should scorn him. At length he could bear it no longer, and
made up his mind to reveal his love to her. With this intent he rode
toward her home, only to learn from a passing page that Guba, his
mistress, was to be married that very day to von Isenburg. He gave to
the page a ring, bidding him carry it to his mistress with the message
that it was from one who loved her greatly, and who for her sake
renounced the world. "The ring," he concluded, "is on thy finger, and in
thy face and voice are thy mother's likeness. Canst thou wonder that I
would spare thy life?"

Gerbert listened in respectful silence. His love for Ida enabled him
to sympathize with the pathetic tale unfolded by the prior. Tears fell
unchecked from the eyes of both. "And now," said the prior at last, "we
must look to thy safety."

"I would not bring misfortune on thee," said Gerbert. "May I not go to
Palestine and win my way through with my sword?"

"It is impossible," said the elder man. "Von Metternich would see to it
that thou wert slain. Thou must go to Swabia, where a prior of our order
will look after thy safety in the meantime."

The same day Gerbert was conveyed to Swabia, where, for a time at least,
he was safe from persecution.

The Dance of Death

In the nunnery of Oberwoerth, on a pallet in a humble cell, Ida lay
dying. A year had gone past since she had been separated from her lover,
and every day had seen her grow weaker and more despondent. Forget
Gerbert? That would she never while life remained to her. Wearily
she tossed on her pallet, her only companion a sister of the convent.
Willingly now would the Freiherr give his dearest possessions to save
his daughter, but already she was beyond assistance, her only hope the
peace of the grave.

"I am dying, sister," she said to her attendant. "Nevermore shall I see
my dear Gerbert--ah! nevermore."

"Hush," murmured the nun gently, "stranger things have happened. All may
yet be well." And to divert the dying maid's attention from her
grief she recited tales of lovers who had been reunited after many

But Ida refused to be pacified.

"Alas!" she said, "I am betrothed, yet I must die unwed."

"Heaven forbid!" cried the pious nun in alarm. "For then must thou join
in the dance of death."

It was a popular belief in that district that a betrothed maiden who
died before her wedding was celebrated must, after her death, dance on
a spot in the centre of the island whereon no grass or herb ever
grew--that is, unless in the interval she took the veil. Every night at
twelve o'clock a band of such hapless maidens may be seen dancing in the
moonlight, doomed to continue their nocturnal revels till they meet with
a lover. And woe betide the knight who ventures within their reach! They
dance round and round him and with him till he falls dead, whereupon the
youngest maid claims him for her lover. Henceforth she rests quietly in
her grave and joins no more in the ghostly frolic.

This weird tradition Ida now heard from the lips of the nun, who herself
claimed to have witnessed the scenes she described.

"I beseech thee," said the sister, "do but join our convent, and all
will yet be well."

"I die," murmured Ida, heeding not the words of her companion.
"Gerbert--we shall meet again!"

Gerbert, her lover, heard the sad news in his dwelling-place on the
shores of Lake Constance, and returned to Oberwoerth with all speed. A
week had elapsed ere he arrived, and Ida's body was already interred in
the vaults of the convent.

It was a night of storm and darkness. No boatman would venture on the
Rhine, but Gerbert, anxious to pay the last respects to the body of his
beloved, was not to be deterred. With his own hands he unmoored a vessel
and sailed across to Oberwoerth. Having landed at that part of the island
furthest from the convent, he was obliged to pass the haunted spot on
his way thither. The circular patch of barren earth was said to be a
spot accursed, by reason of sacrilege and suicide committed there. But
such things were far from the thoughts of the distraught knight.

Suddenly he heard a strange sound, like the whisper of a familiar
voice--a sound which, despite its quietness, seemed to make itself heard
above the fury of the storm. Looking up, he beheld a band of white-robed
maidens dancing in the charmed circle. One of them, a little apart from
the others, seemed to him to be his lost Ida. The familiar figure, the
grace of mien, the very gesture with which she beckoned him, were hers,
and he rushed forward to clasp her to his heart. Adroitly she eluded his
grasp and mingled with the throng. Gerbert followed with bursting heart,
seized her in his arms, and found that the other phantoms had surrounded
them. Something in the unearthly music fascinated him; he felt impelled
to dance round and round, till his head reeled. And still he danced
with his phantom bride, and still the maidens whirled about them. On the
stroke of one the dancers vanished and the knight sank to the ground,
all but dead with fatigue. In the morning he was found by the kindly
nuns, who tended him carefully. But all their skill and attention were
in vain; for Gerbert lived only long enough to tell of his adventure
to the sisterhood. This done, he expired with the name of his beloved
spirit-bride upon his lips.

Stolzenfels: The Alchemist

Alchemy was a common pursuit in the Middle Ages. The poor followed it
eagerly in the vain desire for gold; the rich spent their wealth in
useless experiments, or showered it on worthless charlatans.

Thus it came about that Archbishop Werner of Falkenstein, owner of the
grim fortress of Stolzenfels and a wealthy and powerful Churchman, was
an amateur of the hermetic art, while his Treasurer, who was by no means
rich, was also by way of being an alchemist. To indulge his passion for
the bizarre science the latter had extracted many a golden piece from
the coffers of his reverend master, always meaning, of course, to pay
them back when the weary experiments should have crystallized into the
coveted philosopher's stone. He had in his daughter Elizabeth a treasure
which might well have outweighed the whole of the Archbishop's coffers,
but the lust for gold had blinded the covetous Treasurer to all else.

One night--a wild, stormy night, when the wind tore shrieking round the
battlements of Stolzenfels--there came to the gate a pilgrim, sombre of
feature as of garb, with wicked, glinting eyes. The Archbishop was not
at that time resident in the castle, but his Treasurer, hearing that the
new-comer was learned in alchemical mysteries, bade him enter without
delay. A room was made ready in one of the highest towers, and there the
Treasurer and his pilgrim friend spent many days and nights. Elizabeth
saw with dismay that a change was coming over her father. He was no
longer gentle and kind, but morose and reserved, and he passed less time
in her company than he was wont.

At length a courier arrived with tidings of the approach of the
Archbishop, who was bringing some noble guests to the castle. To the
dismay of his daughter, the Treasurer suddenly turned pale and,
brushing aside her solicitous inquiries, fled to the mysterious chamber.
Elizabeth followed, convinced that something had occurred to upset her
father seriously. She was too late--the door was locked ere she reached
it; but she could hear angry voices within, the voices of her father
and the pilgrim. The Treasurer seemed to be uttering bitter reproaches,
while ever and anon the deep, level voice of his companion could be

"Bring hither a virgin," he said. "The heart's blood of a virgin is
necessary to our schemes, as I have told thee many times. How can I give
thee gold, and thou wilt not obey my instructions?"

"Villain!" cried the Treasurer, beside himself. "Thou hast taken my
gold, thou hast made me take the gold of my master also for thy schemes.
Wouldst thou have me shed innocent blood?"

"I tell thee again, without it our experiments are vain."

At that moment the door was flung open and the Treasurer emerged, too
immersed in his anxious thoughts to perceive the shrinking form of
Elizabeth. She, when he had gone from sight, entered the chamber where
stood the pilgrim.

"I have heard thy conversation," she said, "and I am ready to give my
life for my father's welfare. Tell me what I must do and I will slay me
with mine own hand."

With covetous glance the pilgrim advanced and strove to take her hand,
but she shrank back in loathing.

"Touch me not," she said, shuddering.

A look of malice overspread the pilgrim's averted face.

"Come hither at midnight, and at sunrise thy father will be rich and
honoured," he said.

"Wilt thou swear it on the cross?"

"I swear it," he returned, drawing a little crucifix from his bosom, and
speaking in solemn tones.

"Very well, I promise." And with that she withdrew.

When she had gone the alchemist pressed a spring in the crucifix, when a
dagger fell out.

"Thou hast served me well," he said, chuckling. Then, replacing the
crucifix in his breast, he entered the adjoining room, prised up a stone
from the floor, and drew forth a leathern bag full of gold. This, then,
was the crucible into which the Archbishop's pieces had gone. "I have
found the secret of making gold," pursued the pilgrim. "To-morrow my
wealth and I will be far away in safety. The fools, to seek gold in a

Meanwhile preparations were afoot for the reception of the Archbishop.
Elizabeth, full of grief and determination, supervised the work of the
serving-maids, while her father anxiously wondered how he should account
to his master for the stolen pieces of gold.

The Archbishop was loudly hailed on his arrival. He greeted his
Treasurer kindly and asked after the pretty Elizabeth. When her father
presented her he in turn introduced her to his guests, and many a glance
of admiration was directed at the gentle maid. One young knight, in
particular, was so smitten with her charms that he was dumb the whole

When Elizabeth retired to her chamber her father bade her good-night.
Hope had again arisen in his breast.

"To-morrow," he said, "my troubles will be over." Elizabeth sighed.

At length the hour of midnight arrived. Taking a lamp, the girl crossed
the courtyard to where the alchemist awaited her coming. She was not
unseen, however; the young knight had been watching her window, and he
observed her pass through the courtyard with surprise. Fearing he knew
not what harm to the maid he loved, he followed her to the pilgrim's
apartment, and there watched her through a crack in the door.

The alchemist was bending over a crucible when Elizabeth entered.

"Ah, thou hast come," he said. "I hope thou art prepared to do as I bid
thee? If that is so, I will restore the gold to thy father--his own gold
and his master's. If thou art willing to sacrifice thine honour, thy
father's honour shall be restored; if thy life, he shall have the money
he needs."

"Away, wretch!" cried Elizabeth indignantly. "I will give my life for my
father, but I will not suffer insult." With a shrug of his shoulders the
alchemist turned to his crucible.

"As thou wilt," he said. "Prepare for the sacrifice."

Suddenly the kneeling maid caught up the alchemist's dagger and would
have plunged it into her heart; but ere she could carry out her purpose
the knight burst open the door, rushed into the room, and seized the
weapon. Elizabeth, overcome with the relief which his opportune arrival
afforded her, fainted in his arms.

While the young man frantically sought means to restore her the pilgrim
seized the opportunity to escape, and when the maid came to herself it
was to find the wretch gone and herself supported by a handsome young
knight, who was pouring impassioned speeches into her ear. His love and
tenderness awakened an answering emotion in her heart, and that very
night they were betrothed.

When the maiden's father was apprised of her recent peril he, too,
was grateful to her deliverer, and yet more grateful when his future
son-in-law pressed him to make use of his ample fortune.

The pilgrim was found drowned in the Rhine, and the bag of gold, which
he had carried away in his belt, was handed over to the Archbishop, to
whom the Treasurer confessed all.

And the good Archbishop, by way of confirming his forgiveness, gave a
handsome present to Elizabeth on her marriage with the knight.

The Legend of Boppard

Maidens had curious ways of revenging themselves on unfaithful lovers in
medieval times, as the following legend of Boppard would show.

Toward the end of the twelfth century there dwelt in Boppard a knight
named Sir Conrad Bayer, brave, generous, and a good comrade, but not
without his faults, as will be seen hereafter.

At that time many brave knights and nobles were fighting in the Third
Crusade under Frederick the First and Richard Coeur-de-Lion; but Sir
Conrad still remained at Boppard. He gave out that the reason for his
remaining at home was to protect his stronghold against a horde of
robbers who infested the neighbourhood. But there were those who
ascribed his reluctance to depart to another cause.

In a neighbouring fortress there lived a beautiful maiden, Maria
by name, who received a great deal of attention from Sir Conrad. So
frequent were his visits to her home that rumour had it that the fair
lady had won his heart. This indeed was the case, and she in return had
given her love unreservedly into his keeping. But as her passion grew
stronger his seemed to cool, and at length he began to make preparations
to join the wars in Palestine, leaving the lady to lament his changed
demeanour. In vain she pleaded, in vain she sent letters to him. At last
he intimated plainly that he loved her no longer. He did not intend
to marry, he said, adding cruelly that if he did she should not be the
bride of his choice. The lady was completely crushed by the blow. Her
affection for Sir Conrad perished, and in its place arose a desire to
be revenged on the unfaithful knight. The fickle lover had completed his
arrangements for his journey to the Holy Land, and all was ready for
his departure. As he rode gaily down from his castle to where his
men-at-arms waited on the shores of the Rhine, he was suddenly
confronted by an armed knight, who reined in his steed and bade Sir
Conrad halt.

"Hold, Sir Conrad Bayer," he cried. "Thou goest not hence till thou hast
answered for thy misdeeds--thou false knight--thou traitor!"

Sir Conrad listened in astonishment. A moment later his attendants had
surrounded the bold youth, and would have slain him had not Sir Conrad

"Back!" he said. "Let me face this braggart myself. Who art thou?" he
added, addressing the young knight who had thus boldly challenged him.

"One who would have thy life!" was the fierce reply.

"Why should I slay thee, bold youth?" said Conrad, amused.

"I am the brother of Maria, whom thou hast betrayed," was the response.
"I have come hither from Palestine to seek thy life. Have at thee,

Conrad, somewhat sobered, and unwilling to do battle with such a boy,
asked for further proof of his identity. The young knight thereupon
displayed, blazoned on his shield, the arms of his house--a golden lion
on an azure field.

Sir Conrad had no longer excuse for refusing to do battle with the
youth, so with a muttered "Thy blood be upon thy head!" he laid his
lance in rest and drew back a few paces. The stranger did likewise; then
they rushed toward each other, and such was the force of their
impact that both were unhorsed. Drawing their swords--for neither was
injured--the knights resumed the conflict on foot. Conrad felt disgraced
at having been unhorsed by a mere youth, and he was now further incensed
by receiving a deep wound in his arm. Henceforth he fought in good
earnest, showering blows on his antagonist, who fell at last, mortally

In obedience to the rules of chivalry, Sir Conrad hastened to assist his
vanquished foe. What was his surprise, his horror, when, on raising the
head and unlacing the helm of the knight, he found that his adversary
was none other than Maria!

"Conrad," she said in failing tones, "I also am to blame. Without thy
love life was nothing to me, and I resolved to die by thy hand. Forget
my folly, remember only that I loved thee. Farewell!" And with these
words she expired. Conrad flung himself down by her side, convulsed with
grief and remorse. From that hour a change came over him. Ere he set
out to the Holy Land he caused the body of Maria to be interred on the
summit of the Kreuzberg, and bestowed the greater part of his estates
on a pious brotherhood, enjoining them to raise a nunnery over the tomb.
Thus was the convent of Marienberg founded, and in time it came to be
one of the richest and most celebrated on the Rhine.

Arrived in Palestine, Conrad became a Knight-Templar, fighting bravely
and utterly oblivious to all danger. It was not until Acre had been
won, however, that death met him. An arrow dispatched by an unknown hand
found its quarry as he was walking the ramparts at night meditating on
the lady he had slain and whose death had restored her to a place in his

Liebenstein and Sterrenberg

Near the famous monastery of Bornhofen, and not far from the town of
Camp, supposed to be an ancient Roman site, are the celebrated castles
of Liebenstein and Sterrenberg, called 'the Brothers,' perhaps because
of their contiguity to each other rather than through the legend
connected with the name. History is practically silent concerning these
towers, which occupy two steep crags united by a small isthmus which
has partially been cut through. Sterrenberg lies nearest the north,
Liebenstein to the south. A wooden bridge leads from one to the other,
but a high wall called the Schildmauer was in the old days reared
between them, obviously with the intention of cutting off communication.
The legend has undoubtedly become sophisticated by literary influences,
and was so altered by one Joseph Kugelgen as to change its purport
entirely. It is the modern version of the legend we give here, in
contradistinction to that given in the chapter on the Folklore and
Literature of the Rhine (see pp. 84 et seq.).

The Brothers

Heinrich and Conrad were the sons of Kurt, a brave knight who
had retired from the wars, and now dwelt in his ancestral castle
Liebenstein. The brothers were alike in all matters pertaining to arms
and chivalry. But otherwise they differed, for Heinrich, the elder, was
quiet and more given to the arts of peace; whereas Conrad was gay, and
inclined to like fighting for fighting's sake.

Brought up along with them was Hildegarde, a relative and an orphan,
whom the brothers believed to be their sister. On reaching manhood,
however, their father told them the truth concerning her, expressing the
wish that one of them should marry the maiden.

Nothing loath, both brothers wooed Hildegarde, but Conrad's ardent,
impulsive nature triumphed over Heinrich's reserved and more steadfast
affection. In due course preparations were made for the marriage
festival, and a new castle, Sterrenberg, was raised for the young couple
adjacent to Liebenstein. Heinrich found it hard to be a constant witness
of his brother's happiness, so he set out for the Holy Land. Soon after
his departure the old knight became ill, and died on the day that the
new castle was completed. This delayed the marriage for a year, and as
the months passed Conrad became associated with loose companions, and
his love for Hildegarde weakened.

Meantime news came that Heinrich had performed marvellous deeds in the
Holy Land, and the tidings inflamed Conrad's zeal. He, too, determined
to join the Crusades, and was soon on the way to Palestine.

However, he did not, like his brother, gain renown--for he had not the
same incentive to reckless bravery--and he soon returned. He was
again to prove himself more successful in love than in war, for at
Constantinople, having fallen passionately in love with a beautiful
Greek lady, he married her.

One day Hildegarde was sitting sorrowful in her chamber, when she beheld
travellers with baggage moving into the empty Sterrenberg. Greatly
astonished, she sent her waiting-maid to make inquiries, and learned to
her sorrow that it was the returning Conrad, who came bringing with him
a Greek wife. Conrad avoided Liebenstein, and Sterrenberg became gay
with feasting and music.

Late one evening a knight demanded lodging at Liebenstein and was
admitted. The stranger was Heinrich, who, hearing about his brother's
shameful marriage, had returned to the grief-stricken Hildegarde.

After he had rested Heinrich sent a message to his brother reproaching
him with unknightly behaviour, and challenging him to mortal combat. The
challenge was accepted and the combatants met on the passage separating
the two castles. But as they faced each other, sword in hand, a veiled
female figure stepped between them and bade them desist.

It was Hildegarde, who had recognized Heinrich and learned his
intention. In impassioned tones she urged the young men not to be
guilty of the folly of shedding each other's blood in such a cause, and
declared that it was her firm intention to spend her remaining days in a
convent. The brothers submitted themselves to her persuasion and became
reconciled. Some time afterward Conrad's wife proved her unworthiness
by eloping with a young knight, thus killing her husband's love for her,
and at the same time opening his eyes to his own base conduct. Bitterly
now did he reproach himself for his unfaithfulness to Hildegarde, who,
alas! was now lost to him for ever. Hildegarde remained faithful to
her vows, and Heinrich and Conrad lived together till at last death
separated them.

St. Goar

Near the town of St. Goar, at the foot of the Rheinfels, there stands
a little cell, once the habitation of a pious hermit known as St. Goar,
and many are the local traditions which tell of the miracles wrought by
this good man, and the marvellous virtues retained by his shrine after
his death. He settled on Rhenish shores, we are told, about the middle
of the sixth century, and thenceforward devoted his life to the service
of the rude people among whom his lot was cast. His first care was to
instruct them in the Christian faith, but he was also mindful of their
welfare in temporal matters, and gave his services freely to the sick
and sorrowful, so that ere long he came to be regarded as a saint. When
he was not employed in prayer and ministrations he watched the currents
of the Rhine, and was ever willing to lend his aid to distressed
mariners who had been caught by the Sand Gewirr, a dangerous eddy which
was too often the death of unwary boatmen in these parts.

Thus he spent an active and cheerful life, far from the envy and strife
of the world, for which he had no taste whatever. Nevertheless the fame
of his good deeds had reached the high places of the earth. Sigebert,
who at that time held his court at Andernach, heard of the piety and
noble life of the hermit, and invited him to his palace. St. Goar
accepted the invitation--or, rather, obeyed the command--and made his
way to Andernach. He was well received by the monarch, whom his genuine
holiness and single-mindedness greatly impressed. But pure as he was,
the worthy Goar was not destined to escape calumny. There were at the
court of Sigebert other ecclesiastics of a less exalted type, and these
were filled with envy and indignation when they beheld the favours
bestowed upon the erstwhile recluse. Foremost among his persecutors
was the Archbishop of Treves, and with him Sigebert dealt in summary
fashion, depriving him of his archbishopric and offering the see to
St. Goar. The latter, however, was sick of the perpetual intrigues and
squabblings of the court, and longed to return to the shelter of his
mossy cell and the sincere friendship of the poor fishermen among whom
his mission lay. So he refused the proffered dignity and informed the
monarch of his desire to return home. As he stood in the hall of the
palace preparing to take his leave, he threw his cloak over a sunbeam,
and, strange to say, the garment was suspended as though the shaft of
light were solid. This, we are told, was not a mere piece of bravado,
but was done to show that the saint's action in refusing the see was
prompted by divine inspiration.

When St. Goar died Sigebert caused a chapel to be erected over his
grave, choosing from among his disciples two worthy monks to officiate.
Other hermits took up their abode near the spot, and all were
subsequently gathered together in a monastery. The grave of the
solitary became a favourite shrine, to which pilgrims travelled from all
quarters, and St. Goar became the patron saint of hospitality, not so
much personally as through the monastery of which he was the patron, and
one of whose rules was that no stranger should be denied hospitality for
a certain period.

A goodly number of stories are told of his somewhat drastic treatment
of those who passed by his shrine without bringing an offering--stories
which may be traced to the monks who dwelt there, and who reaped the
benefit of these offerings.

Charlemagne at the Shrine of St. Goar

Here is one of those tales concerning the great Karl. On one occasion
while he was travelling from Ingelheim to Aix-la-Chapelle, by way of
Coblentz, he passed the shrine of St. Goar without so much as a
single thought. Nor did those who accompanied him give the saint more
attention. It was the height of summer, everything was bright and
beautiful, and as the Emperor's flotilla drifted lazily down the Rhine
the sound of laughter and light jesting could be heard.

No sooner had the Emperor and his courtiers passed St. Goar, however,
than the smiling sky became overcast, heavy clouds gathered, and the
distant sound of thunder was heard. A moment more and they were in
the midst of a raging storm; water surged and boiled all around, and
darkness fell so thickly that scarce could one see another's face. Panic
reigned supreme where all had been gaiety and merriment.

In vain the sailors strove to reach the shore; in vain the ladies
shrieked and the Emperor and his nobles lent their aid to the seamen.
All the exertions of the sailors would not suffice to move the vessels
one foot nearer the shore. At length an old boatman who had spent the
greater part of a lifetime on the Rhine approached the Emperor and
addressed him thus:

"Sire, our labours are useless. We have offended God and St. Goar."

The words were repeated by the Emperor's panic-stricken train, who now
saw that the storm was of miraculous origin. "Let us go ashore," said
Charlemagne in an awed voice. "In the name of God and St. Goar, let us
go ashore. We will pray at the shrine of the saint that he may help us
make peace with Heaven."

Scarcely had he uttered the words ere the sky began to clear, the
boiling water subsided to its former glassy smoothness, and the storm
was over. The illustrious company landed and sought the shrine of the
holy man, where they spent the rest of the day in prayer.

Ere they departed on the following morning Charlemagne and his court
presented rich offerings at the shrine, and the Emperor afterward
endowed the monastery with lands of great extent, by which means it is
to be hoped that he succeeded in propitiating the jealous saint.

The Reconciliation

One more tale of St. Goar may be added, dealing this time with
Charlemagne's sons, Pepin and Karloman. These two, brave knights both,
had had a serious quarrel over the sovereignty of their father's vast
Empire. Gradually the breach widened to a deadly feud, and the brothers,
once the best of friends, became the bitterest enemies.

In 806 Charlemagne held an Imperial Diet at Thionville, and thither
he summoned his three sons, Karloman, Pepin, and Ludwig, intending to
divide the Empire, by testament, among them. Karloman was at that time
in Germany, and Pepin in Italy, where, with the aid of his sword, he
had won for himself broad lands. In order to reach Thionville both were
obliged to take the same path--that is, the Rhine, the broad waterway of
their father's dominions. Pepin was the first to come, and as he sailed
up the river with his train he caught sight of the shrine of St. Goar,
and bethought him that there he and his brother had last met as friends.
As he pondered on the strange fate that had made enemies of them, once
so full of kindness toward each other, he felt curiously moved, and
decided to put ashore and kneel by the shrine of the saint.

Ere long Karloman and his train moved up the Rhine, and this prince
also, when he beheld the shrine of St. Goar, was touched with a feeling
of tenderness for his absent brother. Recollections of the time when
Pepin and he had been inseparable surged over him, and he too stepped
ashore and made his way through the wood to the sacred spot.

Meanwhile Pepin still knelt before the shrine, and great indeed was
Karloman's astonishment when he beheld his brother. But when he heard
Pepin pray aloud that they might be reconciled his joy and surprise knew
no bounds. All armed as he was, he strode up to his kneeling brother
and embraced him with tears, entreating his forgiveness for past
harshnesses. When Pepin raised the prince's visor and beheld the beloved
features of Karloman, his happiness was complete. Together the brothers
made for their ships; not, however, till they had left valuable gifts
at the shrine of the saint whose good offices had brought about their
reconciliation. Together they proceeded to the court of Charlemagne, who
partitioned his Empire between his three sons, making each a regent of
his portion during his father's lifetime.

From that time onward the brothers were fast friends. Karloman and
Pepin, however, had not long to live, for the former died in 810 and the
latter in the following year.

Gutenfels, a Romance

A very charming story, and one entirely lacking in the element of gloom
and tragedy which is so marked a feature of most Rhenish tales, is that
which tradition assigns to the castle of Gutenfels. Its ancient name
of Caub, or Chaube, still clings to the town above which it towers

In the thirteenth century Caub was the habitation of Sir Philip of
Falkenstein and his sister Guta, the latter justly acclaimed as the
most beautiful woman in Germany. She was reputed as proud as she was
beautiful, and of the many suitors who flocked to Caub to seek her hand
in marriage none could win from her a word of encouragement or even a
tender glance.

On one occasion she and her brother were present at a great tourney held
at Cologne, where the flower of knightly chivalry and maidenly beauty
were gathered in a brilliant assembly. Many an ardent glance was
directed to the fair maid of Caub, but she, accustomed to such homage,
was not moved thereby from her wonted composure.

At length a commotion passed through the assembly. A knight had entered
the lists whose name was not announced by the herald. It was whispered
that his identity was known only to the Archbishop, whose guest he
was. Of fine stature and handsome features, clad in splendid armour
and mounted on a richly caparisoned steed, he attracted not a little
attention, especially from the feminine portion of the assemblage. But
for none of the high-born ladies had he eyes, save for Guta, to whom his
glance was ever and anon directed, as though he looked to her to
bring him victory. The blushing looks of Guta showed that she was not
indifferent to the gallantry of the noble stranger, and, truly, in her
heart she wished him well. With clasped hands she watched the combatants
couch their lances and charge. Ah! victory had fallen to the unknown
knight. Soon it became evident that the mysterious stranger was to carry
off the prize of the tourney, for there was none to match him in skill
and prowess. As he rode past the place where Guta sat he lowered his
lance, and she, in her pleasure and confusion at this mark of especial
courtesy, dropped her glove, which the knight instantly picked up,
desiring to be allowed to keep it as a guerdon.

At the grand ball which followed the tourney the victor remained all
the evening at Guta's side, and would dance with no other maiden.
Young Falkenstein, pleased with the homage paid to his sister by the
distinguished stranger, invited him to visit them at Caub, an invitation
which the gentle Guta seconded, and which the mysterious knight accepted
with alacrity.

True to his promise, ere a week had elapsed he arrived at Caub,
accompanied by two attendants. His visit covered three days, during
which time his host and hostess did all in their power to make his stay
a pleasant one. Ere he took his departure he sought out Guta and made
known his love. The lady acknowledged that his affection was returned.

"Dearest Guta," said the knight, "I may not yet reveal to thee my name,
but if thou wilt await my coming, in three months I shall return to
claim my bride, and thou shalt know all."

"I will be true to thee," exclaimed Guta passionately. "Though a king
should woo me, I will be true to thee." And with that assurance from his
betrothed the knight rode away.

Three months came and went, and still Guta heard nothing of her absent
lover. She grew paler and sadder as time advanced, not because she
doubted the honour of her knight, but because she feared he had been
slain in battle. It was indeed a time of wars and dissensions. On the
death of Conrad IV several claimants to the imperial throne of Germany
made their appearance, of whom the principal were Adolph, Duke of
Holland, Richard, Earl of Cornwall, brother to the English king Henry
III, and Alfonso X, King of Castile. Of these three the most popular
was Richard of Cornwall, who was finally chosen by the Electors, more on
account of his knightly qualities than because of his fabulous wealth.
Among his most ardent followers was Philip of Falkenstein, who was
naturally much elated at his master's success. Now, however, the
conflict was over, and Philip had returned to Caub.

One morning, about six months after the departure of Guta's lover, a gay
cavalcade appeared at the gates of Caub, and a herald demanded admission
for Richard, Emperor of Germany. Philip himself, scarcely concealing his
joy and pride at the honour done him by his sovereign, ran out to greet
him, and the castle was full of stir and bustle. The Emperor praised
Philip heartily for his part in the recent wars, yet he seemed absent
and uneasy.

"Sir Philip," he said at length, "I have come hither to beg the hand of
thy fair sister; why is she not with us?" Falkenstein was filled with

"Sire," he stammered, "I fear me thou wilt find my sister an unwilling
bride. She has refused many nobles of high estate, and I doubt whether
even a crown will tempt her. However, I will plead with her for thy

He left the room to seek Guta's bower, but soon returned with dejected
mien. "It is as I thought, sire," he said. "She will not be moved.
Methinks some heedless knight hath stolen her heart, for she hath grown
pale and drooping as a gathered blossom."

Richard raised his visor.

"Knowest thou me, sir knight?" he said.

"Thou art--the knight of the tourney," cried Philip in amaze.

"The same," answered Richard, smiling. "And I am the knight who has
won thy fair sister's heart. We plighted our troth after the tourney of
Cologne. State affairs of the gravest import have kept me from her
side, where I would fain have been these six months past. Take this
token"--drawing from his breast the glove Guta had given him--"and tell
her that a poor knight in Richard's train sends her this."

In a little while Philip returned with his sister. The maiden looked
pale and agitated, but when she beheld Richard she rushed to him and was
clasped in his arms.

"My own Guta," he whispered fondly. "And wouldst thou refuse an emperor
to marry me?"

"Yea, truly," answered the maid, "a hundred emperors. I feared thou
hadst forsaken me altogether," she added naively.

Richard laughed.

"Would I be a worthy Emperor an I did not keep my troth with such as
thou?" he asked.

"The Emperor--thou?" cried Guta, starting back.

"Yea, the Emperor, and none other," said her brother reverently. And
once more Guta hid her face on Richard's breast.

Within a week they were married, and Guta accompanied her husband to the
court as Empress of Germany.

To the castle where his bride had passed her maidenhood Richard gave the
name of Gutenfels--'Rock of Guta'--which name it has retained to this

The Story of Schoenburg

The castle of Schoenburg, not far from the town of Bacharach, is now in
ruins, but was once a place of extraordinary fame, for here dwelt at
one time seven sisters of transcendent beauty, who were courted the more
assiduously because their father, the Graf von Schoenburg, was reputed a
man of great wealth. This wealth was no myth, but an actuality, and in
truth it had been mainly acquired in predatory forays; but the nobles of
Rhineland recked little of this, and scores of them flitted around and
pressed their suit on the young ladies. None of these, however, felt
inclined toward marriage just yet, each vowing its yoke too galling; and
so the gallants came in vain to the castle, their respective addresses
being invariably dallied with and then dismissed. Suitor after suitor
retired in despair, pondering on the strange ways of womankind; but
one evening a large party of noblemen chanced to be assembled at the
schloss, and putting their heads together, they decided to press matters
to a conclusion. They agreed that all of them, in gorgeous raiment,
should gather in the banqueting-hall of the castle; the seven sisters
should be summoned and called upon in peremptory fashion to have done
with silken dalliance and to end matters by selecting seven husbands
from among them. The young ladies received the summons with some
amusement, all of them being blessed with the saving grace of humour,
and they bade the knight who had brought the message return to his
fellows and tell them that the suggested interview would be held. "Only
give us time," said the sisters, "for the donning of our most becoming

So now the band of suitors mustered, and a brave display they made, each
of them thinking himself more handsome and gorgeous than his neighbours
and boasting that he would be among the chosen seven. But as time sped
on and the ladies still tarried, the young men began to grow anxious;
many of them spoke aloud of female vanity, and made derisive comments
on the coiffing and the like, which they imagined was the cause of
the delay; eventually one of their number, tired of strutting before
a mirror, happened to go to look out of the window toward the Rhine.
Suddenly he uttered a loud imprecation, and his companions, thronging to
the window, were all fiercely incensed at the sight which greeted their
eyes. For the famous seven sisters were perpetrating something of
a practical joke; they were leaving the castle in a boat, and on
perceiving the men's faces at the windows they gave vent to a loud laugh
of disdain. Hardly had the angry suitors realized that they were the
butt of the ladies' ridicule when they were seized with consternation.
For one of the sisters, in the attempt to shake her fist at the men
she affected to despise, tried to stand up on one of the thwarts of the
boat, which, being a light craft, was upset at once. The girls' taunts
were now changed to loud cries for help, none being able to swim; but
ere another boat could be launched the Rhine had claimed its prey, and
the perfidious damsels were drowned in the swift tide.

But their memory was not destined to be erased from the traditions of
the locality. Near the place where the tragedy occurred there are seven
rocks, visible only on rare occasions when the river is very low, and
till lately it was a popular superstition that these rocks were placed
there by Providence, anxious to impart a moral to young women addicted
to coquetry and practical jests. To this day many boatmen on the Rhine
regard these rocks with awe, and it is told that now and then seven
wraiths are to be seen there; it is even asserted that sometimes these
apparitions sing in strains as delectable as those of the Lorelei

The Legend of Pfalz

Musing on the legendary lore of the Rhine, we cannot but be struck by
the sadness pervading these stories, and we are inclined to believe that
every one of them culminates in tragedy. But there are a few exceptions
to this rule, and among them is a tale associated with the island of
Pfalz, near Bacharach, which concludes in fairly happy fashion, if in
the main concerned with suffering.

This island of Pfalz still contains the ruins of a castle, known as
Pfalzgrafenstein. It belonged in medieval days to the Palatine Princes,
and at the time our story opens one of these, named Hermann, having
suspected his wife, the Princess Guba, of infidelity, had lately caused
her to be incarcerated within it. Its governor, Count von Roth, was
charged to watch the prisoner's movements carefully; but, being sure she
was innocent, his measures with her were generally lenient, while his
countess soon formed a deep friendship for the Princess. Thus it seemed
to Guba that her captivity was not destined to be so terrible as she had
anticipated, but she was soon disillusioned, as will appear presently.
It should be explained that as yet the Princess had borne no children
to her husband, whose heir-apparent was consequently his brother Ludwig;
and this person naturally tried to prevent a reconciliation between the
Palatine Prince and his wife, for should they be united again, Ludwig's
hope to succeed his brother might be frustrated. So he was a frequent
visitor to the Pfalzgrafenstein, constantly telling von Roth that he
allowed the Princess too much liberty. Worse still, Ludwig sometimes
remained at the island castle for a long time, and at these periods
the prisoner underwent constant ill-treatment, which the Governor was
powerless to alleviate.

The people of the neighbourhood felt kindly toward Guba, but their
sympathy was of little avail; and at length during one of Ludwig's
visits to Pfalzgrafenstein it seemed as though he was about to triumph
and effect a final separation between the Princess and Hermann. For it
transpired one evening that Guba was not within the castle. A hue and
cry was instantly raised, and the island was searched by Ludwig and von
Roth. "I wager," said Ludwig, "that at this very moment Guba is with
her paramour. Let my brother the Prince hear of this, and your life will
answer for it. Often have I urged you to be stricter; you see now the
result of your leniency."

Von Roth protested that the Princess was taking the air alone; but while
they argued the pair espied Guba, and it was as Ludwig had said--she was
attended by a man.

"The bird is snared," shouted Ludwig; and as he and von Roth ran toward
the offending couple they separated instantly, the man making for a boat
moored hard by. But ere he could reach it he was caught by his pursuers,
and recognized for a certain young gallant of the district. He was
dragged to the castle, where after a brief trial he was condemned to
be hanged. He blanched on hearing the sentence, but faced his fate
manfully, and when the rope was about his neck he declared loudly that
Guba had always discouraged his addresses and was innocent of the sin
wherewith she was charged.

Guba's movements thenceforth were watched more strictly for a while, yet
she seemed to grow more cheerful, while one day she even asserted that
she would soon be reconciled to her husband, from whom she had now been
estranged for six months. In short, she announced that she was soon to
be a mother; while she was confident that the child would resemble the
Palatine Prince, and that the latter's delight on finding himself a
father would result in the ending of all her troubles. The Governor
and his lady were both doubtful as to the parentage of the child,
remembering the recent circumstances which had seemed to cast some
shadow upon the Princess herself; yet they held their peace, awaiting
until in due course the Princess was delivered of a boy. But, alack!
the child bore no resemblance to Hermann; and so von Roth and his wife,
meaning to be kind, enjoined silence and sent the child away--all of
which was the more easily accomplished as the spiteful Ludwig chanced to
be far distant at the time. At first the mother was broken-hearted, but
the Governor and his wife comforted her by saying that the child was no
farther off than a castle on the opposite banks of the Rhine. Here,
they assured her, he would be well nurtured; moreover, they had arranged
that, so long as her son was alive and thriving, the fact was to be
signified to her by the display of a small white flag on the battlements
of his lodging. And so, day after day, the anxious mother paced her
island prison, looking constantly toward the signal which meant so much
to her.

Many years went by in this fashion, and in course of time Hermann was
gathered to his fathers, and Ludwig ascended the Palatine throne. But
scarcely was his rule begun ere it was noised abroad that he was a
usurper, for a young man appeared who claimed to be the son of Hermann,
and therefore the rightful heir. Now, most of the people detested
Ludwig, and when they marked the claimant's resemblance to the deceased
Prince a number of them banded themselves together to set him upon the

A fierce civil war ensued, many of the nobles forsaking Ludwig for his
rival, who, like the late Prince, bore the name of Hermann; and though
at first it seemed doubtful which party was to triumph, eventually
Ludwig was worsted, and was hanged for his perfidy. The tidings spread
throughout the Rhineland, and one day a body of men-at-arms came to
Pfalzgrafenstein and informed von Roth that his prisoner was to be freed
at once and was to repair to the Palatine court, there to take up her
rightful position as Queen-Dowager. Guba was amazed on hearing this
news, for she had long since ceased to hope that her present mode of
life would be altered, and asking to be presented to the chief messenger
that she might question him, she suddenly experienced a yet greater
surprise.... Yes! her son had come in person to liberate her; and von
Roth and his wife, as they witnessed the glad union, were convinced at
last of Guba's innocence, for the young man who clasped her to his
bosom had changed wondrously since his childhood, and was now indeed the
living image of his father. For some minutes the mother wept with joy,
but when her son bade her make ready for instant departure she
replied that she had lost all desire for the stately life of a court.
Pfalzgrafenstein, she declared, had become truly a part of her life, so
here she would end her days. She had not long to live, she added, and
what greater pleasure could she have than the knowledge that her son was
alive and well, and was ruling his people wisely?

And so Guba remained at the island, a prison no longer; and daily she
paced by the swirling stream, often gazing toward the castle where her
son had been nurtured, and meditating on the time when she was wont to
look there for the white flag which meant so much to her anxious heart.

A Legend of Fuerstenberg

High above the Rhine tower the ruins of Fuerstenberg, and more than one
legend clings to the ancient pile, linking it with stirring medieval
times. Perhaps the most popular of these traditions is that which tells
of the Phantom Mother of Fuerstenberg, a tale full of pathos and tragedy.

In the thirteenth century there dwelt in the castle a nobleman, Franz
von Fuerst by name, who, after a wild and licentious youth, settled
down to a more sober and serious manhood. His friends, surprised at the
change which had taken place in him, and anxious that this new mode of
life should be maintained, urged him to take a virtuous maiden to
wife. Such a bride as they desired for him was found in Kunigunda von
Floersheim, a maiden who was as beautiful as she was high-born.

For a time after their marriage all went well, and Franz and his young
wife seemed quite happy. Moreover, in time a son was born to them, of
whom his father seemed to be very proud. The Baron's reformation, said
his friends, was complete.

One evening there came to Kunigunda a young lady friend. The girl,
whose name was Amina, was the daughter of a robber-baron who dwelt in
a neighbouring castle. But his predatory acts had at last forced him to
flee for his life, and no one knew whither he had gone. His household
was broken up, and Amina, finding herself without a home, had now
repaired to Fuerstenberg to seek refuge. Kunigunda, ever willing to aid
those in distress, extended a hearty welcome to the damsel, and Amina
was henceforth an inmate of the schloss.

Now, though Amina was fully as lovely in face and form as her young
hostess, she yet lacked the moral beauty of Kunigunda. Of a subtle and
crafty disposition, she showed the gratitude of the serpent by stinging
the hand extended to help her; in a word, she set herself to win the
unlawful affections of the Lord of Fuerstenberg. He, weak creature as
he was, allowed the latent baseness of his nature to be stirred by her
youth and beauty. He listened when she whispered that Kunigunda had
grown cold toward him; at her suggestion he interpreted his wife's
modest demeanour as indifference, and already he began to feel the yoke
of matrimony heavy upon him.

Poor Kunigunda was in despair when she realized that her husband had
transferred his affections; but what was worse, she learned that the
pair were plotting against her life. At length their cruel scheming
succeeded, and one morning Kunigunda was found dead in her bed. Franz
made it known that she had been stifled by a fit of coughing, and her
remains were hastily conveyed to the family vault. Within a week the
false Amina was the bride of the Baron von Fuerstenberg.

Little Hugo, the son of Kunigunda, was to suffer much at the hands
of his stepmother and her dependents. The new mistress of the Schloss
Fuerstenberg hated the child as she had hated his mother, and Hugo was
given into the charge of an ill-natured old nurse, who frequently beat
him in the night because he awakened her with his cries.

One night the old hag was roused from her sleep by a strange sound, the
sound of a cradle being rocked. She imagined herself dreaming. Who would
come to this distant tower to rock the little Hugo? Not Amina, of that
she was sure! Again the sound was heard, unmistakably the creaking of
the cradle. Drawing aside her bed-curtains, the crone beheld a strange
sight. Over the cradle a woman was bending, clad in long, white
garments, and singing a low lullaby, and as she raised her pale face,
behold! it was that of the dead Kunigunda. The nurse could neither
shriek nor faint; as though fascinated, she watched the wraith nursing
her child, until at cockcrow Kunigunda vanished.

In trembling tones the nurse related what she had seen to Franz and
Amina. The Baron was scornful, and ridiculed the whole affair as a
dream. But the cunning Amina, though she did not believe that a ghost
had visited the child, thought that perhaps her rival was not really
dead, and her old hatred and jealousy were reawakened. So she told her
husband that she intended to see for herself whether there was any truth
in the fantastic story, and would sleep that night in the nurse's bed.
She did not mention her suspicions, nor the fact that she carried a
sharp dagger. She was roused in the night, as the old woman had been, by
the sound of a cradle being rocked. Stealthily drawing the curtains, she
saw the white-robed form of the dead, the black mould clinging to her
hair, the hue of death in her face. With a wild cry Amina flung herself
upon Kunigunda, only to find that she was stabbing at a thing of air, an
impalpable apparition which vanished at a touch. Overcome with rage and
fear, she sank to the ground. The wraith moved to the door, turning
with a warning gesture ere she vanished from sight, and Amina lost

In the morning the Baron sought his wife in vain. He found instead a
missive telling of her ghastly experience, intimating her intention of
retiring to a nunnery, and closing with an earnest appeal to her husband
to repent of his crimes.

The Baron, moved with remorse and terror, followed Amina's example; he
sought in the mountain solitudes a hermitage where he might end his days
in peace, and having found such a cell, he confided his little son to
the care of the pastor of Wedenschied, and retired from the world in
which he had played so sorry a part.

The Blind Archer

Another legend connected with the ruined stronghold of Fuerstenberg is
the following. Long ago, in the days when bitter feuds and rivalries
existed between the owners of neighbouring fortresses, there dwelt in
Fuerstenberg a good old knight, Sir Oswald by name, well versed in the
arts of war, and particularly proficient in archery. He had one son,
Edwin, a handsome young man who bade fair to equal his father in skill
and renown.

Sir Oswald had a sworn foe in a neighbouring baron, Wilm von Sooneck,
a rich, unscrupulous nobleman who sought by every possible means to
get the knight into his power. At length his cunning schemes met with
success; an ambush was laid for the unsuspecting Oswald as he rode past
Sooneck Castle, attended only by a groom, and both he and his servant
were flung into a tower, there to await the pleasure of their captor.

And what that nobleman's pleasure was soon became evident. Ere many days
had elapsed Oswald was informed that his eyes were to be put out, and
soon the cruel decree was carried into execution.

Meanwhile Edwin awaited the coming of his father; and when he came not
it was at first concluded that he had been captured or slain by robbers.
But there were no evidences forthcoming to show that Sir Oswald had
met with such a fate, and his son began to suspect that his father had
fallen into the hands of Baron Wilm, for he knew of the bitter hatred
which he bore toward the knight of Fuerstenberg and of his cunning and
malice. He therefore cast about for a means of verifying his suspicions,
and eventually disguised himself as a wandering minstrel, took his
harp--for he had great skill as a musician--and set off in the direction
of Sooneck. There he seated himself under a tree and played and sang
sweetly, directing his gaze the while toward a strong tower which seemed
to him a likely place for the incarceration of prisoners. The plaintive
charm of the melody attracted the attention of a passing peasant, who
drew near to listen; when the last note of the song had died away, he
seated himself beside the minstrel and entered into conversation with

"Methinks thou hast an interest in yonder tower," he said.

"In truth it interests me," responded Edwin, nevertheless veiling his
concern as much as possible by a seeming indifference. "Is it a prison,
think you?"

"Ay, that it is," replied the peasant with a laugh. "'Tis the cage where
my lord of Sooneck keeps the birds whose feathers he has plucked."

Edwin, still with a show of indifference, questioned him further,
and elicited the fact that the peasant had witnessed the capture and
incarceration in the tower of a knight and his servant on the very day
when Sir Oswald and his groom had disappeared. Nothing more could
Edwin glean, save that a few days hence Baron Wilm was to give a grand
banquet, when many nobles and knights were to be present.

The young man, his suspicions thus fully confirmed, felt that his next
move must be to gain entrance to the castle, and he decided to take
advantage of the excitement and bustle attendant on the banquet to
achieve this end. Accordingly, on the day fixed for the feast he again
donned his minstrel's garb, and repaired to the Schloss Sooneck. Here,
as he had anticipated, all was excitement and gaiety. Wine flowed
freely, tongues were loosened, and the minstrel was welcomed
uproariously and bidden to sing his best songs in return for a beaker
of Rhenish. Soon the greater part of the company were tipsy, and Edwin
moved among them, noting their conversation, coming at length to the
seat of the host.

"It is said," remarked a knight, "that you have captured Sir Oswald of

Wilm, to whom the remark was addressed, smiled knowingly and did not
deny the charge.

"I have even heard," pursued his companion, "that you have had his eyes
put out."

The Baron laughed outright, as at an excellent jest.

"Then you have heard truly," he said.

At this point another knight broke into the conversation. "It is
a pity," said he. "There are but few archers to match Oswald of

"I wager he can still hit a mark if it be set up," said he who had first

"Done!" cried Sooneck, and when the terms of the wager had been fixed
the Baron directed that Oswald should be brought from the tower.

Edwin had overheard the conversation with a breaking heart, and grief
and shame almost overwhelmed him when he saw his father, pitifully quiet
and dignified, led into the banquet-hall to provide sport for a company
of drunken revellers. Oswald was informed of the wager, and bow and
arrows were placed in his hands.

"Baron von Sooneck," he cried, "where is the mark?"

"This cup I place upon the table," came the reply.

The arrow was fitted to the bow, released, and lo! it was not the cup
which was hit, but the Lord of Sooneck, who fell forward heavily, struck
to the heart and mortally wounded.

In a moment a loud outcry was raised, but ere action could be taken the
minstrel had sprung in front of Oswald, and boldly faced the assembly.

"This knight," he cried, "shamefully maltreated by yonder villain, is my
father. Whoso thinks he has acted wrongly in forfeiting the life of
his torturer shall answer to me. With my sword I shall teach him better

The astonished knights, completely sobered by the tragic occurrence,
could not but admire the courage of the lad who thus boldly championed
his father, and with one voice they declared that Sir Oswald was a true
knight and had done justly.

So the blind knight, once more free, returned to his castle of
Fuerstenberg, compensated in part for the loss of his sight by the loving
devotion of his son.

Rheinstein and Reichenstein

Centuries ago the castles of Rheinstein and Reichenstein frowned at each
other from neighbouring eminences. But far from being hostile, they were
the residences of two lovers. Kuno of Reichenstein loved the fair Gerda
of Rheinstein with a consuming passion, and, as is so common with lovers
in all ages, doubted whether his love were returned. In his devotion
for the maiden he showered on her many gifts, and although his purse
was light and he was master of only a single tower, he did not spare
his gold if only he could make her happy and gain from her one look of

On one occasion he presented to her a beauteous horse of the Limousin
strain, bred under the shadow of his own castle. Deep-chested, with
arched neck and eye of fire, the noble steed aroused the liveliest
interest in the breast of Gerda, and she was eloquent in her thanks to
the giver until, observing his ardent glances, her cheeks suffused with
blushes. Taking her soft hand between his sunburnt palms, Kuno poured
into her ear the story of his love.

"Gerda," he whispered, "I am a poor man. I have nothing but my sword, my
ruined tower yonder, and honour. But they are yours. Will you take them
with my heart?"

She lifted her blue eyes to his, full of truth and trust. "I will be
yours," she murmured; "yours and none other's till death."

Young Kuno left Rheinstein that afternoon, his heart beating high with
hope and happiness. The blood coursing through his veins at a gallop
made him spur his charger to a like pace. But though he rode fast his
brain was as busy as his hand and his heart. He must, in conformity with
Rhenish custom, send as an embassy to Gerda's father one of his most
distinguished relations. To whom was he to turn? There was no one but
old Kurt, his wealthy uncle, whom he could send as an emissary, and
although the old man had an unsavoury reputation, he decided to confide
the mission to him. Kurt undertook the task in no kindly spirit, for he
disliked Kuno because of his virtuous life and the circumstance that he
was his heir, whom he felt was waiting to step into his shoes. However,
he waited next day upon Gerda's father, the Lord of Rheinstein, and was
received with all the dignity suitable to his rank and age. But when his
glance rested upon the fair and innocent Gerda, such a fierce desire to
make her his arose in his withered breast that when she had withdrawn he
demanded her hand for himself. To her father he drew an alluring picture
of his rank, his possessions, his castles, his gold, until the old man,
with whom avarice was a passion, gave a hearty consent to his suit,
and dismissed him with the assurance that Gerda would be his within the

The clatter of hoofs had hardly died away when the Lord of Rheinstein
sought his daughter's bower, where she sat dreaming of Kuno. In honeyed
words the old man described the enviable position she would occupy as
the spouse of a wealthy man, and then conveyed to her the information
that Kurt had asked him for her hand. Gerda, insulted at the mere
thought of becoming the bride of such a man, refused to listen to the
proposal, even from the lips of her father, and she acquainted him with
her love for Kuno, whom, she declared, she had fully resolved to marry.
At this avowal her father worked himself into a furious passion, and
assured her that she should never be the bride of such a penniless
adventurer. After further insulting the absent Kuno, and alluding in
a most offensive manner to his daughter's lack of discernment and good
taste, he quitted her bower, assuring her as he went that she should
become the bride of Kurt on the morrow.

Gerda spent a miserable night sitting by the dying fire in her chamber,
planning how she might escape from the detested Kurt, until at last her
wearied brain refused to work and she fell into a troubled slumber. In
the morning she was awakened by her handmaiden, who, greatly concerned
for her mistress, had spent the night in prayer. But Gerda's tears had
fled with the morning, and she resolved, come what might, to refuse
to the last to wed with the hateful Kurt. She learned that Kuno had
attempted to assault the castle during the night with the object of
carrying her off, but that he had been repulsed with some loss to his
small force. This made her only the more determined to persist in her
resistance to his uncle.

Meantime the vassals and retainers of the house of Rheinstein had been
summoned to the castle to attend the approaching ceremony, and their
gay apparel now shone and glittered in the sunshine. The sound of pipe,
tabour, and psaltery in melodious combination arose from the valley, and
all hearts, save one, were happy. The gates were thrown open, and the
bridal procession formed up to proceed to the ancient church where the
unhappy Gerda was to be sacrificed to Kurt. First came a crowd of serfs,
men, women, and children, all shouting in joyful anticipation of the
wedding feast. Then followed the vassals and retainers of the Lord of
Rheinstein, according to their several degrees, and, last, the principal
actors in the shameful ceremony, Kurt, surrounded by his retainers, and
the Lord of Rheinstein with the luckless Gerda. The mellow tones of the
bell of St. Clement mingled sweetly with the sound of the flute and the
pipe and the merry voices of the wedding throng. Gerda, mounted upon her
spirited Limousin steed, the gift of Kuno, shuddered as she felt Kurt's
eyes resting upon her, and she cast a despairing glance at the tower of
Kuno's castle, where, disconsolate and heavy of heart, he watched the
bridal procession from the highest turret.

The procession halted at the portal of the church, and all dismounted
save Gerda. She was approached by the bridegroom, who with an air of
leering gallantry offered her his assistance in alighting. At this
moment swarms of gadflies rested on the flanks of the Limousin steed,
and the spirited beast, stung to madness by the flies, reared, plunged,
and broke away in a gallop, scattering the spectators to right and left,
and flying like the wind along the river-bank.

"To horse, to horse!" cried Kurt and the Lord of Rheinstein, and
speedily as many mounted, the bridegroom, for all his age, was first
in the saddle. With the clattering of a hundred hoofs the wedding party
galloped madly along Rhineside, Kurt leading on a fleet and powerful

"Halt!" he cried. "Draw rein--draw rein!" But notwithstanding their
shouts, cries, and entreaties, Gerda spurred on the already maddened
Limousin, which thundered along the familiar road to Kuno's castle of
Reichenstein. The noble steed's direction was quickly espied by Kuno,
who hastened to the principal entrance of his stronghold.

"Throw open the gates," he shouted. "Down with the drawbridge. Bravo,
gallant steed!"

But Kurt was close behind. Gerda could feel the breath of his charger
on the hands which held her rein. Close he rode by her, but might never
snatch her from the saddle. Like the wind they sped. Now she was a pace
in front, now they careered onward neck and neck.

Suddenly he leaned over to seize her rein, but at that instant his horse
stumbled, fell, and threw the ancient gallant heavily. Down he came on a
great boulder and lay motionless.

Another moment, and the hoof-beat of the breathless steed sounded on the
drawbridge of Reichenstein. The vassals of Kuno hastened to the gate to
resist the expected attack, but there was none. For the wretched Kurt
lay dead, killed by the fall, and his vassals were now eager to acclaim
Kuno as their lord, while the Lord of Rheinstein, shrewdly observing the
direction of affairs, took advantage of the tumultuous moment to
make his peace with Kuno. The lovers were wedded next day amid the
acclamations of their friends and retainers, and Kuno and Gerda dwelt in
Rheinstein for many a year, loving and beloved.


The Legend of Falkenburg

In the imperial fortress of Falkenburg dwelt the beautiful Liba, the
most charming and accomplished of maidens, with her widowed mother. Many
were the suitors who climbed the hill to Falkenburg to seek the hand
of Liba, for besides being beautiful she was gentle and virtuous, and
withal possessed of a modest fortune left her by her father. But to all
their pleadings she turned a deaf ear, for she was already betrothed
to a young knight named Guntram whom she had known since childhood, and
they only waited until Guntram should have received his fief from the
Palsgrave to marry and settle down.

One May morning, while Liba was seated at a window of the castle
watching the ships pass to and fro on the glassy bosom of the Rhine,
she beheld Guntram riding up the approach to Falkenburg, and hastened to
meet him. The gallant knight informed his betrothed that he was on his
way to the Palsgrave to receive his fief, and had but turned aside in
his journey in order to greet his beloved. She led him into the castle,
where her mother received him graciously enough, well pleased at her
daughter's choice.

"And now, farewell," said Guntram. "I must hasten. When I return we two
shall wed; see to it that all is in readiness."

With that he mounted his horse and rode out of the courtyard, turning
to wave a gay farewell to Liba. The maiden watched him disappear round a
turn in the winding path, then slowly re-entered the castle.

Meanwhile Guntram went on his way, and was at length invested with his
fief. The Palsgrave, pleased with the manners and appearance of the
young knight, appointed him to be his ambassador in Burgundy, which
honour Guntram, though with much reluctance, felt it necessary to
accept. He dispatched a messenger to his faithful Liba, informing her
of his appointment, which admitted of no delay, and regretting the
consequent postponement of their marriage. She, indeed, was ill-pleased
with the tidings and felt instinctively that some calamity was about to
befall. After a time her foreboding affected her health and spirits, her
former pursuits and pleasures were neglected, and day after day she sat
listlessly at her casement, awaiting the return of her lover.

Guntram, having successfully achieved his mission, set out on the
homeward journey. On the way he had to pass through a forest, and,
having taken a wrong path, lost his way. He wandered on without meeting
a living creature, and came at last to an old dilapidated castle, into
the courtyard of which he entered, thankful to have reached a human
habitation. He gave his horse to a staring boy, who looked at him as
though he were a ghost.

"Where is your master?" queried Guntram.

The boy indicated an ivy-grown tower, to which the knight made his way.
The whole place struck him as strangely sombre and weird, a castle of
shadows and vague horror. He was shown into a gloomy chamber by an aged
attendant, and there awaited the coming of the lord. Opposite him was
hung a veiled picture, and half hoping that he might solve the mystery
which pervaded the place, he drew aside the curtain. From the canvas
there looked out at him a lady of surpassing beauty, and the young
knight started back in awe and admiration.

In a short time the attendant returned with a thin, tall old man, the
lord of the castle, who welcomed the guest with grave courtesy, and
offered the hospitality of his castle. Guntram gratefully accepted his
host's invitation, and when he had supped he conversed with the old man,
whom he found well-informed and cultured.

"You appear to be fond of music," said the knight, indicating a harp
which lay in a corner of the room.

He had observed, however, that the strings of the harp were broken, and
that the instrument seemed to have been long out of use, and thought
that it possibly had some connexion with the original of the veiled
portrait. Whatever recollections his remark aroused must have been
painful indeed, for the host sighed heavily.

"It has long been silent," he said. "My happiness has fled with its
music. Good night, and sleep well." And ere the astonished guest could
utter a word the old man abruptly withdrew from the room.

Shortly afterward the old attendant entered, bearing profuse apologies
from his master, and begging that the knight would continue to accept
his hospitality. Guntram followed the old man to his chamber. As they
passed through the adjoining apartment he stopped before the veiled

"Tell me," he said, "why is so lovely a picture hidden?"

"Then you have seen it?" asked the old keeper. "That is my master's
daughter. When she was alive she was even more beautiful than her
portrait, but she was a very capricious maid, and demanded that her
lovers should perform well-nigh impossible feats. At last only one of
these lovers remained, and of him she asked that he should descend into
the family vault and bring her a golden crown from the head of one of
her ancestors. He did as he was bidden, but his profanation was punished
with death. A stone fell from the roof and killed him. The young man's
mother died soon after, cursing the foolish maid, who herself died in
the following year. But ere she was buried she disappeared from her
coffin and was seen no more."

When the story was ended they had arrived at the door of the knight's
chamber, and in bidding him good night the attendant counselled him to
say his paternoster should anything untoward happen.

Guntram wondered at his words, but at length fell asleep. Some hours
later he was awakened suddenly by the rustling of a woman's gown and the
soft strains of a harp, which seemed to come from the adjoining room.
The knight rose quietly and looked through a chink in the door, when
he beheld a lady dressed in white and bending over a harp of gold. He
recognized in her the original of the veiled portrait, and saw that even
the lovely picture had done her less than justice. For a moment he stood
with hands clasped in silent admiration. Then with a low sound, half
cry, half sob, she cast the harp from her and sank down in an attitude
of utter despondency. The knight could bear it no longer and (quite
forgetting his paternoster) he flung open the door and knelt at her
feet, raising her hand to his lips. Gradually she became composed. "Do
you love me, knight?" she said. Guntram swore that he did, with many
passionate avowals, and the lady slipped a ring on his finger. Even as
he embraced her the cry of a screech-owl rang through the night air,
and the maiden became a corpse in his arms. Overcome with terror,
he staggered through the darkness to his room, where he sank down

On coming to himself again, he thought for a moment that the experience
must have been a dream, but the ring on his hand assured him that the
vision was a ghastly reality. He attempted to remove the gruesome token,
but he found to his horror that it seemed to have grown to his finger.

In the morning he related his experience to the attendant. "Alas, alas!"
said the old man, "in three times nine days you must die."

Guntram was quite overcome by the horror of his situation, and seemed
for a time bereft of his senses. Then he had his horse saddled,
and galloped as hard as he was able to Falkenburg. Liba greeted him
solicitously. She could see that he was sorely troubled, but forbore to
question him, preferring to wait until he should confide in her of his
own accord. He was anxious that their wedding should be hastened, for he
thought that his union with the virtuous Liba might break the dreadful

When at length the wedding day arrived everything seemed propitious,
and there was nothing to indicate the misfortune which threatened the
bridegroom. The couple approached the altar and the priest joined their
hands. Suddenly Guntram fell to the ground, foaming and gasping, and was
carried thence to his home. The faithful Liba stayed by his side, and
when he had partially recovered the knight told her the story of the
spectre, and added that when the priest had joined their hands he had
imagined that the ghost had put her cold hand in his. Liba attempted
to soothe her repentant lover, and sent for a priest to finish the
interrupted wedding ceremony. This concluded, Guntram embraced his wife,
received absolution, and expired.

Liba entered a convent, and a few years later she herself passed away,
and was buried by the side of her husband.

The Mouse Tower

Bishop Hatto is a figure equally well known to history and tradition,
though, curiously enough, receiving a much rougher handling from the
latter than the former. History relates that Hatto was Archbishop of
Mainz in the tenth century, being the second of his name to occupy that
see. As a ruler he was firm, zealous, and upright, if somewhat ambitious
and high-handed, and his term of office was marked by a civic peace not
always experienced in those times. So much for history. According to
tradition, Hatto was a stony-hearted oppressor of the poor, permitting
nothing to stand in the way of the attainment of his own selfish ends,
and several wild legends exhibit him in a peculiarly unfavourable light.

By far the most popular of these traditions is that which deals with
the Maeuseturm, or 'Mouse Tower,' situated on a small island in the
Rhine near Bingen. It has never been quite decided whether the name was
bestowed because of the legend, or whether the legend arose on account
of the name, and it seems at least probable that the tale is of
considerably later date than the tenth century. Some authorities regard
the word Maeuseturm as a corruption of Mauth-turm, a 'toll-tower,' a
probable but prosaic interpretation. Much more interesting is the name
'Mouse Tower,' which gives point to the tragic tale of Bishop Hatto's
fate. The story cannot be better told than in the words of Southey, who
has immortalized it in the following ballad:


     The summer and autumn had been so wet,
     That in winter the corn was growing yet;
     'Twas a piteous sight to see all around
     The grain lie rotting on the ground.

     Every day the starving poor
     Crowded around Bishop Hatto's door,
     For he had a plentiful last-year's store,
     And all the neighbourhood could tell
     His granaries were furnished well.

     At last Bishop Hatto appointed a day
     To quiet the poor without delay;
     He bade them to his great barn repair,
     And they should have food for the winter there.

     Rejoiced such tidings good to hear,
     The poor folk flocked from far and near;
     The great barn was full as it could hold
     Of women and children, and young and old.

     Then when he saw it could hold no more,
     Bishop Hatto he made fast the door;
     And while for mercy on Christ they call,
     He set fire to the barn and burnt them all.

     "I' faith, 'tis an excellent bonfire!" quoth he,
     "And the country is greatly obliged to me
     For ridding it in these times forlorn
     Of rats that only consume the corn."

     So then to his palace returned he,
     And he sat down to supper merrily;
     And he slept that night like an innocent man,
     But Bishop Hatto never slept again.

     In the morning as he enter'd the hall
     Where his picture hung against the wall,
     A sweat like death all over him came,
     For the rats had eaten it out of the frame.

     As he looked there came a man from his farm,
     He had a countenance white with alarm;
     "My lord, I opened your granaries this morn,
     And the rats had eaten all your corn."

     Another came running presently,
     And he was pale as pale could be;
     "Fly, my Lord Bishop, fly!" quoth he,
     "Ten thousand rats are coming this way--
     The Lord forgive you for yesterday!"

     "I'll go to my tower on the Rhine," replied he,
     "'Tis the safest place in Germany;
     The walls are high and the shores are steep,
     And the stream is strong and the water deep."

     Bishop Hatto fearfully hastened away,
     And he crossed the Rhine without delay,
     And reached his tower, and barred with care
     All windows, doors, and loop-holes there.

     He laid him down and closed his eyes;--
     But soon a scream made him arise,
     He started and saw two eyes of flame
     On his pillow from whence the screaming came.

     He listened and looked--it was only the cat;
     But the Bishop he grew more fearful for that,
     For she sat screaming, mad with fear,
     At the army of rats that were drawing near.

     For they have swum over the river so deep,
     And they have climbed the shores so steep,
     And up the tower their way is bent,
     To do the work for which they were sent.

     They are not to be told by the dozen or score,
     By thousands they come, and by myriads and more,
     Such numbers had never been heard of before,
     Such a judgment had never been witnessed of yore.

     Down on his knees the Bishop fell,
     And faster and faster his beads did he tell,
     As louder and louder, drawing near,
     The gnawing of their teeth he could hear.

     And in at the windows and in at the door,
     And through the walls helter-skelter they pour,
     And down through the ceiling, and up through the floor,
     From the right and the left, from behind and before,
     From within and without, from above and below,
     And all at once to the Bishop they go.

     They have whetted their teeth against the stones,
     And now they pick the Bishop's bones;
     They gnawed the flesh from every limb,
     For they were sent to do judgment on him.

A Legend of Ehrenfels

Many other tales are told to illustrate Hatto's cruelty and treachery.
Facing the Mouse Tower, on the opposite bank of the Rhine, stands the
castle of Ehrenfels, the scene of another of his ignoble deeds.

Conrad, brother of the Emperor Ludwig, had, it is said, been seized and
imprisoned in Ehrenfels by the Franconian lord of that tower, Adalbert
by name. It was the fortune of war, and Ludwig in turn gathered a small
force and hastened to his brother's assistance. His attempts to storm
the castle, however, were vain; the stronghold and its garrison stood
firm. Ludwig was minded to give up the struggle for the time being, and
would have done so, indeed, but for the intervention of his friend and
adviser, Bishop Hatto.

"Leave him to me," said the crafty Churchman. "I know how to deal with

Ludwig was curious to know how his adviser proposed to get the better of
Adalbert, whom he knew of old to be a man of courage and resource, but
ill-disposed toward the reigning monarch. So the Bishop unfolded
his scheme, to which Ludwig, with whom honour was not an outstanding
feature, gave his entire approval.

In pursuance of his design Hatto sallied forth unattended, and made his
way to the beleaguered fortress. Adalbert, himself a stranger to cunning
and trickery, hastened to admit the messenger, whose garb showed him to
be a priest, thinking him bound on an errand of peace. Hatto professed
the deepest sorrow at the quarrel between Ludwig and Adalbert.

"My son," said he solemnly, "it is not meet that you and the Emperor,
who once were friends, should treat each other as enemies. Our sire is
ready to forgive you for the sake of old friendship; will you not give
him the opportunity and come with me?"

Adalbert was entirely deceived by the seeming sincerity of the Bishop,
and so touched by the clemency of the sovereign that he promised to go
in person and make submission if Hatto would but guarantee his safety.

The conversation was held in the Count's oratory, and the Churchman
knelt before the crucifix and swore in the most solemn manner that he
would bring Adalbert safely back to his castle.

In a very short time they were riding together on the road to Mainz,
where Ludwig held court. When they were a mile or two from Ehrenfels
Hatto burst into a loud laugh, and in answer to the Count's questioning
glance he said merrily:

"What a perfect host you are! You let your guest depart without even
asking him whether he has breakfasted. And I am famishing, I assure

The courteous Adalbert was stricken with remorse, and murmured profuse
apologies to his guest. "You must think but poorly of my hospitality,"
said he; "in my loyalty I forgot my duty as a host."

"It is no matter," said Hatto, still laughing. "But since we have come
but a little way, would it not be better to return to Ehrenfels and
breakfast? You are young and strong, but I--"

"With pleasure," replied the Count, and soon they were again within the
castle enjoying a hearty meal. With her own hands the young Countess
presented a beaker of wine to the guest, and he, ere quaffing it, cried
gaily to Adalbert:

"Your health! May you have the reward I wish for you!" Once again they
set out on their journey, and reached Mainz about nightfall. That very
night Adalbert was seized ignominiously and dragged before the Emperor.
By Ludwig's side stood the false Bishop.

"What means this outrage?" cried the Count, looking from one to the

"Thou art a traitor," said Ludwig, "and must suffer the death of a

Adalbert addressed himself to the Bishop.

"And thou," he said, "thou gavest me thine oath that thou wouldst bring
me in safety to Ehrenfels."

"And did I not do so, fool?" replied Hatto contemptuously. "Was it my
fault if thou didst not exact a pledge ere we set out for the second

Adalbert saw now the trap into which he had fallen, and his fettered
limbs trembled with anger against the crafty priest. But he was

"Away with him to the block!" said the Emperor.

"Amen," sneered Hatto, still chuckling over the success of his strategy.

And so Adalbert went forth to his doom, the victim of the cruel
Churchman's treachery.


Rheingrafenstein, perched upon its sable foundations of porphyry, is
the scene of a legend which tells of a terrible bargain with Satan--that
theme so frequent in German folk-tale.

A certain nobleman, regarding the site as impregnable and therefore
highly desirable, resolved to raise a castle upon the lofty eminence,
But the more he considered the plan the more numerous appeared the
difficulties in the way of its consummation.

Every pro and con was carefully argued, but to no avail. At last in
desperation the nobleman implored assistance from the Enemy of Mankind,
who, hearing his name invoked, and scenting the possibility of gaining
a recruit to the hosts of Tartarus, speedily manifested his presence,
promising to build the castle in one night if the nobleman would grant
him the first living creature who should look from its windows. To
this the nobleman agreed, and upon the following day found the castle
awaiting his possession. He did not dare to enter it, however. But he
had communicated his secret to his wife, who decided to circumvent the
Evil One by the exercise of her woman's wit. Mounting her donkey, she
rode into the castle, bidding all her men follow her. Satan waited on
the alert. But the Countess amid great laughter pinned a kerchief upon
the ass's head, covered it with a cap, and, leading it to the window,
made it thrust its head outside.

Satan immediately pounced upon what he believed to be his lawful prey,
and with joy in his heart seized upon and carried off the struggling
beast of burden. But the donkey emitted such a bray that, recognizing
the nature of his prize, the Fiend in sheer disgust dropped it and
vanished in a sulphurous cloud, to the accompaniment of inextinguishable
laughter from Rheingrafenstein.

Ruedesheim and its Legends

The town of Ruedesheim is a place famous in song and story, and some
of the legends connected with it date from almost prehistoric times.
Passing by in the steamer, the traveller who cares for architecture will
doubtless be surprised to mark an old church which would seem to be
at least partly of Norman origin; but this is not the only French
association which Ruedesheim boasts, for Charlemagne, it is said, loved
the place and frequently resided there, while tradition even asserts
that he it was who instituted the vine-growing industry on the adjacent
hills. He perceived that whenever snow fell there it melted with amazing
rapidity; and, judging from this that the soil was eminently suitable
for bringing forth a specially fine quality of grape, he sent to France
for a few young vine plants. Soon these were thriving in a manner
which fully justified expectations. The wines of Ruedesheim became
exceptionally famous; and, till comparatively recent times, one of the
finest blends was always known as Wein von Orleans, for it was thence
that the pristine cuttings had been imported.

But it need scarcely be said, perhaps, that most of the legends current
at Ruedesheim are not concerned with so essentially pacific an affair as
the production of Rhenish. Another story of the place relates how one of
its medieval noblemen, Hans, Graf von Brauser, having gone to Palestine
with a band of Crusaders, was taken prisoner by the Saracens; and during
the period of his captivity he vowed that, should he ever regain his
liberty, he would signify his pious gratitude by causing his only
daughter, Minna, to take the veil. Rather a selfish kind of piety this
appears! Yet mayhap Hans was really devoted to his daughter, and his
resolution to part with her possibly entailed a heart-rending sacrifice;
while, be that as it may, he had the reward he sought, for now his
prison was stormed and he himself released, whereupon he hastened back
to his home at Ruedesheim with intent to fulfil his promise to God. On
reaching his schloss, however, Graf Hans was confronted by a state of
affairs which had not entered into his calculations, the fact being
that in the interim his daughter had conceived an affection for a young
nobleman called Walther, and had promised to marry him at an early date.
Here, then, was a complication indeed, and Hans was sorely puzzled to
know how to act, while the unfortunate Minna was equally perplexed, and
for many weeks she endured literal torment, her heart being racked by a
constant storm of emotions. She was deeply attached to Walther, and she
felt that she would never be able to forgive herself if she broke her
promise to him and failed to bring him the happiness which both were
confident their marriage would produce; but, on the other hand, being of
a religious disposition, she perforce respected the vow her father had
made, and thought that if it were broken he and all his household would
be doomed to eternal damnation, while even Walther might be involved in
their ruin. "Shall I make him happy in this world only that he may lose
his soul in the next?" she argued; while again and again her father
reminded her that a promise to God was of more moment than a promise
to man, and he implored her to hasten to the nearest convent and retire
behind its walls. Still she wavered, however, and still her father
pleaded with her, sometimes actually threatening to exert his parental
authority. One evening, driven to despair, Minna sought to cool her
throbbing pulses by a walk on the wind-swept heights overlooking the
Rhine at Ruedesheim. Possibly she would be able to come to a decision
there, she thought; but no! she could not bring herself to renounce her
lover, and with a cry of despair she flung herself over the steep rocks
into the swirling stream.

A hideous death it was. The maiden was immolated on the altar of
superstition, and the people of Ruedesheim were awestruck as they thought
of the pathetic form drifting down the river. Nor did posterity fail
to remember the story, and down to recent times the boatmen of the
neighbourhood, when seeing the Rhine wax stormy at the place where Minna
was drowned, were wont to whisper that her soul was walking abroad, and
that the maiden was once again wrestling with the conflicting emotions
which had broken her heart long ago.


Knight Broemser of Ruedesheim was one of those who renounced comfort and
home ties to throw in his lot with the Crusaders. He was a widower, and
possessed a beautiful daughter, Gisela. In the holy wars in Palestine
Broemser soon became distinguished for his bravery, and enterprises
requiring wit and prowess often were entrusted to him.

Now it befell that the Christian camp was thrown into consternation
by the appearance of a huge dragon which took up its abode in the
mountainous country, the only locality whence water could be procured,
and the increasing scarcity of the supply necessitated the extirpation
of the monster. The Crusaders were powerless through fear; many of them
regarded the dragon as a punishment sent from Heaven because of the
discord and rivalry which divided them.

At last the brave Broemser offered to attempt the dragon's destruction,
and after a valiant struggle he succeeded in slaying it. On his way back
to the camp he was surprised by a party of Saracens, and after various
hardships was cast into a dungeon. Here he remained in misery for a long
while, and during his solitary confinement he made a vow that if he ever
returned to his native land he would found a convent and dedicate his
daughter as its first nun.

Some time later the Saracens' stronghold was attacked by Christians and
the knight set free. In due course he returned to Ruedesheim, where he
was welcomed by Gisela, and the day after his arrival a young knight
named Kurt of Falkenstein begged him for her hand. Gisela avowed her
love for Kurt, and Broemser sadly replied that he would willingly
accede to the young people's wishes, for Falkenstein's father was his
companion-in-arms, were he not bound by a solemn vow to dedicate his
daughter to the Church. When Falkenstein at last understood that the
knight's decision was irrevocable he galloped off as if crazed. The
knight's vow, however, was not to be fulfilled; Gisela's reason became
unhinged, she wandered aimlessly through the corridors of the castle,
and one dark and stormy night cast herself into the Rhine and was
drowned. Broemser built the convent, but in vain did he strive to free
his conscience from remorse. Many were his benefactions, and he built
a church on the spot where one of his servants found a wooden figure of
the Crucified, which was credited with miraculous powers of healing.
But all to no purpose. Haunted by the accusing spirit of his unfortunate
daughter, he gradually languished and at last died in the same year that
the church was completed.

Further up the river is Oestrich, adjacent to which stood the famous
convent of Gottesthal, not a vestige of which remains to mark its former
site. Its memory is preserved, however, in the following appalling
legend, the noble referred to being the head of one of the ancient
families of the neighbourhood.

The Nun of Oestrich

Among the inmates of Gottesthal was a nun of surpassing loveliness,
whose beauty had aroused the wild passion of a certain noble. Undeterred
by the fact of the lady being a cloistered nun, he found a way of
communicating his passion to her, and at last met her face to face,
despite bars and bolts. Eloquently he pleaded his love, swearing to free
her from her bonds, to devote his life to her if only she would listen
to his entreaties. He ended his asseverations by kneeling before the
statue of the Virgin, vowing in her name and that of the Holy Babe to be
true, and renouncing his hopes of Heaven if he should fail in the
least of his promises. The nun listened and in the end, overcome by his
fervour, consented to his wishes.

So one night, under cover of the darkness, she stole from the sheltering
convent, forgetting her vows in the arms of her lover. Then for a while
she knew a guilty happiness, but even this was of short duration, for
the knight soon tired and grew cold toward her. At length she was left
alone, scorned and sorrowful, a prey to misery, while her betrayer rode
off in search of other loves and gaieties, spreading abroad as he went
the story of his conquest and his desertion.

When the injured woman learned the true character of her lover her love
changed to a frenzied hate. Her whole being became absorbed in a
desire for revenge, her thoughts by day being occupied by schemes for
compassing his death, her dreams by night being reddened by his blood.
At last she plotted with a band of ruffians, promising them great
rewards if they would assassinate her enemy. They agreed and, waylaying
the noble, stabbed him fatally in the name of the woman he had wronged
and slighted, then, carrying the hacked body into the village church,
they flung it at the foot of the altar.

That night the nun, in a passion of insensate fury, stole into the holy
place. Down the length of the church she dragged her lover's corpse,
and out into the graveyard, tearing open his body and plucking his heart
therefrom with a fell purpose that never wavered. With a shriek she
flung it on the ground and trampled upon it in a ruthlessness of hate
terrible to contemplate.

And the legend goes on to tell that after her death she still pursued
her lover with unquenchable hatred. It is said that when the midnight
bell is tolling she may yet be seen seeking his tomb, from which she
lifts a bloody heart. She gazes on it with eyes aflame, then, laughing
with hellish glee, flings it three times toward the skies, only to let
it fall to earth, where she treads it beneath her feet, while from
her thick white veil runnels of blood pour down and all around dreary
death-lights burn and shed a ghastly glow upon the awful spectre.

Ingelheim: Charlemagne the Robber

Among the multitude of legends which surround the name of Charlemagne
there can hardly be found a quainter or more interesting one than that
which has for a background the old town of Ingelheim (Angel's Home),
where at one time the Emperor held his court.

It is said that one night when Charlemagne had retired to rest he was
disturbed by a curious dream. In his vision he saw an angel descend on
broad white pinions to his bedside, and the heavenly visitant bade
him in the name of the Lord go forth and steal some of his neighbour's
goods. The angel warned him ere he departed that the speedy forfeiture
of throne and life would be the penalty for disregarding the divine

The astonished Emperor pondered the strange message, but finally
decided that it was but a dream, and he turned on his side to finish his
interrupted slumbers. Scarcely had he closed his eyelids, however,
ere the divine messenger was again at his side, exhorting him in
still stronger terms to go forth and steal ere the night passed, and
threatening him this time with the loss of his soul if he failed to

When the angel again disappeared the trembling monarch raised himself
in bed, sorely troubled at the difficulty of his situation. That he, so
rich, so powerful that he wanted for nothing, should be asked to go out
in the dead of night and steal his neighbour's goods, like any of the
common robbers whom he was wont to punish so severely! No! the thing was
preposterous. Some fiend had appeared in angelic form to tempt him. And
again his weary head sank in his pillow. Rest, however, was denied him.
For a third time the majestic being appeared, and in tones still more
stern demanded his obedience.

"If thou be not a thief," said he, "ere yonder moon sinks in the west,
then art thou lost, body and soul, for ever."

The Emperor could no longer disbelieve the divine nature of the message,
and he arose sadly, dressed himself in full armour, and took up his
sword and shield, his spear and hunting-knife. Stealthily he quitted
his chamber, fearing every moment to be discovered. He imagined himself
being detected by his own court in the act of privily leaving his own
palace, as though he were a robber, and the thought was intolerable. But
his fears were unfounded; all--warders, porters, pages, grooms, yea, the
very dogs and horses--were wrapped in a profound slumber. Confirmed in
his determination by this miracle--for it could be nothing less--the
Emperor saddled his favourite horse, which alone remained awake, and set
out on his quest.

It was a beautiful night in late autumn. The moon hung like a silver
shield in the deep blue arch of the sky, casting weird shadows on the
slopes and lighting the gloom of the ancient forests. But Charlemagne
had no eye for scenery at the moment. He was filled with grief and shame
when he thought of his mission, yet he dared not turn aside from it. To
add to his misery, he was unacquainted with the technicalities of the
profession thus thrust upon him, and did not quite know how to set about

For the first time in his life, too, he began to sympathize with the
robbers he had outlawed and persecuted, and to understand the risks and
perils of their life. Nevermore, he vowed, would he hang a man for a
trifling inroad upon his neighbour's property.

As he thus pursued his reflections a knight, clad from head to foot in
coal-black armour and mounted on a black steed, issued silently from a
clump of trees and rode unseen beside him.

Charlemagne continued to meditate upon the dangers and misfortunes of a
robber's life.

"There is Elbegast," said he to himself; "for a small offence I have
deprived him of land and fee, and have hunted him like an animal. He and
his knights risk their lives for every meal. He respects not the cloth
of the Church, it is true, yet methinks he is a noble fellow, for he
robs not the poor or the pilgrim, but rather enriches them with part of
his plunder. Would he were with me now!"

His reflections were suddenly stopped, for he now observed the black
knight riding by his side.

"It may be the Fiend," said Charlemagne to himself, spurring his steed.

But though he rode faster and faster, his strange companion kept pace
with him. At length the Emperor reined in his steed, and demanded to
know who the stranger might be. The black knight refused to answer his
questions, and the two thereupon engaged in furious combat. Again and
again the onslaught was renewed, till at last Charlemagne succeeded in
cleaving his opponent's blade.

"My life is yours," said the black knight.

"Nay," replied the monarch, "what would I with your life? Tell me who
you are, for you have fought gallantly this night."

The stranger drew himself up and replied with simple dignity, "I am

Charlemagne was delighted at thus having his wish fulfilled. He refused
to divulge his name, but intimated that he, too, was a robber, and
proposed that they should join forces for the night.

"I have it," said he. "We will rob the Emperor's treasury. I think I
could show you the way."

The black knight paused. "Never yet," he said, "have I wronged the
Emperor, and I shall not do so now. But at no great distance stands the
castle of Eggerich von Eggermond, brother-in-law to the Emperor. He has
persecuted the poor and betrayed the innocent to death. If he could, he
would take the life of the Emperor himself, to whom he owes all. Let us
repair thither."

Near their destination they tied their horses to a tree and strode
across the fields. On the way Charlemagne wrenched off the iron share
from a plough, remarking that it would be an excellent tool wherewith to
bore a hole in the castle wall--a remark which his comrade received in
silence, though not without surprise. When they arrived at the castle
Elbegast seemed anxious to see the ploughshare at work, for he begged
Charlemagne to begin operations.

"I know not how to find entrance," said the latter.

"Let us make a hole in the wall," the robber-knight suggested, producing
a boring instrument of great strength. The Emperor gallantly set to
work with his ploughshare, though, as the wall was ten feet thick, it
is hardly surprising that he was not successful. The robber, laughing
at his comrade's inexperience, showed him a wide chasm which his boring
instrument had made, and bade him remain there while he fetched the
spoil. In a very short time he returned with as much plunder as he could

"Let us get away," said the Emperor. "We can carry no more."

"Nay," said Elbegast, "but I would return, with your permission. In
the chamber occupied by Eggerich and his wife there is a wonderful
caparison, made of gold and covered with little bells. I want to prove
my skill by carrying it off."

"As you will," was Charlemagne's laughing response.

Without a sound Elbegast reached the bedchamber of his victim, and was
about to raise the caparison when he suddenly stumbled and all the bells
rang out clearly.

"My sword, my sword!" cried Eggerich, springing up, while Elbegast sank
back into the shadows.

"Nay," said the lady, trying to calm her husband. "You did but hear the
wind, or perhaps it was an evil dream. Thou hast had many evil dreams
of late, Eggerich; methinks there is something lies heavily on thy mind.
Wilt thou not tell thy wife?"

Elbegast listened intently while with soft words and caresses the lady
strove to win her husband's secret.

"Well," said Eggerich at last in sullen tones, "we have laid a plot, my
comrades and I. To-morrow we go to Ingelheim, and ere noon Charlemagne
shall be slain and his lands divided among us."

"What!" shrieked the lady. "Murder my brother! That will you never
while I have strength to warn him." But the villain, with a brutal oath,
struck her so fiercely in the face that the blood gushed out, and she
sank back unconscious.

The robber was not in a position to avenge the cruel act, but he crawled
nearer the couch and caught some of the blood in his gauntlet, for a
sign to the Emperor. When he was once more outside the castle he told
his companion all that had passed and made as though to return.

"I will strike off his head," said he. "The Emperor is no friend of
mine, but I love him still."

"What is the Emperor to us?" cried Charlemagne. "Are you mad that
you risk our lives for the Emperor?" The black knight looked at him

"An we had not sworn friendship," said he, "your life should pay for
these words. Long live the Emperor!" Charlemagne, secretly delighted
with the loyalty of the outlawed knight, recommended him to seek the
Emperor on the morrow and warn him of his danger. But Elbegast, fearing
the gallows, would not consent to this; so his companion promised to
do it in his stead and meet him afterward in the forest. With that they
parted, the Emperor returning to his palace, where he found all as he
had left it.

In the morning he hastily summoned his council, told them of his
dream and subsequent adventures, and of the plot against his life. The
paladins were filled with horror and indignation, and Charlemagne's
secretary suggested that it was time preparations were being made for
the reception of the assassins. Each band of traitors as they arrived
was seized and cast into a dungeon. Though apparently clad as peaceful
citizens, they were all found to be armed. The last band to arrive was
led by Eggerich himself. Great was his dismay when he saw his followers
led off in chains, and angrily he demanded to know the reason for such

Charlemagne thereupon charged him with treason, and Eggerich flung
down the gauntlet in defiance. It was finally arranged that the Emperor
should provide a champion to do battle with the traitor, the combat to
take place at sunrise on the following morning.

A messenger rode to summon Elbegast, but he had much difficulty in
convincing the black knight that it was not a plot to secure his

"And what would the Emperor with me?" he demanded of the messenger, as
at length they rode toward Ingelheim.

"To do battle to the death with a deadly foe of our lord the
Emperor--Eggerich von Eggermond."

"God bless the Emperor!" exclaimed Elbegast fervently, raising his
helmet. "My life is at his service." Charlemagne greeted the knight
affectionately and asked what he had to tell concerning the conspiracy,
whereupon Sir Elbegast fearlessly denounced the villainous Eggerich,
and said he, "I am ready to prove my assertions upon his body." The
challenge was accepted, and at daybreak the following morning a fierce
combat took place. The issue, however, was never in doubt: Sir Elbegast
was victorious, the false Eggerich was slain, and his body hanged on a
gibbet fifty feet high. The emperor now revealed himself to the black
knight both as his companion-robber and as the messenger who had brought
him the summons to attend his Emperor.

Charlemagne's sister, the widow of Eggerich, he gave to Sir Elbegast
in marriage, and with her the broad lands which had belonged to the
vanquished traitor. Thenceforward the erstwhile robber and his sovereign
were fast friends.

The place where these strange happenings befell was called Ingelheim, in
memory of the celestial visitor, and Ingelheim it remains to this day.

The Knight and the Yellow Dwarf

Elfeld is the principal town of the Rheingau, and in ancient times was a
Roman station called Alta Villa. In the fourteenth century it was
raised to the rank of a town by Ludwig of Bavaria, and placed under the
stewardship of the Counts of Elz.

These Counts of Elz dwelt in the castle by the river's edge, and of
one of them, Ferdinand, the following tale is told. This knight loved
pleasure and wild living, and would indulge his whims and passions
without regard to cost. Before long he found that as a result of his
extravagance his possessions had dwindled away almost to nothing.
He knew himself a poor man, yet his desire for pleasure was still
unsatisfied. Mortified and angry, he hid himself in the castle of Elz
and spent his time lamenting his poverty and cursing his fate. While in
this frame of mind the news reached him of a tournament that the Emperor
purposed holding in celebration of his wedding. To this were summoned
the chivalry and beauty of Germany from far and near, and soon knights
and ladies were journeying to take their part in the tourney, the
feasting and dancing.

Ferdinand realized that he was precluded from joining his brother nobles
and was inconsolable. He became the prey of rage and shame, and at last
resolved to end a life condemned to ignominy. So one day he sought
a height from which to hurl himself, but ere he could carry out his
purpose there appeared before him a dwarf, clad in yellow from top to
toe. With a leer and a laugh he looked up at the frantic knight,
and asked why the richest noble in the land should be seeking death.
Something in the dwarf's tone caused Ferdinand to listen and suddenly to
hope for he knew not what miracle. His eyes gleamed as the dwarf went on
to speak of sacks of gold, and when the little creature asked for but
a single hair in return he laughed aloud and offered him a hundred.
But the dwarf smiled and shook his head. The noble bowed with a polite
gesture, and as he bent his head the little man reached up and plucked
out but one hair, and, lo! a sack of gold straightway appeared. At this
Ferdinand thought that he must be dreaming, but the sack and gold pieces
were real enough to the touch, albeit the dwarf had vanished. Then, in
great haste, Ferdinand bought rich and costly clothing and armour, also
a snow-white steed caparisoned with steel and purple trappings, spending
on these more than twenty sacks of gold, for the dwarf returned to the
noble many times and on each occasion gave a sack of gold in exchange
for one hair. At last Ferdinand set out for the tournament, where,
besides carrying off the richest prizes and winning the heart of many
a fair lady, he attracted the notice of the Emperor, who invited him to
stay at his court.

And there the knight resumed his former passions and pleasures, living
the wildest of lives and thinking no price too high for careless
enjoyment. And each night, ere the hour of twelve finished striking, the
yellow dwarf appeared with a sack of gold, taking his usual payment of
only one hair. This wild life now began to tell upon Ferdinand. He fell
an easy prey to disease, which the doctors could not cure, and to the
pricks of a late-roused conscience, which no priests could soothe.
All his wasted past rose before him. Day and night his manifold sins
appeared before him like avenging furies, until at last, frenzied by
this double torture of mind and body, he called upon the Devil to aid
him in putting an end to his miserable existence, for so helpless was
he, he could neither reach nor use a weapon. Then at his side appeared
once more the dwarf, smiling and obliging as usual. He proffered, not a
sack of gold this time, but a rope of woven hair, the hair which he
had taken from Ferdinand in exchange for his gold. In the morning the
miserable noble was found hanging by that rope.


Mainz, the old Maguntiacum, was the principal fortress on the Upper
Rhine in Roman times. It was here that Crescentius, one of the first
preachers of the Christian faith on the Rhine, regarded by local
tradition as the pupil of St. Peter and first Archbishop of Mainz,
suffered martyrdom in the reign of Trajan in A.D. 103. He was a
centurion in the Twenty-second Legion, which had been engaged under
Titus in the destruction of Jerusalem, and it is supposed that
he preached the Gospel in Mainz for thirty-three years before his
execution. Here also it was that the famous vision of Constantine, the
cross in the sky, was vouchsafed to the Christian conqueror as he went
forth to meet the forces of Maxentius. The field of the Holy Cross
in the vicinity of Mainz is still pointed out as the spot where this
miracle took place. The city flourished under the Carlovingians, and was
in a high state of prosperity at the time of Bishop Hatto, whose name,
as we have seen, has been held up to obloquy in many legends.

During the fourteenth century Mainz shared the power and glory of the
other cities of the Rhenish Confederation, then in the full flush of its
heyday. Its cathedral witnesses to its aforetime civic splendour. This
magnificent building took upward of four hundred years to complete, and
its wondrous brazen doors and sumptuous chapels are among the finest
ecclesiastical treasures of Germany.

The Fiddler

In the cathedral of Mainz was an image of the Virgin, on whose feet
were golden slippers, the gift of some wealthy votary. Of this image the
following legend is told:

A poor ragged fiddler had spent the whole of one bitter winter morning
playing through the dreary streets without any taking pity upon his
plight. As he came to the cathedral he felt an overmastering desire
to enter and pour out his distress in the presence of his Maker. So he
crept in, a tattered and forlorn figure. He prayed aloud, chanting his
woes in the same tones which he used in the street to touch the hearts
of the passers-by.

As he prayed a sense of solitude came upon him, and he realized that the
shadowy aisles were empty. A sudden whim seized him. He would play
to the golden-shod Virgin and sing her one of his sweetest songs. And
drawing nearer he lifted his old fiddle to his shoulder, and into
his playing he put all his longing and pain; his quavering voice grew
stronger beneath the stress of his fervour. It was as if the springtime
had come about him; life was before him, gay and joyful, sorrow and pain
were unknown. He sank to his knees before the image, and as he knelt,
suddenly the Virgin lifted her foot and, loosening her golden slipper,
cast it into the old man's ragged bosom, as if giving alms for his

The poor old man, astounded at the miracle, told himself that the
Blessed Virgin knew how to pay a poor devil who amused her. Overcome by
gratitude, he thanked the giver with all his heart.

He would fain have kept the treasure, but he was starving, and it seemed
to have been given him to relieve his distress. He hurried out to the
market and went into a goldsmith's shop to offer his prize. But the
man recognized it at once. Then was the poor old fiddler worse off than
before, for now he was charged with the dreadful crime of sacrilege. The
old man told the story of the miracle over and over again, but he was
laughed at for an impudent liar. He must not hope, they told him, for
anything but death, and in the short space of one hour he was tried and
condemned and on his way to execution.

The place of death was just opposite the great bronze doors of the
cathedral which sheltered the Virgin. "If I must die," said the fiddler,
"I would sing one song to my old fiddle at the feet of the Virgin and
pray one prayer before her. I ask this in her blessed name, and you
cannot refuse me."

They could not deny the prisoner a dying prayer, and, closely guarded,
the tattered figure once more entered the cathedral which had been
so disastrous to him. He approached the altar of the Virgin, his eyes
filling with tears as again he held his old fiddle in his hands. Then
he played and sang as before, and again a breath as of springtime stole
into the shadowy cathedral and life seemed glad and beautiful. When the
music ceased, again the Virgin lifted a foot and softly she flung her
other slipper into the fiddler's bosom, before the astonished gaze of
the guards. Everyone there saw the miracle and could not but testify to
the truth of the old man's former statement; he was at once freed from
his bonds and carried before the city fathers, who ordered his release.

And it is said that, in memory of the miracle of the Virgin, the priests
provided for the old fiddler for the rest of his days. In return for
this the old man surrendered the golden slippers, which, it is also
said, the reverend fathers carefully locked away in the treasure-chest,
lest the Virgin should again be tempted to such extravagant almsgiving.

The Maiden's Leap

Once in the Hardt mountains there dwelt a giant whose fortress commanded
a wide view of the surrounding country. Near by, a lovely lady,
as daring in the hunt as she was skilful at spinning, inhabited an
abandoned castle. One day the twain chanced to meet, and the giant
thereupon resolved to possess the beauteous damsel.

So he sent his servant to win her with jewels, but the deceitful fellow
intended to hide the treasures in a forest.

There he met a young man musing in a disconsolate attitude, who confided
that poverty alone kept him from avowing how passionately he adored his
sweetheart. The shrewd messenger realized that this rustic's charmer was
the same fair lady who had beguiled his master's soul. He solicited the
youth's aid in burying the treasures promising him a share in the spoil
sufficient to enable him to wed his beloved.

In a solitary spot they dug a deep hole, when suddenly the robber
assailed his companion, who thrust him aside with great violence. In
his rage the youth was about to stab the wretch, when he craved pardon,
promising to reveal a secret of more value than the jewels he had
intended to conceal.

The youth stayed his hand, and the servant related how his master, for
love of the pretty mistress of the castle, had sent him to gain her

Conscious of his worth, the ardent youth scornfully declared that he
feared no rival, then, seizing half of the treasure, he left the wretch
to his own devices.

Meanwhile the giant impatiently awaited his servant's return. At length,
tired of waiting, he decided to visit the lady and declare in person his
passion for her. Upon his arrival at the castle the maid announced him,
and it was with a secret feeling of dread that the lady went to meet her
unwelcome visitor. More than ever captivated by her charms, the giant
asked the fair maid to become his wife. On being refused, he threatened
to kill her and demolish the castle.

The poor lady was terrified and she tearfully implored the giant's
mercy, promising to bestow all her treasure upon him. Her maids, too,
begged him to spare their mistress's life, but he only laughed as they
knelt before him. Ultimately the hapless maiden consented to marry her
inexorable wooer, but she attached a novel condition: she would ride a
race with her relentless suitor, and should he overtake her she would
accompany him to his castle. But the resolute maiden had secretly vowed
to die rather than submit to such degradation. Choosing her fleetest
steed, she vaulted nimbly into the saddle and galloped away. Her
persecutor pursued close behind, straining every nerve to come up with
her. Shuddering at the very thought of becoming his bride, she chose
death as the only alternative. So she spurred her horse onward to the
edge of a deep chasm.

The noble animal neighed loudly as though conscious of impending danger.
The pursuer laughed grimly as he thought to seize his prize, but his
laughter was turned to rage when the horse with its fair burden bounded
lightly across the chasm, landing safely on the other side.

The enraged tyrant now beheld his intended victim kneeling in prayer and
her steed calmly grazing among the green verdure by her side. He strode
furiously hither and thither, searching for a crossing, and suddenly
a shout of joy told the affrighted maid that he had discovered some

His satisfaction, however, was short-lived, for just then a strange
knight with drawn sword rushed upon the giant. The maid watched the
contest with breathless fear, and many times she thought that the tyrant
would slay her protector. At last in one such moment the giant stooped
to clutch a huge boulder with which he meant to overwhelm his adversary,
when, overreaching himself, he slipped and fell headlong down the steep

Then the maid hastened to thank her rescuer, and great was her surprise
to discover in the gallant knight the youth whose former poverty had
kept him from wooing her. They returned to the castle together, and it
was not long ere they celebrated their wedding.

Both lived long and happily, and their union was blessed with many
children. The rock is still known as "The Maiden's Leap."

The Wonderful Road

Near Homburg, on the pinnacle of a lofty mountain, are the ruins of
Falkenstein Castle, access to which is gained by a steep, winding path.

Within the castle walls there once dwelt a maiden of surpassing beauty.
Many suitors climbed the stern acclivity to woo this charming damsel,
but her stern father repelled one and all. Only Kuno of Sayn was firm
enough to persevere in his suit against the rebuffs of the stubborn Lord
of Falkenstein, and in the end he was rewarded with the smiles and kind
looks of the fair maid.

One evening, as they watched the sun set, Kuno pointed out to the maiden
where his own castle was situated. The beauty of the landscape beneath
them made its appeal to their souls, their hands touched and clasped,
and their hearts throbbed with the passion felt by both. A few days
later Kuno climbed the steep path, resolved to declare his love to the
damsel's father. Fatigued with the ascent, he rested for a brief space
at the entrance to the castle ere mounting to the tower.

The Lord of Falkenstein and his daughter had beheld Kuno's journey up
the rugged path from the windows of the tower, and the father demanded
for what purpose he had come thither. With a passionate glance at the
blushing maid, the knight of Sayn declared that he had come to ask the
noble lord for his daughter's hand in marriage. After meditating on the
knight's proposal for some time, the Lord of Falkenstein pretended to
be willing to give his consent--but he attached a condition. "I desire
a carriage-drive to be made from the lowland beneath to the gate of my
castle, and if you can accomplish this my daughter's hand is yours--but
the feat must be achieved by to-morrow morning!"

The knight protested that such a task was utterly impossible for anyone
to perform, even in a month, but all to no purpose. He then resolved to
seek some way whereby he could outwit the stubborn lord, for he would
not willingly resign his lady-love. He left the tower, vowing to do his
utmost to perform the seemingly impossible task, and as he descended the
rocky declivity his beloved waved her handkerchief to encourage him.

Now Kuno of Sayn possessed both copper and silver mines, and arriving at
his castle he summoned his overseer. The knight explained the nature of
the task which he desired to be undertaken, but the overseer declared
that all his miners, working day and night, could not make the roadway
within many months.

Dismayed, Kuno left his castle and wandered into a dense forest, driven
thither by his perturbed condition. Night cast dusky shadows over
the foliage, and the perplexed lover cursed the obstinate Lord of
Falkenstein as he forced his way through the undergrowth.

Suddenly an old man of strange and wild appearance stood in his path.
Kuno at once knew him for an earth-spirit, one of those mysterious
guardians of the treasures of the soil who are jealous of the incursion
of mankind into their domain.

"Kuno of Sayn," he said, "do you desire to outwit the Lord of
Falkenstein and win his beauteous daughter?"

Although startled and taken aback by the strange apparition, Kuno
hearkened eagerly to its words as showing an avenue of escape from the
dilemma in which he found himself.

"Assuredly I do," he replied, "but how do you propose I should
accomplish it?"

"Cease to persecute me and my brethren, Kuno, and we shall help you to
realize your wishes," was the reply.

"Persecute you!" exclaimed Kuno. "In what manner do I trouble you at
all, strange being?"

"You have opened up a silver mine in our domain," said the earth-spirit,
"and as you work it both morning and afternoon we have but little
opportunity for repose. How, I ask you, can we slumber when your men
keep knocking on the partitions of our house with their picks?"

"What, then, would you have, my worthy friend?" asked Kuno, scarcely
able to suppress a smile at the wistful way in which the gnome made his
complaint. "Tell me, I pray you, how I can oblige you."

"By instructing your miners to work in the mine during the hours of
morning only," replied the gnome. "By so doing I and my brothers will
obtain the rest we so much require."

"It shall be as you say," said Kuno; "you have my word for it, good

"In that case," said the earth-spirit, "we shall assist you in turn. Go
to the castle of Falkenstein after dawn to-morrow morning, and you shall
witness the result of our friendship and gratitude."

Next morning the sun had scarcely risen when Kuno saddled his steed and
hied him to the heights of Falkenstein. The gnome had kept his word.
There, above and in front of him, he beheld a wide and lofty roadway
leading to the castle-gate from the thoroughfare below. With joy in
his heart he set spurs to his horse and dashed up the steep but smooth
acclivity. At the gate he encountered the old Lord of Falkenstein and
his daughter, who had been apprised of the miracle that had happened
and had come out to view the new roadway. The knight of Sayn related his
adventure with the earth-spirit, upon which the Lord of Falkenstein told
him how a terrible thunderstorm mingled with unearthly noises had raged
throughout the night. Terrified, he and his daughter had spent the
hours of darkness in prayer, until with the approach of dawn some of the
servitors had plucked up courage and ventured forth, when the wonderful
avenue up the side of the mountain met their startled gaze.

Kuno and his lady-love were duly united. Indeed, so terrified was the
old lord by the supernatural manifestations of the dreadful night he had
just passed through that he was incapable of further resistance to the
wishes of the young people. The wonderful road is still to be seen, and
is marvelled at by all who pass that way.

Osric the Lion

Other tales besides the foregoing have their scene laid in the castle
of Falkenstein, notable among them being the legend of Osric the Lion,
embodied in the following weird ballad from the pen of Monk Lewis:

     Swift roll the Rhine's billows, and water the plains,
     Where Falkenstein Castle's majestic remains
     Their moss-covered turrets still rear:
     Oft loves the gaunt wolf 'midst the ruins to prowl,
     What time from the battlements pours the lone owl
     Her plaints in the passenger's ear.

     No longer resound through the vaults of yon hall
     The song of the minstrel, and mirth of the ball;
     Those pleasures for ever are fled:
     There now dwells the bat with her light-shunning brood,
     There ravens and vultures now clamour for food,
     And all is dark, silent, and dread!

     Ha! dost thou not see, by the moon's trembling light
     Directing his steps, where advances a knight,
     His eye big with vengeance and fate?
     'Tis Osric the Lion his nephew who leads,
     And swift up the crackling old staircase proceeds,
     Gains the hall, and quick closes the gate.

     Now round him young Carloman, casting his eyes,
     Surveys the sad scene with dismay and surprise,
     And fear steals the rose from his cheeks.
     His spirits forsake him, his courage is flown;
     The hand of Sir Osric he clasps in his own,
     And while his voice falters he speaks.

     "Dear uncle," he murmurs, "why linger we here?
     'Tis late, and these chambers are damp and are drear,
     Keen blows through the ruins the blast!
     Oh! let us away and our journey pursue:
     Fair Blumenberg's Castle will rise on our view,
     Soon as Falkenstein forest be passed.

     "Why roll thus your eyeballs? why glare they so wild?
     Oh! chide not my weakness, nor frown, that a child
     Should view these apartments with dread;
     For know that full oft have I heard from my nurse,
     There still on this castle has rested a curse,
     Since innocent blood here was shed.

     "She said, too, bad spirits, and ghosts all in white,
     Here used to resort at the dead time of night,
     Nor vanish till breaking of day;
     And still at their coming is heard the deep tone
     Of a bell loud and awful--hark! hark! 'twas a groan!
     Good uncle, oh! let us away!"

     "Peace, serpent!" thus Osric the Lion replies,
     While rage and malignity gleam in his eyes;
     "Thy journey and life here must close:
     Thy castle's proud turrets no more shalt thou see;
     No more betwixt Blumenberg's lordship and me
     Shalt thou stand, and my greatness oppose.

     "My brother lies breathless on Palestine's plains,
     And thou once removed, to his noble domains
     My right can no rival deny:
     Then, stripling, prepare on my dagger to bleed;
     No succour is near, and thy fate is decreed,
     Commend thee to Jesus and die!"

     Thus saying, he seizes the boy by the arm,
     Whose grief rends the vaulted hall's roof, while alarm
     His heart of all fortitude robs;
     His limbs sink beneath him; distracted with fears,
     He falls at his uncle's feet, bathes them with tears,
     And "Spare me! oh, spare me!" he sobs.

     But vainly the miscreant he tries to appease;
     And vainly he clings in despair round his knees,
     And sues in soft accents for life;
     Unmoved by his sorrow, unmoved by his prayer,
     Fierce Osric has twisted his hand in his hair,
     And aims at his bosom a knife.

     But ere the steel blushes with blood, strange to tell!
     Self-struck, does the tongue of the hollow-toned bell
     The presence of midnight declare:
     And while with amazement his hair bristles high,
     Hears Osric a voice, loud and terrible, cry,
     In sounds heart-appalling, "Forbear!"

     Straight curses and shrieks through the chamber resound,
     Shrieks mingled with laughter; the walls shake around;
     The groaning roof threatens to fall;
     Loud bellows the thunder, blue lightnings still flash;
     The casements they clatter; chains rattle; doors clash,
     And flames spread their waves through the hall.

     The clamour increases, the portals expand!
     O'er the pavement's black marble now rushes a band
     Of demons, all dropping with gore,
     In visage so grim, and so monstrous in height,
     That Carloman screams, as they burst on his sight,
     And sinks without sense on the floor.

     Not so his fell uncle:--he sees that the throng
     Impels, wildly shrieking, a female along,
     And well the sad spectre he knows!
     The demons with curses her steps onwards urge;
     Her shoulders, with whips formed of serpents, they scourge,
     And fast from her wounds the blood flows.

     "Oh! welcome!" she cried, and her voice spoke despair;
     "Oh! welcome, Sir Osric, the torments to share,
     Of which thou hast made me the prey.
     Twelve years have I languished thy coming to see;
     Ulrilda, who perished dishonoured by thee
     Now calls thee to anguish away!

     "Thy passion once sated, thy love became hate;
     Thy hand gave the draught which consigned me to fate,
     Nor thought I death lurked in the bowl:
     Unfit for the grave, stained with lust, swelled with pride,
     Unblessed, unabsolved, unrepenting, I died,
     And demons straight seized on my soul.

     "Thou com'st, and with transport I feel my breast swell:
     Full long have I suffered the torments of hell,
     And now shall its pleasures be mine!
     See, see, how the fiends are athirst for thy blood!
     Twelve years has my panting heart furnished their food.
     Come, wretch, let them feast upon thine!"

     She said, and the demons their prey flocked around;
     They dashed him, with horrible yell, on the ground,
     And blood down his limbs trickled fast;
     His eyes from their sockets with fury they tore;
     They fed on his entrails, all reeking with gore,
     And his heart was Ulrilda's repast.

     But now the grey cock told the coming of day!
     The fiends with their victim straight vanished away,
     And Carloman's heart throbbed again;
     With terror recalling the deeds of the night,
     He rose, and from Falkenstein speeding his flight,
     Soon reached his paternal domain.

     Since then, all with horror the ruins behold;
     No shepherd, though strayed be a lamb from his fold,
     No mother, though lost be her child,
     The fugitive dares in these chambers to seek,
     Where fiends nightly revel, and guilty ghosts shriek
     In accents most fearful and wild!

     Oh! shun them, ye pilgrims! though late be the hour,
     Though loud howl the tempest, and fast fall the shower;
     From Falkenstein Castle begone!
     There still their sad banquet hell's denizens share;
     There Osric the Lion still raves in despair:
     Breathe a prayer for his soul, and pass on!

The Conference of the Dead

A legend of later date than most of the Rhineland tales, but still
of sufficient interest to merit inclusion among these, is that which
attaches to the palace of Biberich. Biberich lies on the right bank
of the river, not very far from Mainz, and its palace was built at the
beginning of the eighteenth century by George Augustus, Duke of Nassau.

The legend states that not long after the erection of the palace a
Duchess of Nassau died there, and lay in state as befitted her rank in a
room hung with black velvet and lighted with the glimmer of many tapers.

Outside in the great hall a captain and forty-nine men of the Duke's
bodyguard kept watch over the chamber of death.

It was midnight. The captain of the guard, weary with his vigil, had
gone to the door of the palace for a breath of air. Just as the last
stroke of the hour died away he beheld the approach of a chariot, drawn
by six magnificent coal-black horses, which, to his amazement, drew up
before the palace. A lady, veiled and clad in white, alighted and made
as though she would enter the building. But the captain barred the way
and challenged the bold intruder.

"Who are you," he said sternly, "who seek to enter the palace at this
hour? My orders are to let none pass."

"I was first lady of the bedchamber to our late Duchess," replied
the lady in cold, imperious tones; "therefore I demand the right of

As she spoke she flung aside her veil, and the captain, instantly
recognizing her, permitted her to enter the palace without further

"What can she want here at this time of night?" he said to his
lieutenant, when the lady had passed into the death-chamber.

"Who can say?" replied the lieutenant. "Unless, perchance," he mused,
"we were to look."

The captain took the hint, crept softly to the keyhole, and applied his
eye thereto. "Ha!" he said, shrinking back in amazement and terror, and
beckoning to his lieutenant. "In Satan's name what have we here?"

The lieutenant hastened to the chamber door, full of alarm and
curiosity. Putting his eye to the keyhole, he also ejaculated, turned
pale, and trembled. One by one the soldiers of the guard followed their
officers' example, like them to retreat with exclamations of horror. And
little wonder; for they perceived the dead Duchess sitting up in bed,
moving her pale lips as though in conversation, while by her side stood
the lady of the bedchamber, pale as she, and clad in grave-clothes. For
a time the ghastly conversation continued, no words being audible to
the terror-stricken guard; but from time to time a hollow sound reached
them, like the murmur of distant thunder. At length the visitor emerged
from the chamber, and returned to her waiting coach. Duty, rather than
inclination, obliged the gallant captain to hand her into her carriage,
and this task he performed with praiseworthy politeness, though his
heart sank within him at the touch of her icy fingers, and his tongue
refused to return the adieu her pale lips uttered. With a flourish of
whips the chariot set off. Sparks flew from the hoofs of the horses,
smoke and flame burst from their nostrils, and such was their speed that
in a moment they were lost to sight. The captain, sorely puzzled by the
events of the night, returned to his men, who were huddled together at
the end of the hall furthest from the death-chamber.

On the morrow, ere the guard had had time to inform the Duke of these
strange happenings, news reached the palace that the first lady of the
bedchamber had died on the previous night at twelve o'clock. It was
supposed that sorrow for her mistress had caused her death.


Of the castle of Eppstein, whose ruins still remain in a valley of the
Taunus Mountains, north of Biberich, the following curious story is

Sir Eppo, a brave and chivalrous knight--and a wealthy one to boot,
as were his successors of Eppstein for many generations--was one day
hunting in the forest, when he became separated from his attendants and
lost his way. In the heat of the chase his sense of direction had failed
him, and though he sounded his bugle loud and long there was no reply.

Tired out at length with wandering hither and thither, he rested himself
in a pleasant glade, and was surprised and charmed to hear a woman's
voice singing a mournful melody in soft, clear tones. It was a sheer
delight to Sir Eppo to listen to a voice of such exquisite purity, yet
admiration was not the only feeling it roused in his breast. There was
a note of sadness and appeal in the song, and what were knighthood worth
if it heeded not the voice of fair lady in distress? Sir Eppo sprang to
his feet, forgetting his own plight in the ardour of chivalry, and set
off in the direction from which the voice seemed to come. The way was
difficult, and he had to cut a passage with his sword through the dense
thicket that separated him from the singer. At length, guided by the
melancholy notes, he arrived before a grotto, in which he beheld a
maiden of surpassing beauty, but of sorrowful mien. When she saw the
handsome knight gazing at her with mingled surprise and admiration
she ceased her song and implored his aid. A cruel giant, she said, had
seized her and brought her thither. At the moment he was asleep, but he
had tied her to a rock so that she might not escape.

Her beauty and grace, her childlike innocence, her piteous plight, moved
Sir Eppo strangely. First pity, then a stronger emotion dawned in his
breast. He severed her bonds with a stroke of his keen falchion.

"What can I do to aid thee, gentle maiden?" he said. "You have but to
command me; henceforth I am thy knight, to do battle for thee."

The damsel blushed at the courteous words, but she lifted her eyes
bravely to the champion who had so unexpectedly appeared to protect her.

"Return to my castle," she said, "and there thou wilt find a consecrated
net. Bring it hither. If I lay it upon the giant he will become as weak
as a babe and will be easily overcome."

Eagerly the young knight obeyed the command, and having found the net
according to the damsel's directions, he made all haste to return. At
the grotto he paused and hid himself, for the strident voice of the
giant could be heard within. Presently the monster emerged, and
departed in search of reeds wherewith to make a pipe. No sooner had he
disappeared than the maiden issued from the grotto, and Sir Eppo came
out of his concealment and gave her the consecrated net. She spoke a few
words of heartfelt gratitude, and then hurried with her treasure to the
top of the mountain, where she knew the giant had intended to go.

Arrived at her destination, she laid down the net and covered it with
moss, leaves, and sweet-smelling herbs. While engaged in her task the
giant came up, and the damsel smilingly told him that she was preparing
a couch whereon he might take some rest. Gratified at her solicitude, he
stretched himself unsuspectingly on the fragrant pile. In a moment the
damsel, uttering the name of the Trinity, threw a portion of the net
over him, so that he was completely enveloped. Immediately there arose
such loud oaths and lamentations that the damsel ran in terror to the
knight, who had now come upon the scene.

"Let us fly," she said, "lest he should escape and pursue us."

But Sir Eppo strode to the place where the howling monster lay entangled
in the net, and with a mighty effort rolled him over a steep precipice,
where he was instantly killed.

The story ends happily, for Sir Eppo and the maiden he had rescued were
married soon after; and on the spot where they had first met was raised
the castle of Eppstein. It is said that the bones of the giant may still
be seen there.

Floersheim: The Shepherd Knight

In the now ruined castle of Wilenstein, overlooking the wooded heights
of the Westrich, dwelt Sir Bodo of Floersheim and his fair daughter
Adeline. The maiden's beauty, no less than her father's wealth,
attracted suitors in plenty from the neighbouring strongholds, but the
spirit of love had not yet awakened in her bosom and each and all were
repulsed with disconcerting coldness and indifference, and they left the
schloss vowing that the lovely Adeline was utterly heartless.

One day there came to Sir Bodo a youth of pleasing manners and
appearance, picturesquely clad in rustic garb, who begged that he might
enter the knight's service in the capacity of shepherd. Though he hinted
that he was of noble birth, prevented by circumstances from revealing
his identity, yet he based his request solely on his merits as a tender
of flocks and herds, and as Sir Bodo found that he knew his work well
and that his intelligence was beyond question, he gave him the desired
post. As time went on Sir Bodo saw no reason to regret his action, for
his flocks and herds prospered as they had never done before, and none
but good reports reached him concerning his servant.

Meantime Adeline heard constant references to Otto (as the shepherd was
called) both from her father and her waiting-women. The former praised
his industry and abilities, while the latter spoke of his handsome looks
and melancholy air, his distinction and good breeding, and the mystery
which surrounded his identity. All this excited the maiden's curiosity,
and her pity was aroused as well, for it seemed that the stranger had
a secret grief, which sometimes found vent in tears when he thought
himself unobserved.

Adeline saw him for the first time one afternoon while she was walking
in the castle grounds. At sight of her he paused as though spell-bound,
and the maiden blushed under his earnest scrutiny. A moment later,
however, he recovered himself, and courteously asked her pardon for his
seeming rudeness.

"Forgive me, fair lady," said he; "it seemed that I saw a ghost in your
sweet face."

Adeline, who had recognized him from the descriptions she had received,
now made herself known to him, and graciously granted him permission to
walk with her to the castle. His offence was readily pardoned when he
declared that the cause of it was a fancied resemblance between Adeline
and a dear sister whom death had lately robbed him of. Ere they parted
the young people were already deeply in love with one another, and had
promised to meet again on the following day. The spot where they had
first encountered each other became a trysting-place which was daily
hallowed by fresh vows and declarations.

On one such occasion Otto told his beloved the story of his early life
and revealed to her his identity. It was indeed a harrowing tale, and
one which drew a full meed of sympathy from the maiden.

Otto and his sister--she whose likeness in Adeline's face had first
arrested his attention--had been brought up by a cruel stepfather, who
had treated them so brutally that Otto was at length forced to flee
to the castle of an uncle, who received him kindly and gave him an
education befitting his knightly station. A few years later he had
returned home, to find his sister dead--slain by the ill-treatment
of her stepfather, who, it was even said, had hastened her death with
poison. Otto, overcome with grief, confronted her murderer, heaped abuse
on his head, and demanded his share of the property. The only answer was
a sneer, and the youth, maddened with grief and indignation, drew his
sword and plunged it in his tormentor's heart. A moment later he saw
the probable consequences of his hasty action, concealed himself in
the woods, and thenceforth became a fugitive, renounced even by his own
uncle, and obliged to remain in hiding in order to escape certain death
at the hands of the murdered man's kindred. In a fortunate moment he had
chanced to reach Floersheim, where, in his shepherd's guise, he judged
himself secure.

Adeline, deeply moved by the tale, sought to put her sympathy in the
practical form of advice.

"Dear Otto," she said, "let us go to my father and tell him all. We must
dispatch an embassy to your uncle in Thuringen, to see whether he
may not consent to a division of the property. Take courage, and your
rightful position may yet be assured."

So it was arranged that on the following day the lovers should seek Sir
Bodo and ask his advice in the matter. But alas! ere their plans could
be carried out Bodo himself sent for his daughter and informed her that
he had chosen a husband for her, Sir Siegebert, a wealthy and noble
knight, just returned from Palestine.

In vain Adeline wept and implored. Her father remained adamant, and
at last lost his temper and confined her within strict bounds till she
should consent to the marriage. Sir Siegebert was but ill pleased
with her pale cheeks and haggard eyes and her obvious distaste for his
society; and seeing this, Bodo was more than ever wroth, and swore to
send her to a nunnery if she did not greet her lover with a better face.

Day after day Otto waited at the trysting-place, yet his mistress did
not appear, nor did she send him any message. He was filled with anguish
at the thought that her ardent vows were forgotten, and wandered through
the woods like one distraught, seeking solace and finding none. At
length news reached him that on the morrow his beloved was to wed with
the knight Siegebert, and his last shred of hope vanished. He made his
way to a bridge where he had often watched for Adeline's coming, and
with a prayer flung himself into the turbid stream beneath.

Meanwhile the unceasing cruelty to which Adeline had been subjected had
reduced her to a state of terrified submission, so that, scarce knowing
what she did, she consented to wed Siegebert. At length all was in
readiness for the ceremony; the bells were ringing gaily, the feast was
spread, and the bride arrayed in her wedding dress. Unseen she slipped
out by a little postern gate and made her way quickly to the hut of her
shepherd. Alas! it stood empty. In despair she ran hither and thither,
calling his name in anguished accents. Suddenly she espied some
shepherds endeavouring to draw something out of the water. A strange
instinct told her the truth, and she crept closer to the little group.
One glance sufficed to show her that it was her lover's corpse which was
being taken ashore. No need to ask how he had perished, or why! With a
wild cry she flung herself into the stream where Otto had met his death,
and was speedily overwhelmed.

The bridal party sought high and low for the bride, but she was nowhere
to be seen. Bodo loudly vented his indignation at his daughter's
rebelliousness, but his anger was changed to mourning when the body
of the drowned maiden was washed ashore a few days later. Too late he
repented him of his rash folly. All his lamentations could not restore
poor Adeline to life. He caused the lovers to be buried together, and
spent the remainder of his days in prayer and penitence.


Frankfort, the castle of the Franks, was, it is said, founded by
Charlemagne at the time of the overthrow of the pagan Saxons, which has
already been recorded in the Song of the Saxons. Here Charlemagne
was led across the Rhine by deer, escaping with his army from certain
slaughter at the hands of the savage horde who sought to ambush him.
Other picturesque stories cluster round the city, the best of which are
the following.

The Poacher of Frankfort

In the city of Frankfort-on-the-Main stands a five-pointed tower, and in
the midst of one of these points is a vane containing nine round holes,
forming the figure 9. The origin of this figure is as follows:

A notorious poacher lay in the tower condemned to death for numerous
offences against the stringent game-laws of the country. He awaited his
end in silence, and sat moodily unobservant of the bright rays of the
sun which poured into his cell through the grated window. Others, he
pondered, were basking in the joyous light outside yonder in the verdant
summer fields, whilst he, who even now felt the noose tighten round
his neck, was plunged in semi-darkness. Well, as darkness was to be
his element, he might as well make present use of it for its special
purpose--to aid sleep; especially as sleep would remove him for the time
being from gloomy contemplation upon his approaching end.

As he slept a pleasant smile took the place of the sombre expression
natural to his waking moments. But on a sudden he started in his
slumber, grating his teeth, his face transformed with violent rage.

"Ha, villain, that was a trap," he muttered, but almost immediately his
countenance resumed the sad expression which had lately become habitual
to it. In the course of a few moments, however, this gave way to a look
of resolution and conscious strength, and even in sleep he appeared to
have made up his mind unalterably upon some matter of importance.

At this juncture the turnkey entered the cell, accompanied by two
officials, one of whom read to him a missive from those in authority
which stated that a petition for mercy which he had made could not be
entertained, and that he must suffer the extreme penalty of the law.

"I protest against such a sentence," cried the poacher, "for, after
all, I have only killed those animals which were given us by God for our
common use. Would you forfeit the life of a man because he has slain the
beasts of chase?"

"That is not the only charge against you," retorted one of the officials
harshly. "Your comrades, as well as the honourable Company of Foresters,
accuse you of being in league with the enemy of mankind, and of
procuring from him charmed bullets."

The poacher laughed. "It is false," he cried, "They are jealous because
I am such a good shot. Provide me with a gun and with powder and shot
blessed by a priest, and I will undertake to place through the vane of
this tower nine shots which shall form the figure 9."

"Such an opportunity shall be afforded you," said one of the officials,
who had not as yet spoken. "It would be an injustice not to give you
such a chance, especially as, if you are successful, you will remove the
most odious portion of the charge against you."

The news of the poacher's challenge spread quickly through Frankfort,
and even the foresters who had given evidence against him were so
impressed that they forced their way into the council and insisted that,
should he be successful, a free pardon should be granted to him. To this
the council agreed, and an intimation of the decision was conveyed to
the poacher. But he was assured that if one bullet missed its mark he
would certainly die. To this he agreed, and the succeeding day was fixed
for the trial of skill. At an early hour the square in which the tower
was situated was thronged by an immense crowd. The walls of the city, of
which the tower was a part, were thronged by members of the Foresters'
Guild. Soon the prisoner was led forth, and was publicly admonished by a
monk not to tempt God if his skill had its origin in diabolic agencies.
But to all such exhortations the poacher replied: "Fear not, I will
write my answer upon yonder tower."

The master of the Foresters' Guild loaded the gun and handed it to him.
Amidst a deep silence he aimed at the vane and fired. The shot found its
mark. Once more he fired. Again the vane swung round, and another hole
appeared therein. The crowd vented its feelings by loud huzzahs. Nine
times did he fire, and nine times did the bullet hit its mark. And
as the last bullet sang through the weather-cock the figure 9 showed
clearly therein, and the poacher, sinking to his knees, bared his head
and gave thanks for his life to God. All there, also, bared their heads
and accompanied him in his thanksgiving.

That night, loaded with gifts, he quitted Frankfort, nevermore to
return. But the vane on the tower remains there to this day as a witness
of his prowess with the long rifle.

The Knave of Bergen

The city of Frankfort was once the scene of a great coronation festival,
during the course of which a bal masque was given by the King and Queen
to a brilliant assembly of high-born ladies and nobles. The knights and
princes in their fancy costumes were hardly less resplendent than the
ladies in their jewels and brocaded silks, and the masks they all wore
added to the excitement and gaiety of the scene. In all the gathering
there was but one sombre note--a knight in coal-black armour, visored,
of great stature and stately in motion. His graceful mien won the
admiration of the ladies and the envy of the gallants, and the question
of his identity excited much speculation.

With courtly air the Black Knight approached the Queen, knelt before
her, and begged that she would deign to be his partner in the dance.
The charm of his voice and the modest yet dignified manner in which he
proffered his request so touched the Queen that she stepped down from
the dais and joined in the waltz. Never had she known a dancer with a
lighter step or a more delightful gift of conversation. When that dance
was over she granted him another and yet another, till the company
became very curious to know who the gallant knight might be on whom the
Queen bestowed her favours with such a lavish hand. At last the time
came for the guests to unmask, and the dancers made themselves known to
each other--with one exception, that is, for the Black Knight refused
to lift his visor. The King and Queen, however, shared to the full the
curiosity of their guests as to the identity of their strange guest, and
they commanded him to uncover his face, whereupon the knight raised his
visor, though with some reluctance. Neither the royal hosts nor any of
the noble guests recognized him, but a moment later two officials of the
Court advanced and to the astonishment and indignation of the company
declared that the stranger was no other than the executioner of Bergen!
The King's wrath knew no bounds. He commanded that the knave should be
seized and put to death immediately. To think that he had allowed the
Queen to dance with a common executioner! The bare idea was intolerable!

The knave fell humbly on his knees before his irate sovereign.

"I acknowledge my crime, sire," he said, "but your Majesty must be aware
that even my death would not be sufficient to wipe out my disgrace, and
the disgrace of her Majesty, who has danced with an executioner. There
is one other way to efface my guilt and to wipe out the humiliation of
your Majesty's gracious consort. You must make a knight of me, sire,
and I will challenge to mortal combat any who dares to speak ill of my

The King was astounded by this bold proposition, but the very audacity
of it caught his fancy. He struck the executioner gently with his sword.

"Rise, Sir Knight," he said, adding, as the Black Knight rose to his
feet: "You have acted like a knave this night. Henceforth you shall be
called the Knave of Bergen."

Darmstadt: The Proxy

In the days of chivalry there dwelt in Birbach a knight named Walther,
no less renowned for his piety than for his skill in arms, and the
Virgin, according to the following legend, was not unmindful of her
humble worshipper. A great tournament--so runs the tale--was to take
place in Darmstadt, and Sir Walther, who was about to enter the lists
for the first time, was not feeling confident as to the issue. He knew
that there were to be present many knights whose strength and skill far
exceeded his own, and, brave though he was, he could not but recognize
that his chances of victory were small. Yet he felt that he dared
not suffer defeat; he must not be disgraced before the spectators. In
particular, there was a certain fair lady whose colours he wore; he must
not be shamed before her. His mind, as he rode on his way to Darmstadt,
was filled with conflicting emotions, love, hope, fear, shame, in turn
dominating his thoughts. Suddenly he came to a wayside altar, upon which
was set an image of the Virgin, and he decided to carry his troubles
to her as he was wont to do. So he descended from his horse, which he
secured to a tree, and made his way to the altar.

So deep were his emotions and so ardent his prayer that he passed into a
sort of trance and fell at the foot of the altar like one dead. While
he lay thus unconscious the Virgin descended from the altar, unlaced his
armour, and donned it herself. Then taking sword and shield and lance,
she mounted his steed and rode into Darmstadt. She was absent for some
time, but when she returned the knight still lay in the death-like state
in which she had left him. She tied his horse once more to the tree,
replaced his armour, and then took her accustomed place on the altar.

Shortly after Walther recovered consciousness and rose hastily, then,
after another prayer to the Virgin, he rode as quickly as he might into
the town. Here, to his intense surprise, he was greeted with joyful
shouts and congratulations. His friends hailed him as a mighty champion,
and she who had won his affections bestowed upon him the reward of
knightly valour--her promise of marriage. The bewildered Walther scarce
knew whether he was awake or asleep, but at length it was borne in upon
him that someone had won great triumphs in his name. Who could have so
successfully personated him as to deceive even his dearest friends? Who,
indeed, save she to whom he had turned in his distress, the Holy Virgin

Soon he was wedded to the lady of his choice; and to show his gratitude
for the intervention of Mary he built her a magnificent chapel on
the spot where the miracle had taken place. Nor did he grow any less
diligent in her service, but continued to live a noble and pious life,
in which he was ever encouraged and assisted by his wife.

The Cooper of Auerbach

It is said that from the ruined castle of Auerbach a fragrant perfume of
wine sometimes steals upon the air, and then the country folk whisper,
"The cooper is tasting his wine." And if asked for the reason of this
saying they tell the following story.

Once when the sun shone golden on the vine-clad hills, deepening the
heavy clusters of grapes to a darker purple, a peasant, passing by
the ruins, thought longingly upon the wine that, in the past, had been
stored in those dark, cool cellars, wondering if perhaps some might not
yet be found there, or if all had been wasted and lost. And while he
yet pondered a rubicund little man, with leathern apron dark with
wine-stains girded about his portly waist, stood at his side looking up
at him with twinkling eyes.

"So, my friend, you think upon the wine, eh? Come and spend an hour with
me and you shall taste it." As he spoke a warm, sweet wine-scent rose
like incense about him, making the peasant's brain reel with delight. He
could not but follow the little man, tripping under the vines, thrusting
his way through thorn-hedges and over crumbling walls, till he came to a
flight of ancient steps, streaked grey and green with moss, leading down
to a weather-stained cellar-door. The door opened into dusky vaults
and from a niche in the wall the little cooper took a candle and a huge
bowl. Then on he went over the moist floor until there rose before them
in the candlelight, darker than the gloom about it, a gigantic tun. In
a crooning murmur the cooper began to tell of his possessions. He called
the vaults his realm, the tuns his dearly loved subjects--for, as the
peasant gazed, he saw a long procession of tuns stretching away into the
darkness. He shouted with mad delight at the sight, he clapped his hands
and smacked his lips in anticipation, he declared the tuns glittered
like pure gold. At this the cooper laughed and pointed out that the wine
had fashioned its own casks, gleaming crusts, from which the ancient
wood had fallen away long ago.

And next he filled the huge bowl with deep glowing wine and drank to the
peasant, whose hands ached to hold the bowl and lift it to his lips. At
last, with a courtly bow, the cooper put it into his hands, and then
the rustic emptied the bowl in one draught and drew a deep sigh of

In rapture he sang the praises of the wine, but the cooper assured him
that there was better to come. Again he tasted, and again the little
man led on from cask to cask. Then, mad with delight, the peasant sang
aloud, but the song broke into wild howling; he danced about the
tuns, then fell to embracing them, stroking and kissing them, babbling
love-words to the dusky fragrant wine. And still the cooper led on to
the next cask, still he filled the bowl, and still the peasant drank,
till at last in very joy tears ran down his face, and before his eyes
the tuns danced round him in a giddy whirl; then slumber fell upon him
and he sank down to sleep in the gloom.

When he awoke next morning his body lay stretched in a muddy ditch, his
lips pressed to clammy moss. Stumbling to his feet, he looked around for
the door of the wine vault, for the flight of steps leading down to that
realm of delight, but though he searched long and carefully, yet never
again could he find it, nor did his eyes see the little cooper with his
wine-stained leathern apron and his rubicund face.


Worms is celebrated as the locality of the Nibelungenlied and the
epic of Walthar of Aquitaine. But it has other claims to fame. Before
entering on the consideration of Germany's greatest epic we will recount
several of the lesser legends of the locality.

The Rose Garden: A Tale of Dietrich of Bern

Dietrich of Bern is the King Arthur of German story. Like his prototype
of Britain, he has become the central figure of innumerable medieval
tales and epics, a model of chivalry and martial prowess, distinguished
everywhere by high deeds and mighty feats of arms, and in not a few
cases displacing the rightful hero of still older myths, which thus
became grafted on to the Dietrich legends. Originally he was a bona-fide
historical personage, Theodoric the Ostrogoth, and as such gained
a widespread popularity among his people. His historical character,
however, was soon lost in the maze of legendary lore which surrounded
his name, and which, as time went on, ascribed to him feats ever more
wildly heroic. Among the various traditions there is one relating to the
Rhenish town of Worms which calls for inclusion here as much on account
of its intrinsic merit as because of its undoubted popularity. The
legend of the Rose Garden of Worms is a quaint and fanciful tale,
and even the circumstance that it ends with the death of several good
knights and true does not rob it of a certain humorous quality it

By the time Dietrich had reached the prime of his adventurous life--so
runs the story--he had gathered a considerable company of doughty
paladins at his court--he formed, in fact, a kind of Round Table--and
the knights who composed it were as eager as their lord to seek fresh
fields wherein to display their prowess, and were second only to him in
skill and valour. Among them were numbered such illustrious warriors as
Herbrand, his son Hildebrand, Eckehart, Wolfhart, and Amelung.

On one occasion, as Dietrich was seated at table with his followers, he
vowed that no court in Christendom could boast of such warriors as he
could muster. The assembled knights greeted the assertion with hearty
acclamations--all, that is, save the old warrior Herbrand, and he was
silent. Dietrich looked at him in surprise.

"Hast thou nothing to say, Herbrand?" he asked.

"Thinkest thou to find better knights than these?"--indicating his
followers with a wave of his hand.

Herbrand seemed somewhat reluctant to uphold his tacit objection to
Dietrich's claim. "Ay," he said at length, "there are such warriors to
be found."

"And where may we seek such paragons?" inquired the king, none too well

"In the town of Worms," replied the old knight, "there lies a wondrous
rose garden, of great extent, where the queen and her ladies take their
pleasure. None save these may enter its precincts unless the queen give
him leave, and that the sacred boundaries may not be overstepped twelve
warriors are set to guard the garth. Such is their strength and courage
that none has ever succeeded in passing them, whatever his skill and

"But wherefore should one seek to pass the guard?" asked a young knight.
"Is there a prize to be won, then?"

"Truly," sighed old Herbrand, "I would not give a hair of my head for
the prize. 'Tis but a crown of roses and a kiss from one of the queen's
ladies; though it is said, indeed, that they are as lovely as women may

"Are there no fair maids in Bern?" cried the warriors indignantly. "Must
we go to the Rhine for them?"

"For myself," said Dietrich, "I care little for the reward; yet methinks
that for the honour and glory I would e'en meet these doughty warriors,
and peradventure overcome them. Who will follow me to Burgundy?"

As with one voice his knights responded to his appeal, and he chose
eight from among them to accompany him on his quest. As there were still
but nine, including Dietrich himself, to meet the twelve guardians of
the Rose Garden, the king decided to send for three knights who were
absent from the court. At the suggestion of Hildebrand he selected
Ruediger of Bechlarn, Dietleib of Styria, and Ilsan, who was brother
to Hildebrand and at that time a monk in the monastery of Munchenzell.
Ruediger was margrave to King Etzel, and had to obtain his lord's
permission to venture forth on the romantic undertaking; Dietleib's
father strongly recommended that the quest be abandoned, though the
youth himself was as eager as any to accompany Dietrich; while as for
Ilsan, he found it especially difficult to obtain leave of absence, for,
naturally, his abbot deemed the enterprise a strange one for a monk who
had fled all earthly delights. However, all difficulties were eventually
overcome, and when the party was ready for departure Ruediger was sent
on an embassy to King Gibich at Worms, to prepare him for their coming.
Gibich gave his ready consent to the proposed trial of strength,
whereupon the warriors set out for the Rhine to see whether they might
not win a kiss and a garland from some fair lady.

An imposing array did the knights of the Rose Garden make as they
awaited the approach of the strangers, but no less imposing were
Dietrich and his warriors. Each chose an opponent and immediately
engaged in a fierce hand-to-hand struggle, which was to end disastrously
for more than one brave knight. The first to dispatch his antagonist
was Wolfhart, who submitted to being crowned with a rose-wreath, but
disdained to accept the rest of the reward. The monk, who was the next
victor, took the roses and kissed the maiden heartily. But alas! a
bristly beard covered his chin, and the maid was left ruefully
rubbing her pouting lips. One by one Dietrich's knights overcame their
adversaries, some of whom were slain and some wounded. Toward nightfall
a truce was called, and Dietrich and his company set out to return to
Bern, well satisfied with having disproved the assertion of Herbrand
that there were better warriors in the world than Dietrich and his noble

The Devil's Vineyard

There is a curious legend told to account for the excellent quality
of the wine of Worms. An old nobleman who at one time lived in that
neighbourhood was in the habit of drinking more of the Rhenish wine than
was good for him. In every other respect he was a most worthy man, kind,
generous, and pious.

His piety, in an age when such qualities were rare, roused the ire of
the Devil, who determined to bring about his fall, and as the old man's
love of wine was his only serious weakness, it was through this that the
Fiend set himself to compass the nobleman's destruction.

The Devil therefore disguised himself as a strolling musician and made
the acquaintance of the old man. The latter set before him some of the
wine of the country, extolling meanwhile its rare qualities. The guest
seemed not at all impressed by the recital, but spoke of a wine which he
had tasted in the South and which far surpassed any other vintage. The
nobleman was all curiosity. The stranger talked of the wonderful wine
with feigned reluctance, and at length his host promised to give him
anything he should ask if only he would fetch him some of the wine.
Satan promised to plant a vineyard in Worms, asking in exchange the soul
of his host, to be forfeited at the end of a fixed period.

To this the old man consented, and the strolling musician planted a
vineyard which sprang up as though by magic. When the first vintage
was produced it was found to be delicious beyond the dreams of the
old nobleman, who was indeed a connoisseur in wines. In his delight he
christened the wine Liebfrauenmilch, signifying 'Milk of our Blessed
Lady.' The Devil was furious at this reference to the Holy Virgin, but
he consoled himself with the thought that in due course the man's soul
would be his. But the Virgin herself was pleased with the christening
of the vineyard, and rather sorry for the foolish old nobleman who
had bartered his soul for the Devil's wine. When, therefore, the time
arrived for the Evil One to claim his fee, she sent her angels to drive
him away, and thus he was robbed of his prey.

The old man, having learned the danger of treating with the Devil, now
built a chapel to the Virgin in his vineyard. He lived for a long time
to enjoy the luscious wine, under the protection of the saints, and
never again did he make a compact with Satan.

Now, if anyone requires a proof of this marvellous story, is there not
the Liebfrauenmilch, most delicious of wines to convince him of its

The Maiden's Caprice

In the town of Worms there stands an old manor, built in the style of
the Renaissance and known as the Wampolder Hof. At one time it belonged
to the lord of Wampold, a wealthy noble of Mainz, who had appointed as
castellan a kinsman of his, himself a nobleman, though landless and
poor and no longer able to uphold his former dignities. In his youth the
keeper had lived a gay and careless life, but now he was old and infirm
and cared no longer for worldly vanities. His sole pride was his young
daughter, a bewitching maiden who had more lovers than one could readily
count, and who smiled upon them all impartially. With so many lovelorn
youths at her beck and call it is hardly surprising that she should grow
exacting and capricious, but this, as usually happens, only made them
love her the more.

There was one among her suitors, however, for whom she cherished a real
affection. Handsome, cultured, and, like herself, of noble birth, he
was, notwithstanding his poverty, by far the most eligible of the
youths who sought her in marriage, and the castellan readily granted his
consent to their betrothal. So for a time everything seemed to indicate
happiness in store for the young couple.

Yet the maiden remained as capricious as ever. On Walpurgis-night, when
a party of lads and lasses were gathered in the Wampolder Hof, and tales
of witches and witchcraft were being told in hushed tones, she conceived
a wild scheme to test her lover's affection: she bade him go to the
cross-roads at midnight, watch the procession of witches, and return to
tell her what he saw. The awed company protested vigorously against the
proposed test, but the girl persisted, and at last her lover, seeing
that she was already piqued at his refusal, laughingly set out for the
bewitched spot, convinced that no harm would befall him.

Meantime the company in the manor anxiously awaited his return. One
o'clock came, then two--three; still there was no sign of him. Glances
of horror and pity were cast at the castellan's daughter, who now wrung
her hands in futile grief. At length a few braver spirits volunteered to
go in search of their comrade, but no trace of him could they find. His
widowed mother, of whom he had been the only son, cursed the maid
who was the cause of his ghastly fate, and not long afterward the
castellan's daughter lost her reason and died. On Walpurgis-nights she
may still be heard in Worms calling for her lost lover, whom she is
destined never to find.

The fate of the youth remains uncertain. The most popular account
is that he was torn limb from limb by the infuriated witches and his
remains scattered to the winds. But some, less superstitious than
their neighbours, declared that he had been murdered by his rivals,
the disappointed suitors, and that his body had been cast into the
Rhine--for not long afterward a corpse, which might have been that of
the missing youth, was drawn from the river by fishermen.

The Nibelungenlied

The greatest Rhine story of all is that wondrous German Iliad, the
Nibelungenlied, for it is on the banks of the Rhine in the ancient city
of Worms that its action for the most part takes place. The earliest
actual form of the epic is referred to the first part of the thirteenth
century, but it is probable that a Latin original founded on ballads
or folk-songs was in use about the middle or latter end of the tenth
century. The work, despite many medieval interpolations and the
manifest liberties of generations of bards and minnesingers, bears the
unmistakable stamp of a great antiquity. A whole literature has grown
up around this mighty epic of old Germanic life, and men of vast
scholarship and literary acumen have made it a veritable battle-ground
of conflicting theories, one contending for its mythical genesis,
another proving to his satisfaction that it is founded upon historic
fact, whilst others dispute hotly as to its Germanic or Scandinavian

So numerous are the conflicting opinions concerning the origin of the
Nibelungenlied that it is extremely difficult to present to the reader
a reasoned examination of the whole without entering rather deeply into
philological and mythical considerations of considerable complexity.
We shall therefore confine ourselves to the main points of these
controversies and refrain from entering upon the more puzzling bypaths
which are only to be trodden by the 'Senior Wranglers' of the study, as
they have been called.

Its Original Form

In the beginning of the nineteenth century Karl Lachmann, a philologist
of some repute, put forward the theory that the poem was made up of a
number of distinct ballads or lays, and he eliminated from it all parts
which appeared to him to be interpolations. This reduced the whole to
twenty lays, which he considered the work of twenty separate minstrels;
but if certain ballads relating to episodes in the Nibelungenlied once
existed in Germany it is the spirit of these more than the matter
which is incorporated into the great epic. In medieval times, when
the Nibelungenlied story was popular, minnesingers and harpers, in an
attempt to please their audiences, would cast about for fresh incidents
to introduce into the story. Popular as was the tale, even a medieval
audience could tire of the oft-repeated exploits of its dramatis
personae, and the minstrel, dependent upon their goodwill for bed and
board, would be quick to note when the tale fell flat. Accordingly
he would attempt to infuse into it some new incident or series of
incidents, culled from other stories more often than not self-created.
Such an interpolation is probably to be noted in the presence of
Dietrich of Bern, otherwise Theodoric the Ostrogoth, at the court of
Etzel or Attila. To say nothing of the probability of anachronism,
geographical conditions are not a little outraged in the adoption of
this incident, but the question arose who was to worst the mighty Hagen,
whose sombre figure dominates in its gloomy grandeur the latter part of
the saga. It would not do for any Hunnish champion to vie successfully
with the Burgundian hero, but it would be no disgrace for him to be
beaten by Dietrich, the greatest champion of antiquity, who, in fact,
is more than once dragged into the pages of romance for the purpose of
administering an honourable defeat to a hitherto unconquered champion.
We can thus see how novel and subsidiary passages might attach
themselves to the epic.

But a day came when the minnesingers of Germany felt that it behoved
them to fix once and for all time the shape of the Lay of the Nibelungs.
Indeed, not one, but several poets laboured at this task. That they
worked with materials immediately to their hand is seen from the
circumstance that we have proof of a Low German account, and a Rhenish
version which was evidently moulded into its present shape by an
Austrian or Tyrolese craftsman--a singer well versed in court poetry and
courtly etiquette. The date when the Nibelungenlied received its latest
form was probably about the end of the twelfth century, and this last
version was the immediate source of our present manuscripts. The date
of the earliest known manuscript of the Nibelungenlied is comparatively
late. We possess in all twenty-eight more or less complete manuscripts
preserved in thirty-one fragments, fifteen of which date from the
thirteenth and fourteenth centuries.

Its Fragmentary Nature

Even a surface examination is sufficient to testify to the fragmentary
nature of the Nibelungenlied. We can discern through the apparent unity
of texture of the work as we now possess it the patchwork where scribe
or minstrel has interpolated this incident or joined together these
passages to secure the necessary unity of narrative. Moreover, in none
of the several versions of the Siegfried epic do we get the 'whole
story.' One supplements another. And while we shall follow the
Nibelungenlied itself as closely as possible we shall in part supplement
it from other kindred sources, taking care to indicate these where we
find it necessary to introduce them.

Kriemhild's Dream

In the stately town of Worms, in Burgundy, dwelt the noble and beauteous
maiden Kriemhild, under the care of her mother Ute, and her brothers
Gunther, Gernot, and Giselher. Great was the splendour and state which
they maintained, and many and brave were the warriors who drank wine at
their board. Given to martial exercises were those men of might, and day
by day the courts of the palace rang to the clangor of sword-play
and manly sport. The wealth of the chiefs was boundless, and no such
magnificence as theirs was known in any German land, or in any land
beyond the German frontiers.

But with all this stateliness and splendour Kriemhild, the beautiful,
was unhappy. One night she had had an ominous dream. She dreamed that
she had tamed a falcon strong and fierce, a beauteous bird of great
might, but that while she gazed on it with pride and affection two great
eagles swooped from the sky and tore it to pieces before her very eyes.
Affected by this to an extent that seemed inexplicable, she related her
dream to her mother, Ute, a dame of great wisdom, who interpreted it as
foretelling for her a noble husband, "whom God protect, lest thou lose
him too early." Kriemhild, in dread of the omen, desired to avert it by
remaining unwed, a course from which her mother attempted to dissuade
her, telling her that if ever she were destined to know heartfelt joy it
would be from a husband's love.


Siegfried, of the Netherlands, son of Siegmund and Sieglind, a warrior
bold as he was young and comely, having heard of the great beauty
of Kriemhild, desired to visit Worms that he might see the far-famed
princess for himself. Until this time he had been wandering through
the world doing great deeds: he had won the sword and treasure of the
Nibelungs, had overcome their monarchs, had conquered a dwarf Alberich,
gaining possession of his cloak of darkness. Hagen, a mighty Burgundian
paladin (in a passage which is obviously adapted from another version
for the purpose of recounting Siegfried's previous adventures), tells
how "he had slain a dragon and made himself invulnerable by bathing
in its blood. We must receive him graciously, and avoid making him our
enemy." Siegfried sojourned at Worms for over a year, distinguishing
himself in all the martial exercises of the Burgundians and rendering
them splendid service in their wars against the Saxons and Danes. A year
passed without his having been allowed to meet Kriemhild, who in secret
cherished the utmost admiration for him. Chagrined at the treatment
meted out to him, he finally made up his mind to depart. But his hosts
did not desire to lose such a valuable ally, and brought about a meeting
between him and the lady of his dreams. The passage describing their
first sight of one another is full of the essence of romance.

We are told that Kriemhild appeared before his eyes as does the rosy
flush of dawn breaking from sombre clouds. As he beheld her his heart
was soothed and all his trouble vanished, for there stood she who had
cost him many a love-pang, her eyes sparkling with pleasure, brighter
than the rich jewels which covered her raiment, her cheeks suffused with
the blushes of maidenhood. No one had, he thought, ever seen so much
beauty before. As the silver moon obscures the light of the stars by its
superior splendour, so did Kriemhild obscure the beauty of the ladies
who surrounded her. When he beheld her each hero drew himself up more
proudly than ever and appeared as if ready to do battle for such a
paragon of beauty. She was preceded by chamberlains in rich attire,
but no ushers might keep back the knights from sight of her, and they
crowded about her to catch a glimpse of her face. Pleased and sad was
Siegfried, for, thought he, "How may I ever hope to win so peerless a
creature? The hope is a rash one. Better were I to forget her--but then,
alas, my heart would have ceased to beat, and I should be dead!" Pale
and red he grew. He recked not of his own great worth. For all there
agreed that so handsome a warrior had never come to the Rhineland, so
fair of body, so debonair was he.

The Wooing of Brunhild

Siegfried now resolved to win Kriemhild, and on Gunther's asking him to
accompany him on an adventure the purpose of which is to gain the hand
of Queen Brunhild of Isenstein, he accepted on condition that on their
return he should be rewarded by the hand of his sister. To this Gunther
gave assent, and they set out, accompanied by Hagen and his brother
Dankwart. But the Nibelungenlied proper is silent regarding Siegfried's
previous relations with Brunhild. In Scandinavian versions--such as the
Volsunga Saga, where this legend, originally a German one, is preserved
in its pagan form--Brunhild was a Valkyr, or war-maiden of Odin, who
sent her to sleep with a prick of a magic thorn and imprisoned her
within a circle of flame, through which Siegfried (in this version
almost certainly the god of nature, springtide, and the sun) broke,
delivered the captive, and took her as his bride, soon, however,
departing from her. In the Nibelungenlied this ancient myth is either
presupposed or intentionally omitted as unfitting for consumption by a
Christianized folk, but it is hinted that Brunhild had a previous claim
upon Siegfried's affections.

Brunhild had made it a condition that the hero whom she would wed must
be able to overcome her in three trials of prowess, losing his head as
a penalty of failure. Siegfried, donning the magic cloak of invisibility
he had won from Alberich, king of the dwarfs, took Gunther's place and
won the three trials for him, Gunther going through a pantomime of the
appropriate actions while Siegfried performed the feats. The passage
which tells of the encounter is curious. A great spear, heavy and keen,
was brought forth for Brunhild's use. It was more a weapon for a hero
of might than for a maiden, but, unwieldy as it was, she was able to
brandish it as easily as if it had been a willow wand. Three and a half
weights of iron went to the making of this mighty spear, which scarce
three of her men could carry. Sore afraid was Gunther. Well did he wish
him safe in the Burgundian land. "Once back in Rhineland," thought he,
"and I would not stir a foot's distance to win any such war-maid."

But up spake Dankwart, Hagen's valiant brother: "Now is the day come on
which we must bid farewell to our lives. An ill journey has this been,
I trow, for in this land we shall perish at the hands of women. Oh, that
my brother Hagen and I had but our good swords here! Then would these
carles of Brunhild's check their laughter. Without arms a man can do
nothing, but had I a blade in hand even Brunhild herself should die ere
harm came to our dear lord."

This speech heard the warrior-maid. "Now put these heroes' swords into
their hands," she commanded, "and accoutre them in their mail."

Right glad was Dankwart to feel iron in his hand once more and know its
weight upon his limbs. "Now I am ready for such play as they list," he
cried. "Since we have arms, our lord is not yet conquered."

Into the ring of contest mighty men bore a great stone. Twelve of them
it took to carry it, so ponderous it was. Woe were they of Burgundy for
their lord at sight of the same.

Brunhild advanced on Gunther, brandishing her spear. Siegfried was by
his side and touched him lightly to give him confidence, but Gunther
knew not it was he and marvelled, for no one saw him there.

"Who hath touched me?" said he.

"'Tis I, Siegfried," replied his friend. "Be of good cheer and fear
not the maiden. Give me thy shield and mark well what I say. Make thou
motions as if to guard and strike, and I will do the deeds. Above all
hearken to my whispered advice."

Great was Gunther's joy when he knew that Siegfried was by him. But
he had not long to marvel, for Brunhild was on him, her great spear in
hand, the light from its broad blade flashing in his eyes. She hurled
the spear at his shield. It passed through the iron as if it had been
silk and struck on the rings of Gunther's armour. Both Gunther and
Siegfried staggered at the blow. But the latter, although bleeding from
the mouth with the shock of the thrown weapon, seized it, reversing the
point, and cast it at Brunhild with such dreadful might that when it
rang on her armour she was overthrown.

Right angry was Brunhild. But she weened that the blow was Gunther's,
and respected him for his strength. Her anger, however, overcame her
esteem, and seizing the great stone which had been placed in the ring
of combat, she cast it from her twelve fathoms. Leaping after it, she
sprang farther than she had thrown it. Then went Gunther to the stone
and poised it while Siegfried threw it. He cast the stone farther than
Brunhild had done, and so great was his strength that he raised King
Gunther from the earth and leapt with him a greater distance than
Brunhild had leapt herself. Men saw Gunther throw and leap alone.

Red with anger grew Brunhild when she saw herself defeated. Loudly she
addressed her men.

"Ho, ye liegemen of mine," she cried, "now are ye subject to Gunther the
King, for, behold, he has beaten me in the sports."

The knights then acclaimed Gunther as the victor. By his own strength
of arm had he won the games, said they, and he in turn greeted them
lovingly. Brunhild came forward, took him by the hand, and granted to
him full power throughout her dominions. They proceeded to her palace
and Gunther's warriors were now regaled with better cheer than before.
But Siegfried carefully concealed his magic cloak.

Coming to where Gunther and Brunhild sat, he said: "My lord, why do
you tarry? Why are the games of which Queen Brunhild doth speak not yet
begun? I long to see how they may be played." He acted his part so well
that Brunhild really believed that he was not aware the games were over
and that she was the loser.

"Now, Sir Siegfried," said she, "how comes it that you were not present
when the games, which Gunther has won, were being played?"

Hagen, fearing that Siegfried might blunder in his reply, took the
answer out of his mouth and said: "O Queen, the good knight Siegfried
was hard by the ship when Gunther won the games from you. Naught indeed
knew he of them."

Siegfried now expressed great surprise that any man living had been able
to master the mighty war-maid. "Is it possible," he exclaimed, "is it
possible, O Queen, that you have been vanquished at the sports in which
you excel so greatly? But I for one am glad, since now you needs must
follow us home to the Rhineland."

"You are speedy of speech, Sir Siegfried," replied Brunhild. "But there
is much to do ere yet I quit my lands. First must I inform my kindred
and vassals of this thing. Messengers must be sent to many of my kinsmen
ere I depart from Isenstein."

With that she bade couriers ride to all quarters, bidding her kinsmen,
her friends, and her warriors come without delay to Isenstein. For
several days they arrived in troops: early and late they came, singly
and in companies. Then with a large escort Brunhild sailed across the
sea and up the Rhine to Worms.

Siegfried and Brunhild

It now became increasingly clear that Siegfried and Brunhild had had
affectionate relations in the past. [Indeed, in the Volsunga Saga, which
is an early version of the Nibelungenlied, we find Grimhild, the mother
of Gudrun (Kriemhild), administering to Sigurd (Siegfried) a magic
potion in order that he should forget about Brunhild.] On seeing
Siegfried and Kriemhild greet each other with a kiss, sadness and
jealousy wrung the heart of the war-maiden, and she evinced anything but
a wifely spirit toward her husband Gunther, whom, on the first night
of their wedded life, she wrestled with, defeated, and bound with her
girdle, afterward hanging him up by it on a peg in the wall! Next day he
appealed to Siegfried for assistance, and that night the hero donned his
magic cloak of invisibility, contended with Brunhild in the darkness,
and overcame her, she believing him to be Gunther, who was present
during the strife. But Siegfried was foolish enough to carry away her
ring and girdle, "for very haughtiness." These he gave to Kriemhild, and
sore both of them rued it in after-time. Brunhild's strength vanished
with her maidenhood and thenceforth she was as any other woman.

Siegfried and Kriemhild now departed to the capital of Santen, on the
Lower Rhine, and peace prevailed for ten years, until Brunhild persuaded
Gunther to invite them to a festival at Worms. She could not understand
how, if Siegfried was Gunther's vassal, as Gunther had informed her, he
neither paid tribute nor rendered homage. The invitation was accepted
cordially enough. But Kriemhild and Brunhild quarrelled bitterly
regarding a matter of precedence as to who should first enter church,
and at the door of the minster of Worms there was an unseemly squabble.
Then Kriemhild taunted Brunhild with the fact that Siegfried had won
and deserted her, and displayed the girdle and ring as proof of what she

Siegfried, confronted with Brunhild, denied that he had ever approached
her in any unseemly way, and he and Gunther attempted to make peace
between their wives. But all to no avail. A deadly feud had sprung up
between them, which was to end in woe for all. Hagen swore a great oath
that Siegfried should pay for the insult his wife had put upon Brunhild.

The Plot against Siegfried

Now, but four days after, news came to Gunther's court that war was
declared against him. But this was merely a plot to draw Siegfried from
the court and compass his death. The heroes armed for war, among
them Siegfried. When Hagen bade farewell to Kriemhild she recommended
Siegfried to his care. Now, when Siegfried slew the dragon which guarded
the treasure of the Nibelungs, he bathed in its blood and became, like
Achilles, invulnerable, save at a spot where a linden leaf had fallen
between his shoulders as he bathed, and so prevented contact with the
potent stream. Hagen inquired of Kriemhild the whereabouts of this
vulnerable spot, pretending that he would guard Siegfried against
treachery in battle; and she, fully believing in his good faith, sewed a
silken cross upon Siegfried's mantle to mark the place.

On the following morning Siegfried, with a thousand knights, took horse
and rode away, thinking to avenge his comrades. Hagen rode beside him
and carefully scanned his vesture. He did not fail to observe the mark,
and having done so, he dispatched two of his men with another message.
It was to the effect that the King might know that now his land would
remain at peace. This Siegfried was loath to hear, for he would have
done battle for his friends, and it was with difficulty that Gunther's
vassals could hold him back. Then he rode to Gunther, who thanked him
warmly for having so quickly granted his prayer. Gunther assured him
that if need be he would at any time come to his aid, and that he held
him the most trusty of all his friends. He pretended to be so glad
that the threat of war was past that he suggested that they should ride
hunting to the Odenwald after the bear and the boar, as they had so
often done before. This was the counsel of the false Hagen.

It was arranged that they should start early for the greenwood, and
Gunther promised to lend Siegfried several dogs that knew the forest
ways well. Siegfried then hurried home to his wife, and when he had
departed Hagen and the King took counsel together. After they had
agreed upon the manner in which they would compass the destruction of
Siegfried, they communicated their plans to their comrades. Giselher and
Gernot would not take part in the hunt, but nevertheless they abstained
from warning Siegfried of his danger. For this, however, they paid
dearly in the end.

The morning dawned bright and clear, and away the warriors cantered with
a clatter of hoofs and a boasting of bugles.

Siegfried's Farewell to Kriemhild

Before departing Siegfried had said farewell to Kriemhild, who, she knew
not why, was filled with dark forebodings.

"God grant I may see thee safe and well again," said Siegfried. "Keep
thou a merry heart among thy kin until I return."

Then Kriemhild thought on the secret she had betrayed to Hagen, but she
could not tell Siegfried of it. Sorely she wept, wishing that she had
never been born, and keen and deep was her grief.

"Husband," she said, "go not to the hunt. A baleful dream I had last
night. You stood upon the heath and two wild boars approached. You fled,
but they pursued you and wounded you, and the blossoms under your feet
were red with blood. You behold my tears. Siegfried, I dread treachery.
Wot you not of some who cherish for us a deadly hate? I counsel you, I
beg you, dear lord, go not to the greenwood."

Siegfried tried to laugh her fears away, "It is but for a few days that
I leave thee, beloved," he said. "Who can bear me hate if I cherish none
against them? Thy brothers wish me well, nor have I offended them in any

But Kriemhild would not be comforted. "Greatly do I dread this parting,"
she wailed, "for I dreamed another dream. You passed by two mountains,
and they rocked on their bases, fell, and buried you, so that I saw you
no more. Go not, for bitterly will I grieve if you depart."

But with a laugh and a kiss Siegfried was gone. Leaping on his steed, he
rode off at a gallop. Nevermore was she to see him in life.

Into the gloomy forest, the abode of the bear, the wolf, and the wild
boar, plunged the knights in their lust of royal sport. Brilliant,
brave, and goodly of cheer was the company, and rich was their
entertainment. Many pack-horses laden with meats and wines accompanied
them, and the panniers on the backs of these bulged with flesh, fish,
and game, fitting for the table of a great king.

On a broad meadow fringing the greenwood they camped, near to the place
where they were to begin the hunt, and watchers were sent round the
camp, so that no one with a message of warning on his lips might win to
the ears of Siegfried.

Siegfried waxed restless, for he had come not to feast but to hunt, and
he desired to be home again with Kriemhild. "Ha, comrades," he cried;
"who will into the forest with me and rouse the game?"

"Then," said the crafty Hagen, "let us find who is the best sportsman.
Let us divide the huntsmen and the hounds so that each may ride alone
where he chooses; and great praise shall be to him who hunts the best
and bears off the palm."

To this Siegfried agreed, and asked only for one hound that had been
well broken to the chase to accompany him.

This was granted. Then there came an old huntsman with a limehound and
led the sportsmen to where there was an abundance of game. Many beasts
were started and hunted to the death, as is ever the way with good

Nothing that the limehound started could escape Siegfried. Swift was his
steed as the tempest, and whether it was bear or boar he soon came up
with it and slew it. Once he encountered a stark and mighty lion. Aiming
an arrow at the monster, he shot it through the heart. The forest rang
with acclaim at the deed.

Then there fell by his hand a buffalo, an elk, four grim aurochs, and a
bear, nor could deer or hind escape him, so swift and wight was he.
Anon he brought a wild boar to bay. The grisly beast charged him, but,
drawing his sword, Siegfried transfixed it with the shining blade.

"I pray thee, lord," said the huntsman, "leave to us something living,
for in truth thy strong arm doth empty both mountain and forest."

Merrily rang the noise of the chase in the greenwood that day. The hills
and the leafy aisles of the forest resounded with the shouts of the
hunters and the baying of dogs. In that hunting many a beast met its
death-day and great was the rivalry. But when the hunting was over and
the heroes met at the tryst-fire, they saw that Siegfried had proved
himself the greatest huntsmen of them all.

One by one they returned from the forest to the trysting-place, carrying
with them the shaggy fell of the bear, the bristly boar-skin, and the
grey pelt of the wolf. Meat abounded in that place, and the blast of a
horn announced to the hungry knights that the King was about to feast.
Said Siegfried's huntsman to him: "I hear the blast of a horn bidding
us return to the trysting-place," and raising his bugle to his lips, he
answered it.

Siegfried was about to leave the forest, ambling quietly on horseback
through the green ways, when he roused a mighty bear. The limehound was
slipped and the bear lumbered off, pursued by Siegfried and his men.
They dashed into a ravine, and here Siegfried thought to run the beast
down, but the sides were too steep and the knight could not approach it
on horseback. Lightly he sprang from his steed, and the bear, seeing
his approach, once more took flight. So swift, however, was Siegfried's
pursuit that ere the heavy beast could elude him he had caught it by
its shaggy coat and had bound it in such a manner that it was harmless;
then, tying it across his horse's back, he brought it to the tryst-fire
for pastime.

Proudly emerged Siegfried from the forest, and Gunther's men, seeing
him coming, ran to hold his horse. When he had dismounted he dragged
the bear from his horse's back and set it loose. Immediately the dogs
pursued it, and in its efforts to escape into the forest it dashed madly
through a band of scullions who were cooking by the great fire. There
was a clatter of iron pots, and burning brands were strewed about. Many
goodly dishes were spoiled. The King gave order to slip the hounds that
were on leash. Taking their bows and spears, the warriors set off
in chase of the bear--but they feared to shoot at it through fear of
wounding any among the great pack of dogs that hung upon its flanks. The
one man who could keep pace with the bear was Siegfried, who, coming up
with it, pierced it with his sword and laid it dead on the ground. Then,
lifting the carcass on his shoulders, he carried it back to the fire, to
the marvel of all present.

Then began the feasting. Rich meats were handed around, and all was
festive and gay. No suspicion had Siegfried that he was doomed, for his
heart was pure of all deceit. But the wine had not yet been brought from
the kitchen, whereat Sir Siegfried wondered.

Addressing Gunther, he said: "Why do not your men bring us wine? If this
is the manner in which you treat good hunters, certes, I will hunt no
more. Surely I have deserved better at your hands."

And the false Gunther answered: "Blame me not, Siegfried, for the fault
is Hagen's. Truly he would have us perish of thirst."

"Dear master," said Hagen of Trony, "the fault is mine--if fault it
be--for methought we were to hunt to-day at Spessart and thither did
I send the wine. If we go thirsty to-day, credit me I will have better
care another time."

But Siegfried was athirst and said: "If wine lacks, then must we have
water. We should have camped nearer to the Rhine."

The Slaying of Siegfried

And Hagen, perceiving his chance, replied: "I know of a cool spring
close at hand. If you will follow me I will lead you thither."

Sore athirst was Siegfried, and starting up from his seat, he followed
Hagen. But the crafty schemer, desiring to draw him away from the
company so that none else would follow them, said to him as they were
setting out for the spring: "Men say, Siegfried, that none can keep pace
with you when you run. Let us see now."

"That may easily be proved," said Siegfried. "Let us run to the brook
for a wager, and see who wins there first. If I lose I will lay me
before you in the grass. Nay, I will more, for I will carry with me
spear, shield, and hunting gear."

Then did he gird on his weapons, even to his quiver, while the others
stripped, and off they set. But Siegfried easily passed them and arrived
at the lime-tree where was the well. But he would not drink first for
courtesy, even although he was sore athirst.

Gunther came up, bent down to the water, and drank of the pure, cool
well. Siegfried then bent him to drink also. But the false Hagen,
carrying his bow and sword out of reach, sprang back and gripped the
hero's mighty spear. Then looked he for the secret mark on his vesture
that Kriemhild had worked.

As Siegfried drank from the stream Hagen poised the great spear and
plunged it between the hero's shoulders. Deeply did the blade pierce
through the spot where lay the secret mark, so that the blood spurted
out on the traitor's garments. Hagen left the spear deep in Siegfried's
heart and flew in grim haste from the place.

Though wounded to the death, Siegfried rose from the stream like a
maddened lion and cast about him for a weapon. But nothing came to his
hand but his shield. This he picked up from the water's edge and ran
at Hagen, who might not escape him, for, sore wounded as he was, so
mightily did he smite that the shield well-nigh burst and the jewels
which adorned it flew in flinders. The blow rang across the meadow as
Hagen fell beneath the stroke.

It was Siegfried's last blow. His countenance was already that of a dead
man. He could not stand upright. Down he crashed among the flowers;
fast flowed his blood; in his agony he began to upbraid those who had
contrived his death.

"Cowards and caitiffs," he cried, "is this the price you pay me for my
fealty to you? Ill have you done by your friends, for sons of yours as
yet unborn will feel the weight of this deed. You have vented your spite
on my body; but for this dastard crime all good knights shall shun you."

Now all surrounded him, and those that were true among them mourned for
him. Gunther also wept. But the dying man, turning to him, said: "Does
he weep for the evil from whom the evil cometh? Better for him that it
had remained undone, for mighty is his blame."

Then said false Hagen: "What rue ye? Surely our care is past. Who will
now withstand us? Right glad am I that Siegfried is no more."

Loud was Siegfried's dole for Kriemhild. "Never was so foul a murder
done as thou hast done on me, O king," he said to Gunther. "I saved thy
life and honour. But if thou canst show truth to any on earth, show it
to my dear wife, I beg of thee, for never had woman such woe for one she

Painfully he writhed as they watched him, and as he became weaker he
spake prophetically.

"Greatly shall ye rue this deed in the days to come," he groaned, "for
know, all of ye, that in slaying me ye have slain yourselves."

Wet were the flowers with his blood. He struggled grimly with death, but
too deep had been the blow, and at last he spake no more.

They laid his body on a shield of ruddy gold and took counsel with one
another how they should hide that the deed had been done by Hagen.

"Sure have we fallen on evil days," said many; "but let us all hide this
thing, and hold to one tale: that is, that as Siegfried rode alone in
the forest he was slain by robbers."

"But," said Hagen of Trony, "I will myself bear him back to Burgundy. It
is little concern of mine if Kriemhild weep."

Kriemhild's Grief

Great was the grief of Kriemhild when she learned of the murder of her
husband, whose body had been placed at her very door by the remorseless
Hagen. He and the rest of the Burgundians pretended that Siegfried had
been slain by bandits, but on their approach the wounds of Siegfried
commenced to bleed afresh in mute witness of treachery. Kriemhild
secretly vowed a terrible revenge and would not quit the land where
her beloved spouse was buried. For four years she spake never a word to
Gunther or Hagen, but sat silent and sad in a chamber near the minster
where Siegfried was buried. Gunther sent for the Nibelungen treasure for
the purpose of propitiating her, but she distributed it so freely
among Gunther's dependents that Hagen conceived the suspicion that her
intention was to suborn them to her cause and foment rebellion within
the Burgundian dominions; therefore he seized it and sank it in the
Rhine, forcing Kriemhild's brethren never to divulge its whereabouts.

It is a circumstance of some importance that when this treasure
enters the land of the Burgundians they take the name of Nibelungs,
as Siegfried was called Lord of the Nibelungs on first possessing the
hoard, and for this reason that part of the poem which commences with
the Burgundian acquirement of the treasure was formerly known as the
Nibelungen Not.

The confiscation of the treasure was another sharp wound to Kriemhild,
who appears to have bitterly cherished every hostile act committed
against her by her uncle Hagen and her brothers, and to have secretly
nursed her grievances throughout the remainder of her saddened

Kriemhild Marries Attila

Thirteen years after the death of Siegfried, Helche, wife of Attila,
or Etzel, King of the Huns, having died, that monarch was desirous
of marrying again, and dispatched his faithful councillor, Ruediger,
Margrave of Bechlarn, to the Burgundian court to ask for the hand of
Kriemhild. Her brethren, only too anxious to be rid of her accusing
presence, gladly consented to the match, but Hagen had forebodings that
if she gained power she would wreak a dreadful vengeance on them all.
But he was overruled, and Ruediger was permitted to interview Kriemhild.
At first she would not hear of the marriage, but when Ruediger expressed
his surprise at the manner in which she was treated in her own country,
and hinted that if she were to wed with Etzel she would be guarded
against such insulting conduct, she consented. But first she made
Ruediger swear to avenge her wrongs, and this he did lightly, thinking
it merely a woman's whim which would pass away after marriage. She
accompanied Ruediger to the court of Etzel, stopping at his castle of
Bechlarn, where dwelt his wife Gotelind and his daughter Dietlinde. The
journey to Vienna is described in detail. At length they met Etzel
at Tulna with twenty-four kings and princes in his train and a mighty
retinue, the greatest guest present being Dietrich of Bern, King of
the Goths, who with his band of Wolfings was sojourning at the court of
Etzel. The nuptials took place at Vienna amid great magnificence, but
through all Kriemhild sorrowed only for Siegfried and brooded long and
darkly on her schemes of vengeance.

Seven years passed, during which Kriemhild won the love of all Etzel's
court. She bore the King a son, Ortlieb, and gained the confidence
and respect of his advisers. Another six years passed, and Kriemhild
believed that the time for vengeance had now arrived. To this end she
induced Etzel to invite her brethren and Hagen to his court at Vienna.
At first the Burgundians liked the hospitable message well, but
suspicion of it was sown in their minds by Hagen, who guessed that
treachery lurked beneath its honeyed words. In the end they accepted the
invitation and journeyed to the land of the Huns, a thousand and sixty
knights and nine thousand soldiers. On the way they encountered many ill

The Journey

Through Eastern Frankland rode Gunther's men toward the river Main, led
by Hagen, for well he knew the way. All men wondered when they saw the
host, for never had any seen such lordly knights or such a rich and
noble retinue. Well might one see that these were princes. On the
twelfth day they came to the banks of the Danube, Hagen riding in the
van. He dismounted on the river's sandy shore and tied his steed to a
tree. The river was swollen with rains and no boats were in sight. Now
the Nibelungs could not perceive how they were to win over the stream,
for it was broad and strong.

And Hagen rebuked the King, saying: "Ill be with you, lord. See ye not
that the river is swollen and its flood is mighty? Many a bold knight
shall we lose here to-day."

"Not greatly do thy words help, Hagen," spake the King. "Meeter were it
for thee to search for a ford, instead of wasting thy breath."

But Hagen sneered back: "I am not yet weary of life, O king, and I wish
not to drown in these broad waves. Better that men should die by my
sword in Etzel's land. Stay thou then by the water's edge, whilst I seek
a ferryman along the stream."

To and fro he sought a ferryman. Soon he heard a splash of water and
hearkened. In a spring not far off some women were bathing. Hagen spied
them and crept stealthily toward them. But they saw his approach and
went swiftly away. Hagen, approaching, seized their clothes.

Now these women were swan-maidens, or mermaids, and one of them,
Hadburg, spake to him. "Sir Hagen," she said, "well wot I that ye wish
to find a ferry. Now give to us our garments and we will show you where
one is." They breasted the waves like swans. Once more spake Hadburg:
"Safely will ye go to Etzel's land and great honours will ye gain there;
aye, greater than hero ever rode to find."

Right joyous was Hagen at this speech. Back he handed to the maidens
their weeds.

Then spake another mermaid, Sieglind: "Take warning from me, Hagen.
Believe not the word of mine aunt, for she has sore deceived thee.
Go not to Etzel's land, for there you shall die. So turn again. Whoso
rideth onward hath taken death by the hand."

"I heed not thy words," said Hagen, "for how should it be that all of us
die there through the hate of anyone?"

"So must it be," said Sieglind, "for none of you shall live, save the
King's chaplain, who alone will come again safe and sound to Gunther's

"Ye are wise wives," laughed Hagen bitterly. "Well would Gunther and his
lords believe me should I tell him this rede. I pray thee, show us over
the stream."

"So be it," replied Sieglind; "since ye will not turn you from your
journey. See you yonder inn by the water's side? There is the only ferry
over the river."

At once Hagen made off. But Sieglind called after him: "Stay, Sir
Knight; credit me, you are too much in haste. For the lord of these
lands, who is called Else, and his brother, Knight Gelfrat, will make
it go hard with you an ye cross their dominions. Guard you carefully and
deal wisely with the ferryman, for he is liegeman unto Gelfrat, and if
he will not cross the river to you, call for him, and say thou art named
Amelrich, a hero of this land who left it some time agone."

No more spake Hagen to the swan-maidens, but searching up the river
banks, he found an inn upon the farther shore. Loudly he called across
the flood. "Come for me, ferryman," he said, "and I will bestow upon
thee an armlet of ruddy gold."

Now the ferryman was a noble and did not care for service, and those who
helped him were as proud as he. They heard Hagen calling, but recked
not of it. Loudly did he call across the water, which resounded to his
cries. Then, his patience exhausted, he shouted:

"Come hither, for I am Amelrich, liegeman to Else, who left these lands
because of a great feud." As he spake he raised his spear, on which was
an armlet of bright gold, cunningly fashioned.

The haughty ferryman took an oar and rowed across, but when he arrived
at the farther bank he spied not him who had cried for passage.

At last he saw Hagen, and in great anger said: "You may be called
Amelrich, but you are not like him whom I thought to be here, for he was
my brother. You have lied to me and there you may stay."

Hagen attempted to impress the ferryman by kindness, but he refused to
listen to his words, telling the warrior that his lords had enemies,
wherefore he never conveyed strangers across the river. Hagen then
offered him gold, and so angry did the ferryman become that he struck at
the Nibelung with his rudder oar, which broke over Hagen's head. But the
warrior smote him so fiercely with his sword that he struck his head off
and cast it on the ground. The skiff began to drift down the stream,
and Hagen, wading into the water, had much ado to secure it and bring it
back. With might and main he pulled, and in turning it the oar snapped
in his hand. He then floated down stream, where he found his
lords standing by the shore. They came down to meet him with many
questionings, but Gunther, espying the blood in the skiff, knew well
what fate the ferryman had met with.

Hagen then called to the footmen to lead the horses into the river that
they might swim across. All the trappings and baggage were placed in
the skiff, and Hagen, playing the steersman, ferried full many mighty
warriors into the unknown land. First went the knights, then the
men-at-arms, then followed nine thousand footmen. By no means was Hagen
idle on that day.

On a sudden he espied the king's chaplain close by the chapel baggage,
leaning with his hands upon the relics, and recalling that the wise
women had told him that only this priest would return and none other of
the Nibelungs, he seized him by the middle and cast him from the skiff
into the Danube.

"Hold, Sir Hagen, hold!" cried his comrades. Giselher grew wroth; but
Hagen only smiled.

Then said Sir Gernot of Burgundy: "Hagen, what availeth you the
chaplain's death? Wherefore have ye slain the priest?"

But the clerk struck out boldly, for he wished to save his life. But
this Hagen would not have and thrust him to the bottom. Once more he
came to the surface, and this time he was carried by the force of the
waves to the sandy shore. Then Hagen knew well that naught might avail
against the tidings which the mermaids had told him, that not a Nibelung
should return to Burgundy.

When the skiff had been unloaded of baggage and all the company had been
ferried across, Hagen broke it in pieces and cast it into the flood.
When asked wherefore he had done so, and how they were to return from
the land of the Huns back to the Rhine, Hagen said:

"Should we have a coward on this journey who would turn his back on the
Huns, when he cometh to this stream he will die a shameful death."

In passing through Bavaria the Burgundians came into collision with
Gelfrat and his brother Else, and Gelfrat was slain. They were received
at Bechlarn by Ruediger, who treated them most hospitably and showered
many gifts upon them, bestowing upon Gernot his favourite sword,
on Gunther a noble suit of armour, and on Hagen a famous shield. He
accompanied the strangers to the court of Etzel, where they were met
first of all by Dietrich of Bern, who warned them that Kriemhild
prayed daily for vengeance upon them for the murder of Siegfried. When
Kriemhild beheld Hagen, her archenemy, she wept. Hagen saw, and "bound
his helmet tighter."

"We have not made a good journey to this feast," he muttered.

Kriemhild's Welcome

"Ye are welcome, nobles and knights," said Kriemhild. "I greet you not
for your kinship. What bring ye me from Worms beyond the Rhine that
ye should be so welcome to me here? Where have ye put the Nibelung
treasure? It is mine as ye know full well, and ye should have brought it
me to Etzel's court."

Hagen replied that he had been ordered by his liege lords to sink it in
the Rhine, and there must it lie till doomsday.

At this Kriemhild grew wroth. Hagen went on to say that he had enough to
do to carry his shield and breastplate. The Queen, alarmed, desired that
all weapons should be placed in her charge, but to this Hagen demurred,
and said that it was too much honour for such a bounteous princess to
bear his shield and other arms to his lodging.

Kriemhild lamented, saying that they appeared to think that she planned
treachery against them; but to this Dietrich answered in great anger
that he had forewarned Gunther and his brothers of her treacherous
intentions. Kriemhild was greatly abashed at this, and without speaking
a word she left the company; but ere she went she darted furious glances
upon them, from which they well saw with what a dangerous foe they had
to deal. King Etzel then asked who Hagen might be, and was told his
name and lineage and that he was a fierce and grim warrior. Etzel then
recognized him as a warrior who had been a hostage with him along with
Walthar of Spain and who had done him yeoman service.

Events March

This last passage connects the Nibelungenlied with the Latin poem of
Walthar of Aquitaine. Indeed, the great German epic contains repeated
allusions to this work of the ninth or tenth century, which is dealt
with later in this book.

Events now march quickly. Kriemhild offered gold untold to him who would
slay Hagen, but although her enemy was within her grasp, so doughty was
the warrior and so terrible his appearance that none dared do battle
with him. A Hun was killed by accident in a tournament, but Etzel
protected his Burgundian guests. At length Blodelin was bribed by
Kriemhild to attack Dankwart with a thousand followers. Dankwart's men
were all slain, but he himself made good his escape by fighting his way
through the closely packed Hunnish ranks. Dankwart rushed to the hall
where the Burgundians were feasting with the Huns, and in great wrath
acquainted Hagen with the treacherous attempt which had been made upon
his life.

"Haste ye, brother Hagen," he cried, "for as ye sit there our knights
and squires lie slain in their chambers."

"Who hath done this deed?" asked Hagen.

"Sir Blodelin with his carles. But he breathes no longer, for myself I
parted his head from his body."

"If he died as a warrior, then it is well for him," replied the grim
Hagen; "but, brother Dankwart, ye are red with blood."

"'Tis but my weeds which ye see thus wet," said Dankwart carelessly.
"The blood is that of other men, so many in sooth that I could not give
ye tale of the number."

"Guard the door, brother," said Hagen fiercely; "guard it yet so
that not a single Hun may escape. I will hold parley with these brave
warriors who have so foully slain defenceless men."

"Well will I guard the doorway," laughed Dankwart; "I shall play ye the
part of chamberlain, brother, in this great business."

The Beginning of the Slaughter

Hagen, mortally incensed at the slaughter of the Burgundians by the
Huns, and wrongly suspecting Etzel of conspiracy in the affair, drew
his sword, and with one blow of the weapon smote off the head of young
Ortlieb, the son of Etzel and Kriemhild. Then began a slaughter grim and
great. The Huns fought at first in self-defence, but as they saw their
friends fall they laid on in good earnest and the combat became general.
At length Dietrich of Bern, as a neutral, intervened, and succeeded in
bringing about a half-truce, whereby Etzel, Kriemhild, and Ruediger were
permitted to leave the hall, the remainder of Etzel's attendants being
slaughtered like sheep. In great wrath Etzel and Kriemhild offered heavy
bribes to any who would slay Hagen. Several attempts were made, but
without avail; and the terrible conflict continued till nightfall,
when a truce was called. From his place of vantage in the hall Giselher
reproached his sister with her treachery, and Kriemhild offered to spare
her brothers if they would consent to give up Hagen. But this offer
they contemptuously refused, holding death preferable to such dishonour.
Kriemhild, in her bitter hate, set the hall on fire, and most of the
Burgundians perished in the conflagration. Kriemhild and the Huns were
astounded, however, when in the morning they discovered six hundred
of the Burgundians were still alive. The queen appealed to Ruediger to
complete the slaughter, but he, aghast at the idea of attacking friends
whom he had sworn to protect, was about to refuse, when Kriemhild
reminded him of his oath to her. With sorrow he proceeded to fulfil his
promise, and Giselher, seeing his approach, imagined he came as an ally.
But Ruediger promptly disillusioned him. The Burgundians were as loath
to attack Ruediger as he them, and Hagen and he exchanged shields. The
combat recommenced, and great was the slaughter of the Burgundians,
until Gernot and Ruediger came together and slew one another. At this,
Wolfhart, Dietrich of Bern's lieutenant, led his men against the
Burgundians to avenge Ruediger's death, and Giselher and Wolfhart slew
one another. Volker and Dankwart were also slain. At length all were
dead save Gunther and Hagen, whom Dietrich accosted and whom he offered
to save. But this offer Hagen refused. Then the Lord of Bern grew wroth.

Dietrich Intervenes

Dietrich then donned his armour and was assisted to accoutre himself by
Hildebrand. He felt a heroic mood inspire him, a good sword was in
his hand, and a stout shield was on his arm, and with the faithful
Hildebrand he went boldly thence.

Hagen espied him coming and said: "Yonder I see Sir Dietrich. He desires
to join battle with us after his great sorrow. To-day shall we see to
whom must go the palm. I fear him not. Let him come on."

This speech was not unheard of Dietrich and Hildebrand, for Hagen
came to where he found the hero leaning against the wall of the house.
Dietrich set his shield on the ground and in woeful tones said: "O king,
wherefore have ye treated me so? All my men are gone, I am bereft of all
good, Knight Ruediger the brave and true is slain. Why have ye done these
things? Never should I have worked you such sorrow. Think on yourselves
and on your wrongs. Do ye not grieve for the death of your good kinsmen?
Ah, how I mourn the fall of Ruediger! Whatsoever joy I have known in life
that have ye slain. It is not for me to sorrow if my kin be slain."

"How so, Dietrich?" asked Hagen. "Did not your men come to this hall
armed from head to heel with intent to slay us?"

Then spake Dietrich of Bern. "This is fate's work and not the doing of
man," said the hero. "Gunther, thou hast fought well. Yield thee now
as hostage, no shame shall it be to thee. Thou shalt find me true and
faithful with thee."

"Nay, God forbid," cried Hagen; "I am still unfettered and we are only
two. Would ye have me yield me after such a strife?"

"Yet would I save thy life, brave and noble Hagen," said Dietrich
earnestly. "Yield thee, I beg, and I will convoy thee safe home to

"Nay, cease to crave this thing," replied Hagen angrily. "Such a tale
shall never be told of me. I see but two of ye, ye and Hildebrand."

Hildebrand, addressing Hagen, then said that the hour would come when
he would gladly accept the truce his lord offered, but Hagen in reply
twitted Hildebrand with the manner in which he had fled from the hall.
Dietrich interrupted them, saying that it ill beseemed heroes to scold
like ancient beldams, and forbade Hildebrand to say more. Then, seeing
that Hagen was grim of mood, Dietrich snatched up his shield. A moment
later Hagen's sword rang on his helm, but the Lord of Bern guarded him
well against the dreadful blows. Warily did he guard him against Hagen's
mighty falchion Balmung. At last he dealt Hagen a wound deep and wide.
But he did not wish to slay him, desiring rather to have such a hero as
hostage. Casting away his shield, in his arms he gripped Hagen of Trony,
who, faint from loss of blood, was overthrown. At that Gunther began
to wail greatly. Dietrich then bound Hagen and led him to where stood
Kriemhild and gave him into her hand. Right merry was she at the sight
and blessed Dietrich, bowing low before him, telling him that he had
requited her of all her woes, and that she would serve him until death.

But Dietrich begged Hagen's life of the Queen, telling her that he would
requite her of all that he had done against her. "Let him not suffer,"
said he, "because you see him stand there bound." But she ordered that
Hagen be led away to durance.

Dietrich then went to where Gunther stood in the hall and engaged him
in strife. Loudly rang the swords as the two heroes circled in fight,
dealing mighty blows on each other's helm, and men there had great
wonder how Sir Dietrich did not fall, so sorely angry was Gunther for
the loss of Hagen. But the King's blood was seen to ooze through his
armourings, and as he grew fainter Dietrich overcame him as he had done
Hagen and bound him. Then was he too taken before Kriemhild, and once
again the noble Dietrich begged a life from the Queen. This she gladly
promised, but treachery was in her heart. Then went she to Hagen and
said to him that if he would return the Nibelungs' treasure to her
he might still go home safe and sound to Burgundy. The grim champion
answered that she wasted her words, and that he had sworn an oath not
to show the hoard while any of his lords still lived. At that answer a
terrible thought entered the mind of Kriemhild, and without the least
compunction she ordered that her brother Gunther's life be taken. They
struck off his head like that of a common malefactor, and by the hair
she carried it to the Knight of Trony. Full sorrowfully he gazed upon
it, then turning his eyes away from the haggard and distorted features,
he said to Kriemhild:

"Dead is the noble King of Burgundy, and Giselher, and Gernot also.
Now none knoweth of the treasure save me, and it shall ever be hid from
thee, thou fiend."

The Death of Hagen and Kriemhild

Greatly wroth was Kriemhild when she heard that her stratagem had
come to naught. "Full ill have ye requited me, Sir Hagen," she cried
fiercely, and drawing the sword of Siegfried from its sheath, she raised
it with both hands and struck off the Burgundian's head.

Amazed and sorrowful was King Etzel when he saw this. "Alas," cried he,
"that such a hero should die bound and by the hands of a woman. Here
lieth the best of knights that ever came to battle or bore a shield.
Sorely doth this deed grieve me, however much I was his foe."

Then spake old Hildebrand, full of horror that such a thing had come to
pass, "Little shall it profit her that she hath slain him so foully," he
cried; "whatever hap to me, yet will I avenge bold Hagen."

With these words he rushed at Kriemhild. Loudly did she cry out, but
little did that avail her, for with one great stroke Hildebrand clove
her in twain. The victims of fate lay still. Sorely wept Dietrich and
Etzel. So ended the high feast in death and woe. More is not to be said.
Let the dead rest. Thus fell the Nibelungs, thus was accomplished the
fate of their house!

The place of origin of the Nibelungenlied is much disputed, a number of
scholars arguing for its Scandinavian genesis, but it may be said that
the consensus of opinion among modern students of the epic is that
it took its rise in Germany, along the banks of the Rhine, among the
Frankish division of the Teutonic folk. Place-names lend colour to this
assumption. Thus in the Odenwald we have a Siegfried Spring; a Brunhild
Bed is situated near Frankfort; there is a Hagen Well at Lorch, and the
Drachenfels, or Dragon's Rock, is on the banks of the Rhine. Singularly
enough, however, if we desire a full survey of the Nibelungenlied story,
we have to supplement it from earlier versions in use among the peoples
of Scandinavia and Iceland. These are distinctly of a more simple and
early form than the German versions, and it is to be assumed that
they represent the original Nibelungenlied story, which was preserved
faithfully in the North, whereas the familiarity of its theme among the
Southern Teutons caused it to be altered again and again for the sake
of variety, until to some extent it lost its original outline. Moreover,
such poems as the Norse Volsunga Saga and Thidreks Saga, not to speak
of other and lesser epics, afford many details relating to the
Nibelungenlied which it does not contain in its present form. It may
be interesting to give a summary of the Volsunga Saga, which is a prose
paraphrase of the Edda Songs.

The Volsunga Saga

The epic deals with the history of the treasure of the Nibelungs, and
tells how a certain Hreithmar had it given him by the god Loki as
a weregild for the slaying of the former's son, Otur or Otter, who
occasionally took the shape of that animal. Loki in his turn obtained
the ransom from the dwarf Andwari, who had stolen it from the river-gods
of the Rhine. The dwarf, incensed at losing the treasure, pronounced a
most dreadful curse upon it and its possessors, saying that it would be
the death of those who should get hold of it. Thus Hreithmar, its
first owner, was slain in his sleep by his son Fafnir, who carried the
treasure away to the Gnita Heath, where, having taken the form of a
dragon, he guarded it.

The treasure--and the curse--next passed into the keeping of Sigurd (the
Norse form of Siegfried), a descendant of the race of the Volsungs, a
house tracing its genealogy back to the god Woden. The full story of
Sigurd's ancestry it is unnecessary to deal with here, as it has
little influence on the connexion of the story of the Volsungs with
the Nibelungenlied. Sigurd came under the tutelage of Regin, the son of
Hreithmar and brother of Fafnir, received the magic steed Grani from
the king, and then was requested by Regin to assist him in obtaining the
treasure guarded by Fafnir. After forging a sword for himself out of
the fragments of a blade left by his father Siegmund, he avenged his
father's death and then set out to attack Fafnir. Meeting Woden, he was
advised by the god to dig a ditch in the dragon's path. Encountering
Fafnir, he slew him and the dragon's blood ran into the ditch, without
which he would have been drowned by the flood of gore from the monster.
As the dragon died he warned Sigurd against the treasure and its curse
and against Regin, who, he said, was planning Sigurd's death.

When Regin saw that the dragon was quite dead, he crept from his
hiding-place and quaffed its blood. Then, cutting out the heart, he
begged Sigurd to roast it for him. In this operation Sigurd burnt his
fingers and instinctively thrust them in his mouth, thus tasting of the
dragon's blood, whereupon he was surprised to find that he comprehended
the language of the birds. Hearkening intently to the strange, new
sounds, he learned that if he himself should eat the heart, then he
would be wiser than anyone in the world. The birds further betrayed
Regin's evil intentions, and advised Sigurd to kill him. Seeing his
danger, Sigurd went to where Regin was and cut off his head and ate
Fafnir's heart. Following once again the advice of the birds, he
brought the treasure from the cave and then journeyed to the mountain
Hindarfjall, where he rescued the sleeping Valkyr, Brynhild or Brunhild,
who had been pierced by the sleep-thorn of Woden and lay in slumber clad
in full armour within a castle, surrounded by a hedge of flame. Mounting
his horse Grani, Sigurd rode through the fiery obstacle to the gate
of the castle. He entered it, and, finding the maiden asleep, cut the
armour from her with his sword--for during her long slumber it had
become very tight upon her. Brunhild hailed him with joy, for she had
vowed never to marry a man who knew fear. She taught Sigurd much wisdom,
and finally they pledged their troth. He then departed, after promising
to remain faithful to her.

On his travels he arrived at the court of Giuki or Gibicho, a king whose
domains were situated on the Lower Rhine. Three sons had he, Gunnar,
Hogni, and Gutthorm, and a daughter Gudrun, a maiden of exquisite
beauty. His queen bore the name of Grimhild, and was deeply versed in
magical science, but was evil of nature.

They received Sigurd with much honour. Grimhild knew of his relations
with Brunhild, and gave him a potion which produced forgetfulness of the
war-maiden, so that he accepted the hand of Gudrun which Giuki offered
him. The marriage was celebrated with great splendour, and Sigurd
remained at Giuki's court, much acclaimed for his deeds of skill and

Grimhild meanwhile urged upon her son Gunnar to sue for the hand of
Brunhild. He resolved to accept her advice and set out to visit her,
taking with him Sigurd and a few other friends. He first visited
Brunhild's father Budli, and afterward her brother-in-law Heimir, from
whom he heard that Brunhild was free to choose the man she desired, but
that she would espouse no one who had not ridden through the hedge of
flame. They proceeded to Brunhild's castle. Gunnar attempted to pierce
the flames, but was unable to do so even when seated on Sigurd's horse,
for Grani would not stir, knowing well that it was not his master who
urged him on. At last they made use of a potion that had been given them
by Grimhild, and Sigurd, in the shape of Gunnar, rode through the wall
of fire. He explained to the war-maiden that he was the son of Giuki and
had come to claim her hand. The destiny laid upon her by Woden compelled
her to consent, but she did so with much reluctance. Sigurd then passed
three nights at her side, placing his sword Gram between them as a bar
of separation; but at parting he drew from her finger the ring with
which he had originally plighted his troth to her, and replaced it with
another taken from Fafnir's hoard. Shortly afterward the wedding of
Gunnar and Brunhild was celebrated with lavish splendour, and they all
returned to Giuki's court.

Matters progressed happily for some time, until one day Brunhild and
Gudrun went to bathe in the river. Brunhild refused to bathe farther
down the stream than Gudrun--that is, in the water which flowed from
Gudrun to her--asserting that her husband was the son of a king, while
Sigurd had become a menial. Gudrun retorted to her sister-in-law that
not Gunnar, but Sigurd had penetrated the hedge of fire and had taken
from her the ring, which she then showed to Brunhild in proof of her
words. A second and even more disturbing conversation followed, which
served only to increase the hatred between the women, and Brunhild
planned a dreadful vengeance. She feigned illness, retired to her bed,
and when Gunnar inquired what ailed her, asked him if he recalled the
circumstances of their wooing, and how Sigurd, and not he, rode through
the flames to win her. So furious was she at the dreadful insult which
had been placed upon her by Gudrun that she attempted to take Gunnar's
life. She still loved Sigurd, and could never forgive Gunnar and his
sister for robbing her of him. So terrible was her grief that she sank
into a deep slumber in which she remained for seven days, no one daring
to waken her. Finally Sigurd succeeded in doing so, and she lamented to
him how cruelly she had been deceived; she declared that he and she
had been destined for one another, and that now she had received for
a husband a man who could not match with him. Sigurd begged her not to
harbour a grudge against Gunnar, and told her of his mighty deeds--how
that he had slain the king of the Danes, and also the brother of Budli,
a great warrior--but Brunhild did not cease to lament, and planned
Sigurd's death, threatening Gunnar with the loss of his dominions and
his life if he would not kill Sigurd. Gunnar hesitated for a long time,
but at length consented, and calling Hogni, ordered him to slay Sigurd
that they might thus obtain the treasure of the Rhinegold. Hogni was
aghast at this, and reminded him that they had pledged their oaths to

Then Gunnar remembered that his brother Gutthorm had sworn no oath of
loyalty to Sigurd, and so might perform the deed. They plied him with
wolf and snake meat to eat, so that he might become savage by nature,
and they tried to excite his greed with tales of the Rhinegold treasure.
Twice did Gutthorm make the attempt as Sigurd lay in bed, but twice
he was deterred from slaying him by the hero's penetrating glance. The
third time, however, he found him asleep and pierced him with his sword.
Sigurd awoke and hurled his own sword after Gutthorm, cutting him in
two. He then died, stating that he knew Brunhild to be the instigator
of the murder. Gudrun's grief was frantic, and at this Brunhild laughed
aloud as if with joy; but later she became more grief-stricken than
Sigurd's wife herself, and determined to be done with life. Donning
her richest array, she pierced herself with a sword. As she expired she
requested to be burned on Sigurd's funeral pyre, and also prophesied
that Gudrun would marry Atli, and that the death of many heroes would be
caused thereby.

Gudrun's Adventure

Gudrun in her great sorrow fled to the court of King Half of Denmark,
at which she tarried for seven years. Her mother Grimhild learned of
her place of concealment and attempted to bring about a reconciliation
between her and Gunnar. She was offered much treasure if she would marry
Atli, King of the Huns, and finally she consented. Atli became
covetous of Gunnar's wealth--for the latter had taken possession of the
Rhinegold--and invited him to his court. But Gudrun sent a message of
warning to her brother. The runes which composed this, however, were
so manipulated by Vingi, one of the messengers, that they read as a
harmless invitation instead of a warning, and this Gunnar and Hogni
determined to accept. They reached Atli's court in due season, and as
they arrived Vingi disclosed his true character, stating that he had
lured them into a snare. Hogni slew him, and as they rode to Atli's
dwelling the Hunnish king and his sons armed themselves for battle and
demanded Sigurd's treasure, which they declared belonged by right to
Gudrun. Gunnar refused to part with it, and a great combat began. Gudrun
armed herself and fought on the side of her brothers. A fierce battle
raged with great loss on both sides, until nearly all the Nibelungs were
slain, and Gunnar and Hogni, forced to yield to the power of numbers,
were captured and bound.

Gunnar was now asked if he would purchase his life with the treasure,
and he replied eventually that he would do so if he were given Hogni's
heart. To humour his request the Huns cut out the heart of a slave and
brought it to him; but Gunnar saw through the stratagem and recognized
the heart as that of a coward. They then cut out Hogni's heart, and
Gunnar, seeing that this was indeed the heart of a prince, was glad, for
now he alone knew where the treasure of the Rhinegold was hid, and he
vowed that Atli should never know of its whereabouts. In great wrath the
Hunnish monarch ordered Gunnar to be thrown into a pit of snakes. His
hands were bound, yet the hero from the Rhine played so exquisitely with
his toes on a harp which Gudrun had sent to him that he lulled to sleep
all the reptiles--with the exception of an adder, which stung him to the
heart so that he died.

Atli, spurning the bodies of the fallen, turned to Gudrun, saying that
she alone was to blame for what had happened. That evening she killed
her two sons, Erp and Eitil, and served their flesh at the banquet which
the King was giving for his warriors. When Atli asked for the boys to
be brought to him, he was told that he had drunk their blood in his wine
and had eaten their hearts.

That night, while he slept, Gudrun took Hogni's son Hnifling, who
desired to avenge his slaughtered father, and entering Atli's chamber,
the young man thrust a sword through the breast of the Hunnish king. He
awoke through the pain of his wound, and was informed by Gudrun that she
was his murderess. He bitterly reproached her, only to be told that she
cared for no one but Sigurd. Atli's last request was that his obsequies
should be such as were fitting for a king, and to ensure that he had
proper funeral rites Gudrun set fire to his castle and burnt his body
together with those of his dead retainers.

The further adventures of Gudrun are related in certain songs in the
Edda, but the Volsunga Saga proper ends with the death of Atli.

Comparisons between the Epics

We see from this account that the Volsunga Saga presents in many
respects an older form of the Nibelungenlied story. Sigurd is the same
as Siegfried; Gunnar, Hogni, and Gudrun are parallels with Gunther,
Hagen, and Kriemhild--although, strangely enough, that name is also
borne by Gudrun's mother in the Volsunga Saga. We will recall that the
events detailed in the first part of the lay of the Volsungs are vaguely
alluded to in the Nibelungenlied, which assures us that the connexion we
have thus drawn is a correct one.

Myth or History?

We come now to the vexed question as to whether the Nibelungenlied is
mythical or historical in origin. This question has been approached by
certain scholars who, because of their lack of mythological knowledge,
have rendered themselves ridiculous in attempting elucidations on a
purely historical basis. An entirely mythological origin is not here
pleaded for the Nibelungenlied, but it should surely be recognized, even
by the historian who is without mythological training, that no story of
any antiquity exists which does not contain a substantial substratum of
mythical circumstance. So speedy is the crystallization of myth around
the nucleus of historical fact, and so tenacious is its hold, that to
disentangle it from the factors of reality is a task of the most extreme
difficulty, requiring careful handling by scholars who possess a wide
and accurate knowledge of mythological processes. Even to-day, when
students of history have recovered from the first shock of the intrusion
into their domain of the mythologist and the folklorist, so much remains
to be effected in the disentanglement of what is believed to be absolute
historical fact from the mythical growths which surround it that, were
they conscious of the labour which yet remains in this respect, even the
most advanced of our present-day historians would stand aghast at the
task which awaits their successors.

In the Nibelungenlied we have a case in point. What the exact
mythological elements contained in it represent it would indeed
be difficult to say. Students of the Muellerian school have seen in
Siegfried a sun-god, who awakens Brunhild, a nature goddess. This aspect
is not without its likelihood, for in one passage Brunhild tells how
Odin thrust into her side a thorn--evidently the sharp sting of icy
winter--and how the spell rendered her unconscious until awakened by
Siegfried. There are many other mythological factors in the story, and
either a diurnal or seasonal myth may be indicated by it. But it would
require a separate volume to set forth the arguments in favour of a
partial mythological origin of the Nibelungenlied. One point is to be
especially observed--a point which we have not so far seen noted in a
controversy where it would have seemed that every special circumstance
had been laboured to the full--and that is that, besides mythological
matter entering into the original scheme of the Nibelungenlied, a very
considerable mass of mythical matter has crystallized around it since it
was cast into its first form. This will be obvious to any folklorist
of experience who will take the trouble to compare the Scandinavian and
German versions.

The Historical Theory

Abeling and Boer, the most recent protagonists of the historical theory,
profess to see in the Nibelungenlied the misty and confused traditions
of real events and people. Abeling admits that it contains mythical
elements, but identifies Siegfried with Segeric, son of the Burgundian
king Sigismund, Brunhild with the historical Brunichildis, and Hagan
with a certain Hagnerius. The basis of the story, according to him, is
thus a medley of Burgundian historical traditions round which certain
mythological details have crystallized. The historical nucleus is the
overthrow of the Burgundian kingdom of Gundahar by the Huns in A.D.
436. Other events, historical in themselves, were torn from their proper
epochs and grouped around this nucleus. Thus the murder of Segeric,
which happened eighty-nine years later, and the murder of Attila by
his Burgundian wife Ildico, are torn from their proper historical
surroundings and fitted into the story. Boer, on the other hand, will
not have it that there is any mythology at all in the Nibelungenlied,
and, according to him, the nucleus of the legend is an old story of
the murder of relatives. This became grafted on the Siegfried legend
according to some authorities, but Boer will not admit this, and
presents a number of arguments to disprove the mythical character of the
Siegfried story. The reasoning is ingenious, but by no means
valuable. We know that the mythologies of the ancient Germans and the
Scandinavians were in many respects, though not in all, one and the same
system, and we find many of the characters of the Nibelungenlied among
the divine beings alluded to in the Edda. It is unlikely that the
dramatis personae of a German murder story would find its way into even
the most decadent form of Scandinavian belief. There is every reason to
conclude that a great many historical elements are to be discovered in
the Nibelungenlied, but to discount entirely those which are mythical
is absurd and even more futile than it would be to deny that many of the
incidents related in the great epic reflect in some measure historical

The Klage

The Klage, a sequel to the Nibelungenlied, recounts somewhat tamely
the events which follow upon the dire catastrophe pictured in the great
German epic. It is on the whole more modern than the Lied, and most
critics ascribe it to a period so late as the fourteenth century. It
is highly artificial and inartistic, and Grimm points out that it is
obvious that in penning it the author did not have the Nibelungenlied,
as we know it, before him. As it is practically unknown to
English-speaking readers, a resume of it may not be out of place here.
It describes the search among the dead bodies in the house of slaughter,
the burying of them, the journey of Etzel's "fiddler," Swemmelin, to the
Rhine by way of Bechlarn and Passau to give the tidings of the massacre
to Queen Brunhild, his return, and the final parting from Etzel of
Dietrich and his wife Herrat, who also take Bechlarn on their way. Level
and poor as the narrative is, it reaches pathos in the description of
the arrival of the messengers at Bechlarn. To spare his niece (Gotelint)
Dietrich tells them not to mention the terrible events which have
happened, but to say that he and Ruediger will soon come to see her, or
at all events himself. They are received with great rejoicing--Gotelint
and her daughter think "both to receive love without sorrow, as often
before, from beloved glances." The young margravine has a foreboding of
evil at seeing the messengers so few--only seven. Then her mother tells
her of an evil dream which she has had, and she in turn has to tell of
another which has come to herself. Meanwhile the messengers are at
hand, and are observed to be sad. They give to Ruediger's wife the false
tidings of peace which they have been instructed to relate, and the
younger lady wonders that her father should have sent no message to
herself specially. The ladies continue to question the messengers about
Kriemhild: how has she received her brother? what did she say to Hagen?
what to Gunther? How is it, asks the younger one, that Giselher has sent
her never a message? Each lying answer costs the speaker more and
more sorrow, and at last his tears begin to flow. The young margravine
exclaims that there must be ill news, that evil has befallen them, and
that the guests and her father must be dead. As she speaks one of the
messengers can contain himself no longer, and a cry breaks with blood
from his mouth. All his companions burst into tears at the same time.
The margravine conjures them by their troth to tell how they parted
from her husband, saying that the lie must have an end. "Then spake the
fiddler, Swemmelin the messenger: 'Lady, we wished to deny to you that
which we yet must say, since no man could conceal it; after this
hour, ye see Margrave Ruediger no more alive.'" The margravine, we are
afterward told, dies of grief at the news, as does old Queen Ute at her
abbey of Lors. Brunhild survives, and is prevailed upon by her vassals
to have her son crowned. Etzel, after parting with Dietrich, loses
his mind; according to another version, his fate remains altogether
uncertain. Dietelint, the young margravine, is taken under Dietrich's
protection, who promises to find her a husband. Bishop Pilgrin has the
story written out in Latin letters, "that men should deem it true." A
writer, Master Konrad, then began to set it down in writing; since then
it has been often set to verse in Teuton tongues; old and young know
well the tale. "Of their joy and of their sorrow I now say to you no
more; this lay is called Ein Klage."

Walthar of Aquitaine

One of the grandest and most heroic epics of the great age of romance
is that of Walthar of Aquitaine. It is indissolubly connected with the
Rhine and with the city of Worms because in the vicinity the hero whose
feats of arms it celebrates fought his greatest battle. It was written
in monkish Latin at any time between the eighth and ninth centuries, and
is connected with later versions of the Nibelungenlied, which contains
numerous allusions to it. Founded upon traditional materials collected
and edited by some gifted occupant of the cloister, it opens in the
grand manner by telling how the empire of the Huns had already lasted
for more than a thousand years, when Attila invaded the territory of the
Franks, ruled over by Gibicho. Gibicho, trembling for his throne, by the
advice of his counsellors determined to pay tribute and give hostages to
the terrible Hun; but as his son Gunther was too young to be sent as a
hostage, he put in his place a noble youth named Hagen, and paying the
invaders a great indemnity in treasure, thus secured the safety of his
kingdom. The Huns then turned their attention to the Burgundians, whose
king Herric had an only daughter, the beautiful Hildegund. Herric shut
himself up in the town of Chalons, and calling together his ministers
imparted to them his deliberations.

"Since the Franks, who are so much stronger than we, have yielded," he
said, "how can we of Burgundy hope to triumph against such a host? I
will give my daughter Hildegund as a hostage to the Huns. Better that
one should suffer than that the realm should be laid waste." The Huns
accepted Hildegund as a hostage, and with much treasure turned their
faces westward to the kingdom of Aquitaine, whose king, Alphere, had an
only son, Walthar, who was already affianced to Hildegund. He, too, had
to give up his son as hostage and pay tribute.

Although ruthless as an invader and cruel as a conqueror, Attila
displayed the utmost kindness to the children. He treated them in every
way as befitted their rank, and handing the girl over to the queen, had
the boys trained in martial exercises and intellectual arts, till in
a few years' time they easily surpassed all of the Huns in every
accomplishment that becomes a knight. So greatly did Attila's queen
trust the maiden, Hildegund, that she placed in her charge all the
treasures Attila had won in war. Life was pleasant for the youthful
hostages, but one day news came to the ear of Attila that Gibicho was
dead and that Gunther was his successor. Learning this, Hagen succeeded
in making his escape by night, and fearing that Walthar would follow his
example, Attila's queen suggested to her husband that he should marry
the youthful warrior, who had greatly distinguished himself at the head
of the Huns, to a Hunnish maiden. But Walthar had no mind for such a
match and declared himself unworthy of marriage, urging that if wedded
he might neglect his military duties, and declaring that nothing was so
sweet to him as for ever to be busy in the faithful service of his lord.
Attila, never doubting him, and lulled from all suspicion by further
victories won by him over a rebellious people, dismissed the matter
from his mind; but on returning from his successful campaign Walthar
had speech with Hildegund on the subject of their betrothal, hitherto
untouched between them.

At first she thought that he merely mocked her, but he protested that he
was weary of exile, was anxious to escape, and would have fled ere this
but that it grieved him to leave her alone at the Hunnish court. Her
reply is one characteristic of women in medieval days.

"Let my lord command," she said; "I am ready for his love to bear evil
hap or good."

She then provided him, out of the treasure-chests of Attila, with helm,
hauberk, and breast-plate. They filled two chests with Hunnish money in
the shape of golden rings, placed four pairs of sandals on the top and
several fish-hooks, and Walthar told Hildegund that all must be ready in
a week's time.

The Escape

On the seventh day after this Walthar gave a great feast to Attila, his
nobles, and his household. He pressed food and wine on the Huns, and
when their platters were clear and the tables removed, he handed to
the king a splendid carven goblet, full to the brim of the richest and
oldest wine. This Attila emptied at a draught, and ordered all his men
to follow his example. Soon the wine overcame the Huns, who, pressed by
Walthar, caroused so deeply that all were at last rendered unconscious.

Walthar gave the sign to Hildegund, and they slipped from the hall and
from the stable took his noble war-horse Lion, so named for his courage.
They hung the treasure-chests like panniers on each flank of the
charger, and taking with them some food for the journey, set off.
Hildegund took the reins, Walthar in full armour sitting behind her. All
night they did not draw rein, and during the day they hid in the gloomy
woods. At every breath, at the snapping of a twig, or the chirping of
a bird, Hildegund trembled. They avoided the habitations of men and
skirted the mountains, where but few faces were to be seen, and so they
made good their flight.

But the Huns, roused from their drunken sleep, gazed around stupidly
and cried loudly for Walthar, their boon companion as they thought,
but nowhere was he to be found. The queen, too, missed Hildegund and,
realizing that the pair had escaped, made loud wail through the palace.
Angry and bewildered, Attila could touch neither food nor drink. Enraged
at the manner in which he had been deceived, he offered great gifts
to him who would bring back Walthar in chains; but none of the Hunnish
champions considered themselves fit for such a task, and at length the
hue and cry ceased, and Walthar and Hildegund were left to make their
way back to Aquitaine as best they could.

Full of the thought that they were being pursued, Walthar and the maiden
fled onward. He killed the birds of the wood and caught fish to supply
them with food. His attitude to Hildegund was one of the deepest
chivalry, and he was ever mindful for her comfort. Fourteen days had
passed when at last, issuing from the darkness of the forest, they
beheld the silver Rhine gleaming in the sunlight and spied the towers
of Worms. At length he found a ferry, but, fearing to make gossip in
the vicinity, he paid the ferryman with fishes, which he had previously
caught. The ferryman, as it chanced, sold the fish to the king's cook,
who dressed them and placed them before his royal master. The monarch
declared that there were no such fishes in France, and asked who had
brought them to Worms. The ferryman was summoned, and related how he had
ferried over an armed warrior, a fair maiden, and a great war-horse with
two chests. Hagen, who sat at the king's table, exclaimed full joyfully:

"Now will I avow that this is none other than my comrade Walthar
returning from the Hunnish land."

"Say ye so?" retorted King Gunther. "It is clear that by him the
Almighty sends me back the treasure of my father Gibicho."

So ordered he a horse to be brought, and taking with him twelve of his
bravest chiefs besides Hagen, who sought in vain to dissuade him, he
went in search of Walthar.

The Cave

Journeying from the banks of the Rhine, Walthar and the maiden had by
this time reached the forest of the Vosges. They halted at a spot where
between two hills standing close together is situated a pleasant and
shady cave, not hollowed out in the earth, but formed by the beetling of
the rocks, a fit haunt for bandits, carpeted with green moss. But little
sleep had Walthar known since his escape from the Hunland, so, spying
this cool retreat, he crept inside it to rest. Putting off his heavy
armour, he placed his head on Hildegund's lap, bidding her keep watch
and wake him by a touch if she saw aught of danger. But the covetous
Gunther had seen his tracks in the dust, and ever urging on his
companions soon came near the cave where Walthar reposed. Hagen warned
him of Walthar's powers as a champion, and told him that he was too
great a warrior to permit himself to be despoiled easily.

Hildegund, noticing their approach, gently aroused Walthar, who put on
his armour. At first she thought the approaching band were Huns pursuing
them, and implored him to slay her; but Walthar smilingly bade her be of
good cheer, as he had recognized Hagen's helm. He was evidently aware,
however, of the purpose for which he had been followed, and going to
the mouth of the cave, he addressed the assembled warriors, telling them
that no Frank should ever return to say that he had taken aught of his
treasure unpunished.

Hagen advised a parley in case Walthar should be ready to give up the
treasure without bloodshed, and Camillo, the prefect of Metz, was sent
to him for this purpose. Camillo told him that if he would give up his
charger, the two chests, and the maiden, Gunther would grant him life;
but Walthar laughed in his face.

"Go tell King Gunther," he said, "that if he will not oppose my passage
I will present him with one hundred armlets of red metal."

Hagen strongly advised the king to accept the offer, for on the night
before he had had an evil dream of a bear which tore off one of the
king's legs in conflict, and put out one of his own eyes when he came
to Gunther's aid. Gunther replied with a sneer, and Hagen, greatly
humiliated, declared that he would share neither the fight nor the

"There is your foe," he said. "I will stay here and see how you fare at
his hands."

Now only one warrior could attack Walthar at a time. It is needless to
go into details of his several conflicts, which are varied with very
considerable skill and fancy, but all of which end in his triumph. The
sixth champion he had to meet was Patavrid, sister's son to Hagen, who
vainly endeavoured to restrain him, but who also was worsted, and after
the fall of the next warrior the Franks themselves urged Gunther to end
the combat; but he, furious at his want of success, only drove them to
it the more vehemently.

At last four of them made a combined attack on Walthar, but because of
the narrowness of the path they could not come at him with any better
success than could one single warrior, and they too were put out of the

Then Gunther was left alone and, fleeing to Hagen, besought him to come
to his aid. Long did Hagen resist his entreaties, but at last he was
moved by Gunther's description of the manner in which his kinsfolk had
been slain by Walthar. Hagen's advice was to lure Walthar into the open,
when both should attack him, so Hagen and the king departed and selected
a spot for an ambush, letting their horses go loose.

Uncertain of what had passed between Hagen and the king, Walthar decided
upon remaining in the cave till the morning, so after placing bushes
around the mouth of the cave to guard against a surprise, he gave thanks
to heaven for his victory.

Rising from his knees, he bound together the six horses which remained,
then, loosing his armour, comforted Hildegund as best he might and
refreshed himself with food, after which he lay down upon his shield and
requested the maiden to watch during his sleep. Although she was tired
herself, Hildegund kept awake by singing in a low tone. After his first
sleep Walthar rose refreshed, and bidding Hildegund rest herself, he
stood leaning upon his spear, keeping guard at the cave-mouth. When
morning had come he loaded four of the horses with spoils taken from
the dead warriors, and placing Hildegund on the fifth, mounted the sixth
himself. Then with great caution he sent forward first of all the
four laden horses, then the maiden, and closed the rear with the horse
bearing the two treasure-chests.

For about a mile they proceeded thus, when, looking backward, Hildegund
espied two men riding down the hill toward them and called to Walthar
to flee. But that he would not do, saying: "If honour falls, shame
shall attend my last hour." He bade her take the reins of Lion, his good
charger, which carried the gold, and seek refuge in the neighbouring
wood, while he ascended the hill to await his enemies.

Gunther advanced, hurling insulting epithets at the champion, who
ignored him, but turned to Hagen, appealing to their old friendship
and to the recollections of the many hours of childhood they had spent
together. He had thought that Hagen would have been the first to welcome
him, would have compelled him to accept his hospitality, and would have
escorted him peacefully to his father's kingdom. If he would break his
fealty to Gunther, said Walthar, he should depart rich, his shield full
of red gold. Irritated at such an offer, Hagen replied that he would not
be deluded, and that for Walthar's slaying of his kinsmen he must have
vengeance. So saying, he hurled his spear at Walthar, which the latter
avoided. Gunther then cast a shaft which was equally harmless. Then,
drawing their swords and covering themselves with their shields, the
Franks sought to close with the Aquitainian, who kept them at bay with
his spear. As their shorter swords could not reach past Walthar's mighty
shaft, Gunther attempted to recover the spear which he had cast and
which lay before the hero's feet, and told Hagen to go in front; but as
he was about to pick it up from the ground Walthar perceived his device
and, placing his foot upon it, flung Gunther on his knees, and would
have slain him had not Hagen, rushing to his aid, managed to cover him
with his shield.

The struggle continued. The hot sunshine came down, and the champions
were bathed in sweat. Walthar, tired of the strife, took the offensive,
and springing at Hagen, with a great stroke of his spear carried away
a part of his armour. Then with a marvellous blow of his sword he smote
off the king's leg as far as the thigh. He would have dispatched him
with a second blow, but Hagen threw himself over Gunther's body and
received the sword-stroke on his own head. So well tempered was his helm
that the blade flew in flinders, shivered to the handle.

Instantly Walthar looked about him for another weapon, but quick
as thought Hagen seized the opportunity and cut off his right hand,
"fearful to peoples and princes." But, undismayed, the hero inserted the
wounded stump into the shield, and drawing with his left hand a Hunnish
half-sword girt to his right side, he struck at Hagen so fiercely that
he bereft him of his right eye, cutting deep into the temple and
lips and striking out six of his teeth. But neither might fight more:
Gunther's leg, Walthar's hand, and Hagen's eye lay on the ground. They
sat down on the heath and stanched with flowers the flowing stream of
their blood. They called to them Hildegund, who bound up their wounds
and brought them wine.

Wounded as they were, they cracked many a joke over their cups, as
heroes should.

"Friend," said Hagen, "when thou huntest the stag, of whose leather
mayest thou have gloves without end, I warn thee to fill thy right-hand
glove with soft wool, that thou mayest deceive the game with the
semblance of a hand. But what sayest thou to break the custom of thy
people in carrying thy sword at thy right side and embracing thy wife
with thy left arm?"

"Ha," retorted Walthar, laughing grimly, "thou wilt have to greet the
troops of heroes with a side glance. When thou gettest thee home, make
thee a larded broth of milk and flour, which will both nourish and cure

Then they placed on horseback the king, who was in sore pain. Hagen bore
him back to Worms, whilst Walthar and Hildegund pursued their way to
Aquitaine, and, on arrival, magnificently celebrated their wedding.

For thirty years did Walthar rule his people after his father's death.
"What wars after this, what triumphs he ever had, behold, my blunted
pen refuses to mark. Thou whosoever readest this, forgive a chirping
cricket. Weigh not a yet rough voice but the age, since as yet she hath
not left the nest for the air. This is the poem of Walthar. Save us,
Jesus Christ."


Heidelberg is known all over the world as one of Germany's great
university towns, as the site of an unrivalled if ruined schloss, and of
a view at the junction of the Rhine with the Neckar which is one of
the most famous in the world. It lies between lofty hills covered with
vineyards and forests, flanked by handsome villas and gardens, and is
crowned by its castle, which has suffered equally from siege and the
elements, being partially blown up by the French in 1609, and struck by
lightning in 1704.

The Wolf's Spring

The name of Jette, a beautiful prophetess of the ancient goddess Herthe,
is linked with the neighbourhood of Heidelberg by the following tragic

When the old heathen gods and goddesses were still worshipped in the
Rhine country, a certain priestess of Herthe took up her abode in an
ancient grove, where she practised her occult arts so successfully that
the fame of her divinations spread far and wide, and men came from all
parts of Europe to learn from her what the future had in store for them.
Frequently a warrior left her abode with a consuming fire kindled in
his breast which would rob him of sleep for many a long night, yet none
dared to declare his love to her, for, lovely though she was, there
was an air of austerity, an atmosphere of mysticism about her which
commanded awe and reverence, and forbade even the smallest familiarity.

One evening there came to the grove of Herthe a youth from a far distant
land, seeking to know his destiny. All day he had journeyed thitherward,
and the dusk had already fallen ere he reached the sacred spot. Jette
sat on the glimmering altar-steps, clad in a flowing white robe, while
on the altar itself burned a faint and fitful flame. The tall, slender
trees, showing fantastic and ghostly in the fading light, made a fitting
background for the gleaming shrine; and the elusive, unearthly beauty of
the priestess was quite in keeping with the magic scene. Her mantle
of austerity had fallen from her; she had forgotten that she was a
prophetess; for the moment she was but a woman, full of grace and charm.
The youth paused as though held by a spell.

"Fair prophetess," he said in a low voice, fearing to break in rudely
upon her meditations, "wilt thou read me my fate?"

Jette, roused from her reverie, fixed her startled gaze on the handsome
stranger, whose dark, burning eyes met hers in deepest admiration.
Something stirred in her heart at the ardent glance, the thrilling
tones, and her wonted composure deserted her.

"Youth," she faltered at length, "thou comest at a time when my
prophetic skill hath failed me. Ere I tell thee thy fate I must offer
sacrifice to Herthe. If thou wilt come to-morrow at this hour I will
tell thee what the stars say concerning thy destiny."

It was true that her skill had deserted her under the admiring scrutiny
of the young warrior, yet she delayed also because she wished to hear
his voice again, to meet the ardent yet courteous glance of his dark

"I will return, O prophetess," said he, and with that he was gone.

Jette's peace of mind had gone too, it seemed, for she could think of
naught but the handsome stranger.

On the following evening he returned, and again she delayed to give him
the information he sought. He was no less rejoiced than was Jette at the
prospect of another meeting.

On the third day the priestess greeted him with downcast eyes.

"I cannot read thy destiny, youth," she said; "the stars do not speak
plainly. Yet methinks thy star and mine are very close together." She
faltered and paused.

"Dost thou love me, Jette?" cried the young man joyfully. "Wilt thou be
my bride?"

The maiden's blushing cheeks and downcast glance were sufficient answer.

"And wilt thou come with me to my tower?" pursued the youth eagerly.

Jette started back in affright.

"Nay, that I cannot," she cried. "A priestess of Herthe is doomed an she
marry. If I wed thee we must meet in secret and at night."

"But I will take thee to Walhalla, and Freya shall appease Herthe with
her offerings."

Jette shook her head.

"Nay," said she; "it is impossible. The vengeance of Herthe is
swift--and awful. I will show thee a spring where we may meet."

She led him to a place where the stream branched off in five separate
rivulets, and bade him meet her there on the following night at a
certain hour. The lovers then parted, each full of impatience for the
return of the hour of meeting.

Next evening, when the dusk had fallen on the sacred grove of Herthe,
Jette made her way to the rendezvous. The appointed time had not yet
arrived, but scarcely had she reached the spot ere she fancied she heard
a step among the undergrowth, and turned with a glad smile, prepared to
greet her lover. Imagine her dismay when instead of the youth a grisly
wolf confronted her! Her shriek of terror was uttered in vain. A moment
later the monster had sprung at her throat.

Her lover, hastening with eager steps toward the place of meeting, heard
the agonized shriek and, recognizing the voice of Jette, broke into a
run. He was too late! The monster wolf stood over the lifeless body of
his beloved, and though in his despairing fury the youth slew the huge
brute, the retribution of Herthe was complete.

Henceforth the scene of the tragedy was called the 'Wolf's Spring,' and
the legend is enshrined there to this day.

The Jester of Heidelberg

Considering the wide fame of Rhenish vintages, it is perhaps not
surprising that wine should enter as largely into the Rhine legends as
the 'barley bree' is supposed to enter into Scottish anecdote. In truth
there runs through these traditions a stream of Rhenish which plays
almost as important a part in them as the Rhine itself. We are told that
the Emperor Wenzel sold his crown for a quantity of wine; in the tale
connected with Thann, in Alsace, mortar is mixed with wine instead
of water, because of the scarcity of the latter commodity during the
building of a steeple; while in the legends of "The Devil's Vineyard,"
and "The Cooper of Auerbach" the vintage of Rhineland provides the main
interest of the plot. The following quaint little story, attaching to
the castle of Heidelberg, is a 'Rhenish' tale in every sense of the

In the days when the Schloss Heidelberg was in its most flourishing
state the lord of the castle numbered among his retainers a jester,
small of stature and ugly of feature, whose quips and drolleries
provided endless amusement for himself and his guests. Prominent among
the jester's characteristics was a weakness for getting tipsy. He was
possessed of an unquenchable thirst, which he never lost an opportunity
of satisfying.

Knowing his peculiarity, some youthful pages in the train of the
nobleman were minded to have some amusement at his expense, and they
therefore led him to a cellar in which stood a large vat filled with
fragrant wine. And there for a time they left him.

The jester was delighted at the propinquity of his favourite beverage
and decided that he would always remain in the cellar, regaling himself
with the vintage. His thirst increased at the prospect, so he produced
a gimlet, bored a hole in the vat, and drank and drank till at length he
could drink no more; then the fumes of the wine overcame him and he sank
down in a drunken stupor. Meanwhile the merry little stream flowed from
the vat, covered the floor of the cellar, and rose ever higher.

The pages waited at the top of the stairs, listening for the bursts of
merriment which were the usual accompaniments of the jester's drinking
bouts; but all was silent as the grave. At last they grew uneasy and
crept below in a huddled group. The fool lay quite still, submerged
beneath the flood. He had been drowned in the wine.

The joke now seemed a sorry one, but the pages consoled themselves with
the thought that, after all, death had come to the jester in a welcome

The Passing Bells

There is a legend connected with the town of Speyer in which poetic
justice is meted out to the principal characters, although not until
after they have died.

The tale concerns itself with the fate of the unfortunate monarch Henry
IV. History relates that Henry was entirely unfit to wear the ermine,
but weak as he was, and ignominious as was his reign, it was a bitter
blow that his own son was foremost among his enemies. At first the
younger Henry conspired against his father in secret; outwardly he was
a model of filial affection, so that he readily prevailed upon the weak
monarch to appoint him as his successor. After that, however, he openly
joined himself to his father's foes; and when the Pope excommunicated
the monarch, gradually the Emperor's following went over to the side of
his son, who then caused himself to be invested with imperial honours.
The deposed sovereign, deprived of power and supporters, was compelled
to go into exile; even his personal freedom was secured only as the
price of his renunciation of the crown. Broken and humiliated, feeling
intensely the disgrace of his position, he determined to undertake a
pilgrimage to Liege, accompanied only by his servant Kurt, who alone
of all his train had remained faithful to him. The pilgrimage was
successfully accomplished, but ere he could enter upon the return
journey the wretched Emperor died, in want and misery, utterly neglected
by his kindred. Even after death the Pope's ban was effective, so that
his corpse was not allowed interment for several years. During that
period the faithful Kurt kept guard unceasingly over his master's coffin
and would not suffer himself to be drawn therefrom.

At length, however, Henry V, under pressure from his princes and nobles,
gave orders that his father's remains be conveyed to Speyer and there
interred in the royal vault with such honours as befitted the obsequies
of a monarch. The messengers found old Kurt still holding his vigil
beside the Emperor's body, and in recognition of his faithfulness he
was permitted to follow the funeral cortege to Speyer. There were in
the town certain good and pious folk who were touched by the servant's
devotion, and by these he was kindly treated. But all their kindness
and attention could not repair the havoc which his weary vigil and long
privations had wrought on his health, and a few months later he followed
his master to the grave.

Strange to relate, as he expired all the bells of Speyer tolled out a
funeral peal such as was accorded to an emperor, and that without being
touched by human hands. Meanwhile Henry V also lay dying. All the
luxury of his palace could not soothe his last moments; though he was
surrounded by courtiers who assumed sorrow and walked softly, and though
all his kindred were around him, he saw ever before him the image of his
dead father, pointing at him with a grim, accusing finger. Stricken with
terror and remorse, and tortured by disease, he longed for death to end
his torments, and at last it came.

Again the passing bell was tolled by invisible hands, but not this time
the peal which announced the passing of an emperor. The citizens heard
the awful sound which told that a criminal had paid the law's last
penalty, and asked one another what poor wretch had been executed. Awe
and astonishment seized upon everyone when it was known that the Emperor
had died, for they knew then that it was no earthly hand that had rung
his death-knell.

Legends of Windeck

Concerning the neighbourhood of Windeck, some eight miles from Baden,
several interesting tales are current. The castle itself has long
enjoyed the reputation of being haunted by the ghost of a beautiful
girl, though when or wherefore this originated tradition does not
relate. We are told that a young huntsman, whom the chase had driven
thitherward, saw the spectre and was so stricken with her charms that
day after day he visited the castle, hoping to see her once more. But
being disappointed, he at length took up his solitary abode in the
deserted fortress, renouncing his former pursuits and ceasing from all
communication with his friends.

One day he was found dead in his bed with so peaceful an expression of
countenance that those who saw him could not doubt that his end had been
a pleasant one. On his finger was a ring of quaint design which he had
not been known to wear, and it was whispered among the peasantry that
the ghost-maid of Windeck had claimed her lover.

The Hennegraben

Hard by the Schloss Windeck lay a deep trench, known as the Hennegraben,
of which traces may still be found. It is rendered immortal by reason of
the following romantic legend, which tells of its magical origin.

A certain young knight, lord of the castle of Windeck, for some unknown
reason had seized and imprisoned the worthy Dean of Strassburg. It is
true that the Churchman was treated with every consideration, more like
a guest than a captive, but he nevertheless resented strongly the
loss of his liberty, as did also the good folk of Strassburg when they
learned what had happened.

Two of the Dean's young kinsfolk resolved to journey to Windeck and beg
that their uncle might be set free. On their way thither they had to
pass through a forest, where they met an old woman.

"Whither away, my pretty boys?" said she. "Will you not tell an old
gossip your destination?"

The elder of the two replied courteously that they were on their way
to Windeck, where their uncle was imprisoned. "Perchance," he added
timidly, "the lord may accept us as hostages till the ransom be paid."

"Perchance," mimicked the old woman, "aye, perchance! Think you the
knight of Windeck will take such lads as you are for hostages?"

And in truth they were not an imposing couple--the elder a slim, fragile
youth, whose eyes were already tearful at the prospect of confronting
his uncle's captor; while the younger was a mere boy, sanguine and
adventuresome as children often are.

"I will challenge this knight," said the boy seriously. "I will draw
sword for my uncle, for I also am a knight."

"Hush, Cuno," said his brother, smiling in spite of himself at the boy's
ardour. "We must not talk of fighting. We must entreat the knight to let
our uncle go free."

"What would you have, Imma? Entreat? Nay, that we shall not." He
stopped awkwardly, and his sister's rising colour showed plainly her
embarrassment at having her sex thus suddenly revealed.

The old woman looked at her kindly.

"I knew from the first that thou wert a maid disguised," she said.
"Go, and God speed you! Tell the knight of Windeck that the people of
Strassburg mean to attack his castle on the morrow, and that his only
means of resisting them is to dig a deep trench across the one possible
approach. But stay--there is no time for that; I will give you something
wherewith to dig the trench."

She whistled shrilly and in answer to her call a grey hen fluttered
toward her; this she gave to the young people. "When the moon rises,"
she said, "take the hen and place it where you wish the trench to be."

Then with a few words to the hen in a strange tongue, she bade the
brother and sister farewell and went on her way.

The two continued their journey and upon arriving at Windeck they were
agreeably surprised in the lord of the castle, for he was young and
handsome and very courteous, not at all the ogre they had imagined. In
faltering tones Imma told him their mission, conveyed to him the old
witch's warning, and presented the grey hen.

When he heard that they proposed to gain their uncle's freedom by
themselves taking his place, the knight regarded his visitors with
mingled feelings of pity and astonishment. The gentle, appealing glance
of the elder, no less than the naive candour of the younger, appealed
to his sympathies. In a very short time Cuno, who had quite forgotten to
challenge his host, was on the best of terms with him.

Meanwhile the Dean, very impatient and incensed, paced his small chamber
like a caged lion, or bemoaned his lost liberty and meditated on the
chances of escape. He was roused from a reverie by the sound of familiar
voices outside his cell, and a moment later the door was flung open and
Cuno entered unceremoniously.

"You are free, uncle, you are free! Imma and I have come to save you!"

Once more Imma flushed crimson at the revelation of her sex. The
astonished knight glanced with a new interest at her beautiful face,
with its rosy colour and downcast eyes. Turning to the Dean, he greeted
him cordially.

"You are free," he said. "Your nephews have promised to remain with me
as hostages till you have provided a ransom," Then, turning humorously
to Imma, he added: "Wilt thou be a soldier in my employ, youth? Or
wouldst have a place in my household?"

Imma vouchsafed no other reply than a deepening of her colour. She
must, however, have found words to utter when, later, the gallant knight
begged her seriously to remain at Windeck as his wife--for ere nightfall
the old Dean, grumbling and somewhat reluctant, was called upon to
consent to his niece's betrothal. This he did at length, when Imma had
joined her entreaties to those of her lover.

That night the grey hen was placed as the witch had advised, and it
was as she had said. With the dawn the Strassburgers arrived before the
castle, to find a newly made trench filled with the castle troopers.
When they learned that the Dean was free they called for a truce, and it
was not blood, but wine, which flowed that day, for all were invited to
share the wedding-feast of Imma and the knight of Windeck.

The Klingelkapelle

On the road between Gernsbach and Eberstein there once stood an ancient,
moss-grown cell. It had been occupied by a beautiful pagan priestess, a
devotee of Herthe, but when the preaching of the white monks had begun
to spread Christianity among the people she left the neighbourhood. In
passing by that way a Christian monk noticed the deserted retreat and
took possession of it, issuing at intervals to preach to the inhabitants
of the surrounding country.

One stormy night as he sat within his cell he fancied he heard a
pleading voice mingling with the roar of wind and waters. Going to the
door, he beheld a young girl who seemed to be half dead with cold and
fatigue. The good monk, who was never indifferent to human suffering,
drew her quickly inside, bade her seat herself by the fire, and set food
and wine before her. When she had recovered a little from the effects of
the storm the hermit questioned her with regard to her presence in such
a lonely spot and at such an unseasonable hour. The maid replied that
she had once dwelt in just such a pleasant and peaceful cell as that in
which she now reposed, but that cruel persecution had driven her from
her retreat.

"Then you, too, are a hermit?" said the young monk inquiringly, looking
down at his fair guest. The wine had brought some colour to her pale
cheeks and he could see that she was beautiful, with a beauty beyond
that of any maiden he had ever seen.

"Yes," she replied, "I am a priestess of Herthe. This cell in which I
beg for shelter was once my own. It was those of your religion who drove
me from it."

"You are not a Christian?" asked the monk, startled in spite of himself
by the passionate tones in which she spoke.

The maiden laughed.

"Am I not as beautiful as your Christian maids?" said she. "Am I not
human even as they are?" She moved about the cell as she spoke, and
picked up a piece of embroidery. "See, this is my handiwork; is it
less beautiful because it is not the work of a Christian? Why should we
suffer persecution at your hands?"

The young monk endeavoured to show that she was unjust in her estimate
of his religion. Gravely he told her the story of Christianity, but his
thoughts were of her weird beauty and he spake less earnestly than was
usual. And the maid, with an appearance of child-like innocence, waited
until he had finished his recital. She saw that she had him completely
in her power and pressed her advantage to the uttermost. She drew
closer to him, raised his hand, and pressed it to her lips. The monk
surrendered himself to her caresses, and when at length she begged
him to break the symbol of his religion he was too much fascinated to
refuse. He raised the cross and would have dashed it to the ground, but
at that very moment he heard high above the storm the sound of a bell.
Contrite and ashamed, he fell on his knees and prayed for pardon. When
he looked up again the girl had disappeared.

The hermit found the warning bell suspended on a bough outside his cell;
how it came there he never knew, but he was sure that it had been sent
to rescue him from the wiles of Satan and he treasured it as a sacred
relic. Many came from far and near to see the wonder, and on the site
of the cell the monk founded a chapel which became known as the
Klingelkapelle, or 'Tinkling-chapel.'

The Wafer-Nymph of Staufenberg

A charming story is linked with the castle of Staufenberg. One day while
its owner was out hunting he lost his way in the forest. The day was
hot, and the hunter was well-nigh overcome with thirst and fatigue when
he entered a pleasant glade in which a spring of limpid water bubbled
and sparkled. Having quenched his thirst, he seated himself on a mossy
bank to rest before proceeding homeward. Suddenly he saw at a little
distance a damsel of unique and marvellous beauty, braiding her wet hair
by the side of the spring. He watched her for a time in silence, then,
conscious that the damsel had observed his scrutiny, he hastened to her
side and courteously begged her permission to remain a little longer in
the glade.

"You are the lord of these domains," she replied graciously. "It is I
who am grateful to you for suffering me to dwell here."

The young knight protested eagerly that she honoured the forest with her
presence, and, indeed, he had already begun to wish that she might dwell
not only in the forest but in the schloss itself as his wife and its
mistress--for he had fallen in love with her at first sight. Indeed,
so ardent was his passion that he could not conceal his infatuation; he
told her of his love and begged that she would give him a little hope.
The maid's hesitation only drove him to urge his suit with increasing

"I will say neither 'yes' nor 'no,'" she replied, smiling. "Meet me
to-morrow at this hour and you shall have your answer."

The knight parted reluctantly from the fair lady and promised to return
on the following day. When the appointed time arrived he was already at
the tryst, eagerly awaiting the approach of his beloved. When at length
she came he renewed his pleadings with even greater ardour, and to his
unbounded delight the answer was favourable.

"I am a water-nymph," said the lady, "the spirit of the stream from
which you drank yesterday. You saw me then for the first time, but I
have often seen you in the forest--and I have long loved you."

The knight was more than ever enchanted by this naive confession, and
begged that their wedding should not be long delayed.

"There is one condition," said the nymph. "If you marry me you must
remain for ever faithful. Otherwise you must suffer death, and I eternal

The knight laughed at the bare idea of his proving unfaithful to his
beloved, and his vows were sincere.

Shortly afterward they were married, and none supposed the beautiful
being to be aught but a very attractive woman; in time there was born to
them a little son. The knight adored both wife and child, and for some
years lived a life of ideal domestic happiness. But there came a time
when another interest entered into his life. Rumours of fighting reached
him from France; he saw the knights of neighbouring fortresses leading
their troops to the war, and a martial spirit stirred within him. His
wife was not slow to observe that his world was no longer bounded by the
castle-walls of Staufenberg, and she wisely resolved not to stand in the
way of her lord's ambitions, but rather, if possible, to help them to
an honourable realization. So with much labour and skill she made him a
strangely wrought belt, which she gave him at once as a love-token and
a charm to secure success in battle. She concealed her grief at his
departure and bade him farewell bravely.

At the head of his troop the knight rode boldly into France and offered
his services to a distinguished French leader, to whom he soon became
indispensable--so much so, in fact, that the nobleman cast about for a
means of retaining permanently in his train a knight of such skill and
courage. But he could think of nothing with which to tempt the young
man, who was already possessed of gold and lands, till the artless
glances of his youngest daughter gave him his cue. For he saw that
she had lately begun to look with some favour on the simple knight of
Staufenberg, and it occurred to him that the hand of a lady of rank
and beauty would be a very desirable bait. Nor was he mistaken, for the
gaieties of the Frankish court had dazzled the knight, and the offer
of the lady's hand completely turned his head; not that he felt a great
affection for her, but because of the honour done to him. So he accepted
the offer and drowned, as best as he could, the remembrance of his wife
and child at Staufenberg. Nevertheless he sometimes felt that he was not
acting honourably, and at length the struggle between his love for his
wife and his pride and ambition became so severe that he determined to
consult a priest.

The good man crossed himself when he heard the story. "She whom you
married is an evil spirit," said he. "Beneficent spirits do not wed
human beings. It is your duty to renounce her at once and do penance for
your sin." Though he hardly found it possible to believe the priest's
assertion, the knight strove to persuade himself that it was true, and
that he was really acting virtuously in renouncing the water-nymph and
marrying again. So he performed the penances prescribed by the priest,
and allowed the wedding preparations to proceed.

When the day of his wedding arrived, however, he was strangely perturbed
and pale. The rejoicings of the people, the gay processions, even the
beautiful bride, seemed to have no interest for him. When the hand of
the lady was placed in his he could not repress an exclamation; it was
cold to the touch like the hand of a corpse.

On returning the wedding procession was obliged to cross a bridge, and
as they approached it a great storm arose so that the waters of the
stream washed over the feet of the bridegroom's horse, making it prance
and rear. The knight was stricken with deadly terror, for he knew that
the doom of which the water-nymph had spoken was about to overtake him.
Without a word he plunged into the torrent and was nevermore seen.

At the very hour of this tragedy a great storm raged round the castle of
Staufenberg, and when it abated the mother and child had disappeared for
ever. Yet even now on a stormy night she can still be heard among the
tree-tops weeping passionately, and the sound is accompanied by the
whimpering of a child.

Trifels and Richard Coeur-de-Lion

As a troop of horsemen rode through Annweiler toward the castle of
Trifels, in which Richard Coeur-de-Lion was imprisoned by the Archduke
of Austria, his deadly enemy, the plaintive notes of a familiar lay fell
on their ears. The singer was a young shepherd, and one of the knights,
a troubadour, asked him to repeat his ditty. The youth complied, and
the knight accompanied him as he sang, their voices blending tunefully

Giving him generous largess, the knight asked the minstrel who had
taught him that song. The shepherd replied that he had heard it sung in
the castle of Trifels. At this intelligence the stranger appeared highly
gratified, and, turning to his companions, ejaculated: "The King is

It was evident to the shepherd that the new-comers were friends of
Richard, and he warned them earnestly that danger lay before them. Only
by guile could they hope to succour their King. The warning was heeded,
and the tuneful knight rode forward alone, disguised in a minstrel's
tunic, in which he was welcomed at the castle. His courtly bearing soon
won him the favour of the castellan's pretty niece, who persuaded her
uncle to listen to his songs. During one of their stolen interviews the
girl betrayed the place where the King of England was imprisoned,
and that night, from beneath a window, the minstrel heard his King's
well-remembered voice breathing a prayer for freedom. His hopes being
thus confirmed, he took his harp and played the melody which he himself
had composed for Richard. The King immediately joined in the familiar
lay. When its strains had ended, "Blondel!" cried the captive excitedly.
The minstrel cautiously replied by singing another song, telling how he
was pledged to liberate his master.

But suspicion was aroused, and Blondel was requested to depart on the
following day. Deeming it prudent to make no demur, he mounted his
horse, after having arranged with the castellan's niece to return
secretly at nightfall. He rode no further than an inn near Annweiler,
which commanded a view of the castle. There his host informed him that
the Emperor was presently to be crowned at Frankfort, and that on the
evening of that day the garrison would celebrate the event by drinking
his health.

The minstrel said that he would certainly join the company, ordered wine
for the occasion, and promised to pay the reckoning. He then withdrew to
seek his comrades. At dusk he returned stealthily to the castle, and at
his signal the maid appeared at a little postern and admitted him.

On the day of the Emperor's coronation stealthy forms crept among the
trees near by the castle, and concealed themselves in the thick foliage
of the underbrush. The garrison, gaily dressed, quitted the keep, the
drawbridge was lowered, and the men were soon quaffing the choice wine
which the stranger had ordered.

Meanwhile Blondel had appeared before the postern and had given his
accustomed signal; for a time there was no response, and the minstrel
was becoming impatient, when the gate was suddenly opened and the maiden

The minstrel now told the girl his reason for coming hither: how he
hoped to liberate the captive monarch. As a reward for her connivance
he promised to take her with him to England. Then he beckoned to his
friends, there was a sudden rush, and armed forms thronged the postern.
The frightened maid, dreading lest violence should overtake her uncle,
shrieked loudly; but her cries were unheeded, and the English knights
pressed into the courtyard.

The assailants met with little resistance, seized the keys, threw open
the prison door, and liberated their King. The castellan protested
loudly, and threatened Richard with mighty words, but all to no purpose.
When the garrison returned they were powerless to render aid, for the
castellan was threatened with death should his followers attack the
castle. In the end a truce was made, and the English were allowed to
retire unmolested with their King. Although urged by him, the maid
refused to accompany Blondel, so, giving her a gold ring as a memento,
he parted from her.

Returning again many years afterward, the minstrel once more heard the
same song which the King had sung to his harp in the castle of
Trifels. Entering the inn, he recognized in the landlord the one-time
shepherd-boy. From him he learnt that the castellan had perished by an
unknown hand, and that his pretty niece, having, as she thought, plumbed
the depths of masculine deceit, had entered the nunnery of Eberstein at

Thann in Alsace

Thann is known to legend by two things: a steeple and a field. The
steeple was built in a season of great drought. Water had failed
everywhere; there was only the thinnest trickle from the springs
and fountains with which the people might allay their thirst. Yet,
strangely, the vineyards had yielded a wonderful harvest of luscious
grapes, and the wine was so abundant that the supply of casks and
vessels was insufficient for the demand. Therefore did it happen that
the mortar used for building the steeple was mixed with wine, wherefore
the lime was changed to must. And it is said that even to this day,
when the vines are in blossom, a delicate fragrance steals from the old
steeple and on the stones a purple dew is seen, while some declare that
there is a deeper tone in the harmony of the bells.

The Lying-field

The field is a terrible place, barren and desolate, for it is avoided
as a spot accursed. No living thing moves upon it; the earth is streaked
with patches of dark moss and drifts of ghastly skulls, like a scattered
harvest of death. Once, says the legend, a wayfarer, surprised by the
swift-fallen night, lost himself on the plain. As he stumbled in the
darkness he heard the clocks of the town near by strike the hour of
midnight. At this the stillness about the wanderer was broken. Under his
feet the earth seemed to tremble, there was a rattling of weapons, and
there sounded the tramp of armed men and the tumult of battle.

Suddenly the shape of a man in armour appeared before him, terrific and

"What do you seek here, in a field that has been accursed through many
centuries?" he asked. "Do you not know that this is a place of terror
and death? Are you a stranger that you stand on the place where a
king, Louis the Pious, betrayed by his own sons, was handed over to
his enemies, his crown torn from his head by his own troops? And he who
would have died gladly in battle suffered the shame and dishonour that
were worse than death. He lifted up his hands to heaven and cried with
bitterness: 'There is no such thing on earth as faith and loyalty.
Accursed be sons and warriors, accursed be this field whereon such deeds
have been done, accursed be they for ever!'"

The spectre paused and his words echoed across the field like the cry of
a lost soul. Again he spoke to the trembling wanderer: "And that curse
has endured through the centuries. Under this plain in mile-wide graves
we faithless warriors lie, our bones knowing no repose; and never will
that curse of our betrayed king be lifted from us or this place!"

The spectral warrior sank into the gloomy earth, the tumult of fighting
died away. The wayfarer, seized with terror, stumbled blindly on in the


Strassburg, the capital of Alsace-Lorraine, is only two miles west of
the Rhine. The city is of considerable antiquity, and boasts a cathedral
of great beauty, in which the work of four centuries is displayed to
wonderful advantage. By the light of the stained-glass windows the
famous astronomical clock in the south transept can be descried,
still containing some fragments of the horologe constructed by the
mathematician Conrad Dasypodius in 1574. This, however, does not tally
with the well-known legend of the clock, which now follows.

The Clockmaker of Strassburg

There dwelt in the town of Strassburg an old clockmaker. So wrapped up
was he in his art that he seemed to live in a world of his own, quite
indifferent to the customs and practices of ordinary life; he forgot his
meals, forgot his sleep, cared nothing for his clothes, and would have
been in evil case indeed had not his daughter Guta tended him with
filial affection. In his absent-minded fashion he was really very fond
of Guta, fonder even than he was of his clocks, and that is saying not a

The neighbours, busy, energetic folk who performed their daily tasks and
drank wine with their friends, scoffed at the dreamy, unpractical old
fellow and derided his occupation as the idle pastime of a mind not too
well balanced. But the clockmaker, finding in his workroom all that he
needed of excitement, of joy and sorrow, of elation and despondency, did
not miss the pleasures of social life, nor did he heed the idle gossip
of which he was the subject.

It need hardly be said that such a man had but few acquaintances; yet a
few he had, and among them one who is worthy of especial note--a wealthy
citizen who aspired to a position of civic honour in Strassburg. In
appearance he was lean, old, and ugly, with hatchet-shaped face and
cunning, malevolent eyes; and when he pressed his hateful attentions on
the fair Guta she turned from him in disgust.

One day this creature called on the clockmaker, announced that he had
been made a magistrate, and demanded the hand of Guta, hinting that it
would go ill with the master should he refuse.

The clockmaker was taken completely by surprise, but he offered his
congratulations and called the girl to speak for herself as to her hand.
When Guta heard the proposal she cast indignant glances at the ancient
magistrate, whereupon he, without giving her an opportunity to speak,
said quickly:

"Do not answer me now, sweet maid; do not decide hastily, I beg of you,
for such a course might bring lasting trouble on you and your father. I
will return to-morrow for your answer."

When he was gone Guta flung herself into her father's arms and declared
that she could never marry the aged swain.

"My dear," said the clockmaker soothingly, "you shall do as you please.
Heed not his threats, for when I have finished my great work we shall be
as rich and powerful as he."

On the following day the magistrate called again, looking very important
and self-satisfied, and never doubting but that the answer would be
favourable. But when Guta told him plainly that she would not marry him
his rage was unbounded, and he left the house vowing vengeance on father
and daughter.

Scarcely was he gone ere a handsome youth entered the room and looked
with some surprise at the disturbed appearance of Guta and her
father. When he heard the story he was most indignant; later, when the
clockmaker had left the young people alone, Guta confessed that the
attentions of the magistrate were loathsome to her, and burst into

The young man had long loved the maiden in secret, and he could conceal
his passion no longer. He begged that she would become his bride, and
Guta willingly consented, but suggested that they should not mention
the matter to her father till the latter had completed his great clock,
which he fondly believed was soon to bring him fame and fortune.
She also proposed that her lover should offer to become her father's
partner--for he, too, was a clockmaker--so that in the event of the
master's great work proving a failure his business should still be
secure. The young man at once acted upon the suggestion, and the father
gratefully received the proffered assistance.

At last the day came when the clockmaker joyfully announced that his
masterpiece was finished, and he called upon Guta and his young partner
to witness his handiwork. They beheld a wonderful clock, of exquisite
workmanship, and so constructed that the striking of the hour
automatically set in motion several small figures. The young people were
not slow to express their admiration and their confidence that fame was

When the clock was publicly exhibited the scepticism of the citizens was
changed to respect; praise and flattery flowed from the lips that had
formerly reviled its inventor. Nevertheless the civic authorities, urged
thereto by Guta's discarded lover, refused to countenance any attempt
to procure the wonderful clock for the town. But soon its fame spread
abroad to other cities. Members of the clockmakers' guild of Basel
travelled to see it, and raised their hands in surprise and admiration.
Finally the municipal authorities of Basel made arrangements to purchase

But at this point the citizens of Strassburg stepped in and insisted on
preserving the clock in their own city, and it was therefore purchased
for a round sum and erected in a chapel of the Strassburg Cathedral.
The corporation of Basel, having set their hearts on the wonderful
timepiece, commissioned the clockmaker to make another like it, and
offered substantial remuneration. The old man gladly agreed, but his
arch-enemy, hearing of the arrangement and scenting a fine opportunity
for revenge, contrived to raise an outcry against the proposal. "Where
was the advantage," asked the magistrates, "in possessing a wonderful
clock if every city in Germany was to have one?" So to preserve the
uniqueness of their treasure they haled the old clockmaker before
a tribunal and ordered him to cease practising his art. This he
indignantly refused to do, and the council, still instigated by his
enemy, finally decided that his eyes be put out, so that his skill in
clockmaking should come to a decided end. Not a few objections were
raised to so cruel a decision, but these were at length overruled. The
victim heard the dreadful sentence without a tremor, and when asked if
he had any boon to crave ere it were carried out, he answered quietly
that he would like to make a few final improvements in his clock, and
wished to suffer his punishment in its presence.

Accordingly when the day came the old man was conducted to the place
where his masterpiece stood. There, under pretence of making the
promised improvements, he damaged the works, after which he submitted
himself to his torturers. Hardly had they carried out their cruel task
when, to the consternation of the onlookers, the clock began to emit
discordant sounds and to whirr loudly. When it had continued thus for a
while the gong struck thirteen and the mechanism came to a standstill.

"Behold my handiwork!" cried the blind clockmaker. "Behold my revenge!"

His assistant approached and led him gently away. Henceforward he lived
happily with Guta and her husband, whose affectionate care compensated
in part for the loss of his eyesight and his enforced inability
to practise his beloved art. When the story became known the base
magistrate was deprived of his wealth and his office and forced to quit
the town.

And as for the clock, it remained in its disordered state till 1843,
when it was once more restored to its original condition.

The Trumpeter of Saeckingen

A beautiful and romantic tale which has inspired more than one work of
art is the legend of the Trumpeter of Saeckingen; it shares with "The
Lorelei" and a few other legends the distinction of being the most
widely popular in Rhenish folklore.

One evening in early spring, so the legend runs, a gallant young soldier
emerged from the Black Forest opposite Saeckingen and reined in his steed
on the banks of the Rhine. Night was at hand, and the snow lay thickly
on the ground. For a few moments the wayfarer pondered whither he should
turn for food and shelter, for his steed and the trumpet he carried
under his cavalry cloak were all he possessed in the world; then with
a reckless gesture he seized the trumpet and sounded some lively notes
which echoed merrily over the snow.

The parish priest, toiling painfully up the hill, heard the martial
sound, and soon encountered the soldier, who saluted him gravely. The
priest paused to return the greeting, and entering into conversation
with the horseman, he learned that he was a soldier of fortune,
whereupon he invited him with simple cordiality to become his guest. The
proffer of hospitality was gratefully accepted, and the kindly old man
led the stranger to his home.

The old priest, though not a little curious with regard to his guest's
previous history, forbore out of courtesy to question him, but
the warmth and cheer soon loosened the trumpeter's tongue, and he
volunteered to tell the old man his story. Shorn of detail, it ran
as follows: The soldier's youth had been passed at the University of
Heidelberg, where he had lived a gay and careless life, paying so little
attention to his studies that at the end of his course his only asset
was a knowledge of music, picked up from a drunken trumpeter in exchange
for the wherewithal to satisfy his thirst. The legal profession, which
his guardian had designed for him, was clearly impossible with such
meagre acquirements, so he had joined a cavalry regiment and fought in
the Thirty Years' War. At the end of the war his horse and his trumpet
were his sole possessions, and from that time he had wandered through
the world, gaining a scanty livelihood with the aid of his music. Such
was his history.

That night Werner--for so the young man was called--slept soundly in the
house of the old priest, and next morning he rose early to attend the
festival of St. Fridolin, in celebration of which a procession was
organized every year at Saeckingen. There, at the head of a band of
girls, he beheld a maid who outshone them all in beauty and grace, and
to her he immediately lost his heart. From that moment the gaieties of
the festival had no attraction for him, and he wandered disconsolately
among the merry-makers, thinking only of the lovely face that had caught
his fancy.

Toward nightfall he embarked in a little boat and floated idly down
the Rhine. Suddenly, to his amazement, there arose from the water the
handsome, youthful figure of the Rhine-god, who had recognized in his
pale cheek and haggard eye the infallible signs of a lover. Indicating a
castle at the edge of the river, the apparition informed Werner that his
lady-love dwelt therein, and he bade him take heart and seek some mode
of communicating with her. At this Werner plucked up courage to row
ashore to his lady's abode. There in the garden, beneath a lighted
window, he played an exquisite serenade, every perfect note of which
told of his love and grief and the wild hopes he would never dare to
express in words.

Now, the lord of the castle was at that very moment telling to his
beautiful daughter the story of his own long-past wooing; he paused in
his tale and bade his daughter listen to the melting strains. When
the notes had died away an attendant was dispatched to learn who the
musician might be, but ere he reached the garden Werner had re-embarked
and was lost to sight on the river. However, on the following day the
nobleman pursued his inquiries in the village and the musician was
discovered in an inn.

In obedience to a summons the trumpeter hastened to the castle, where
the old lord greeted him very kindly, giving him a place with his
musicians, and appointing him music-master to the fair Margaretha.
Henceforward his path lay in pleasant places, for the young people were
thrown a great deal into each other's society, and in time it became
evident that the lady returned the young soldier's tender passion. Yet
Werner did not dare to declare his love, for Margaretha was a maiden
of high degree, and he but a poor musician who not so very long ago had
been a homeless wanderer.

One day Werner heard strange, discordant sounds issuing from the
music-room, and thinking that some mischievous page was taking liberties
with his trumpet, he quietly made his way to the spot, to find that the
inharmonious sounds resulted from the vain attempt of his fair pupil to
play the instrument. When the girl observed that her endeavours had been
overheard, she joined her merriment with that of her teacher, and Werner
then and there taught her a bugle-call.

A few weeks later the nobleman, hearing of a rising of the peasants,
hastened to Saeckingen to restore order, leaving his daughter and Werner
to guard the castle. That night an attempt was made upon the stronghold.
Werner courageously kept the foe at bay, but was wounded in the melee,
and Margaretha, seeing her lover fall and being unable to reach him,
took the trumpet and sounded the bugle-call he had taught her, hoping
that her father would hear it and hasten his return. And, sure enough,
that was what happened; the nobleman returned with all speed to the
assistance of the little garrison, and the remnant of the assailants
were routed. Werner, who was happily not wounded seriously, now received
every attention.

Her lover's peril had taught Margaretha beyond a doubt where her
affections lay, and she showed such unfeigned delight at his recovery
that he forgot the difference in their rank and told her of his love.
There on the terrace they plighted their troth, and vowed to remain true
to each other, whatever might befall. Werner now ventured to seek the
nobleman that he might acquaint him of the circumstances and beg for
his daughter's hand, but ere he could prefer his request the old man
proceeded to tell him that he had but just received a letter from an old
friend desiring that his son should marry Margaretha. As the young
man was of noble birth, he added, and eligible in every respect he was
disposed to agree to the arrangement, and he desired Werner to write to
him and invite him to Saeckingen. The unfortunate soldier now made his
belated announcement; but the old man shook his head and declared that
only a nobleman should wed with his daughter. It is true he was greatly
attached to the young musician, but his ideas were those of his times,
and so Werner was obliged to quit his service and fare once more into
the wide world.

Years passed by, and Margaretha, who had resolutely discouraged the
advances of her high-born lover, grew so pale and woebegone that her
father in despair sent her to Italy. When in Rome she went one Sunday
with her maid to St. Peter's Church, and there, leading the Papal
choir, was her lover! Margaretha promptly fainted, and Werner, who had
recognized his beloved, was only able with difficulty to perform the
remainder of his choral duties. Meanwhile the Pope had observed that the
young man was deeply affected, and believing this to be caused by the
lady's indisposition, he desired that the couple should be brought
before him at the conclusion of the service. With kindly questioning
he elicited the whole story, and was so touched by the romance that he
immediately created Werner Marquis of Santo Campo and arranged that
the marriage of the young people should take place at once. Immediately
after the ceremony, having received the Papal blessing, they returned
to Saeckingen, where the father of the bride greeted them cordially, for
Margaretha was restored to health and happiness, and his own condition
was satisfied, for had she not brought home a noble husband?

The Charcoal-Burner

In the woods of Zaehringen there dwelt a young charcoal-burner. His
parents before him had followed the same humble calling, and one might
have supposed that the youth would be well satisfied to emulate their
simple industry and contentment. But in truth it was not so.

On one occasion, while on an errand to the town, he had witnessed a
tournament, and the brilliant spectacle of beauty and chivalry had
lingered in his memory and fired his boyish enthusiasm, so that
thenceforth he was possessed by 'divine discontent.' The romance of the
ancient forests wherein he dwelt fostered his strange longings, and in
fancy he already saw himself a knight, fighting in the wars, jousting in
the lists, receiving, perchance, the prize of the tourney from the fair
hands of its queen. And, indeed, in all save birth and station he was
well fitted for the profession of arms--handsome, brave, spirited, and
withal gentle and courteous.

Time passed, and his ambitions seemed as far as ever from realization.
Yet the ambitious mind lacks not fuel for its fires; the youth's
imagination peopled the woody solitudes with braver company than
courts could boast--vivid, unreal dream-people, whose shadowy presence
increased his longing for the actuality. The very winds whispered
mysteriously of coming triumphs, and as he listened his unrest grew
greater. At length there came a time when dreams no longer satisfied
him, and he pondered how he might attain his desires.

"I will go out into the world," he said to himself, "and take service
under some great knight. Then, peradventure--"

At this point his musings were interrupted by the approach of an old
man, clad in the garb of a hermit.

"My son," he said, "what aileth thee? Nay"--as the youth looked up in
astonishment--"nay, answer me not, for I know what thou wouldst have.
Yet must thou not forsake thy lowly occupation; that which thou dost
seek will only come to thee whilst thou art engaged thereon. Follow me,
and I will show thee the spot where thy destiny will meet thee."

The young man, not yet recovered from his surprise, followed his aged
guide to a distant part of the forest. Then the hermit bade him farewell
and left him to ponder on the cryptic saying: "Here thy destiny will
meet thee."

"Time will show the old man's meaning, I suppose," he said to himself;
"in any case, I may as well burn charcoal here as elsewhere."

He set to work, hewed down some great trees, and built a kiln, which,
before lighting, he covered with stony earth. What was his amazement
when, on removing the cover of the kiln in due course, he discovered
within some pieces of pure gold! A moment's reflection convinced him
that the precious metal must have been melted out of the stones, so
he again built a kiln, and experienced the same gratifying result.
Delighted with his good fortune, he concealed his treasure in an
appropriate hiding-place and proceeded to repeat the process till he had
obtained and hidden a large fortune, of whose existence none but himself
was aware.

One night, as he lay awake listening to the wind in the trees--for his
great wealth had this drawback, that it robbed him of his sleep--he
fancied he heard a knock at the door. At first he thought he must have
been mistaken, but as he hesitated whether to rise or not the knock was
repeated. Boldly he undid the door--a feat requiring no small courage
in that remote part of the forest, where robbers and freebooters
abounded--and there, without, stood a poor wayfarer, who humbly begged
admittance. He was being pursued, he declared; would the charcoal-burner
shelter him for a few days? Touched by the suppliant's plight, and moved
by feelings worthy of his chivalrous ideals, the youth readily extended
the hospitality of his poor home, and for some time the stranger
sojourned there in peace. He did not offer to reveal his identity,
nor was he questioned on that point. But one morning he declared his
intention of taking his departure.

"My friend," he said warmly, "I know not how I may thank you for your
brave loyalty. The time has come when you must know whom you have served
so faithfully. Behold your unfortunate Emperor, overcome in battle,
deprived of friends and followers and fortune!"

At these astounding words the young charcoal-burner sank on his knees
before the Emperor.

"Sire," he said, "you have yet one humble subject who will never forsake
you while life remains to him."

"I know," replied the Emperor gently, raising him to his feet, "and
therefore I ask of you one last service. It is that you may lead me by
some secret path to the place where the remnant of my followers await
me. Alas, that I, once so powerful, should be unable to offer you any
token of a sovereign's gratitude!"

"Sire," ventured the youth, "methinks I may be privileged to render yet
one more service to your Majesty." Straightway he told the story of his
hidden treasure and with simple dignity placed it at the disposal of
his sovereign, asking for nothing in return but the right to spend his
strength in the Emperor's service--a right which was readily accorded

The gold, now withdrawn from its place of concealment, proved to be
a goodly store, and with it the Emperor had no difficulty in raising
another army. Such was the courage and confidence of his new troops that
the first battle they fought resulted in victory. But the most valiant
stand was made by the erstwhile charcoal-burner, who found on that field
the opportunity of which he had long dreamt. The Emperor showed his
recognition of the gallant services by knighting the young man on the
field of battle. On the eminence whither the old hermit had led him the
knight built a castle which was occupied by himself and his successors
for many generations.

And thus did the charcoal-burner become the knight of Zaehringen, the
friend of his Emperor, the first of a long line of illustrious knights,
honoured and exalted beyond his wildest dreams.


With this legend we close on a brighter and more hopeful note than
is usually associated with legends of the Rhine. The reader may have
observed in perusing these romances how closely they mirror their
several environments. For the most part those which are gay and buoyant
in spirit have for the places of their birth slopes where is prisoned
the sunshine which later sparkles in the wine-cup and inspires song
and cheerfulness. Those, again, which are sombre and tragic have as
background the gloomy forest, the dark and windy promontory which
overhangs the darker river, or the secluded nunnery. In such
surroundings is fostered the germ of tragedy, that feeling of the
inevitable which is inherent in all great literature. It is to a tragic
imagination of a lofty type that we are indebted for the greatest of
these legends, and he who cannot appreciate their background of gloomy
grandeur will never come at the true spirit of that mighty literature of
Germany, at once the joy and the despair of all who know it.

Countless songs, warlike and tender, sad and passionate, have been
penned on the river whose deathless tales we have been privileged to
display to the reader. But no such strains of regret upon abandoning
its shores have been sung as those which passed the lips of the English
poet, Byron, and it is fitting that this book should end with lines so

     Adieu to thee, fair Rhine! How long delighted
     The stranger fain would linger on his way!
     Thine is a scene alike where souls united
     Or lonely Contemplation thus might stray;
     And could the ceaseless vultures cease to prey
     On self-condemning bosoms, it were here,
     Where Nature, nor too sombre nor too gay,
     Wild but not rude, awful yet not austere,
     Is to the mellow Earth as Autumn to the year.

     Adieu to thee again! a vain adieu!
     There can be no farewell to scene like thine;
     The mind is colour'd by thy every hue;
     And if reluctantly the eyes resign
     Their cherish'd gaze upon thee, lovely Rhine!
     'Tis with the thankful heart of parting praise;
     More mighty spots may rise, more glaring shine,
     But none unite in one attaching maze
     The brilliant, fair, and soft,--the glories of old days.

     The negligently grand, the fruitful bloom
     Of coming ripeness, the white city's sheen,
     The rolling stream, the precipice's gloom,
     The forest's growth, and Gothic walls between,
     The wild rocks shaped as they had turrets been,
     In mockery of man's art: and there withal
     A race of faces happy as the scene,
     Whose fertile bounties here extend to all,
     Still springing o'er thy banks, though Empires near them fall.

End of the Project Gutenberg EBook of Hero Tales and Legends of the Rhine
by Lewis Spence


***** This file should be named 16539.txt or *****
This and all associated files of various formats will be found in:

Produced by Steve Pond

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial



To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at

Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (,
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.


1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal

defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at

Section 3.  Information about the Project Gutenberg Literary Archive

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit:

Section 5.  General Information About Project Gutenberg-tm electronic

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.


This file was acquired from Project Gutenberg, and it is in the public domain. It is re-distributed here as a part of the Alex Catalogue of Electronic Texts ( by Eric Lease Morgan (Infomotions, Inc.) for the purpose of freely sharing, distributing, and making available works of great literature. Its Infomotions unique identifier is etext16539, and it should be available from the following URL:

Infomotions, Inc.

Infomotions Man says, "Give back to the 'Net."